β
Once upon a time there was a wicked witch and her name was
Lilith
Eve
Hagar
Jezebel
Delilah
Pandora
Jahi
Tamar
and there was a wicked witch and she was also called goddess and her name was
Kali
Fatima
Artemis
Hera
Isis
Mary
Ishtar
and there was a wicked witch and she was also called queen and her name was
Bathsheba
Vashti
Cleopatra
Helen
Salome
Elizabeth
Clytemnestra
Medea
and there was a wicked witch and she was also called witch and her name was
Joan
Circe
Morgan le Fay
Tiamat
Maria Leonza
Medusa
and they had this in common: that they were feared, hated, desired, and worshiped.
β
β
Andrea Dworkin (Woman Hating)
β
Kings and heroes drop like flies, but queens outlive them all.
β
β
Costanza Casati (Clytemnestra)
β
If Clytemnestra's rage was a fire, Helen's was a lamp; warm and thin in the darkness, but burning if you came too close.
β
β
Costanza Casati (Clytemnestra)
β
Iβm saying that it is hard to find a man who is really strong. Strong enough not to desire to be stronger than you.
β
β
Costanza Casati (Clytemnestra)
β
But maybe this is how broken people keep living. They find someone as broken, fit them into the empty spaces of their hearts and, together, grow into something different.
β
β
Costanza Casati (Clytemnestra)
β
AGAMEMNON: Oh immovable law of heaven! Oh my anguish, my relentless fate!
CLYTEMNESTRA: Yours? Mine. Hers. No relenting for any of us.
β
β
Euripides (Iphigenia in Aulis (Plays for Performance Series))
β
Listen to me," Clytemnestra says. "Gods do not care about us. They have other concerns. That is why you should never live in the shadow of their anger. It is men you must fear. It is men who will be angry with you if you rise too high, if you are loved too much. The stronger you are, the more they will try to take you down.
β
β
Costanza Casati (Clytemnestra)
β
It is unwise to let a man who isn't king sit on a throne for too long.
β
β
Costanza Casati (Clytemnestra)
β
As for queens, they are either hated or forgotten. She already knows which option suits her better. Let her be hated forever.
β
β
Costanza Casati (Clytemnestra)
β
Human lives are based on pain. But to have a few moments of happiness, lightning tearing the darkness of the sky, that is worth it.
β
β
Costanza Casati (Clytemnestra)
β
CLYTEMNESTRA
What ails thee, raising this ado for us?
SLAVE
I say the dead are come to slay the living.
β
β
Aeschylus
β
Kings are often arrogant men.' Clytemnestra said. 'It is what reminds the rest of us that they are kings.
β
β
Natalie Haynes (A Thousand Ships)
β
There is no peace for a woman with ambition
β
β
Costanza Casati (Clytemnestra)
β
You canβt have justice and everyoneβs approval
β
β
Costanza Casati (Clytemnestra)
β
Is this what happens when one falls in love and marries? Clytemnestra wonders. Is this what a woman gives up? All her life, she has been taught courage, strength, resilience, but must those qualities be kept at bay with a husband?
β
β
Constanza Casati (Clytemnestra)
β
Because sheβyou hear herβshe's calling,
and is always going to call, and it's better
both of us die by the dagger without anyone
seeing us, Orestes, and die a fit death.
β
β
Gabriela Mistral (Madwomen: Poems of Gabriela Mistral)
β
Men who find solace only in other men are to be distrusted.
β
β
Costanza Casati (Clytemnestra)
β
She will bow to no one. Her destiny will be what she wants it to be.
β
β
Costanza Casati (Clytemnestra)
β
She knows that, in moments of pain, some words are spoken with a harshness that is not truly meant. But, even so, words can grow roots inside oneβs heart. You can bury them, hoping they will wither and die, but roots keep finding something to latch on to.
β
β
Costanza Casati (Clytemnestra)
β
You patronize me like some little woman
with no mind to call her own.
I speak with heart devoid of fear
to those with wit to understand,
and you can praise me or condemn me
as you like, it's all the same to me.
β
β
Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
β
But have you ever heard of a man who stumbles upon a naked goddess and just walks away?
β
β
Costanza Casati (Clytemnestra)
β
Every day you try to forget, but at night, you dream of the past. This is what dreams are for. To make us remember what we were, to tie us down to our memories, whether we like it or not.
β
β
Costanza Casati (Clytemnestra)
β
You were born free and you will always be free, no matter what others tell you. But you must see what it is around you and learn to bend it to your will before you are the one who is bent.
