Coco Love Quotes

We've searched our database for all the quotes and captions related to Coco Love. Here they are! All 100 of them:

It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong. And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person. I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love. The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness. I’ve done my best, in regard to people and to life, without precepts, but with a taste for justice.
Coco Chanel
There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time.
Coco Chanel
I wore your promise on my finger for one year I'll wear your name on my heart til I die Because you were my boy, you were my only boy forever.
Coco J. Ginger
He brought out the worst in me, and was the best thing that ever happened to me.
Coco J. Ginger
Fashion has two purposes: comfort and love. Beauty comes when fashion succeeds.
Coco Chanel
When the darkest part of you meets the darkest part of me, it creates light.
Coco Mellors (Cleopatra and Frankenstein)
Bittersweet? No, just bitter, the taste of your tongue. Words you can’t have back, so they linger.
Coco J. Ginger
If I wasn't so phenomenal. I would go back to you.
Coco J. Ginger
There is a time for work, and a time for love. That leaves no other time.
Coco Chanel
She has been trying to pull her worth from him for so long. She has been trying to extract her beauty from his skin. She has been dying to be loved by him again...but he will always leave her empty
Coco J. Ginger
...I feel like a traitor, a phony, a fake. But I am a hypocrite with the best intentions, and I need kissing desperately.
Coco J. Ginger
....finally I see that it’s never been me, just a blanket that keeps you warm. Easily tossed along when something flashier or someone prettier comes along. Your heart I held so carefully, I see, this was all just a game...
Coco J. Ginger
Fondness was the best word she could think of to describe what they felt for each other. Fondness was warm but not tepid, the color of amber, more affectionate than friendship but less complicated than love.
Coco Mellors (Cleopatra and Frankenstein)
There is nothing more comfortable than a caterpillar and nothing more made for love than a butterfly. We need dresses that crawl and dresses that fly. Fashion is at once a captapillar and a butterfly, caterpillar by day, butterfly by night
Coco Chanel
I love luxury. And luxury lies not in richness and ornateness but in the absence of vulgarity. Vulgarity is the ugliest word in our language. I stay in the game to fight it.
Coco Chanel
Love looks through spectacles that make copper look like gold, poverty like riches, and tears like pearls.
Coco Mellors (Cleopatra and Frankenstein)
I HOLD If I could have had him, I could have let him go. But without the having there was nothing— so to the nothing I hold.
Coco J. Ginger
This book is dedicated to my children, Pi, Coco, and Jay. When your grandkids are old enough to read this book, tell them how much I loved you.
J.K. Franko (Eye for Eye (Talion #1))
You'll never like me, but you'll always love me.
Coco J. Ginger
I never want to arrive. I love the ride.
Coco J. Ginger
I want your hand without the skin. Bone to bone without the molds. Mouth to mouth, without the porn.
Coco J. Ginger
What is love, if not the abandonment of all sanity, all dignity?
Coco J. Ginger
But the people who did get that love, they grew up to be different from us. More secure. Maybe they’re not as shiny or successful as you and I feel we have to be. But it’s not because they’re not interesting. They just don’t feel they have to do the tap dance, you know? They don’t have to prove themselves all the time to be loved. Because they always were.
Coco Mellors (Cleopatra and Frankenstein)
Did my courage make you crazy? Cripple you with the unknown? Did my silence create desire—make you feel things you could not discern? Is my shinning light exploding? Can your eyes not yet adjust? Is my forgiveness running through you? Knowing your pain I will not digest? Is my confidence disrupting the girl you LOVE to HATE the most?
Coco J. Ginger
Love thy neighbor as thyself. Unless he calls you names. Then do not love him, run in the opposite direction and throw a gerbil at his door.
Coco J. Ginger
A double bed can seem awfully small if your'e sharing it with someone you don't love. (Misia)
Chris Greenhalgh (Coco Chanel & Igor Stravinsky)
You break me the hardest, make me the strongest, and keep me the softest.
Coco J. Ginger
Sweetheart, love is humiliating. Hasn’t anyone ever told you that?
