Juste Belmont Quotes

Just as hundreds of brushstrokes comprised a finished canvas, people were made up of a lifetime of experiences, both good and bad. And without knowing what someone had endured, it was impossible to truly know them - and accept them - for who they were.

You've got to look out for number one. If you're really worried about not being spoiled, just pound on through that book guys. Just read the shit out of it.

. . .life isn't always just. But God, who sees everything, is. And He will bring good from it.

Just as hundreds of brushstrokes comprised a finished canvas, people were made up of a lifetime of experiences, both good and bad. And without knowing what someone had endured, it was impossible to truly know them—and accept them—for who they were.

I look at the names on the mailboxes and the bells inside number 1940 and pick out a couple of women’s names and press the first one. I stand there waiting, feeling the image build up and not thinking about what I’m going to say to her because I know something will come to me like it always does. Nothing happens. I press the second doorbell and in a few minutes she buzzes the door, twice, and I walk into the hallway. The stairs are curved around an elevator and to the right and I go up them, not in a hurry or nothing, just taking them one at a time. Its funny, isn’t it, how the first woman didn’t answer the bell or wasn’t home or something and just that little chance, you understand what I mean?

The state's case against Smith, however, did claim to speak to his actual guilt or innocence, and it has to be considered carefully. The reason this is important has nothing to do with Roy Smith or Bessie Goldberg or even Al DeSalvo; they're all dead. In some ways there is nothing less relevant than an old murder case. The reason it is important is this: Here is a group of people who have gathered to judge--and possibly execute--a fellow citizen. It's the highest calling there is, the very thing that separates us from social anarchy, and it has to be done well. A trial, however, is just a microcosm of the entire political system. When a democratic government decides to raise taxes or wage war or write child safety laws, it is essentially saying to an enormous jury, "This is our theory of how the world works, and this is our proposal for dealing with it. If our theory makes sense to you, vote for us in the next election. If it doesn't, throw us out." The ability of citizens to scrutinize the theories insisted on by their government is their only protection against abuse of power and, ultimately, against tyranny. If ordinary citizens can't coolly and rationally evaluate a prosecutor's summation in a criminal trial, they won't have a chance at calling to task a deceitful government. And all governments are deceitful--they're deceitful because it's easier than being honest. Most of the time, it's no more sinister than that.

He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet. I’D LIKE TO SEE YOU. He hit send. To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something. This time, however, she beat him to the punch. “So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar. Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.” “Megan Fox is, like, twenty-five.” “And this is a problem why, exactly?” Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.” He stole another cracker. “Now, that would be something.” She shook her head. “Why do I bother? You know, one day you’re going to wake up and…” Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text. 3418 CORNELIA, #3. He had her address. With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?” She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.” “Did she? Funny coincidence.” Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.” “Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.” Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.” Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?” Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.” “Jordo…” he growled warningly. With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.

It's not just how firm a man's handshake is that define him, son. Any fool can have a strong grip. It's the way a man meets your eyes, or doesn't, that tells you who he is. That says whether he's dealing with you honestly or not.

Careful, minx, or I shall think you dragged me to this silly place just to irritate me.” A muscle in his jaw ticked. She plied her fan, feigning innocence. “Would I do that?” He laughed as he led her to the dance floor. “I imagine you would. In fact, I am quite certain that you despise this place as much as I already do.” “I…” She raised the fan to hide her expression. Could he be aware of her plan to annoy him out of the engagement? “Please, Miss Winthrop, do not exert yourself by indulging in further falsehoods.” he whispered through clenched teeth. “The truth is written all over your face. Now tell me, why are you trying to vex me?” The vampire loomed over her like the fierce blood drinker he was. The young ladies and gentlemen around them had abandoned even the slightest pretense of dancing and were now watching the discussion with avid interest. Claire Belmont gripped Lord Makepeace’s sleeve and dragged him closer. The audience seemed to salivate over the possibility of scandal. Angelica resisted the urge to glare at Claire. “People are staring at us.” “Let them,” Burnrath said curtly. “This is not the first time we’ve garnered attention, and from the pattern of our discourse, it will not be the last.” “Fine,” she muttered and confessed the truth. “I had thought if I irritated you enough, you would not wish to marry me.” “Angel…” His voice grew tender and his grip tightened on her waist as they waltzed. “Nothing will make me change my mind. I have told you time and again that you have no reason to fear me. What will it take to make you believe me?” As she swayed in his arms, his handsome face and gentleness nearly shattered her resolve. “I do not know. I am so confused.” Could I tell him I am afraid of losing my freedom? No, such an action would be ludicrous! “Everything will be all right. I promise,” he whispered and her heart ached in longing to believe him. The

