Coast Road Quotes

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So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all the rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.
Jack Kerouac (On the Road (The Viking Critical Library))
Now you’ve said it. The hopeless emptiness. Hell, plenty of people are on to the emptiness part; out where I used to work, on the Coast, that’s all we ever talked about. We’d sit around talking about emptiness all night. Nobody ever said ‘hopeless,’ though; that’s where we’d chicken out. Because maybe it does take a certain amount of guts to see the emptiness, but it takes a whole hell of a lot more to see the hopelessness. And I guess when you do see the hopelessness, that’s when there’s nothing to do but take off. If you can
Richard Yates (Revolutionary Road)
William Roper: “So, now you give the Devil the benefit of law!” Sir Thomas More: “Yes! What would you do? Cut a great road through the law to get after the Devil?” William Roper: “Yes, I'd cut down every law in England to do that!” Sir Thomas More: “Oh? And when the last law was down, and the Devil turned 'round on you, where would you hide, Roper, the laws all being flat? This country is planted thick with laws, from coast to coast, Man's laws, not God's! And if you cut them down, and you're just the man to do it, do you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake!
Robert Bolt (A Man for All Seasons: A Play in Two Acts)
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
André Aciman (Call Me by Your Name)
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up--that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Ayn Rand (Atlas Shrugged)
A person cannot coast along in old destructive habits year after year and accept whatever comes along. A person must stand up on her own two legs and walk. Get off the bus and go get on another. Climb out of the ditch and cross the road. Find the road that s where you want to go. ... The only sermon that counts is the one that is formed by our actions. She would quit drinking and thereby show Kyle life is what you make it. A person can grab hold of her life and change things for the better. This happens all the time. We are not chips of wood drifting down the stream of time. We have oars.
Garrison Keillor (Pontoon: A Novel of Lake Wobegon)
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely, dawns. The world was incomprehensibly large, and there was still so much to see. Yes, I got sick sometimes of being an expatriate, always ignorant, on the outside of things, but I didn't feel ready for domestic life, for seeing the same people, the same places, thinking more or less the same thoughts, each day. I liked surrendering to the onrush, the uncertainty, the serendipity of the road.
William Finnegan (Barbarian Days: A Surfing Life)
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
All around me were the noise of the crazy gold-coast city. And this was my Hollywood career - this was my last night in Hollywood, and I was spreading mustard on my lap in back of a parking-lot john.
Jack Kerouac (On the Road: The Original Scroll)
to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay - that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live - that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road - that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up - that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Ayn Rand (Atlas Shrugged)
Being in grief, it turns out, is not unlike being in love. In both states, the imagination's entirely occupied with one person. The beloved dwells at the heart of the world, and becomes a Rome: the roads of feeling all lead to him, all proceed from him. Everything that touches us seems to relate back to that center: there is no other emotional life, no place outside the universe of feeling centered on its pivotal figure.
Mark Doty (Heaven's Coast: A Memoir)
It was remarkable how Dean could go mad and then suddenly continue with his soul - which I think is wrapped up in a fast car, a coast to reach, and a woman at the end of the road - calmly and sanely as though nothing had happened.
Jack Kerouac (On the Road)
On November 25, 2006, thirty-five-year-old James Kim and his wife, Kati, and their two daughters found themselves snowbound in their Saab station wagon after making a wrong turn onto a logging road in Oregon’s Coast Range.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex. “My eyes!” Cole yelled. Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake. Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.” Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement. I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.” Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
Samantha Young (Down London Road (On Dublin Street, #2))
No sun—no moon! No morn—no noon— No dawn— No sky—no earthly view— No distance looking blue— No road—no street—no "t'other side the way"— No end to any Row— No indications where the Crescents go— No top to any steeple— No recognitions of familiar people— No courtesies for showing 'em— No knowing 'em! No traveling at all—no locomotion, No inkling of the way—no notion— "No go"—by land or ocean— No mail—no post— No news from any foreign coast— No park—no ring—no afternoon gentility— No company—no nobility— No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member— No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds, November!
Thomas Hood
Up ahead on the Coast Road there's a bunch of teenagers, guys and girls. You don't understand kids' clothes anymore, what it all means. Back in the day things were all tribal -- clear lines. Your haircut and clothes said what music you liked, how smart you were, whether or not you were real, if you were reaching for the Other Place or stuck in the gutter. Internet's taken all of that, mangled the codes. People are mongrels of whatever the fuck now. Kurt Cobain shot himself for being a sell-out and these kids wouldn't even grasp the concept. You hate these kids. Wish you were these kids. Envy their obliviousness, like the world had just come into being, and existed only for you and your friends, and all you had was time.
Colin Walsh (Kala)
We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at his watch. It was time for us to go back. He knocked on the glass and told the driver to turn around. The driver backed the car out into the grass to turn it. In back of us were the woods, below a stretch of meadow, then the sea.
Ernest Hemingway (The Sun Also Rises)
There is a certain irony in the fact that Britain gave the world nearly all its most important geological names—Devonian, Cambrian, Silurian, Ordovician—but that the one epoch that everybody knows about is named for the Jura Mountains in France, even though the Dorset coast is actually the best place in the world to see Jurassic outcrops.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Lincoln Highway—the two-lane road that was the first highway to connect the East Coast with the West Coast (Times Square in New York with Lincoln Park in San Francisco).