Coco Mellors (Cleopatra and Frankenstein)
He wished he loved her a little more or hated her a little less, something to tip the scale. Instead, he lived in the fraught balance between the two, each increasing the intensity of the other....
Coco Mellors (Cleopatra and Frankenstein)
There’s nothing worse than writing. There’s nothing better than writing. It’s like the man you hate to love, love to hate and never really come to terms with any of the feelings.
Coco J. Ginger
It was easy to love someone in the beginnings and endings; it was all the time in between that was so hard.
Coco Mellors (Blue Sisters)
I only drink Champagne on two occasions, when I am in love and when I am not.
Coco Chanel
A POCKET-SIZED GIRL He keeps me in his pocket for a rainy day; he swears I'm not an object as he yo-yo's me away. A friend is what we'll call it, but my friend, he does not know, each time it rains I love him— so to his pocket, I must go. He thinks he's being clever, but I am not a fool; his love ain't worth a penny, so to my heart I must be cruel.
Coco J. Ginger
MY MOON I'll always wonder what time it is there; if you're dreaming, or awake. My moon is your sun; my darkness, your light. I'm in the future, you'd jokingly say. And I know where you are, because I'm watching you from the past.
Coco J. Ginger
A sister is not a friend. Who can explain the urge to take a relationship as primal and complex as a sibling and reduce it to something as replaceable, as banal as a friend? Yet this status is used again and again to connote the highest intimacy. True sisterhood is not the same as friendship. You don't choose each other and there is no furtive period of getting to know each other. You are a part of each other, right from the start. Look at an umbilical cord—tough, sinuous, unlovely, yet essential—and compare it to a friendship bracelet of brightly woven thread. That is the difference between a sister and a friend.
Coco Mellors (Blue Sisters)
And you’re in love?” “Ma, we’ve never even kissed.” “And that has anything to do with it?” “Okay, fine. Yes, I think so. But don’t tell anyone. Don’t even repeat it to yourself.” “Why?” “Because it’s humiliating.” “Sweetheart, love is humiliating. Hasn’t anyone ever told you that?” “Who would have told me that?” “Do you know the word humiliate comes from the Latin root humus , which means ‘earth’? That’s how love is supposed to feel.” “Like hummus?” “Like earth. It ground s you. All this nonsense about love being a drug, making you feel high, that’s not real. It should hold you like the earth.” “Wow, Ma.” “What? I have a heart, don’t I?
Coco Mellors (Cleopatra and Frankenstein)
...I know I’ve broken all the rules of all the games, that all the great players and best love calculators recommend that you play, if you want to make someone like you a lot. But that’s okay, because I give up. I’ve got my coffee sitting in my San Francisco cup, I’ve got Kona island and a working beating heart that’s not cold, hard, or numb—very workable and capable of loving, breaking, mending and repeating. So that’s just what I’ll do. Because I’m too tired. Too tired uping all nighting wasting my precious timing wishing it was your heart pumping, wanting me— like I used to want you.
Coco J. Ginger
Love is not of value when this superficial contract must be drawn up, representing the two worlds that enclose us.
Coco J. Ginger
Avery had previously thought love was built on large, visible gestures, but a marriage turned out to be the accrual of ordinary, almost inconsequential, acts of daily devotion—washing the mugs left in the sink before bed, taking the time to run up or downstairs to kiss each other quickly before one left the house, cutting up an extra piece of fruit to share—acts easy to miss, but if ever gone, deeply missed.
Coco Mellors (Blue Sisters)
Their family had always been good at hellos and goodbyes, moments ending even as they began. It was easy to love someone in the beginnings and endings; it was all the time in between that was so hard.
Coco Mellors (Blue Sisters)
No matter the age, a woman who is unloved is lost - unloved she might as well die.
Coco Chanel
I guess that’s what life should feel like. Setting off on a long car ride with all your worries and hopes strapped around you, the people who love you most, frantically waving you off as you go.
Coco Mellors (Cleopatra and Frankenstein)
Could you fall out of love with life if you were never in love with it?
Coco Mellors (Blue Sisters)
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn’t know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn’t I just pull myself together back then? I was five! I could have turned it around!