β
β
Costanza Casati (Clytemnestra)
β
We are taught that marriage is the end of fun and childhood, but it is just the same. Nothing changes much in your life."
"How do you know?"
"I am sure of it. It is one of those things men say to make you feel responsible, while they can be children forever.
β
β
Constanza Casati (Clytemnestra)
β
Clotilde, Miss Marple thought, was certainly no Ophelia, but she would have made a magnificent Clytemnestra---she could have stabbed a husband in his bath with exultation. But since she had never had a husband, that solution wouldnβt do. Miss Marple could not see her murdering anyone else but a husband---and there had been no
Agamemnon in this house.
β
β
Agatha Christie (Nemesis (Miss Marple, #11))
β
Three daughters of Sparta became three queens in Greece, and I love them, power in their voices and fire in their eyes, even Penelope, even the one who smiles and says she does it for her husband, I love her, I love her. But no one ever said the gods did not have favourites, and it is Clytemnestra I love best, my queen above all, the one who would be free.
β
β
Claire North (Ithaca (The Songs of Penelope, #1))
β
But maybe this is how broken people keep living. They find someone as broken, fit him into the empty spaces of their hearts, and together grow something different.
β
β
Costanza Casati (Clytemnestra)
β
A woman canβt afford to close her eyes for long.
β
β
Costanza Casati (Clytemnestra)
β
It seems that Clytemnestra seals her own fate when she values her daughterβs life equally to the life of a king.
β
β
Natalie Haynes (Pandora's Jar: Women in the Greek Myths)
β
One who risks nothing is nothing,β Clytemnestra recited. It was something her father often said.
β
β
Costanza Casati (Clytemnestra)
β
Clytemnestra dances for herself; Helen dances for others.
β
β
Costanza Casati (Clytemnestra)
β
There was such hatred in Clytemnestra's eyes, which never left his face - it was an intoxicant unlike any the tyrant had seen before. "I'll have that.' He thought. ''I'll break that.
β
β
Claire North (Ithaca (The Songs of Penelope, #1))
β
Maybe those men wouldn't have done anything to Artemis.' Clytemnestra says. 'Maybe they just wanted to see her body. But have you ever heard of a man who stumbles upon a naked goddess and just walks away?
β
β
Costanza Casati
β
CLYTEMNESTRA. Nay, peace, O best-belovΓ¨d! Peace! And let us work no evil more. Surely the reaping of the past is a full harvest, and not good, And wounds enough are everywhere.βLet us not stain ourselves with blood.
β
β
Aeschylus (The Agamemnon of Aeschylus Translated into English Rhyming Verse with Explanatory Notes)
β
Is this what happens when one falls in love and marries? Clytemnestra wonders. Is this what a woman gives up? All her life, she has been taught courage, strength, resilience, but must those qualities be kept at bay with a husband?
β
β
Costanza Casati (Clytemnestra)
β
She loved only her lover and Iphigenia
in the narrowness of her cold breast.
β
β
Gabriela Mistral (Madwomen: Poems of Gabriela Mistral)
β
But vengeance works best when itβs aided by patience.
β
β
Costanza Casati (Clytemnestra)
β
That is how easy loyalty is for some. They are satisfied with crumbs.
β
β
Costanza Casati (Clytemnestra)
β
Sometimes you have to make life difficult for others before they make it impossible for you.
β
β
Costanza Casati (Clytemnestra)
β
Young men often lie with their companions' he says. 'Why shouldn't women do the same?
β
β
Costanza Casati (Clytemnestra)
β
Lucky women never get past the envy of the gods.
β
β
Constanza Casati (Clytemnestra)
β
I'm saying that it is hard to find a man who is really strong. Strong enough to not desire to be stronger than you.
β
β
Costanza Casati (Clytemnestra)
β
But nothing can ever stay the same. You canβt step twice into the same river.
β
β
Costanza Casati (Clytemnestra)
β
Heroes like him are made of greed and cruelty: they take and take until the world around them is stripped of its beauty.
β
β
Costanza Casati (Clytemnestra)
β
Our lives are about to change,β he says, βand we should let them.
β
β
Costanza Casati (Clytemnestra)
β
It is hard to tell if they are frightened or just in awe. What is the difference anyway?
β
β
Costanza Casati (Clytemnestra)
β
But you donβt get rid of a rat by praying to the gods.
β
β
Costanza Casati (Clytemnestra)
β
The lion comes home and finds the wolf ready to welcome him.
β
β
Costanza Casati (Clytemnestra)
β
You canβt have justice and everyoneβs approval.
β
β
Costanza Casati (Clytemnestra)
β
She sees that her mother can be two different people and that the best version appears when her father isn't around.