Jane Smiley (The Man Who Invented the Computer)
Like seasonless fowl we migrate… from East Coast to West Coast and back and forth again, for a job, for a friend, for a change, for a kick.
Lenore Kandel (Collected Poems of Lenore Kandel (Io Poetry Series))
hospital
Vickie McKeehan (The Coast Road Home (Pelican Pointe, #13))
Acceptance was not the same as resignation.
Alan Murrin (The Coast Road)
It’s too late now. The game’s been won by companies who don’t two shits about community character or decent jobs. Congratufuckinglations, America! We did the deal. Now we’ve got an unlimited supply of cheap commodities and unhealthy food and crumbling downtowns, no sense of place, and a permanent under class. Yay. The underclass isn’t relegated to urban ghettos either. It’s coast to coast and especially in between. Take US 50 west from Kansas City to Sacramento or US 6 from Chicago to California and you’ll see a couple thousand miles of corn, soybeans, and terminally ill towns. It looks like a scene from The Walking Dead. If there’s such a thing as the American Heartland, it has a stake through it.
Finn Murphy (The Long Haul: A Trucker's Tales of Life on the Road)
The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely dawns. The world was incomprehensibly large, and there was still so much to see.... I liked surrendering to the onrush, the uncertainty, the serendipity of the road. And I generally liked being a stranger, an observer, often surprised.
William Finnegan (Barbarian Days: A Surfing Life)
The sun of Sunday morning up out of the sleepless sea from black Liverpool. Sitting on the rocks over the water with a jug of coffee. Down there along the harbor pier, trippers in bright colors. Sails moving out to sea. Young couples climbing the Balscaddoon Road to the top of Kilrock to search out grass and lie between the furze. A cold green sea breaking whitely along the granite coast. A day on which all things are born, like uncovered stars.
J.P. Donleavy (The Ginger Man)
THE BEAR AND THE TRAVELLERS Two Travellers were on the road together, when a Bear suddenly appeared on the scene. Before he observed them, one made for a tree at the side of the road, and climbed up into the branches and hid there. The other was not so nimble as his companion; and, as he could not escape, he threw himself on the ground and pretended to be dead. The Bear came up and sniffed all round him, but he kept perfectly still and held his breath: for they say that a bear will not touch a dead body. The Bear took him for a corpse, and went away. When the coast was clear, the Traveller in the tree came down, and asked the other what it was the Bear had whispered to him when he put his mouth to his ear. The other replied, “He told me never again to travel with a friend who deserts you at the first sign of danger.
Aesop (Aesop's Fables)
We passed a pickup that was doing fifty-five in a fifty-five. Clearly a sociopath. Maybe in Middle America it was acceptable to drive the speed limit, but not on the coast. If you weren’t doing at least ten over, you were liable to be run off the road.
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
Talking about a scenic route in southeast Iowa is like talking about a good Barry Manilow album. You have to make certain allowances. Compared with an afternoon in a darkened room, it wasn't bad. But compared to say, the coast road along the Sorrentine peninsula, it was perhaps a little tame.
Bill Bryson (The Lost Continent: Travels in Small-Town America)
Professor John Stilgoe has simple advice: Get out now. Not just outside, but beyond the trap of the programmed electronic age so gently closing around so many people. . . . Go outside, move deliberately, then relax, slow down, look around. Do not jog. Do not run. . . . Instead pay attention to everything that abuts the rural road, the city street, the suburban boulevard. Walk. Stroll. Saunter. Ride a bike and coast along a lot. Explore.
Ryan Holiday (Stillness is the Key)
I drive back into town with the two crinkly notes in my pocket and wonder if I could support a family this way, doomed to play dinner dances until I too have one foot in the grave. I shudder at the possibility, and think about poor Meg in her sickbed. What am I going to do? On the way back I pass a big roundabout at the end of the Coast Road. It is March, and the roundabout is covered in daffodils. I circle it twice, an idea forming in my head. I park in a nearby street. It is early morning and there is no one around. I check for police cars and head across the road to the roundabout. Half an hour later I let myself into Megan’s flat and slowly open her bedroom door. My arms are full of daffodils, maybe a hundred all told, their drooping yellow trumpets lighting up the entire room. Meg starts to cry, and so do I. The next morning our prayers are answered, but our relief is mixed with a subtle, unspoken regret.
Sting (Broken Music: A Memoir)
WILLIAM ROPER: So now you'd give the Devil benefit of law! THOMAS MORE: Yes. What would you do? Cut a great road through the law to get after the Devil? ROPER: I'd cut down every law in England to do that! MORE: Oh? And when the last law was down, and the Devil turned round on you -where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast -man's laws, not God's -and if you cut them down- and you're just the man to do it -d'you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil the benefit of the law, for my own safety's sake.
