Chronological Order Quotes

Anything that happens, happens. Anything that, in happening, causes something else to happen, causes something else to happen. Anything that, in happening, causes itself to happen again, happens again. It doesn’t necessarily do it in chronological order, though.

Sometimes life doesn't happen in chronological order.

We've got an entire lifetime ahead of us to do things like get married. But sometimes things in people's lives don’t happen in chronological order like they should. Especially in our lives. Our chronological order got mixed up a long time ago.

Waking, after all, was an almost natal state. You surfaced without history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.

Your life doesn’t happen in any kind of order. Events don’t have cause and effect relationships the way you wish they did. It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common.

A person's life consists of a collection of events, the last of which could also change the meaning of the whole, not because it counts more than the previous ones but because once they are included in a life, events are arranged in an order that is not chronological but, rather, corresponds to an inner architecture.

Jamie: Maybe you could stop being a neat freak and ease off with barking orders at me. Dante: I resent the neat-freak statement. And I do not bark. Jamie: Sure you don't, Popeye. Dante: And it wouldn't kill you to use the shoe rack. I mean, it's right by the door. Jamie: Stop putting my CD's in chronological order, and I'll work on the shoe rock thing. Dante: How about alphabetical order? Jamie: How about you go to therapy?

I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.

The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily--perhaps not possibly--chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation.

In the meantime, he was dotting the ‘I’s and crossing the ‘T’s, waiting for the S and the H to show up.

I respect traditional people - they have the eyes which see value in the tarnished. This is a gift in itself. Tradition requires a wealth of discipline in order to be adhered to, hence it is rarely found in youth.

If you want the honest-to-God truth, most people have a lot they want to say and not that much they want to hear.

Chronological time is what we measure by clocks and calendars; it is always linear, orderly, quantifiable, and mechanical. Kairotic time is organic, rhythmic, bodily, leisurely, and aperiodic; it is the inner cadence that brings fruit to ripeness, a woman to childbirth, a man to change the direction of his life.

I could now (possibly) go back and restretch those shrunken hours, flake the images separate, arrange them in accurate chronological order, (possibly; with will-power, patience, and the proper chemicals) but being accurate is not necessarily being honest.... Nor is chronological reporting by any means always the most truthful (each camera has its own veracity) especially when, in all good faith, one cannot truthfully claim to remember what happened accurately....

She didn’t go in chronological order, but spoke of whatever came to her mind. One night she would talk of her childhood, another of the wars or the depression. Sometimes she talked about losing four of her five children. It wasn’t until many years later when I repeated some of these things to my daughter that I fully realized how epic a tale my grandmother’s life had actually been. My daughter said to me, “Why don’t you write it down for me?

I did not ask for objections, but for comments, or helpful suggestions. I looked for more loyalty from you, Captain Hornblower.' That made the whole argument pointless. If Leighton only wanted servile agreement there was no sense in continuing...

You mean we're going chronological order within each author?" he gasped. "But no one even knows for sure when Shakespeare wrote his plays!" "Well," I blustered, "we know he wrote Romeo and Juliet before The Tempest. I'd like to see that reflected on our shelves." George says that was one of the few times he has seriously contemplated divorce.

Get off the cross, we need the wood.

This was a cruel trick of the mind, yes, but Teddy had long ago accepted the logic of it—waking, after all, was an almost natal state. You surfaced without a history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present. What

Hornblower bowed to Lady This and Lady That, to Lord Somebody and to Sir John Somebody-else. Bold eyes and bare arms, exquisite clothes and blue Garter-ribbons, were all the impressions Hornblower received.

Bush put both arms round Hornblower’s shoulders and walked with dragging feet. It did not matter that his feet dragged and his legs would not function while he had this support; Hornblower was the best man in the world and Bush could announce it by singing ‘For He’s a Jolly Good Fellow’ while lurching along the alleyway.

Hornblower worked as hard to conceal his human weaknesses as some men worked to conceal ignoble birth.

Responsibility is the curse of the capable.

she wouldn’t be launching a thousand ships any time soon but she’d undoubtedly create a fair bit of interest in a chip shop queue.

