“
Sometimes the prize is not worth the costs. The means by which we achieve victory are as important as the victory itself.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
The most important step a man can take. It's not the first one, is it?
It's the next one. Always the next step, Dalinar.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
In the end, all men die. How you lived will be far more important to the Almighty than what you accomplished.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
The most important word a man can say are, "I will do better.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The most important words a man can say are, “I will do better.” These are not the most important words any man can say. I am a man, and they are what I needed to say.
The ancient code of the Knights Radiant says “journey before destination.” Some may call it a simple platitude, but it is far more. A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us.
But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes our destination. To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one.
I’m certain some will feel threatened by this record. Some few may feel liberated. Most will simply feel that it should not exist. I needed to write it anyway.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
What is it we value? Innovation. Originality. Novelty. But most importantly...timeliness. I fear you may be too late, my confused, unfortunate, friend.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
The most important step a person can take is always the next one.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The most important words a man can say are, "I will do better.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
I find nothing more frightening than a man trying to do what he has decided is important. Very little in the world has ever gone astray—at least on a grand scale—because a person decided to be frivolous
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Journey before destination. There are several ways to achieve a goal. Failure is preferable to winning through unjust means. Protecting ten innocents is not worth killing one. In the end, all men die. How you lived will be far more important to the Almighty than what you accomplished.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
But it was important to be rational at all times, not just when calm.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
It is my solemn and important duty to bring happiness, light, and joy into your world when you’re being a dour idiot.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
If the journey itself is indeed the most important piece, rather than the destination itself, then I traveled not to avoid duty—but to seek it.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Then be wise about it. There are two kinds of important men, Shallan. There are those who, when the boulder of time rolls toward them, stand up in front of it and hold out their hands. All their lives, they've been told how great they are. They assume the word itself will bend to their whims as their nurse did when fetching them a fresh cup of milk.
Those men end up squished.
Other men stand to the side when the boulder of time passes, but are quick to say, 'See what I did! I made the boulder roll there. Don't make me do it again!'
These men end up getting everyone else squished."
"Is there not a third type of person?"
"There is, but they are oh so rare. These know they can't stop the boulder. So they walk beside it, study it, and bide their time. Then they shove it-ever so slightly- to create a deviation in its path.
These are the men who actually change the world. And they terrify me. For men never see as far as they think they do.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The first step is to care, Tukks’s voice seemed to whisper. Some talk about being emotionless in battle. Well, I suppose it’s important to keep your head. But I hate that feeling of killing while calm and cold. I’ve seen that those who care fight harder, longer, and better than those who don’t. It’s the difference between mercenaries and real soldiers.
It’s the difference between fighting to defend your homeland and fighting on foreign soil.
It’s good to care when you fight, so long as you don’t let it consume you. Don’t try to stop yourself from feeling. You’ll hate who you become.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
For the men chatting together softly, the change was in being shown sunlight again. In being reminded that the darkness DID pass. But perhaps most important, the change was in not merely knowing that you weren't alone — but in FEELING it. Realizing that no matter how isolated you thought you were, no matter how often your brain told you terrible things, there WERE others who understood.
”
”
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
“
He used to tell me there were no bad dreams. Just dreams. That when we call them good or bad, we give importance to them. I know that doesn't make it better, Mac. I know it's easy to talk like that when you're awake. But the fact is, dreams catch us with our armor off.
”
”
Victoria E. Schwab (The Unbound (The Archived, #2))
“
The most important step a man can take. It’s not the first one, is it? It’s the next one. Always the next step, Dalinar.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
We will never cease our critique of those persons who distort the past, rewrite it, falsify it, who exaggerate the importance of one event and fail to mention some other; such a critique is proper (it cannot fail to be), but it doesn't count for much unless a more basic critique precedes it: a critique of human memory as such. For after all, what can memory actually do, the poor thing? It is only capable of retaining a paltry little scrap of the past, and no one knows why just this scrap and not some other one, since in each of us the choice occurs mysteriously, outside our will or our interests. We won't understand a thing about human life if we persist in avoiding the most obvious fact: that a reality no longer is what it was when it was; it cannot be reconstructed. Even the most voluminous archives cannot help.
