Rival In Love Quotes

We've searched our database for all the quotes and captions related to Rival In Love. Here they are! All 200 of them:

In the meantime, I hope you will find your place, wherever you are. Even in the silence, I hope you will find the words you need to share.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I am coming to love him, in two different ways. Face to face, and word to word.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I love the words I write until I soon realize how much I hate them, as if I am destined to always be at war within myself.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I never told you that I love you. And I regret that, most of all.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
... It's perfect! Locke would appreciate it." "Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'" "Rivalled only by 'Locke taught me a new trick,'" added Galo. "The only person who gets away with Locke Lamora games ..." "... is Locke ..." "... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..." "... and fifty thousand cheering spectators.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Iris,” said Roman, “you are worthy of love. You are worthy to feel joy right now, even in the darkness. And just in case you’re wondering … I’m not going anywhere, unless you tell me to leave, and even then, we might need to negotiate.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
... it means putting up with my fiercest and most annoying rival, Robin Goodfellow, who - despite all his attempts to hide it - is in love with my queen as well. I don't know why I haven't killed him yet. Maybe because Puck is Meghan's closest friend and she would mourn him terribly if he were gone (though I can't imagine why).
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Together, we form a necessary paradox; not a senseless contradiction.
Criss Jami (Healology)
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats.
Tillie Cole (A Thousand Boy Kisses)
The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that.
C.S. Lewis (The Four Loves)
Do you love me?" I nodded like a kid that wanted ice cream. "Yes." "Like love me so much that you wouldn't be able to kill me if I turned into a zombie?
Penelope Douglas (Rival (Fall Away, #3))
He that falls in love with himself will have no rivals.
Benjamin Franklin
We are what we love. We are the things, the people, the ideas we spend our days with. They center us, they drive us, they define us to our very core. Without them, we are empty.
Daisy Whitney (The Rivals (The Mockingbirds, #2))
You have to have something to love. Something to fight for to make living a goal instead of a job.
Penelope Douglas (Rival (Fall Away, #3))
The evening blessed us with a sunset to rival a painting by Carpaccio in its colours. The sky mutated from shades of ultramarine and azure to vermilion and ochre, then strips of violet and finally indigo.
Gina Buonaguro (The Virgins of Venice)
My love is unique an none can rival her. Just by passing, she has already stolen away my heart.
Michelle Moran (Nefertiti)
We are way less likely to love someone just because they love us than we are to hate someone just because they hate us.
Mokokoma Mokhonoana
Don't take on about her, Gabriel. What difference does it make whose sweetheart she is, since she can't be yours?' 'That's the very thing I say to myself,' said Gabriel.
Thomas Hardy (Far From the Madding Crowd)
-He's his rival in love!*inuyasha hits shippo*why'd you do that!? shippo,if you bug inuyasha you'll only feel his fist.-Miroku+shippo
Rumiko Takahashi
Saying no, I thought, that has always been my forte, and no wonder, given that the stupidity of the world is rivalled only by its ugliness.
Gilbert Adair (Love and Death on Long Island)
I loved him more than I loved pralines and beignets, and that was hardcore, because my love of sugary, sweet things rivaled the most epic love stories known to man.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
Science investigates, religion interprets. Science gives man knowledge which is power, religion gives man wisdom which is control. Science deals mainly with facts, religion deals with values. The two are not rivals. They are complementary. Science keeps religion from sinking into the valley of crippling irrationalism and paralysing obscurantism. Religion prevents science from falling into the marsh of obsolete materialism and moral nihilism.
Martin Luther King Jr. (Strength to Love)
If humans believe in love the way they believe in rival faiths, there will be peace on earth.
Mouloud Benzadi
The love that I wanted so desperately: this isn’t what I thought it would feel like. It’s made me dizzy and it’s grounded me. It’s made me laugh when nothing is funny. It shimmers and it sparks, but it can be comfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy—my rival, my alarm clock, my unexpected ally—is at the center of it. And somehow, it’s even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
A tiny pathetic thought: the warmth of Ayla's touch rivaled the afternoon sun.
Nina Varela (Iron Heart (Crier's War, #2))
I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me?
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
No pain could match the emptiness of separation, no agony rivaled the unreality of not being with her.
Scott Spencer (Endless Love)
That’s the thing about love,” he said, kissing my hair. “It doesn’t need to be reciprocated to be real.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Write me of hope and love, and hearts that endured. —EMILY DICKINSON
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I was here for Meghan. Because I loved my princess and I wanted her to be happy. Even if her happiness meant she was with someone else. Even if that someone else was my arch rival. I wanted her to be happy.
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
My love is unique. No one can rival her, for she is the most beautiful girl alive. Just by passing, she has stolen my heart.
Tyne O'Connell (True Love, the Sphinx, and Other Unsolvable Riddles: A Comedy in Four Voices)
I never lie ― I am a blatantly truthful person about almost everything. My addiction (or disease as some call it) always lies. I have had very good relationships, but the addict in me always fucked them up. I fall in love quickly, it's a high that rivals drugs for a while. I am monogamous, but I always cheated with depression before the relationship fell apart. Addicts need best friends, healthy people need healthy relationships.
Emma Forrest (Your Voice in My Head)
Love, Iris
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Ambition is like love, impatient of both delays and rivals
Gautama Buddha
But nothing in life was set in stone and nothing in life is promised us. Not happiness, not joy, not love. Everything was variable and mutable and inconstant.
Faith Hunter (Death's Rival (Jane Yellowrock, #5))
We must distinguish between ‘sentimental’ and ‘sensitive’. A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother’s Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata.
Vladimir Nabokov (Lectures on Russian Literature)
Your words? A sublime feast that fed me on days when I was starving. I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me? —C.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
And everything about this moment is so lovely and so fragile in its loveliness that I'm almost afraid to hold it.
Ann Liang (If You Could See the Sun)
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death, or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
The most beautiful women in the world are the ones that can stand as rivals on the battlefield of love, yet they can still see each other’s pain. They can set down their swords for only just a moment to acknowledge the beauty of the warrior that stands before them—the passion, the fearlessness and the relentless fire that never gives up. It is in this moment that we learn that it is not the man that sees the worth of the hearts torn by battle in his honor; it is the women who have suffered for so long. Two women that can “see” clearly the worth of the other, even while they grow weary from their wounds is the only kind of beauty that matters. For if there wasn’t two worthy opponents there would be no war in love.
Shannon L. Alder
Yeah. You treat him like a son or a soldier, instead of like a brother. He wants you to like him and admire him and love him. Maybe in that order.
Faith Hunter (Death's Rival (Jane Yellowrock, #5))
My love is unique and none can rival her . . . Just by passing, she has stolen away my heart.
Michelle Moran (The Heretic Queen)
The suspicion that a rival is loved is painful enough already, but to have the love that he inspires in her confessed to one in detail by the woman whom one adores is without doubt the acme of suffering.
Stendhal (The Red and the Black)
Fallon and I were a lot like them. Only I didn’t love her, and she didn’t love me. I was infatuated with her once— and loved that she let me take my pubescent urges out on her— but we weren’t in love.
Penelope Douglas (Rival (Fall Away, #3))
I don’t know how to go about the rest of my life pretending I don’t want her, with a force that rivals the pull of the tides.
Christina Lauren (The True Love Experiment)
I rarely share this part of my life with others, but I want to tell it to you now. A piece of armor, because I trust you. A glint of falling steel, because I feel safe with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I am an aristocrat," Virginian John Randolph would explain decades after the American Revolution. "I love liberty; I hate equality.
Colin Woodard (American Nations: A History of the Eleven Rival Regional Cultures of North America)
Simon Cameron: “I loved my brother, as only the poor and lonely can love those with whom they have toiled and struggled up the rugged hill of life’s success—but he died bravely in the discharge of his duty.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Being a man, I may fall passionately in love with a woman someday, but I positively assert that if I had to get involved in a rivalry as intense as the love itself in order to win the object of love, I would sooner give her up by standing aloof with my hands in my pockets, no matter what pain or sacrifice I might have to endure. Others may criticize me as unmanly, cowardly, weak-willed, or whatever. But if the woman is one so wavering between her suitors that she can only be won through that kind of painful competition, I can't regard her as worth the bitter rivalry. It's far more satisfying to my conscience to have the manliness to allow my rival free play in the field of love and for me to gaze in loneliness at the scars of love than to have the pleasure of embracing by force a woman who would not willingly give me her heart.
