City Instagram Quotes

We've searched our database for all the quotes and captions related to City Instagram. Here they are! All 20 of them:

Not one of those big-city thirty-nine-year-olds who deal with their midlife crisis by buying ridiculously expensive cycling shorts and swimming caps because they have a black hole in their soul that devours Instagram pictures,
Fredrik Backman (Anxious People)
When you apply that gift you possess that comes so easily to you and can be used anywhere, anytime to help someone else; maybe your family, your community, your city, state, country or the world in general... that is your PURPOSE.
Val Uchendu
I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.
Raphael Bob-Waksberg
After university, Annie [Smith Peck] was once again warned against the dangers of ~a lady~ moving around the country to different teaching jobs, let alone to Europe to carry on her studies, which she very much wanted to do. Her mother warned her what it might look like for a young woman to travel alone to Europe like a giant slut, but Annie replied: 'I have lived long enough to have got beyond trying to make all my actions satisfactory to my numerous friends and acquaintances.' Whack that over a sunset and put it on Instagram, friends.
Hannah Jewell (She Caused a Riot: 100 Unknown Women Who Built Cities, Sparked Revolutions, and Massively Crushed It (Inspirational Feminist Gift for Women))
The set had been styled to look like a quaint New York City apartment, some cool girl’s bedroom. I actually thought it looked familiar. Or maybe it was just that everything had started to look the same, an algorithmically optimized aesthetic that lacked any border or definition so you could move through spaces as frictionlessly as you could scroll through Instagram,
Hayley Phelan (Like Me)
Not one of those big-city thirty-nine-year-olds who deal with their midlife crisis by buying ridiculously expensive cycling shorts and swimming caps because they have a black hole in their soul that devours Instagram pictures, more the sort of thirty-nine-year-old whose daily consumption of cheese and carbohydrates was more likely to be classified medically as a cry for help rather than a diet.
Fredrik Backman (Anxious People)
It is easy for the leader of a business to take a quick look at Kumasi, and at the thousands of up-and-coming cities in the developing world, and conclude that his or her company is not missing out on all that much by not being there today. But at a time of rapid, surprising change, snapshots that capture a moment in economic time can be deeply misleading. In this age of Instagram, we must apply new filters to the mental and financial pictures we take. Our intuition—the nerve center that turns images into narratives—has to reset so that it processes the incoming data intelligently. The portraits we take of cities must capture the dynamism underneath the surface and highlight the brightness of opportunities, while toning down the alarming flares of risk. Most of all, they must be able to project forward motion.
Richard Dobbs (No Ordinary Disruption: The Four Global Forces Breaking All the Trends)
In New York City on a February morning nearly fifty years later, the faintest pale light begins to limn the buildings. A movie, a romantic adventure. It still plays that way in my imagination. And yet, unlike in a movie, I will now pay the consequences of my foolish actions. So many years later, when I have finally begun to offer something of value to the world, something that heals the wounds of time and life, I will have to flee, leave it all behind. I can’t bear it. Worse, though, how can I bear prison? Either way, I will no longer live the life I so love. A tear stings my eye. I don’t want to give this up. This home, these nieces of mine, my Instagram world, this full and satisfying life. Wallowing has never been my style. But . . . where will I go? Who will be there when I arrive? In the dark, I let myself shed tears of regret. My phone rings in my hand, startling me. The screen says Asher. My heart drops. “Asher? Is everything all right?” “Sam is in the hospital. Intensive care.” And suddenly the vistas of faraway lands disappear, and I see myself in prison gray, because I cannot leave my niece. I won’t. “I’ll be right there.” Chapter Eighteen Sam The next time I awaken, my headache is vaguely less horrific. It’s still there, pulsing around the skin of my brain, and I feel dizzy and strange, but I can also actually see a little bit. There are no windows, so I can’t tell what time it is. An IV pumps drugs into my arm, and a machine beeps my heartbeat. I swing my head carefully to the right, and there is Asher, sound asleep. He looks terrible, his skin pale and greasy, his hair unkempt. The vision from my dream pops up, of him balding and older, our two little boys,
Barbara O'Neal (Write My Name Across the Sky)
At this very moment, Harris Blanchard is happily brunching with his parents in New York City or enjoying the company of his fellow seniors or hiking or skiing and posting pictures on Instagram, his grinning face behind a pair of enormous goggles as he enjoys these final weeks of winter break. My daughter—the lack of her—is the last thing on his mind.
Alison Gaylin (The Collective)
The IRA’s Black front was by many measures its biggest. “No single group of Americans was targeted by IRA information operatives more than African-Americans,” the Senate Intelligence Committee found in 2019. “By far, race and related issues were the preferred target of the information warfare campaign designed to divide the country.” The IRA’s messages to the black community sometimes lobbied for Stein, but far more often argued for boycotting the election entirely. The voter suppression drive aimed at dozens of cities, especially communities where the killings of black citizens by white police officers created flash points for the Black Lives Matter movement. The Black front made an overwhelming effort to keep African Americans away from the ballot boxes with messages like “Our Votes Don’t Matter,” “Don’t Vote for Hillary Clinton,” and “Don’t Vote at All.” Its “Woke Blacks” Instagram account argued that “a particular hype and hatred for Trump is misleading the people and forcing Blacks to vote Killary. We cannot resort to the lesser of two devils.
Tim Weiner (The Folly and the Glory: America, Russia, and Political Warfare 1945–2020)
And thanks to social media, we now have a new way to torment each other. Image crafting makes us look way more successful than we actually are. We curate the best parts of our lives, and hide everything else under the rug. So as we go out into the world, we see people, and from a distance, it looks like they are wildly successful, when in reality, they are slugging it out just like we are. But we don’t see reality. We see an Instagram post.