A dictionary resembles the world more than a novel does, because the world is not a coherent sequence of actions but a constellation of things perceived. It is looked at, unrelated things congregate, and geographic proximity gives them meaning. If events follow each other, they are believed to be a story. But in a dictionary, time doesn't exist: ABC is neither more nor less chronological than BCA. To portray your life in order would be absurd: I remember you at random. My brain resurrects you through stochastic details, like picking marbles out of a bag.

Ianto Jones was at his station behind the run-down Tourist Information Centre that served at a front to the clandestine goings on in Torchwood. His bare feet were on his desk, his tie slumped like a crestfallen snake next to an open pizza box, the top two buttons of his shirt undone. "Taking it easy, I see?" said Jack, stepping out through the security door that led into the Hub itself. "Well at least someone has the right idea. Whatcha doing there, Sport?" "Sport?" said Ianto. "Not sure I like 'Sport' as a term of endearment. 'Sexy is good, if unimaginative. 'Pumpkin' is a bit much, but 'Sport'? No. You'll have to think of another one. "Okay, Tiger Pants. Whatcha doing?" Ianto laughed. "I..." he said, pausing to swallow a mouthful of pizza, "am having a James Bondathon." "A what?" "A James Bondathon. I'm watching my favourite James Bond films in chronological order." "You're a Bond fan?" "Oh yes. He's the archetypal male fantasy, isn't he? The man all women want to have, and all men want to be." "Are you sure it's not the other way around?

it was very hard to enjoy the scenery while simultaneously being terrified of colliding with it.

Jesus may’ve died for your sins, but his ma was the one who was willing to listen to your excuses.

It was like he’d just been issued with a human head for the first time and he was trying to figure out how it worked.

Money didn’t buy you an answer, just a nicer room in which to avoid the question.

don’t try and intimidate somebody my age with prison. The idea of being in a small room with a toilet beside the bed is frankly heavenly. Now off you pop.

They were in the corner booth, which had probably seen more crimes planned than anywhere else in Ireland, with the possible exception of the bar in Government Buildings.

Inspiration doesn't always come in chronological order.

People say life is short, but it's not. It's long, so damn long – ye can't help but make a mess of it. ‘Tis like roulette. You sit at that table for an hour, you might just come away a winner. You sit there long enough, and the house always wins.

The old concept of chronological, orderly, symmetrical development of character died when it was discovered that the unconscious motivations are entirely at odds with fabricated conventions. Human beings do not grow in perfect symmetry. They oscillate, expand, contract, backtrack, arrest themselves, retrogress, mobilize, atrophy in part, proceed erratically according to experience and traumas. Some aspects of the personality mature, others do not. Some live in the past, some in the present. Some people are futuristic characters, some are cubistic, some are hard-edged, some geometric, some abstract, some impressionistic, some surrealistic!

Is it that when these events are in chronological order they are not propelled forward by cause and effect, by need and satisfaction, they do not spring ahead with their own energy but are simply dragged forward by the passage of time?

Nuns didn’t age in human years,

The cork was in the bottle. He and the Atropos were trapped.

Paul glanced across the road. The fox was now sniffing at the sandwich it had retrieved. Rather than eating it, it elected to urinate on it instead. As reviews went, it was pretty damning.

Anything that happens, happens. Anything that, in happening, causes something else to happen, causes something else to happen. Anything that, in happening, causes itself to happen again, happens again. It doesn't necessarily do it in chronological order, though

Godfrey's wife Charmian sat with her eyes closed, attempting to put her thoughts into alphabetical order which Godfrey had told her was better than no order at all, since she now had grasp of neither logic nor chronology.

We have been cut off, the past has been ended and the family has broken up and the present is adrift in its wheelchair. ... That is no gap between the generations, that is a gulf. The elements have changed, there are whole new orders of magnitude and kind. [...] My grandparents had to live their way out of one world and into another, or into several others, making new out of old the way corals live their reef upward. I am on my grandparents' side. I believe in Time, as they did, and in the life chronological rather than in the life existential. We live in time and through it, we build our huts in its ruins, or used to, and we cannot afford all these abandonings.

Good tip,” said Paul. “Just so I know, where is a good place to get shot?” He’d not yet realised that Dr Sinha was not at home to sarcasm. “Gluteus maximus – most definitely. Gunshot, stab wound – if you get the option, go ass every time.

Franciscan friar Richard Rohr says that there are two kinds of time, at least according to the ancient Greeks. There is chronos—or chronological, ordered time—and then there is kairos. Kairos is subjective, qualitative. Deep Time is what Rohr calls it. A fullness, he says. The moments when the dots of our lives connect.

