“
In the meantime, I hope you will find your place, wherever you are. Even in the silence, I hope you will find the words you need to share.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
I am coming to love him, in two different ways. Face to face, and word to word.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
... It's perfect! Locke would appreciate it."
"Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'"
"Rivalled only by 'Locke taught me a new trick,'" added Galo.
"The only person who gets away with Locke Lamora games ..."
"... is Locke ..."
"... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..."
"... and fifty thousand cheering spectators.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
I love the words I write until I soon realize how much I hate them, as if I am destined to always be at war within myself.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
I never told you that I love you. And I regret that, most of all.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Iris,” said Roman, “you are worthy of love. You are worthy to feel joy right now, even in the darkness. And just in case you’re wondering … I’m not going anywhere, unless you tell me to leave, and even then, we might need to negotiate.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
... it means putting up with my fiercest and most annoying rival, Robin Goodfellow, who - despite all his attempts to hide it - is in love with my queen as well. I don't know why I haven't killed him yet. Maybe because Puck is Meghan's closest friend and she would mourn him terribly if he were gone (though I can't imagine why).
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Together, we form a necessary paradox; not a senseless contradiction.
”
”
Criss Jami (Healology)
“
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats.
”
”
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that.
”
”
C.S. Lewis (The Four Loves)
“
Do you love me?"
I nodded like a kid that wanted ice cream. "Yes."
"Like love me so much that you wouldn't be able to kill me if I turned into a zombie?
”
”
Penelope Douglas (Rival (Fall Away, #3))
“
He that falls in love with himself will have no rivals.
”
”
Benjamin Franklin
“
We are what we love. We are the things, the people, the ideas we spend our days with. They center us, they drive us, they define us to our very core.
Without them, we are empty.
”
”
Daisy Whitney (The Rivals (The Mockingbirds, #2))
“
-He's his rival in love!*inuyasha hits shippo*why'd you do that!? shippo,if you bug inuyasha you'll only feel his fist.-Miroku+shippo
”
”
Rumiko Takahashi
“
The evening blessed us with a sunset to rival a painting by Carpaccio in its colours. The sky mutated from shades of ultramarine and azure to vermilion and ochre, then strips of violet and finally indigo.
”
”
Gina Buonaguro (The Virgins of Venice)
“
You have to have something to love. Something to fight for to make living a goal instead of a job.
”
”
Penelope Douglas (Rival (Fall Away, #3))
“
My love is unique an none can rival her. Just by passing, she has already stolen away my heart.
”
”
Michelle Moran (Nefertiti)
“
I loved him more than I loved pralines and beignets, and that was hardcore, because my love of sugary, sweet things rivaled the most epic love stories known to man.
”
”
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
“
Don't take on about her, Gabriel. What difference does it make whose sweetheart she is, since she can't be yours?'
'That's the very thing I say to myself,' said Gabriel.
”
”
Thomas Hardy (Far From the Madding Crowd)
“
We are way less likely to love someone just because they love us than we are to hate someone just because they hate us.
”
”
Mokokoma Mokhonoana
“
Saying no, I thought, that has always been my forte, and no wonder, given that the stupidity of the world is rivalled only by its ugliness.
”
”
Gilbert Adair (Love and Death on Long Island)
“
Science investigates, religion interprets. Science gives man knowledge which is power, religion gives man wisdom which is control. Science deals mainly with facts, religion deals with values. The two are not rivals. They are complementary. Science keeps religion from sinking into the valley of crippling irrationalism and paralysing obscurantism. Religion prevents science from falling into the marsh of obsolete materialism and moral nihilism.
”
”
Martin Luther King Jr. (Strength to Love)
“
The love that I wanted so desperately: this isn’t what I thought
it would feel like. It’s made me dizzy and it’s grounded me. It’s
made me laugh when nothing is funny. It shimmers and it sparks,
but it can be comfortable, too, a sleepy smile and a soft touch and
a quiet, steady breath. Of course this boy—my rival, my alarm
clock, my unexpected ally—is at the center of it.