Robert Bolt
Thought I saw you on the beach this morning...Thought I saw you standing on the white strand, your back to the wind. The rain had stopped and there was a brisk clarity in the air. You watched me over your left shoulder, head tucked in coyly. Seabirds flying low in the sky, and the grey-green waves at your foot. A whole panorama thrown up behind you. I was on the coast road coming back from the shops. I stopped walking once I caught sight of you. You were wearing a reefer jacket with the collar turned up against the weather. It might have been navy, but it looked black in the distance. As did your trousers. As did your shoes. All of you was black except your face and hair. You wore no hat...Never once saw you in Winter clothes, yet there you were as clear as day for a whole moment. Only your eyes were visible above the upturned collar. Your hair was in your eyes. You watched me through those pale strands. And I watched you. Intently. The man from down the road drove by in his faded red car. He was going the other way, so he didn't offer a lift. He just waved. I waved back. And then I turned to you again, and we looked at each other a little longer. Very calm. Heart barely shifted. Too far away to see your features. No matter. There was salt on your face. Sea salt. It was in your hair. It was on your mouth. It was all over you, as though you gazed at me through ice. And it was all over me. It tingled on my skin. After a time I moved off, and you broke into two. You realigned yourself into driftwood and stone. I came inside and lit a fire. Sat in front of it and watched it burn. The window fogged up as my clothes and hair dried out. That was hours ago. The fire is nearly gone. But I can still taste the salt on my lips. It is a dry and stinging substance and it is everywhere now. It has touched everything that is left. Coated every surface with its sparkling silt. I will always be thirsty.
Claire Kilroy (All Summer)
And she would not hide away; she would simply retreat. There was work to be done.
Alan Murrin (The Coast Road)
As they made their way to the coast, he bemoaned the hotel trade in the manner, Dorrigo felt, that those who love what they do bemoan their passion the most.
Richard Flanagan (The Narrow Road to the Deep North)
If we intend merely to coast along the low roads, maybe we can do it alone. If we are heading for the mountains, the support of others is indispensable.
Michael Casey (Strangers to the City: Reflections on the Beliefs and Values of the Rule of St. Benedict)
I love the way everybody says “LA” on the Coast; it’s their one and only golden town when all is said and done.
Jack Kerouac (On the Road)
A rosy sunset that flooded the long, sandy sea-coast with colour and brought red road and fir-darkened hill out in fleeting clearness of outline.
L.M. Montgomery (Emily of New Moon (Emily, #1))
LA.” I loved the way she said “LA”; I love the way everybody says “LA” on the Coast; it’s their one and only golden town when all is said and done.
Jack Kerouac (On the Road)
I love the way everybody says L.A. on the Coast, it's their one and only golden town when all is said and done.
Jack Kerouac (On the Road)
Oh, give me a break. It seems to me that some people are able to behave however they want and still go around like they haven’t a care in the world.
Alan Murrin (The Coast Road)
The worst thing that she could have ever imagined had already happened to her, and she’d survived it.
Alan Murrin (The Coast Road)
It was his experience that a man often thought his wife insane when she expressed unhappiness with her lot.
Alan Murrin (The Coast Road)
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
I’ve reached that point in my journey, where there is more scenery in the rear view mirror than there is roadway ahead, I now have the time to write. I would rather hit the end of the road at full throttle than coast to a stop in the sunset.
Dennis Randall (Becoming a Man in the Shadowlands: Surviving Rape, Abuse, and Incest)
The morning drive in Karachi was nothing like coasting on Storrow, but it hadn't taken Asad long to get used to it and it rarely bothered him now. Dreadful road manners were part of the traffic landscape in Karachi. Vehicles changed lanes without warning, motorcyclists zigzagged in and out, camel and donkey carts fought for road space, rickshaws spewed carbon and sulfur fumes, jaywalkers kept popping up from nowhere, and beggars, beggars and more beggars congregated at every traffic light.
Saad Shafqat (Breath of Death)
When the spirits are low. When the day appears dark. When work becomes monotonous. When hope hardly seems worth having. Just mount a bicycle and go out for a spin down the road, without thought on anything but the ride you are taking.’ Arthur Conan Doyle
Mike Carter (One Man and His Bike: A Life-Changing Journey All the Way Around the Coast of Britain - The Word-of-Mouth Bestseller)
They spent most of that first summer in a campground in California, near the town of Oceano, central coast. South of the beach access road, people rode ATVs over the dunes, and the ATV engines sounded like bugs from a distance, a high buzzing whine. Ambulances drove down the beach to collect ATV drivers three or four times a day. But north of the road, the beach was quiet. Leon loved walking north. There wasn’t much between Oceano and Pismo Beach, the next town up the coast. This lonely stretch of California, forgotten shoreline, sand streaked with black.
Emily St. John Mandel (The Glass Hotel)
At the time of our hike, the Appalachian Trail was fifty-nine years old. That is, by American standards, incredibly venerable. The Oregon and Santa Fe trails didn't last as long. Route 66 didn't last as long. The old coast-to-coast Lincoln Highway, a road that brought transforming wealth and life to hundreds of little towns, so important and familiar that it became known as "America's Main Street," didn't last as long. Nothing in America does. If a product or enterprise doesn't constantly reinvent itself, it is superseded, cast aside, abandoned without sentiment in favor of something bigger, newer, and, alas, nearly always uglier. And then there is the good old AT, still quietly ticking along after six decades, unassuming, splendid, faithful to its founding principles, sweetly unaware that the world has quite moved on. It's a miracle really.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
There was a scream of tortured rubber as the tyres caught the boulevard in a harsh left-handed turn, the deafening echo of a Citroën’s exhaust in second gear, a crash into top, then a swiftly diminishing crackle as the car hared off between the shops on the main street towards the coast-road.
