Clock Related Quotes

Clocks and calendars do not exist to remind us of the Time we've forgotten but to regulate our relations with others and indeed all of society, and this is how we use them.

For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.

This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant.

Time in itself, absolutely, does not exist; it is always relative to some observer or some object. Without a clock I say 'I do not know the time' . Without matter time itself is unknowable. Time is a function of matter; and matter therefore is the clock that makes infinity real.

Our relationship seems to tick forward like the hands of a clock, always changing in relation to each other.

I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random. Such snaggle-toothed thought machine, driven by a standard or even by a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about classic totalitarian mind is that any given gear, thought mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell - keeping perfect time for eight minutes and twenty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The wilful filling off a gear teeth, the wilful doing without certain obvious pieces of information - That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony - That was how my father-in-law could contain in one mind an indifference toward slave women and love fora a blue vase - That was how Rudolf Hess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers - That was how Nazi Germany sense no important difference between civilization and hydrophobia - That is the closest I can come to explaining the legions, the nations of lunatics I've seen in my time.

The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.

When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days.

Harun AlRashid known for his wealth & diplomatic relations, sent an embassy to France that included an elephant & a water clock

With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.

Here, her hand in mine was the one reality that severed us from the cold click-clack of Hell. I rubbed her hand and she sighed; wasn’t that meaning? Wasn’t that something we could cling to? I could be with this other. I could form no other relation, but maybe her hand in mine was enough, both sufficient and necessary. In Hell there was no sense of place, because all places were the same. Uniform monotony. A place without place. A place without context. But, here, now, I could rub her hand and she would sigh. She was a difference. Perhaps each person was the only difference in all these halls of unchanging ranks of books, kiosks, clocks, and carpet, and that, and that, at least, we had to hold to.

The mathematician and physicist Freeman Dyson makes a related observation about human society: The destiny of our species is shaped by the imperatives of survival on six distinct time scales. To survive means to compete successfully on all six time scales. But the unit of survival is different at each of the six time scales. On a time scale of years, the unit is the individual. On a time scale of decades, the unit is the family. On a time scale of centuries, the unit is the tribe or nation. On a time scale of millennia, the unit is the culture. On a time scale of tens of millennia, the unit is the species. On a time scale of eons, the unit is the whole web of life on our planet. Every human being is the product of adaptation to the demands of all six time scales. That is why conflicting loyalties are deep in our nature. In order to survive, we have needed to be loyal to ourselves, to our families, to our tribes, to our cultures, to our species, to our planet. If our psychological impulses are complicated, it is because they were shaped by complicated and conflicting demands.

An ignorant man, who is not fool enough to meddle with his clock, is however sufficiently confident to think he can safely take to pieces, and put together at his pleasure, a moral machine of another guise, importance and complexity, composed of far other wheels, and springs, and balances, and counteracting and co-operating powers. Men little think how immorally they act in rashly meddling with what they do not understand. Their delusive good intention is no sort of excuse for their presumption. They who truly mean well must be fearful of acting ill.

There can never be a clock at the center of the Universe to which everyone can set their watches. Your entire life can be the blink of an eye to an alien who leaves Earth traveling close to the speed of light, then returns an hour later to find that you have been dead for centuries.

As if reading his mind, Lily huffed. “You’re as predictable as the spring rains, son of mine, and as boring as drying paint. Unless there’s an emergency, you’re home every night by seven, you eat dinner by yourself, go for a run, watch exactly one hour of TV by yourself, and go to bed at ten o’clock. If God ever loses his watch, he only has to look at Lance Beaufort to get back on schedule.” ... “I’ve been having trouble with my phone,” he tried. Lily took two strides to the desk, leaned over it with both hands braced on the surface, and stared. “Okay, yes! I have been over there. But it’s for work. And…and it’s work related!” “Oh? Explain that to me, because I thought you were the sheriff, not in training for a role in Lassie.

Then you told me how you had tricked the boggart into thinking you a long-lost relative of his last master---a feat which had required extensive research into local lore---then bribed him with exotic seashells, for you remembered some obscure story about a boggart whose secret fantasy was to travel the world, boggarts being bound to their crumbling ruins, while I half listened in astonishment. I say half, because I was mostly just watching you, observing the way your mind clicks and whirrs like some fantastical clock. Truly, I have never met anyone with a better understanding of our nature, and that anyone includes the Folk. I suppose that's partly why--- Ah, but you really would kill me if I desecrated your scientific vessel with the end of that sentence.

(Jen gets completely sloshed and it's not her wedding) I was supposed to meet Carol and her family at the aquarium the next morning, and somehow had the presence of mind to leave a voicemail apologizing in advance for not being able to make it. I was please at myself for being so responsible and considerate. After I left the message, I blissfully headed off to bed, wearing a face full of makeup, all my grown up jewelry, and a relatively restrictive girdle. Suffice it to say, yesterday was rough, what with my apartment spinning and all. But today I felt better. That is, until Carol played me the voice mail I left for her at 1:03 AM. Somehow I thought I had been able to hold it together on the phone. Following is a transcript of the message I left: 30 seconds of heavy breathing, giggling, and intermittent hiccups (At first Carol thought it was a 911 call.) Oh, heeheehee, I waassshh wayyyting for a beep. But noooooo beeeeeeep. Why don't you hash a beep on your, your, ummmmmm...celery phone? Noooooo beeeeeeep, hic, heeheeeheee. Um, hiiiiii, itsch JEENNNNNNNN!! It's thirteen o'clock in the peeeeeee eeeemmmmmmm. Heeeeeeeellllllllllloooooooo! I went to my wedding tonight and it wash sooooo niiiiiiiiiice. Hic." More giggling and the sound of a phone being dropped and retrieved Nannyway, I am calling to telllll you noooooooooo fishies tomorry...no fishies for meeee! I hic, heeeee, can't smake it to the quariyummm. Maybeeee you can call me so I can say HIIIIIIIIIIIIIII later hich in the day hee hee hee. Call me at, um, 312, ummmmmmm, 312, uummmmm, hee hee hee I can't member my phone, Hic. Do you know my number? Can you call me and tell me what it isssch? I LIKESH TURKEY SAMMICHES! 10 seconds of chewing, giggling, and what may be gobbling sounds Okay, GGGGGGGGooooooodniiiiiiiiiggggggggggggghhhhhhhhhhhttttt! No fish! Um, how do I turn this tthing off? Shhhhh, callllls' over. Beeee quiiiiiiietttt, hee hee hee." 15 more seconds of giggles, hiccups, shushing, and a great deal of banging Perhaps this is why most people only have one wedding?

To get the feeling of what it is like to be a creature of the sea requires the active exercise of the imagination and the temporary abandonment of many human concepts and human yardsticks. For example, time measured by the clock or the calendar means nothing if you are a shore bird or a fish, but the succession of light and darkness and the ebb and the flow of the tides mean the difference between the time to eat and the time to fast, between the time an enemy can find you easily and the time you are relatively safe. We cannot get the full flavor of marine life—cannot project ourselves vicariously into it—unless we make these adjustments in our thinking.

Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.

Mortality is inscribed in your cellular structure, and you say you’re not ill? Look at the painting. Look at it.” She nods towards The Adoration of the Magi. I obey. I always will. “Thirteen subjects, if you count them, like the Last Supper. Shepherds, the Magi, the relatives. Study their faces, one by one. Who believes this newborn manikin can one day conquer death? Who wants proof? Who suspects the Messiah is a false prophet? Who knows that he is in a painting, being watched? Who is watching you back?

The entire place had the feeling only achievable at one o'clock in the morning when everyone has joined a club: the club of people who are not in bed.

Just as the only real antidote to the temptations of money is lavish generosity, so the only real antidote to the temptations of power is choosing to spend our power in the opposite of the way the world encourages us to spend it: not on getting closer to the sources of additional power or on securing our own round-the-clock sense of comfort and control, but spend it on getting closer to the relatively powerless.

Descartes, in his Third Meditation, said that God re-created the body at each successive moment. So that time was a form of sustenance. On earth time was marked by the sun and moon, by rotations that distinguished day from night, that had led to clocks and calendars. The present was a speck that kept blinking, brightening and diminishing, something neither alive nor dead. How long did it last? One second? Less? It was always in flux; in the time it took to consider it, it slipped away. In one of her notebooks from Calcutta were jottings in Udayan’s hand, on the laws of classical physics. Newton’s theory that time was an absolute entity, a stream flowing at a uniform rate of its own accord. Einstein’s contribution, that time and space were intertwined. He’d described it in terms of particles, velocities. A system of relations among instantaneous events. Something called time

You have a bunch of cracked-out hoes fighting over Flavor Flav, the king of funk nasty. You have to wonder what in the hell must be going through these women’s minds to have to want to hook up with him. He’s nasty! I would rather hook up with some of my relatives in a weekend than with Flavor Flav. Of course, it would have to be a long weekend filled with tranquilizers and alcohol – in mass quantities – but, point being said that that scrawny man is funky. Don’t let the clocks or Viking hats fool you. The show is already entertaining enough as it is but I believe that it would be even better if the producers were to throw some blind contestants on who have never heard of him. That would be great.