Natsume Sōseki
Even after centuries of human interacting, children still continue to rebel against their parents and siblings. Young marrieds look upon their in-laws and parents as obstacles to their independence and growth. Parents view their children as selfish ingrates. Husbands desert their wives and seek greener fields elsewhere. Wives form relationships with heroes of soap operas who vicariously bring excitement and romance into their empty lives. Workers often hate their bosses and co-workers and spend miserable hours with them, day after day. On a larger scale, management cannot relate with labour. Each accuses the other of unreasonable self-interests and narrow-mindedness. Religious groups often become entrapped, each in a provincial dogma resulting in hate and vindictiveness in the name of God. Nations battle blindly, under the shadow of the world annihilation, for the realization of their personal rights. Members of these groups blame rival groups for their continual sense of frustration, impotence, lack of progress and communication. We have obviously not learned much over the years. We have not paused long enough to consider the simple truth that we humans are not born with particular attitudinal sets regarding other persons, we are taught into them. We are the future generation's teachers. We are, therefore, the perpetrators of the confusion and alienation we abhor and which keeps us impotent in finding new alternatives. It is up to us to diligently discover new solutions and learn new patterns of relating, ways more conducive to growth, peace, hope and loving coexistence. Anything that is learned can be unlearned and relearned. In this process called change lies our real hope.
Leo F. Buscaglia (Loving Each Other: The Challenge of Human Relationships)
You're in trouble,' she says, yawning. 'Deep, deep trouble. Can't rival the dead for love. Lose every time.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form. Rune
Tillie Cole (A Thousand Boy Kisses)
Before I met you, I had no purpose. It didn't take long after you stormed into my life to realize the reason I'd been lost was because you hadn't found me yet. My purpose in life is to love you.
Vi Keeland (The Rivals)
He who falls in love with himself will have no rivals
Benjamin Franklin
So right here, in the arms of the devil himself, I find a peace that even the heavens couldn’t rival.
Sadie Kincaid (Dante (Chicago Ruthless, #1))
Well is it said that neither love nor power Admit a rival, even for an hour.
Geoffrey Chaucer (The Canterbury Tales (Penguin Classics S.))
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
Bug,” Calo said, “Locke is like a brother to us, and our love for him has no bounds. But the four most fatal words in the Therin language are ‘Locke would appreciate it.’ ” “Rivaled only by ‘Locke taught me a new trick,’ ” added Galdo.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I buried myself in the woods today. Covered myself in flowers and pretended to be dead." She raised her pen for a moment and thought, then went back to writing in cursive that could rival Sister's. "You should always wait for late spring to die, Juno," she says then. "The flowers are better".
Karl Geary (Juno Loves Legs)
For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination. The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.
C.S. Lewis
Now that you’ve admitted what your heart holds, perhaps the next step is sharing it with the person who holds your heart.
Vi Keeland (The Rivals)
How can I shut down If you don't open up??
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
I can give to the ones I love without sacrificing everything that brings me joy in the process.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Love me or hate me, both are in my favor. If you love me, I’ll always be in your heart... If you hate me, I’ll always be in your mind.” -Unknown
Vi Keeland (The Rivals)
You are cruel even in love," Iona whispers, "How can you make me feel this way? I ought to hate you. I wanted to hate you.
Luna Oblonsky (Her Spell That Binds Me (Her Spell Trilogy, #1))
Maybe if I had learned to love differently, I could have loved her better. I certainly couldn't of loved her more.
Jennifer Lynn Barnes (Glorious Rivals (The Grandest Game, #2))
I didn’t know what to say. What to do. I didn’t feel strong anymore. I felt like I couldn’t go on without him. He loved me fiercely. Obsessively. Rivalled only by the intensity which I felt for him. So why couldn’t we be together?
A. Zavarelli (Stutter (Bleeding Hearts #2))
To Grayson, his mysterious uncle would have been little more than a stranger were it not for Avery, for the fact that Toby loved her like a daughter because he’d loved Avery’s mother in that undying, infinite, Hawthorne kind of way.
Jennifer Lynn Barnes (Glorious Rivals (The Grandest Game, #2))
Just think of me as a canvas and you as the paint, and try and imagine that we are creating a masterpiece that’s so beautiful, that no other piece of art could rival its beauty.” - Clint
Angela Richardson (All the Pieces (Pieces of Lies, #3))
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form.
Tillie Cole (A Thousand Boy Kisses)
It strikes me then that I’ve never known all-consuming love until this day, until him, and I’m positive, I will never know it like that again. I found my truth in love just seconds before it was ripped from me. A curse, a damning fate, to be in love with a man I was supposed to view as my rival who instead stole my heart.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
...ideas are definitely unstable, they not only CAN be misused, they invite misuse--and the better the idea the more volatile it is. That's because only the better ideas turn into dogma, and it is this process whereby a fresh, stimulating, humanly helpful idea is changed into robot dogma that is deadly. In terms of hazardous vectors released, the transformation of ideas into dogma rivals the transformation of hydrogen into helium, uranium into lead, or innocence into corruption. And it is nearly as relentless. The problem starts at the secondary level, not with the originator or developer of the idea but with the people who are attracted by it, who adopt it, who cling to it until their last nail breaks, and who invariably lack the overview, flexibility, imagination, and most importantly, sense of humor, to maintain it in the spirit in which it was hatched. Ideas are made by masters, dogma by disciples, and the Buddha is always killed on the road. There is a particularly unattractive and discouragingly common affliction called tunnel vision, which, for all the misery it causes, ought to top the job list at the World Health Organization. Tunnel vision is a disease in which perception is restricted by ignorance and distorted by vested interest. Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics. When a good idea is run through the filters and compressors of ordinary tunnel vision, it not only comes out reduced in scale and value but in its new dogmatic configuration produces effects the opposite of those for which it originally was intended. That is how the loving ideas of Jesus Christ became the sinister cliches of Christianity. That is why virtually every revolution in history has failed: the oppressed, as soon as they seize power, turn into the oppressors, resorting to totalitarian tactics to "protect the revolution." That is why minorities seeking the abolition of prejudice become intolerant, minorities seeking peace become militant, minorities seeking equality become self-righteous, and minorities seeking liberation become hostile (a tight asshole being the first symptom of self-repression).
Tom Robbins (Still Life with Woodpecker)
But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath…I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Her smile rivals the brightest gem, and I’ll be damned if anyone threatens her happiness again. She is more valuable to me than anything else, and it’s only a matter of time before she realizes that. And it’s my job to help get her there.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
His ministrations were tender, his eyes hooded as he seemed to withhold certain emotions from her. She allowed him his secrets, and took what he gave with a greed that shocked her with its intensity. But he never had to know. He never had to glimpse how deeply she felt for him, or discover the secret she had always suspected and finally admitted to herself. She loved him. Completely. Every part of him, good and bad, her friend and lover and partner and rival. She wanted to spend the rest of her life with him, giving him everything, even though she knew he didn’t want her. She crammed the knowledge to a secret place in- side. Then realized she’d take whatever he gave, even though it would never be enough.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
you are worthy of love. You are worthy to feel joy right now, even in the darkness.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
He wanted her, his clever angel, his rival, his friend.
India Holton (The Ornithologist's Field Guide to Love (Love's Academic, #1))
A literary mystery, a damsel in distress, and his rival deposed. If that doesn't get him here then he's not much of a knight in shining armor.
Charlie Lovett (First Impressions: A Novel of Old Books, Unexpected Love, and Jane Austen)
We are now parents. The love for our offspring has opened up fresh fountains of love for each other. Edwin Stanton to his wife.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
She sought his eyes once again. Eyes so perfect a blue they rivaled the most gorgeous lapis lazuli stone.
Grace Willows (Satisfaction Guaranteed (Weekend Passions #1))
I love you, you idiot.
Kandi Steiner (Quarterback Sneak (Red Zone Rivals, #3))
Absence is to love what wind is to fire; it extinguishes the small, it inflames the great.
Kate Bateman (A Reckless Match (Ruthless Rivals, #1))
William Morton is like a holly bush,” Evelyn said. “Admirable from a distance, but spiky and uncomfortable up close.
Sophie Austin (The Lamplighter’s Bookshop)
Rather than seek to be squired and dated by their rivals why should it not be possible for women to find relaxation and pleasure in the company of their 'inferiors'? They would need to shed their desperate need to admire a man, and accept the gentler role of loving him. A learned woman cannot castrate a truck-driver like she can her intellectual rival, because he has no exaggerated respect for her bookish capacities. The alternative to conventional education is not stupidity, and many a clever girl needs the corrective of a humbler soul's genuine wisdom.
Germaine Greer (The Female Eunuch)
Gates should have exceeded Washington as a military leader. He had long experience in a professional army and was more loved by his men. But Washington's character was superior to that of his rival, and it made him a great man, whereas Gates was merely a good soldier.
John Ferling (Almost a Miracle: The American Victory in the War of Independence)
She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival;
Edgar Allan Poe
when it is but it ain't Some of us love badly. Sometimes the love is the type of love that implodes. Folds in on itself. Eats its insides. Turns wine to poison. Behaves poorly in restaurants. Drinks. Kisses other people. Comes back to your bed at 4am smelling like everything outside. Asks about your ex. Is jealous of your ex. Thinks everyone a rival. Some of us love others badly, love ourselves worse. Some of us love horrid, love beastly. Love sick love anti light. Sometimes the love can’t go home at night, can’t sleep with itself, cannot contain itself, catches fire, destroys the stomach, strips buildings, goes missing. Punches. Smashes heirlooms. Tells lies. The best lies. F*s around. Writes poems, impresses people. Chases lovers into corners. Leaves them longing. Sea sick. Says yes. Means anything but. Tricks the body. Kills the body. Dances wild and walks away, smiling.