Ian Fleming (Casino Royale (James Bond, #1))
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread. So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Hunter S. Thompson
According to my Glendale high school days, the road along the ocean that stretched from San Diego to San Francisco was staked out in the 1780’s or so by the Spanish. The Spanish were afraid the French or Russians would claim the land along the coast first. France had picked up a big chunk of land between the Mississipi and the Rocky Mountains. Russia was coming south across the Berring Sea and down the coast from what would eventually be Alaska. The first big push to stake out the royal road stopped at what became Los Angeles. The whole point of the road was to set up a link between the Franciscan missions in California.
Stuart M. Kaminsky (Murder On The Yellow Brick Road)
As I labored at this absurd task, great Kleig lights of a Hollywood premiere stabbed in the sky, that humming West Coast sky. All around me were the noises of the crazy gold-coast city. And this was my Hollywood career—this was my last night in Hollywood, and I was spreading mustard on my lap in back of a parking-lot john.
Jack Kerouac (On the Road)
Do you know where we are Papa? the boy said. Sort of. How sort of? Well. I think we're about two hundred miles from the coast. As the crow flies. As the crow flies? Yes. It means going in a straight line. Are we going to get there soon? Not real soon. Pretty soon. We're not going as the crow flies. Because crows don't have to follow roads? Yes. They can go wherever they want. Yes. Do you think there might be crows somewhere? I dont know. But what do you think? I think it's unlikely. Could they fly to Mars or someplace? No. They couldnt. Because it's too far? Yes. Even if they wanted to. Even if they wanted to. What if they tried and they just got half way or something and then they were too tired. Would they fall back down? Well. They really couldnt get halfway because they'd be in space and there's not any air in space so they wouldnt be able to fly and besides it would be too cold and they'd freeze to death. Oh. Anyway they wouldnt know where Mars was. DO we know where Mars is? Sort of. If we spaceship could we go there? Well. If you had a really good spaceship and you had people to help you I suppose you could go. Would there be good and stuff when you got there? No. There's nothing there. Oh. They sat there for a long time. They sat on their folded blankets and watched the road in both directions. No wind. Nothing. After a while the boy said: There's not any crows. Are there? No.
Cormac McCarthy (The Road)
At the same distance from it is the city of Sala, situate on a river which bears the same name, a place which stands upon the very verge of the desert, and though infested by troops of elephants, is much more exposed to the attacks of the nation of the Autololes, through whose country lies the road to Mount Atlas, the most fabulous locality even in Africa. [...] There formerly existed some Commentaries written by Hanno, a Carthaginian general, who was commanded, in the most flourishing times of the Punic state, to explore the sea-coast of Africa. The greater part of the Greek and Roman writers have followed him, and have related, among other fabulous stories, that many cities there were founded by him, of which no remembrance, nor yet the slightest vestige, now exists. [V,1]
Pliny the Elder (Natural History, Volume I: Books 1-2 (Loeb Classical Library #330))
Alaska is essentially a small continent: big enough to hold Texas, California, and Montana (the second-, third-, and fourth-largest states) and still have room left over for New England, Hawaii, and a couple of metropolises. It contains seven mountain ranges and ten peaks taller than any in the Lower 48. Its waterfront accounts for half of all the coast in the United States. Louisiana has four times as many miles of paved roads.
Mark Adams (Tip of the Iceberg: My 3,000-Mile Journey Around Wild Alaska, the Last Great American Frontier)
He loved her. She loved him. Simple but there you have it. You have careers and you raise kids and there are victories and defeats and you just sort of coast along, living your life, the days long. The years short, and then every once in a while, you remember to pull up and look at your partner, your life partner, really look at the one who travels down the lonely road right by your side, and you realize how much you are in this together.
Harlan Coben (Run Away)
So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars’ll be out, and don’t you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what’s going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.
Jack Kerouac (On the Road)
I remember when we found the first population of living Cerion agassizi in central Eleuthera. Our hypothesis of Cerion's general pattern required that two predictions be affirmed (or else we were in trouble): this population must disappear by hybridization with mottled shells toward bank-interior coasts and with ribby snails toward the bank-edge. We hiked west toward the bank-interior and easily found hybrids right on the verge of the airport road. We then moved east toward the bank-edge along a disused road with vegetation rising to five feet in the center between the tire paths. We should have found our hybrids but we did not. The Cerion agassizi simply stopped about two hundred yards north of our first ribby Cerion. Then we realized that a pond lay just to our east and that ribby forms, with their coastal preferences, might not favor the western side of the pond. We forded the pond and found a classic hybrid zone between Cerion agassizi and ribby Cerions. (Ribby Cerion had just managed to round the south end of the pond, but had not moved sufficiently north along the west side to establish contact with C. agassizi populations.) I wanted to shout for joy. Then I thought, "But who can I tell; who cares?" And I answered myself, "I don't have to tell anyone. We have just seen and understood something that no one has ever seen and understood before. What more does a man need?