John Mark Comer (Garden City: Work, Rest, and the Art of Being Human.)
A bell jingled over Sunna’s head as she entered the coffee shop, and suddenly, she felt like she was back in Toronto, but ten years earlier. Where the bigger city’s coffee shops had moved on to more modern—Instagram-worthy—design trends and oat milk lattes, this place still had the chalkboard menu behind the counter, a plaque on the wall with a quote about not being able to function without coffee in that once-trendy bridesmaid font. A soft folk song played in the background, and the baristas laughed together as they made drinks.
Suzy Krause (Sorry I Missed You)
I tried not to daydream about it, but I couldn’t help myself. Even as I was getting ready for the date, my mind provided Instagram-style status updates of our future together.
Penny Reid (Love Hacked (Knitting in the City, #3))
For one thing, they share a willingness to consider New York from a cinematic distance, overlooking the city’s many irritants except insofar as they add grit and drama to their personal story. In day-to-day terms, this manifests as complaining vigorously about subway hardships and bedbug plagues, and then posting Instagram photos of the skyline at sunset. A not insignificant number of the New York lovers I know—especially the twenty-somethings—are actually pretty unhappy day-to-day.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
For one thing, they share a willingness to consider New York from a cinematic distance, overlooking the city’s many irritants except insofar as they add grit and drama to their personal story. In day-to-day terms, this manifests as complaining vigorously about subway hardships and bedbug plagues, and then posting Instagram photos of the skyline at sunset. A not insignificant number of the New York lovers I know—especially the twenty-somethings—are actually pretty unhappy day-to-day. I picture the prom king’s date sitting near him at a party, ignored but still kind of proud to be in the room and on his arm—and incredibly offended at the suggestion that she should break up with him for someone who dotes on her more. Oh, how California dotes! Sun yourself. Take the car. Let your guard down. Breathe deeply, and you’ll smell the jasmine and dusty sage. Show up twenty minutes late. (Just text “Sorry—traffic.”) Explore the weirder corners of your spirituality. Describe yourself, without sarcasm, as a writer slash creative entrepreneur. Work from home. Spread out. Wear the comfortable pants. When I describe this sunshine-and-avocado-filled existence to some New Yorkers, they acknowledge that they really like California, too, but could never move here because they’d get too “soft.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
my lover stays lanes apart but it feels like continents once he stops replying on whatsapp: he has checked my story on instagram but one of these days, social media will be the death of me. my lover shows up on my door unannounced, two different flavours of doughnuts in his hand, he knows i have been crying. they'd taste better if they weren't so soggy, but i have enough filters on my phone to make them look pretty, my friends would be jealous, favourite desserts from half-closed, overpriced airport shops, a hundred cities away. my lover holds my hand A hasn't called me back he says, their boyfriends do not get them their and kisses my neck, i wish there was a song by the 1975 playing in the background, but instagram music isn't supported in my region. i haven't seen him in eight days, it's funny when i write it down because i was sure it was a millennium, we yearn for skin, touch, smell, but let me quickly take a photograph, make him look like he's not looking, our love can go stale, but my social media needs to keep its aesthetic game strong. two boomerangs, seven filters, and one kissing selfie later, we explode. without words, without music. i feel like it's my first kiss again. this is how it must have felt to be in love a thousand years ago.
Shlagha borah
The dog account’s popularity spread beyond her family and friends to a few thousand people. But on a Monday night in December 2012, the account started gaining fans around the world. After Toffey posted three pictures of Tuna on the Instagram blog that night, the dog’s following grew from 8,500 to 15,000 within 30 minutes. Dasher pulled to refresh the page: 16,000. By the next morning, Tuna was at 32,000 followers. Dasher’s phone started ringing with media requests from around the world. Anderson Cooper’s talk show offered to fly her to DC; she appeared via webcast, thinking it wouldn’t be feasible to take a vacation day. But as requests for appearances continued to come in, her friends warned her about what was coming before she realized it: she would have to quit her job at the Pacific Design Center in Los Angeles and run her dog’s account full-time. It sounded ridiculous, so she took a month off to test the theory. Sure enough, BarkBox, which made a subscription box for pet items, was willing to sponsor Dasher and her friend on an eight-city tour with Tuna. People in various cities came up to her, crying, telling her they were struggling with depression or anxiety and that Tuna was bringing them joy. “That was the first time that I realized how much weight these posts had for people,” Dasher later recalled. “And that’s also when I realized I wanted to do this full-time.” Her life became about managing Tuna’s fame. Berkley, part of Penguin Random House, signed her up to write a book titled Tuna Melts My Heart: The Underdog with the Overbite. That led to more brand deals, plus merchandising to put Tuna’s likeness on stuffed animals and mugs. In her book’s acknowledgments, she thanks Tuna most of all, but also Toffey for sharing the post that changed her life. The tastes of one Instagram employee directly affected her financial success, but also the habits of the two million people who now follow that dog—including Ariana Grande.
Sarah Frier (No Filter: The inside story of Instagram)
Kodak made its founder, George Eastman, a rich man, but it also provided middle-class jobs for generations of people and created a substantial share of the wealth created in the city of Rochester after company’s founding in 1880. But 132 years later, a few months before Instagram was sold to Facebook, Kodak filed for bankruptcy. 8 Photography has never been more popular.
Erik Brynjolfsson (The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies)
Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
In distance we seek what we call home, the mad city where we belong.
J.WOLF