Yrsa Daley-Ward
Why I am Passionate and Dedicated 1000% to producing and bringing my books Loving Summer, Bitter Frost, and other book series to the Screen is because these are the very books that I was cyber-bullied on. When confronted by bullies, you don't shy away, but you Fight Back. Many people have not read the books, but believe fake news and damaging slanders against them and me as a person because it was a marketing strategy used to sell my books' rival books. By bringing these very books to the screen, people can see how different my books are to theirs. Also, most of all, it is pretty darn fun and fierce for me, as a female Asian writer, director, and producer to bring these fan favorite books to screen.
Kailin Gow (Loving Summer (Loving Summer, #1))
Every work of art stems from a wound in the soul of the artist. When a person is hurt, his immune system comes into operation, and a self-healing process takes place, mental and physical." He called art "a psychological component of the auto-immune system that gives expression to the healing process.
Yehuda Koren (Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes' Doomed Love)
No, it's not just sex. It's a wild, animalistic desire. All I think about lately when I see you is how badly I want to rip your clothes off. I've never felt that before. But I'm a human being, not an animal. I can handle it. And I must because if I give in to my desires, I'll have to deal with the consequences of stupid actions.
Lana Mikel (Temporary Truce (Temporary, #1))
Open the old cigar-box .....let me consider anew..... Old friends, and who is Maggie that I should abandon you? A million surplus Maggies are willing 'o bear the yoke; And a woman is only a woman, but a good cigar is a Smoke. Light me another Cuba..... I hold to my first-sworn vows, If Maggie will have no rival, I'll have no Maggie for spouse!
Rudyard Kipling
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
But a relationship isn’t forged in a moment, and it isn’t demolished in one, either. There’s always something to be saved, if you want to save it.
Piper Lawson (A Love Song for Dreamers (Rivals, #3))
And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
To all my readers, from the AO3 days to where we are now." -Dedication Page
Ali Hazelwood (Love, Theoretically)
If the reason of your sleeplessness is competition, then you will make a successful businessman.
Amit Kalantri
The mossy marbles rest On lips that he has prest In their bloom, And the names he loved to hear Have been carved for many a year On the tomb.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
The mossy marbles rest On lips that he has prest In their bloom, And the names he loved to hear Have been carved for many a year On the tomb. Yet, beyond sharing
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Read what you love and love what you read.
Rival Gates
The lesson here is an important one. Love has no opposite. No force in the universe rivals it.
Shane Hipps (Selling Water by the River: A Book about the Life Jesus Promised and the Religion That Gets in the Way)
It’s okay to love him.” “Even if he doesn’t love me back?” “That’s the thing about love,” he said, kissing my hair. “It doesn’t need to be reciprocated to be real.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
You love to study so much, Kitten... study me.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
You can bench me if that’s what you feel you need to do, but I love this girl,” I said, squeezing her hand. “And I’m not backing down.
Kandi Steiner (Quarterback Sneak (Red Zone Rivals, #3))
Of all the plagues a lover bears, Sure rivals are the worst I can endure my own despair, But not another’s hope.
William Walsh
You brute,” she teased, smacking my chest. “You love it.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Everything between them was destined to become a mere memory.
Lana Mikel (Temporary Truce (Temporary, #1))
Do you want the truth? The truth is, I would fck you right here and now. Right on this fuking table, but can't!
Lana Mikel
I have caught a nymph,” Ariadne grins, “Now what shall I do to her?
Luna Oblonsky (Her Spell That Binds Me (Her Spell Trilogy, #1))
So many people see the worst in Reed, but I didn’t think you were one of them.
Alexandra Moody (Rival Darling (The Darling Devils, #1))
I’m not letting you get an Uber alone,” Reed said. “Any psycho could be picking you up.” “I heard you’re the resident psycho around here.
Alexandra Moody (Rival Darling (The Darling Devils, #1))
Only when my damsel-in-distress radar goes off.” “Oh, and I suppose that makes you Prince Charming?” “Sorry, princess, but I’m definitely no prince.
Alexandra Moody (Rival Darling (The Darling Devils, #1))
Losing love is so rich a philosophical ordeal that it makes a hairdresser into a rival of Socrates.
Emil M. Cioran
Sometimes fate tore loved ones apart. Sometimes it turned rivals into brothers.
Shannon Lee (Breath of the Dragon (Breathmarked, #1))
At least the object of my feelings is always there, and I needn't be afraid of rivals, except Margot. Don't think I'm in love, because I'm not, but I do have the feeling all the time that something fine can grow up between us, something that gives confidence and friendship.
Anne Frank (Anne Frank: The Diary of a Young Girl - Multiple Critical Perspectives)
This “who’s on top” banter continues until one wrestler (who has slyly gone to hide behind a chair) leaps upon his rival with an animal cry. The pair then proceeds to create a series of tableaux that appear to be from the Kama Sutra, Vatsyayana's ancient Indian textbook of carnal satisfaction. Occasionally, the tension is broken by a wrestler who picks up a large object, such as a table, to throw on the other's head, as if suddenly disgusted by his forbidden love.
A.C. Kemp (The Perfect Insult for Every Occasion)
My second wife left me because she said I was too ambitious. She didn't realize that it is only the dying who are free from ambition. And they probably have the ambition to live. Some men disguise their ambition--that's all. I was in a position to help this young man my wife loved. He soon showed his ambition then. There are different types of ambition - that is all, and my wife found she preferred mine. Because it was limitless. They do not feel the infinite is an unworthy rival, but for a man to prefer the desk of an assistant manager - that is an insult.
Graham Greene (Loser Takes All (Classic, 20th-Century, Penguin))
And here I was thinking her letting me kiss her, letting me look at her beautiful face while I was inside her, was the biggest gift she could give me. But this - this was so much more. Trust.
Vi Keeland (The Rivals)
I love you,” I repeated. “I may be a colossal fuck up. I may make mistakes. I may disappoint you and fall short in more ways than I measure up. But I love you, and that will never not be true.
Kandi Steiner (Hail Mary (Red Zone Rivals, #4))
I love you," he repeated, quieter this time, as if he only wanted me to hear. "I love your smutty books, and your weird documentaries, and your obsession with orange, processed snacks." I choked on something between a laugh and a sob. "I love the way you dress, and the way you light up when you talk about the universe, and the way you saw through every wall I tried to put between me and the rest of the world and knew who I was even when I didn't." He shook his head, licking his lips before he continued. "I love how you believe in me, and how you burn to prove everyone wrong when they size you up too quickly. I love that you challenge me." I leaned into his palm, bottom lip quivering before I bit down to hold it still. "I love everything about you- big and small, silly and serious. And I'm sorry I was an idiot and tried to end our story before it even had the chance to begin.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
It struck Nina that this was one of those instances where the English language fell short. The word for losing something insignificant—a baseball game, a library card—shouldn’t be the same as for losing someone who defines you, someone you love. There should be a word for losses you can recover from, and a different word for the life-shattering losses, the ones that leave you forever changed.
Katharine McGee (Rivals (American Royals #3))
There is a saturation of books on Amazon due to a sudden get-rich-quick surge in "everyone can be authors" seminars similar to the house flipping ones in the early 2000s which led to the housing bubble and an economic slowdown in the U.S. To distinguish quality books from those get-rich-quick ones, look at the author's track record - worldwide recognition as books that garnered credible awards, authors who speak at book industry events, authors who speak at schools, authors whose books are reference materials and reading sources at school and libraries. Get-rich books have a system to get over 500 reviews quickly, manipulates the Kindle Unlimited algorithm, and encourage collusion in the marketplace to knock out rivals. Be wary of trolls who are utilized to knock down the rankings of rival's books too. Once people have heard there is money to be made as a self-published author, just like house flipping, a cottage industry has risen to take advantage of it and turn book publishing into a get rich scheme, which is a shame for all the book publishers and authors, like me, who had published for the love of books, to write to help society, and for the love of literature. Kailin Gow, Parents and Books
Kailin Gow
A single chord can be the start of a thousand songs,” he says, so quietly I can’t tell if he’s talking to me or himself. “Songs about love. Hate. Betrayal. Longing. You can’t judge a song from a few notes.