”
”
Milan Kundera (Ignorance)
“
The most important step a man can take. It’s not the first one, is it? It’s the next one. Always the next step, Dalinar. Trembling, bleeding, agonized, Dalinar forced air into his lungs and spoke a single ragged sentence. “You cannot have my pain.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Remembering the fallen was important, but working to protect the living was more so.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
The most important step that a man can take is the next one.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Absolutely nothing is as important as knowing who to trust.
”
”
Radovan Kavický
“
Sometimes the proof is never committed to the archive—it is not considered important enough to record, or if it is, not important enough to preserve.
”
”
Carmen Maria Machado (In the Dream House)
“
Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.
”
”
Richard Fortey (Dry Store Room No. 1: The Secret Life of the Natural History Museum)
“
Sometimes,” Dalinar said, “the prize is not worth the costs. The means by which we achieve victory are as important as the victory itself.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
The means by which we achieve victory are as important as the victory itself.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Leniency and mercy. Men set free despite crimes, because they were good fathers, or well liked in the community, or in the favor of someone important. “Some of those who are set free change their lives and go on to produce for society. Others recidivate and create great tragedies. The thing is, Szeth son Neturo, we humans are terrible at spotting which will be which. The purpose of the law is so we do not have to choose. So our native sentimentality will not harm us.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
One last lesson for tonight: Don’t ever get mad at a person you’re sparring with, especially when they defeat you. Their victory is training for you. More importantly, you need to be the kind of person the best duelists want to fight—because if you only ever face people you can beat, then you’ll never improve.
”
”
Brandon Sanderson (Wind and Truth (The Stormlight Archive, #5))
“
Someday when we get around to writing a genealogy of our failures, inadequacies, and disappointments, an important place in such a study will be the books we never read, for whatever reason. Aside from the music we never listened to, the movies we never watched, or the old archives and maps we never explored, the books we never read will be one of the indicators of our anachronisms and our flawed humanity.
”
”
Boris Gunjević (God in Pain: Inversions of Apocalypse)
“
The most important step a man can take. It's not the first one, is it?
It's the next one. Always the next step, Dalinar.
Trembling, bleeding, agonized, Dalinar forced air into his lungs and spoke a single ragged sentence.
"You cannot have my pain.
”
”
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
“
All memory is individual, unreproducible - it dies with each person. What is called collective memory is not a remembering but a stipulation: that is important, and this is the story about how it happened, with the pictures that lock the story in our minds. Ideologies create substantiating archives of images, representative images, which encapsulate common ideas of significance and trigger predictable thoughts, feelings.
”
”
Susan Sontag (Regarding the Pain of Others)
“
Brother. 'You must find the most important words a man can say
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Middle ground only comes in war after lots of people have died—and only after the important people are worried they might actually lose.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The most important step a man can take. It's not the first one, is it? It's the next one. Always the next step.
”
”
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
“
But perhaps most important, the change was in not merely knowing that you weren’t alone—but in feeling it. Realizing that no matter how isolated you thought you were, no matter how often your brain told you terrible things, there were others who understood. It wouldn’t fix everything. But it was a start.
”
”
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
“
Shallan grinned. “Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Life before death,” Teft said, wagging a finger at Kaladin. “The Radiant seeks to defend life, always. He never kills unnecessarily, and never risks his own life for frivolous reasons. Living is harder than dying. The Radiant’s duty is to live. “Strength before weakness. All men are weak at some time in their lives. The Radiant protects those who are weak, and uses his strength for others. Strength does not make one capable of rule; it makes one capable of service.” Teft picked up spheres, putting them in his pouch. He held the last one for a second, then tucked it away too. “Journey before destination. There are always several ways to achieve a goal. Failure is preferable to winning through unjust means. Protecting ten innocents is not worth killing one. In the end, all men die. How you lived will be far more important to the Almighty than what you accomplished.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
When thinking about anthropodermic books, we can't simply fault the doctors of the past for engaging in behavior that was tacitly or explicitly sanctioned by the laws and mores of their time and place in history; nor can we expect them to retroactively adhere to the deeply important beliefs we now have about informed consent. What we can do, and have a moral obligation to do, is examine the institutions in which these injustices were able to proceed, learn from their mistakes, and critically view the pernicious ways these mindsets might persist in our current society and fight to eradicate them.
