Clutch Moment Quotes

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Jacks’s chest was heaving, his clothes were soaked, his hair was a mess across his face—yet in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls had died from his lips. If Jacks hadn’t betrayed her, if he hadn’t set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.
Veronica Roth (Allegiant (Divergent, #3))
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The night above. We two. Full moon. I started to weep, you laughed. Your scorn was a god, my laments moments and doves in a chain. The night below. We two. Crystal of pain. You wept over great distances. My ache was a clutch of agonies over your sickly heart of sand. Dawn married us on the bed, our mouths to the frozen spout of unstaunched blood. The sun came through the shuttered balcony and the coral of life opened its branches over my shrouded heart. - Night of Sleepless Love
Federico García Lorca
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy. "We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -" But somebody else had spoken Snape's name, quite softly. "Severus ..." The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. "Severus ... please ..." Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
It’s the Longing that ultimately undoes you. When it finds you, it gnaws at your bones and tugs at your chest. It fills you up inside like rot and makes you dream dreams and it drowns you. The Longing keeps you in bed, clutching at your sheets while the world goes on outside. It smells like old leaves and cigarette smoke, mixed with the scent of far-off places you will hear of, but never see. It’s the gloss on a lover’s lips the moment you realize you will never kiss those lips again. It is the bittersweet, unrequited love of creation and it will break your heart again and again and again. If you know the Longing the way I do, then these words are redundant. We understand each other perfectly, you and I.
Matthew Sturges (House of Mystery, Volume 1: Room and Boredom)
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.
Ada Limon (Bright Dead Things)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Human)
One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flowerbeds in fresh bloom. Sundays in a café.
Fredrik Backman (A Man Called Ove)
Time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.
Fredrik Backman (A Man Called Ove)
in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
I’ve got so much inside me I have no idea about. I’m like the mayor of a city I’ve never seen.” He smiles at my phrasing. “If you knew the kind of little miracles happening every moment you breathe in, you wouldn’t be able to handle it. A valve could close and not open; an artery could split, you could die. At any moment. It’s nothing but miracles inside your tiny city.” He presses a kiss to my temple. “Holy shit.” I clutch at him. “You wouldn’t believe the stats on people who go to bed one night and never wake up. Normal, healthy people who aren’t even old.” “Why would you tell me this? Is this what you think about?” There’s the longest pause. “I used to. Not so much anymore.” “I think I preferred it when I thought I was full of white bones and red goo. Why am I now thinking about dying tonight?” “Now you see why I can’t do small talk. 
Sally Thorne (The Hating Game)
I was thinking there was something I wanted to try." And he took my face in his hands again. I couldn't breathe. He hesitated - not in the normal way, the human way. Not the way a man might hesitate before he kissed a woman, to gauge her reaction, to see how he would be received. Perhaps he would hesitate to prolong the moment, that ideal moment of anticipation, sometimes better than the kiss itself. Edward hesitated to test himself, to see if this was safe, to make sure he was still in control of his need. And then his cold, marble lips pressed very softly against mine. What neither of us was prepared for was my response. Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
In a moment I was clutched by several hands, and there was no mistaking that they were trying to haul me back. I struck another light, and waved it in their dazzled faces. You can scarce imagine how nauseatingly inhuman they looked—those pale, chinless faces and great, lidless, pinkish-grey eyes!—as they stared in their blindness and bewilderment.
H.G. Wells (The Time Machine)
That’s when I see Lenore Dove. She’s up on a ridge, her red dress plastered to her body, one hand clutching the bag of gumdrops. As the train passes, she tilts her head back and wails her loss and rage into the wind. And even though it guts me, even though I smash my fists into the glass until they bruise, I’m grateful for her final gift. That she’s denied Plutarch the chance to broadcast our farewell. The moment our hearts shattered? It belongs to us.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
At the sight of him, I was clutched by a feeling like that precarious moment just past the top of a roller coaster's highest hill when gravity takes hold and the car barrels downward.
April Lindner (Jane)
This looks good." "That's Metamucil," Bricker said with disgust, snatching it from her hand. "So?" She turned to scowl at him. "What's wrong with Metamucil?" "It's--" He glanced at the container and read, "A dietary supplement." "That sounds healthy," she said, trying to grab it back. "Eshe," he said, his disgust giving way to amusement. "It's what old mortals take to get regular." "To get regular what?" she asked, and then poked him in the stomach, hard. The moment Bricker bent over with an "oomph," she snatched the container back and repeated, "Regular what?" "Crap," he gasped, clutching his stomach. "I didn't hit you that hard," she said with some disgust of her own. "No." He sighed, straightening. "I meant that's what they get regulated. Crap." Eshe dropped the can in dismay. "They buy crap?
Lynsay Sands (Born to Bite (Argeneau, #13))
Ah...Dectective, this is a very private and personal moment for them both. I'm sure you can understand their need for-" A man stumbled out clutching a sheet round his waist and Valkyrie's eyes widened. "Whoa," she said as he hummed into a table. He was tall and sandy-haired and his physique was jaw-dropping lay amazing. "No way," she said. "Scapegrace?" The man looked at her, and shook his head. The a woman came charging out of the back room, slammed into the man and they both went rolling across the floor. "Give it to me!" The woman screamed. "Give it to me!" Nye scuttled over. "Mr Scapegrace, you know the procedure cannot be repeated, your brains are in far too deteriorated a condition." "You! Gave! Me! The! Wrong! Body!
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
the miracle happened; one of those quiet moments that clutch the heart, and take more courage than the noisy, excited passages in life.
Willa Cather (My Ántonia)
To Have Without Holding: Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch, to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can't do it, you say it's killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor's buttons blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.
Marge Piercy
Riley - “Don’t worry, there are many safeguards in place. Unless you want me to have Logan explain—” Trella - “No! I trust you.” He clutched his hands to his chest. “She… Gasp… Trusts me! Call for medical aid stat!” I swung at him, but he grabbed my wrist and pulled me to my feet. Snaking his arms around my waist, he said, “We need to celebrate this momentous occasion.” "What are we celebrating?" Jacob Ashon, Riley's father, asked from the doorway.
Maria V. Snyder (Outside In (Insider, #2))
He put the glass to his lips and drank at one gulp. A cry followed; he reeled, staggered, clutched at the table and held on, staring with injected eyes, gasping with open mouth; and as I looked there came, I thought, a change—he seemed to swell—his face became suddenly black and the features seemed to melt and alter—and the next moment, I had sprung to my feet and leaped back against the wall, my arms raised to shield me from that prodigy, my mind submerged in terror. "O
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
The maid in the lime-color panties... She had a plain broad face and was the most virtuous woman alive: she laid for EVERYBODY, regardless of race, creed, color or place of national origin, donating herself sociably as an act of hospitality, procrastinating not even for the moment it might take to discard the cloth or broom or dust mop she was clutching at the time she was grabbed. Her allure stemmed from her accessibility; like Mt. Everest, she was there, and the men climbed on top of her each time they felt the urge.
Joseph Heller (Catch-22)
I didn't properly think about what was happening even as I kissed him back, my laughter spilling into his mouth and making stutters of my kisses. I was still bound up with him, our magic snarled up into great messy tangled knots. I didn't have anything to compare that intimacy to. I'd felt the hot embarrassment of it, but I'd thought of it vaguely like being naked in front of a stranger. I hadn't connected it to sex—sex was poetic references in songs, my mother's practical instructions, and those few awful hideous moments in the tower with Prince Marek, where I might as well have been a rag doll as far as he'd cared. But now I toppled the Dragon over, clutching at his shoulders. As we fell his thigh pressed between mine, through my skirts, and in one shuddering jolt I began to form a startled new understanding.
Naomi Novik (Uprooted)
She launched herself at me. I closed my eyes the moment her arms slipped around my neck. I slid my hands to familiar places and reveled in her delicious smell. For three weeks I’d felt like a puzzle with missing pieces. Her body fit perfectly into mine, making me feel whole again. "I’ve missed you." I swore Echo clutched me tighter before stepping back. "I’m sorry. That was totally inappropriate." Begrudgingly I let go, chuckling. "I’m all about inappropriate." Her laughter healed and stung at the same time. "Yeah, you are." She bit her lip and my smile grew when her eyes wandered down then back up my body. Echo blinked.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Sometimes the moments in our life pile up and become an unstoppable force that makes us change. But at other times they become a mountain impossible to surmount. Everyone misses shots now and then. But if you become known as the person who misses- if you internalize it -well, suddenly every miss becomes another rock in that pile. While every hit gets ignored. Eventually you become Ann: arm shaking, sweat pouring down your face, clutched by the invisible but very real claws of self-fulfilling determination. Then you start missing not because your aim is bad, or your eyesight is poor, but because your arm is shaking and sweat is pouring down your face. And because missing is what you do.
Brandon Sanderson (Tress of the Emerald Sea (Hoid's Travails, #1))
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay and swift and free, like a country dance of Mozart's. To touch heavily would be to arrest the pattern and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place here for the possessive clutch, the clinging arm, the heavy hand, only the barest touch in passing. Now arm in arm, now face to face, now back to back -- it does not matter which because they know they are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by it. The joy of such a pattern is...the joy of living in the moment. Lightness of touch and living in the moment are intertwined. One cannot dance well unless one is completely in time with the music, not leaning back to the last step or pressing forward to the next one, but poised directly on the present step as it comes... But how does one learn this technique of the dance? Why is it so difficult? What makes us hesitate and stumble? It is fear, I think, that makes one cling nostalgically to the last moment or clutch greedily toward the next. [And fear] can only be exorcised by its opposite: love.
Anne Morrow Lindbergh (Gift from the Sea)
took a moment for the venom to sink in. Suddenly, Mr. Sir screamed and clutched his face with both hands. He let himself fall over, rolling off the hearth and onto the rug.
Louis Sachar (Holes (Holes Series Book 1))
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Kate Elizabeth Russell (My Dark Vanessa)
My heart clutched - it was one of those moments when you feel time is a rug that's been yanked out from under you; everything around you has changed so gradually that it is only all at one you look up and realize how different your life has become.
Curtis Sittenfeld (American Wife)
Richie saw the empty street where nothing moved and suddenly burst into tears. Bill looked at him for a moment and then put his arms around Richie and hugged him. Richie clutched at Bill’s neck and hugged him back. He wanted to say something clever, something about how Bill should have tried the Bullseye on the Werewolf, but nothing would come out. Nothing except sobs. “D-Don’t, R-Richie,” Bill said, “duh-duh-duh-h-h—” Then he burst into tears himself and they only hugged each other on their knees in the street beside Bill’s spilled bike, and their tears made clean streaks down their cheeks, which were sooted with coaldust.
Stephen King (It)
This is impossible." "This what?" I clutch the collar of his shirt in my fingers. His face is so close l study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, "A hunter in love with his prey
Sophie Jordan (Firelight (Firelight, #1))
My arms were taken away from me, she sang. I was punished for clinging. I clung. I clutched all those I loved; I clutched at the lovely moments of life; my hands closed upon every full hour. My arms were always tight and craving to embrace and hold the light, the wind, the sun, the night, the whole world. I wanted to caress, to heal, to rock, to lull, to surround, to encompass. And I strained and I held so much that they broke; they broke away from me. Everything eluded me then. I was condemned not to hold.