Regarding the Bible codes: Ge 38 tells the story of Judah and Tamar. Tamar gave birth to Perez and Zerach. As the book of Ruth points out, Perez started a lineage that led to Boaz. Does Ge 38 connect to the book of Ruth, in other ways? As expected, the names Boaz, Ruth (beginning at Ge 38:11), Obed (beginning at 38:20), Jesse, and David (beginning at Ge 38:28), are spelled out with identical numeric skips (minus 49) . . . and, they appear in chronological order! Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 19

You can't trust writers. They make up nonsense for a living

Sweet baby Jesus and the donkey he rode in on, the breakfast burritos will change your life. I don’t know whether to eat this thing or take it away for a dirty weekend. Incredible.

Tall, blonde, skinny. Breasts that looked so impossibly pert, they reminded Paul of intensely interested meerkats.

We might be done with the past," said Bunny, "but the past ain't done with us.

If you don’t mind me saying, you are a very peculiar man.” “Sane though. I’ve got a piece of paper.

Seriously though, how can I ever thank you?” “For feck’s sake woman, you own a pub!

I just wish that Statistics was as easy as arranging numbers in chronological order, finding the median, lower and upper quartiles, and placing them on a Box and whisker's chart

He cursed himself for wasting the few minutes he’d had before having to flee his home on sorting through DVDs, rather than doing practical stuff like putting on some more clothes. At times like this, it was hard for him to run from the suspicion that he might be an idiot.

In ten years’ time you’ll look back at twenty-six and wish you’d realised you had your whole life ahead of you. And at forty-six you’ll look back at thirty-six and think the exact same thing. The world is full of people killing time because they think they’ve no time left.

He noticed buildings came with mission statements these days. It really knocked you back on your arse to realise that inanimate structures had their lives more together than you did.

It’s the winter. The Homo sapiens is supposed to put on a layer of fat to help maintain itself and keep warm through the colder months.” “Is that right? Are you expecting another ice age?

Whichever the years flow it was impossible to outmaneuver their passage. Even chronology doesn't guarantee security. All good things ended. Always. The trick was to enjoy them when they lasted.

Have you ever noticed how it is almost always men who are banging on about tradition? That’s because the world used to be set up exactly how they like it and things changing doesn’t suit them. That’s all tradition is: people having no other justification for the stupid way things are done.

Don’t mistake fireworks for fire.” That was what James had been. Bright colourful lights and explosions that generated no heat. Love at first sight wasn’t love at all; it was just biology. Fire was a different thing. It warmed you against the cold and illuminated your way on the darkest of nights.

The way you remember or dream about your loved ones - the ones who are gone - you can't stop their endings from jumping ahead of the rest of their stories. You don't get to choose the chronology of what you dream, or the order of events in which you remember someone. In your mind - in your dreams, in your memories - sometimes the story begins with the epilogue.

Anyway, it's a pretty good story," I said. "You have to admit." "Yeah?" He crumpled up the Kleenex, having dispatched the solitary tear. "You can have it. I'm giving it to you. After I'm gone, write it down. Explain everything. Make it mean something. Use a lot of those fancy metaphors of yours. Put the whole thing in proper chronological order, not like this mishmash I'm making you. Start with the night I was born. March second, 1915. There was a lunar eclipse that night, you know what that is?" "When the earth's shadow falls across the Moon." "Very significant. I'm sure it's a perfect metaphor for something. Start with that." "Kind of trite." I said. He threw the Kleenex at my head. It bounced off my cheek and fell on the floor. I bent to pick it up. Somewhere in its fibers, it held what may have been the last tear my grandfather ever shed. Out of respect for his insistence on the meaninglessness of life--his, everyone's--I threw it into the wastebasket by the door.

Malachi Smith. Crispin Jones. Suzette Boudrot. Claude Le Breton.” Matthew paused as Ransome searched the ledger’s entries for the names. “You should have kept them in chronological order instead of alphabetical. That’s how I remember them.” Ransome

Delaney had the personal hygiene standards of a mentally-challenged baboon. Every time Mulholland looked at him he had a finger somewhere new – in his ear, eye, nostril, mouth. It was like he’d just been issued with a human head for the first time and he was trying to figure out how it worked.