Coco Mellors (Cleopatra and Frankenstein)
A WISH Sometimes I wish that he will live and I will see him. But mostly I wish that he will die, and take my memories with him.
Coco J. Ginger
All this nonsense about love being a drug, making you feel high, that's not real. It should hold you like the earth.
Coco Mellors (Cleopatra and Frankenstein)
7am They said that I’d forget you, and I knew it wasn’t true. But sometimes I wake up now, and my heart’s no longer blue. I press the Keurig button, dancing across the room— Sometimes it’s nearly seven, before I’ve thought of you. And though we sleep together, all night side by side, one day I’ll have my coffee without you in my mind.
Coco J. Ginger
WORTHY If you ever decide to feel— feel this: I love you. I always have. I always will. Not because you're charming, beautiful or lovable. But because I choose you. Everyday I wake up and I choose you— again, and again, and again. But if you cannot feel, and if you never feel this, then know: I do not love you. I never have. I never will. Because you're not worth my love. (Come back my love, I am drowning.)
Coco J. Ginger
It is good you have each other, the artist had said, regarding them seriously as she worked. You never have to explain yourself to sisters. It was true. Being one of four sisters always felt like being part of something magic. Once Bonnie noticed it, she saw the world was made up of fours. The seasons. The elements. The points on a compass. Four suits in a pack of cards. Four chambers of a human heart. Bonnie loved being a part of this mystical number, this perfect symmetry of two sets of two.
Coco Mellors (Blue Sisters)
Only then, in the quietness beneath, did the new feeling arrive. It was shame . Shame that she had quit her job, shame that she did not paint, shame that she had married Frank, shame that he was in love with someone else, shame that she had run to Anders for comfort, shame that he had discarded her, shame that Frank drank like he did, shame that they let Jesus die, shame that Frank had let her tear apart the whole apartment looking for her before coming clean about what he’d done, shame that she’d covered for him and told everyone that Jesus had escaped, shame that it was her secret now too, shame that she was too afraid to leave him when she said she would, shame that her mother was dead and she could not ask her for advice, shame that her mother didn’t want to be her mother enough to not be dead, just shame, shame, shame.
Coco Mellors (Cleopatra and Frankenstein)
I doubt you would understand what it is like, to watch yourself die more and more each day, while birthing a whole new woman at the same time.
Coco Mingolelli (Peccatum in Carne: Sins of the Flesh (The Three Sins of Mallory Moore Book 1))
Coco Chanel is said to have said that a girl should be two things: who and what she is. I say a girl should do two things: what and who she wants.
Mokokoma Mokhonoana (On Masturbation: A Satirical Essay)
Johnny gasped. "All I ever did was love you. You're just too fucked up to know what that feels like." "Maybe," said Quentin. "But I'll settle for knowing what Italian cashmere feels like.
Coco Mellors (Cleopatra and Frankenstein)
Perhaps the real tragedy here is not that George Michael’s heart was given away, but that this beautiful song is relegated to only one month of the year, when its message of unrequited love leading to a deepening resolve to choose more deserving partners is undeniably relevant year-round.
Coco Mellors (Cleopatra and Frankenstein)
I didn’t like his tone. In fact I didn’t like boys’ tone when they knew they were hot and tried to be rude to girls because they knew they were hot.
Luella Christie (Coco Chan)
გაქვს დრო მუშაობისთვის,და გაქვს დრო სიყვარულისთვის.სხვა რამისთვის დრო უბრალოდ არ გრჩება.
Coco Chanel
I want to tell Frank that there is no wrong half, no halves at all in fact, that if there were, we'd be busy halving ourselves again and again until we got to the little square of us that was good and then we would all be free to love and be loved.
Coco Mellors (Cleopatra and Frankenstein)
Do you know the word humiliate comes from the Latin root humus, which means ‘earth’? That’s how love is supposed to feel.” “Like hummus?” “Like earth. It grounds you. All this nonsense about love being a drug, making you feel high, that’s not real. It should hold you like the earth.
Coco Mellors (Cleopatra and Frankenstein)
A double bed can seem awfully small if your'e sharing it with someone you don't love." -Misia ― Coco Chanel & Igor Stravinsky
Chris Greenhalgh (Coco Chanel & Igor Stravinsky)
Verdi was a genius. Sometimes in his operas, the strings in the orchestra, particularly the cellos, play in such a way that it is as if you are hearing the very heartbeat of Verdi.