β
β
Costanza Casati (Clytemnestra)
β
If Clytemnestraβs rage was a fire, Helenβs was a lamp, warm and thin in the darkness, but burning if you came too close.
β
β
Costanza Casati (Clytemnestra)
β
Clytemnestra could not with propriety have been portrayed as a frail seduced womanβshe must appear with the features of that heroic age, so rich in bloody catastrophes, in which all passions were violent, and men, both in good and evil, surpassed the ordinary standard of later and more degenerated ages. What is more revoltingβwhat proves a deeper degeneracy of human nature, than horrid crimes conceived in the bosom of cowardly effeminacy? If such crimes are to be portrayed by the poet, he must neither seek to palliate them, nor to mitigate our horror and aversion of them.
β
β
August Wilhelm von Schlegel (Lectures on Dramatic Art and Literature)
β
She is reminded of Castorβs words, when they were little. When the tide recedes and leaves something on the sand, one mustnβt worry. Sooner or later the water will climb again and take it back.
β
β
Costanza Casati (Clytemnestra)
β
Cassandra did not resist. After the first year of being pulled by the hair into Agamemnon's bed, hand at her throat, tongue wet, she had learned that screaming changed nothing. By the time Clytemnestra killed her, seven years later, Cassandra had given up on speech altogether, knowing no one would believe her, and no one would care. Thus died the prophetess of Troy, plaything of gods and men.
β
β
Claire North (Ithaca (The Songs of Penelope, #1))
β
But one thing is certain: those daughters of Leda are a plague on their menfolk. Did Odysseus worry that he would receive a similar welcome here on Ithaca? That I, the devout Penelope, would treat him as Clytemnestra had treated her husband? The idea is preposterous. My name is a byword for patience and loyalty, no matter which bard sings it. But that is my Odysseus. And your Odysseus. Always finding things out the hard way.
β
β
Natalie Haynes (A Thousand Ships)
β
Men who find solace only in other men are to be distrusted,β Castor told Clytemnestra and Helen one morning as they were watching Theseus and Pirithous fight in the gymnasium. βThey donβt respect anyone else, let alone a woman.
β
β
Costanza Casati (Clytemnestra)
β
Agamemnon, Calchas, and Odysseus, on the other hand, know that one doesnβt grow powerful thanks to the gods: they take matters into their own hands and fight to have their names written into eternity. It is no wonder they have survived for so long: they are cruel and cunning. Although they are very different from one another, they have something in commonβthey believe they are special because no one but them sees the horrible things that need to be done. They believe others shy away from the brutal nature of life but that they are clever enough to see and act upon it.
β
β
Costanza Casati (Clytemnestra)
β
He shakes his head. βYour father once told me that our life is nothing more than a fight among those who have the power, those who want it and the people who find themselves in the middle β casualties, sacrifices, call them whatever you want.
β
β
Costanza Casati (Clytemnestra)
β
A king is always a king, even when far from home, thinks Clytemnestra. What about a queen? What makes a girl a queen? Surely she is a woman who can protect herself and her people, who gives justice to those who deserve it and punishes those who betray her.
β
β
Costanza Casati (Clytemnestra)
β
Penelopeβs face is luminous. βMy father used to tease me and say that I would marry some forgotten king on a forgotten island.β Clytemnestra nudges her. βWell, you are.β Penelope laughs. βWho knows about Ithaca? Who will remember Odysseus?β βProbably no one. The clever ones are always forgotten.
β
β
Costanza Casati (Clytemnestra)
β
Listen to me,β Clytemnestra says. βGods do not care about us. They have other concerns. That is why you should never live in the shadow of their anger. It is men you must fear. It is men who will be angry with you if you rise too high, if you are too much loved. The stronger you are, the more they will try to take you down.
β
β
Costanza Casati (Clytemnestra)
β
In the car, my father asked if I agreed with him that there was nothing worse, ethically, than betrayal, and that women were particularly prone to betraying people. Clytemnestra, for example, had betrayed Agamemnon when he had one foot out of the bath, fulfilling the prophecy that Agamemnon would die neither on land nor at sea.
β
β
Elif Batuman (Either/Or)
β
A mother's life is sacred. Even a badly behaved mother's life is sacredβwitness my foul cousin Clytemnestra, adulteress, butcher of her husband, tormentor of her childrenβand nobody said I was a badly behaved mother. But I did not appreciate the barrage of surly monosyllables and resentful glances I was getting from my own son.
β
β
Margaret Atwood (The Penelopiad)
β
She sees that her mother can be two different people and that the best version appears when her father isn't around.