Anaïs Nin
At this point, a faerie woman came twirling through. She had leaves in her updo and was swathed in ribbons and ivy and not much else. She tripped on a trailing line of ivy and Alec caught her. “Good reflexes!” she said brightly. “Also great arms. Would you be interested in a night of tumultuous forbidden passion, with an option to extend to seven years?” “Um, I am gay,” Alec said. He was not used to saying that casually, to any random person. It was strange to say it, and feel both relief and a shadow of his old fear, twined together. Of course, the declaration might not mean much to faeries. The faerie woman accepted it with a shrug, then looked over at Raphael and lit up. Something about the leather jacket or the scowl seemed to appeal to her strongly. “How about you, Vampire Without a Cause?” “I’m not gay,” said Raphael. “I’m not straight. I’m not interested.” “Your sexuality is ‘not interested’?” Alec asked curiously. Raphael said, “That’s right.” The faerie thought for a moment, then ventured, “I can also assume the appearance of a tree!” “I didn’t say, ‘not interested unless you’re a tree.’ ” “Wait,” said the faerie suddenly. “I recognize you. You’re Raphael Santiago! I’ve heard of you.” Raphael made a gesture of dismissal. “Have you heard I like it when people go away?” “You were one of the heroes in the Downworlder victory over Valentine.” “He was one of the heroes of the Downworlder and Shadowhunter alliance, which led to the victory,” Alec said. Raphael stopped looking annoyed and began to look nastily amused. “Oh, did the Shadowhunters help a little?” he asked. “You were there!” said Alec. “Can I have your autograph, Raphael?” asked the faerie lady. She produced a large, shiny green leaf and a quill. Raphael wrote LEAVE ME ALONE on the leaf. “I’ll cherish it,” said the faerie. She ran away, clutching the leaf to her bosom. “Don’t,” Raphael yelled after her.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flower beds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future. And it wasn’t as if Ove also died when Sonja left him. He just stopped living. Grief is a strange thing.
Fredrik Backman (A Man Called Ove)
The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
There is that old saying, couched as a truism, and to utter it is to assert its primacy: justice, we say, is blind. By this we mean that its rules defy all the seeming privileges of the wealthy and the highborn. Laudable, without question, if from the rules of justice we are to fashion a civilization worthy of being deemed decent and righteous. Even children can be stung in the face of what they perceive to be unfair. Unless, of course, they are the ones profiting from it. And in that moment of comprehension, of unfairness to the other also being a reward to oneself, that child faces – for the first but not the last time – the inner war we all know so well, between selfish desire and the common good. Between injustice, clutched so possessively deep in the soul, and a justice that now, suddenly, stands outside that child, like a stern foe. With
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
Mr. Sir stared at her. He had three long red marks slanting across the left side of his face. Stanley didn’t know if the redness was caused by her nail polish or his blood. It took a moment for the venom to sink in. Suddenly, Mr. Sir screamed and clutched his face with both hands. He let himself fall over, rolling off the hearth and onto the rug.
Louis Sachar (Holes (Holes Series Book 1))
Her head hurt and her chest felt hollowed out, as if she’d lost more than just her memories. For a second the agony was so deep and so brutal, she clutched her heart, half expecting to find a jagged hole. But there was no wound. Her heart was still there; she could feel it beating. Yet for a devastating moment, Evangeline imagined that it shouldn’t have been, that her heart was supposed to be as broken as she felt. Then it hit her, not a feeling but a thought—a sharp, fragmented one. She had something important to tell someone.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
rip the page out of the small notebook and clutch it close, actively swallowing the hysteria tickling every broken moment in my mind.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
It is the long still moment of dreamy suspended passion before the spinning clutching descent.
Iris Murdoch (The Nice and the Good)
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The glance of women resembles certain combinations of wheels, which are tranquil in appearance yet formidable. You pass close to them every day, peaceably and with impunity, and without a suspicion of anything. A moment arrives when you forget that the thing is there. You go and come, dream, speak, laugh. All at once you feel yourself clutched; all is over. The wheels hold you fast, the glance has ensnared you. It has caught you, no matter where or how, by some portion of your thought which is fluttering loose, by some distraction which had attacked you. You are lost. The whole of you passes into it. A chain of mysterious forces takes possession of you. You struggle in vain; no more human succor is possible. You go on falling from gearing to gearing, from agony to agony, from torture to torture, you, your mind, your fortune, your future, your soul; and, according to whether you are in the power of a wicked creature, or of a noble heart, you will not escape from this terrifying machine otherwise than disfigured with shame, or transfigured by passion.
Victor Hugo (Les Misérables)
He saw a light come on, far off there, in one of the houses clutching at the shadowy base of the hill. He thought of the human moment in the midst of the land. His heart stirred. He thought of the preciousness of that moment. That, he thought, was all he had ever tried to get: that moment of preciousness. But he had never managed to do it. At least, not the way he dreamed it. Perhaps he would, this time.
Robert Penn Warren (Flood)
Sometimes as I’m drifting toward sleep, in the beginnings of that dissolution, I wonder where I am, when this is, and realize that at these moments I could be anywhere, anytime, for all I know: eight and napping in the trailer, my broken arm in a cast, or thirteen at night clutching a pillow to my neck, or twenty in the arms of my boyfriend, or twenty-seven in the arms of my husband, or thirty-three next to my imaginary daughter; at every place in the whole spinning shape that is my life, when I am falling asleep, I am the same person, the identical awareness, the same fuzzball of mind, the same muck of nerves, all along the line. I forage through my life and everywhere—there, there, and there—it is only me in it, the very same me, the same harmless lump, the same soggy weirdo, the same sleeping, breathing bun.
Lorrie Moore (Anagrams)
The music glides between the pores of your skin to bubble through your veins in place of blood, and you can't help but clutch the mic with both trembling hands and let the song flow out of you like blood from a wound. In those moments, when the music has replaced everything and even awareness of your own body has faded, you can't breathe, can't do anything but let the song own you, let the performance rocket through you. There's no people, no problems in your life, no buzz of alcohol in your blood or pain in your heart.
Jasinda Wilder (Big Girls Do It Better (Big Girls Do It, #1))
Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty. “And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real. Hope. Clara had captured the moment despair turned to hope. The moment life began. She’d somehow captured Grace.
Louise Penny (The Brutal Telling (Chief Inspector Armand Gamache, #5))
I try to clutch onto those last moments in the place that I was born to, but I was so busy *living* them! How was I to know I'd have to capture everything I ever wanted to remember of Eire for the rest of my life?
Kate McCafferty (Testimony of an Irish Slave Girl)
By noting that she seems to listen but not speak, Bellincioni conveyed what makes the portrait so momentous: it captures the sense of an inner mind at work. Her emotions seem to be revealed, or at least hinted at, by the look in her eyes, the enigma of her smile, and the erotic way she clutches and caresses the ermine.
Walter Isaacson (Leonardo da Vinci)
—yet in that moment, Evangeline knew he would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
If poverty were a place, a hostile landscape into which you were deliberately pushed or accidentally stumbled, it would be an accursed forest—a damp and gloomy wildwood suspended in time. The branches clutch at you, the boles block your way, the brambles draw you in, determined not to let you out. Even when you manage to cut down one obstacle, instantly it is replaced by another. You tear the skin off your hands as you work doggedly to clear a path elsewhere, but the moment you turn your back the trees close in on you again. Poverty saps your will, little by little.
Elif Shafak (There Are Rivers in the Sky)
I sit now, as I have before, with the question of balance, balance between hanging on (planning, setting goals and expectations) and letting go (complete presence, in the moment, no attachment to any one way). Do they have to be in contradiction? Yes. Can they be contradictory co-existing realities? Yes, yes, definitely. But only only only when we balance them through fullness, allowing them to co-exist, letting the plans and goals in deeply, but not clutching them for dear life, and allowing the results of the process to be what they are, as they continue to affect the plans and goals, and us... And so begin again again again hold on again let go again again again all at the same time.
Shellen Lubin
There is no lingering twilight in Africa, no gentle gloaming as day eases into night; a tender give-and-take between light and shadow. Night settles swiftly. If you are vigilant, and not prone to distractions, you can almost feel the very moment daylight slips through your fingers and leaves you clutching the inky sap that is the sub-Saharan night.
Bianca Marais
We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
So should I just conjure a boat?” I asked her now. She shrugged. “I’m not the one with magic. Just get over however you think is best.” “I could swim,” I suggested. “Ooh! Or maybe magic up like, a sweet Jet Ski?” I held my hands out in front of me as if I were clutching the handlebars of said sweet Jet Sky. Aislinn watched me for a moment before saying, “Is this what you always do when you’re nervous?” My hands fell back to my sides. “Pretty much.” I turned back to the water. “See, the thing is, I’m pretty sure I could make a boat. But then if I do, do I give it a motor? Or a sail? Or am I expected to row myself all the way-“ “Please be quiet until you think of something.” The words themselves weren’t particularly threatening, but Aislinn had a way of looking at you that made you feel like she was mere seconds away from kicking you in the face.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
As soon as our lips met, I was glad I had my back against the door. My knees were in definite danger of failing me. Archer wrapped his arms around my waist and held me tighter as I clutched the front of his shirt and poured all that I’d been feeling for the past few weeks into the kiss-the despair I’d felt when I’d thought he was dead, the relief I felt now, pressed between him and the cellar door. When we finally parted, I rested my forehead on his collarbone and took deep breaths. It was a few moments before I was capable of speech. “I though you said we’d do this ‘later.’” He kissed my temple. “It’s been like, twenty minutes. That counts as later.” Chuckling, I raised my head to look at him. “I kind of missed you.” Even though it was dark, I could see him smile. “I kind of missed you, too.” “I should probably get upstairs now.” “You probably should,” he murmured, lowering his mouth to mine. By the time I finally made it up to Jenna’s and my room, I was practically skipping.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Jack fell to his knees on the bench,his eyes rolling back in ecstasy as he clutched both hands to his heart. "Oh, heavens above,to have seen such beauty with my own eyes! It's more than I ever hoped for. But how can I live now, knowing that you're not mine? Please." He crawled forward to the edge of the bench. "Marry me. Nay,marriage will cost us precious moments together. Let us make sweet, passionate love right here.Let me bear your children." A primal growl signaled Miss Lynn getting over her shock at being thus addressed. She lunged forward; Jack deftly rolled off the bench, jumping up out of her reach. "Goodness, I didn't expect you to be quite this enthusiastic about my advances. If I don't play hard to get, how will I ever know whether or not you respect me?" Another growl,this one sounding like "you!" Or prehaps "eew!" because that's certainly how I felt about the whole exchange. Everyone stopped laughing and watched, wide-eyed with horror, unsure whether to stay or distance themselves from the inevitable outcome, which would quite possibly involve jack's dismemberment. I didn't know who to root for.