Stephen Jay Gould (The Flamingo's Smile: Reflections in Natural History)
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
The silhouettes of Lovat now dominated the skyline. Nine levels stretching skyward. Five hundred meters high at its apex. Each level housing buildings of various sizes sagged on the backs of buildings below. Thousands of sodium lamps twinkled in their recesses. Lovat was the oldest and largest city on the coast, and it showed its age by the haphazard mess it had become. Roads rose and dipped, elevators and staircases criss-crossed, and floors would end and then begin across the city leaving large empty spaces between levels.
K.M. Alexander (The Stars Were Right (The Bell Forging Cycle #1))
Women with babies in hand were in a particularly cruel situation. Babies weren’t worth much money, and they slowed down coffles. William Wells Brown, hired out to a slave trader named Walker, recalled seeing a baby given away on the road: Soon after we left St. Charles, the young child grew very cross, and kept up a noise during the greater part of the day. Mr. Walker complained of its crying several times, and told the mother to stop the child’s d——d noise, or he would. The woman tried to keep the child from crying, but could not. We put
Ned Sublette (The American Slave Coast: A History of the Slave-Breeding Industry)
I agree. We’ll put a few more points under him before the election. I’ll do everything except buy votes.” Andrews smirked. Pensively Andrews turned and gazed across the ramp and the row of sleek orbital shuttles lining the tarmac. The helo rocked back and forth, then lifted off, and the lush Florida greenery soon gave way to flat, swampy terrain. A spectacular array of ancient, decaying launch pads dotted the Atlantic coast far below, each a light circle of overgrown concrete connected to the primary road by a single thin, white driveway.
Darren D. Beyer (Casimir Bridge (Anghazi #1))
Jasper would have been completely hidden if it weren't for Highway 17, the crumbling two-lane road that traced the coastline, splitting cypress swamps and tidal creeks edging right up to the 350,000-acre ACE Basin, where three rivers converged to form the largest, wildest estuarine preserve on the East Coast. Jasper bordered the northeast side of the basin where dolphins, gators, minks, otters, and every manner of waterfowl and shore bird prospered from the daily six-foot inflow and outflow of saltwater, freshwater, and brackish water that rose and fell on cue like the sun itself.
Beth Webb Hart (The Wedding Machine (Women of Faith Fiction))
Where the road meets the Gulf, it skirts the beach for miles. I wish it ran straight over the water, like the pictures of the bridge I've seen that links the Florida Keys to the coast, wish it was an endless concrete plank that ran out over the stormy blue water of the world to circle the globe, so I could lie like this forever, feeling the fine hair on his arm, my kids silenced, not even there, his fingers on my arm drawing circles and lines that I decipher, him writing his name on me, claiming me. The world is a tangle of jewels and gold spinning and throwing off sparks. I'm already home.
Jesmyn Ward (Sing, Unburied, Sing)
Frank Baum’s book the Wonderful Wizard of Oz, which appeared in 1990, is widely recognized to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform- vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold. As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves. “Oz” is of course the standard abbreviation for “ounce.
David Graeber (Debt: The First 5,000 Years)
More Yes. What would you do? Cut a great road through the law to get after the Devil? Roper I’d cut down every law in England to do that! More (roused and excited) Oh? (Advances on Roper.) And when the last law was down, and the Devil turned round on you where would you hide, Roper, the laws all being flat? (Leaves him.) This country’s planted thick with laws from coast to coast – Man’s laws, not God’s—and if you cut them down – and you’re just the man to do it – d’you really think you could stand upright in the winds that would blow then? (Quietly.) Yes, I’d give the Devil benefit of law, for my own safety’s sake.
Robert Bolt (A Man For All Seasons)
Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.
Edward Frederick Knight (The Falcon on the Baltic: A Coasting Voyage from Hammersmith to Copenhagen in a Three-Ton Yacht)
Carly stopped at the base of the flags. One more foot forward and she would leave Alaska for the first time, and likely never see it again. She looked back over her shoulder for a long moment, and was hit by the fleeting temptation to turn around and coast back down the mountain to Skagway. But she turned to face forward, to face the future, full of unknown perils and uncertainties. It was a long and winding road to an unknown destination, a road that would take courage to face. And she found she had that courage, the same courage her history teacher had said drove the gold miners onward when there was just a narrow trail through these mountains.
Lissa Bryan (The End of All Things (The End of All Things #1))
It’s too late now. The game’s been won by companies who don’t give two shits about community character or decent jobs. Congratufuckinglations, America! We did the deal. Now we’ve got an unlimited supply of cheap commodities and unhealthy food and crumbling downtowns, no sense of place, and a permanent under class. Yay. The underclass isn’t relegated to urban ghettos either. It’s coast to coast and especially in between. Take US 50 west from Kansas City to Sacramento or US 6 from Chicago to California and you’ll see a couple thousand miles of corn, soybeans, and terminally ill towns. It looks like a scene from The Walking Dead. If there’s such a thing as the American Heartland, it has a stake through it.