Vincent B. "Chip" LoCoco (Tempesta's Dream: A Story of Love, Friendship and Opera)
Coco, not a day goes by that I don’t regret what happened between us. I thought I was doing the right thing, but I made a mistake. And it cost me the love of my life.
Melanie Harlow (Forked (Frenched, #2))
I know,” said Bonnie. “I love you too. Without the too.” It was what Nicky used to say to them. No too. Just love.
Coco Mellors (Blue Sisters)
I love you. And I want you. But I don’t want to live this way— being called a liar and an asshole for the rest of my life because of something stupid I did when I was twenty- two. I don’t want every argument we ever have to circle back to it. I’m not that guy anymore, Coco. I’m not perfect, but given the chance, I know I could make you happy. Tell me what to do to get that chance.
Melanie Harlow (Forked (Frenched, #2))
Mom would hate it if she knew I told Coco this stuff. She'd hate it, and she wouldn't even admit that to me, because she'd be too worried about making me uncomfortable or ashamed. She's like a silverware divider with a conscience, trying to keep us all separate and safe without making the forks feel bad about not being spoons or the spoons feel worried that the forks shouldn't be so poky.
Emily Henry (The Love That Split the World)
But Chiti didn't understand what it was like to have sisters. Against their parents, against the world at large, they were fiercely allied. But among themselves, everything was a competition. There was never enough attention, never enough money, never enough love to go around. So they fought for every scrap.
Coco Mellors (Blue Sisters)
I’m scared.’ I finally said. ‘Course you are love, but a thing ain’t worth doing unless it makes you crap yerself a little bit.
Robert Bryndza (Coco Pinchard, The Consequences Of Love And Sex (Coco Pinchard, #3))
She hates authority but loves structure.
Coco Mellors (Blue Sisters)
What hurt has been done to you, sweet girl? We shall erase it – it shall be but a memory forgotten," she promised. This, she knew how to do.
Coco Mingolelli
she had seen enough of her mother’s life to acquire a healthy mistrust of men, marriage, and motherhood. She had seen that, for women, love and attachment led to disgrace and humiliation.
Rhonda K. Garelick (Mademoiselle: Coco Chanel and the Pulse of History)
I guess that’s what life should feel like, setting off on a long car ride with all your worries and hopes strapped around you, the people who love you most frantically waving you off as you go
Coco Mellors (Cleopatra and Frankenstein)
He squeezed into one of the pews and knelt. It had been a long time since he had been here. What should he say? Phrases from his childhood came to him, dusty and inchoate. Out of habit, he began reciting the Lord’s prayer, but the real thoughts, his actual prayers, interrupted before he finished. He asked for his grandmother to rest in eternal peace. He asked for God to watch over his parents. He prayed that Cleo not be in pain. He prayed for her and Frank to be happy again. He asked for mercy for Anders. He prayed that Lila be allowed to dance, wherever she was. His grandmother had always told him not to pray for himself, but at the very end he did. He prayed for the courage to talk to Dominique. He asked for love to come to him again. Finally, he humbly asked God for the strength to bear his hungry heart , the heaviest weight of all to bear.
Coco Mellors (Cleopatra and Frankenstein)
And you and I didn’t get that, not because we didn’t deserve it, we just got dealt something else. But the people who did get that love, they grew up to be different from us. More secure. Maybe they’re not as shiny or successful as you and I feel we have to be. But it’s not because they’re not interesting. They just don’t feel they have to do the tap dance, you know? They don’t have to prove themselves all the time to be loved. Because they always were.