Time is relative. In human life, time is experience. The faster you archive a significant experience to your memory, the more you live in the same clock time. In physics, experience is represented by the distance traveled, and this entire thing is called the Relativity of Time. I want to age and die through archiving my experiences, not watching my biological clock. Please don't waste my clock time with mediocrity and egotism, let me use it towards serving to others.

Even if a particle could travel backward in time, information could not. Retrocausality will be replaced by something more sophisticated. There are no perfect symmetries, there is no pure randomness everything is an approximation of something else. Information may appear in a digital form but meaning never does. Spacetime is built up from approximations, not discrete ones and zeros, and the only constant may be ratios. Quantum entanglement and geometry; if we think of a particle as being at one pole of an expanding sphere that is not perfectly symmetrical, this surface would be "rippling" like the surface of the ocean (in the audio world this is called dithering), at the other pole is the entangled particle's pair and it is a property of the sphere that gives the illusion of connectivity. This is not a physical geometry, it is a computational geometry. Is spacetime a product of entanglement? Renate Loll believes that time is not perfectly symmetrical. Her computer models require causality. Possibly some form of quantum random walk in state space. If a photon is emitted by an electron inside of a clock on Earth and it travels to a clock four light years away, time stops for the clock on Earth and time jumps forward eight years for the distant clock also, the electron that will capture the photon becomes infinitely large relative to the photon but the electron that emitted it does not become infinitely small therefore, time is not perfectly symmetrical.

Now I have to save Cosmina in front of everyone. And the clock is ticking. Why didn't my dream fast-forward past the relatively easy vampire-only threat and give me a sneak preview of this much, much worse scenario? Whoever created this system was an idiot! Oh. Right. My ancestors created it. Thanks a lot, jerks.

Because time is not like space. And when you put something down somewhere, like a protractor or a biscuit, you can have a map in your head to tell you where you have left it, but even if you don't have a map it will still be there because a map is a representation of things that actually exist so you can find the protractor or the biscuit again. And a timetable is a map of time, except that if you don't have a timetable time is not there like the landing and the garden and the route to school. Because time is only the relationship between the way different things change, like the earth going round the sun and atoms vibrating and clocks ticking and day and night and waking up and going to sleep, and it is like west or nor-nor-east, which won't exist when the earth stops existing and falls into the sun because it is only a relationship between the North Pole and the South Pole and everywhere else, like Mogadishu and Sunderland and Canberra. And it isn't a fixed relationship like the relationship between our house and Mrs. Shears's house, or like the relationship between 7 and 865, but it depends on how fast you are going relative to a specific point. And if you go off in a spaceship and you travel near the speed of light, you may come back and find that all your family is dead and you are still young and it will be the future but your clock will say that you have only been away for a few days or months. And because nothing can travel faster than the speed of light, this means that we can only know about a fraction of the things that go on in the universe,

In 2012, I turned fifty-six. Hugh and his longtime girlfriend took me out to dinner. On the way home I remembered a bit of old folklore—probably you’ve heard it—about how to boil a frog. You put it in cold water, then start turning up the heat. If you do it gradually, the frog is too stupid to jump out. I don’t know if it’s true or not, but I decided it was an excellent metaphor for growing old. When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days. (I was spared that, at least, because most of my so-called good old days had been spent as a full-bore, straight-on-for-Texas drug addict.) I think for most people, life’s deceptive deliriums begin to fall away after fifty. The days speed up, the aches multiply, and your gait slows down, but there are compensations. In calmness comes appreciation, and—in my case—a determination to be as much of a do-right-daddy as possible in the time I had left. That meant ladling out soup once a week at a homeless shelter in Boulder, and working for three or four political candidates with the radical idea that Colorado should not be paved over.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long. As, therefore, in the case of animate bodies and organisms a certain magnitude is necessary, and a magnitude which may be easily embraced in one view; so in the plot, a certain length is necessary, and a length which can be easily embraced by the memory. The limit of length in relation to dramatic competition and sensuous presentment, is no part of artistic theory. For had it been the rule for a hundred tragedies to compete together, the performance would have been regulated by the water-clock,--as indeed we are told was formerly done. But the limit as fixed by the nature of the drama itself is this: the greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous. And to define the matter roughly, we may say that the proper magnitude is comprised within such limits, that the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good, or from good fortune to bad.

If a photon is emitted by an electron inside of a clock on Earth and it travels to a clock four light years away, time stops for the clock on Earth and time jumps forward eight years for the distant clock, also the electron that will capture the photon becomes infinitely large, relative to the photon but the electron that emitted it does not become infinitely small therefore, time is not perfectly symmetrical.

At some very low level, we all share certain fictions about time, and they testify to the continuity of what is called human nature, however conscious some, as against others, may become of the fictive quality of these fictions. It seems to follow that we shall learn more concerning the sense-making paradigms, relative to time, from experimental psychologists than from scientists or philosophers, and more from St. Augustine than from Kant or Einstein because St. Augustine studies time as the soul's necessary self-extension before and after the critical moment upon which he reflects. We shall learn more from Piaget, from studies of such disorders as déjà vu, eidetic imagery, the Korsakoff syndrome, than from the learned investigators of time's arrow, or, on the other hand, from the mythic archetypes. Let us take a very simple example, the ticking of a clock. We ask what it says: and we agree that it says tick-tock. By this fiction we humanize it, make it talk our language. Of course, it is we who provide the fictional difference between the two sounds; tick is our word for a physical beginning, tock our word for an end. We say they differ. What enables them to be different is a special kind of middle. We can perceive a duration only when it is organized. It can be shown by experiment that subjects who listen to rhythmic structures such as tick-tock, repeated identically, 'can reproduce the intervals within the structure accurately, but they cannot grasp spontaneously the interval between the rhythmic groups,' that is, between tock and tick, even when this remains constant. The first interval is organized and limited, the second not. According to Paul Fraisse the tock-tick gap is analogous to the role of the 'ground' in spatial perception; each is characterized by a lack of form, against which the illusory organizations of shape and rhythm are perceived in the spatial or temporal object. The fact that we call the second of the two related sounds tock is evidence that we use fictions to enable the end to confer organization and form on the temporal structure. The interval between the two sounds, between tick and tock is now charged with significant duration. The clock's tick-tock I take to be a model of what we call a plot, an organization that humanizes time by giving it form; and the interval between tock and tick represents purely successive, disorganized time of the sort that we need to humanize. Later I shall be asking whether, when tick-tock seems altogether too easily fictional, we do not produce plots containing a good deal of tock-tick; such a plot is that of Ulysses.

Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion.

What, then, can Shakespearean tragedy, on this brief view, tell us about human time in an eternal world? It offers imagery of crisis, of futures equivocally offered, by prediction and by action, as actualities; as a confrontation of human time with other orders, and the disastrous attempt to impose limited designs upon the time of the world. What emerges from Hamlet is--after much futile, illusory action--the need of patience and readiness. The 'bloody period' of Othello is the end of a life ruined by unseasonable curiosity. The millennial ending of Macbeth, the broken apocalypse of Lear, are false endings, human periods in an eternal world. They are researches into death in an age too late for apocalypse, too critical for prophecy; an age more aware that its fictions are themselves models of the human design on the world. But it was still an age which felt the human need for ends consonant with the past, the kind of end Othello tries to achieve by his final speech; complete, concordant. As usual, Shakespeare allows him his tock; but he will not pretend that the clock does not go forward. The human perpetuity which Spenser set against our imagery of the end is represented here also by the kingly announcements of Malcolm, the election of Fortinbras, the bleak resolution of Edgar. In apocalypse there are two orders of time, and the earthly runs to a stop; the cry of woe to the inhabitants of the earth means the end of their time; henceforth 'time shall be no more.' In tragedy the cry of woe does not end succession; the great crises and ends of human life do not stop time. And if we want them to serve our needs as we stand in the middest we must give them patterns, understood relations as Macbeth calls them, that defy time. The concords of past, present, and future towards which the soul extends itself are out of time, and belong to the duration which was invented for angels when it seemed difficult to deny that the world in which men suffer their ends is dissonant in being eternal. To close that great gap we use fictions of complementarity. They may now be novels or philosophical poems, as they once were tragedies, and before that, angels. What the gap looked like in more modern times, and how more modern men have closed it, is the preoccupation of the second half of this series.