Finn Murphy (The Long Haul: A Trucker's Tales of Life on the Road)
Oh the Beat generation was just a phrase I used in the 1951 written manuscript of On the Road to describe guys like Moriarty who run around the country in cars looking for odd jobs, girlfriends, kicks. It was thereafter picked up by West Coast Leftist groups and turned into a meaning like “Beat mutiny” and “Beat insurrection” and all that nonsense; they just wanted some youth movement to grab on to for their own political and social purposes. I had nothing to do with any of that. I was a football player, a scholarship college student, a merchant seaman, a railroad brakeman on road freights, a script synopsizer, a secretary … And Moriarty-Cassady was an actual cowboy on Dave Uhl’s ranch in New Raymer, Colorado … What kind of beatnik is that?”[22]
Semmelweis (Jack Kerouac and the Decline of the West)
The Jews were the first monotheistic culture in history. They believed in one God and one God only. The Greco-Roman world of Herod’s day was polytheistic. They believed in many gods, and much of their worship was sexual in nature. To facilitate this “worship,” Herod had a product made from a substance extracted from the balsam tree, among other ingredients, that functioned as an aphrodisiac! Whether it actually worked, no one knows; but we do know from Josephus’s historical writings that Caesar had a voracious appetite for this product, and he kept his ships coming and going between Capri, where he spent most of his time, and Caesarea Maritima on Israel’s west coast, where Herod and his family made sure Caesar’s ships were filled to capacity with their valued product.
Kathie Lee Gifford (The Rock, the Road, and the Rabbi: My Journey into the Heart of Scriptural Faith and the Land Where It All Began)
The cars and trucks that passed this way threw their trash out into the forest without pause, faster than the gleaners could pick them up and find new uses for them. The waste had always struck Maceo as a disgusting mystery, but now, it made sense. The indestructible plastic bottles and wrappers that rained on the ground were not merely trash, but seeds—diabolical harbingers of the alien ecology of metal and plastic and advertising that had already swallowed the coast. It was a hostile invader that no one else seemed to want to fight. The dead-eyed souvenir-hawkers at Coba sold the products the signs foretold; beside the road to the ruins of the once-sacred ceremonial city, a looming image of golden arches promised a still-greater ritual awaiting them in Valladolid—the devouring of machine-made ghost-food. Maceo could not read the words on the billboards, but he knew that they sought to infect their victims with the virus of desire.
Cody Goodfellow (Strategies Against Nature)
they’re bloody good ones too. I thought we’d finished with this nonsense last year when we raided that house out on the Limerick road and found the printing press. But these are much higher quality. It wouldn’t have been detected at all except for the banknote counting machine that spat it out.” “Where did they come from?” Lyons said. “Oh, the usual. These two came from different pubs in the city when the landlord was doing the lodgement after the weekend, and I’m sure we’re not finished with them yet. I’ve put out a notification to all the pubs and restaurants to be sure to use their pens on all twenties, but you know yourself, when they are busy they don’t bother. Will you take Eamon out to the bars that these came from and see if there’s any CCTV, or if the barmen remember anything about who might have passed them?” Hays said. “Yes sure, no problem. I never need much encouragement to go calling on pubs, as you know!” Lyons said. *
David Pearson (Murder on the West Coast (Galway Homicide: Hays & Lyons #3))
The Piri Reis map of 1513 features the western shores of Africa and the eastern shores of North and South America and is also controversially claimed to depict Ice Age Antarctica--as an extension of the southern tip of South America. The same map depicts a large island lying east of the southeast coast of what is now the United States. Also clearly depicted running along the spine of this island is a 'road' of huge megaliths. In this exact spot during the lowered sea levels of the Ice Age a large island was indeed located until approximately 12,400 years ago. A remnant survives today in the form of the islands of Andros and Bimini. Underwater off Bimini I have scuba-dived on a road of great megaliths exactly like those depicted above water on the Piri Reis map. Again, the implication, regardless of the separate controversy of whether the so-called Bimini Road is a man-made or natural feature, is that the region must have been explored and mapped before the great floods at the end of the Ice Age caused the sea level to rise and submerged the megaliths.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
MARTIN SHEEN: Terry called me one night, and he had done so after finally making a decision. His gut hunch was to hire me, but he had other considerations, or an obligation to sort through his casting agent’s suggestions. He asked me if I was still interested. I got up just before sunrise and started driving the Pacific Coast Highway to the tune of Bob Dylan’s “Desolation Road.” It was one of the most profound moments of my life. Dylan, who was one of my personal heroes, had cracked something wide open inside of me. I was experiencing an epiphany. There was a realization of what just happened to me. I started to weep, and pulled the car over on the highway and reflected on this. My happiness. Before that phone call, I would have never thought that such a thing would happen to me. I realized that acting was no joke. You don’t show up on a set and just decide that you are going to throw yourself out there without preparation. Me being there was no accident. The stars had aligned and Badlands was a role of a lifetime. I have Terry Malick to thank for it.
Paul Maher Jr. (All Things Shining: An Oral History of the Films of Terrence Malick)
I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?