Kiersten White (Supernaturally (Paranormalcy, #2))
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
To have without holding Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch ; to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can’t do it, you say it’s killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor’s button blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.
Marge Piercy (The Moon Is Always Female: Poems)
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Cassie fumbled helplessly beneath the shade of the ancient oak, still searching for her second shoe.The first had been easy to find, having landed close to where she had kicked it off; and when her hand had finally encountered it, she clutched it to her breast in a gesture of smug triumph. For one brief moment, she felt a twinge of sympathy for the sighted people who would never experience such sweet victory from a task as simple as finding a shoe.
Melinda Cross
Very well.” Artemis blinked, her sweet lips parting as if she didn’t believe what she’d heard. “What?” “I’ll do it.” He turned to go, his mind already making plans, when he felt her fingers clutch at his sleeve. “You’ll take him from Bedlam?” “Yes.” Perhaps his decision had already been made from the moment he’d seen tears in her eyes. He had a weakness, it seemed, a fault more terrible than any Achilles’s heel: he couldn’t stand the sight of her tears.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
Life is short, and it is sinful to waste one’s time. They say I’m active. But being active is still wasting one’s time, if in doing one loses oneself. Today is a resting time, and my heart goes off in search of itself. If an anguish still clutches me, it’s when I feel this impalpable moment slip through my fingers like quicksilver… At the moment, my whole kingdom is of this world. This sun and these shadows, this warmth and this cold rising from the depths of the air: why wonder if something is dying or if men suffer, since everything is written on this window where the sun sheds its plenty as a greeting to my pity?
Albert Camus (Lyrical and Critical Essays (A Vintage Book))
There's a characteristically brilliant Peanuts strip which opens with Linus sitting on the living-room floor, anxiously clutching his mouth. Lucy enters and asks what's wrong. "I'm aware of my tongue," he explains. "It's an awful feeling! Every now and then I become aware that I have a tongue inside my mouth, and then it starts to feel lumped up... I cant's help it... I can't put it out of my mind... I keep thinking about where my tongue would be if I weren't thinking about it, and then I can feel it sort of pressing against my teeth." Loudly declaring this the dumbest thing she's ever heard, Lucy scowls away. But a few steps down the corridor, she stops dead in her tracks. She clutches her own mouth. Suddenly she's aware of her tongue too. She runs back and chases him round the room, shouting, "You blockhead!" with her gigantic booming gob. Occasionally, late at night, while I'm trying to sleep and failing, I experience someting similar - except instead of being aware of my tongue, I'm aware of my entire body, the entire world, and the whole of reality itself. It's like waking from a dream, or a light going on, or a giant "YOU ARE HERE" sign appearing in the sky. The mere fact that I'm actually real and actually breathing suddenly hits me in the head with a thwack. It leaves me giddy. It causes a brief surge of clammy, bubbling anxiety, like the opening stages of a panic attack. The moment soon passes, but while it lasts it's strangely terrifying.
Charlie Brooker (The Hell of It All)
Are you for real?” She let out a short laugh, looking away. Why did so many good-looking guys have to be such douche canoes? “Man, you are something else.” “That I am.” “That wasn’t a compliment.” “You sure about that?” “Uh, yeah. I am.” “Hmm.” He sounded utterly dismissive. She had to force her hands to unclench. “I think you’re the most uptight person I know.” “You know nothing about me.” “I know enough to know you need a hobby or a pastime. Maybe a different workout regimen to de-stress or you need to get laid. Something to loosen you up a bit.” His lips parted as he stared down at her. He looked affronted. Like if he had pearls, he’d be clutching them. “Did you seriously just tell me I needed to get laid?” Rosie rolled her eyes. “Did you seriously just prove what I said?” A moment passed. “Are you volunteering?
Jennifer L. Armentrout (Moonlight Scandals (de Vincent, #3))
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. And the camels galled, sore-footed, refractory, Lying down in the melting snow. There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet. Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it. At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly. Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped away in the meadow. Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins, But there was no information, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory. All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death.
T.S. Eliot
And before he can tell her to tell Widget goodbye for him if need be, she learns forward and kisses him, not on the cheek, as she has a handful of times before, but on the lips, and Bailey knows in that moment that he will follow her anywhere. Poppet turns without a word and walks away. Bailey watches until he can no longer see her hair against the sky and then continues to stare after her, the tiny bottle clutched in his hand, still uncertain how to feel or what to do and left with only hours to decide.
Erin Morgenstern (The Night Circus)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
The Rosary Chicken hadn’t moved from the deck of the Dolly Llama since the battle began, but as she watched the helpless fairy fall to her death, the chicken knew this was her moment to contribute. The Rosary Chicken plunged toward the jar, but just as she clutched the jar’s handle with her beak, the chicken suddenly remembered she couldn’t fly!
Chris Colfer (Worlds Collide (The Land of Stories #6))
Fair?' the Emperor shouted, coming to stand over Gurgeh, blocking the view of the distant fire. 'Why does anything have to be fair? Is life fair?' He reached down and took Gurgeh by the hair, shaking his head. 'Is it? Is it?' Gurgeh let the apex shake him. The Emperor let go of his hair after a moment, holding his hand as though he'd touched something dirty. Gurgeh cleared his throat. 'No, life is not fair. Not intrinsically.' The apex turned away in exasperation, clutching again at the curled stone top of the battlements. 'It's something we can try to make it, though,' Gurgeh continued. 'A goal we can aim for. You can choose to do so, or not. We have. I'm sorry you find us so repulsive for that.
Iain M. Banks (The Player of Games (Culture, #2))
To ransom one lost moment with a rhyme! Or if fate and grudging gods demure, To clutch Life's hair, and thrust one naked phrase Like a lean knife between the ribs of time.
Alfred Bruce Douglas
Ye suffer from yourselves, none else compels,    None other holds you that ye live and die And whir upon the wheel, and hug and kiss      its spokes of agony,    Its tire of tears, its nave of nothingness. Discovering this the mind becomes whole: the split between I and me, man and the world, the ideal and the real, comes to an end. Paranoia, the mind beside itself, becomes metanoia, the mind with itself and so free from itself. Free from clutching at themselves the hands can handle; free from looking after themselves the eyes can see; free from trying to understand itself thought can think. In such feeling, seeing, and thinking life requires no future to complete itself nor explanation to justify itself. In this moment it is finished.
Alan W. Watts (The Wisdom of Insecurity)
In that moment, I wanted to cut out all my sins from my body and lay them down upon the earth before you. Like pieces of bark they are rough and dead, once clutching onto my very skin, all a part of me. You make me want to strip myself bare and lay myself out to you, I want you to see all my flaws, I want you to know I am not beautiful, yet all the while wanting you to take me anyway. I am composed of things that are dead, I am not a tree, I do not give life, I am just bark, flaws, stitched together with hope for something more. I wish for love, I wish for more.
Josh Fireland
And then an endless instant later Arthur was kissing him back, like this was perfectly normal, like this was exactly what Arthur had been hoping for most in all the world, his large hands closing over Merlin's shoulders and sliding down over his back, strong and warm even through the fabric of his sweater, one hand pausing on his waist and the other sliding around to cup his arse and pull him in closer. Merlin made a surprised, enthusiastic sound and stopped holding back; let himself cling to Arthur and kiss him more fiercely; and then they were kissing like it was their last day on earth and they had to cram every possible moment of passion into this tiny slice of time, hands clutching at fabric, mouths pressing hungry bites onto bare skin as if they would somehow devour one another, trying to touch and taste everything at once, frantic and needy and bursting with urgent desire and the inescapable knowledge that this was finite, was stolen, was not supposed to be.
FayJay (The Student Prince (The Student Prince, #1))
What if you lose your muse? Your mind will keep searching for an unknown palm, an empty core of clustered starry moisture, a broken harmony of a long lost song. Your heart will trample across moments, scattered here and there hoping to smile through a blank verse, an unmade sculpture, a void cosmos walking through a violet sky. And your soul? That, a sparkle of a crimson sun will dance along the glitter of a fragmentary dream, and in a love that clutches you in transience of an eternity, hold your breath in a paradise of a vibrant vision, and there you will find your muse again, once again. So what if you lose your muse?
Debatrayee Banerjee
Ready?” she asked. Nina clutched the rope. “To be lowered like a sack of flour into the heart of witchhunter power?” “This was your idea. We can still turn around.” “Do not second-guess the sack of flour. The sack of flour is wise beyond her years.” Hanne rolled her eyes and braced her feet against the edge of the roof, and Nina stepped out into nothing. Hanne released a grunt, but the rope stayed steady. Slowly, she lowered Nina down. The first two windows she tried were locked tight, but the third gave way and she wiggled inside, landing on the carpeted floor with a thud. She was in a stairway. For a moment, she couldn’t orient herself, but she descended another story, and soon she was at the door to Brum’s office. This time, she didn’t have a key. It had been too risky to steal it again, so she would have to pick the lock. It took an embarrassingly long time. She could almost hear Kaz laughing at her. Shut up, Brekker. Talk to me when you’ve done something about that terrible haircut. Maybe he had by now. She hoped so for Inej’s sake.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
The principle of avoiding conflict and never opposing an aggressor’s strength head-on is the essence of aikido. We apply the same principle to problems that arise in life. The skilled aikidoist is as elusive as the truth of Zen; he makes himself into a koan—a puzzle which slips away the more one tries to solve it. He is like water in that he falls through the fingers of those who try to clutch him. Water does not hesitate before it yields, for the moment the fingers begin to close it moves away, not of its own strength, but by using the pressure applied to it. It is for this reason, perhaps, that one of the symbols for aikido is water.
Joe Hyams (Zen in the Martial Arts)
She'd already accepted that she loved him, hadn't she? And it had been easy, a simple process of steps and study. Her mind was amde up, her goals set. Damn it, she'd been pleased by the whole business. So what was this shaky, dizzy, painful sensation, this clutch of panic that made her want to turn her mount sharply around and ride as far away as possible? She'd been wrong, Keeyley realized as she pressed an unsteady hand to her jumpy heart.She'd only been falling in love up to now.How foolish of her to be lulled by the smooth slide of it.This was the moment, she understood that now. This was the moment the bottom dropped away and sent her crashing. Now the wind was knocked out of her, that same shock of sensation that came from losing your seat over a jump and findng yourself flipping through space until the ground reached up and smacked into you. Jolting bones and head and heart. Love was an outrageous shock to the system, she thought. It was a wonder anyone survived it. She was a Grant, Keeley reminded herself and straightened in the saddle. She knew how to take a tumble, jsut as she knew how to pick herself back up and focus mind and energy on the goal. She wouldn't just survive this knock to the heart.She'd thrive on it.And when she was done with Brian Donnelly, he wouldn't know what had hit him.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
June, Moments are like cherries. They're meant to be relished, shared - not hoarded. You can clutch one terrible Moment or experience all the rest. Your life is slipping past in brilliant little bits, and I know it feels as though you're holding on to him, as though opening your hand is letting him slip away. [...] But when moments pass and crumble, they become seeds. They grow into new trees. And I promise you, he'll be in every new leaf. He will never be far from you. But if you don't let go of all that [he] did, you'll be haunted like the rest of them. You will miss the chance to live the life you want because you've accepted the one that's been passed down to you.
