Cigar Box Quotes

To claim that music is more important than oxygen would be trite and sentimental. It would also be true.

Somehow I had to turn the salted peanuts in the cigar box into petits fours.

Your soul may well consist of artists and artisans, crooks and charlatans, writers and wanderers, poets and performers, vagabonds and visionaries, cigar box jugglers and contortionists, sword swallowers, storey-tellers and snake worshippers, fire eaters and fire dancers, human cannonballs, treasure hunters, swashbuckling pirates, pilgrims, Bedouin tribesmen and Gypsies. Everything that’s rash and wild inside of you is striving for freedom. And I’m not asking for this to hit you like an epiphany. It’s not supposed to. But if you read that list of misfits above and gave just the tiniest of nods – even at a deep subliminal level – then you understand

Open the old cigar-box .....let me consider anew..... Old friends, and who is Maggie that I should abandon you? A million surplus Maggies are willing 'o bear the yoke; And a woman is only a woman, but a good cigar is a Smoke. Light me another Cuba..... I hold to my first-sworn vows, If Maggie will have no rival, I'll have no Maggie for spouse!

This was the kind of woman who took her tea black, smoked cigars after midnight, played a mean game of cribbage, and kept a bevy of repulsive little dogs.

What is mashing?” “It is one of the most heinous of crimes,” his father answered. Nick’s imagination pictured the great tenor doing something strange, bizarre, and heinous with a potato masher to a beautiful lady who looked like the pictures of Anna Held on the inside of cigar boxes. He resolved, with considerable horror, that when he was old enough he would try mashing at least once.

I live on an island called Ireland where most of the music is shite. I grew up listening to "Danny Boy"; I grew up hating Danny Boy, and all his siblings and his granny. "The pipes, the pipes are caw-haw-hawing." Anything with pipes or fiddles or even - forgive me, Paul - banjos, I detested. Songs of loss, of love, of going across the sea; songs of defiance and rebellion - I vomited on all of them.

Churchill believed marriage to be a simple thing and sought to dispel its mysteries through a series of aphorisms. “All you need to be married are champagne, a box of cigars, and a double bed,” he said. Or this: “One of the secrets of a happy marriage is never to speak to or see the loved one before noon.” Churchill had a formula for family size as well. Four children was the ideal number: “One to reproduce your wife, one to reproduce yourself, one for the increase in population, and one in case of accident.

Love makes the world go around, but so does a gallon of vodka and a box of Cuban cigars.

All you need to be married are champagne, a box of cigars, and a double bed,

Ever so carefully he opened the old cigar box, the one where all the collecting began. The box still smelled of sweet tobacco and little girl. Among a few birds’ feathers, insects’ wings, and seeds was the small jar with the ashes from her ma’s letter, and a bottle of Revlon fingernail polish, Barely Pink. The bits and bones of a life. The stones of her stream.

All you need to be married are champagne, a box of cigars, and a double bed,” he said. Or this: “One of the secrets of a happy marriage is never to speak to or see the loved one before noon.

These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.

It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.

I cried, a bit, as a spoke to Belinda on my mobile phone, in a quiet corner, perhaps the only quiet corner in Jaipur. I told her how I'd hoped Paul would read the forward, that he'd read how much I admired his work and how much I admired him, how much I just plain liked him and loved him. But, even as I spoke, I knew: Paul had always known that. He'd seen in on my face every time we met. What made me cry was the obvious, stupid fact that we'd never meet again.

There is a tendency to romanticize the abilities of the ancient Egyptians because they produced structures that were miraculous for their time and certainly would pose a serious challenge to ours. They were somehow immensely more talented with sticks and stones than modern researchers have been able to demonstrate using the same implements. When pondering the theories proffered by Egyptologists, one gets the impression that an ancient Egyptian quarry worker was like a maestro playing a complete symphony on a violin made of a cigar box and a stick and producing the quality of a Stradivarius. The argument is pleasing and poetic, but the trouble is that, metaphorically speaking, when modern scholars make a violin from a cigar box and a stick, its results are precisely what you would expect from a cigar box and a stick. So the question persists: From what instruments did the symphonic architecture of Egypt materialize?