Coco Mellors (Cleopatra and Frankenstein)
Then we stop. "¡Down!" Coco Liso almost yells. We crouch. Pick a bush. I hold my breath. It sounds like an ocean wave is approaching the shore. A loud crash. Then it keeps crashing, but softer and softer until we can't hear it anymore. Shhhhhh. It quiets down like sand absorbing water, fizzling, "Car," people whisper. ¿A car? ¿That was a car? ¡It sounded like the ocean! I look at Carla, who looks at me. Her eyes are big. I smile. She smiles back. I look at Chino, and he nods, doing his lip thing, meaning he thinks it's cool también. We wait until there aren't any noises. We move again. People look back and whisper, "Stay low." I don't have to. Most bushes are taller than me. At most, I tilt my head. Carla has to bend a little, but she's also not that tall. The road is real. We hear it. We crouch from Crayon bush to Cheerleader bush. Past Fuzzies and Lonelies. We stop when we hear a wave forming, nearing, crash - then it fizzles away. I love it. ¡This is the ocean! The asphalt road is the ocean water, the cars the waves.
Javier Zamora (Solito)
A lot was written about romantic love, Avery thought, about the profundity of that embrace. Bu this, too, was deserving of rapture, of song. Before she ever knew a lover's body, she knew her sisters', could see herself in their long feet and light eyes, their sleek limbs and curled ears. And, before life became big and difficult, there were moments with them when it was simply good: an early morning, still dark out, their parents asleep. Her younger sisters arriving one by one at her bedside, hair tangled, exuding their sour and sweet morning musk. She'd lifted the covers for each of them, letting them crowd into her bottom bunk, bodies pressed tight against one another, and they'd fallen asleep again like that, dropping off like puppies curled around a mother's warm belly.
Coco Mellors (Blue Sisters)
Love and pain, those were the only disciplinarians she knew in the ring and in life. But love had died when Nicky did, then again when her sisters turned on each other, and again when Pavel looked at her as though she were a stranger. Which left her with pain. That, she could deliver from the heart.
Coco Mellors (Blue Sisters)
But where should he begin? - Well, then, the trouble with the English was their: Their: In a word, Gibreel solemnly pronounced, their weather. Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.' Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon. Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess. Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.
Salman Rushdie (The Satanic Verses)
Talking to his mother bewildered him. He wished he loved her a little more or hated her a little less, something to tip the scale. Instead, he lived in the fraught balance between the two, each increasing the intensity of the other: the more he longed for her, the more disappointed he felt by her; the more disappointed he felt, the more he longed.
Coco Mellors (Cleopatra and Frankenstein)
Just say it, ma.” He smirked. “Say what?” I probed. He was looking at me through the mirror as I was doing the same. “You wanna fuck this twelve-inch dick,” he strongly replied. “Don't be ashamed, shordy. I wanna fuck you too with it.” If anything, somebody needed to call 911 and tell them it was a horse loose in the projects. That's how large his imprint was in his shorts.
Coco Shawnde (Crossing Lines: A St. Louis Love Story)
D’istinto le venne da abbracciare il ragazzo ma lui si ritrasse: «Mi attacchi il raffreddore!». Coco non rise più. Il rifiuto la offese. Ma David le afferrò le mani e infine la strinse a sé in un abbraccio caloroso. Sensuale. Le sussurrò nell’orecchio: «Sei speciale. Attaccami pure il raffreddore!». Coco chiuse gli occhi. Sentì suonare tutti i violini del mondo. L’unico rumore pesante e profondo fu quello del battito del cuore. David aveva un odore buono. Fresco.
Roberta Rizzo (Rossa come l'amore perduto)
There are no cars on Mackinac Island,” I said. Mackinac Island, Michigan, was known as the fudge capital of the world. We were a small island in the straits between the Upper and Lower Peninsulas of Michigan. The entire island had been combustion engine-free for over a hundred years. That meant the only way to get around was walk, bike, or take a horse-drawn carriage. I loved the traditions of the island. Things were slower here, and the sights and sounds of modern life were left behind
Nancy CoCo (Fudge Bites (Candy-Coated, #7))
You be a good dog, Spike!” Senora called over to him. I looked jealously in the new dog’s direction, but his reaction to having his name spoken was to glance over as if it were nothing at all. Toby, I wanted her to say. Good dog, Toby. Instead she said, “There are no bad dogs, Bobby, just bad people. They just need love.” “Sometimes they’re broke inside, senora. And nuthin’ will help ’em.” Senora’s hand absently reached down and scratched behind Coco’s ears. I frantically shoved my nose underneath Senora’s fingers,
W. Bruce Cameron (A Dog's Purpose Boxed Set (A Dog's Purpose #1-2))
Sometimes you want to say, “I love you, but…” Yet the “but” takes away the ‘I love you’. In love their are no ‘buts’ or ‘if’s’ or ‘when’. It’s just there, and always. No beginning, no end. It’s the condition-less state of the heart. Not a feeling that comes and goes at the whim of the emotions. It is there in our heart, a part of our heart…eventually grafting itself into each limb and cell of our bodies. Love changes our brain, the way we move and talk. Love lives in our spirit and graces us with its presence each day, until death. To say “I love you, but….” is to say, “I did not love you at all”.