Paul Salopek
We traveled through Texas for a couple of weeks, then went to the West Coast. In San Diego, near where we’d lived, a friend came up to me and said she was so glad to see us together. “We really haven’t had much quality time,” I confessed. “Chris is always so busy with the media and everything.” “Yes, but I can tell he needs you.” “Really?” “Whenever you walk away, there’s a look on his face. He’s looking around, wondering where you are.” Just being present for him turned out to be more important than I realized. Part of it was the toll the attention and the interviews were taking on Chris-he was reliving Iraq yet again, over and over, several times a day. But I came to realize the need was deeper than that. Having come through so much together, we had each reached the point where our love reinforced and nurtured us. Having me physically close gave him a safe base no matter how unusual or crazy the rest of the world got. With the tumult of demands for interviews and face time and all the rest, he knew he could just reach out and touch me to relax, if only for a moment. He was my strength at home. Now, on the road, in a slightly different way, I was his.
Taya Kyle
That afternoon I say about five thousand cars or probably three thousand passed me not one of them ever dreamed of stopping -- Which didnt bother me anyway because at first seeing that gorgeous long coast up to Monterey I thought "Well I'll just hike right in, it's only fourteen miles, I oughta do that easy" -- And on the way there's all kindsa interesting things to see anyway like the seals barking on rocks below, or quiet old farms made of logs on the hills across the highway, or sudden upstretches that go along dreamy seaside meadows where cows grace and graze in full sight of endless blue Pacific -- But because I'm wearing desert boots with their fairly thin soles, and the sun is beating hot on the tar road, the heat finally gets through the soles and I begin to deliver heat blisters inmy sockiboos -- I'm limping along wondering what's the matter with me when I realize I've got blisters -- I sit by the side of the road and look -- I take out my first aid kit from the pack and apply unguents and put on cornpads and carry on -- But the combination of the heavy pack and the heat of the road increases the pain of the blisters until finally I realize I've got to hitch hike a ride or never make it to Monterey at all. But the tourists bless their hearts after all, they couldnt know, only think I'm having a big happy hike with my rucksack and they drive on, even tho I stick out my thumb
Jack Kerouac (Big Sur)
Matthew, we need your help. What do we do?” “Look at my new kicks.” He raised one boot. “Finn said I’m ballin’ like a pimp now.” Then he frowned. “Good thing?” “Yes, yes, but—” “He took care of me when you abandoned me.” God, the guilt. In a rush, I said, “I thought you’d be safer at Finn’s than going back out on the road with me! You know how dangerous it’ll be to reach the coast.” But then, I’d believed that before I’d understood how lethal I could be. “Dangerous Empress!” “This isn’t working!” “Tapped out.” My glyphs were dark, the fuel gauge blinking E. Selena’s hand shot out and smacked my face. “What the hell?” When I raised my palm to my cheek, she slapped the other one harder. I felt my glyphs stirring. “If you don’t want these cards to die, then get to work, Evie! You need to look like the Empress of Old, slithery and creepy and sexy all at the same time.” “Touch me again, and you’ll see slithery and creepy—” With her enhanced speed, she shoved me back before I could even react. I tripped over my pack, landing on my ass. “You bitch!” I bounded up, thorn claws bared. “That’s it! Sell it, sister, or we are dead!” I gazed down at my body, at my skin glowing through the fabric of my clothes. Sharp emotions like fury and utter terror always sparked my powers; Selena had pissed me off enough to give me a jump-start. I narrowed my eyes at Matthew. “This is why you want me angry, terrified, and sad for the rainy season?” Blank smile.
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
I was sleeping with my head on the wooden arm of a seat as six attendants of the theater converged with their night’s total of swept-up rubbish and created a huge dusty pile that reached to my nose as I snored head down – till they almost swept me away too. This was reported to me by Dean, who was watching from ten seats behind. All the cigarette butts, the bottles, the matchbooks, the come and the gone were swept up in this pile. Had they taken me with it, Dean would never have seen me again. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned. What would I have said to him from my rubbish womb? ‘Don’t bother me, man, I’m happy where I am. You lost me one night in Detroit in August nineteen forty-nine. What right have you to come and disturb my reverie in this pukish can?’ In 1942 I was the star in one of the filthiest dramas of all time. I was a seaman, and went to the Imperial Café on Scollay Square in Boston to drink; I drank sixty glasses of beer and retired to the toilet, where I wrapped myself around the toilet bowl and went to sleep. During the night at least a hundred seamen and assorted civilians came in and cast their sentient debouchments on me till I was unrecognizably caked. What difference does it make after all? – anonymity in the world of men is better than fame in heaven, for what’s heaven? what’s earth? All in the mind.