Piper Lawson (Love Notes (Rivals, #0.5))
The love that I wanted so desperately: this isn’t what I thought it would feel like. Its made me dizzy and grounded me. Its made me laugh when nothing is funny. It shimmers and its sparks, but it can be uncomfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy -my rival, my alarm clock, my unexpected ally- is at the center of it. And somehow, its even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
The Rival If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating. Both of you are great light borrowers. Her O-mouth grieves at the world; yours is unaffected, And your first gift is making stone out of everything. I wake to a mausoleum; you are here, Ticking your fingers on the marble table, looking for cigarettes, Spiteful as a woman, but not so nervous, And dying to say something unanswerable. The moon, too, abuses her subjects, But in the daytime she is ridiculous. Your dissatisfactions, on the other hand, Arrive through the mailslot with loving regularity, White and blank, expansive as carbon monoxide. No day is safe from news of you, Walking about in Africa maybe, but thinking of me.
Sylvia Plath
Wisdom is your mentor, never forsake it. Understanding is your guide, never ignore it. Ignorance is your enemy, never embrace it. Faith is your helper, never desert it. Hope is your confidant, never reject it. Despair is your opponent, never tolerate it. Peace is your consoler, never avoid it. Contentment is your companion, never betray it. Greed is your adversary, never accept it. Joy is your healer, never shun it. Happiness is your friend, never disown it. Envy is your antagonist, never welcome it. Love is your savior, never abandon it. Kindness is your helpmate, never oppose it. Hatred is your rival, never approve it. Virtue is your preacher, never discard it. Integrity is your accomplice, never deny it. Vice is your nemesis, never accommodate it.
Matshona Dhliwayo
I prefer sunsets over sunrises, but only because I love to watch the constellations begin to burn. My favorite season is autumn, because my mum and I both believed that’s the only time when magic can be tasted in the air.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I know you’re only messing with Violet to get to me,” he said. “Well, you’ve had your fun. Now give her back.” “She’s not an object,” I replied. “And it’s not my fault you were stupid enough to lose her in the first place.
Alexandra Moody (Rival Darling (The Darling Devils, #1))
So many terrible things are done for love,” Mab’s voice said. “For love will men mutilate themselves and murder rivals. For love will even a peaceful man go to war. For love, man will destroy himself, and that right willingly.
Jim Butcher (Changes (The Dresden Files, #12))
for it is the business and duty of historians to be exact, truthful, and wholly free from passion, and neither interest nor fear, hatred nor love, should make them swerve from the path of truth, whose mother is history, rival of time, storehouse of deeds, witness for the past, example and counsel for the present, and warning for the future.
Miguel de Cervantes Saavedra (Don Quixote)
I know what it feels like to lose someone you love. To feel as if you’re left behind, or like your life is in shambles and there’s no guidebook to tell you how to stitch it back together But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade, it will always be with you — a shadow you carry in your soul — but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams. You are not alone.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I’m beginning to think you don’t like cars . . .” I spun to find Reed behind me. He was standing in the middle of the road with one eyebrow lifted and his jacket held out toward me. “Which is really sad because I happen to love cars.
Alexandra Moody (Rival Darling (The Darling Devils, #1))
When Peter made mistakes, Wendy cheered for him anyway. One afternoon he beat her and everyone else in a race organized by Slightly. She only laughed and squeezed his wrist with easy affection and told him how fast he was. She was so undeterred by losing that it made the boys wonder if winning was exactly what they’d thought it was or if in England it was different.
Jodi Lynn Anderson (Tiger Lily)
I know we are no longer rivals, but if we are keeping tally like the old days, you have far outshined* me with your wit and your courage. Which reminds me of one simple thing: how I love to lose to you. How I love to read your words and hear the thoughts that sharpen your mind. And how I would love to be on my knees before you now, surrendering to you and you alone.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
The heart of the jealous knows the best and the most satisfying love, that of the other's bed, where the rival perfects the lover's imperfections. Fancy gallops to take part in that duel, unconstrained by any certain articulation of the laws of that unseen game.
Djuna Barnes (Nightwood)
I love that she could go her whole life ardently loving purple, and then shift to an equally passionate affinity for orange less than a week before she died. It’s exactly like her: She had strong opinions but was never afraid to change them—to evolve or retract or alter. Her favorite way to start a sentence—“You know what your problem is?”—was closely rivaled by “You know what I was wrong about?
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.
Attar of Nishapur
There are always plenty of rivals to our work. We are always falling in love or quarreling, looking for jobs or fearing to lose them, getting ill and recovering, following public affairs. If we let ourselves, we shall always be waiting for some distraction or other to end before we can really get down to our work. The only people who achieve much are those who want knowledge so badly that they seek it while the conditions are still unfavorable. Favorable conditions never come. There are, of course, moments when the pressure of the excitement is so great that only superhuman self-control could resist it. They come both in war and peace. We must do the best we can. The second enemy is frustration—the feeling that we shall not have time to finish. If I say to you that no one has time to finish, that the longest human life leaves a man, in any branch of learning, a beginner, I shall seem to you to be saying something quite academic and theoretical. You would be surprised if you knew how soon one begins to feel the shortness of the tether, of how many things, even in middle life, we have to say "No time for that," "Too late now," and "Not for me." But Nature herself forbids you to share that experience. A more Christian attitude, which can be attained at any age, is that of leaving futurity in God's hands. We may as well, for God will certainly retain it whether we leave it to Him or not. Never, in peace or war, commit your virtue or your happiness to the future. Happy work is best done by the man who takes his long-term plans somewhat lightly and works from moment to moment "as to the Lord." It is only our daily bread that we are encouraged to ask for. The present is the only time in which any duty can be done or any grace received.
C.S. Lewis (The Weight of Glory)
O spite! O hell! I see you all are bent To set against me for your merriment. If you were civil, and knew courtesy, You would not do me thus much injury. Can you not hate me, as I know you do, But you must join in souls to mock me too? If you were men, as men you are in show, You would not use a gentle lady so; To vow, and swear, and superpraise my parts, When I am sure you hate me with your hearts. You both are rivals, and love Hermia; And now both rivals, to mock Helena. A trim exploit, a manly enterprise, To conjure tears up in a poor maid’s eyes With your derision! None of noble sort Would so offend a virgin, and extort A poor soul’s patience, all to make you sport.
William Shakespeare (A Midsummer Night’s Dream)
I’m afraid he’s going to hurt me. I’m afraid to lose someone I love again. I’m afraid to let go. To acknowledge what I feel for him. And yet he has proven himself to me. Over and over. He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine. There is something electric within me. Something that is begging me to remove the last of my armor and let him see me as I am. To choose him. And yet here I sit, alone, typing word after word as I seek to make sense of myself. I watch the candlelight flicker and all I can think is … I am so afraid. And yet how I long to be vulnerable and brave when it comes to my own heart.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
The moment you wrote me and said you were six hundred kilometers away from Oath … I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
I love your daughter, Coach Lee,” I said, though my eyes didn’t leave her. “I love her, and I don’t care what you or anyone else thinks about it. My heart used to belong to football, but now it belongs to her. And none of this,” I added, throwing my hands up. “None of it means a damn thing without her.
Kandi Steiner (Quarterback Sneak (Red Zone Rivals, #3))
Locke is like a brother to us, and our love for him has no bounds. But the four most fatal words in the Therin language are ‘Locke would appreciate it.’ ” “Rivaled only by ‘Locke taught me a new trick,’ ” added Galdo. “The only person who gets away with Locke Lamora games—” “—is Locke Lamora—” “—because we think the gods are saving him up for a really big death. Something with knives and hot irons—” “—and fifty thousand cheering spectators.” The brothers cleared their throats in unison.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I now lament my lover, and of all my joys have nothing but the painful memory that they are past. Now learn, all you my rivals who once viewed my happiness with jealous eyes, that he you once envied me can never more be mine. I loved him; my love was his crime and the cause of his punishment. My beauty once charmed him; pleased with each other we passed our brightest days in tranquility and happiness. If that were a crime, 'tis a crime I am yet fond of, and I have no other regret save that against my will I must now be innocent.
Héloïse d'Argenteuil (The Letters of Abélard and Héloïse)
This was the life she wanted—slow and easy and vibrant, surrounded by people she loved.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
The egoist loves himself without rivals.
Marcus Tullius Cicero
The only men to get power should be men who do not love it, otherwise we shall have rivals' quarrels.