So it is that the average life expectancy, the relative longevity, of memories being much greater for those that commemorate poetic sensation than for those left by the pains of love, the heartbreak I suffered at that time because of Gilberte has faded forever, and has been outlived by the pleasure I derive, whenever I want to read off from a sundial of remembrance the minutes between a quarter past twelve and one o’clock on a fine day in May, from a glimpse of myself chatting with Mme Swann, sharing her sunshade as though standing with her in the pale glow of an arbor of wisteria.

That God appears at time's beginning is not too difficult to comprehend, but that He appears at the beginning and end of time simultaneously is not so easy to grasp; yet it is true. Time is known to us by a succession of events. It is the way we account for consecutive changes in the universe. Changes take place not all at once but in succession, one after the other, and it is the relation of "after" to "before" that gives us our idea of time. We wait for the sun to move from east to west or for the hour hand to move around the face of the clock, but God is not compelled so to wait. For Him everything that will happen has already happened.

Novels, says Sartre, are not life, but they owe our power upon us, as upon himself as an infant, to the fact that they are somehow like life. In life, he once remarked, 'all ways are barred and nevertheless we must act. So we try to change the world; that is, to live as if the relations between things and their potentialities were governed not by deterministic processes but by magic.' The as if of the novel consists in a similar negation of determinism, the establishment of an accepted freedom by magic. We make up aventures, invent and ascribe the significance of temporal concords to those 'privileged moments' to which we alone award their prestige, make our own human clocks tick in a clockless world. And we take a man who is by definition de trop, and create a context in which he isn't. The novel is a lie only as our quotidian inventions are lies. The power which goes to its making--the imagination --is a function of man's inescapable freedom. This freedom, in Mary Warnock's words, 'expresses itself in his ability to see things which are not.' It is by his fiction that we know he is free. It is not surprising that Sartre as ontologist, having to describe many kinds of fictive behaviour, invents stories to do so, thus moving into a middle ground between life and novel. ....

Old age is, it occurs to Busner as he lies stranded on his side staring at the clock radio, a form of institutionalisation -- it deprives you of your identity and supplies another, simpler one, it takes away your clothing and issues you with a uniform of slack-waisted trousers, threadbare jackets and moth-eaten cardigans, togs that are either coming from or going to charity shops. This done, it commits you to a realm at once confined and unbounded, an atrophying circuit of corridors that connect strip-lit and overheating rooms where you fade away your days reading day-old newspapers and specialist magazines -- albeit not ones relating to the specialty that awaits you.

All time, Father once told her, is relative: because of the speed the Argos travels, the ship clock kept by Sybil runs faster than clocks back on Earth. The chronometers that run inside every human cell that tell us it’s time to get drowsy, to make a baby, to grow old—all these clocks, Father said, can be altered by speed, software, or circumstance. Some dormant seeds, he said, like the ones in the drawers in Farm 4, can stop time for centuries, slowing their metabolisms to almost zero, sleeping away the seasons, until the right combination of moisture and temperature appears, and the right wavelength of sunlight penetrates the soil. Then, as though you spoke the magic words: they open.

Up to the beginning of this century people believed in an absolute time. That is, each event could be labeled by a number called “time” in a unique way, and all good clocks would agree on the time interval between two events. However, the discovery that the speed of light appeared the same to every observer, no matter how he was moving, led to the theory of relativity—and in that one had to abandon the idea that there was a unique absolute time. Instead, each observer would have his own measure of time as recorded by a clock that he carried: clocks carried by different observers would not necessarily agree. Thus time became a more personal concept, relative to the observer who measured it.

Unspoken Truths (The Sonnet) Democracy is people-approved dictatorship, Military is people-approved genocide. Atom bombs are people-approved armageddon, In conscience-court all guilty of homicide. There is no time left, for there never was time, Time begins with the beginning of civilization. And civilization is something we are yet to find, Hence, there is no question of clock progression. Nationalist chimps sell war in the name of security, Stoneage civilians rush to bulk-buy graveyard plots. Merchant of murder, you, yell about peacekeeping, While you feast on nationalism like wet little cods! When cavemen take pride in their national glory of death, Sanctuary becomes asylum for the lunatic walking dead!

One of the more successful attempts—commercially at least—was The ABC of Relativity by the mathematician and philosopher Bertrand Russell. In it, Russell employed an image that has been used many times since. He asked the reader to envision a train one hundred yards long moving at 60 percent of the speed of light. To someone standing on a platform watching it pass, the train would appear to be only eighty yards long and everything on it would be similarly compressed. If we could hear the passengers on the train speak, their voices would sound slurred and sluggish, like a record played at too slow a speed, and their movements would appear similarly ponderous. Even the clocks on the train would seem to be running at only four-fifths of their normal speed.

Mimicry flows like beauty from Mexico City’s faucets, space and time are relative, and instead of the usual floral-and-stone façade, there’s dahlia and obsidian. In the course of time, what was yesterday a lake of water becomes asphalt today, and the past is a perpetual duplication that drowns the future. Yesterday’s omens come back, the same substance in a different shape. The city is a nagual that becomes a wall of skulls, an intelligent domotique structure: the Huitzilopochtli temple in a cathedral and Castile roses in cactus bouquets. Time is measured simultaneously with the Aztec, Julian, and Gregorian calendars and the cesium fountain atomic clock; the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country.

At that, the crowd joined in--this was one of the Free Americans' rallying cries--We are the future--a cheerful way of saying the shame of the U.S. past wasn't genocide or terror but the fact that it hadn't completely worked out yet. It was nothing I hadn't heard before, but it was rattling. It was the ubiquity or it was the persistence. It was the way the Free Americans and their claims on being the only way Americans transcended facts and time and progress, the way they always seemed to be around the corner, the way, however lacking in general insight they might be, they could somehow hear the ticking clock of the question, the Do they know I'm human yet? the way they took delight in saying no, the way they took for granted that it would always be their question to answer.

To Einstein, this insight was monumental. Either Newton or Maxwell was correct. The other had to be wrong. But how could it be that you could never catch up to light? At the patent office, he had plenty of time to ponder this question. One day, in the spring of 1905, it struck him while riding the train in Bern. "A storm broke loose in my mind," he would recall. His brilliant insight was that since the speed of light is measured by clocks and metersticks, and since the speed of light is constant no matter how fast you move, space and time must be distorted in order to keep the speed of light constant! It meant that if you are on fast-moving spaceship, then clocks inside the ship beat slower than clocks on the Earth. Time slows down the faster you move--this phenomenon is described by Einstein's special relativity.

We hear the crack of a bullwhip because its tip is moving faster than the speed of sound, creating a shock wave, a small sonic boom. A thunderclap has a similar origin. It was once thought that airplanes could not travel faster than sound. Today supersonic flight is commonplace. But the light barrier is different from the sound barrier. It is not merely an engineering problem like the one the supersonic airplane solves. It is a fundamental law of Nature, as basic as gravity. And there are no phenomena in our experience—like the crack of the bullwhip or the clap of thunder for sound—to suggest the possibility of traveling in a vacuum faster than light. On the contrary, there is an extremely wide range of experience—with nuclear accelerators and atomic clocks, for example—in precise quantitative agreement with special relativity.

he revealed nothing. He nodded gravely. “I suppose it might be, ma’am, but I was hired to do the job and take the risks.” “Figured I’d offer,” Thomas said, unwilling to let the matter drop. “You tell me what you figure to do, and I’ll be glad to help.” “Another time.” The marshal tasted his coffee again and looked directly at the girl. “You are new in Sentinel. Will you be staying long?” “No.” “Do you have relatives here?” “No.” He waited, but no explanation was offered. Fitz Moore was puzzled and he studied her from the corners of his eyes. There was no sound in the room but the ticking of the big, old-fashioned clock. The girl sat very still, the delicate line of her profile bringing to him a faint, lost feeling, a nostalgia from his boyhood when such women as she rode to hounds, when there was perfume on the air, blue grass, picket fences . . .

Descartes, in his Third Meditation, said that God re-created the body at each successive moment. So that time was a form of sustenance. On earth time was marked by the sun and moon, by rotations that distinguished day from night, that had led to clocks and calendars. The present was a speck that kept blinking, brightening and diminishing, something neither alive nor dead. How long did it last? One second? Less? It was always in flux; in the time it took to consider it, it slipped away. In one of her notebooks from Calcutta were jottings in Udayan’s hand, on the laws of classical physics. Newton’s theory that time was an absolute entity, a stream flowing at a uniform rate of its own accord. Einstein’s contribution, that time and space were intertwined. He’d described it in terms of particles, velocities. A system of relations among instantaneous events.