”
”
Megan Rosenbloom (Dark Archives: A Librarian's Investigation into the Science and History of Books Bound in Human Skin)
“
I have found, through painful experience, that the most important step a person can take is always the next one.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
There is a secret you must learn, child,” Jasnah said. “A secret that is even more important than those relating to Shadesmar and spren. Power is an illusion of perception.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Sometimes the prize is not worth the costs. The means by which we achieve victory are as important as the victory itself. - Dalinar
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
He felt it an important one, for him. An oath could be broken, but a promise? A promise stood as long as you were still trying. A promise understood that sometimes your best wasn’t enough. A promise cried with you when all went to Damnation. A promise came to help when you could barely stand. Because a promise knew that sometimes, being there was all you could offer.
”
”
Brandon Sanderson (Wind and Truth (The Stormlight Archive, #5))
“
The space itself - its piles of papers representing decades of tangled history - reminded me of all that I didn't know and couldn't know. This itself is part of the wisdom of archives. By creating a finite space, where some things are included, some omitted, an archive challenges you to examine its dusty spaces, but more importantly, to search for what has been entirely left out.
”
”
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
“
My Kind of Girl
A letter of inspiration from a loving Mother
Understands who she is
Stands for what she believes in
She cannot be broken
No one can belittle her
When trials come her way
She remains unfazed
My Kind of Girl
Walks with confidence
She exudes excellence
An epitome of elegance
She does due diligence
Being mindful of her intelligence
And knowing her importance
My Kind of Girl
Builds her own future
A certified trailblazer
Who utilizes the power within her
To be of good influence
Always on top of her game
Yes, she keeps soaring like an eagle
My Kind of Girl
Takes charge for her own life
Secures her name in historical archives
For she is no ordinary woman
An extraordinary being
She dares to dream
In the world, she makes a difference
That is my kind of girl
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
I find nothing more frightening than a man trying to do what he has decided is important. Very little in the world has ever gone astray - at least on a grand scale - because a person decided to be frivolous.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive #2))
“
You must find the most important words a man can say...Those words came to me from one who claimed to have seen the future.....The past is the future and as each man has lived, so must you. "So, I can but repeat what has been done before?" "In some things, yes. You will love, you will hurt, you will dream, and you will die. Each man's past is your future." "Then what is the point," I asked, "if all has been seen and done?" "The question, she replied, is not whether you will love, hurt, dream, and die. It is what you will love; why you will hurt; when you will dream; and how you will die.This is your choice. You cannot pick the destination, only the path.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The most important words a man can say are, "I will do better." These are not the most important words any man can say. I am a man, and they are what I needed to say.
The ancient code of the Knights Radiant says "Journey before Destination." Some may call it a simple a platitude, but it is far more. A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us.
But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes our destination.
To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one.
”
”
Brandon Sanderson
“
You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Words are important,” Gavilar said. “Much more than you give them credit for being.” “Perhaps,” Dalinar said. “But if they were all-powerful, you wouldn’t need my sword, would you?” “Perhaps. I can’t help feeling words would be enough, if only I knew the right ones to say.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Why am I holding on to this stuff? Some of this junk is losing its punch. Pictures. Pieces of paper with writing on them—I can no longer connect with the thoughts or feelings that birthed them, that drove me in that panicky desperate moment to scribble in a barely legible scrawl as if on a cave wall. All say the same thing in some form or another: “I am here. This is me in this moment.” Do I have some fantasy that this stuff will be important after I die? Do I think that scholars will be thrilled that I left such a disorganized treasure trove of creative evidence of me? Will the archives be fought over by college libraries? What will probably happen is my brother will come out with my mother and look in the boxes. My mother will hold up a VHS or a cassette and say to my brother, “Do I have a machine that plays these?” My brother will shake his head no and they will throw it all away.
”
”
Marc Maron (Attempting Normal)
“
When the Archives file out of the room, Galen turns to Emma. She’s ready for him. She holds up her shushing finger. “Don’t even,” she says. “I was going to tell you, but I just didn’t have a chance.”
