Claude Steele Quotes

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the anthropologist Claude Lévi-Strauss put it, ancient writing’s main function was “to facilitate the enslavement of other human beings.
Jared Diamond (Guns, Germs, and Steel)
As the anthropologist Claude Lévi-Strauss put it, ancient writing’s main function was “to facilitate the enslavement of other human beings.” Personal uses of writing by nonprofessionals came only much later, as writing systems grew simpler and more expressive.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Many students go through "imposter syndrome" as they try to assimilate into a professional culture.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
If you want to change the behaviors and outcomes associated with social identity—say, too few women in computer science—don’t focus on changing the internal manifestations of the identity, such as values, and attitudes. Focus instead on changing the contingencies to which all of that internal stuff is an adaptation.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
As the anthropologist Claude Lévi-Strauss put it, ancient writing’s main function was “to facilitate the enslavement of other human beings.
Jared Diamond (Guns, Germs, and Steel)
Your door is shut against my tightened face, And I am sharp as steel with discontent; But I possess the courage and the grace To bear my anger proudly and unbent.
Claude McKay
I became an expert in the language of fear. Couples locked arms or reached for each others' hands when they saw me. Some crossed to the other side of the street. People who were on conversations went mute and stared straight ahead, as though avoiding my eyes would save them .. I'd been walking the streets grinning good evening at people who were frightened to death of me. I did violence to them by just being - Brent Staples
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
by imposing on us certain conditions of life, our social identities can strongly affect things as important as our performances in the classroom and on standardized tests, our memory capacity, our athletic performance, the pressure we feel to prove ourselves, even the comfort level we have with people of different groups—all things we typically think of as being determined by individual talents, motivations, and preferences.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time): How Stereotypes Affect Us and What We Can Do)
The problem is that the pressure to disprove a stereotype changes what you are about in a situation. It gives you an additional task. In addition to learning new skills, knowledge, and ways of thinking in a schooling situation, or in addition to trying to perform well in a workplace like the women in the high-tech firms, you are also trying to slay a ghost in the room, the negative stereotype and its allegation about you and your group. You are multitasking, and because the stakes involved are high--survival and success versus failure in an area that is important to you--this multitasking is stressful and distracting. ...And when you realize that this stressful experience is probably a chronic feature of the stetting for you, it can be difficult for you to stay in the setting, to sustain your motivation to succeed there. Disproving a stereotype is a Sisyphean task; something you have to do over and over again as long as your are in the domain where the stereotype applies. Jeff seemed to feel this way about Berkeley, that he couldn't find a place there where he could be seen as belonging. When men drop out of quantitative majors in college, it is usually because they have bad grades. But when women drop out of quantitative majors in college it usually has nothing to do with their grades. The culprit, in their case, is not their quantitative skills but, more likely, the prospect of living a significant portion of their lives in a domain where they may forever have to prove themselves--and with the chronic stress that goes with that. This is not an argument against trying hard, or against choosing the stressful path. There is no development without effort; and there is seldom great achievement, or boundary breaking, without stress. And to the benefit of us all, many people have stood up to these pressures...The focus here, instead, is on what has to be gotten out of he way to make these playing fields mere level. People experiencing stereotype threat are already trying hard. They're identified with their performance. They have motivation. It's the extra ghost slaying that is in their way.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
The myopia theory was first suggested by psychologists Claude Steele and Robert Josephs, and what they meant by myopia is that alcohol’s principal effect is to narrow our emotional and mental fields of vision. It creates, in their words, “a state of shortsightedness in which superficially understood, immediate aspects of experience have a disproportionate influence on behavior and emotion.” Alcohol makes the thing in the foreground even more salient and the thing in the background less significant. It makes short-term considerations loom large, and more cognitively demanding, longer-term considerations fade away.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
he disclosed that he had been set upon by two Bedlamites, both of whom had jumped out from behind a bush, roaring at him like a couple of ferocious wild beasts ... The Sergeant cast a doubtful glance at Lieutenant Ottershaw, for, in his opinion, this had a false ring. His men, as he frequently informed them, put him forcibly in mind of many things, ranging from gape-seeds, hedge-birds, slush-buckets, and sheep-biters, to beetles, tailless dogs, and dead herrings, but none of them, least of all the two raw dragoons in question, had ever reminded him of a ferocious wild beast. Field-mice, yes, he thought, remembering the sad loss of steel in those posted to watch the Dower House; but if the young gentleman had detected any resemblance to ferocious wild beasts in his assailants, the Sergeant was prepared to take his Bible oath they had not been the baconbrained knock-in-the-cradles he had posted (much against his will) within the ground of Darracott place. But Sergeant Hoole had never, until this disastrous evening, set eyes on Mr. Claud Darracott. Lieutenant Ottershaw had beheld that Pink of the Ton picking his delicate way across the cobbles in Rye, clad in astonishing but unquestionably modish raiment, and holding a quizzing-glass up to his eye with one fragile white hand, and it did not strike him as remarkable that this Bartholomew baby should liken two overzealous dragoons to wild beasts.