Nevertheless, it is interesting to note that almost the entire first two sections of his relativity paper deal directly and in vivid practical detail (in a manner so different from the writings of, say, Lorentz and Maxwell) with the two real-world technological phenomena he knew best. He writes about the generation of “electric currents of the same magnitude” due to the “equality of relative motion” of coils and magnets, and the use of “a light signal” to make sure that “two clocks are synchronous.” As Einstein himself stated, his time in the patent office “stimulated me to see the physical ramifications of theoretical concepts.”51 And Alexander Moszkowski, who compiled a book in 1921 based on conversations with Einstein, noted that Einstein believed there was “a definite connection between the knowledge acquired at the patent office and the theoretical results.

The atoms, you know, have a cyclic motion. The stable compounds are made of constituents that have a regular, periodic motion relative to one another. In fact, it is the tiny time-reversible cycles of the atom that give matter enough permanence that evolution is possible. The little timelessnesses added together make up time. And then on the big scale, the cosmos: well, you know we think that the whole universe is a cyclic process, an oscillation of expansion and contraction, without any before or after. Only within each of the great cycles, where we live, only there is there linear time, evolution, change. So then time has two aspects. There is the arrow, the running river, without which there is no change, no progress, or direction, or creation. And there is the circle or the cycle, without which there is chaos, meaningless succession of instants, a world without clocks or seasons or promises.

I can't get over the fact that Descartes compared the human body to a machine or an automaton." "The comparison was based on the fact that people in his time were deeply fascinated by machines and the workings of clocks, which appeared to have the ability to function of their own accord. The word 'automaton' means precisely that -- something that moves of its own accord. It was obviously only an illusion that they moved of their own accord. An astronomical clock, for instance, is both constructed and wound up by human hands. Descartes made a point of the fact that ingenious inventions of that kind were actually assembled very simply from a relatively small number of parts compared with the vast number of bones, muscles, nerves, veins and arteries that the human and the animal body consists of. Why should God not be able to make an animal or a human body based on mechanical laws?" "Nowadays there is a lot of talk about 'artificial intelligence'." "Yes, that is the automaton of our time...

Honey bees, too, use a highly specialized learning mechanism to help them figure out where they are going: the difference is that their system works based on the trajectory of a single star, our very own sun. Once again, part of the system is prewired, but part of it requires learning. The prewired bit is a mathematical function that relates the sun's position on the horizon to to a bee's orientation-but some of the values of the equation must be set, which is where learning comes in. What the bee learns is a highly specific bit of information about the sun's trajectory at the bee's particular latitude at a particular time of year. A five o'clock winter sun in Boston means something very different from a five o'clock summer sun in California, and a highly focused learning mechanism allows honeybees to take advantage of that information. We know that bees don't simply memorize a correspondence between particular places on the horizon and particular headings, because bees that have been raised in conditions in which they are exposed only to morning light can accurately use the sun as a guide during evening light.

Encyclopaedia. "They're a mixed lot," said Dravot, reflectively; "and it won't help us to know the names of their tribes. The more tribes the more they'll fight, and the better for us. From Jagdallak to Ashang. H'mm!" "But all the information about the country is as sketchy and inaccurate as can be," I protested. "No one knows anything about it really. Here's the file of the United Services Institute. Read what Bellew says." "Blow Bellew!" said Carnehan. "Dan, they're an all-fired lot of heathens, but this book here says they think they're related to us English." I smoked while the men pored over Raverty, Wood, the maps and the Encyclopaedia. "There is no use your waiting," said Dravot, politely, "It's about four o'clock now. We'll go before six o'clock if you want to sleep, and we won't steal any of the papers. Don't you sit up. We're two harmless lunatics, and if you come, to-morrow evening, down to the Serai we'll say good-bye to you." "You are two fools," I answered, "You'll be turned back at the Frontier or cut up the minute you set foot in Afghanistan. Do you want any money or a recommendation down-country?

To be critical of pronatalism is not equivalent to condemning parenthood; it is to shed light on its prescriptive nature and propose that it would be socially and ecologically desirable that parenthood cease to be considered as a natural instinct and/or a religious or a social duty. The ‘biological clock’ that some women claim to hear ticking is also a ‘social clock’ reminding them that whatever else may be going on in their lives, motherhood is their destiny, the road to social acceptance and integration. It is because parenthood is not a natural instinct, but socially and prescriptively imposed, that many people unsuited for family formation bear or adopt children; domestic violence and child abuse result from the often deadly interaction between sexual inequality and pronatalism. Today, pronatalist ideologies and social pressures continue to curtail women’s opportunities and ability to shape their future, and place them in a disadvantaged position relative to men, thus sustaining the inequality between men and women despite considerable gains in sexual liberation, civil rights, and economic opportunities for women.

Bohr is really doing what the Stoic allegorists did to close the gap between their world and Homer's, or what St. Augustine did when he explained, against the evidence, the concord of the canonical scriptures. The dissonances as well as the harmonies have to be made concordant by means of some ultimate complementarity. Later biblical scholarship has sought different explanations, and more sophisticated concords; but the motive is the same, however the methods may differ. An epoch, as Einstein remarked, is the instruments of its research. Stoic physics, biblical typology, Copenhagen quantum theory, are all different, but all use concord-fictions and assert complementarities. Such fictions meet a need. They seem to do what Bacon said poetry could: 'give some show of satisfaction to the mind, wherein the nature of things doth seem to deny it.' Literary fictions ( Bacon's 'poetry') do likewise. One consequence is that they change, for the same reason that patristic allegory is not the same thing, though it may be essentially the same kind of thing, as the physicists' Principle of Complementarity. The show of satisfaction will only serve when there seems to be a degree of real compliance with reality as we, from time to time, imagine it. Thus we might imagine a constant value for the irreconcileable observations of the reason and the imagination, the one immersed in chronos, the other in kairos; but the proportions vary indeterminably. Or, when we find 'what will suffice,' the element of what I have called the paradigmatic will vary. We measure and order time with our fictions; but time seems, in reality, to be ever more diverse and less and less subject to any uniform system of measurement. Thus we think of the past in very different timescales, according to what we are doing; the time of the art-historian is different from that of the geologist, that of the football coach from the anthropologist's. There is a time of clocks, a time of radioactive carbon, a time even of linguistic change, as in lexicostatics. None of these is the same as the 'structural' or 'family' time of sociology. George Kubler in his book The Shape of Time distinguished between 'absolute' and 'systematic' age, a hierarchy of durations from that of the coral reef to that of the solar year. Our ways of filling the interval between the tick and tock must grow more difficult and more selfcritical, as well as more various; the need we continue to feel is a need of concord, and we supply it by increasingly varied concord-fictions. They change as the reality from which we, in the middest, seek a show of satisfaction, changes; because 'times change.' The fictions by which we seek to find 'what will suffice' change also. They change because we no longer live in a world with an historical tick which will certainly be consummated by a definitive tock. And among all the other changing fictions, literary fictions take their place. They find out about the changing world on our behalf; they arrange our complementarities. They do this, for some of us, perhaps better than history, perhaps better than theology, largely because they are consciously false; but the way to understand their development is to see how they are related to those other fictional systems. It is not that we are connoisseurs of chaos, but that we are surrounded by it, and equipped for coexistence with it only by our fictive powers. This may, in the absence of a supreme fiction-or the possibility of it, be a hard fate; which is why the poet of that fiction is compelled to say From this the poem springs: that we live in a place That is not our own, and much more, nor ourselves And hard it is, in spite of blazoned days.

Hefner explained in an interview that was published in Playboy: “Man is the only animal capable of controlling his environment, and what I’ve created is a private world that permits me to live my life without a lot of the wasted time and motion that consume a large part of most people’s lives. The man who has a job in the city and a house in the suburbs is losing two or three hours a day simply moving himself physically from where he lives to where he works and back again. Then he has to take the time and energy to go out for lunch in some crowded restaurant, where he’s more than likely dealt with in a rushed and impersonal fashion. He’s living his life according to a preconceived notion—certainly not his own—of what a daily routine ought to be…. The details of most people’s daily regimen,” Hefner went on, “are dictated by the clock. They eat breakfast, lunch and dinner at a time generally prescribed by social custom. They work during the day and sleep at night. But in the mansion it is, quite literally, the time of day that you want it to be…. One of the greatest sources of frustration in contemporary society is that people feel so powerless, not only in relation to what happens in the world around them but in influencing what happens in their own lives. Well, I don’t feel that frustration, because I’ve taken control of my life.