Coco J. Ginger
Coco?” I whispered, standing still, hardly able to believe it. “Oh—Coco?” “It is impossible to imagine,” a voice behind seemed to be saying from a great distance away, “how the dog could have reached this spot. For three days he has been immovable in his kennel.” I dropped on my knees, and took his paw in my hand. He gave the faintest wag of his tail, and tried to raise his head; but it fell back again, and he could only look at me. For an instant, for the briefest instant, we looked at each other, and while we looked his eyes glazed. “Coco—I’ve come back. Darling—I’ll never leave you any more——” I don’t know why I said these things. I knew he was dead, and that no calls, no lamentations, no love could ever reach him again. Sliding down on to the stone flags beside him, I laid my head on his and wept in an agony of bitter grief. Now indeed I was left alone in the world. Even my dog was gone.
Elizabeth von Arnim (All The Dogs Of My Life)
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
What do you call an evil leader digging a hole? Darth Spader   What do you call Obi Wan eating crunchy toast? Obi Crumb   What do call a padawan who likes to play computer games? i'Pad' me   What do you call a starship pilot who likes to drink cocoa? Han Coco   What starship is always happy to have people aboard? The Millennium Welcome   What did Yoda say to Luke while eating dinner? Use the fork Luke.   What do you call a Sith who won't fight? A Sithy.   Which Star Wars character uses meat for a weapon instead of a Lightsaber? Obi Wan Baloney.   What do call a smelly droid? R2DPOO   What do call a droid that has wet its pants? C3PEE0   What do you call a Jedi who loves pies? Luke PieWalker?   What do call captain Rex when he emailing on a phone? Captain Text   What evil leader doesn’t need help reaching? Ladder the Hutt   What kind of evil lord will always say goodbye? Darth Later   Which rebel will always win the limbo? Han LowLow   What do you call R2D2 when he’s older? R2D3   What do you call R2D2 when he’s busting to go to the toilet? R2DLoo   What do call Padme’s father? Dadme   What’s do you call the Death Star when its wet? The Death Spa   What do call R2D2 when he climbs a tree? R2Tree2   What do you say a Jedi adding ketchup to his dinner? Use the sauce Luke.   What star wars baddy is most likely to go crazy? Count KooKoo   What do call Count Dooku when he’s really sad? Count Boohoo   Which Jedi is most likely to trick someone? Luke Liewalker   Which evil lord is most likely to be a dad? Dadda the Hutt   Which rebel likes to drink through straws? Chew Sucker   Which space station can you eat from? The Death bar   What do call a moody rebel? Luke Sighwalker   What do you call an even older droid R2D4   What do call Darth Vader with lots of scrapes? Dearth Grazer   What call an evil lord on eBay? Darth Trader   What do call it when an evil lord pays his mum? Darth Paid-her   What do call an evil insect Darth Cicada   What sith always teases? General Teasers   Who's the scariest sith? Count Spooko   Which sith always uses his spoon to eat his lunch Count Spoonu   What evil lord has lots of people living next door? Darth Neighbour   What Jedi always looks well dressed? Luke TieWalker   Which evil lord works in a restaurant? Darth waiter   What do you call a smelly storm trooper? A storm pooper   What do you call Darth Vader digging a hole? Darth Spader   What do you C3PO wetting his pants? C3PEE0   What do you call Asoka’s pet frog? Acroaka   What do you call a Jedi that loves pies? Luke Piewalker   What rebel loves hot drinks? Han Coco   What did Leia say to Luke at the dinner table? Use the fork Luke.   What do call Obi Wan eating fruit? Obi plum   What do you call Obi in a band? Obi Drum   What doe Luke take out at night? A Night Sabre   What is the favourite cooking pot on Endor? The e Wok
Reily Sievers (The Best Star Wars Joke Book)
A double bed can seem awfully small if your'e sharing it with someone you don't love." -Misia
Chris Greenhalgh (Coco Chanel & Igor Stravinsky)
Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.