And somehow, it’s even better than I imagined.
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
If humans believe in love the way they believe in rival faiths, there will be peace on earth.
”
”
Mouloud Benzadi
“
A tiny pathetic thought: the warmth of Ayla's touch rivaled the afternoon sun.
”
”
Nina Varela (Iron Heart (Crier's War, #2))
“
That’s the thing about love,” he said, kissing my hair. “It doesn’t need to be reciprocated to be real.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
No pain could match the emptiness of separation, no agony rivaled the unreality of not being with her.
”
”
Scott Spencer (Endless Love)
“
I was here for Meghan. Because I loved my princess and I wanted her to be happy. Even if her happiness meant she was with someone else. Even if that someone else was my arch rival. I wanted her to be happy.
”
”
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
“
My love is unique. No one can rival her, for she is the most beautiful girl alive. Just by passing, she has stolen my heart.
”
”
Tyne O'Connell (True Love, the Sphinx, and Other Unsolvable Riddles: A Comedy in Four Voices)
“
Write me of hope and love, and hearts that endured. —EMILY DICKINSON
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
I never lie ― I am a blatantly truthful person about almost everything. My addiction (or disease as some call it) always lies. I have had very good relationships, but the addict in me always fucked them up. I fall in love quickly, it's a high that rivals drugs for a while. I am monogamous, but I always cheated with depression before the relationship fell apart. Addicts need best friends, healthy people need healthy relationships.
”
”
Emma Forrest (Your Voice in My Head)
“
I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me?
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Ambition is like love, impatient of both delays and rivals
”
”
Gautama Buddha
“
But nothing in life was set in stone and nothing in life is promised us. Not happiness, not joy, not love. Everything was variable and mutable and inconstant.
”
”
Faith Hunter (Death's Rival (Jane Yellowrock, #5))
“
We must distinguish between ‘sentimental’ and ‘sensitive’. A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother’s Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
The most beautiful women in the world are the ones that can stand as rivals on the battlefield of love, yet they can still see each other’s pain. They can set down their swords for only just a moment to acknowledge the beauty of the warrior that stands before them—the passion, the fearlessness and the relentless fire that never gives up. It is in this moment that we learn that it is not the man that sees the worth of the hearts torn by battle in his honor; it is the women who have suffered for so long. Two women that can “see” clearly the worth of the other, even while they grow weary from their wounds is the only kind of beauty that matters. For if there wasn’t two worthy opponents there would be no war in love.
”
”
Shannon L. Alder
“
My love is unique and none can rival her . . . Just by passing, she has stolen away my heart.
”
”
Michelle Moran (The Heretic Queen)
“
Yeah. You treat him like a son or a soldier, instead of like a brother. He wants you to like him and admire him and love him. Maybe in that order.
”
”
Faith Hunter (Death's Rival (Jane Yellowrock, #5))
“
Fallon and I were a lot like them. Only I didn’t love her, and she didn’t love me. I was infatuated with her once— and loved that she let me take my pubescent urges out on her— but we weren’t in love.
”
”
Penelope Douglas (Rival (Fall Away, #3))
“
The suspicion that a rival is loved is painful enough already, but to have the love that he inspires in her confessed to one in detail by the woman whom one adores is without doubt the acme of suffering.
”
”
Stendhal (The Red and the Black)
“
You're in trouble,' she says, yawning. 'Deep, deep trouble. Can't rival the dead for love. Lose every time.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Simon Cameron: “I loved my brother, as only the poor and lonely can love those with whom they have toiled and struggled up the rugged hill of life’s success—but he died bravely in the discharge of his duty.
”
”
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
“
Being a man, I may fall passionately in love with a woman someday, but I positively assert that if I had to get involved in a rivalry as intense as the love itself in order to win the object of love, I would sooner give her up by standing aloof with my hands in my pockets, no matter what pain or sacrifice I might have to endure. Others may criticize me as unmanly, cowardly, weak-willed, or whatever. But if the woman is one so wavering between her suitors that she can only be won through that kind of painful competition, I can't regard her as worth the bitter rivalry. It's far more satisfying to my conscience to have the manliness to allow my rival free play in the field of love and for me to gaze in loneliness at the scars of love than to have the pleasure of embracing by force a woman who would not willingly give me her heart.