Jack Kerouac (On the Road)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
WILL WORK FOR FOOD © 2013 Lyrics & Music by Michele Jennae There he was with a cardboard sign, Will Work For Food Saw him on the roadside, As I took my kids to school I really didn’t have time to stop, Already running late Found myself pulling over, Into the hands of fate The look in his eyes was empty, But he held out his hand I knew my kids were watching, As I gave him all I had My heart in my throat I had to ask, “What brought you here?” He looked up and straight into my eyes, I wanted to disappear. CHORUS He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 2 He put the money in his pocket, Then he took me by the hand Thank you dear for stopping by, I am sure that you have plans He nodded toward my children, Watching from afar It’s time they were off to school, You should get in the car My eyes welled up and tears fell down, I couldn’t say a word Here this man with nothing to his name, Showing me his concern I knew then that the lesson, That today must be taught Wouldn’t come from textbooks, And it could not be bought CHORUS He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 3 I told him then that I had a job, That I could give him work And in return he’d have a meal, And something to quench his thirst He looked at me and shrugged a bit, And followed me to the car We went right over to a little café, Just up the road not too far After I ordered our food he looked at me, And asked about the kids “Shouldn’t these tykes be in school, And about that job you said.” “Your job,” I said, “is to school my girls, In the ways of the world Explain to them your service, And how your life unfurled.” He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 4He wasn’t sure quite what to do, As he ate his food And began to tell us all about his life… the bad… the good. He wiped his own tears from his eyes, His story all but done My girls and I all choked up, Hugged him one by one Understanding his sacrifice, But not his current plight We resolved then and there that day, That for him, we would fight. We offered him our friendship, And anything else we had He wasn’t sure how to accept it, But we made him understand LAST CHORUS That we had not really seen before, Him standing in the light No longer forgotten by us, We are now fighting for his rights He had… WORKED FOR FOOD HE HAD ALL BUT DIED FOR ME AND YOU NOT FORGOTTEN ANYMORE BUT STILL A SOLDIER IN TRUST
Runa Heilung
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
Diana Wynne Jones
Arcata.
Kayla Anderson (Moon Northern California Road Trips: Drives along the Coast, Redwoods, and Mountains with the Best Stops along the Way (Travel Guide))
A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal
Bob Stegner (Black Grotto: Book II of the Alban Saga)
A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal. Her car was running great, and her tunes were vibrating the sideboard speakers with rhythm and base and melody. Using her gears, she took the corners and adjusted to the rise and fall of the road in a syncopated rhythm that made she and her car one. With her left hand on the gearshift, her right grasping the steering wheel, and her eyes shifting from road to scenery and back again, she felt the exhilaration of being on her first road trip alone and free.
Bob Stegner (Black Grotto: Book II of the Alban Saga)
It was impossible, at that time, to reach much of Florida’s west coast except by rickety train across the northern part of the state and then south by boat. No roads linked the coasts in mid- or lower-state. The vast Everglades formed a natural, forbidding barrier.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
travelling from Tunbridge towards that part of the Sussex coast which lies between Hastings and Eastbourne, being induced by business to quit the high road and attempt a very rough lane, were overturned in toiling up its long ascent, half rock, half sand.
Jane Austen (Jane Austen: The Complete Collection)
He stared at it for a long while, hating himself for having to so manipulate his friend yet again. That thought surprised the drow; when in his entire life had he ever felt such a twang? In his betrayal of Zaknafein those centuries before, perhaps? He looked at Entreri again, and he felt as if he was staring at his old drow companion.
R.A. Salvatore (Road of the Patriarch (The Sellswords, Book 3) Publisher: Wizards of the Coast)
Are you satisfied now, my friend?” Jarlaxle asked. Entreri put his head down and forced himself to remain calm then turned around, his expression revealing his emptiness.
R.A. Salvatore (Road of the Patriarch (The Sellswords, Book 3) Publisher: Wizards of the Coast)
Farewell, Jarlaxle. Or fare ill. It matters not to me.” “But I am your muse.” “I don’t like the songs you inspire.” Entreri turned his mount around, stepping to the stair.
R.A. Salvatore (Road of the Patriarch (The Sellswords, Book 3) Publisher: Wizards of the Coast)
Here and there, I coasted down the dirt road with my head tilted up to the sky, feeling happy, feeling alive, feeling free.
Mia Sheridan (Archer's Voice (Where Love Meets Destiny, #1))
He was rather surprised to see a signpost on the quay—one arm pointed to Seaton, the other to Sidmouth. He had not known that there was another through road besides the one by which he had arrived. Later that evening he looked it up on a map and found that there was an alternative route along the coast which took a big loop seawards, rejoining his own road near Lyme Regis.
Leslie Charteris (The Saint Goes On)
foot—bending stiffly, Jack thought. Steve gave her a single
Barbara Delinsky (Coast Road)
This is Daybright,” Lidia said, and Ruhn glanced behind them. A pillar of smoke rose from the part of the city where the glass domes of the train depot used to gleam. “You want good news or bad news first?” Dec asked over the radio. “Good.” “Most of the imperial security forces are at the train station, and the city is under lockdown. Irithys made it out—she vanished into the countryside. Off to wherever.” “I gave her instructions on where to go—what to do,” Lidia said quietly. But then asked, “What’s the bad news?” “Mordoc and two dozen dreadwolves also made it out of the southwestern gate before it shut. I think they’ve figured out you’re headed for the coast.” “Fuck,” Athalar spat from the back seat. “Flynn?” Lidia asked. “Flynn’s behind them. Mordoc and company are crossing onto your road. They’ll be on your tail within ten minutes at your current speed. So go faster.” “I’m already driving at top speed.” “Then you’ll have to find a way to ditch them.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
L. Frank Baum’s book The Wonderful Wizard of Oz, which appeared in 1900, is often held to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform—vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold.22 As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves.23 “Oz” is of course the standard abbreviation for “ounce.”24 As an attempt to create a new myth, Baum’s story was remarkably effective. As political propaganda, less so.
David Graeber (Debt: The First 5,000 Years)
the permanent road linking Italy to Spain that is still visible along the southern coast of France.
Mike Duncan (The Storm Before the Storm: The Beginning of the End of the Roman Republic)