Simple Twist Of Fate" They sat together in the park As the evening sky grew dark She looked at him and he felt a spark tingle to his bones It was then he felt alone and wished that he'd gone straight And watched out for a simple twist of fate. They walked alone by the old canal A little confused I remember well And stopped into a strange hotel with a neon burning bright He felt the heat of the night hit him like a freight train Moving with a simple twist of fate. A saxophone someplace far off played As she was walking on by the arcade As the light bust through a-beat-up shade where he was waking up She dropped a coin into the cup of a blind man at the gate And forgot about a simple twist of fate. He woke up the room was bare He didn't see her anywhere He told himself he didn't care pushed the window open wide Felt an emptiness inside to which he just could not relate Brought on by a simple twist of fate. He hears the ticking of the clocks And walks along with a parrot that talks Hunts her down by the waterfront docks where the sailers all come in Maybe she'll pick him out again how long must he wait One more time for a simple twist of fate. People tell me it's a sin To know and feel too much within I still believe she was my twin but I lost the ring She was born in spring but I was born too late Blame it on a simple twist of fate. Bob Dylan, Blood On The Tracks (1975)

She went on speaking, and he did not interrupt her, but gathered up, with an eager and sorrowful piety, the words that fell from her lips, feeling (and rightly feeling, since she was hiding the truth behind them as she spoke) that, like the sacred veil, they retained a vague imprint, traced a faint outline, of that infinitely precious and, alas, undiscoverable reality—what she had been doing that afternoon at three o'clock when he had called—of which he would never possess any more than these falsifications, illegible and divine traces, and which would exist henceforward only in the secretive memory of this woman who could contemplate it in utter ignorance of its value but would never yield it up to him. Of course it occurred to him from time to time that Odette's daily activities were not in themselves passionately interesting, and that such relations as she might have with other men did not exhale naturally, universally and for every rational being a spirit of morbid gloom capable of infecting with fever or of inciting to suicide. He realised at such moments that that interest, that gloom, existed in him alone, like a disease, and that once he was cured of this disease, the actions of Odette, the kisses that she might have bestowed, would become once again as innocuous as those of countless other women. But the consciousness that the painful curiosity which he now brought to them had its origin only in himself was not enough to make Swann decide that it was unreasonable to regard that curiosity as important and to take every possible step to satisfy it.

a lecture in Leiden in May 1920, Einstein publicly proposed a reincarnation, though not a rebirth, of the ether. “More careful reflection teaches us, however, that the special theory of relativity does not compel us to deny ether,” he said. “We may assume the existence of an ether, only we must give up ascribing a definite state of motion to it.” This revised view was justified, he said, by the results of the general theory of relativity. He made clear that his new ether was different from the old one, which had been conceived as a medium that could ripple and thus explain how light waves moved through space. Instead, he was reintroducing the idea in order to explain rotation and inertia. Perhaps he could have saved some confusion if he had chosen a different term. But in his speech he made clear that he was reintroducing the word intentionally: To deny the ether is ultimately to assume that empty space has no physical qualities whatever. The fundamental facts of mechanics do not harmonize with this view… Besides observable objects, another thing, which is not perceptible, must be looked upon as real, to enable acceleration or rotation to be looked upon as something real… The conception of the ether has again acquired an intelligible content, although this content differs widely from that of the ether of the mechanical wave theory of light… According to the general theory of relativity, space is endowed with physical qualities; in this sense, there exists an ether. Space without ether is unthinkable; for in such space there not only would be no propagation of light, but also no possibility of existence for standards of space and time (measuring-rods and clocks), nor therefore any spacetime intervals in the physical sense. But this ether may not be thought of as endowed with the qualities of ponderable media, as consisting of parts which may be tracked through time. The idea of motion may not be applied to it.

Jung’s remarks about how in North Africa he “felt cast back many centuries to an infinitely more naïve world of adolescents who were preparing, with the aid of a slender knowledge of the Koran, to emerge from their original state of twilight consciousness” may seem politically incorrect from our oversensitive perspective, but they highlight the core insight of the trip. Although Jung knew a great deal about mythology and mythological thinking, his own thinking was decidedly Western and rational—he described himself as a “thorough Westerner”26—and in many ways, Jung was a typical “left-brainer,” with his detestation of “fantasy,” his formality and punctuality, his precision and need to be “scientific.” In his travels in North Africa, and later Taos and Central Africa, Jung was looking for signs of a consciousness not as differentiated from the unconscious matrix—what in the Seven Sermons he called “the Pleroma”—as ours, with its sharp distinction between conscious and unconscious. What Jung found in places such as Tunis, Sousse, Sfax, and the oasis city of Tozeur was a completely different sense of time. Coming from the land of cuckoo clocks and appointment books, this must have been a shock. Jung had entered a “dream of a static, age-old existence,” a kind of perpetual now, a condition associated with the right brain, which lacks a sense of time; there was none of the incessant activity that characterized even a relatively small city like Zürich. Jung enjoyed the contrast, which gave him an opportunity to entertain criticisms of modernity, a practice that would become something of a habit in later years, but he also felt this timelessness was threatened. Thinking of his pocket watch, “the symbol of Europe’s accelerated tempo,” Jung worried that the “god of time” and its demon, progress, would soon “chop into bits and pieces”—hours, minutes, seconds—the “duration” he sensed here and which was the “closest thing to eternity.

I stood on the street corner. I thought about chasing after her, but she was churning swiftly through the neighborhood -- she was already almost a block away -- so instead I entered a coffee shop. This is why I was on the street. I was going to a coffee shop, and I was buying a coffee, and then I was walking to class, and then I would teach, and then during office hours I would reassure the students who needed reassuring, and I would be tough on the students who could take it, and if someone cried in my office for reasons unrelated but maybe sort of related to the imperfect short story they'd written, I would tell them that fiction makes you cry, the fiction you read though more often it's the shitty fiction you write that makes you cry, and I would also be thinking, You poor person, you have no idea what awaits you. A life awaits you, like a serious fucking life. This is what I would want to say. And then I would go home to my serious fucking life, and it would be so ridiculously unserious; it would involve soup spills and dirty dishes and lengthy logic proofs meant to coerce tired, inarticulate people to bed, and I would think how lucky I was to have this unserious life, i.e., to be forced to do somewhat or even thoroughly banal things every day. Because what awaits you if you don't? What kind of life awaits you then? A life where you don't calmly think, as you're scraping up the crystallized juice rings before showering before getting dressed before buying coffee before teaching class before reassuring people their hard lives would only get harder, Fuck this whole existence. You're running down the street and you're screaming at a university to which you no longer belong, you're wearing a sweatshirt not even branded with the insignia of the university on which you blame your breakdown, the university to which you are no longer affiliated, because you are so deeply unaffiliated that you are barely even affiliated with your own face.

This once-proud country of ours is falling Into the hands of the wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.' I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said. Jones wasn't completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell — keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information — That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuebrer Krapptauer, and the Black Fuehrer could exist in relative harmony — That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase — That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers — That was how Nazi Germany could sense no important differences between civilization and hydrophobia —

Gradually I came to learn what every great philosophy has been up to now, namely, the self-confession of its originator and a form of unintentional and unrecorded memoir, and also that the moral (or immoral) intentions in every philosophy made up the essential living seed from which on every occasion the entire plant has grown. In fact, when we explain how the most remote metaphysical claims in a philosophy really arose, it's good (and shrewd) for us always to ask first: What moral is it (is he -) aiming at? Consequently, I don't believe that a "drive to knowledge" is the father of philosophy but that knowledge (and misunderstanding) have functioned only as a tool for another drive, here as elsewhere. But whoever explores the basic drives of human beings, in order to see in this very place how far they may have carried their game as inspiring geniuses (or demons and goblins), will find that all drives have already practised philosophy at some time or another - and that every single one of them has all too gladly liked to present itself as the ultimate purpose of existence and the legitimate master of all the other drives. For every drive seeks mastery and, as such, tries to practise philosophy. Of course, with scholars, men of real scientific knowledge, things may be different -"better" if you will - where there may really be something like a drive for knowledge, some small independent clock mechanism or other which, when well wound up, bravely goes on working, without all the other drives of the scholar playing any essential role. The essential "interests" of scholars thus commonly lie entirely elsewhere, for example, in the family or in earning a living or in politics. Indeed, it is almost a matter of indifference whether his small machine is placed on this or on that point in science and whether the "promising" young worker makes a good philologist or expert in fungus or chemist - whether he becomes this or that does not define who he is.5 By contrast, with a philosopher nothing is at all impersonal. And his morality, in particular, bears a decisive and crucial witness to who he is - that is, to the rank ordering in which the innermost drives of his nature are placed relative to each other.