”
”
Natsume Sōseki
“
So right here, in the arms of the devil himself, I find a peace that even the heavens couldn’t rival.
”
”
Sadie Kincaid (Dante (Chicago Ruthless, #1))
“
I don’t know how to go about the rest of my life pretending I don’t want her, with a force that rivals the pull of the tides.
”
”
Christina Lauren (The True Love Experiment)
“
Even after centuries of human interacting, children still continue to rebel against their parents and siblings. Young marrieds look upon their in-laws and parents as obstacles to their independence and growth. Parents view their children as selfish ingrates. Husbands desert their wives and seek greener fields elsewhere. Wives form relationships with heroes of soap operas who vicariously bring excitement and romance into their empty lives. Workers often hate their bosses and co-workers and spend miserable hours with them, day after day. On a larger scale, management cannot relate with labour. Each accuses the other of unreasonable self-interests and narrow-mindedness. Religious groups often become entrapped, each in a provincial dogma resulting in hate and vindictiveness in the name of God. Nations battle blindly, under the shadow of the world annihilation, for the realization of their personal rights. Members of these groups blame rival groups for their continual sense of frustration, impotence, lack of progress and communication. We have obviously not learned much over the years. We have not paused long enough to consider the simple truth that we humans are not born with particular attitudinal sets regarding other persons, we are taught into them. We are the future generation's teachers. We are, therefore, the perpetrators of the confusion and alienation we abhor and which keeps us impotent in finding new alternatives. It is up to us to diligently discover new solutions and learn new patterns of relating, ways more conducive to growth, peace, hope and loving coexistence. Anything that is learned can be unlearned and relearned. In this process called change lies our real hope.
”
”
Leo F. Buscaglia (Loving Each Other: The Challenge of Human Relationships)
“
Sometimes I’m afraid to love other people.
Everyone I care about eventually leaves me, whether it’s death, or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form. Rune
”
”
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
Before I met you, I had no purpose. It didn't take long after you stormed into my life to realize the reason I'd been lost was because you hadn't found me yet. My purpose in life is to love you.
”
”
Vi Keeland (The Rivals)
“
Your words? A sublime feast that fed me on days when I was starving. I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me? —C.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
He who falls in love with himself will have no rivals
”
”
Benjamin Franklin
“
I am an aristocrat," Virginian John Randolph would explain decades after the American Revolution. "I love liberty; I hate equality.
”
”
Colin Woodard (American Nations: A History of the Eleven Rival Regional Cultures of North America)
“
I rarely share this part of my life with others, but I want to tell it to you now. A piece of armor, because I trust you. A glint of falling steel, because I feel safe with you.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
How can I shut down
If you don't open up??
”
”
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
“
Well is it said that neither love nor power Admit a rival, even for an hour.
”
”
Geoffrey Chaucer (The Canterbury Tales (Penguin Classics S.))
“
I can give to the ones I love without sacrificing everything that brings me joy in the process.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
Love me or hate me, both are in my favor.
If you love me, I’ll always be in your heart...
If you hate me, I’ll always be in your mind.”
-Unknown
”
”
Vi Keeland (The Rivals)
“
Now that you’ve admitted what your heart holds, perhaps the next step is sharing it with the person who holds your heart.
”
”
Vi Keeland (The Rivals)
“
I didn’t know what to say. What to do. I didn’t feel strong anymore. I felt like I couldn’t go on without him. He loved me fiercely. Obsessively. Rivalled only by the intensity which I felt for him. So why couldn’t we be together?