Emily Henry (A Million Junes)
Bernie Jackson found his daughter wrapped up in her sheets, whimpering mutedly as her pillow was shoved into her mouth. He shook her awake, and she lashed out, kicking him in the rib cage with her one free foot. Melody opened her eyes wide, and stared at him as though in terror. A moment later the girl relaxed her expression as the image of her father, and not a saliva-producing Wolf, was standing over her. “I'm going to let that slide because you seemed to have been in the middle of being eaten by a monster.” He was clutching his midsection as if from pain, the squashed remnants of a soft brown cookie squeezing between his fingers as though dough from a pasta machine.
BMB Johnson (Melody Jackson v. the Hound from Hell (It Happened On Lafayette Street Book 2))
Mati took in my expression, and a moment later I was in his arms. His kisses washed over me like floodwater over parched earth. I clutched him helplessly, tears falling down my face and mingling with his as he whispered my name.
Kathy MacMillan (Sword and Verse (Sword and Verse, #1))
That's when I see Lenore Dove. She's up on a ridge, her red dress plastered to her body, one hand clutching the bag of gumdrops. As the train passes, she tilts her head back and wails her loss and rage into the wind. And even though it guts me, even though I smash my fists into the glass until they bruise, I'm grateful for her final gift. That she's denied Plutarch the chance to broadcast our farewell. The moment out hearts shattered? It belongs to us.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
And as we walk back down the street, me gingerly clutching what at this point constitutes my entire collection, my father says, ‘One day, when you’re all grown up and I’m not here any more, you’ll remember the sunny day we went to the market together and bought a boat.’ My throat feels tight because, as soon as he says it, I am already there. Standing on another street, without my father, trying to get back. And yet I’m here, with him. So I try to soak up every aspect of the moment, to help me get back when I need to. I feel the weight of the chunky parcel under my arm, and the warmth of the sun, and my father’s hand in mine. I smell the flowers with their sharp undertang of cheap hot dog, and taste the slick of toffee on my teeth, and hear the chattering hagglers. I feel the joy of an adventurous Saturday with my father and no school, and I feel the sadness of looking back when it is all gone. When he is gone.
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
there were moments throughout the whole day when she had to shake herself because she found her thoughts climbing over her like creeping ivy, scratching and biting into her skin and entangling her in their morbid clutch. Because... wasn't ot true now that not only was she not human but she was kind of a 'thing' rather than Jinn? The Seal was an object with no emotion or thought or feeling. It has one purpose. To command the Jinn. What did that really make her then?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
The more I can accept the fact that change is moving all the time, and that the change I am experiencing right now is just the change of this moment and that this moment will change into the next and the next, the less need I will have to clutch in fear.
Sharon Weil (ChangeAbility: How Artists, Activists, and Awakeners Navigate Change)
You are a sister of Oya, my love. You know our spirits never die.” She pulls me back and wipes my tears with her soft robes. “I have always been with you, always by your side.” I clutch at her, as if at any moment her spirit might slip through my fingers.
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
Besides, there's plenty of time to get a ring. I'd rather spend time with you than flash around a five-carat rock on my finger." "Five carats?" He clutched at his chest. "I work in the ER; I'm not a brain surgeon." "Well then, maybe you should introduce me to some of your colleagues---" She squealed as he made a lunge for her, allowing him to catch her far too easily. "You have a smart mouth, Ms. Ryland." "Haven't you heard? Smart mouths make for the best kisses," she said, a moment before proving exactly that.
Nicola Marsh (The Man Ban (Late Expectations))
You might become aware of how addicted we can be to our devices, and to that 24/7 connectivity that has us always available and immediately responsive to everybody else, clutching our phones as if they were our oxygen line to life itself, and in the process, perhaps losing touch more and more with ourselves and with our moments—so that, ironically, some of the most important connections of all, namely, with our own deepest analog self, with our body, and with our present-moment experience, can be seriously eclipsed.
Jon Kabat-Zinn (Full Catastrophe Living: Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness)
Disordered-eating behaviors don’t exist in a vacuum. If you start eating to soothe yourself after experiencing trauma, for example, you’re not doing that in a culture of “Do what you gotta do to get through the day, and also let me help you process your trauma.” No, you’re doing it in a culture of “OMG YOU’RE EATING SO MUCH, YOU’RE GONNA GAIN WEIGHT AND THAT’S ABSOLUTELY UNACCEPTABLE—YOU NEED TO LOSE WEIGHT, STAT! (And PS, trauma? What are you even talking about? Just suck it up and move on!)” So even when people start eating to self-soothe, without any connection to weight or body image, they eventually end up absorbing our culture’s toxic beliefs about food and bodies. In our society at this moment in history, it’s basically impossible not to fall into diet culture’s clutches at some point.
Christy Harrison (Anti-Diet: Reclaim Your Time, Money, Well-Being, and Happiness Through Intuitive Eating)
I watched it bounce - it was lightning fast and in slow motion all at once - and then I watched it tumble over the edge of the mountain and down into the trees without a sound. I gasped in surprise and lurched for my other boot, clutching it to my chest, waiting for the moment to reverse itself, for someone to come laughing from the woods, shaking his head and saying it had all ben a joke. But no one laughed. No one would. The universe, I'd learned, was never, ever kidding. It would take whatever it wanted and it would never give it back.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
It is at night, especially when the moon is gibbous and waning, that I see the thing. I tried morphine; but the drug has given only transient surcease, and has drawn me into its clutches as a hopeless slave. So now I am to end it all, having written a full account for the information or the contemptuous amusement of my fellow-men. Often I ask myself if it could not all have been a pure phantasm—a mere freak of fever as I lay sun-stricken and raving in the open boat after my escape from the German man-of-war. This I ask myself, but ever does there come before me a hideously vivid vision in reply. I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. I dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind—of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium.
H.P. Lovecraft (Great Tales of Horror)
In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
He jumps up, kicking his chair ten feet behind him and wielding a knife. I forgot he always sleeps with one clutched in his hand. I should have pried it from his fingers, but I’ve had a lot on my mind. Spewing profanity, he slashes the air a few moments before coming to his senses.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled. "What is that?" "That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat." "Hold a moment. There's a goat?" "Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?" "I see the problem." "I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'" He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'" Gabe sensed a theme. "Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
She stared at the bundle of smoky fur currently nuzzling her stomach. After a moment of astonishment, she choked out, “You can’t actually understand me, can you? Because if so, don’t worry. I’ll protect your secret to the death.” From beneath her, a rough voice punched through the Sunday quiet. “So will I.” She almost fell out of the tree. After that heart-jolting moment, Chloe clutched a nearby bough for balance and blinked down at the source of the words. She found Redford Morgan squinting up at her, his hands in his pockets, his fine mouth curved into what must be a smirk.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.
Debatrayee Banerjee
But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed.
Thomas Carlyle (The French Revolution: A History)
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.
Veronica Roth (Allegiant (Divergent, #3))
During the Mardi Gras carnival in New Orleans, drunk and drugged and sleepless for sex-driven nights and days, I saw leering clowns on gaudy floats tossing cheap necklaces to grasping hands that clutched and grabbed and tore them, spilling beads; and revelers crawled on littered streets, wrestling for them, bleeding for them on sidewalks; and beads fell on spattered blood like dirty tears—and I saw costumed revelers turn into angels, angels into demons, demons into clowning angels; and in a flashing moment the night split open into a deeper, darker chasm out of which soared demonic clowning angels laughing.
John Rechy (After the Blue Hour)
Things throng and laugh loud in the sky; the sands and dust dance and whirl like children. Man’s mind is aroused by their shouts; his thoughts long to be the playmates of things. Our dreams, drifting in the stream of the vague, stretch their arms to clutch the earth,--their efforts stiffen into bricks and stones, and thus the city of man is built. Voices come swarming from the past,--seeking answers from the living moments. Beats of their wings fill the air with tremulous shadows, and sleepless thoughts in our minds leave their nests to take flight across the desert of dimness, in the passionate thirst for forms. They are lampless pilgrims, seeking the shore of light, to find themselves in things. They will be lured into poets’ rhymes, they will be housed in the towers of the town not yet planned, they have their call to arms from the battlefields of the future, they are bidden to join hands in the strifes of peace yet to come.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
Judith is whimpering, Susanna clutching her hand, so Agnes misses the moment, she misses seeing her son, the shroud see sewed for him, disappearing from view, entering the dark black river-sodden earth. It was there one moment, then she dipped her head to look at Judith and then it was gone. Never to be seen again.
Maggie O'Farrell (Hamnet)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
THE CONDITIONAL Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.
Ada Limon (Bright Dead Things: Poems)
Kim stared at him, eyes wide, and Will didn’t even think. He just kissed him, hard, and felt Kim’s mouth responding desperately, hands clutching his shoulders, hanging on for dear life. Kissing in the open because nothing at all mattered at this moment but to know they were together. The rest could wait for later, if there was a later.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
Because as long as Spring is there, the windows shall always walk open! Each time a chapter closes by, my heart sinks in a whirlpool of emotions. Walking through a canvas of moments I smile with a bunch of happy tunes, often shunning my foolish heart for being too emotional too caring and too loving. But then a breeze clutches me in a smile of being alive, after all my heart feels and that spark of Life is all that Life is about. I warmly wrap them up in my heart, tucking every moment, every character in pages of a mulberry leaf! And walk on to a path of unknown, in a journey yet to be found, in a page yet to be written. I sit with my book and sip my heart's flow through my soul and with a smile embrace the morn of another beginning as the door closes a chapter only to find another. I inhale an experience and all along open my heart to walk ahead in a journey to find another part of my journey, to give my soul's part to another voyage in Life's amazing maze where each turn makes me wonder in awe of Him, who walks beside us when Strength goes dimming and Courage goes faltering, holding our head up against a burst of Sunshine, to wrap us on our Stardust of Self. I drink in the Sunshine, in the halo of a starry journey, some of it already lived while some yet to behold! Because as long as Spring is there, the windows shall always walk open!
Debatrayee Banerjee (A Whispering Leaf. . .)
A drowning man, they say, clutches even at a little splinter, and does not have sense enough at that moment to reflect that perhaps only a fly could go riding on a splinter, while he weighs as much as a hundred and fifty pounds, if not a full two hundred; but the thought does not enter his head at that moment, and he clutches at the splinter.