“Tell me now,” he says. “Since it seems I’m the last to know.” He isn’t the last to know, of course. But he’d really hoped she would come to him with it. Before now. Before it became an issue for other people.
She raises a hesitant brow.
“Please,” he grates out.
She sighs in a gust. “I still don’t think it’s important at the moment, but when Rayna took off for the Arena, I hoped on one of the jet skis and tried to follow. But,” she amends, “I did not intend to get in the water. I swear I didn’t. It’s just that Goliath wanted to play, and he tipped over the”-she must sense all his patience oozing out-“anyway, so I come across this Syrena, Jasa, and she’s been caught in a net and two men are pulling her aboard. So me and Goliath helped her.”
“Where are the fishermen now?”
“Um. Unless Rachel did something drastic, they’re probably at home telling their kids crazy stories about mermaids.”
Galen feels a sense of control slipping, but of what he’s not sure. For centuries, the Syrena have remained unnoticed by humans. Now within the span of a week, they’ve allowed themselves to be captured twice. He hopes this does not become a pattern.
Toraf must have mistaken his long pause for brooding. “Don’t be too hard on her, Galen,” he says. “I told you, Emma helped her and then went straight home.”
“Stay out of this,” Galen says pleasantly.
“I knew you told him.” Emma crosses her arms at Toraf. “You really are a snitch.”
“You had enough to worry about. And so did I.” Toraf shrugs, unperturbed. “It’s over now.”
Nalia pinches the bridge of her nose. “This is where I ground you for life,” she tells Emma. “All three hundred years of it.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
After this examination there are still gaps of doubt and apparent contradiction. And it is natural that it be so, because the Eternal Return is an experience. There lies its importance: in the fact of being.
The Eternal Return is not the reincarnation as it has been spread in our days. Original Buddhism, on the other hand, could be pointing to something similar. Buddha was a shastriya, that is, a prince of the warrior caste, not a brahman, or priest, and his Doctrine was also for heroes and warriors. Then, it has been transformed by the monks. Buddha, like Nietzsche, talks about a reincarnation without mentioning the soul. What is it that reincarnates, then? As in Nietzsche it could be that 'atom-seed', or 'all those conditions that determine its existence and that they come back to give themselves', in the turn of the Energy, or of the Light that finds the old image. The Buddhist would want to be liberated, to leave the Circle; that's why it kills desire, that makes return.
The Will to Power, as we have seen, returns to its 'archive', wishes to possess again its 'non-existence'. The difference: Nietzsche wants to return eternally, incorporates the Will and considers Nirvana a dream of decadents, of warriors who have become priests, monks. However, we do not know what Buddha really thought, because he did not talk about these things, nor did he explain Nirvana. Maybe, he just wanted to get out of this Circle to enter to fight in another wider Circle, that is more immense.
”
”
Miguel Serrano
“
[...] fundamental PIM problems are surprisingly resistant to technology change. [...] Despite apparent technology improvements, we still forget to deal with vital actionable items. find it hard to judge the value of new information, keep large amounts of infomation of questionable value, and fail to retrieve important information that we have made stringent efforts to organize.