”
”
A. Zavarelli (Stutter (Bleeding Hearts #2))
“
Just think of me as a canvas and you as the paint, and try and imagine that we are creating a masterpiece that’s so beautiful, that no other piece of art could rival its beauty.” - Clint
”
”
Angela Richardson (All the Pieces (Pieces of Lies, #3))
“
Bug,” Calo said, “Locke is like a brother to us, and our love for him has no bounds. But the four most fatal words in the Therin language are ‘Locke would appreciate it.’ ” “Rivaled only by ‘Locke taught me a new trick,’ ” added Galdo.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form.
”
”
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination.
The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.
”
”
C.S. Lewis
“
...ideas are definitely unstable, they not only CAN be misused, they invite misuse--and the better the idea the more volatile it is. That's because only the better ideas turn into dogma, and it is this process whereby a fresh, stimulating, humanly helpful idea is changed into robot dogma that is deadly. In terms of hazardous vectors released, the transformation of ideas into dogma rivals the transformation of hydrogen into helium, uranium into lead, or innocence into corruption. And it is nearly as relentless.
The problem starts at the secondary level, not with the originator or developer of the idea but with the people who are attracted by it, who adopt it, who cling to it until their last nail breaks, and who invariably lack the overview, flexibility, imagination, and most importantly, sense of humor, to maintain it in the spirit in which it was hatched. Ideas are made by masters, dogma by disciples, and the Buddha is always killed on the road.
There is a particularly unattractive and discouragingly common affliction called tunnel vision, which, for all the misery it causes, ought to top the job list at the World Health Organization. Tunnel vision is a disease in which perception is restricted by ignorance and distorted by vested interest. Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics. When a good idea is run through the filters and compressors of ordinary tunnel vision, it not only comes out reduced in scale and value but in its new dogmatic configuration produces effects the opposite of those for which it originally was intended.
That is how the loving ideas of Jesus Christ became the sinister cliches of Christianity. That is why virtually every revolution in history has failed: the oppressed, as soon as they seize power, turn into the oppressors, resorting to totalitarian tactics to "protect the revolution." That is why minorities seeking the abolition of prejudice become intolerant, minorities seeking peace become militant, minorities seeking equality become self-righteous, and minorities seeking liberation become hostile (a tight asshole being the first symptom of self-repression).
”
”
Tom Robbins (Still Life with Woodpecker)
“
I buried myself in the woods today. Covered myself in flowers and pretended to be dead." She raised her pen for a moment and thought, then went back to writing in cursive that could rival Sister's.
"You should always wait for late spring to die, Juno," she says then. "The flowers are better".
”
”
Karl Geary (Juno Loves Legs)
“
Her smile rivals the brightest gem, and I’ll be damned if anyone threatens her happiness again. She is more valuable to me than anything else, and it’s only a matter of time before she realizes that. And it’s my job to help get her there.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
His ministrations were tender, his eyes hooded as he seemed to withhold certain emotions from her. She allowed him his secrets, and took what he gave with a greed that shocked her with its intensity. But he never had to know. He never had to glimpse how deeply she felt for him, or discover the secret she had always suspected and finally admitted to herself.
She loved him.
Completely. Every part of him, good and bad, her friend and lover and partner and rival. She wanted to spend the rest of her life with him, giving him everything, even though she knew he didn’t want her. She crammed the knowledge to a secret place in- side. Then realized she’d take whatever he gave, even though it would never be enough.
”
”
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
“
Rather than seek to be squired and dated by their rivals why should it not be possible for women to find relaxation and pleasure in the company of their 'inferiors'? They would need to shed their desperate need to admire a man, and accept the gentler role of loving him. A learned woman cannot castrate a truck-driver like she can her intellectual rival, because he has no exaggerated respect for her bookish capacities. The alternative to conventional education is not stupidity, and many a clever girl needs the corrective of a humbler soul's genuine wisdom.
”
”
Germaine Greer (The Female Eunuch)
“
It strikes me then that I’ve never known all-consuming love until this day, until him, and I’m positive, I will never know it like that again. I found my truth in love just seconds before it was ripped from me. A curse, a damning fate, to be in love with a man I was supposed to view as my rival who instead stole my heart.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
Gates should have exceeded Washington as a military leader. He had long experience in a professional army and was more loved by his men. But Washington's character was superior to that of his rival, and it made him a great man, whereas Gates was merely a good soldier.