Georgette Heyer (The Unknown Ajax)
Some years ago, two social psychologists, Edward Jones and Richard Nisbett, argued that when it comes to explaining people's behavior-something like achievement problems, for example there is a big difference between the "observer's perspective"-the perspective of a person observing the behavior-and the "actor's perspective"-the perspective of a person doing the behavior. As observers, Jones and Nisbett said, we're looking at the actor, the person doing the behavior we are trying to explain. Thus the actor dominates our literal and mental visual field, which makes the circumstances to which he is responding less visible to us. In the resulting picture in our minds, the actor sticks out like a sore thumb and the circumstances to which he is responding are obscured from view. Jones and Nisbett held that this picture causes a bias when we try to explain the actor's behavior. We emphasize the things we can see. We emphasize things about the actor-characteristics, traits, and so on-that seem like plausible explanations for her behavior. And we deemphasize, as causes of her behavior, the things we can't see very well, namely, the circumstances to which she is adapting.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
The effective, identity-safe practices "avoid cues that might instantiate a sense of stereotype threat in students and are, instead, aimed at making everyone in the class feel...as valued and contributive...regardless of their ethnic group or gender." [Dorothy Steele] ...The cohering principle is straightforward: they foster a threat-mitigating narrative about one's susceptibility to being stereotyped in the schooling context. And though no single, one-size-fits-all strategy has evolved, the research offers an expanding set of strategies for doing this: establishing trust through demanding but supportive relationships, fostering hopeful narratives about belonging in the setting, arranging informal cross-group conversations to reveal that one's identity is not the sole cause of one's negative experiences in the setting, representing critical abilities as learnable, and using child-centered teaching techniques. More will be known in the years ahead. But what we know now can make a life-affecting difference for many people in many important places.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
As graduate programs are supposed to do, this one stressed excellence: the values that defined it, the quality of work that embodied it. They were inspiring to me. But they came in a package—from my vantage point as a solo black, the package of an all-white program. Thus some of the incidental features of being white academics—the preference for dressing down, the love of seemingly all things European, a preference for dry wines, little knowledge of black life or popular culture—got implicitly associated with excellence. Excellence seemed to have an identity, which I didn’t entirely have and worried that I couldn’t get.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
Optimal Tower is a skyscraper unlike its predecessors, rising skyward as an artistic endeavor, spirited and soulful, with a steel and glass manifestation reminiscent of Claude Monet's water lilies, and instantly dismissive of the gray, steel and mortar structures of the past. The architects and builders have pilfered Monet's color pallet and painted this vertical stretch of the Cavanaugh skyline with the delicate greens and blues and grays and yellows of Giverny. Somehow, in the structure, the sensibility of an impressionist painting emerges as the muted colors are faded in splotches and sunlit in others, with gradual transitions as subtle as the delicate brush strokes of the master himself. Steel beams crisscross haphazardly throughout the towering facade, which only reinforces its intrinsic impressionistic essence by emulating the natural randomness of the lily pond. Atop the structure, a simple fifty foot spire seems to rein in the freeform work beneath it as it merges the natural splendor into one straight pinnacle skyward. This one hundred and fifteen story building reaches twenty-five stories above its surroundings, creating a gloriously artful and peaked skyline not unlike the Alps in France that will be instantly recognizable the world over and cause onlookers to gasp and utter, "C'est Magnifique.