The central concern of Egyptian art, literature, and architecture was the divine world order -- the pharaoh and the gods, who were essentially one and the same. To the Egyptians, that divine order was eternal and unchanging, but it did not rest on a coherent and defined system of belief. The same god might be seen one time as the sky, another time as a bird; he might have a mythical mother, yet it might be said that he gave birth to himself; the sky could be both a cow and a goddess. The Egyptians did not think in chronological or logical terms but pictured the same phenomenon in a number of different ways.

This was a cruel trick of the mind, yes, but Teddy had long ago accepted the logic of it - waking, after all, was an almost natal state. You surfaced without a history, then spent blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.

My mind, it was certain, was a well-oiled mechanism which worked swiftly and seminoiselessly. I often competed with radio contestants on quiz programs and usually won hands down in my living room. Oh, my mental machine could have excited anyone. I meant anyone interested in a person who had memorized the Presidents of the United States in chronological order, the capitals of the world, the minerals of the earth and the generic names of various species. There weren't too many callers for those qualifications and I had to admit that I was greatly lacking in the popular attractions of physical beauty and womanly wiles.

Today I am feeling that chronological order is not a good thing, even if it is easier, and that I should break it up. Is it that when these events are in chronological order they are not propelled forward by cause and effect, by need and satisfaction, they do not spring ahead with their own energy but are simply dragged forward by the passage of time?

the spotlight effect. Basically, we all believe other people are paying way more attention to us than they actually are.

What kind of fecking nuns are you?" "Ever seen the Sound of Music?" "Yes" "Not that kind

You broke into my house, fixed the doorbell and then went back outside and rang it?

When all that’s left is the fall, the fall is everything.

He thinks he’s JFK but has the brains of a bucket of KFC.

What was life without risk? So many people lived it like they thought that if they were careful enough, they could get out of it alive.

Can we agree that this must be rock bottom? I mean, I know you’ve been playing out this Hunter S. Thompson thing for a while now, but even you must see that it’s gotten way out of hand?

I live by a very simple rule because I’m a very simple man: people deserve respect until they prove they don’t. I don’t really care who they are, where they’re from or what they look like.

The middle ages did not care much for alphabetical order, because they were committed to rational order. To the medieval mind, the universe [is] a harmonious whole whose parts are related to one another. It was the responsibility of the author or scholar to discern these rational relationships -- of hierarchy, or of chronology, or of similarities and differences, and so forth.

His intention, after Isabel left Paris, was to go to Greece, but this he abandoned. What he actually did he told me himself many years later, but I will relate it now because it is more convenient to place events as far as I can in chronological order. Maugham, W. Somerset (2011-01-26). The Razor's Edge (Vintage International) (p. 77). Knopf Doubleday Publishing Group. Kindle Edition.

I thought he preferred Ronan,” Declan said. It was the most ridiculous thing to say. It was the most meaningless of takeaways. But out it came. Declan and the new Fenian were situated just as they had been when they’d begun this: the new Fenian on the wooden chair he’d pulled up, Declan on the couch, memories tied up and down his fingers. The new Fenian had sorted through the bright strings with supernatural skill, finding just the ones he’d wanted. Then he’d carefully tied them onto Declan in chronological order, from the day his mother had arrived at the Barns with Declan until the day she’d left the Barns without him. Niall had stayed, always choosing Declan, a life with Declan beside him as much as possible. A life with Ronan, because Declan had cared for him when no one else yet did. It had only taken minutes to experience the memories, but it had felt like years. Dream logic. Dream time. Declan wasn’t the same person he’d been on the other side of it. His father had loved him, adored him, favored him. Given up everything for him. “You had to know you were the favorite,” the new Fenian said. “Didn’t I—he take you everywhere with him that he could?

What do you expect?” “I expect someone lives there in secret, only coming in and out at night, with a dark lantern. We shall probably discover a gang of desperate criminals and get a reward. It’s all rot to say a house would be empty all those years unless there was some mystery.“ “Daddy thought it must be the drains,” said Polly. “Pooh! Grown-ups are always thinking of un-interesting explanations,” said Digory.

In an age of hard drinking Hornblower stood almost alone in his abstemiousness, from no conscientious motive but solely because he actively disliked the feeling of not having complete control of his judgment.

