Cliffs Of Insanity Quotes

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Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Ecclesiastes This is a book of the Old Testament. I don't believe I've ever read this section of the Bible - I know my Genesis pretty well and my Ten Commandments (I like lists), but I'm hazy on a lot of the other parts. Here, the Britannica provides a handy Cliff Notes version of Ecclesiastes: [the author's] observations on life convinced him that 'the race is not swift, nor the battle strong, nor bread to the wise, nor riches to the intelligent, nor favor to the men of skill; but time and chance happen to them all' (9:11). Man's fate, the author maintains, does not depend on righteous or wicked conduct but is an inscrutable mystery that remains hidden in God (9:1). All attempts to penetrate this mystery and thereby gain the wisdom necessary to secure one's fate are 'vanity' or futile. In the face of such uncertainty, the author's counsel is to enjoy the good things that God provides while one has them to enjoy. This is great. I've accumulated hundreds of facts in the last seven thousand pages, but i've been craving profundity and perspective. Yes, there was that Dyer poem, but that was just cynical. This is the real thing: the deepest paragraph I've read so far in the encyclopedia. Instant wisdom. It couldn't be more true: the race does not go to the swift. How else to explain the mouth-breathing cretins I knew in high school who now have multimillion-dollar salaries? How else to explain my brilliant friends who are stuck selling wheatgrass juice at health food stores? How else to explain Vin Diesel's show business career? Yes, life is desperately, insanely, absurdly unfair. But Ecclesiastes offers exactly the correct reaction to that fact. There's nothing to be done about it, so enjoy what you can. Take pleasure in the small things - like, for me, Julie's laugh, some nice onion dip, the insanely comfortable beat-up leather chair in our living room. I keep thinking about Ecclesiastes in the days that follow. What if this is the best the encyclopedia has to offer? What if I found the meaning of life on page 347 of the E volume? The Britannica is not a traditional book, so there's no reason why the big revelation should be at the end.
A.J. Jacobs
I begin my descent. Part of me, the part that’s tempted to jump off a cliff or crash a car, that tiny fragment of insanity buried deep within all our brains, is ready to loosen my grip and slide all the way down. I grin manically at the thought of it.
Will Dean (The Last One)
There is this classic thing about surfers as they grow up,' John McCarthy said one day. 'The adult surfer says, "Oh yeah, I got the wave and rode it all the way to the beach!" But when you talk to a five year old who has just surfed, he or she will say, "Oh, the wave picked me up and brought me the whole way to the beach.
Keith Duggan (Cliffs of Insanity)
Marian was suddenly overcome by an appalling crippling panic. She was very frightened at the idea of arriving. But it was more than that. She feared the rocks and the cliffs and the grotesque dolmen and the ancient secret things. Her two companions seemed no longer reassuring but dreadfully alien and even sinister. She felt, for the first time in her life, completely isolated and in danger. She became in an instant almost faint with terror. She said, as a cry for help, ‘I’m feeling terribly nervous’. ‘I know you are,’ said Scottow. (…) Marian was appalled at the sudden quietness. But the insane panic had left her. She was frightened now in an ordinary way, sick in her stomach, shy, tongue-tied, horribly aware of the onset of a new world.
Iris Murdoch (The Unicorn)
Maybe we all, at some point, find ourselves in the middle of a life that we do not recognize. Or maybe it’s just me. You go along to get along, you fake it ’til you make it, you follow the steps as you understand them and then, one day, you are the roadrunner off the cliff, still sprinting, supported by nothing but your own conviction that this is what one does. And then you are falling.
Kelly Williams Brown (Easy Crafts for the Insane: A Mostly Funny Memoir of Mental Illness and Making Things)
Joe Scarborough, a former Republican congressman, was even more damning in his MSNBC talk show, Morning Joe: But when you preach this kind of hatred, and say that an African American president hates all white people — stay with me — hates all white people, you are playing with fire. And bad things can happen. And if they do happen, not only is Glenn Beck responsible, but conservatives who don’t — call — him — out — are responsible.
John Amato (Over The Cliff: How Obama's Election Drove the American Right Insane)
Westley watched it all. He stood silently at the edge of the Fire Swamp. It was darker now, but the flame spurts behind him outlined his face. He was glazed with fatigue. He had been bitten, cut, gone without rest, had assaulted the Cliffs of Insanity, had saved and taken lives. He had risked his world, and now it was walking away from him, hand in hand with a ruffian prince. Then Buttercup was gone, out of sight. Westley took a breath. He was aware of the score of soldiers starting to surround him, and probably he could have made a few of them perspire for their victory. But for what point? Westley sagged. "Come, sir." Count Rugen approached. "We must get you safely to your ship." "We are both men of action," Westley replied. "Lies do not become us." "Well spoken," said the Count, and with one sudden swing, he clubbed Westley into insensitivity. Westley fell like a beaten stone, his last conscious thought being of the Count's right hand; it was six-fingered, and Westley could never quite remember having encountered that deformity before. . . .
William Goldman (The Princess Bride)
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Madness is the absolute break with the work of art; it forms the constitutive moment of abolition, which dissolves in time the truth of the work of art; it draws the exterior edge, the line of dissolution, the contour against the void. Artaud’s oeuvre experiences its own absence in madness, but that experience, the fresh courage of that ordeal, all those words hurled against a fundamental absence of language, all that space of physical suffering and terror which surounds or rather coincides with the void—that is the work of art itself: the sheer cliff over the abyss of the work’s absence.