My child,’ the king said, lovingly, ‘go in peace.  For your heart has been restored, just as it was when I first gave it to you.  And remember this, as long as your heart remains whole and pure, I will be with you, always, and that is my greatest gift of all.  Go now to your prince, and share the good news.

A short time later, the girl met another handsome prince, and just like the first one, she gave this prince another small piece of her heart.  Before long, he started to treat her very badly, and she soon decided that this also was not the prince she was looking for.

And so, although she was terrified to do so, the young woman sought an audience with the King.  When she was brought before him, she explained everything that had happened, and begged for his grace and mercy, asking for her heart to be restored just as it was before she had broken it up into so many pieces.

America is the only nation in the world that is founded on a creed. That creed is set forth . . . in the Declaration of Independence; perhaps the only piece of practical politics that is . . . also great literature. It enunciates that all men are equal in their claim to justice, that governments exist to give them that justice, and that their authority is for that reason just. . . . It clearly names the Creator as the ultimate authority from whom these equal rights are derived.

Would you be very offended if I begged off our cribbage match?” There was only so much fraternal cross-examination a man could politely bear, after all. “Of course I don’t mind. I’ll trounce Belmont instead, or the grooms, or maybe just cadge a nap under some obliging tree. Go to your lady. It’s clear you were pining for her all through lunch.” Val scrubbed a hand over his face. “Was I that obvious?” “A brother far from home suspects these things. There’s cake in the breadbox. You might take her some.” “One piece and one fork.” “Well done.

You’re quiet.” St. Just turned piercing green eyes on his brother. “This has never boded well with you. It means you are hatching up mischief.” “If I’m hatching up mischief, it’s because Belmont’s scamps have led me astray.

Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.

This new generation of Italian American entertainers shared Sinatra’s view of the new dance music that emerged in the 1950s. “Rock-and-roll is the most brutal, ugly, desperate, vicious form of expression it has been my misfortune to hear,” Sinatra told Congress in 1958. “Rock-and-roll smells phony and false. It is sung, played, and written for the most part by cretinous goons, and by means of its almost imbecilic reiteration, and sly, lewd—in plain fact, dirty—lyrics … it manages to be the martial music of every sideburned delinquent on the face of the earth.” In response to the raw, driving sexuality of black-influenced rock, young Italian American men in New York and Philadelphia did to the new music what Sinatra and his generation had done to jazz. A style combining smooth vocal harmonies, romantic lyrics, and a stationary stage presence, doo-wop was invented in the 1940s by black youth on street corners, but it shot to the top of the pop charts in the late 1950s when Italian Americans adopted it as their own—just as most African American performers moved toward “soul music.” From 1958, when Dion (DiMucci) and the Belmonts placed several songs on the pop charts, until the “British Invasion” of 1964, Italian American doo-wop groups dominated American popular music. All wearing conservative suits and exuding a benign romanticism, the Capris, the Elegants, the Mystics, the Duprees, the Del-Satins, the Four Jays, the Essentials, Randy and the Rainbows, and Vito & the Salutations declared the arrival of Italians into American civilization. During the rise of doo-wop and Frank Rizzo, Malcolm X mocked the newly white Italians. “No Italian will ever jump up in my face and start putting bad mouth on me,” he said, “because I know his history. I tell him when you’re talking about me you’re talking about your pappy, your father. He knows his history. He knows how he got that color.” Though fewer and fewer Italian Americans know the history of which Malcolm X spoke, some have reenacted it.