Plato (The Republic)
But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath … I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Frances, who also was feeling distant from her husband. Though still deeply in love after ten years of marriage, Frances worried that her husband’s passion for politics and worldly achievement surpassed his love for his family. She mourned “losing my influence over a heart I once thought so entirely my own,” increasingly apprehensive that she and her husband were “differently constituted.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
As a nation, we began by declaring that ‘all men are created equal.’ We now practically read it ‘all men are created equal, except negroes.’ When the Know-Nothings get control, it will read ‘all men are created equal, except negroes, and foreigners, and catholics.’ When it comes to this I should prefer emigrating to some country where they make no pretence of loving liberty—to Russia, for instance.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Your Creative Autobiography 1. What is the first creative moment you remember? 2. Was anyone there to witness or appreciate it? 3. What is the best idea you’ve ever had? 4. What made it great in your mind? 5. What is the dumbest idea? 6. What made it stupid? 7. Can you connect the dots that led you to this idea? 8. What is your creative ambition? 9. What are the obstacles to this ambition? 10. What are the vital steps to achieving this ambition? 11. How do you begin your day? 12. What are your habits? What patterns do you repeat? 13. Describe your first successful creative act. 14. Describe your second successful creative act. 15. Compare them. 16. What are your attitudes toward: money, power, praise, rivals, work, play? 17. Which artists do you admire most? 18. Why are they your role models? 19. What do you and your role models have in common? 20. Does anyone in your life regularly inspire you? 21. Who is your muse? 22. Define muse. 23. When confronted with superior intelligence or talent, how do you respond? 24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond? 25. When faced with impending success or the threat of failure, how do you respond? 26. When you work, do you love the process or the result? 27. At what moments do you feel your reach exceeds your grasp? 28. What is your ideal creative activity? 29. What is your greatest fear? 30. What is the likelihood of either of the answers to the previous two questions happening? 31. Which of your answers would you most like to change? 32. What is your idea of mastery? 33. What is your greatest dream?
Twyla Tharp (The Creative Habit: Learn It and Use It for Life (Learn In and Use It for Life))
It reminded me of all that was, all the powerful emotions I’d felt with Clay in the time our lives were tangled together. I never wanted to lose those stinging lashes of pain, never wanted to forget how it felt to be held by him, touched by him, kissed by him. Loved by him. Maybe I didn’t get to have him forever. But I’d hold on to every little piece of him that he gave me for the rest of my life. And after, too.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Iris proceeded to share about her enchanted typewriter and her letters to Carver. Attie listened, mouth agape, which soon turned into a wily smile. “That’s why you asked me about falling in love with a stranger
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
The love that I wanted so desperately: this isn’t what I thought it would feel like. It’s made me dizzy and it’s grounded me. It’s made me laugh when nothing is funny. It shimmers and it sparks, but it can be comfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy—my rival, my alarm clock, my unexpected ally—is at the center of it. And somehow, it’s even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think?
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
You may have started out as my rival, but you’re so much more than that. You’re my business partner and best friend. My greatest challenger and the biggest, brightest green flag there is...and hopefully, my future wife.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
Our progress in degeneracy appears to me to be pretty rapid. As a nation, we began by declaring that ‘all men are created equal.’ We now practically read it ‘all men are created equal, except negroes.’ When the Know-Nothings get control, it will read ‘all men are created equal, except negroes, and foreigners, and catholics.’ When it comes to this I should prefer emigrating to some country where they make no pretence of loving liberty—to Russia, for instance.” But
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Accordingly, the loss of the beloved one through a rival, or through death, is the greatest pain of all to those passionately in love; just because it is of a transcendental nature, since it affects him not merely as an individual, but also assails him in his essentia aeterna, in the life of the species, in whose special will and service he was here called. This is why jealousy is so tormenting and bitter, and the giving up of the loved one the greatest of all sacrifices.
Arthur Schopenhauer (Essays of Schopenhauer)
The histories and tragedies of Shakespeare that Lincoln loved most dealt with themes that would resonate to a president in the midst of civil war: political intrigue, the burdens of power, the nature of ambition, the relationship of leaders to those they governed. The plays illuminated with stark beauty the dire consequences of civil strife, the evils wrought by jealousy and disloyalty, the emotions evoked by the death of a child, the sundering of family ties or love of country.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
WOMEN Well, I'll relate a rival fable just to show to you A different point of view: There was a rough-hewn fellow, Timon, with a face That glowered as through a thorn-bush in a wild, bleak place. He too decided on flight, This very Furies' son, All the world's ways to shun And hide from everyone, Spitting out curses on all knavish men to left and right. But though he reared this hate for men, He loved the women even then, And never thought them enemies. WOMAN O your jaw I'd like to break. MAN
Aristophanes (Lysistrata: "Love is simply the name for the desire and the pursuit of the whole")
If we are any good we must always be working towards the moment at which our pupils are fit to become our critics and rivals. We should be delighted when it arrives, as the fencing master is delighted when his pupil can pink and disarm him. And many are.
C.S. Lewis (The Four Loves)
The joy of life is living, is to put out all one's powers as far as they will go; that the measure of power is obstacle overcome; to ride boldly at what is in front of you, be it fence or enemy; to pray, not for comfort, but for combat; to keep the soldier's faith against the doubts of civil life, more besetting and harder to overcome than all the misgivings of the battle-field, and to remember that duty is not to be proved in the evil day, but then to be obeyed unquestioning; to love glory than the temptations of wallowing ease, but to know that one's final judge and only rival is oneself: with all our failures in act and thought, these things we learned from noble enemies in Virginia or Georgia or on the Mississippi, thirty years ago; these things we believe to be true.
Oliver Wendell Holmes Jr. (The Essential Holmes: Selections from the Letters, Speeches, Judicial Opinions, and Other Writings of Oliver Wendell Holmes, Jr.)
Where does the instability of the homogeneous come from? Why does it differentiate spontaneously? Why do things exist at all? Are they the fragile and mortal result of an injustice, a disequilibrium in the static equilibrium of forces between conflicting natural powers? Or do the forces that create and drive things exist autonomously—rival powers of love and hate leading to birth, growth, decline, and dispersion? Is change an illusion or is it, on the contrary, the unceasing struggle between opposites that constitutes things? Can qualitative change be reduced to the motion in a vacuum, of atoms differing only in their forms, or do atoms themselves consist of a multitude of qualitatively different germs, each unlike the others? And last, is the harmony of the world mathematical? Are numbers the key to nature?
Ilya Prigogine (Order Out of Chaos: Man's New Dialogue with Nature (Radical Thinkers))
Jealous men forgive sooner than anyone else, and all women know it. The jealous man (having first made a terrible scene, of course) can and will very promptly forgive, for example, a nearly proven betrayal, the embraces and kisses he has seen himself, if, for example, at the same time he can somehow be convinced that this was 'the last time' and that his rival will disappear from that moment on . . . Of course the reconciliation will only last an hour, because even if the rival has indeed disappeared, tomorrow he will invent another, a new one, and become jealous of this new one. And one may ask what is the good of a love that must constantly be spied on, and what is the worth of a love that needs to be guarded so intensely? But that is something the truly jealous will never understand . . . It is also remarkable that these same lofty-hearted men, while standing in some sort of closet, eavesdropping and spying, though they understand clearly . . . all the shame they have gotten into of their own will, nevertheless . . . while standing in that closet, will not feel any pangs of remorse.
Fyodor Dostoevsky (The Brothers Karamazov)
Amaka says people love priests because they want to compete with God, they simply want God as a rival. But we are not rivals, God and I, we are simply sharing. I no longer wonder if I have a right to love Father Amadi; I simply go ahead an love him. I no longer wonder if the checks I have been writing to the Missionary Fathers of the Blessed Way are bribes to God; I just go ahead and write them. I no longer Wonder if I chose St. Anderw´s church in Unugu as my new church because the priest there is a Blessed Way Missionary as Father Amadi is; I just go.
Chimamanda Ngozi Adichie (Purple Hibiscus)
My affair with Trudy isn't going well. I thought I could take her love for granted. But I've heard biologists debating at dawn. Pregnant mothers must fight the tenants of their wombs. Nature, a mother herself, ordains a struggle for resources that may be needed to nurture my future sibling rivals. My health derives from Trudy, but she must preserve herself against me. So why would she worry about my feelings? If it's in her interests and those of some unconceived squit that I should be undernourished, why trouble herself if a tryst with my uncle upsets me?
Ian McEwan (Nutshell)
How can such a love for Being be engendered? The things for the world clamor for our affection so incessantly that it may be marveled that Being who can neither be seen nor heard can ever become their rival. Enter Hinduism’s myths, her magnificent symbols, her several hundred images of God, her rituals that keep turning night and day like never ending prayer wheels. It is obtuse to confused Hinduism’s images with idolatry, and their multiplicity with polytheism. They are runways from which the sense-laden human spirit can rise for its “flight of the alone to the Alone.