I refused to have bookshelves, horrified that I'd feel compelled to organise the books in some regimented system - Dewey or alphabetical or worse - and so the books lived in stacks, some as tall as me, in the most subjective order I could invent. Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser's case I think I was focused mainly on his name): George Eliot and Jane Austen shared a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him).

What he wanted more than anything was to get blind drunk. The logic being that you can’t remember your problems if you can’t even remember your own name. Yes, it was only a short-term solution, but seeing as he had no long-term one, it’d do.

You know,” began Bunny, “they’re a funny couple of words, aren’t they – ‘political correctness’? I’m a muck savage from the shitty end of Cork, and nobody’s idea of diplomat material, but it strikes me that those two words are simply a derogatory label for what used to be known as basic manners. I live by a very simple rule because I’m a very simple man: people deserve respect until they prove they don’t. I don’t really care who they are, where they’re from or what they look like.

He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.

Supporters of apokatastasis in roughly chronological order: - [c. 30-105] Apostle Paul and various NT authors - [c. 80-150] Scattered likely references among Apostolic Fathers o Ignatius o Justin Martyr o Tatian o Theophilus of Antioch (explicit references) - [130-202] Irenaeus - [c. 150-200] Pantaenus of Alexandria - [150-215] Clement of Alexandria - [154-222] Bardaisan of Edessa - [c. 184-253] Origen (including The Dialogue of Adamantius) - [♱ 265] Dionysius of Alexandria - [265-280] Theognustus - [c. 250-300] Hieracas - [♱ c. 309] Pierius - [♱ c. 309] St Pamphilus Martyr - [♱ c. 311] Methodius of Olympus - [251-306] St. Anthony - [c. 260-340] Eusebius - [c. 270-340] St. Macrina the Elder - [conv. 355] Gaius Marius Victorinus (converted at very old age) - [300-368] Hilary of Poitiers - [c. 296-373] Athanasius of Alexandria - [♱ c. 374] Marcellus of Ancrya - [♱378] Titus of Basra/Bostra - [c. 329-379] Basil the Cappadocian - [327-379] St. Macrina the Younger - [♱387] Cyril of Jerusalem (possibly) - [c. 300-388] Paulinus, bishop of Tyre and then Antioch - [c. 329-390] Gregory Nazianzen - [♱ c. 390] Apollinaris of Laodicaea - [♱ c. 390] Diodore of Tarsus - [330-390] Gregory of Nyssa - [c. 310/13-395/8] Didymus the Blind of Alexandria - [333-397] Ambrose of Milan - [345-399] Evagrius Ponticus - [♱407] Theotimus of Scythia - [350-428] Theodore of Mopsuestia - [c. 360-400] Rufinus - [350-410] Asterius of Amaseia - [347-420] St. Jerome - [354-430] St. Augustine (early, anti-Manichean phase) - [363-430] Palladius - [360-435] John Cassian - [373-414] Synesius of Cyrene - [376-444] Cyril of Alexandria - [500s] John of Caesarea - [♱520] Aeneas of Gaza - [♱523] Philoxenus of Mabbug - [475-525] Pseudo-Dionysius the Areopagite - [♱543] Stephen Bar Sudhaili - [580-662] St. Maximus the Confessor - [♱ c. 700] St. Isaac of Nineveh - [c. 620-705] Anastasius of Sinai - [c. 690-780] St. John of Dalyatha - [710/13-c. 780] Joseph Hazzaya - [813-903] Moses Bar Kepha - [815-877] Johannes Scotus Eriugena

The three amigos were horrified, the investors were horrified, the banks were horrified, the government were horrified. The Skylark financial controller unhelpfully threw himself off a bridge while out walking the dog. The dog was, reportedly, horrified.

His briefcase, now very worn though not particularly old, continued to direct his endless outgoings and incomings, from the four legs of his bed to the four legs of his office desk and back again. His key went from lock to pocket, and back to the lock. Then one day there yawned before the key not a lock and not a pocket but, shall we say, an abyss. One might, of course, having slipped one’s key into the abyss, turn it twice from left to right. The resident did just that, but… we mustn’t violate the logic of chronos or, as it’s generally known, chronological order.

Bush could never understand Hornblower's disciplinary methods. He had been positively horrified when he had heard his captain's public admission that he too had baths under the washdeck pump — it seemed madness for a captain to allow his men to guess that they were of the same flesh as his.