Nikolai Gogol (Dead Souls)
In the first fright and horror of her situation, Miss Pross passed the body as far from it as she could, and ran down the stairs to call for fruitless help. Happily, she bethought herself of the consequences of what she did, in time to check herself and go back. It was dreadful to go in at the door again; but, she did go in, and even went near it, to get the bonnet and other things that she must wear. These she put on, out on the staircase, first shutting and locking the door and taking away the key. She then sat down on the stairs a few moments to breathe and to cry, and then got up and hurried away. By good fortune she had a veil on her bonnet, or she could hardly have gone along the streets without being stopped. By good fortune, too, she was naturally so peculiar in appearance as not to show disfigurement like any other woman. She needed both advantages, for the marks of gripping fingers were deep in her face, and her hair was torn, and her dress (hastily composed with unsteady hands) was clutched and dragged a hundred ways.
Charles Dickens (A Tale of Two Cities)
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French." He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.
Alexandre Dumas (The Count of Monte Cristo)
When the Sunrise clutches my soul, I often wonder what if our souls are made in grayscale, only to soak in the colours of the day, every single day walking through every single moment of each passing day. What if every ray that paints the horizon is but a bunch of souls ornate in different shades of white only to find the different shades of black to melt away in a Sunset Sky, in a Smile of embracing a day anew or in a mellow cry of a day's passing by. Perhaps the Dawn has the answer, or perhaps there's a whisper in the Dusk! All while, let me search away for the pieces of my soul in the grayscale of Time's hue. And I know, Life will put the colours back again, one more time, at Time's cue. Love & Light, always - Debatrayee
Debatrayee Banerjee
Imagine that you fell into a deep sleep on June 28, 2007—the day before the iPhone was released. Like Rip Van Winkle, the protagonist in an 1819 story by Washington Irving, you wake up 10 years later and look around. The physical world looks largely the same to you, but people are behaving strangely. Nearly all of them are clutching a small glass and metal rectangle, and anytime they stop moving, they assume a hunched position and stare at it. They do this the moment they sit down on a train, or enter an elevator, or stand in line. There is an eerie quiet in public places—even babies are silent, mesmerized by these rectangles. When you do hear people talking, they usually seem to be talking to themselves while wearing white earplugs.
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, 'You love me. Real or not real?' I tell him, 'Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Do it again," she whispered, tilting her head, offering her mouth to him. Staring down at her swollen bottom lip, he gave it a little lick. A small, soft moan sounded from the back of her throat. "Ask nicely," he whispered. "Please." She gave a lock of hair at his neck an impatient tug. He came undone. Delving his tongue inside her sweet mouth, he walked her backward until her back met one of the pillars. With one hand cradling the back of her head for protection, his other hand held her hip immobilized, under his control. Rhythmically, he sank his tongue into her honeyed depths, mimicking the motion of making love. She whimpered, the sound a desperate plea. Her fingers threaded through the damp hair at the base of his neck; her other hand clutched at his forearm. He squeezed her hip, his long fingers digging into her soft bottom as he rocked her into his arousal. For several moments, she ground her hips against him as he plundered her mouth. The kiss was no longer enough. He wanted to take her. Right here, right now. His fingertips trailed down the back of her neck to caress her shoulder, her arm, her breast. His breath hitched when she pushed herself more firmly into his hand. She wanted his touch. He complied of course: he would never deny her. Gently he kneaded her through the fabric of her dress, purposely passing his thumb over the hardened tip. She made a small sound of pleasure that nearly pushed him over the edge. The manor, the rain, the mud disappeared. Reason and practicality were momentarily suspended. Nothing mattered in those moments. Nothing but the ever-escalating power of their passion.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I'll be hurting elsewhere in a moment if I don't get you into bed right now." He chuckled as he laid her on the mattress. One hand clutching his robe, she tugged him downward. "Then touch me, Nicholas. Make me burn like you did a few moments ago. I want you touching me, sucking on me...I want you to fuck me until neither one of us can move." "Christ Jesus," he rasped at the lust echoing through her words.
Monica Burns (Forever Mine)
A CANINE EULOGY TO THE TITANIC: The ship’s log says that twelve dogs boarded The Titanic Airedales a King Charles Spaniel Fox Terrier Chow Chow a Poodle French Bulldog Great Dane a Newfoundland. Two Pomeranians and a Pekingese were smuggled off in lifeboats concealed in blankets a Scottish Deerhound de-boarded moments before leaving port the captain returning the dog to his young daughter. One woman lived the rest of her life haunted by the memory of her Poodle clinging to her pajamas as she left her cabin. The rip of fabric. The panicked cry. The scritch of nails on the wood of the cabin door. Another left a lifeboat after being told her Great Dane was too large to be permitted to join her. Their bodies were found, days later. The woman frozen, still clutching her dog. Who made the right choice?
Sassafras Patterdale (With Me)
clutching his sweatshirt. Give me everything you have. “Rika!” I sucked in a breath and straightened, hearing my name. Who . . . I tried to peer around Michael, but he was too tall, and he had me locked in. And he made no effort to move, staying in front of me and letting his fingers linger on the skin of my hip bone. But after a moment, he dropped his hand and stood up, turning around and giving me room to see who was behind him.
Penelope Douglas (Corrupt (Devil's Night, #1))
I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.
Sue Monk Kidd (The Invention of Wings)
I could not, I would not, confine my glances to the cliff; and, with a wild, indefinable emotion half of horror, half of a relieved oppression, I threw my vision far down into the abyss. For one moment my fingers clutched convulsively upon their hold, while, with the movement, the faintest possible idea of ultimate escape wandered, like a shadow, through my mind--in the next my whole soul was pervaded with a longing to fall; a desire, a yearning, a passion utterly uncontrollable. I let go at once my grasp upon the peg, and, turning half round from the precipice, remained tottering for an instant against its naked face. But now there came a spinning of the brain; a shrill-sounding and phantom voice screamed within my ears; a dusky, fiendish, and filmy figure stood immediately beneath me; and, sighing, I sunk down with a bursting heart, and plunged within its arms.
Edgar Allan Poe (The Narrative of Arthur Gordon Pym of Nantucket and Related Tales)
Of course he burst through the door. It cracked against the massive slabs that formed the stone walls, sending splinters flying, and I didn’t have to try very hard for the startled jump as Lord Pecus strode into the room. I gave a maidenly shriek, and in a moment of truly inspired acting, snatched my dressing gown from the bed to my chest and assumed pose #35, Maidenly Horror. Hands clasped below the breasts and clutching my dressing gown as if to protect girlish modesty, eyes wide- maybe finishing school had been useful for something after all. I thought I might have gone too far, but Lord Pecus, who at my shriek had stopped two strides into the room with a look of horror on his mask, hastily turned his face to the wall. He tried to utter a disjointed apology but I threw one of the pot-pourri bowls at him, and it smashed satisfyingly on the wall, cutting off the attempt.
W.R. Gingell (Masque (Two Monarchies Sequence, #5))
Yugi’s eyebrow is black and sparse. From the marks on the woman’s skin, Yugi can see all the places he has been. His fingerprints blur the white column of her throat with red. His right hand trembles. He clutches his wrist to still the shakes. It’s not nerves. It’s adrenalin. Still, he needs a moment. The women here were far less savvy, much more grotesque in a warped sort of way. And yet they were somehow innocent. It was almost crueller.
Sarah Dobbs (Killing Daniel)
Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
When Ash said nothing, Lila growled, “You broke her heart, you know. The least you can do is talk to her.” “I have talked to her. I tried, anyway. I told her up front that I wasn’t looking for a long-term sweetheart. I thought we both agreed to that.” “Did you make her sign a bloody contract?” Lila laughed, but there was a bitter edge to it. “‘I promise that I won’t fall in love with the moody, mysterious Ash Hanson. I will enjoy his rangy body, his broad shoulders, and shapely leg, all the while knowing it’s a lease, not a buy.’” “Shapely leg?” Ash thrust out his leg, pretending to examine it, hoping to interrupt the litany of his physical gifts. But Lila was on a roll. “‘I will not fall into those blue-green eyes, deep as twin mountain pools, nor succumb to the lure of his full lips. Well, I will succumb, but for a limited time only. And the stubble—have I mentioned the stubble?’” Ash’s patience had run out. Lila was far too fluent in Fellsian for his liking. “Shut up, Lila.” “Isn’t there anyone who meets your standards?” “At least I have standards.” He raised an eyebrow. “Ouch!” Lila clutched her shoulder. “A fair hit, sir. A fair hit.” Her smile faded. “The problem is, hope is the thing that can’t be reined in by rules or pinned down by bitter experience. It’s a blessing and curse.” For a long moment, Ash stared at her. He would have been less surprised to hear his pony reciting poetry. “Who knew you were a philosopher?” he said finally. “Now. If you’re staying, let’s talk about something else. Where’s your posting this term?” “I’m going back to the Shivering Fens,” Lila said, “where the taverns are as rare as a day without rain. Where you have to keep moving or grow a crop of moss on your ass.” Good-bye, poetry, Ash thought. “Sounds lovely.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
Suttree felt a deep and chilling lassitude go by nape and shoulderblades. He slumped and crossed his wrists in his lap. He looked at a world of incredible loveliness. Old distaff Celt's blood in some back chamber of his brain moved him to discourse with the birches, with the oaks. A cool green fire kept breaking in the woods and he could hear the footsteps of the dead. Everything had fallen from him. He scarce could tell where his being ended or the world began nor did he care. He lay on his back in the gravel, the earth's core sucking his bones, a moment's giddy vertigo with this illusion of falling outward through blue and windy space, over the offside of the planet, hurtling through the high thin cirrus. His fingers clutched up wet handfuls from the bar, polished lozenges of slate, small cold and mascled granite teardrops. He let them fall through his fingers in a smooth clatter.
Cormac McCarthy (Suttree)
Jane is, at the moment, blissfully unaware of her surroundings, and August can’t resist. She edges up to her silently, leans close to her ear, and says, “Hey, Subway Girl.” Jane yelps, flails sideways, and punches August in the nose. “Agh, what the fuck, Jane?” August yells, dropping her bags to clutch her face. “Are you Jason Bourne?” “Don’t sneak up on me like that!” Jane yells back, pulling herself upright. “I don’t know who Jason Bourne is.
Casey McQuiston (One Last Stop)
Glancing around the entrance hall, she realized the crate was no longer in the corner. The twins must have raced downstairs the moment it had been mentioned. Clutching it on either side, they lugged it furtively toward the receiving room. "Girls," Kathleen said sharply, "bring that back here at once!" But it was too late. The receiving room's double doors closed, accompanied by the click of a key turning in the lock. Kathleen stopped short, her jaw slackening. West and Helen staggered together, overcome with hilarity. "I'll have you know," Mrs. Church said in amazement, "it took our two stoutest footmen to bring that crate into the house. How did two young ladies manage to carry it away so quickly?" "Sh-sheer determination," Helen wheezed. "All I want in this life," West told Kathleen, "is to see you try to pry that crate away from those two." "I wouldn't dare," she replied, giving up. "They would do me bodily harm.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
My mother’s greatest fear was that I would end up paying the black tax, that I would get trapped by the cycle of poverty and violence that came before me. She had always promised me that I would be the one to break that cycle. I would be the one to move forward and not back. And as I looked at that nurse outside the emergency room, I was petrified that the moment I handed her my credit card, the cycle would just continue and I’d get sucked right back in. People say all the time that they’d do anything for the people they love. But would you really? Would you do anything? Would you give everything? I don’t know that a child knows that kind of selfless love. A mother, yes. A mother will clutch her children and jump from a moving car to keep them from harm. She will do it without thinking. But I don’t think the child knows how to do that, not instinctively. It’s something the child has to learn. I pressed my credit card into the nurse’s hand.