Huston Smith (The World's Religions: Our Great Wisdom Traditions)
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Céline sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
The institution of slavery was, for a quarter millennium, the conversion of human beings into currency, into machines who existed solely for the profit of their owners, to be worked as long as the owners desired, who had no rights over their bodies or loved ones, who could be mortgaged, bred, won in a bet, given as wedding presents, bequeathed to heirs, sold away from spouses or children to cover an owner’s debt or to spite a rival or to settle an estate. They were regularly whipped, raped, and branded, subjected to any whim or distemper of the people who owned them. Some were castrated or endured other tortures too grisly for these pages, tortures that the Geneva Conventions would have banned as war crimes had the conventions applied to people of African descent on this soil. Before there was a United States of America, there was enslavement. Theirs was a living death passed down for twelve generations.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Eros is not lust. According to Dante, lust is one of the seven deadly sins. Erotic love can include sex but is not limited to it. Eros is the all-consuming fire of infatuation and affection that is expressed in the emotion of being in love. And believe me when I say that it far outstrips the rivals for its affections, in every respect.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
So time drew on to the War of the Ring, and the sons of Denethor grew to manhood. Boromir, five years the elder, beloved by his father, was like him in face and pride, but in little else. Rather he was a man after the sort of King Eärnur of old, taking no wife and delighting chiefly in arms; fearless and strong, but caring little for lore, save the tales of old battles. Faramir the younger was like him in looks but otherwise in mind. He read the hearts of men as shrewdly as his father, but what he read moved him sooner to pity than to scorn. He was gentle in bearing, and a lover of lore and of music, and therefore by many in those days his courage was judged less than his brother’s. But it was not so, except that he did not seek glory in danger without a purpose. He welcomed Gandalf at such times as he came to the City, and he learned what he could from his wisdom; and in this as in many other matters he displeased his father. ‘Yet between the brothers there was great love, and had been since childhood, when Boromir was the helper and protector of Faramir. No jealousy or rivalry had arisen between them since, for their father’s favour or for the praise of men. It did not seem possible to Faramir that anyone in Gondor could rival Boromir, heir of Denethor, Captain of the White Tower; and of like mind was Boromir. Yet it proved otherwise at the test. But of all that befell these three in the War of the Ring much is said elsewhere.
J.R.R. Tolkien (The Lord of the Rings)
Team I found love in sheets wrinkled around his body as I lay next to him. In the way he hated how I drove, so he would always have his hands heading for the keys first for our protection. The way that he called me at least six hundred different nicknames but never once called me a harsh name out of anger. I found love in the way he drove two hours with his hand in my hand every moment to surprise me with a gift he researched for in secret. In the way he never left me feeling uncertain about who we were. The way that I was his, he was mine, and we were us. Together. He called us a team. I believe everyone needs a teammate. One who supports you, and isn't trying to compete against you as an opposing rival.
Jennae Cecelia (Uncaged Wallflower)
I love this place in which I have been placed—it’s language, its history, its energy. But I don’t love “the American way,” its culture and values. I don’t love the rampant consumerism that treats God as a product to be marketed. I don’t love the dehumanizing ways that turn men, women, and children into impersonal roles and causes and statistics. I don’t love the competitive spirit that treats others as rivals and even as enemies. The cultural conditions in which I am immersed require, at least for me, a kind of fierce vigilance to guard my vocation from these cultural pollutants so dangerously toxic to persons who want to follow Jesus in the way that he is Jesus. I wanted my life, both my personal and working life, to be shaped by God and the scriptures and prayer.
Eugene H. Peterson (The Pastor: A Memoir)
It would be hard to find any legitimate point of view from which this feeling could be condemned. As the family offers us the first step beyond self-love, so this offers us the first step beyond family selfishness. Of course it is not pure charity; it involves love of our neighbours in the local, not of our Neighbour, in the Dominical, sense. But those who do not love the fellow-villagers or fellow-townsmen whom they have seen are not likely to have got very far towards loving ‘Man’ whom they have not. All natural affections, including this, can become rivals to spiritual love: but they can also be preparatory imitations of it, training (so to speak) of the spiritual muscles which Grace may later put to a higher service; as women nurse dolls in childhood and later nurse children.
C.S. Lewis (The Four Loves)
We must distinguish between "sentimental" and "sensitive." A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother's Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata. A whole century of authors praised the simple life of the poor, and so on. Remember that when we speak of sentimentalists, among them Richardson, Rousseau, Dostoevski, we mean the non-artistic exaggeration of familiar emotions meant to provoke automatically traditional compassion in the reader.
Vladimir Nabokov (Lectures on Russian Literature)
The Mongols loved competitions of all sorts, and they organized debates among rival religions the same way they organized wrestling matches. It began on a specific date with a panel of judges to oversee it. In this case Mongke Khan ordered them to debate before three judges: a Christian, a Muslim, and a Buddhist. A large audience assembled to watch the affair, which began with great seriousness and formality. An official lay down the strict rules by which Mongke wanted the debate to proceed: on pain of death “no one shall dare to speak words of contention.” Rubruck and the other Christians joined together in one team with the Muslims in an effort to refute the Buddhist doctrines. As these men gathered together in all their robes and regalia in the tents on the dusty plains of Mongolia, they were doing something that no other set of scholars or theologians had ever done in history. It is doubtful that representatives of so many types of Christianity had come to a single meeting, and certainly they had not debated, as equals, with representatives of the various Muslim and Buddhist faiths. The religious scholars had to compete on the basis of their beliefs and ideas, using no weapons or the authority of any ruler or army behind them. They could use only words and logic to test the ability of their ideas to persuade. In the initial round, Rubruck faced a Buddhist from North China who began by asking how the world was made and what happened to the soul after death. Rubruck countered that the Buddhist monk was asking the wrong questions; the first issue should be about God from whom all things flow. The umpires awarded the first points to Rubruck. Their debate ranged back and forth over the topics of evil versus good, God’s nature, what happens to the souls of animals, the existence of reincarnation, and whether God had created evil. As they debated, the clerics formed shifting coalitions among the various religions according to the topic. Between each round of wrestling, Mongol athletes would drink fermented mare’s milk; in keeping with that tradition, after each round of the debate, the learned men paused to drink deeply in preparation for the next match. No side seemed to convince the other of anything. Finally, as the effects of the alcohol became stronger, the Christians gave up trying to persuade anyone with logical arguments, and resorted to singing. The Muslims, who did not sing, responded by loudly reciting the Koran in an effort to drown out the Christians, and the Buddhists retreated into silent meditation. At the end of the debate, unable to convert or kill one another, they concluded the way most Mongol celebrations concluded, with everyone simply too drunk to continue.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
Sppooooon!!! Where are yoooooouuuu?” The Enchanted Spoon was a bit frightened of the key and had taken to hiding, because the key kept on wanting to kiss the spoon. Wish was so delighted with her success in bringing the spoon and the key and the pins to life that she accidentally did the same with Bodkin’s fork, and regrettably that created a love triangle. The fork decided that it was in love with the key, and that the unfortunate spoon was its main rival. So Bodkin would be trying to eat his supper, and the fork would leap heroically out of Bodkin’s hand to pin the Enchanted Spoon to the ground. Or the spoon would find himself being stalked… and the fork would challenge him to a fight… and the spoon would stick out his chest like a proud swordsman, and the two of them would conduct a complicated spoon-and-fork fight, lunging and parrying and dueling and ambushing each other across the Sweet Track.
Cressida Cowell (Twice Magic (The Wizards of Once #2))
In the end it comes down to two rival versions of the English middle afternoon. Post-Barrett, Pink Floyd kept on in a middle-afternoonish vein, but they fell in love with the idea of portentous storm clouds in the offing somewhere over Grantchester....Barrett's afternoonishness was far more supple and engaging. It superimposed the hippie cult of eternal solstice on the pre-teatime daydreams of one's childhood, occasioned by a slick of sunlight on a chest of drawers....His afternoonishness is lit by an importunate adult intelligence that can't quite get back to the place it longs to be....Barrett created the same precocious longing in adolescents. "I remember 'See Emily Play' drifting across a school corridor in 1967...and I remember the powerful wish to stay suspended indefinitely in that music...I also remember the quasi-adult intimation that this wasn't possible. [from the London Review of Books for January 2, 2003]
Jeremy Harding
And in the depths of the city, beyond an old zone of ruined buildings that looked like broken hearts, there lived a happy young fellow by the name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, short and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah. To his wife, Soraya, Rashid was for many years as loving a husband as anyone could wish for, and during these years Haroun grew up in a home in which, instead of misery and frowns, he had his father’s ready laughter and his mother’s sweet voice raised in song. Then something went wrong. (Maybe the sadness of the city finally crept in through their windows.) The day Soraya stopped singing, in the middle of a line, as if someone had thrown a switch, Haroun guessed there was trouble brewing. But he never suspected how much.