The shortage of tobacco, of water and of wood was nothing nearly as important, however, as the imminent shortage of grog. He had not dared to cut that daily issue, and there was only rum for ten more days in the ship. Not the finest crew in the world could be relied on if deprived of their ration of rum.

During 36 years of marriage, the long-suffering Mrs Stewart had convinced her workaholic husband to go abroad on holiday exactly twice. DI Jimmy Stewart didn’t like abroad. He didn’t like the sea, the sun or foreigners. Not in a racist way, they just insisted on having their own languages and he had a copper’s pathological dislike of things he didn’t understand. The second time they went abroad, they’d gone to Crete. He’d not liked it but he’d kept that largely to himself. The woman had given birth to and raised four kids, all of whom he loved and three of whom he liked. Once he’d given in, he’d decided it was only fair to let her enjoy the holiday and not be a moany prick about it.

When Tyler fled and Sutter pursued him, this was the closest thing to a wilderness there was, and there was really no thought of going anywhere else, and as these fugitives, mentor and protégé, fled from a world that still adhered to form and order they were fleeing not only geographically but chronologically, for they were fleeing into the past.

Eventually every woman who stays away from her soul-home for too long, tires. This is as it should be. Then she seeks her skin again in order to revive her sense of self and soul, in order to restore her deep-eyed and oceanic knowing. This great cycle of going and returning, going and returning, is reflexive within the instinctual nature of women and is innate to all women for all their lives, from throughout girlhood, adolescence, and young adulthood, through being a lover, through motherhood, through being a craftswoman, a wisdom-holder, an elderwoman, and beyond. These phases are not necessarily chronological, for mid-age women are often newborn, old women are intense lovers, and little girls know a good deal about cronish enchantment.

These stories date from my Honorable Discharge from the Army at the end of World War II. Their order is, to the best of my memory, chronological and the most embarrassingly immature pieces have been dropped. These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.

In later years it was a tale told and retold, how the Lydia was towed into action with hornpipes being danced on her maindeck. It was quoted as an example of Hornblower's cool courage, and only Hornblower knew how little truth there was in the attribution. It kept the men happy, which was why he did it. No one guessed how nearly he came to vomiting when a shot came in through a forward gun-​port and spattered Hall with a seaman's brains without causing him to miss a step.

If only I could coexist as peacefully with you as I do with my wolf,” Jaime said as they walked back to pack territory hand in hand. Dante frowned at her. “We coexist peacefully…when you’re not making a mess of our room and ignoring what I say.” “Maybe you could stop being a neat freak and ease off with barking orders at me.” “I resent the neat-freak statement. And I do not bark.” She snickered. “Sure you don’t, Popeye.” “And it wouldn’t kill you to use the shoe rack. I mean, it’s right by the door.” “Stop putting my CDs in chronological order, and I’ll work on the shoe rack thing.” A short pause. “How about alphabetical order?” “How about you go to therapy?” A frustrated growl escaped him. “How about I just shove my cock in your mouth? That should shut you up. Hey!” he whined when she drummed her fingers against his temple. “What’re you doing?” She shrugged. “I just felt like tapping some ass.” His mouth dropped open. Her smirk had him growling again. “Bitch.” “Jerk.” “Love you, baby.” “Love you, Popeye.

The mythographer lives in a permanent state of chronological vertigo, which he pretends to want to resolve. But while on the one table he puts generations and dynasties in order, like some old butler who knows the family history better than his masters, you can be sure that on another table the muddle is getting worse and the threads ever more entangled. No mythographer has ever managed to put his material together in a consistent sequence, yet all set out to impose order. In this, they have been faithful to the myth.