I drove back to Belmont Pier, parked in front of a shop that sold whale-watching tickets, and used a pay phone there to call Lou Poitras. He said, “Bubba, you really take advantage.” “Funny. Your wife said the same thing.” Poitras sighed. “Just tell me what you want.” Humor. You break them down with humor, and victory is yours.

Engaged Progressives say that divorce is preferable to an unhappy marriage, but like the denizens of Charles Murray’s Belmont, they don’t practice what they preach. They are almost as likely to remain married, in fact, as the Faithful. They are just as likely to eat meals with their children, and Engaged Progressive mothers with preschool kids are nearly as likely to stay at home with them as their Faithful counterparts.

When he shifted a few minutes later and lifted her against his chest, she did not protest but looped her arms around his neck, and that was a kind of trust too. He carried her to her porch swing and sat at one end so her back was supported by the pillows banking the arm of the swing. He set the swing in motion and gathered her close until she drifted away into sleep. Val stayed on that swing long after the woman in his arms had fallen asleep, knowing he was stealing a pleasure from her he should not. He’d never been in her cottage, though, and was reluctant to invade her privacy. Or so he told himself. In truth, the warm, trusting weight of Ellen FitzEngle in his arms anchored him on a night when he’d been at risk of wandering off, of putting just a little more space between his body and his soul; his intellect and his emotions. Darius had delivered a telling blow when he’d characterized music, and the piano, as an imaginary friend. And it was enough, Val realized, to admit no creative art could meet the artist’s every need or fulfill every wish. Ellen FitzEngle wasn’t going to be able to do that either, of course; that wasn’t the point. The point, Val mused as he carefully lifted Ellen against his chest and made his way into her cottage, was that life yet held pleasures and mysteries and interest for him. He would get through the weekend at Belmont’s on the strength of that insight. As he tucked a sleeping Ellen into her bed and left a good-night kiss on her cheek, Val silently sent up a prayer of thanks. By trusting him with her grief, Ellen had relieved a little of his own.

but before she goes, she swings her backpack over one shoulder and turns back to me with a smug smirk on her lips. “And just so you know, all the perv dads at pickup have noticed she’s”—her fingers curl into sarcastic air quotes—“Rosie Belmont, too.

It ought never to have been so swift, so much like a dance or a dream. It was as if there had been music playing somewhere, almost but not quite heard. He had fought those five men side-by-side with Rodrigo Belmonte of Valledo, whom he had never seen in his life, and it had been as nothing had ever been before, on a battlefield or anywhere else. It had felt weirdly akin to having doubled himself. To fighting as if there were two hard-trained bodies with the one controlling mind. They hadn't spoken during the fight. No warnings, tactics. It hadn't even lasted long enough for that. He ought to have been elated after such a triumph, perhaps curious, intrigued. He was deeply unsettled instead. Restless. Even a little afraid, if he was honest with himself... Come, brother; Rodrigo Belmonte of Valledo had said today as five hard men with swords had walked forward to encircle the two of them. Shall we show them how this is done? They had shown them. Brother. He had looked at Belmonte after, and had seen - with relief and apprehension, both - a mirror image of that same strangeness. As if something had gone flying away from each of them and was only just coming back. The Valledan had looked glazed, unfocused. At least, Ammar had thought, it isn't only me.

An unimportant figure, in the big scheme of things, writes this to you from beyond the grave. It says, 'I wasn't very important, in the big scheme of things. You don't know my name, or face. You've never heard of me, I'm just another soul lost to history But I loved someone very much, And that's all that matters.

Just because a horse can run, or train, does not mean that it can race. It might have the ability to run just as fast as everyone else - or faster - but it can't race, or won't race. There are plenty of horses working at Penn National or Finger Lakes, everyday, putting in workouts that are just as fast as the horses at Belmont. But they can't race; that's why they're at Finger Lakes.