Confined to bed, I could not attend Stephanie's funeral. Her mother brought me her stacks of comic books and her cigar box of charms. Now I had everything, all her treasures, but I was far too ill to even look at them. It was then that I experienced the weight of sin, even a sin as small as a stolen skater pin. I reflected on the fact that no matter how good I aspired to be, I was never going to achieve perfection. I also would never receive Stephanie's forgiveness. But as I lay there night after night, it occurred to me that it might be possible to speak with her by praying to her, or at least ask God to intercede on my behalf.' p.8

Like what? What else have you found in a book?" "Well..." he looked around, like the walls might have ears and reopened the cigar box, faced it towards him so I couldn't see the contents. "Things like this." He showed me a pressed blue flower as big as my fist, it's stamens flattened in all directions like a firework display. A cookie fortune that read simply 'woe betide you'. A neatly clipped page of personal ads dated September 1, 1970 from a paper called the East Village Chronicler. "Funny stuff right?" It was. I liked it. The thought that you could find harmless, interesting things tucked inside books. A reminder that the world contained mysteries.

Beatrix was right, of course." "About what?" "That you and Leo were like a pair of ferrets, a bit rough-and-tumble in courtship." Catherine smiled sheepishly. "Beatrix is very intuitive." Poppy directed a wry glance at Dodger, who was carefully licking the last residue of egg off the saucer. "I used to think Beatrix would outgrow her obsession with animals. Now I realize it's the way her brain works. She sees hardly any difference between the animal world and the human one. I only hope she can find a man who will tolerate her individuality." "What a tactful way to put it," Catherine said, laughing. "You mean a man who won't complain about finding rabbits in his shoes or a lizard in his cigar box?" "Exactly." "She will," Catherine assured her. "Beatrix is far too loving, and worthy of being loved, to go unmarried.

Harry would take off his coat, remove his cravat, roll up his shirt-sleeves, give his curly hair the right touch before the glass, get out his book on engineering, his boxes of instruments, his drawing paper, his profile paper, open the book of logarithms, mix his India ink, sharpen his pencils, light a cigar, and sit down at the table to "lay out a line," with the most grave notion that he was mastering the details of engineering.

It was George the Mailman’s last day on the job after 35 years of carrying the mail through all kinds of weather to the same neighborhood. When he arrived at the first house on his route, he was greeted by the whole family who congratulated him and sent him on his way with a tidy gift envelope. At the second house, they presented him with a box of fine cigars. The folks at the third house handed him a selection of terrific fishing lures. At the fourth house, he was met at the door by a strikingly beautiful blonde woman in a revealing negligee. She took him by the hand, gently led him through the door, which she closed behind him, and took him up the stairs to the bedroom where she blew his mind with the most passionate love he had ever experienced. When he had enough, they went downstairs and she fixed him a giant breakfast: eggs, potatoes, ham, sausage, blueberry waffles, and fresh-squeezed orange juice. When he was truly satisfied, she poured him a cup of steaming coffee. As she was pouring, he noticed a dollar bill sticking out from under the cup’s bottom edge. "All this was just too wonderful for words," he said, "But what’s the dollar for?" "Well," she said, "Last night, I told my husband that today would be your last day, and that we should do something special for you. I asked him what to give you. He said, “Screw him. Give him a dollar.” The breakfast was my idea.

Oh, you need to get paid. I understand.” By this time I had walked around and jumped back into my truck. Luther had followed me outside and was looking at me through the window. He stuck his arm in and placed something in the front pocket of my T-shirt with a smile. He saw the box of cigars on the dashboard and grabbed them. ”Let me get one of these.” He said it like a little kid tearing into a crackerjack box, smiling from ear to ear as he took both the remaining cigars I had and handed me back an empty box. I tossed it onto the passenger seat. I had tried one the night they were given to me, but I wasn’t much of a tobacco smoker, so half of that one sat in my ashtray. Turned out they were Cubans, illegal to buy or even possess here in the States. Hand rolled on the thigh of a Latin Queen in the heat of the Caribbean sun, a man could still taste her sweat. Not meant to smoke as much as to savor, it's said a man is suppose to fellatio a fine cigar like horny prom queen on a silk bed. For me trying to smoke one was like trying to go-down on a hooker in the bathroom of speak-easy. So the sheriff was welcome to mine.

So I went ahead and made me a guitar. I got me a cigar box, I cut me a round hole in the middle of it, take me a little piece of plank, nailed it onto that cigar box, and I got me some screen wire and I made me a bridge back there and raised it up high enough that it would sound inside that little box, and got me a tune out of it. I kept my tune and I played from then on.

of the top lid opens slowly. Mercifully, there is no dead baby inside. Far from it. Vanessa pauses to study the collection of small wooden cigar boxes all sealed with a band of silver duct tape and for the most part stacked in rows. Sweat is dripping from her eyebrows and she tries to swipe at it with a forearm. Carefully,

The cigar looks in a differ box by a new high Tower.