Salman Rushdie (Haroun and the Sea of Stories (Penguin Drop Caps))
FILL THE GOBLET AGAIN A Song Fill the goblet again! for I never before Felt the glow which now gladdens my heart to its core; Let us drink! — who would not? — since, through life’s varied round, In the goblet alone no deception is found. I have tried in its turn all that life can supply; I have bask’d in the beam of a dark rolling eye; I have loved! — who has not? — but what heart can declare That pleasure existed while passion was there? In the days of my youth, when the heart’s in its spring, And dreams that affection can never take wing, I had friends! — who has not? — but what tongue will avow, That friends, rosy wine! are so faithful as thou? The heart of a mistress some boy may estrange, Friendship shifts with the sunbeam — thou never canst change; Thou grow’st old — who does not? — but on earth what appears, Whose virtues, like thine, still increase with its years? Yet if blest to the utmost that love can bestow, Should a rival bow down to our idol below, We aree jealous! — who is not? — thou hast no such alloy; For the more that enjoy thee, the more we enjoy. Then the season of youth and its vanities past, For refuge we fly to the goblet at last; There we find — do we not? — in the flow of the soul, That truth, as of yore, is confined to the bowl. When the box of Pandora was opened on earth, And Misery’s triumph commenced over Mirth, Hope was left, — was she not? — but the goblet we kiss, And care not for Hope, who are certain of bliss. Long life to the grape! for when summer is flown, The age of our nectar shall gladden our own: We must die — who shall not? — May our sins be forgiven, And Hebe shall never be idle in heaven.
Lord Byron (Delphi Complete Works of Lord Byron)
I’d previously thought I’d get better. I’d always thought it true that hope and depression were bitter rivals until one inevitably defeated the other, and I’d always thought that hope would win out in the end. But for the first time in my life, I was void of hope. I honestly believed that being depressed was just the way I was, and that being depressed was just the way I’d be, for the rest of my life. And because I was so convinced that I’d never get better, there seemed no point in fighting my illness. Instead of willing myself to “hang in there” because I believed that my suffering was temporary and that everything would be better one day, I comforted myself with the knowledge that human beings are not immortal. That I would die, one day. One special, glorious day. Then I could spend the rest of eternity mouldering in a grave, free from pain. You might be wondering why I didn’t just kill myself if I wholeheartedly believed that my future consisted of nothing more than excruciating misery. Well, first of all, I still was not a quitter. But more importantly, I didn’t want to hurt the people that loved me.
Danny Baker (The Danny Baker Story: How I came to write "I will not kill myself, Olivia" and found the Depression Is Not Destiny Campaign)
El secreto del amor es cuestion de gustos: Uno no puede amar a una persona que no le gusta y eso significa que te guste lo que la otra persona es en realidad y no lo que quieres o necesitas que él o ella sean. Otra parte de este secreto es confiar, compartir y ser los mejores amigos. De hecho el amor verdadero significa libertad y crecimiento antes que posesión y limitaciones. Es sinónimo de paz y no de confusión, también de seguridad en vez de miedo, entendimiento, lealtad, estímulo, compromiso, conexión y lo más importante es el respeto. Porque cuando uno no es tratado con respeto, aparece el dolor y nadie lo puede evitar, un dolor profundo y molesto, destructivo, capaz de crispar los nervios y en ningun caso forma parte de la belleza del amor verdadero. Sí, uno puede enfadarse por algo que haya dicho o hecho otra persona sin dejar de gustarle o de tratar mal a quien lo dijo o lo hizo. El amor verdadero significa aceptar los desacuerdos como amigos o compañeros y no como adversarios o rivales, pues el amor verdadero no consiste en ganar o luchar. Y tampoco significa degradación, crueldad, ataque o violencia. Hace de tu hogar tu palacio....no tu prisión.
Marcia Grad (The Princess Who Believed in Fairy Tales: A Story for Modern Times)
In that moment, I almost kissed her. An instinctive reaction, really. I was Robin Goodfellow, the infamous Puck; I had kissed countless pretty girls, human and fey alike. Graceful nymphs, flirtatious satyrs, ethereal sidhe, and naive human females in the mortal world, none could resist my charm once I'd turned it on. I'd kissed a few boys as well, along with a mermaid, a trio of plant creatures that had no discernible gender, and one very disillusioned frog that thought it was a princess. Kissing, and all the activities that came with it, was so common an occurrence in the Nevernever it was almost expected. Love was never an option, or even an afterthought. While some fey did grow quite attached to each other, even to the point of developing real affection, true love required work, sacrifice, and putting the other person before yourself, something few faeries understood. So while I had done a lot of kissing in my long years as Robin Goodfellow, very little of it meant anything to me. With a couple exceptions, of course. The most notable was the queen we were on our way to see, right now. The princess I'd lost, who had chosen my greatest rival instead of me.
Julie Kagawa (The Iron Raven (The Iron Fey: Evenfall, #1))
In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.
Timothy J. Keller (The Prodigal Prophet: Jonah and the Mystery of God's Mercy)
In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)
Robbie Arnott (Limberlost)
El afecto, ya lo dije, no se da importancia. La caridad —decía san Pablo— no es engreída. El afecto puede amar lo que no es atractivo: Dios y sus santos aman lo que no es amable. El afecto «no espera demasiado», hace la vista gorda ante los errores ajenos, se rehace fácilmente después de una pelea, como la caridad sufre pacientemente, y es bondadoso y perdona. El afecto nos descubre el bien que podríamos no haber visto o que, sin él, podríamos no haber apreciado. Lo mismo hace la santa humildad. Pero si nos detuviéramos sólo en estas semejanzas, podríamos llegar a creer que este afecto no es simplemente uno de los amores naturales sino el Amor en sí mismo, obrando en nuestros corazones humanos y cumpliendo su ley. ¿Tendrían razón entonces los novelistas ingleses de la época victoriana, al decir que es suficiente este tipo de amor? ¿Son «los afectos caseros», cuando están en su mejor momento y en su desarrollo más pleno, lo mismo que la vida cristiana? La respuesta a estas preguntas, lo sé con seguridad, es decididamente No. No digo solamente que esos novelistas escribieron a veces como si nunca hubieran conocido ese texto evangélico sobre el «odiar» a la esposa y a la madre y aun la propia vida —aunque, por supuesto, sea así—, sino que la enemistad entre los amores naturales y el amor de Dios es algo que un cristiano procura no olvidar. Dios es el gran Rival, que en cualquier momento me puede robar —al menos a mí me parece un robo— el corazón de mi esposa, de mi marido o de mi hija.
C.S. Lewis (The Four Loves)
The Rival If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating. Both of you are great light borrowers. Her O-mouth grieves at the world; yours is unaffected, And your first gift is making stone out of everything. I wake to a mausoleum; you are here, Ticking your fingers on the marble table, looking for cigarettes, Spiteful as a woman, but not so nervous, And dying to say something unanswerable. The moon, too, abases her subjects, But in the daytime she is ridiculous. Your dissatisfactions, on the other hand, Arrive through the mailslot with loving regularity, White and blank, expansive as carbon monoxide. No day is safe from news of you, Walking about in Africa maybe, but thinking of me.
Sylvia Plath
Where were you yesterday?" "Yesterday? Where was I-let me see...." "I thought you took a powder." "Me? How could that be?" "You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit. "But you did leave town yesterday," said Ramona. "How do you know-are you having me tailed by a private eye?" "Miss Schwartz saw you in Grand Central with a valise in your hand." "Who? Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona." "Oh..." said Herzog. Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim. "Well, were you running away?" she said. "Why should I? You're a marvelous woman, Ramona." "In that case you're being very odd, Moses." "Well, I suppose I am one of the odder beasts." "But I know better than to be proud and demanding.” “Life has taught me to be humble." Moses shut his eyes and raised his brows. Here we go. "Perhaps you feel a natural superiority because of your education." "Education! But I don't know anything..." "Your accomplishments. You're in Who's Who. I'm only a merchant-a petit-bourgeois type." "You don't really believe this. Ramona." "Then why do you keep aloof, and make me chase you? I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement." "A high-minded intellectual ninny, square ..." "Who?" "Myself, I mean." She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.” “Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything. Ramona paused, and Herzog said, "It's true-I have a lot to learn.” Excerpt From: Bellow, Saul. “Herzog.” iBooks. This material may be protected by copyright.
Saul Bellow (Herzog)
In terms of the Trinity, I believe in the Father and the Holy Ghost but not really Jesus that much. Yes, Jesus was pretty badass because he stood up for what he believed in and was definitely an alpha and a man of his convictions, and all that respectable shit, and he took a hell of a beating in the end, but his message was wrong. All that turn the other cheek and love thy neighbor nonsense; be a lamb and so on. It’s silly and doesn’t work. The God of the Old Testament, the Father, that guy makes a lot more sense to me. He had it in him to be mean and spiteful. I get that I was made in the image of a guy who’d fuck over a nobody like Job basically for fun and to prove a point to a rival. I get that I was made in the image of a guy who’d kick two shitheads out of the Garden of Eden for disobeying Him. I get the idea of Him laying waste to entire cities with fireballs or whatever because He didn’t very much like the type of people that lived there (though Sodom and Gomorrah seem like just the sort of places I’d like to hang out). If God is love, it ain’t Jesus’. The Father’s love, tough love, is what works. Sometimes there’s difficulty distinguishing it from hate, and that’s why it applies to the way I live my life. Jesus’ message just makes people nice, makes them pussies, and while I’m thankful for it because it’s given me the upper hand throughout my life in very Christian America, believing in it, really, would be idiotic for anyone like me, a winner. And I believe in the Holy Ghost too mostly because I’ve felt Him working through me while doing really cool shit, like playing football and writing good songs or whatever. He’s what people mean when they say God-given talent, which I have a lot of.