”
”
Ofer Bergman (The Science of Managing Our Digital Stuff (Mit Press))
“
The Atonist nobility knew it was impossible to organize and control a worldwide empire from Britain. The British Isles were geographically too far West for effective management. In order to be closer to the “markets,” the Atonist corporate executives coveted Rome. Additionally, by way of their armed Templar branch and incessant murderous “Crusades,” they succeeded making inroads further east. Their double-headed eagle of control reigned over Eastern and Western hemispheres. The seats of Druidic learning once existed in the majority of lands, and so the Atonist or Christian system spread out in similar fashion. Its agents were sent from Britain and Rome to many a region and for many a dark purpose. To this very day, the nobility of Europe and the east are controlled from London and Rome. Nothing has changed when it comes to the dominion of Aton. As Alan Butler and Stephen Dafoe have proven, the Culdean monks, of whom we write, had been hired for generations as tutors to elite families throughout Europe. In their book The Knights Templar Revealed, the authors highlight the role played by Culdean adepts tutoring the super-wealthy and influential Catholic dynasties of Burgundy, Champagne and Lorraine, France. Research into the Templars and their affiliated “Salt Line” dynasties reveals that the seven great Crusades were not instigated and participated in for the reasons mentioned in most official history books. As we show here, the Templars were the military wing of British and European Atonists. It was their job to conquer lands, slaughter rivals and rebuild the so-called “Temple of Solomon” or, more correctly, Akhenaton’s New World Order. After its creation, the story of Jesus was transplanted from Britain, where it was invented, to Galilee and Judea. This was done so Christianity would not appear to be conspicuously Druidic in complexion. To conceive Christianity in Britain was one thing; to birth it there was another. The Atonists knew their warped religion was based on ancient Amenism and Druidism. They knew their Jesus, Iesus or Yeshua, was based on Druidic Iesa or Iusa, and that a good many educated people throughout the world knew it also. Their difficulty concerned how to come up with a believable king of light sufficiently appealing to the world’s many pagan nations. Their employees, such as St. Paul (Josephus Piso), were allowed to plunder the archive of the pagans. They were instructed to draw from the canon of stellar gnosis and ancient solar theologies of Egypt, Chaldea and Ireland. The archetypal elements would, like ingredients, simply be tossed about and rearranged and, most importantly, the territory of the new godman would be resituated to suit the meta plan.
”
”
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
“
Brother?” Gavilar said. Dalinar turned back and regarded Gavilar, who was bathed by the bleeding light of a fire reaching its end. “Words are important,” Gavilar said. “Much more than you give them credit for being.” “Perhaps,” Dalinar said. “But if they were all-powerful, you wouldn’t need my sword, would you?” “Perhaps. I can’t help feeling words would be enough, if only I knew the right ones to say.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The night I was found there was a big fire here. Mrs. Love told me so, when I was nine. She thought she should, because of the smell of smoke on my clothes when she found me. Later I came over to have a look. And I’ve been coming ever since. Later I looked it up in the archives of the local paper. Anyway—” His voice had the unmistakable lightness of someone telling something extremely important. A story so cherished it had to be dressed in casualness to disguise its significance in case the listener turned out to be unsympathetic.
”
”
Diane Setterfield (The Thirteenth Tale)
“
The historical record often neglects certain kinds of stories. For example, in the Library of Congress, OSS veterans helped catalogue the OSS records; this was a good service to the country, but they often catalogued the names of men and not the names of women. In memoirs that men wrote about the war years, the names of women are, likewise, often absent – they’re “a shapely analyst.” Say or “a woman from Harvard.” I’m grateful to have a way to fill in the stories of figures who, despite their importance, don’t receive their due space in the archives.
”
”
Elyse Graham (Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II)
“
Bill, this is serious, and despite my stable condition, I am a man and I have something of the gravest importance to ask you. PLEASE could you do this for me? SOMEwhere in the "archives" there must be a picture of Joan, your wife, my mother. Please, Bill. Father, I'm almost 33 and I don't know what my own mother looked like. Would it should it can it possibly be too much trouble to let a precariously living son see the IMAGE of his mother? Honestly, this has rankled me for years on end. This letter has certainly asked a lot. I love you, Bill. Bill Jr.
”
”
William S. Burroughs Jr.
“
The ancient code of the Knights Radiant says “journey before destination.” Some may call it a simple platitude, but it is far more. A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us. But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes our destination. To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Clearly, just imprinting a document in clay is not enough to guarantee efficient, accurate and convenient data processing. That requires methods of organisation like catalogues, methods of reproduction like photocopy machines, methods of rapid and accurate retrieval like computer algorithms, and pedantic (but hopefully cheerful) librarians who know how to use these tools. Inventing such methods proved to be far more difficult than inventing writing. Many writing systems developed independently in cultures distant in time and place from each other. Every decade archaeologists discover another few forgotten scripts. Some of them might prove to be even older than the Sumerian scratches in clay. But most of them remain curiosities because those who invented them failed to invent efficient ways of cataloguing and retrieving data. What set apart Sumer, as well as pharaonic Egypt, ancient China and the Inca Empire, is that these cultures developed good techniques of archiving, cataloguing and retrieving written records. They obviously had no computers or photocopying machines, but they did have catalogues, and far more importantly, they did create special schools in which professional scribes, clerks, librarians and accountants were rigorously trained in the secrets of data-processing.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
The ancient code of the Knights Radiant says “journey before destination.” Some may call it a simple platitude, but it is far more. A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us. But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes our destination. To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one. I’m certain some will feel threatened by this record. Some few may feel liberated. Most will simply feel that it should not exist. I needed to write it anyway.