Trevor Noah (Born a Crime: Stories from a South African Childhood (One World Essentials))
You know--a little rosy baby boy at your bosom, and what husband's heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother's breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, 'Look, I am biting!' Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
Fyodor Dostoevsky (Notes from Underground)
Haymitch is still dead to the world. Since nothing else has worked, I fill a basin with icy cold water, dump it on his head, and spring out of the way. A guttural animal sound comes from his throat. He jumps up, kicking his chair a metre behind him and wielding a knife. I forgot he always sleeps with one clutched in his hand. I should have prised it from his fingers, but I’ve had a lot on my mind. Spewing profanities, he slashes the air a few moments before coming to his senses.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?” He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. “Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.” She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?” I open my mouth to demand she end the interrogation when Will’s voice stops me. “I like your sister. A lot.” I look at him dumbly. He looks at me, lowers his voice to say, “I like you.” I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much. “Jacinda,” he says. “I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.” Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two. I know,” he says. “That’s what I’m trying to do now—if she’ll let me.” I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying. His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.” “Jeez,” Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . . I start, jerk a little. I think he’s sixteen.
Sophie Jordan (Firelight (Firelight, #1))
The last of Zahhara's patients died that night. In the end it happened very quickly. About half of them had been human, the others different alien species, but it didn't make a difference. In the last moments some of the nonhumans had reverted to their native languages, some had clutched her hand and talked to her passionately- if brokenly, through uncontrollable coughing-as if she were some family member or loved one, and she'd listened and nodded even if she didn't understand a word of it.
Joe Schreiber (Star Wars: Death Troopers)
They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went. When they came up again she saw a white figure diving off the ship’s side. Edmund was close beside her now, treading water, and had caught the arms of the howling Eustace. Then someone else, whose face was vaguely familiar, slipped an arm under her from the other side. There was a lot of shouting going on from the ship, heads crowding together above the bulwarks, ropes being thrown. Edmund and the stranger were fastening ropes round her. After that followed what seemed a very long delay during which her face got blue and her teeth began chattering. In reality the delay was not very long; they were waiting till the moment when she could be got on board the ship without being dashed against its side. Even with all their best endeavors she had a bruised knee when she finally stood, dripping and shivering, on the deck. After her Edmund was heaved up, and then the miserable Eustace. Last of all came the stranger--a golden-headed boy some years older than herself. “Ca--Ca--Caspian!” gasped Lucy as soon as she had breath enough. For Caspian it was; Caspian, the boy king of Narnia whom they had helped to set on the throne during their last visit. Immediately Edmund recognized him too. All three shook hands and clapped one another on the back with great delight.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
WRITER'S NIGHTMARE" "I felt a grip on my arm that shook my body, forcefully pulling me toward a tunnel of darkness.   The threat of consciousness stole my steady breath. For a moment I believed myself to be under siege; ripped from the sky in mid flight, my wings useless against the monstrous claws shredding my reality. I struggled to remain, to be left alone, aloft.  Reaching with wings that through the power of imagination were suddenly feathered arms, I grabbed at the air.  My hands clutched at something solid.  Wooden.  A desk.  My head spun as I held the furniture, suffering the illusion of falling.   "I was flying," I gasped, realizing suddenly that it had all been a dream. "My best fantasy ever." Lifting my head from its resting spot on the writing desk, I worked mentally to secure the fading images, hoping to capture their essence to memory before they faded away forever.  Bitterness tainted my heart against the hand that had jerked me into sensibility.  Why was I always so callously awakened while doing my best work?  Why not let me dream?
Richelle E. Goodrich
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Coughing, eyes burning, Loren looked up to see Tanner gaping at her, his mouth full of donut. He was standing in the kitchen—by himself, thank the Star. Well, aside from his wolf Familiar. Silver looked just as confused as Tanner, ears erect. As silence stretched on, Silver looked up at Tanner, a whimper that begged for answers slipping through his whiskery chops. “Why are you in the fireplace?” Tanner demanded. A crumb fell off his donut. Silver slurped it up off the floor, forgetting all about those answers he’d wanted a moment ago as his big tongue dampened the wood. “Do I need to call Darien?” She got up and dusted the soot off her soiled clothes. She stank—horribly. “If you call him, I’m taking those donuts away.” Mortifer ducked under her arm and scampered away, slipping the whiteboard and marker under the couch on his way to the fridge. Looking thoroughly offended, Tanner snatched up the box of donuts from Whisking Witch and clutched it to his chest. “I mean it,” she warned. Tanner merely bit off another bite of donut and walked away, box tucked under his arm, Silver following on his heels.
Kayla Edwards (City of Souls and Sinners (House of Devils, #2))
If at this moment we were to eliminate the religions by force, the people would unanimously beseech us for a new form of worship. You can imagine our Gauleiters giving up their pranks to play at being saints ! As for our Minister for Religion, according to his own co-religionists, God himself would turn away from his family! I envisage the future, therefore, as follows : First of all, to each man his private creed. Superstition shall not lose its rights. The Party is sheltered from the danger of competing with the religions. These latter must simply be forbidden from interfering in future with temporal matters. From the tenderest age, education will be imparted in such a way that each child will know all that is important to the maintenance of the State. As for the men close to me, who, like me, have escaped from the clutches of dogma, I've no reason to fear that the Church will get its hooks on them. We'll see to it that the Churches cannot spread abroad teachings in conflict with the interests of the State. We shall continue to preach the doctrine of National Socialism, and the young will no longer be taught anything but the truth.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
{Stockton, a playwright who performed plays about Robert Ingersoll, gives the four moments in Ingersoll's life that shaped him, first being the death of his father, who was a reverend} Despite their opposing religious views, the old revivalist on his deathbed asked Bob to read to him from the black book clutched to his chest. Bob relented, took the book, and was surprised to discover that it wasn't the Bible. It was Plato describing the noble death of the pagan Socrates: a moving gesture of reconciliation between father and son in parting. The second event was Bob’s painful realization that his outspoken agnosticism not only invalidated his own political career but ended his brother Ebon’s career in Congress, as well. Third was the exquisite anguish of seeing his supportive wife Eva and his young daughters made to suffer for his right to speak his own mind. And fourth was the dramatic tension of having to walk out alone on public stages, in a glaring spotlight, time after time with death threats jammed in his tuxedo pocket informing him that some armed bigot in that night’s audience would see to it that he didn't leave the stage alive.
Richard F. Stockton
There was one panicked moment. He picked a book from the wall, and the shapes inside, all the letters, were friends to him; but as he settled before them and began to mouth and mutter them, waiting for them to sound as words in his head, they were all gibberish. He grew frantic very quickly, fearing that he had lost what it was he had gained.t pieced it together into a different language. Shekel was dumbstruck at the realization that these glyphs he had conquered could do the same job for so many peoples who could not understand each other at all. He grinned as he thought about it. He was glad to share. He opened more foreign volumes, making or trying to make the noises that the letters spelled and laughing at how strange they sounded. He looked carefully at the pictures and cross-referenced them again, tentatively he concluded that in this lanugage, this particular clutch of letters meant 'boat' and this other set 'moon'. ....he reached new shelving and opened a book whose script was like nothing he knew. He laughed, delighted at its strange curves. He moved off further and found yet another alphabet. And a little way off there was another. For hours he found intrigue and astonishment by exploring the non-Ragamoll shelves. He found in those meaningless words and illegible alphabets not only an awe at the world, but the remnants of the fetishism to which he had been subjected before, when all books had existed for him as those did now, only as mute objects with mass and dimension and color, but without content. .... He gazedc at the books in Base and High Kettai and Sunglari and Lubbock and Khadohi with a kind of fascinated nostalgia for his own illiteracy, without for a fraction of a moment missing it.
China Miéville (The Scar (New Crobuzon, #2))
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flowerbeds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future.
Frederick Backman
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.
Fredrik Backman (A Man Called Ove)
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of hIs beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then he shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings.
Alexandre Dumas
When someone’s been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it’s like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you’re just clutching air and grit. That’s why you can’t save it all up like that. Because by the time you finally see each other, you’re catching up only on the big things, because it’s too much bother to tell about the little things. But the little things are what make up life... Is this how people lose touch? I didn’t think that could happen with sisters. Maybe with other people, but never us. Before Margot left, I knew what she was thinking without having to ask; I knew everything about her. Not anymore. I don’t know what the view looks like outside her window, or if she still wakes up early every morning to have a real breakfast or if maybe now that she’s at college she likes to go out late and sleep in late. I don’t know if she prefers Scottish boys to American boys now, or if her roommate snores. All I know is she likes her classes and she’s been to visit London once. So basically I know nothing. And so does she.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
THE HOMECOMING is the face of reality. (A literary approach to the social re-engineering of a decadent society) It was a two-fold finding - a home and a son - and a time for happy family reunion and laughter. Life went on normal in the genteel old town and Ekoyata Egbe was glad to return home to Iyala. And disappointed he was. For he was confronted by unsightly community in the clutches of corruption and superstition. In a moment too soon, Ekoyata found it hard to believe that his father, Egbe, was a member of a caucus and could give him as a ransom for his image. Also revealed was the top secret of the willful neglect of Iyala because the strong caucus benefited from confusion, with a long history of assassinations. Until he was warned about his honesty of purpose, Ekoyata did not know that he had taken the central stage in the fight and campaign against the caucus. Was he also going to be the next victim of assassination? It was the beginning of a misery that would sit Ekoyata on he keg of peril... with the thrill of romance... adventure... and keen justice. Would daring to accept the help of a handsome stranger named Okojie prevent the caucus from finding his corpse? ....
Aihebholo-oria Okonoboh (The Homecoming)
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Let me tell you what is going to happen,” I say, pacing slowly in front of her. “I will not be beaten today or ever again. I will not be confined to the fifth and your control over me vanishes from this moment forth. I will remain the Tatuma. It is not within your power to take this away from me, anyway. I will not be locked away in the tower.” I pause and see her posture has stiffened, but she has resumed her clutching of the balcony edge. Still terrified. Furious, but terrified. “If you do not comply with these. . .let us call them, requests, I will reveal my face in front of the court, or the villagers, or to whomever I am with at the time.
Kelly St. Clare (Fantasy of Frost (The Tainted Accords, #1))
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flower beds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future. And it wasn’t as if Ove also died when Sonja left him. He just stopped living.
Fredrik Backman (A Man Called Otto)
Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.