A.D. Aliwat (Alpha)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
If I know the classical psychological theories well enough to pass my comps and can reformulate them in ways that can impress peer reviewers from the most prestigious journals, but have not the practical wisdom of love, I am only an intrusive muzak soothing the ego while missing the heart. And if I can read tea leaves, throw the bones and manipulate spirits so as to understand the mysteries of the universe and forecast the future with scientific precision, and if I have achieved a renaissance education in both the exoteric and esoteric sciences that would rival Faust and know the equation to convert the mass of mountains into psychic energy and back again, but have not love, I do not even exist. If I gain freedom from all my attachments and maintain constant alpha waves in my consciousness, showing perfect equanimity in all situations, ignoring every personal need and compulsively martyring myself for the glory of God, but this is not done freely from love, I have accomplished nothing. Love is great-hearted and unselfish; love is not emotionally reactive, it does not seek to draw attention to itself. Love does not accuse or compare. It does not seek to serve itself at the expense of others. Love does not take pleasure in other peeople's sufferings, but rejoices when the truth is revealed and meaningful life restored. Love always bears reality as it is, extending mercy to all people in every situation. Love is faithful in all things, is constantly hopeful and meets whatever comes with immovable forbearance and steadfastness. Love never quits. By contrast, prophecies give way before the infinite possibilities of eternity, and inspiration is as fleeting as a breath. To the writing and reading of many books and learning more and more, there is no end, and yet whatever is known is never sufficient to live the Truth who is revealed to the world only in loving relationship. When I was a beginning therapist, I thought a lot and anxiously tried to fix people in order to lower my own anxiety. As I matured, my mind quieted and I stopped being so concerned with labels and techniques and began to realize that, in the mystery of attentive presence to others, the guest becomes the host in the presence of God. In the hospitality of genuine encounter with the other, we come face to face with the mystery of God who is between us as both the One offered One who offers. When all the theorizing and methodological squabbles have been addressed, there will still only be three things that are essential to pastoral counseling: faith, hope, and love. When we abide in these, we each remain as well, without comprehending how, for the source and raison d'etre of all is Love.
Stephen Muse (When Hearts Become Flame: An Eastern Orthodox Approach to the Dia-Logos of Pastoral Counseling)
A dramatic illustration of how environment shapes personality is the story of the Gilmore family. On January 17, 1978, in Utah, the convicted double murderer Gary Gilmore was executed by firing squad, his unyielding refusal to appeal his death sentence having gained him a measure of international notoriety. The shattering story of his childhood, blighted by family violence, alcoholism and spite was chronicled later by his brother Mikal Gilmore in the memoir Shot in the Heart. Mikal, the youngest of four boys, was born when Gary was eleven years old. If children reared in the same family shared the same environment, the differences between siblings would have to be due to genetic inheritance. In the case of the Gilmores, it is easy to see why Mikal, born at a time when the family was enjoying a period of relative stability, would feel he had been brought up in a different world, why the misery of his childhood, as he put it, had been so radically different from the misery of his brothers’ childhood. Even without such vast chasms in experience, the environment of siblings is never the same. Environment has far greater impact on the structures and circuits of the human brain than was realized even a decade ago. It is what shapes the inherited genetic material. I believe it to be the decisive factor in determining whether the impairments of ADD will or will not appear in a child. Many variables will influence the particular environment a child experiences. Birth order, for one, automatically places siblings in dissimilar situations. The older sibling has to suffer the pain of seeing parental love and attention directed toward an intruder. The younger sibling may need to learn survival in an environment that harbors a stronger, potentially hostile rival, and never comes to know either the special status or the burden of being an only child. The full weight of unconscious parental expectations is far more likely to fall on the firstborn. Historical studies of birth order have established it as an important influence on the shaping of the personality, comparable with sex.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Men should not sleep on beds; they shall sleep wherever their tired knees gave up. We are stars! And stars produce heat! Let that never translate to a boring life. There is one object in the universe that eats up more light than any other design and that is a mattress that loves you too much. Things can kill without being crafty. The bedsheets are warm and kind and yet their comfort has killed more man than any murderous hand in history. A star that knows it is a star looks like a person who is always in transformation, figuring things out, exploring identities, and making a mess. They brush their hair back and rub their eyes. A heart in debate. A tongue that agreed on humor. Tired feet. A juggled mind. He might be a police officer turned trapeze artist turned pilot. A father who is also a volunteer, a brother, a warrior, a companion, a neighbor, a rival, and a student. We can see sweat leave our pores and so grow discouraged that we cannot see the progress of internal efforts. But do not be disheartened. Our souls do sweat. It just looks a lot like mundane life incidents that break us, such as the first step of the morning or simply walking home again.
Kristian Ventura (The Goodbye Song)
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
In 1799, the poet Samuel Taylor Coleridge goes to Germany on a winter walking trip and writes home to his wife about the opposite sense: of winter as a mysterious magnetic season that the wanderer is expelled into for his own good, for the purification and improvement of his soul. “What sublime scenery I have beheld!” Coleridge’s’ words are one of those rare passages of prose that truly mark the arrival of an epoch. It would be impossible to find anything like it in European literature only twenty-five years before… This kind of love of the winter scene is not of the force outside pressing in on the window, bringing family together. Instead it is for the ice-spirit pulling us out. This winter window is wrenched open by the level of the sublime. The new idea (of winter’s beauty) is associated with Edmund Burke’s great essay on the sublime and beautiful from the middle of the eighteenth century. Burke’s was one of the three or four most powerful ideas in the history of thought, because he wrenched aesthetics away from the insipid idea of beauty (physical, manicured) towards recognition of the full span of human sympathy. Oceans and thunderstorms, precipices and abysses, towering volcanoes and, above all, snow-capped mountains- they rival and outdo the heritage of classical beauty exactly because they frighten us; they fill us with fear, with awe, with a sense of the inestimable mystery of the world.
Adam Gopnik (Winter: Five Windows on the Season (The CBC Massey Lectures))
remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The lust of property, and love: what different associations each of these ideas evoke! and yet it might be the same impulse twice named: on the one occasion disparaged from the standpoint of those already possessing (in whom the impulse has attained something of repose, who are now apprehensive for the safety of their "possession"); on the other occasion viewed from the standpoint of the unsatisfied and thirsty, and therefore glorified as "good." Our love of our neighbor, is it not a striving after new property? And similarly our love of knowledge, of truth; and in general all the striving after novelties? We gradually become satiated with the old and securely possessed, and again stretch out our hands; even the finest landscape in which we live for three months is no longer certain of our love, and any kind of more distant coast excites our covetousness: the possession for the most part becomes smaller through possessing. Our pleasure in ourselves seeks to maintain itself by always transforming something new into ourselves, that is just possessing. To become satiated with a possession, that is to become satiated with ourselves. (One can also suffer from excess, even the desire to cast away, to share out, may assume the honorable name of "love.") When we see any one suffering, we willingly utilize the opportunity then afforded to take possession of him; the beneficent and sympathetic man, for example, does this; he also calls the desire for new possession awakened in him, by the name of "love," and has enjoyment in it, as in a new acquisition suggesting itself to him. The love of the sexes, however, betrays itself most plainly as the striving after possession: the lover wants the unconditioned, sole possession of the person longed for by him; he wants just as absolute power over her soul as over the body; he wants to be loved solely, and to dwell and rule in the other soul as what is highest and most to be desired. When one considers that this means precisely to exclude all the world from a precious possession, a happiness, and an enjoyment; when one considers that the lover has in view the impoverishment and privation of all other rivals, and would like to become the dragon of his golden hoard, as the most inconsiderate and selfish of all "conquerors "and exploiters; when one considers finally that to the lover himself, the whole world besides appears indifferent, colorless, and worthless, and that he is ready to make every sacrifice, disturb every arrangement, and put every other interest behind his own, one is verily surprised that this ferocious lust of property and injustice of sexual love should have been glorified and deified to such an extent at all times; yea, that out of this love the conception of love as the antithesis of egoism should have been derived, when it is perhaps precisely the most unqualified expression of egoism. Here, evidently, the non-possessors and desirers have determined the usage of language, there were, of course, always too many of them. Those who have been favored with much possession and satiety, have, to be sure, dropped a word now and then about the "raging demon," as, for instance, the most lovable and most beloved of all the Athenians Sophocles; but Eros always laughed at such revilers, they were always his greatest favorites. There is, of course, here and there on this terrestrial sphere a kind of sequel to love, in which that covetous longing of two persons for one another has yielded to a new desire and covetousness, to a common, higher thirst for a superior ideal standing above them: but who knows this love? Who has experienced it? Its right name — friendship.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)