We can in theory assume three extremes of human life, and consider them as elements of actual human life. Firstly, powerful and vehement willing, the great passions (Raja-Guna); it appears in great historical characters, and is described in the epic and the drama. It can also show itself, however, in the small world, for the size of the objects is here measured only according to the degree in which they excite the will, not to their external relations. Then secondly, pure knowing, the comprehension of the Ideas, conditioned by freeing knowledge from the service of the will: the life of the genius (Sattva-Guna). Thirdly and lastly, the greatest lethargy of the will and also of the knowledge attached to it, namely empty longing, life-benumbing boredom (Tama-Guna). The life of the individual, far from remaining fixed in one of these extremes, touches them only rarely, and is often only a weak and wavering approximation to one side or the other, a needy desiring of trifling objects, always recurring and thus running away from boredom. It is really incredible how meaningless and insignificant when seen from without, and how dull and senseless when felt from within, is the course of life of the great majority of men. It is weary longing and worrying, a dreamlike staggering through the four ages of life to death, accompanied by a series of trivial thoughts. They are like clockwork that is wound up and goes without knowing why. Every time a man is begotten and born the clock of human life is wound up anew, to repeat once more its same old tune that has already been played innumerable times, movement by movement and measure by measure, with insignificant variations. Every individual, every human apparition and its course of life, is only one more short dream of the endless spirit of nature, of the persistent will-to-live, is only one more fleeting form, playfully sketched by it on its infinite page, space and time; it is allowed to exist for a short while that is infinitesimal compared with these, and is then effaced, to make new room. Yet, and here is to be found the serious side of life, each of these fleeting forms, these empty fancies, must be paid for by the whole will-to-live in all its intensity with many deep sorrows, and finally with a bitter death, long feared and finally made manifest. It is for this reason that the sight of a corpse suddenly makes us serious.

I found myself telling her about an evening some years before, when I was alone at home with my two sons. It was winter; it had been dark since mid-afternoon and the boys were becoming restless. Their father was out, driving back from somewhere. We were waiting for him to come home. I membered the feeling of tension in the room, which seemed to be related to the provisionality of the situation, the fact that we were waiting. The boys kept asking when he would be back and I too kept looking at the clock, waiting for time to pass. Yet I knew that nothing different or particularly important would happen when he got back. It was merely that something was being stretched to breaking point by his absence, something to do with belief: it was as though our ability to believe in ourselves, in our home and our family and in who we said we were, was being worn so thin it might give way entirely. I remembered the pressing feeling of reality, just under the surface of things, like a secret I was struggling to contain. I realized that I didn’t want to be there, in that room. I wanted to go out and walk across the fields in the dark, or go to a city where there was excitement and glamour, or be anywhere where the compulsion of waiting wasn’t lying on me like lead. I wanted to be free. The boys began to argue and fight, in the way that they often did. And this too seemed all at once like a form that could be broken, could be suddenly and shockingly transgressed. We were in the kitchen and I was making something for them to eat at the long stone counter. The boys were at the other end, sitting on stools. My younger son was pestering the older one, wanting him to play with him, and the older one was becoming increasingly irritated. I stopped what I was doing, intending to intervene in their fight, when I saw my older son suddenly take his brother’s head in his hands and drive it down hard against the countertop. The younger one fell immediately to the floor, apparently unconscious, and the older one left him there and ran out of the room. This show of violence, the like of which had never happened in our house before, was not simply shocking – it also concretised something I appeared already to know, to the extent that I believed my children had merely acted in the service of this knowledge, that they had been driven to enact something that they themselves didn’t realise or understand. It was another year before their father moved out of the house, but if I had to locate the moment when the marriage had ended it would be then, on that dark evening in the kitchen, when he wasn’t even there.

This once-proud country of ours is falling into the hands of the wrong people,” said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. “And, before it gets back on the right track,” said Jones, “some heads are going to roll.” I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. “You’re completely crazy,” he said. Jones wasn’t completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information— That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony— That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase— That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers— That was how Nazi Germany could sense no important differences between civilization and hydrophobia— That is the closest I can come to explaining the legions, the nations of lunatics I’ve seen in my time. And for me to attempt such a mechanical explanation is perhaps a reflection of the father whose son I was. Am. When I pause to think about it, which is rarely, I am, after all, the son of an engineer. Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history— But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.” Howard W. Campbell, Jr., praises himself. There’s life in the old boy yet! And, where there’s life— There is life.

We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.

both father and daughter, to have time together with no other distractions. Neil’s ship had docked on the Wednesday and he had come round to Crocus Street to pick up the presents he had been unable to give Libby the previous Christmas. It was only then that Marianne had realised how their daughter had matured since Neil had last seen her. Libby never played with dolls now, only skipped with a rope in the schoolyard since there was nowhere suitable at Tregarth, and had long outgrown the angora cardigan. But she knew her daughter well enough to be sure that Libby would not dream of upsetting her father by letting him see her disappointment, and had looked forward to Neil’s return, when he could tell her how Libby went on. But within a very short space of time, Marianne was far too occupied to wonder what Libby and her father were doing, for on the night of 1 May, while Neil was safely ensconced at Tregarth, Liverpool suffered its worst raid of the war so far. The planes started coming over just before eleven o’clock, and bombs simply rained down on the city. Fires started almost immediately. The docks were hit and the constant whistle and crash as the heavy explosives descended meant that no one slept. Mr Parsons had been fire watching, though the other lodgers had been in bed when the raid started and had taken to the shelters along with Gammy and Marianne. Mr Parsons told them, when he came wearily home at breakfast time next day, that he had never seen such destruction. By the end of the week, Marianne, making her way towards Pansy Street to make sure that Bill’s lodgings were still standing and that Bill himself was all right, could scarcely recognise the streets along which she passed. However, Pansy Street seemed relatively undamaged and when she knocked at Bill’s lodgings his landlady, Mrs Cleverley, assured her visitor that Mr Brett, though extremely tired – and who was not? – was fine. ‘He’s just changed his job, though,’ she told Marianne. ‘He’s drivin’ buses now, instead of trams, because there’s so many tramlines out of commission that he felt he’d be more use on the buses. And of course he’s fire watchin’ whenever he’s norrat work. Want to come in for a drink o’ tea, ducks? It’s about all that’s on offer, but I’ve just made a brew so you’re welcome to a cup.’ Marianne declined, having a good deal to do herself before she could get a rest, but she felt much happier knowing that Bill was safe. Their friendship had matured into something precious to her, and she realised she could scarcely imagine

answer. Donald’s dysfunctional belief was related to Janine’s, but he’d held on to it for much longer—a life of responsible and successful work should make him happy. It should be enough? But Donald had another dysfunctional belief: that he couldn’t stop doing what he’d always done. If only the guy in the mirror could have told him that he was not alone, and he did not have to do what he had always done. In the United States alone, more than thirty-one million people between ages forty-four and seventy want what is often called an “encore” career—work that combines personal meaning, continued income, and social impact. Some of those thirty-one million have found their encore careers, and many others have no idea where to begin, and fear it’s too late in life to make a big change. Dysfunctional Belief: It’s too late. Reframe: It’s never too late to design a life you love. Three people. Three big problems. Designers Love Problems Look around you. Look at your office or home, the chair you are sitting on, the tablet or smartphone you may be holding. Everything that surrounds us was designed by someone. And every design started with a problem. The problem of not being able to listen to a lot of music without carrying around a suitcase of CDs is the reason why you can listen to three thousand songs on a one-inch square object clipped to your shirt. It’s only because of a problem that your phone fits perfectly in the palm of your hand, or that your laptop gets five hours of battery life, or that your alarm clock plays the sound of chirping birds. Now, the annoying sound of an alarm clock may not seem like a big problem in the grand scheme of things, but it was problem

if you are on a rocket moving close to the speed of light relative to Earth, then your speed through space is very high. So in order for your total speed through space-time relative to Earth to stay within the speed limit of the universe, your speed through time has to decrease—as measured by clocks on Earth.

George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling. At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.

Mercifully, you are giving yourself another delicious five minutes of sleep. You go right back to dreaming. After the allotted five minutes, your alarm clock faithfully sounds again, yet that’s not what it felt like to you. During those five minutes of actual time, you may have felt like you were dreaming for an hour, perhaps more. Unlike the phase of sleep where you are not dreaming, wherein you lose all awareness of time, in dreams, you continue to have a sense of time. It’s simply not particularly accurate—more often than not dream time is stretched out and prolonged relative to real time.

Agent Shelan wondered if it would really hurt diplomatic relations with the Klingon Empire all that much if she tossed Korath, Son of Monak, into an antimatter reactor. Surely if anyone would recognize homicide as a valid response to intolerable annoyance, it would be the Klingons.