”
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
We tend to believe that the most important thing about an email is its content, but that’s not exactly right. The most important aspect of an email, from a time management perspective, is how urgently it needs a reply. Because we forget when the sender needs a reply, we waste time rereading the message. The solution to this mania is simple: only touch each email twice. The first time we open an email, before closing it, answer this question: When does this email require a response? Tagging each email as either “Today” or “This Week” attaches the most important information to each new message, preparing it for the second (and last) time we open it. Of course, for super-urgent, email-me-right-now-type messages, go ahead and respond. Messages that don’t need a response at all should be deleted or archived immediately.
”
”
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
“
In addition to social and ethical reforms, Christianity was responsible for important economic and technological innovations. The Catholic Church established medieval Europe’s most sophisticated administrative system, and
pioneered the use of archives, catalogues, timetables and other techniques of data processing. The Vatican was the closest thing twelfth-century Europe had to Silicon Valley. The Church established Europe’s first economic
corporations – the monasteries – which for 1,000 years spearheaded the European economy and introduced advanced agricultural and administrative methods. Monasteries were the first institutions to use clocks, and for
centuries they and the cathedral schools were the most important learning centres of Europe, helping to found many of Europe’s first universities, such as Bologna, Oxford and Salamanca.
”
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Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
I couldn’t think of anything funny.” He hesitated. “Though that hasn’t ever stopped you.” Shallan grinned. “Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.” “All this,” Adolin said, amused, “to justify your sense of humor, Shallan?” “My sense of humor? No, I’m merely trying to justify the creation of Captain Kaladin.
”
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The history of slavery provides the spine of this novel. Some texts that offered “deep background” were Boubacar Barry’s Senegambia and the Atlantic Slave Trade, which excavates eighteenth-century slave trading history in Wolof-speaking areas of West Africa, and Walter Rucker’s Gold Coast Diasporas: Identity, Culture, and Power, about Asante peoples of West Africa, those who would come to be called “Coromantee.” Sylviane Diouf’s Servants of Allah: African Muslims Enslaved in the Americas is a must-read for anyone interested in Muslim history on the American side of the Atlantic. And Marcus Rediker’s The Slave Ship: A Human History gives background information about the brutal transatlantic slave trade. In addition, the digitized Georgia Archives provided information about eighteenth-century slave and Native American codes, as well as Land Lottery records. Henry Louis Gates’s edited The Classic Slave Narratives, which include Jacobs’s as well as Frederick Douglass’s autobiographies, continue to be so important to me. Ailey’s family lives
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Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
“
Ever since the end of World War II, when antibiotics arrived like jingle-clad, ultramodern cleaning products, we’ve been swept up in antigerm warfare. But in a recent article published in Archives of General Psychiatry, the Emory University neuroscientist Charles Raison and his colleagues say there’s mounting evidence that our ultraclean, polished-chrome, Lysoled modern world holds the key to today’s higher rates of depression, especially among young people. Loss of our ancient bond with microorganisms in gut, skin, food, and soil plays an important role, because without them we’re not privy to the good bacteria our immune system once counted on to fend off inflammation. “Since ancient times,” Raison says, “benign microorganisms, sometimes referred to as ‘old friends,’ have taught the immune system how to tolerate other harmless microorganisms, and in the process reduce inflammatory responses that have been linked to most modern illnesses, from cancer to depression.” He raises the question of “whether we should encourage measured reexposure to benign environmental microorganisms
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Diane Ackerman (The Human Age: The World Shaped By Us)
“
Christianity and other traditional religions are still important players in the world. Yet their role is now largely reactive. In the past, they were a creative force. Christianity, for example, spread the hitherto heretical notion that all humans are equal before God, thereby changing human political structures, social hierarchies and even gender relations. In his Sermon on the Mount Jesus went further, insisting that the meek and oppressed are God’s favourite people, thus turning the pyramid of power on its head, and providing ammunition for generations of revolutionaries. In addition to social and ethical reforms, Christianity was responsible for important economic and technological innovations. The Catholic Church established medieval Europe’s most sophisticated administrative system, and pioneered the use of archives, catalogues, timetables and other techniques of data processing. The Vatican was the closest thing twelfth-century Europe had to Silicon Valley. The Church established Europe’s first economic corporations – the monasteries – which for 1,000 years spearheaded the European economy and introduced advanced agricultural and administrative methods.