”
”
John Ferling (Almost a Miracle: The American Victory in the War of Independence)
“
She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival;
”
”
Edgar Allan Poe
“
Why I am Passionate and Dedicated 1000% to producing and bringing my books Loving Summer, Bitter Frost, and other book series to the Screen is because these are the very books that I was cyber-bullied on. When confronted by bullies, you don't shy away, but you Fight Back. Many people have not read the books, but believe fake news and damaging slanders against them and me as a person because it was a marketing strategy used to sell my books' rival books. By bringing these very books to the screen, people can see how different my books are to theirs. Also, most of all, it is pretty darn fun and fierce for me, as a female Asian writer, director, and producer to bring these fan favorite books to screen.
”
”
Kailin Gow (Loving Summer (Loving Summer, #1))
“
Every work of art stems from a wound in the soul of the artist. When a person is hurt, his immune system comes into operation, and a self-healing process takes place, mental and physical." He called art "a psychological component of the auto-immune system that gives expression to the healing process.
”
”
Yehuda Koren (Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes' Doomed Love)
“
when it is but it ain't
Some of us love badly.
Sometimes the love is the type of love that implodes.
Folds in on itself. Eats its insides.
Turns wine to poison.
Behaves poorly in restaurants.
Drinks. Kisses other people.
Comes back to your bed at 4am smelling like everything outside.
Asks about your ex. Is jealous of your ex.
Thinks everyone a rival.
Some of us love others badly, love ourselves worse.
Some of us love horrid, love beastly.
Love sick love anti light.
Sometimes the love can’t go home at night,
can’t sleep with itself, cannot contain itself,
catches fire, destroys the stomach,
strips buildings, goes missing.
Punches. Smashes heirlooms.
Tells lies. The best lies. F*s around.
Writes poems, impresses people.
Chases lovers into corners.
Leaves them longing. Sea sick.
Says yes. Means anything but.
Tricks the body.
Kills the body.
Dances wild
and walks away, smiling.
”
”
Yrsa Daley-Ward
“
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
At least the object of my feelings is always there, and I needn't be afraid of rivals, except Margot. Don't think I'm in love, because I'm not, but I do have the feeling all the time that something fine can grow up between us, something that gives confidence and friendship.
”
”
Anne Frank (Anne Frank: The Diary of a Young Girl - Multiple Critical Perspectives)
“
This “who’s on top” banter continues until one wrestler (who has slyly gone to hide behind a chair) leaps upon his rival with an animal cry. The pair then proceeds to create a series of tableaux that appear to be from the Kama Sutra, Vatsyayana's ancient Indian textbook of carnal satisfaction. Occasionally, the tension is broken by a wrestler who picks up a large object, such as a table, to throw on the other's head, as if suddenly disgusted by his forbidden love.
”
”
A.C. Kemp (The Perfect Insult for Every Occasion)
“
But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath…I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
The Rival
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.
The moon, too, abuses her subjects,
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me.
”
”
Sylvia Plath
“
Wisdom is your mentor, never forsake it.
Understanding is your guide, never ignore it.
Ignorance is your enemy, never embrace it.
Faith is your helper, never desert it.
Hope is your confidant, never reject it.
Despair is your opponent, never tolerate it.
Peace is your consoler, never avoid it.
Contentment is your companion, never betray it.
Greed is your adversary, never accept it.
Joy is your healer, never shun it.
Happiness is your friend, never disown it.
Envy is your antagonist, never welcome it.
Love is your savior, never abandon it.
Kindness is your helpmate, never oppose it.
Hatred is your rival, never approve it.
Virtue is your preacher, never discard it.
Integrity is your accomplice, never deny it.
Vice is your nemesis, never accommodate it.