Bing Crosby is said to have told a story about one of his sons at the age of six or so who was inconsolable when his pet turtle died. To distract the boy, Bing suggested that they have a funeral, and his son, seeming only slightly consoled, agreed. The two took a cigar box, lined it carefully with silk, painted the outside black, and then dug a hole in the back yard. Bing carefully lowered the “coffin” into the grave, said a long, heartfelt prayer, and sang a hymn. At the end of the service, the boy’s eyes were shining with sorrow and excitement. Then Bing asked if he would like to have one last look at his pet before they covered the coffin with earth. The boy said he would, and Bing raised the cigar-box lid. The two gazed down reverently, and suddenly the turtle moved. The boy stared at it for a long time, then looked up at his father and said, “Let’s kill it.”15

On another table were telephones with cloth leads and metal mouthpieces, brass, copper and silver ashtrays and cigar boxes, and matchboxes with branding only the dead would recognize.

Freud thought about what a cigar represented, but he didn't go far enough. If you've ever known a man who smokes a cigar, think about the time he lavishes on his humidor, a box temperature and moisture controlled to keep them plump, and you understand the concept I call "box envy.

Even a cigar company joined the rush to praise Steffens by naming a cigar after him and featuring his face on the box.

The fossils were sublime, but I found as much fascination in the odd paraphernalia of culture that, for various reasons, end up in museum drawers. Late eighteenth century apothecary boxes, thread cases from the mills of Lawrence, Victorian cigar boxes of gaudy Cuban design - all the better to house fossils.

Most of the profit from a box of Swisher Sweets doesn’t go to the company that manufactures them or the store owner who sells them. The bulk of profit goes to the government that aggressively taxes them. That’s quite a racket. President Obama signed the largest tobacco tax increase in history in one of his first acts in office. The feds took about a nickel per cigar when the president took his oath. They now take 52.75 percent of the sale up to $402 per 1,000 cigars. “More lower-income people than higher-income people will quit,” Eric Lindblom of the Campaign for Tobacco-Free Kids paternalistically reasoned to USA Today in 2009. Instead of a tobacco-free kid, Michael Brown became a free-tobacco kid.

Paulie slammed into them. “Okay, what the fuck are you waiting for? I want you to be in his fuckin’ cereal when he opens the box!

Southerners don’t need instruments, they just use what they’ve got, like… Cigar boxes Tin cans Washboards ‘Shine jugs Spoons Hair combs Wood saws Knees and feet Our voices

Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the                                     Chuck.   Chuck.   Chuck.of the adze.

Everything was in order, although coated in dust, cobwebs and what looked like an entire village of dead bugs. A pegboard held his saws, chisels, hammers, vises and screwdrivers. He’d used old wooden cigar boxes with tiny knobs screwed to each to construct drawers for a homemade cubby holding a wide assortment of nails, screws, bolts and washers. The power tools were neatly arranged on the wooden shelves beside the bench. An old nail barrel held scraps of lumber. She inhaled deeply. The shed smelled of cigar smoke, WD-40 and sawdust. It smelled like Papi.

Don’t you see any pleasing prospects, Papa?” “The only prospect that pleases me is a bottle of good old Scotch whisky and a box of the mildest Havana cigars.

The rabbit helped himself to a Big Red One, a brand of cigar artificially colored to resemble a stick of dynamite. Sometimes the goofballs who roll and paint them slip a few of the real thing into the box. That’s why so many Toons have only four fingers.

It was the mailman's last day on the job after 35 years of carrying the mail through all kinds of weather to the same neighborhood. When he arrived at the first house on his route he was greeted by the whole family there, who congratulated him and sent him on his way with a big gift envelope. At the second house they presented him with a box of fine cigars. The folks at the third house handed him a selection of terrific fishing lures. At the fourth house he was met at the door by a strikingly beautiful woman in a revealing negligee. She took him by the hand, gently led him through the door, and led him up the stairs to the bedroom where she blew his mind with the most passionate love he had ever experienced. When he had had enough they went downstairs, where she fixed him a giant breakfast: eggs, potatoes, ham, sausage, blueberry pancakes, and fresh-squeezed orange juice. When he was truly satisfied she poured him a cup of steaming Colombian coffee. As she was pouring, he noticed a dollar bill sticking out from under her bra cup's bottom edge. "All this was just too wonderful for words," he said, "but what's the dollar for?" "Well, last night, I told my husband that today would be your last day, and that we should do something special for you. I asked him what to give you. And the jerk said, 'Fuck him, just give him a dollar.' The breakfast was my idea.