[on t4t love] Nevertheless, it doesn't rely on a frictionless and easeful understanding of trans relationally; it hinges on the admittance that trans people often have a very, very difficult time with one another. Appearing together in public might increase the likelihood of being clocked; dwelling in intimate spaces with one another might render one's home places more difficult, rather than less, as trans-related trauma is shared and thus, perhaps, affectively amplified rather than diminished (a phenomenon that is not bad, per se, just complex and—sometimes—tiring).

To make things more confusing, for most physics equations, time can go in either direction (forward or backwards, +t or -t). This doesn’t really match with our everyday experience, even though the equations work out. Suffice it to say that so far, physicists have not been super helpful in improving our everyday understanding of the flow of time, although they are working hard on it.c What about philosophers? If you think time is completely subjective or mental and does not or cannot exist in the physical world, you are in good company with the likes of John McTaggartd and St Augustine.e In contrast, if you feel that time is both a physical fact as well as a mental experience, you will be in good company with most present-day philosophers, who think of time as the thing that describes how change happens; the thing that we try to measure by using a clock.f That’s not really clear either, but it seems a bit ahead of the physicists – maybe. How about the psychologists and cognitive neuroscientists? Most of them focus their investigations on the mental experience of time as opposed to physical time. People generally agree that there is a kind of order to the events we experience in our lives, which, when put together, we call the flow of time, temporal flow, or the “stream of consciousness” as psychologist William James famously put it.g Many psychologists and neuroscientists studying time and time perception try to understand this mystery by trying to figure out how the mind and brain create a sense of temporal flow.h The subjective sense of temporal flow is all very interesting, but it won’t get us precisely where we want to be, which is to understand how precognition of actual physical future events might actually be possible. Understanding the science of precognition can be thought of as understanding how we might access information about events that occur in the future of our own personal temporal flow, relative to our own personal “now”. This sounds like mental time travel rather than physical time travel, and that is a reasonable way to think about it. It could even be completely accurate. But you can also think about the science of precognition in physical terms, as trying to understand how future physical events can influence past physical events. Either way, when we have premonitions, it feels as if the future is pulling us forward both physically and mentally.

In order to resist this overemphasis on the ticking biological clock, the church needs to articulate a strong and positive vision in relation to aging. Although peer-group ministry has some important advantages, we also need to reintegrate the different generations within the church. Mature and wise exemplars within the community train us to join confidently with Paul’s conviction that even as the body ages, the inner self is being renewed.

Chapter Five Monday. 12:50 PM. The wrestling room. Because of the assembly, classes for the rest of the day were shortened so school could still dismiss on time, which meant that my science class wasn’t going to start until one-o-clock. After I saw that it was ten ‘til, I rushed out of the assembly and headed straight for the wrestling room. It was the first day of training with my new ninja clan, and I was already behind schedule. A few months ago, during the week of the talent show, I stumbled upon a second gymnasium that wasn’t being used. It was the wrestling room. Coach Cooper, the gym teacher (same last name as me, but not related… or is he? Dun dun dunnnnnnn… no, I’m kidding. We’re not related), said that Buchanan School used to have a wrestling team, but cut it from the program because of money issues about ten years back. I asked if it was cool that I used the room for a martial arts club, and he said yeah.

In our everyday life we move at low speeds in relation to the speed of light and so we do not perceive the discrepancies between the different proper times of different clocks, and the differences in speed at which time passes at different distances from a mass are too small for us to distinguish. In the end, therefore, instead of many possible times, we can speak only of a single time: the time of our experience—uniform, universal, and ordered.

Today, relatively cheap, compact (chip-size) atomic clocks can keep time with 10−13 accuracy. They gain or lose a few seconds every million years.

30th. No trade yet; but our Traders came on board to-day and informed us the people had burnt four towns, so that to-morrow we expect Slaves off. “31st. Fair weather, but no trade yet; we see each night towns burning, but we hear the Sestro men are many of them killed by the inland Negroes, so that we fear this war will be unsuccessful. “The 2d of January. Last night we saw a prodigious fire break out about eleven o’clock, and this morning saw the town of Sestro burnt down to the ground, (it contained some hundred houses) so that we find their enemies are too hard for them at present; consequently our trade spoiled here, so that about seven o’clock we weighed anchor, as did also the three other vessels, to proceed lower down.” Here follows another relation taken from an original Journal of a Surgeon who sailed out of New-York, “Being on the Coast of Guinea at a place called Basalia, the Commander of the vessel, according to custom, sent a person on shore, with a present to the King, acquainting him with his arrival, and informing him they wanted a cargo of Slaves. The King promised to furnish them, and in order to do it, set out to war against his enemies; designing also to surprise some town, and take all the people prisoners: Some time after, the King sent them word, he had not yet met with the desired success, having been twice repulsed in attempting to break up two towns; but that he still hoped to procure a number of Slaves for them, and in this design persisted,

The head of the Los Angeles Fraternal Order of Police told CBS Evening News, “I believe that the rap music promotes, by its very language and by its very actions—promotes violence against authority and, consequently, violence against law enforcement.” The music was “infecting young people with hate and bigotry,” editor Philip Gailey wrote in The St. Petersburg Times. “No amount of government aid to the cities will be able to repair the damage the hate rappers are doing to race relations. They are as sick as any Klansman.

These conditions commonly coexist with ADHD: Obstructive sleep apnea: This sleep disorder, characterized by snoring and pauses in breathing during sleep, is more common among adults, but it does occur in children, especially children with ADHD. Restless leg syndrome: This condition causes an intense, often irresistible urge to move your legs, particularly when sitting or lying down. Unlike ADHD-related hyperactivity, it happens mostly at night and often gets worse with age. Periodic limb movement syndrome: You know how your leg kicks or your arm flops all of a sudden when you’re falling asleep? It has a name. At least, it does when it keeps happening every twenty to forty seconds and long enough to interfere with sleep.[*3] Sleepwalking and night terrors: These sleep disorders occur when the lines between awake and asleep are blurred. They are often first observed in childhood by parents. Insomnia: You’ve probably heard of this one. Insomnia occurs whenever you want to sleep but can’t sleep, due to difficulties falling asleep or staying asleep, and it is also one of the criteria for delayed sleep phase syndrome. Delayed sleep phase syndrome: This syndrome occurs when your body’s internal clock, or its circadian rhythm, is delayed by two or more hours. For example, you might naturally want to sleep from three a.m. to noon. Excessive daytime sleepiness: This condition is exactly what it sounds like. If you’re falling asleep in the middle of a movie at your friend’s house or missing a shift because you can’t stay awake, it doesn’t mean you’re a bad friend or a lazy employee. It could be a sign that something is wrong.

A small percentage of the population can be easily hypnotized, and, when given posthypnotic suggestions, they end up doing things with no conscious awareness of why. G. H. Estabrooks notes that when this happens, the person “finds excuses for his actions and, strange to say, while these excuses may be utterly false, the subject tends to believe them.” He relates the following example: The operator hypnotizes a subject and tells him that when the cuckoo clock strikes he will walk up to Mr. White, put a lamp shade on his head, kneel on the floor in front of him and “cuckoo” three times. Mr. White was not the type on whom one played practical jokes, in fact, he was a morose, nonhumorous sort of individual who would fit very badly in such a picture. Yet, when the cuckoo clock struck, the subject carried out the suggestion to the letter. “What in the world are you doing?” he was asked. “Well, I’ll tell you. It sounds queer but it’s just a little experiment in psychology. I’ve been reading on the psychology of humor and I thought I’d see how you folks reacted to a joke that was in very bad taste. Please pardon me, Mr. White, no offense intended whatsoever,” and the subject sat down without the slightest realization of having acted under posthypnotic compulsion.2

Various geometries are simply different ways of presenting relations among things; which we use depends on convenience.

Time goes in cycles, as well as in a line. A planet revolving: you see? One cycle, one orbit around the sun, is a year, isn’t it? And two orbits, two years, and so on. One can count the orbits endlessly—an observer can. Indeed such a system is how we count time. It constitutes the timeteller, the clock. But within the system, the cycle, where is time? Where is beginning or end? Infinite repetition is an atemporal process. It must be compared, referred to some other cyclic or noncyclic process, to be seen as temporal. Well, this is very queer and interesting, you see. The atoms, you know, have a cyclic motion. The stable compounds are made of constituents that have a regular, periodic motion relative to one another. In fact, it is the tiny time-reversible cycles of the atom that give matter enough permanence that evolution is possible. The little timelessnesses added together make up time. And then on the big scale, the cosmos: well, you know we think that the whole universe is a cyclic process, an oscillation of expansion and contraction, without any before or after. Only within each of the great cycles, where we live, only there is there linear time, evolution, change. So then time has two aspects. There is the arrow, the running river, without which there is no change, no progress, or direction, or creation. And there is the circle or the cycle, without which there is chaos, meaningless succession of instants, a world without clocks or seasons or promises.

convention is a quantity or relation fixed by broad agreement.