Deborah Garner (A Flair for Chardonnay (Sadie Kramer Flair, #1))
I am not super-attached to my career,' Audrey Tautou says in that sultry, Gallic voice of hers, a glint of recklessness in her big brown eyes. 'I have several plan Bs: I want to become a sailor; I like to draw; I would love to learn many things, but I don’t have time…' She trails off, leaving an uncertain silence hanging over the Kensington hotel room where we’ve met to discuss her latest film, a delightful comic confection called Beautiful Lies. 'That is the problem, you know,' she continues, more carefully. 'That is the reason why I will quit acting very soon.' She lets out a strange little laugh, a creaky exhalation, as if her own admission has taken her by surprise... 'I didn’t want to have this power,' she says, with a shrug. 'I would rather have freedom; and to find that you have to stop being in big, exposed movies. I don’t surf on the big waves. When I see them coming, I take my board and go straight back to the beach.'... 'I am always surprised to be chosen by a director for a role because I never understand why they like me,' she says. Surely, I suggest, that is false modesty, coming from one of Europe’s most bankable stars. 'Oh no, really, I am serious,' she says, leaning forward and planting her feet back on the carpet. 'I am always surprised to be cast.' Does her track record – in Jeunet’s hits; or in Stephen Frears’s acclaimed Dirty Pretty Things, or as a compellingly self-possessed Coco Chanel in Anne Fontaine’s 2009 biopic – not give her at least a little confidence? 'No,' she says with a scowl, 'pas du tout.' 'A few months ago, I watched one of my old movies and I thought to myself, 'Oh, Jesus!’ Thank God that at the point I made that film I didn’t realise the extent to which I was terrible. Oh, mon dieu! Mon dieu!' But surely, I say, she can take from that the reassurance that she has only improved as an actress. 'Or,' she says, jabbing a finger in the air, 'I say to myself, does it simply mean that if in another 10 years I rewatch the films I am making today I will say, 'Oh mon dieu, how terrible I was then.’ She laughs that odd, breathy laugh again and then looks me dead in the eye. 'You have to be very careful in this life.
Benjamin Secher
If love and disease are not a choice , seeking for remedy is still your choice.
Mohamed Adly (Coco De Mer - the Forbidden Fruit)
Especially not for a whole year.
Cecily Anne Paterson (Love and Muddy Puddles (Coco and Charlie Franks, #1))
One ought never laugh at their Queen, especially when that woman is their wife.
Coco Mingolelli (Peccatum in Carne: Sins of the Flesh (The Three Sins of Mallory Moore Book 1))
Coco will be gone in less than two years and Pippi and Ginsburg not long after, and then it'll just be the two of us again and this weird-ass marriage.
Harrison Scott Key (How to Stay Married: The Most Insane Love Story Ever Told)
...That's how love is supposed to make you feel...Like earth. It grounds you. All this nonsense about love being a drug, making you feel high, that's not real. It should hold you like the earth.
Coco Mellors (Cleopatra and Frankenstein)
Like earth. It grounds you. All this nonsense about love being a drug, making you feel high, that’s not real. It should hold you like the earth.