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Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.
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John Laurence (The Cat From Hue: A Vietnam War Story)
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Chapter 1, “Esoteric Antiquarianism,” situates Egyptian Oedipus in its most important literary contexts: Renaissance Egyptology, including philosophical and archeological traditions, and early modern scholarship on paganism and mythology. It argues that Kircher’s hieroglyphic studies are better understood as an antiquarian rather than philosophical enterprise, and it shows how much he shared with other seventeenth-century scholars who used symbolism and allegory to explain ancient imagery. The next two chapters chronicle the evolution of Kircher’s hieroglyphic studies, including his pioneering publications on Coptic. Chapter 2, “How to Get Ahead in the Republic of Letters,” treats the period from 1632 until 1637 and tells the story of young Kircher’s decisive encounter with the arch-antiquary Peiresc, which revolved around the study of Arabic and Coptic manuscripts. Chapter 3, “Oedipus in Rome,” continues the narrative until 1655, emphasizing the networks and institutions, especially in Rome, that were essential to Kircher’s enterprise. Using correspondence and archival documents, this pair of chapters reconstructs the social world in which Kircher’s studies were conceived, executed, and consumed, showing how he forged his career by establishing a reputation as an Oriental philologist.
The next four chapters examine Egyptian Oedipus and Pamphilian Obelisk through a series of thematic case studies. Chapter 4, “Ancient Theology and the Antiquarian,” shows in detail how Kircher turned Renaissance occult philosophy, especially the doctrine of the prisca theologia, into a historical framework for explaining antiquities. Chapter 5, “The Discovery of Oriental Antiquity,” looks at his use of Oriental sources, focusing on Arabic texts related to Egypt and Hebrew kabbalistic literature. It provides an in-depth look at the modus operandi behind Kircher’s imposing edifice of erudition, which combined bogus and genuine learning. Chapter 6, “Erudition and Censorship,” draws on archival evidence to document how the pressures of ecclesiastical censorship shaped Kircher’s hieroglyphic studies. Readers curious about how Kircher actually produced his astonishing translations of hieroglyphic inscriptions will find a detailed discussion in chapter 7, “Symbolic Wisdom in an Age of Criticism,” which also examines his desperate effort to defend their reliability. This chapter brings into sharp focus the central irony of Kircher’s project: his unyielding antiquarian passion to explain hieroglyphic inscriptions and discover new historical sources led him to disregard the critical standards that defined erudite scholarship at its best. The book’s final chapter, “Oedipus at Large,” examines the reception of Kircher’s hieroglyphic studies through the eighteenth century in relation to changing ideas about the history of civilization.
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Daniel Stolzenberg (Egyptian Oedipus: Athanasius Kircher and the Secrets of Antiquity)
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You learn more from bad art than you do from good art, as your mistakes are more important than your successes.
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Henry J. Wolfinger, a historian associated with the National Archives and Records Service and author of a pathbreaking, in-depth essay chronicling the life of black Mormon pioneer Jane Manning James, called the book “well-written and carefully organized.” It provides “the fullest discussion to date” of the “origins and development” Mormonism’s “racial doctrines . . . based on a command of the secondary literature and extensive research in primary sources.” But he also opined that the volume overstated “the importance of antislavery sentiment within the church after the death of Joseph Smith, given the legalization of slavery in Utah Territory in 1852 and Brigham Young’s view that the institution was divinely ordained.” He further asserted that the volume’s discussion of the “development of the church’s racial policies focuses
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Newell G. Bringhurst (Saints, Slaves, and Blacks: The Changing Place of Black People Within Mormonism, 2nd ed.)