My intention, this time, was to transfer a play to the screen while keeping its theatrical character. It was in some senses a matter of walking, invisibly, around the stage and catching the different aspects and nuances in the play, the urgency and the facial expressions that escape a spectator who cannot follow them in detail from a seat in the stalls. Apart from that, I had noticed how effective a play becomes when you have a bird's-eye view from it, for example from the flies, that is to say from the viewpoint of a voyeur. The Audience is enclosed with the characters in a room lacking its fourth wall and listens to them on equal terms, without the element of my story conferred on scenes of intimacy by the whimsical shape of a keyhole.” “L'aigle à deux têtes is not History. It is a story, an invented story lived out by imaginary heroes, and I should never have dared venture into the realistic world of cinema without being able to rely on the help of Christian Bérard. He has a genius for situating whatever he touches, for giving it a depth in time and space and an appearance of truth that are literally inimitable.” (...) “A drama of this kind would be unacceptable, and almost impossible to tell, unless it was interpreted by superb actors who could instill grandeur and life into it. Edwige Feuillère and Jean Marais, applauded evening after evening in their parts in the play, surpass themselves on the screen and give of themselves, as I suggested above, everything that they cannot give us on the stage.” “George Auric's music and the Strauss waltzes at the krantz ball make up the liquid in this drama of love and death is immersed.” (...) “In L'aigle à deux têtes, I wanted to make a theatrical film.” (...) “I know the faults of the film, but unfortunately the expense of the medium and the constraints of time that it imposes on us, prevent us from correcting our faults, Cinematography costs too much.” (...) “In Les parents terribles (1948), what I determined to do was the opposite of what I did in L'aigle à deux têtes; to de-theatricalize a play, to film it in chronological order and to catch the characters by surprise from the indiscreet angle of the camera. In short, I wanted to watch a family through the keyhole instead of observing its life from a seat in the stalls.

Bergson felt the event of the First World War this way. Before it broke out, it appeared both possible and impossible (the similarity with the suspense surrounding the Iraq war is total), and at the same time he experienced a sense of stupefaction at the ease with which such a fearful eventuality could pass from the abstract to the concrete, from the virtual to the real. We see the same paradox again in the mix of jubilation and terror that characterized, in a more or less unspoken way, the event of 11 September. It is the feeling that seizes us when faced with the occurrence of something that happens without having been possible. In the normal course of events, things first have to be possible and can only actualize themselves afterwards. This is the logical, chronological order. But they are not, in that case, events in the strong sense. This is the case with the Iraq war, which has been so predicted, programmed, anticipated, prescribed and modelled that it has exhausted all its possibilities before even taking place. There is no longer anything of the event in it. There is no longer anything in it of that sense of exaltation and horror felt in the radical event of 11 September, which resembles the sense of the sublime spoken of by Kant. The non-event of the war leaves merely a sense of mystification and nausea.

...the writer of the Morte did not know what had happened, what was happening, nor what was going to happen. He was caught as we are now. in forlornness - he didn't know that this was the least important of problems. He must have felt that the economic world was out of tune since the authority of the manors was slipping away. The revolts of the subhuman serfs must have caused consternation in his mind. The whisperings of religious schism were all around him so that the unthinkable chaos of ecclesiastical uncertainty must have haunted him. Surely he could only look forward to those changes, which we find healthy, with horrified misgivings. And out of this devilish welter of change - so like the one today - he tried to create a world of order, a world of virtue governed by forces familiar to him. And what material had he to build with? Not the shelves of well-ordered source books, not even the public records of his time, not a single chronological certainty, since such a system did not exist. He did not even have a dictionary in any language. Perhaps he had a few manuscripts, a missal, maybe the Alliterative Poems. Beyond this, he had only his memory and his hopes and his intuitions. If he could not remember a word, he had to use another or make one up.

king contributed from his own possessions for the morning and evening burnt offerings and for the burnt offerings on the Sabbaths, at the New Moons and at the appointed festivals as written in the Law of the LORD. 4He ordered the people living in Jerusalem to give the portion due the priests and Levites so they could devote themselves to the Law of the LORD. 5As soon as the order went out, the Israelites generously gave the firstfruits of their grain, new wine, olive oil and honey and all that the fields produced. They brought a great amount, a tithe of everything. 6The people of Israel and Judah who lived in the towns of Judah also brought a tithe of their herds and flocks and a tithe of the holy things dedicated to the LORD their God, and they piled them in heaps. 7They began doing this in the third month and finished in the seventh month. 8When Hezekiah and his officials came and saw the heaps, they praised the LORD and blessed his people Israel. 9Hezekiah asked the priests and Levites about the heaps; 10and Azariah the chief priest, from the family of Zadok, answered, “Since the people began to bring their contributions to the temple of the LORD, we have had enough to eat and plenty to spare, because the LORD has blessed his people, and this great amount is left over.” 11Hezekiah gave orders to prepare storerooms in the temple of the LORD, and this was done. 12Then they faithfully brought in the contributions, tithes and dedicated gifts.