What a funny thing time is. It’s mutable. It speeds and it slows. It retreats and it attacks. But Swiss clocks boast the world’s most unflinching precision. Incomparable accuracy. Exactness. Exactness is a form of truth. But nothing is exactly true. Truth, like time, is mutable. Both are relative. Both are told. When it’s 7:45 A.M. in Zürich, it’s 2:45 P.M. in Tokyo. Each city lives in its own hour. Gleich und nicht gleich. The same and yet not. The earth turns on an earth-sized axis. Everything oscillates. No one and nothing’s exempt. The planet spins at an angled pitch. Therefore each day lasts as long as each day lasts. Hours are arbitrary. A minute may endure a thousand years. And an event can occur in an instant.

We shall see that the problems we have to face concern the possible influence of Babylon, rather than of Egypt, upon Hebrew tradition. And one last example, drawn from the later period, will serve to demonstrate how Babylonian influence penetrated the ancient world and has even left some trace upon modern civilization. It is a fact, though one perhaps not generally realized, that the twelve divisions on the dials of our clocks and watches have a Babylonian, and ultimately a Sumerian, ancestry. For why is it we divide the day into twenty-four hours? We have a decimal system of reckoning, we count by tens; why then should we divide the day and night into twelve hours each, instead of into ten or some multiple of ten? The reason is that the Babylonians divided the day into twelve double-hours; and the Greeks took over their ancient system of time-division along with their knowledge of astronomy and passed it on to us.

The silicon microchips themselves might be cheap (relative to times past, anyway), but CPU cycles are not cheap. Every CPU cycle consumes clock time. Clock time is latency. A wasteful application makes its users wait longer than they need to, and if there’s anything users hate, it’s waiting. For web systems, latency in the application has a dual effect. The added processing directly increases the burden on the application servers themselves. Suppose that an application takes just 250 milliseconds of extra processing per transaction. If the system processes a million transactions a day, that extra 250 milliseconds per transaction makes for an extra 69.4 hours of compute time every day. Assuming an 80% load factor on each server, you’ll need four additional servers to handle this load.

the elevated anxiety he’s observed in this generation of campers is directly related to the constant hovering of their parents, who use digital technology to keep tabs on their children around the clock. They cannot surrender their authority. Many of the phones that Birenbaum has seized from campers over the past few summers were sent on the insistence of parents, who wanted to remain in touch.

Gathered together in this fashion, Jerry could see that the Whitstables possessed certain common physical characteristics, including wayward teeth, large earlobes, and the sort of stress-related blotchiness usually found in cornered jellyfish.

Misconception #3. Some physicists claim that length contraction and time dilation are not real and that the physical explanations of Fitzgerald, Larmor and Lorentz are not to be taken seriously. This is not true. As N. David Mermin points out in his popular book on relativity "It's About Time": Moving clocks really do run slowly and moving sticks really do shrink, if the concept of a clock or the length of a stick has any meaning at all...It is necessary for clocks and sticks really so to behave if the while subject is to fit coherently together, and not collapse into a mass of self-contradiction. - N.D. Mermin NASA routinely observes time dilation in orbiting satellites and corrections are applied to keep atomic clocks on the GPS satellites in sync with clocks on earth. Time dilation has also been seen in particle accelerators. At the CERN accelerator radioactive particles traveling at 99.9% the speed of light are observed to decay 30 times more slowly than they do at rest.

As we just discussed, reminders provide a good example of the relative tradeoffs between knowledge in the world versus in the head. Knowledge in the world is accessible. It is self-reminding. It is always there, waiting to be seen, waiting to be used. That is why we structure our offices and our places of work so carefully. We put piles of papers where they can be seen, or if we like a clean desk, we put them in standardized locations and teach ourselves (knowledge in the head) to look in these standard places routinely. We use clocks and calendars and notes. Knowledge in the mind is ephemeral: here now, gone later. We can’t count on something being present in mind at any particular time, unless it is triggered by some external event or unless we deliberately keep it in mind through constant repetition (which then prevents us from having other conscious thoughts). Out of sight, out of mind.

The general principle is called passive ranging. Imagine you and a friend who lives far away each possess highly accurate synchronized clocks. In addition to your clock, you have a live video feed showing the face of your friend’s clock. You notice, from looking at the feed, that your friend’s clock is just slightly off from yours. What does this tell you? Perhaps one of your clocks is malfunctioning. But if you can rule out that error, and know with absolute confidence that both clocks are working perfectly, this discrepancy becomes information. The lag is caused by the time required for the image of your friend’s clock, traveling at the speed of light, to reach you. The speed of light is constant and stable. Your clocks are constant and stable. The lag is directly related to the distance between you and your friend. You now have tools in place for a satellite-based passive positioning system.

The line separating investment and speculation, which is never bright and clear, becomes blurred still further when most market participants have recently enjoyed triumphs. Nothing sedates rationality like large doses of effortless money. After a heady experience of that kind, normally sensible people drift into behavior akin to that of Cinderella at the ball. They know that overstaying the festivities — that is, continuing to speculate in companies that have gigantic valuations relative to the cash they are likely to generate in the future — will eventually bring on pumpkins and mice. But they nevertheless hate to miss a single minute of what is one helluva party. Therefore, the giddy participants all plan to leave just seconds before midnight. There’s a problem, though: They are dancing in a room in which the clocks have no hands.

And so I would ask you if you would do me the honor of becoming my wife?" As he spoke, she saw him glance over her shoulder, looking at the clock that stood in the corner. As though he had another appointment after this one. The one where he decided her fate. Unless she decided it for herself. The emotion she'd felt on recognizing Lord Alexander in that ballroom rushed over her, the unfamiliar feelings of want and dissatisfaction and wishing she could just be herself, just do something that wasn't related to who she was- she wanted to stand up and demand that Lord Carson, that anyone see her as Eleanor, the pun-loving, adventurous woman who adored Italian. Not a female to be bartered from one family to another.

didn’t check her phone because she didn’t want to know. It happened this way all the time now, that she was no longer able to sleep through the night. She consistently woke up at some awful hour, her mind spinning: about work, about Jack, about Toby, about Toby’s new school and new friends, about the move to the suburbs, or sometimes just about the stupidest things—there was a package of chicken in the fridge that was nearing its expiration date, and so she’d have to remember to do something today with that chicken, and she wondered whether she should get up and make a note about the chicken or if she would remember it in the morning on her own, without the note, and then all the chicken-related recipes she had in her head suddenly sort of unspooled before her, and she thought about which chicken dishes they’d eaten recently, and which ones Toby refused to eat, and which ones were healthiest, and so on and so forth. This kind of thing, at three o’clock in the morning, could occupy her for an hour, this dumb thing about chicken.

In Georgian times lunch hardly existed, although for those who breakfasted early, a small snack might be eaten. In towns many shops sold pies and pastries, while street sellers offered shellfish and other ready-to-eat items. Dinner was the main meal, eaten at any time in the afternoon between two and five o’clock. The timing of dinner was related to the hours of daylight, since the cooks needed to work in daylight, especially for formal dinners with guests where preparations could take hours. Dinnertime for the elite became later and later, and in contrast to the meagre breakfast, a formal dinner could be a dazzling array of food. The first course, served on the table all at once, had numerous dishes, and was followed by a second course with a smaller selection of meats and fish, along with savoury and sweet items. Finally, a selection of nuts, sweetmeats and occasionally fruit constituted the dessert course, at which point the servants withdrew.

Now let's consider the impact of sleep deprivation on our ability to distinguish right from wrong. A study of people in a raffle ticket competition found participants were more likely to cheat if they'd had as little as twenty-two minutes' less sleep than normal. Another study found we're less likely to search the internet for ethics-related queries the day we shift our clocks forward to daylight-saving time. Other studies found tired people are less likely to notice unethical behaviour in others, or even to recognise in the first place whether there is a moral or ethical question at stake.

You don’t need to believe, as Mumford sometimes seems to imply, that the invention of the clock is solely to blame for all our time-related troubles today. (And I certainly won’t be arguing for a return to the lifestyle of medieval peasants.) But a threshold had been crossed. Before, time was just the medium in which life unfolded, the stuff that life was made of. Afterward, once “time” and “life” had been separated in most people’s minds, time became a thing that you used—and it’s this shift that serves as the precondition for all the uniquely modern ways in which we struggle with time today.