Debatrayee Banerjee
Standing up from his recline on his Harley, he was already moving toward me, pulled to me as if by some gravitational force. The force of love, my romantic heart whispered. I didn’t care what name I gave to it: love, worship, obsession. It all boiled down to one thing, one feeling that struck me the moment he clutched me in a hard, possessive embrace right there on the Linley’s stoop. The feeling that with Priest, every piece of me, dark and light, sweet and bitter, saintly and sinful was glued together by his acceptance into a beautiful mosaic. That feeling that with him, I’d never been so beautiful and whole. We were two broken halves that locked together in a way that could never be undone.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.
Khwaja Ahmad Abbas (Inqilab)
A few silent moments later, Peter tells me it’s time to go. He barely looks at me, scowls at the back wall instead. I suppose it would have been too much to ask, to see a friendly face this morning. I stand, and together we walk down the hallway. My toes are cold. My feet stick to the tiles. We turn a corner, and I hear muffled shouts. At first I can’t tell what the voice is saying, but as we draw closer, it takes shape. “I want to…her!” Tobias. “I…see her!” I glance at Peter. “I can’t speak to him one last time, can I?” Peter shakes his head. “There’s a window, though. Maybe if he sees you he’ll finally shut up.” He takes me down a dead-end corridor that’s only six feet long. At the end is a door, and Peter is right, there’s a small window near the top, about a foot above my head. “Tris!” Tobias’s voice is even clearer here. “I want to see her!” I reach up and press my palm to the glass. The shouts stop, and his face appears behind the glass. His eyes are red; his face, blotchy. Handsome. He stares down at me for a few seconds and then presses his hand to the glass so it lines up with mine. I pretend I can feel the warmth of it through the window. He leans his forehead against the door and squeezes his eyes shut. I take my hand down and turn away before he can open his eyes. I feel pain in my chest, worse than when I got shot in the shoulder. I clutch the front of my shirt, blink away tears, and rejoin Peter in the main hallway. “Thank you,” I say quietly. I meant to say it louder. “Whatever.” Peter scowls again. “Let’s just go.
Veronica Roth (Insurgent (Divergent, #2))
If man is not ready to abdicate or to reconsider his case, it is because he has not yet drawn the final consequences of knowledge and of power. Convinced that his moment will come, that he will catch up with God and pass Him by, he clings—envious as he is—to the notion of evolution, as if the fact of advancing must necessarily bring him to the highest degree of perfection. Having sought to be other, he will end by being nothing; he is already nothing. Doubtless he is evolving, but against himself, to his cost, and toward a complexity which is ruining him. Becoming, progress: notions apparently tangential, actually divergent. True, everything changes, but rarely, if ever, for the better. Euphoric inflection of the original disease, of that false innocence which awakened in Adam a desire for the new, our faith in evolution, in the identity of becoming and progress, will collapse only when man, having reached the extremity of his distraction, having turned at last to the knowledge which leads to deliverance and not to power, will be in a position to offer an irrevocable no to his exploits and to his work. If he continues to clutch at them, he will doubtless enter upon the career of a ludicrous god or an obsolete animal, a solution as convenient as it is degrading, the ultimate stage of his infidelity to himself. Whatever choice he makes, and though he has not exhausted all the virtues of his failure, he has nonetheless fallen so low that it is hard to understand why he does not pray unceasingly, until his very voice and reason are extinguished.
Emil M. Cioran (The Fall into Time)
And all that time, Franca contained in her breast a storm of anguish and violence so terrible that she had at times, when she was alone and longing to 'break down', to clutch her breast with a fierce answering force to keep the black horror from spurting forth. Her face was calm and benign, always in company, and usually alone too, for she was aware that to play such a part properly allowed of no rest periods, no weak moments of unmasking. She must continue, in her deceit, whole, like the spy who, in order to go on, has to become what he seems. She was, daily, amazed at herself, at her self-control; and at the terrible demons which fed upon her, and in doing so, she realised, fed her. She had begun to need her rage and her hate, even of late her fierce cruel fantasies. She could not, and did not try to, riddle out, rationally order, explain, least of all banish, these horrible consolations, As it seemed, if she were not to die of her love she had to poison it; and even, over its death agonies, to exult. As the days went by, Franca cherished and nourished and developed her suffering, unable to envisage any change or any plan — any machine into which so much relentless force might be fed. Indeed she was afraid to plan or picture a different future of any kind. So long as she stayed silent she had a secret weapon. If she spoke, if once there were the least word, the least crack or fissure, upon which tears and screams could follow, she would have lost her one advantage, her source of ordinary viable life, and would be utterly undone and destroyed.
Iris Murdoch (The Message to the Planet)
And so at Binz, dragged out of my pleasant dream to night and loneliness, I could not move for a moment for sheer extremity of fright. When I did, when I did put out a shaking hand to feel for the matches, the dread of years became a reality—I touched another hand. Now I think it was very wonderful of me not to scream. I suppose I did not dare. I don’t know how I managed it, petrified as I was with terror, but the next thing that happened was that I found myself under the bedclothes thinking things over. Whose hand had I touched? And what was it doing on my table? It was a nasty, cold hand, and it had clutched at mine as I tore it away. Oh—there it was, coming after me—it was feeling its way along the bedclothes—surely it was not real—it must be a nightmare—and that was why no sound came when I tried to shriek
Elizabeth von Arnim (The Elizabeth von Arnim Collection)
IN THE HAZY SPACE after he died, when she lived in a sort of timeless underground grief, she saw on the Internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
It is the quiet of the night that I adore the most. It makes me wander in paths and times that seem so distinct, so distant in the light of a bright chirpy day. Oh, I love to talk and I love to hear, form connections, live the passion of Life throbbing with the fervour of colours and stories. But the dark, the stillness of the night makes me see the rivulets of light that walk in my soul. As if they talk to me, like an unsung melody, a poem scattered in bits and pieces, holding my breath to a dawn. They walk through my soul and ask me to keep my senses open as I inhale the peace of night where only the murmur of the stars dance in a serenade of a lover's dream, as if to paint a shadow of colours woven in the misty echo of an infinite lullaby. I love the night air so cold yet so crisp clutching us in a passionate embrace where we give way to all that a heart desires, some make poems some heal wounds and some sleep in the arms of love, while every soul wears its real and most vulnerable yet most whole self. And there as I watch my soul bathed in the halo of stillness, I see how the silence of the night gives in to the chirping of the birds, while the stars walk into their cocoon to let the Sun smile through the breathing dawn. Only a moment, when the night holds us in a mirror for a second or for a fraction of a second and when the morn seeps in to let Life jump in with a thousand voices. Only a moment. And yet that moment is so pure so beautiful to let us soak and even hold on to that stillness of night as much as we can through our heart, and every bit of our soul. I sit in awe, not only to behold the glory of the Morn but also to absorb the depth of the Night, for it is the quiet of the night that I adore the most.
Debatrayee Banerjee
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes. "You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain. He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you." His voice was little more than a whisper. She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God." Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that. He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?" "Yes." She clutched his hand more tightly between hers. "I meant every word." His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too." She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?" His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot." His words were starting to slur again; he was slipping back into healing sleep. Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond. She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all." She knew he heard that-his features softened, eased. As he slid into sleep, he was, very gently, smiling.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
And then at the moment of taking leave he treated me to a ghastly muddle of dubious stammers and movements, to an awful display of hesitations. God forgive him — me! He had taken it into his fanciful head that I was likely to make some difficulty as to shaking hands. It was too awful for words. I believe I shouted suddenly at him as you would bellow to a man you saw about to walk over a cliff; I remember our voices being raised, the appearance of a miserable grin on his face, a crushing clutch on my hand, a nervous laugh. The candle spluttered out, and the thing was over at last, with a groan that floated up to me in the dark. He got himself away somehow. The night swallowed his form. He was a horrible bungler. Horrible. I heard the quick crunch-crunch of the gravel under his boots. He was running. Absolutely running, with nowhere to go to. And he was not yet four-and-twenty.
Joseph Conrad (Joseph Conrad: The Complete Novels)
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
You know, they're not the only ones who can form alliances," I say. For a moment, no response. Then one of Rue's eyes edges around the trunk. "You want me for an ally?" -page 200 Her hand reaches out and I clutch it like a lifeline. As if it's me who's dying instead of Rue. "You blew up he food?" She whispers. "Every last bit," I say. "You have to win," she says. "I'm going to. Going to win for both of us now," I promise... "Don't go." Rue tightens her grip on my hand. "Course not. Staying right here," I say. I move in closer to her, pulling her head into my lap. I gently brush the dark, thick hair back behind her ear. "Sing," she says, but I barley catch the word... It's old, very old I think. Made up long ago in our hills. What my music teacher calls a mountain air. But the words are easy and soothing, promise tomorrow will be more hopeful than this awful piece of time we call today.
Suzanna Collins
Open your eyes, Cassie." His mouth was on mine before I had a chance to comply, the gentle pressure of his lips stealing the breath of my lungs and pushing out any worries I might have had about whether this was a good idea. His hand slid down to my chin, gently tilting it up a little to give him better access. I was so overwhelmed with sensation that I was helpless to do anything but let him kiss me, and to kiss him back. My hands slid up his broad chest of their own volition, the fabric his shirt soft beneath my fingers as I clutched at the ends of his collar with both hands. My touch elicited a quiet moan from the back of his throat that made me dizzy with a spike of searing desire. "We can't do this here," I mumbled against his lips. Mostly because it felt like something I was supposed to say, given that this was Sam's bathroom and an entire apartment full of people was having a party on the other side of the door. But I knew, even as I said the words, that were absolutely going to do this here. It didn't seem like Frederick even heard what I'd said. If he did, he certainly wasn't paying it any mind. His kisses grew bolder, the exquisite pressure of his mouth increasing until I parted my lips for him on a ragged sigh. He tasted like breath mints and the wine he must have pretended to drink earlier this evening. I wanted to lose myself in it--- in the way he slid his tongue along mine, coaxing a whimper from my throat; in his strong arms, as they encircled me and pulled me closer. I could feel his sharp, prominent canines against my tongue as I kissed him, something I'd certainly never noticed before when I'd seen him smile. A thrilling flash of heat shot through me, the visceral reminder of who and what he was startling me for only a moment before I lost myself in the kiss again.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
One moment—” I answered. “This table is taken. I’m waiting for someone.” “Not allowed, sir,” said the waiter. “No seats can be reserved at this hour.” I looked at him. Then I looked at the athlete, now standing close by the table and clutching the arm of a chair. I saw her face and gave up at once all thought of further resistance. Not with a set of howitzers would one have deterred this person in her determination to take possession of the table. “Anyway you can bring me another cognac, eh?” I growled at the waiter. “Very well, sir. Another large one?” “A very large one, see!” “Certainly, sir.” He bowed. “It is a table for six persons, you see, sir,” said he apologetically. “Very good. Only bring the cognac.” The athlete appeared to belong to a temperance club as well. She glared at my schnapps as if it were stinking fish. To annoy her I ordered another and glared back. The whole business suddenly struck me as absurd. What did I want here? And what did I want with the girl? I didn’t know even if in all the hubbub and jabber I should recognize her anyway.
Erich Maria Remarque (Three Comrades)
The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied. When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding. The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.” He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood. “Her name is Threnody,” he said. “And she has come to make you free.