”
”
Matshona Dhliwayo
“
I love you," he repeated, quieter this time, as if he only wanted me to hear. "I love your smutty books, and your weird documentaries, and your obsession with orange, processed snacks." I choked on something between a laugh and a sob. "I love the way you dress, and the way you light up when you talk about the universe, and the way you saw through every wall I tried to put between me and the rest of the world and knew who I was even when I didn't." He shook his head, licking his lips before he continued. "I love how you believe in me, and how you burn to prove everyone wrong when they size you up too quickly. I love that you challenge me." I leaned into his palm, bottom lip quivering before I bit down to hold it still. "I love everything about you- big and small, silly and serious. And I'm sorry I was an idiot and tried to end our story before it even had the chance to begin.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
It struck Nina that this was one of those instances where the English language fell short. The word for losing something insignificant—a baseball game, a library card—shouldn’t be the same as for losing someone who defines you, someone you love. There should be a word for losses you can recover from, and a different word for the life-shattering losses, the ones that leave you forever changed.
”
”
Katharine McGee (Rivals (American Royals #3))
“
There is a saturation of books on Amazon due to a sudden get-rich-quick surge in "everyone can be authors" seminars similar to the house flipping ones in the early 2000s which led to the housing bubble and an economic slowdown in the U.S. To distinguish quality books from those get-rich-quick ones, look at the author's track record - worldwide recognition as books that garnered credible awards, authors who speak at book industry events, authors who speak at schools, authors whose books are reference materials and reading sources at school and libraries. Get-rich books have a system to get over 500 reviews quickly, manipulates the Kindle Unlimited algorithm, and encourage collusion in the marketplace to knock out rivals. Be wary of trolls who are utilized to knock down the rankings of rival's books too. Once people have heard there is money to be made as a self-published author, just like house flipping, a cottage industry has risen to take advantage of it and turn book publishing into a get rich scheme, which is a shame for all the book publishers and authors, like me, who had published for the love of books, to write to help society, and for the love of literature. Kailin Gow, Parents and Books
”
”
Kailin Gow
“
The love that I wanted so desperately: this isn’t what I thought it would feel like. Its made me dizzy and grounded me. Its made me laugh when nothing is funny. It shimmers and its sparks, but it can be uncomfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy -my rival, my alarm clock, my unexpected ally- is at the center of it.
And somehow, its even better than I imagined.
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
My second wife left me because she said I was too ambitious. She didn't realize that it is only the dying who are free from ambition. And they probably have the ambition to live. Some men disguise their ambition--that's all. I was in a position to help this young man my wife loved. He soon showed his ambition then. There are different types of ambition - that is all, and my wife found she preferred mine. Because it was limitless. They do not feel the infinite is an unworthy rival, but for a man to prefer the desk of an assistant manager - that is an insult.
”
”
Graham Greene (Loser Takes All (Classic, 20th-Century, Penguin))
“
for it is the business and duty of historians to be exact, truthful, and wholly free from passion, and neither interest nor fear, hatred nor love, should make them swerve from the path of truth, whose mother is history, rival of time, storehouse of deeds, witness for the past, example and counsel for the present, and warning for the future.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Open the old cigar-box .....let me consider anew..... Old friends,
and who is Maggie that I should abandon you?
A million surplus Maggies are willing 'o bear the yoke;
And a woman is only a woman, but a good cigar is a Smoke.
Light me another Cuba..... I hold to my first-sworn vows,
If Maggie will have no rival, I'll have no Maggie for spouse!
”
”
Rudyard Kipling
“
A KING WHO PLACED MIRRORS IN HIS PALACE
There lived a king; his comeliness was such
The world could not acclaim his charm too much.
The world's wealth seemed a portion of his grace;
It was a miracle to view his face.
If he had rivals,then I know of none;
The earth resounded with this paragon.
When riding through his streets he did not fail
To hide his features with a scarlet veil.
Whoever scanned the veil would lose his head;
Whoever spoke his name was left for dead,
The tongue ripped from his mouth; whoever thrilled
With passion for this king was quickly killed.