Coco Mellors (Cleopatra and Frankenstein)
Further Reading Atwood, Kathryn. Women Heroes of World War II (Chicago Review Press, 2011). Copeland, Jack. Colossus: The Secrets of Bletchley Park’s Code-Breaking Computers (Oxford University Press, 2010). Cragon, Harvey. From Fish to Colossus: How the German Lorenz Cipher was Broken at Bletchley Park (Cragon Books, 2003). Edsel, Robert. The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History (Hachette Book Group, 2009). Eisner, Peter. The Freedom Line (William Morrow, 2004). Helm, Sarah. A Life in Secrets: The Story of Vera Atkins and the Lost Agents of SOE (Hachette UK Book Group, 2005). Hodges, Andrew. Alan Turing: The Enigma (Random House UK, 2014). Mazzeo, Tilar. The Hotel on Place Vendôme: Life, Death, and Betrayal at the Hotel Ritz in Paris (HarperCollins, 2015). Mulley, Clare. The Spy Who Loved: The Secrets and Lives of Christine Granville (St. Martin’s Press, 2012). O’Keefe, David. One Day in August: The Untold Story Behind Canada’s Tragedy at Dieppe (Knopf Canada, 2013). Pearson, Judith. The Wolves at the Door: The True Story of America’s Greatest Female Spy (Rowman & Littlefield, 2005). Ronald, Susan. Hitler’s Art Thief (St. Martin’s Press, 2015). Rosbottom, Ronald. When Paris Went Dark: The City of Light Under German Occupation 1940–1944 (Hachette Book Group, 2014). Sebba, Anne. Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation (St. Martin’s Press, 2016). Stevenson, William. Spymistress: The Life of Vera Atkins, the Greatest Female Secret Agent of World War II (Arcade Publishing, 2007). Vaughan, Hal. Sleeping With the Enemy: Coco Chanel’s Secret War (Random House, Inc., 2011). Witherington Cornioley, Pearl; edited by Atwood, Kathryn. Code Name Pauline: Memoirs of a World War II Special Agent (Chicago Review Press, 2015). From the Combined Intelligence Objectives Subcommittee/Target Intelligence Committee (TICOM) Archives. NW32823—Demonstration of Kesselring’s “Fish Train” (TICOM/M-5, July 8, 1945).
Kelly Bowen (The Paris Apartment)
We leaned even closer and pressed our foreheads together for consolation, as a promise, fingers entwined, and it was like the last application of color to the canvas, the moment when you know this is what had been waiting to be completed, this is what had existed somewhere, even if just in your imagination. You have brought it isn't the richness of being. Layer up on layer of color, and when the final one is applied, gold bursts upon the back of your closed eyelids.
Jeanne Mackin (The Last Collection: A Novel of Elsa Schiaparelli and Coco Chanel)
Zoe never did find her friends that night, but it didn't matter. The next few hours were a joyful swirl of drinking and dancing. To her surprise, she loved being in the protective sphere of the older girls, who laughingly eschewed the clumsy advances of any man who tried to talk to them and protected her in a sandwich of their bodies. She had never had a group of close female friends. She usually had one person she was close to, a sidekick really, on rotation. These tended to be introverted, mousy girls with dreams of social greatness, who inev- itably idol-worshipped Zoe. She knew that she was prettier than most girls and had accepted some time ago that the price of beauty was that she would always be a little bit lonely. It didn't seem like the worst deal to her. But now, in the warm fold of Cleo and Audrey's attention, she wondered if she had been missing out.
Coco Mellors (Cleopatra and Frankenstein)
Of course, Nicky refused the hysterectomy. She wanted to be a mother more than she wanted to be free. Or, rather, motherhood was the form of freedom she chose; not a life without pain, but a life assembled around it, love coupled forever with fear, a paper dollhouse built around an open flame. That was why she had been taking the painkillers, to hold off one kind of pain to make way for a better one.
Coco Mellors (Blue Sisters)
Kids who grew up with loving fathers had the same starry-eyed softness as kids raised in places like Malibu, those homes of eternal sunshine. They never had to toughen up. Lucky had this theory that having a bad dad was like growing up in a place with a long, rough winter. It hardens you. It also prepares you for reality, which is that summer is a season, not a lifestyle, and most men will hurt you if they get the chance. Or maybe it was only the people who grew up with bad dads who believed that.
Coco Mellors (Blue Sisters)
She didn’t know that love could feel like this, so honeyed, so sweet. That her body deserved such tenderness. They held each other as the light drained from the room, saliva and sweat cooling on their skin, and Avery felt it then, that longed-for sensation, love, yes, but safety too; she was safe at long last.
Coco Mellors (Blue Sisters)