Michael Bowe (Skyscraper of a Man)
Stereotype threat, then, is one way our national history seeps into our daily lives. That history leaves us with stereotypes about groups in our society that can be used to judge us as individuals when we’re in situations where those stereotypes apply—in the seat next to a black person on an airplane or interacting with minority students, for example. The white person in that situation will not want to be seen in terms of the stereotype of whites as racially insensitive. And the black person, for his or her part, will not want to be seen in terms of the stereotypes about blacks as aggressive, or as too easily seeing prejudice, and so on. Fighting off these possible perceptions on a long airline flight—or more famously, perhaps, in a school cafeteria—could be more than either party wants to take on. They just want to have lunch or get to Cleveland. Avoidance becomes the simplest solution.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
Reducing identity threat is not sufficient to overcome real skill and knowledge deficits in school. To do that, students have to have the opportunity to acquire the relevant skills and knowledge. They need good instruction and the chance to apply themselves to critical material, sometimes for long periods of time. But it’s equally true that for ability-stereotyped students, reducing identity threat is just as important as skill and knowledge instruction. It may not be sufficient, but it is necessary. That is, no amount of instruction, no matter how good it is, can reduce these deficits if it doesn’t also keep identity threat low. Without that, threat will always have first claim on students’ attention and mental resources. So neither approach—providing instructional opportunities or reducing identity threat—is sufficient, by itself, to improve academic performance, especially for ability-stereotyped students. Both are necessary.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
As I hope this list of “integration concerns” illustrates, not every identity threat comes from prejudiced people. Think about O’Connor on the Supreme Court before Ginsburg. Many of the contingencies she dealt with had little to do with prejudice among her fellow justices or her staff. Some of them may have been prejudiced, but her problems went beyond that: a Court that was dominated by male sensibilities and referents and that was less sensitive, in its functioning, to the perspectives of women; no critical mass of women with which to give her a sense of belonging on the Court; negative stereotypes about women in the larger society and in the legal world that were available for use in judging her work; the fact that her being the only woman on the Court made her the sole representative of her sex in each Court decision; and so on. O’Connor would have had to deal with these things even if there hadn’t been an iota of sexism in any of the people she worked with.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
Negative stereotypes about our identities hover in the air around us. When we are in situations to which these stereotypes are relevant, we understand that we could be judged or treated in terms of them. If we are invested in what we’re doing, we get worried; we try to disprove the stereotype or avoid confirming it. We present ourselves in counter-stereotypical ways. We avoid situations where we have to contend with this pressure. It’s not all-determining, but it persistently, often beneath our awareness, organizes our actions and choices, our lives—like how far we walk down the aisle of an airplane to find a seat, or how well we do on a round of golf, or on an IQ test. We think of ourselves as autonomous individuals. After all, we make choices. But we often forget that we make choices within contexts, always. And pressure tied to our social identities is a component of these contexts. This is difficult to appreciate by reflecting on our experience. And yet, as I’ve have urged throughout this book, it is precisely these pressures that make a social identity real for us. Stereotype threat is a broad fact of life.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
American psychologist Claude Steele, which demonstrated the power of what he called a “stereotype threat.” In his original experiment, he found that black students performed comparably with white students when told a test they were taking was “a laboratory problem-solving task.”33 However, black students scored much lower than whites when test takers were told the test was meant to measure their intellectual ability.
Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
The experiments that my colleagues and I were doing showed that something generally thought to emanate from an internal capacity associated with social identity - as the level of women's math performance might emanate from women's math ability - could be changed dramatically by changing contingencies of that identity, by changing, in this research, the degree to which test takers were at risk of confirming bad stereotypes about their group. And the phenomena of identity change - "passing" and expatriation - suggested that what we were seeing in the lab was the tip of an iceberg...They suggested that the degree to which a given social identity had any presence in a person's life depended on contingencies, realities down on the ground that the person had to deal with because they had the identity. Take these contingencies away by allowing the person to "pass," or change these contingencies by allowing the person to expatriate out of them, and the whole identity could fall to irrelevance. What did this say about social identity?...Two conclusions seemed unavoidable. First, our social identities are adaptations to the particular situations of our lives, what I am calling identity contingencies. If we didn't need them to help us cope with these circumstances, the perspectives, emotional tendencies, values, ambitions, and habits that make up the dispositional side of our social identities would just gradually leak out of our psyches and be gone. The second conclusion...If you want to change the behavior and outcomes associated with social identity...don't focus on changing the internal manifestations of the identity, such as values, and attitudes. Focus instead on changing the contingencies to which all of that internal stuff is an adaptation.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
It’s sad, but true: identity threat is not the threat of prejudice alone; it’s the threat of contingencies.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time): How Stereotypes Affect Us and What We Can Do)
Many of those who study alcohol no longer consider it an agent of disinhibition. They think of it as an agent of myopia. 5. The myopia theory was first suggested by psychologists Claude Steele and Robert Josephs, and what they meant by myopia is that alcohol’s principal effect is to narrow our emotional and mental fields of vision. It creates, in their words, “a state of shortsightedness in which superficially understood, immediate aspects of experience have a disproportionate influence on behavior and emotion.” Alcohol makes the thing in the foreground even more salient and the thing in the background less significant. It makes short-term considerations loom large, and more cognitively demanding, longer-term considerations fade away.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
No one knows about negative ability labels like members of stereotyped groups. For example, African Americans know about being stereotyped as lower in intelligence. And women know about being stereotyped as bad at math and science. But I’m not sure even they know how creepy these stereotypes are. Research by Claude Steele and Joshua Aronson shows that even checking a box to indicate your race or sex can trigger the stereotype in your mind and lower your test score. Almost anything that reminds you that you’re black or female before taking a test in the subject you’re supposed to be bad at will lower your test score—a lot. In many of their studies, blacks are equal to whites in their performance, and females are equal to males, when no stereotype is evoked. But just put more males in the room with a female before a math test, and down goes the female’s score. This doesn’t happen to everybody, however. It mainly happens to people who are in a fixed mindset. It’s when people are thinking in terms of fixed traits that the stereotypes get to them. Negative stereotypes say: “You and your group are permanently inferior.” Only people in the fixed mindset resonate to this message.
Carol S. Dweck (Mindset: The New Psychology of Success)
Claude Steele, this time joined by Geoffrey Cohen, offers important insights. To investigate how a teacher might gain the trust of a student when giving feedback across racial lines, they created a scenario in which Black and White Stanford University students were asked to write essays about a favorite teacher. The students were told that the essays would be considered for publication in a journal about teaching and that they would receive feedback from a reviewer who they were led to believe was White. A Polaroid snapshot was taken of each student and attached to the essay as it was turned in, signaling to the students that the reviewer would be able to identify the race of the essay writer. Several days later the students returned to receive the reviewer’s comments, with the opportunity to “revise and resubmit” the essay. What was varied in the experiment was how the feedback was delivered. When the feedback was given in a constructive but critical manner, Black students were more suspicious than white students that the feedback was racially biased, and consequently, the Black students were less likely than the White students to rewrite the essay for further consideration. The same was true when the critical feedback was buffered by an opening statement praising the essay, such as “There were many good things about your essay.” However, when the feedback was introduced by a statement that conveyed a high standard (reminding the writer that the essay had to be of publishable quality) and high expectations (assuring the student of the reviewer’s belief that with effort and attention to the feedback, the standard could be met), the Black students not only responded positively by revising the essays and resubmitting them, but they did so at a higher rate than the White students in the study.66
Beverly Daniel Tatum (Why Are All the Black Kids Sitting Together in the Cafeteria?)