A thousand for his love expired each day,
And those who saw his face, in blank dismay
Would rave and grieve and mourn their lives away-
To die for love of that bewitching sight
Was worth a hundred lives without his light.
None could survive his absence patiently,
None could endure this king's proximity-
How strange it was that man could neither brook
The presence nor the absence of his look!
Since few could bear his sight, they were content
To hear the king in sober argument,
But while they listened they endure such pain
As made them long to see their king again.
The king commanded mirrors to be placed
About the palace walls, and when he faced
Their polished surfaces his image shone
With mitigated splendour to the throne.
If you would glimpse the beauty we revere
Look in your heart-its image will appear.
Make of your heart a looking-glass and see
Reflected there the Friend's nobility;
Your sovereign's glory will illuminate
The palace where he reigns in proper state.
Search for this king within your heart; His soul
Reveals itself in atoms of the Whole.
The multitude of forms that masquerade
Throughout the world spring from the Simorgh's shade.
If you catch sight of His magnificence
It is His shadow that beguiles your glance;
The Simorgh's shadow and Himself are one;
Seek them together, twinned in unison.
But you are lost in vague uncertainty...
Pass beyond shadows to Reality.
How can you reach the Simorgh's splendid court?
First find its gateway, and the sun, long-sought,
Erupts through clouds; when victory is won,
Your sight knows nothing but the blinding sun.
”
”
Attar of Nishapur
“
I know what it feels like to lose someone you love. To feel as if you’re left behind, or like your life is in shambles and there’s no guidebook to tell you how to stitch it back together
But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade, it will always be with you — a shadow you carry in your soul — but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams.
You are not alone.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Your Creative Autobiography 1. What is the first creative moment you remember? 2. Was anyone there to witness or appreciate it? 3. What is the best idea you’ve ever had? 4. What made it great in your mind? 5. What is the dumbest idea? 6. What made it stupid? 7. Can you connect the dots that led you to this idea? 8. What is your creative ambition? 9. What are the obstacles to this ambition? 10. What are the vital steps to achieving this ambition? 11. How do you begin your day? 12. What are your habits? What patterns do you repeat? 13. Describe your first successful creative act. 14. Describe your second successful creative act. 15. Compare them. 16. What are your attitudes toward: money, power, praise, rivals, work, play? 17. Which artists do you admire most? 18. Why are they your role models? 19. What do you and your role models have in common? 20. Does anyone in your life regularly inspire you? 21. Who is your muse? 22. Define muse. 23. When confronted with superior intelligence or talent, how do you respond? 24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond? 25. When faced with impending success or the threat of failure, how do you respond? 26. When you work, do you love the process or the result? 27. At what moments do you feel your reach exceeds your grasp? 28. What is your ideal creative activity? 29. What is your greatest fear? 30. What is the likelihood of either of the answers to the previous two questions happening? 31. Which of your answers would you most like to change? 32. What is your idea of mastery? 33. What is your greatest dream?
”
”
Twyla Tharp (The Creative Habit: Learn It and Use It for Life (Learn In and Use It for Life))
“
There are always plenty of rivals to our work. We are always falling in love or quarreling, looking for jobs or fearing to lose them, getting ill and recovering, following public affairs. If we let ourselves, we shall always be waiting for some distraction or other to end before we can really get down to our work. The only people who achieve much are those who want knowledge so badly that they seek it while the conditions are still unfavorable. Favorable conditions never come. There are, of course, moments when the pressure of the excitement is so great that only superhuman self-control could resist it. They come both in war and peace. We must do the best we can.
The second enemy is frustration—the feeling that we shall not have time to finish. If I say to you that no one has time to finish, that the longest human life leaves a man, in any branch of learning, a beginner, I shall seem to you to be saying something quite academic and theoretical. You would be surprised if you knew how soon one begins to feel the shortness of the tether, of how many things, even in middle life, we have to say "No time for that," "Too late now," and "Not for me." But Nature herself forbids you to share that experience. A more Christian attitude, which can be attained at any age, is that of leaving futurity in God's hands. We may as well, for God will certainly retain it whether we leave it to Him or not. Never, in peace or war, commit your virtue or your happiness to the future. Happy work is best done by the man who takes his long-term plans somewhat lightly and works from moment to moment "as to the Lord." It is only our daily bread that we are encouraged to ask for. The present is the only time in which any duty can be done or any grace received.