Chris Lester (Whispers in the Wood (Metamor City, #6))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it. A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home. The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap. At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.
Herman Melville
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
was no one else there to comfort her. There was only him. The real him. She stepped forward and laid her head against his chest. Samantha: I’ll never forget the moment when Perry and Celeste walked into the trivia night. There was like this ripple across the room. Everyone just stopped and stared. 23. Isn’t this FANTASTIC!” cried Madeline to Chloe as they took their really very excellent seats in front of the giant ice rink. “You can feel the cold from the ice! Brrr! Oh! Can you hear the music? I wonder where the princesses—” Chloe had reached over and placed one hand gently over her mother’s mouth. “Shhh.” Madeline knew she was talking too much because she was feeling anxious and ever so slightly guilty. Today needed to be stupendous to make it worth the rift she’d created between herself and Renata. Eight kindergarten children, who would otherwise be attending Amabella’s party, were here watching Disney On Ice because of Madeline. Madeline looked past Chloe at Ziggy, who was nursing a giant stuffed toy on his lap. Ziggy was the reason they were here today, she reminded herself. Poor Ziggy wouldn’t have been at the party. Dear little fatherless Ziggy. Who was possibly a secret psychopathic bully . . . but still! “Are you taking care of Harry the Hippo this weekend, Ziggy?” she said brightly. Harry the Hippo was the class toy. Every weekend it went home with a different child, along with a scrapbook that had to be returned with a little story about the weekend, accompanied by photos. Ziggy nodded mutely. A child of few words. Jane leaned forward, discreetly chewing gum as always. “It’s quite stressful having Harry to stay. We have to give Harry a good time. Last weekend he went on a roller coaster— Ow!” Jane recoiled as one of the twins, who was sitting next to her and fighting his brother, elbowed her in the back of the head. “Josh!” said Celeste sharply. “Max! Just stop it!” Madeline wondered if Celeste was OK today. She looked pale and tired, with purplish shadows under her eyes, although on Celeste they looked like an artful makeup effect that everyone should try. The lights in the auditorium began to dim, and then went to black. Chloe clutched Madeline’s arm. The music began to pound, so loud that Madeline could feel the vibrations. The ice rink filled with an
Liane Moriarty (Big Little Lies)
Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.
Debatrayee Banerjee
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
scrub oak trees. Kieran was leaning against him, pinning him to the tree, and they were kissing. Cristina hesitated a moment, blood rising into her face, but it was clear Mark wasn’t being touched against his will. Mark’s hands were tangled in Kieran’s hair, and he was kissing him as fiercely as if he were starving. Their bodies were pressed together tightly; nevertheless, Kieran clutched at Mark’s waist, his hands moving restlessly, desperately, as if he could pull Mark closer still. They slid up, pushing Mark’s jacket off his shoulders, stroking the skin at the edge of his collar. He made a low keening sound, like a cry of grief, deep in his throat, and broke away. He was staring at Mark, his gaze as hungry as it was hopeless. Never had a faerie looked so human to Cristina as Kieran did then. Mark looked back at him, eyes wide, shining in the moonlight. A shared look of love and longing and terrible sadness. It was too much. It had already been too much: Cristina knew she shouldn’t have been watching them but she hadn’t been able to stop, mingled shock and fascination rooting her to the spot. And desire. There was desire, too. Whether for Mark, or for both of them, or just for the idea of wanting someone so much, she wasn’t sure. She moved back, her heart pounding, about to pull the
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
think he’ll finish with a growl, make a mess out of me, maybe admire his handiwork, but that’s not what happens at all. Instead he pulls back so that his eyes can hold my own till the very last moment, glassy and nearly all black. His free hand searches blindly, frantically. It grabs mine when he finds it, twining our fingers together in a tight grip, and that’s when I know. When I realize deep in my belly that for Jack this is not about friction or about fucking. It’s not even about coming, or about anything else I might have stupidly suspected. This is about him and me. And the possibility of something that goes far beyond the both of us. “Elsie,” he mouths when he comes. He seems to retreat into himself, to dig deep into his head to deal with the shocking pleasure of it and avoid losing his mind, and all I need to do is hold him tight to remind him that yes. I’m here. With him. I’m here. It’s downright terrifying, what this could be. What I want it to be. It makes me tear up, and then it makes me sob, and then it makes me clutch at Jack for dear life, the splotch of his semen sticking to his shirt and my stomach, pooling in my belly button. To his credit, he doesn’t ask me what’s wrong. He doesn’t beg for explanations. He just holds me close, both arms wrapped around me, even when my tears morph into giggles, like I’m some crazy, unstable girl who doesn’t know what to be or what to feel.
Ali Hazelwood (Love, Theoretically)
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.
Lisa Kessler (Night Walker (Night, #1))
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Hello,” she says. “My name is Amanda Ritter. In this file I will tell you only what you need to know. I am the leader of an organization fighting for justice and peace. This fight has become increasingly more important--and consequently, nearly impossible--in the past few decades. That is because of this.” Images flash across the wall, almost too fast for me to see. A man on his knees with a gun pressed to his forehead. The woman pointing it at him, her face emotionless. From a distance, a small person hanging by the neck from a telephone pole. A hole in the ground the size of a house, full of bodies. And there are other images too, but they move faster, so I get only impressions of blood and bone and death and cruelty, empty faces, soulless eyes, terrified eyes. Just when I have had enough, when I feel like I am going to scream if I see any more, the woman reappears on the screen, behind her desk. “You do not remember any of that,” she says. “But if you are thinking these are the actions of a terrorist group or a tyrannical government regime, you are only partially correct. Half of the people in those pictures, committing those terrible acts, were your neighbors. Your relatives. Your coworkers. The battle we are fighting is not against a particular group. It is against human nature itself--or at least what it has become.” This is what Jeanine was willing to enslave minds and murder people for--to keep us all from knowing. To keep us all ignorant and safe and inside the fence. There is a part of me that understands. “That is why you are so important,” Amanda says. “Our struggle against violence and cruelty is only treating the symptoms of a disease, not curing it. You are the cure. “In order to keep you safe, we devised a way for you to be separated from us. From our water supply. From our technology. From our societal structure. We have formed your society in a particular way in the hope that you will rediscover the moral sense most of us have lost. Over time, we hope that you will begin to change as most of us cannot. “The reason I am leaving this footage for you is so that you will know when it’s time to help us. You will know that it is time when there are many among you whose minds appear to be more flexible than the others. The name you should give those people is Divergent. Once they become abundant among you, your leaders should give the command for Amity to unlock the gate forever, so that you may emerge from your isolation.” And that is what my parents wanted to do: to take what we had learned and use it to help others. Abnegation to the end. “The information in this video is to be restricted to those in government only,” Amanda says. “You are to be a clean slate. But do not forget us.” She smiles a little. “I am about to join your number,” she says. “Like the rest of you, I will voluntarily forget my name, my family, and my home. I will take on a new identity, with false memories and a false history. But so that you know the information I have provided you with is accurate, I will tell you the name I am about to take as my own.” Her smile broadens, and for a moment, I feel that I recognize her. “My name will be Edith Prior,” she says. “And there is much I am happy to forget.” Prior. The video stops. The projector glows blue against the wall. I clutch Tobias’s hand, and there is a moment of silence like a withheld breath. Then the shouting begins.
Veronica Roth (Insurgent (Divergent, #2))
Footsteps came to her, nearly invisible in the worn carpet. There were no words, just the creaking of old joints as they approached the bed, the lifting of expensive and fragrant sheets, and an understanding between two living ghosts. Jahns's breath caught in her chest. Her hand groped for a wrist as it clutched her sheets. She slid over on the small convertible bed to make room, and pulled him down beside her. Marnes wrapped his arms around her back, wiggled beneath her until she was lying on his side, a leg draped over his, her hands on his neck. She felt his moustach brush against her cheek, heard his lips purse and peck the corner of hers. Jahns held his cheeks and burrowed her face into his shoulder. She cried, like a schoolchild, like a new shadow who felt lost and afraid in the wilderness of a strange and terrifying job. She cried with fear, but that soon drained away. It drained like the soreness in her back as his hands rubbed her there. It drained until numbness found its place, and then, after what felt like a forever of shuddering sobs, sensation took over. Jahns felt alive in her skin. She felt the tingle of flesh touching flesh, of just her forearm against his hard ribs, her hands on his shoulder, his hands on her hips. And then the tears were some joyous release, some mourning of the lost time, some welcomed sadness of a moment long delayed and finally there, arms wrapped around it and holding tight. She fell asleep like that, exhausted from far more than the climb, nothing more than a few trembling kisses, hands interlocking, a whispered word of tenderness and appreciation, and then the depths of sleep pulling her down, the weariness in her joints and bones succumbing to a slumber she didn't want but sorely needed. She slept with a man in her arms for the first time in decades, and woke to a bed familiarly empty, but a heart strangely full.
Hugh Howey (Wool Omnibus (Silo, #1))
Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.
Debatrayee Banerjee
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
Celia froze. She couldn't believe it-Proper Pinter was kissing her. Hard, boldly, with more feeling than the duke. Good heavens. Stung by the challenge he'd laid down, she fumbled for the pistol in her reticule, but she'd just got it in her hand when he whispered hoarsely against her lips, "Sweet God, Celia..." He'd never called her by only her Christian name. He'd certainly never said it so...desperately. It made her hesitate with the pistol in her hand. He took her mouth once more, and her world shifted on its axis as his kiss became wilder, more consuming. This wasn't about a challenge anymore-not when he kissed her is if her mouth held the secret to eternity. Such lovely, drugging kisses made her blood dance through her veins. His mouth slanted over hers, and his tongue swept the seam of her lips with an urgency that made her throat ache. Remembering how Ned had kissed her, she parted her lips for him. He went still for the briefest instant. Then with a groan, he slipped his tongue into her mouth. Ohhh, that was amazing. When Ned had done it she'd found it messy and disgusting, but Mr. Pinter's kiss was as opposite to Ned's as sun was to rain. Slow and sensual, he dove inside with hot strokes that had her eager for more. How could this be happening to her? With him? Who could ever have guessed that the passionless Mr. Pinter could kiss so very passionately? Scarcely aware of what she did, she slipper her free hand up to clutch his neck. He pressed into her, flattening her against the wall as he ravished her mouth with no remorse. His whiskers abraded her chin, his mouth tasted of champagne, and the smell of orange trees sweetened the air around them. It was delicious...it was intoxicating. Paradise. She forgot the pistol in her other hand, forgot that they were in full view of anyone who might be outside the orangery windows, forgot that he'd just been lecturing her as if she were some ninnyhammer. Because he was kissing her now as if she were an angel. His angel. And Lord help her, but she wanted him to keep kissing her like that forever. But a noise from the nearby stove-the crackle of a log as it settled-seemed to jerk him to his senses. He tore his lips from hers and stared down at her a moment, his eyes wild, his breathing heavy. A change came over his face, turning his expression to cold stone. "You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her. ‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))