Michel Foucault (Madness and Civilization: A History of Insanity in the Age of Reason)
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
If those insane evangelicals hear about it, they’ll claim that this was some type of judgment from their God and we can’t have that. I will get my people to work on intercepting anything on the internet, on TV, or the radio about the disaster. Can you take care of it without the federal government looking over your shoulder?” “Yes, Mr. President,” “That’s what I want to hear. Goodbye.” then Collins hung up on Governor Hunt. Collins called the NSA, “Director Patrick, I need you to shut down the internet providers that connect California to the rest of the nation,
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
The nine years in which the musicians allegedly overdosed, drank themselves to death, drove over cliffs, hung themselves, choked, crashed their motorcycles, went insane or freaked out without any reasonable explanation, were the same years that the FBI and CIA waged a domestic war against any kind of dissent.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
THE EDGE OF THE CLIFF She slowly walked to the edge of the cliff Looking back over her shoulder to what was there She saw him, but his attention was elsewhere On the girl who mimicked his past And her heart broke Even heard the crackle of it break In a thousand little pieces at her bare feet And she looked away From the painful memories of yesterday Her saddened eyes focused to the clear waters below The cold fresh ocean It would cleanse her soul Wash away the things she no longer wanted to see She stood in silence Yet her voice wished to scream For him to stop his insanity He didn't even notice her Her mind wondered if he ever really did She glanced back over her shoulder And saw him, but his attention was elsewhere She took another step to the edge of the cliff And jumped.
Susan L. Killingsworth
What are my fears? I rack my brain, but I can’t think of anything. Most of Blackcliff’s students fear something, though never for long. When we were Yearlings, the Commandant ordered Helene to rappel down the cliffs again and again until she could drop with nothing but a clenched jaw to betray her terror. That same year, the Commandant forced Faris to keep a bird-eating desert tarantula as a pet, telling him that if the spider died, he would too. There must be something I fear. Enclosed spaces? The dark? If I don’t know my fears, I won’t be prepared for them. Midnight comes and goes, and still the desert around me is quiet and empty. I’ve traveled nearly twenty miles, and my throat is dry as dirt. I lick at the sweat on my arms, knowing that my need for salt will be as great as my need for water. The moisture helps, but only for a moment. I force myself to focus on the ache in my feet and legs. Pain I can handle. But thirst can drive a man insane.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
that moment why people call it “falling” in love. The feeling was the same as jumping off a cliff, or cresting the high curve on a rollercoaster, and beginning the downward plunge. Fierce and magnificent and immediate, it was like nothing she’d ever experienced. Every cell in her body was flushed with a heady sort of mad euphoria, the kind she imagined only lovers, skydivers, and the insane could ever understand. Love. So this is what all the songs were about, all the art and plays and movies. Jesus. It was amazing.
J.T. Geissinger (Edge of Darkness (Night Prowler, #4))
If there are signs. If, in the next cell an impossible neighbor, because on the other side of the wall are just the cliffs and sea, starts to tap to give you an escape plan with crescents, gears, triangles and crosses. If life is a test of perspicacity, or, what might be one in the same of personality - draw a tree, draw a person. Put these drawings in the order they occurred. Interpret the multicolored butterflies spread over the page. They must appear from where you least expected. Heteroclite and elusive above all, making you doubt not them but yourself. Making you blush before your own paranoia. And making you try to forget it. To return to the pervasive conspiracy of normality. But the tapping on the wall won’t let you sleep. And the privation of sleep leads to hallucinations and insanity. And in the end, inevitably, to the illusion that you hear tapping on the wall. And all this until the metronome stops. And you have yet to give an answer.
Cărtărescu Mircea
What is it with these authors giving us these incredible books and the BAM, leaving us with blue balls and bullshit cliff hangers that have our tiny minds exploding with insanity
Sheridan Anne (Cocky F*ck (Rejects Paradise #2))
We look into each other’s eyes, and I feel something I’ve only ever felt once before—this dizzying sense like being at the edge of a cliff, both scared to death and yet feeling this inexplicable, insane urge to fling yourself into the sky.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
Meanwhile, the net celebrates kids whose antics are the most sensationalist and, as a result, often reckless and self-destructive. An entire genre of YouTube video known as Epic Fail features amateur footage of wipeouts and other, well, epic failures. "FAIL Blog," part of The Daily What media empire, solicits fail videos from users and features both extreme sports stunts gone awry along with more random humiliations—like the guy who tried to shoplift an electric guitar by shoving it down his pants. Extreme sports clips are competing on the same sensationalist scale and result in popular classics such as "tire off the roof nut shot" and "insane bike crash into sign." Daring quickly overtakes what used to be skill. In "planking" photos and videos, participants seek to stay frozen in a horizontal plank position as they balance on a flagpole, over a cliff, or on top of a sleeping tiger. For "choking" videos, young people strangle one another to the point of collapse and, sometimes, death.
Douglas Rushkoff (Present Shock: When Everything Happens Now)
Morals," said Lionel, "are a form of insanity. Give me a moral man who insists on doing the right thing all the time, and I will show you a tangle which an angel couldn't get out of.
T.H. White (CliffsNotes on White's the Once and Future King)
Art of Linguistics (Sonnet 1223) No language speaks of freedom better than spanish, No language speaks of love better than turkish, No language speaks of oneness better than sanskrit, No language interprets better than our good ol' english. No language speaks to computers better than code, No language speaks of matter better than physics. No language speaks of mind better than neurology, No language speaks pattern better than mathematics. No language speaks of thought better than philosophy, No language speaks of emotion better than poetry. No language speaks of justice better than sociology, No language speaks of behavior better than psychology. Purpose of language is communication not argumentation, If it doesn't bridge the cliffs it all brings but extinction.
Abhijit Naskar (Insan Himalayanoğlu: It's Time to Defect)