The social psychologist Claude Steele demonstrated the power of what he calls “stereotype threat” in the U.S. context: Women do better on math tests when they are explicitly told that the stereotype that women are worse in math does not apply to this particular test; African Americans do worse on tests if they have to start by indicating their race on the cover sheet.33 Following Steele’s work, two researchers from the World Bank had lower-caste children in the Indian state of Uttar Pradesh compete against high-caste children in solving mazes.34 They found that the low-caste children compete well against the high-caste children as long as caste is not salient, but once low-caste children are reminded that they are low castes competing with high-caste children (by the simple contrivance of asking them their full names before the game starts), they do much worse. The authors argue that this may be driven in part by a fear of not being evaluated fairly by the obviously elite organizers of the game, but it could just as well be the internalization of the stereotype. A child who expects to find school difficult will probably blame herself and not her teachers when she can’t understand what is being taught, and may end up deciding she’s not cut out for school—“stupid,” like most of her ilk—and give up on education altogether, daydreaming in class or, like Shantarama’s children, just refusing to go
Abhijit V. Banerjee (Poor Economics: A Radical Rethinking of the Way to Fight Global Poverty)
The formal Salvage Organization began on 14 December 1941, an even week after the Japanese attack. It was under the direction of then Commander James M. Steele, who was previously in command of Utah. He remained in command of salvage under the Base Force until relieved by the author, Captain Homer N. Wallin, on 9 January, 1942. At that time the Salvage Division became a part of the Navy Yard under the Manager, Captain Claude S. Gillette.
Homer N. Wallin (Why, How, Fleet Salvage And Final Appraisal [Illustrated Edition])
You are a goddess.” “Yeah, yeah. Bring me back a car sticker.” “For that old banger you drive? Even a rainbow sticker isn’t going to cheer that rust bucket up.” “Hey, do you want help or not? Don’t insult Claude.” “Oh my god, rust-on-wheels has a name.
C.C. Gedling (Steel Vengeance (Steel Ventures #1))
vestiges
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time): How Stereotypes Affect Us and What We Can Do)
He turned his steel eyes at me. They hurt me, paralysed me, like the advancing lights of a car. I saw that his body was taut, all of it: also made of steel; that it only worked because it was at an intolerable tension, and that it was our sensation of that tension which had exhausted us, which could no longer be borne. He was the wrong spring which had been put into our machine, that had made Claude ill, George foolish, Boris an anxiety.
Mary Butts (The Complete Stories)
By changing the way you give critical feedback, you can dramatically improve minority students' motivation and receptiveness. By improving a group's critical mass in a setting, you can improve its members' trust, comfort, and performance in the setting. By simply fostering intergroup conversations among students from different backgrounds, you can improve minority students' comforts and grades in a setting. By allowing students, especially minority students, to affirm their most valued sense of self, you can improve their grades, even for a long time. By helping students develop a narrative about the setting that explains their frustrations while projecting positive engagement and success in the setting, you can greatly improve their sense of belonging and achievement--which if done at a critical time could redirect the course of their lives.
Claude M. Steele (Whistling Vivaldi: And Other Clues to How Stereotypes Affect Us (Issues of Our Time))
Thomson’s tidal solution was something like the inverse of Bush’s lawnmower. The surveying machine would read the land’s data of hills and dips and even manhole covers and output a graph; the tide machine invented by Thomson and his brother, which they christened the harmonic analyzer, took a graph as input. The operator stood before a long, open wooden box resting on eight legs, a steel pointer and a hand crank protruding from its innards. With his right hand, he took hold of the pointer and traced a graph of water levels, months’ data on high tides and low; with his left, he steadily turned the crank that turned the oiled gears in the casket. Inside, eleven little cranks rotated at their own speeds, each isolating one of the simple functions that added up to the chaotic tide. At the end, their gauges displayed eleven little numbers—the average water level, the pull of the moon, the pull of the sun, and so on—that together filled in the equation to state the tides. All of it, in principle, could be ground out by human hands on a notepad—but, said Thomson, this was “calculation of so methodical a kind that a machine ought to be found to do it.
Jimmy Soni (A Mind at Play: How Claude Shannon Invented the Information Age)