β
β
Constanza Casati (Clytemnestra)
β
Men who find solace only in other men are to be distrusted.
β
β
Constanza Casati (Clytemnestra)
β
It is noble to be gentle, to save others from pain. But it is also dangerous. Sometimes you have to make life difficult for others before they make it impossible for you.
β
β
Costanza Casati (Clytemnestra)
β
Spartan girls never cry, let alone for such a reason.
β
β
Costanza Casati (Clytemnestra)
β
It hurts her to see that lies come easily to her now. Once it was decency, courage, goodness. But that was another lifetime.
β
β
Costanza Casati (Clytemnestra)
β
She will fight her own battle when the time comes. And the palace will be her bloody battlefield.
β
β
Costanza Casati (Clytemnestra)
β
She gazes at Agamemnon and says, βI do not forget.
β
β
Costanza Casati (Clytemnestra)
β
You will be despised by many, hated by others, and punished. But in the end, you will be free.
β
β
Costanza Casati (Clytemnestra)
β
Pain passes over his face, but she doesnβt turn away. She likes to see his sorrow because it feels intimate, something he wouldnβt show to anyone else.
β
β
Costanza Casati (Clytemnestra)
β
A peal of mirth almost escaped me at the notion of shaming the blood-soaked House of Atreus, as if it had even been clean.
β
β
Susan C. Wilson (Clytemnestra's Bind (The House of Atreus #1))
β
know many more maneuvering women than men. I think of myself as one of them. Besides, you were born to be a ruler.
β
β
Costanza Casati (Clytemnestra)
β
There are no birds singing, no figures moving. It seems as if the land has stopped to rest.
β
β
Costanza Casati (Clytemnestra)
β
I want to be with someone who is different, someone who makes me look at the world with pleasure, who shows me its wonders and secrets.
β
β
Costanza Casati (Clytemnestra)
β
Better to be envied than to be no one.
β
β
Costanza Casati (Clytemnestra)
β
I like to see the world from its edges while you wish to be in the center, taking part in the action.
β
β
Costanza Casati (Clytemnestra)
β
When she speaks, her voice hisses, like a heated blade quenched in water.
β
β
Costanza Casati (Clytemnestra)
β
When you are fighting a much stronger animal, intelligence isnβt enough.
β
β
Costanza Casati (Clytemnestra)
β
Some men want only the things they cannot have.
β
β
Costanza Casati (Clytemnestra)
β
The more one wants to forget, the more one canβt help but remember.
β
β
Costanza Casati (Clytemnestra)
β
It is strange: she who is such a light is always seeking someone to show her the way.
β
β
Costanza Casati (Clytemnestra)
β
β¦our lives are short and miserable, but sometimes we can be lucky enough to find someone who cures our loneliness.
β
β
Costanza Casati (Clytemnestra)
β
It sounds unpleasant, like an overripe fruit. She lets it rot in the air until she feels nauseous.
β
β
Costanza Casati (Clytemnestra)
β
They are such cowards that a single man can unsettle them so.
β
β
Costanza Casati (Clytemnestra)
β
β¦that power alone doesn't buy you a kingdom.
β
β
Costanza Casati (Clytemnestra)
β
It is as if in sleep they are fighting shadows, but at least they are doing it together.
β
β
Costanza Casati (Clytemnestra)
β
Lucky women never get past the envy of the gods.
β
β
Costanza Casati (Clytemnestra)
β
Her mother, on the other hand, believes that forests hide the godsβ secrets. Caves to her are shelters, minds that have thought and lived the lives of the creatures they have hosted over time.
β
β
Costanza Casati (Clytemnestra)
β
(...) well, there's a girl I used to know, and I wasn't sure if I should find her and talk to her or if I should just forget about it.
(...)
Oh! You must go to her and implore her. You must call her your Terpsichore, your Echo, your Clytemnestra. You must write poems for her, mighty odes - I shall help you write them - and thus - and only thus - shall you win your true love's heart.
β
β
Neil Gaiman (The Graveyard Book)
β
He relaxes and his expression shifts back to the usual amusement. βGood β¦ Maybe in another life I would have married you,β he adds carelessly. She watches him but his smile is impenetrable. βYou wouldnβt have been able to handle me,β she says. βI am too fierce for you.β He laughs. βAnd your husband?β βHe likes the fire. He isnβt afraid to burn.β She says it lightly, with a smile, but she knows it is true.