”
”
C.S. Lewis (The Weight of Glory)
“
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
"Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life.
Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?"
"Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough."
Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ."
Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
So time drew on to the War of the Ring, and the sons of Denethor grew to manhood. Boromir, five years the elder, beloved by his father, was like him in face and pride, but in little else. Rather he was a man after the sort of King Eärnur of old, taking no wife and delighting chiefly in arms; fearless and strong, but caring little for lore, save the tales of old battles. Faramir the younger was like him in looks but otherwise in mind. He read the hearts of men as shrewdly as his father, but what he read moved him sooner to pity than to scorn. He was gentle in bearing, and a lover of lore and of music, and therefore by many in those days his courage was judged less than his brother’s. But it was not so, except that he did not seek glory in danger without a purpose. He welcomed Gandalf at such times as he came to the City, and he learned what he could from his wisdom; and in this as in many other matters he displeased his father. ‘Yet between the brothers there was great love, and had been since childhood, when Boromir was the helper and protector of Faramir. No jealousy or rivalry had arisen between them since, for their father’s favour or for the praise of men. It did not seem possible to Faramir that anyone in Gondor could rival Boromir, heir of Denethor, Captain of the White Tower; and of like mind was Boromir. Yet it proved otherwise at the test. But of all that befell these three in the War of the Ring much is said elsewhere.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
The Mongols loved competitions of all sorts, and they organized debates among rival religions the same way they organized wrestling matches. It began on a specific date with a panel of judges to oversee it. In this case Mongke Khan ordered them to debate before three judges: a Christian, a Muslim, and a Buddhist. A large audience assembled to watch the affair, which began with great seriousness and formality. An official lay down the strict rules by which Mongke wanted the debate to proceed: on pain of death “no one shall dare to speak words of contention.” Rubruck and the other Christians joined together in one team with the Muslims in an effort to refute the Buddhist doctrines. As these men gathered together in all their robes and regalia in the tents on the dusty plains of Mongolia, they were doing something that no other set of scholars or theologians had ever done in history. It is doubtful that representatives of so many types of Christianity had come to a single meeting, and certainly they had not debated, as equals, with representatives of the various Muslim and Buddhist faiths. The religious scholars had to compete on the basis of their beliefs and ideas, using no weapons or the authority of any ruler or army behind them. They could use only words and logic to test the ability of their ideas to persuade. In the initial round, Rubruck faced a Buddhist from North China who began by asking how the world was made and what happened to the soul after death. Rubruck countered that the Buddhist monk was asking the wrong questions; the first issue should be about God from whom all things flow. The umpires awarded the first points to Rubruck. Their debate ranged back and forth over the topics of evil versus good, God’s nature, what happens to the souls of animals, the existence of reincarnation, and whether God had created evil. As they debated, the clerics formed shifting coalitions among the various religions according to the topic. Between each round of wrestling, Mongol athletes would drink fermented mare’s milk; in keeping with that tradition, after each round of the debate, the learned men paused to drink deeply in preparation for the next match. No side seemed to convince the other of anything. Finally, as the effects of the alcohol became stronger, the Christians gave up trying to persuade anyone with logical arguments, and resorted to singing. The Muslims, who did not sing, responded by loudly reciting the Koran in an effort to drown out the Christians, and the Buddhists retreated into silent meditation. At the end of the debate, unable to convert or kill one another, they concluded the way most Mongol celebrations concluded, with everyone simply too drunk to continue.
”
”
Jack Weatherford (Genghis Khan and the Making of the Modern World)
“
In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.
”
”
Timothy J. Keller (The Prodigal Prophet: Jonah and the Mystery of God's Mercy)