β
β
Costanza Casati (Clytemnestra)
β
Ten years was a long time to bear a grudge, but Clytemnestra never wavered. Her fury neither waxed nor waned, but burned at a constant heat. She could warm her hands on it when the nights were cold, and use it to light her way when the palace was in darkness. She would never forgive Agamemnon for murdering her eldest child, Iphigenia. Nor for the thuggish deceit of his wife and daughter with talk of a wedding.
β
β
Natalie Haynes (A Thousand Ships)
β
But know this. I will have my justice. I swear it here and now. I swear it by the Furies and every other goddess who has known vengeance. I will stalk the Atreidai and crush everything they hold dear until only ashes remain.
β
β
Costanza Casati (Clytemnestra)
β
There is nothing more powerful than a strong-willed woman. That is what you have always been and must be no matter what others do to you. It is easier for a man to be strong, for we are encouraged to be so. But for a woman to be unbent, unbroken, that is admirable.
β
β
Costanza Casati (Clytemnestra)
β
She should pity them, she knows that, their existence made of orders and suffering, their lives like rafts pushed around by the waves. But it is easy to turn to the weakest when you are racked with pain, to hurt those who canβt defend themselves when you are unable to hurt those who have hurt you.
β
β
Costanza Casati (Clytemnestra)
β
You are a woman. You cannot understand loyalty to the father.β They were wrong, as always. She understands Justice, the ancient spirit that lives inside each of them, ready to burst forth for every crime. It is a web, each thread stained with the blood of mothers and fathers, daughters and sons. It grows and grows, the Furies always weaving more traps.
β
β
Costanza Casati (Clytemnestra)
β
Iβm talking about womenβs matters.β
βWomenβs--β
βAnd the moon. What I mean is the time each month when--β
βI know, I know!β I exclaimed, stopping her before she could say any more. My cheeks burned. βMy nurse, Ione, told my sister and me all about that when we were ten years old. Mother repeated all of it right before my sister left Sparta to marry. They both told us that this isnβt something for men to hear.β I nodded at Milo. He looked disappointed.
βMen know more about women than you think,β Eunike said. βBut since youβre already so knowledgeable, how are you going to manage to hide it when youβre on the road and you--β
βI wonβt,β I said sharply. βIt hasnβt happened to me yet. I donβt know why. My sister, my twin, sheβs been a woman for at least two years. Iβm still a girl.β I hated recalling how Clytemnestra had lorded it over me when sheβd changed and Iβd stayed the same. Worse, every month after that she made it a point to ask me whether βitβ had happened to me yet, and every month I had to say no. Ione told me not to fret, that every woman walked the same path eventually, that it would come to me before I knew it. I was still waiting.
βHmmm.β The Pythia was silent for a time, then said, βThis may be a blessing for you, Helen. It might even be an omen, a sign from the gods to let you know they want you to succeed.β
βDo you really think so?β I asked eagerly. About time my monthly humiliation did me some good! I thought.
β
β
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
β
For a long time, she has known there are two different kinds of war. There are the battles where heroes dance and fight, with their glistening armor and precious swords, and there are those fought between walls, which are made of stabs and whispers. There is nothing dishonorable about that, nothing so different from the field. Either way, it is always what she has been taught in the gymnasium: take down your enemies and make them bleed. After all, what is a field after battle if not a stinking lake of corpses?
β
β
Costanza Casati (Clytemnestra)
β
-- What a fool I was. "Want To Be a Little Off-Beat?" Here's ten ways, the article said. A lilac door was one. So off I tripped to the nearest hardware store to assert my unique individuality with the same tin of paint as two million other dimwits. Conned into idiocy. My mind is full of trivialities. At lunch Ian said Duncan's piece of cake is miles bigger than mine -- it's not fair, and I roared that they should quit bothering me with trivialities. So when they're at school, do I settle down with the plays of Sophocles? I do not. I think about the color of my front door. That's being unfair to myself. I took that course, Ancient Greek Drama, last winter. Yeh, I took it all right.
Young academic generously giving up his Thursday evenings in the cause of adult education. Mrs. MacAindra, I don't think you've got quite the right slant on Clytemnestra. Why not? The king sacrificed their youngest daughter for success in war-- what's the queen supposed to do, shout for joy? That's not quite the point we're discussing, is it? She murdered her husband, Mrs. MacAindra, (Oh God, don't you think I know that? The poor bitch.) Yeh well I guess you must know, Dr. Thorne. Sorry. Oh, that's fine -- I always try to encourage people to express themselves.
-- Young twerp. Let somebody try killing one of his daughters. But still, he had his Ph.D. What do I have? Grade Eleven. My own fault....
β
β
Margaret Laurence (The Fire-Dwellers)