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The first step is to care, Tukks’s voice seemed to whisper. Some talk about being emotionless in battle. Well, I suppose it’s important to keep your head. But I hate that feeling of killing while calm and cold. I’ve seen that those who care fight harder, longer, and better than those who don’t. It’s the difference between mercenaries and real soldiers. It’s the difference between fighting to defend your homeland and fighting on foreign soil. It’s good to care when you fight, so long as you don’t let it consume you. Don’t try to stop yourself from feeling. You’ll hate who you become.
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Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
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I find nothing more frighening than a man trying to do what he has decided is important. Very little in the world has ever gone astray - at least on a grand scale - because a person decided to be frivolous.
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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The most important words a man can say are, “I will do better.
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
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I often find myself wondering of those other paths, those other worlds of possibility. Surely I exist in other realms, surely we all do. What are the other versions of ourselves like? What have they accomplished that we never could? And the most important question of all, am I doing what I can to be the best version of myself? -Azzeal, Keeper of the Windwalker Archive
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Michael James Ploof (The Windwalker Trilogy (The Windwalker Archive, #1-3))
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This is an embarrassing hole. History is the most important of the literary subarts.
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Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
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The most important words a man can say are, “I will do better.” These are not the most important words any man can say. I am a man, and they are what I needed to say.
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
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Be careful, Adolin,” she said, flitting up into the air. “My kind aren’t like highspren—we don’t look to laws, but to morality, as our guide.” “That’s good, isn’t it?” Adolin said. “It is … unless you happen to disagree with their interpretation of morality. My kind can be very difficult to persuade with logic, because for us … well, what we feel can often be more important to us than what we think. We’re spren of honor, but remember, honor is—even to us—what humans and spren define it to be. Particularly with our god dead.
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Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
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To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one.
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
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I didn’t want to be special.”
“Says the girl who was comparing herself so dramatically to a shadow earlier.”
“I just wanted what I asked for.”
“Which was?” Wyndle asked.
“Not important now.”
“I rather think it is.”
“I asked not to change,” Lift whispered, opening her eyes. “I said, when everything else is going wrong, I want to be the same. I want to stay me. Not become someone else.”
“Those are the exact words?” Wyndle asked.
“Best I can remember.”
“Hmm…” Wyndle said, snuggling down into his vines. “I believe that is too vague.”
“I wasn’t! I told her. Make me so I don’t grow up.”
“That is not what you said, mistress. And if I might be so bold—having spent a great deal of time around you—you are not an easy person to understand.”
“I asked not to change! So why am I changing?”
“You’re still you. Merely a bigger version.
”
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Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
“
I had a cousin once, sure, who had a crab he swore had bred with chulls, but I didn’t think that was possible, even if it came up to my knees. So it was a big storming crab. But we couldn’t build a house on its back. That’s wild, velo. You deserve respect for living on a giant crab. Who lives on a crab? No regular people. Just people like you.”
Lopen slowed them near the top, where the atrium finally ended, maybe a thousand feet in the air or more. It provided the best view out the window: an amazing field of snow-tipped mountains. Lopen could appreciate, from up here, how they all looked the same. One shouldn’t forget that they weren’t, sure, but there was a perspective from a distance—different from the up-close perspective.
Up close, differences could chafe. But if you remembered that from far away you all looked the same . . . well, that was important too.
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Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
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Quite naturally, holders of power wish to suppress wild research. Unrestricted questing after knowledge has a long history of producing unwanted competition. The powerful want a “safe line of investigations,” which will develop only those products and ideas that can be controlled and, most important, that will allow the larger part of the benefits to be captured by inside investors. Unfortunately, a random universe full of relative variables does not insure such a “safe line of investigations.” —ASSESSMENT OF IX, BENE GESSERIT ARCHIVES
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Frank Herbert (Heretics of Dune (Dune, #5))
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Our Archive is really what St Mary’s is all about. As Dr Bairstow always says – it’s important to have a true record of events. Not the political version, not the religious version, not the version put about by the winners – and definitely not the bought-and-paid-for version – but the actual, warts and all, correct version.
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Jodi Taylor (The Good, The Bad and The History (Chronicles of St. Mary's #14))
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Our Archive is really what St Mary’s is all about. As Dr Bairstow always says – it’s important to have a true record of events. Not the political version, not the religious version, not the version put about by the winners – and definitely not the bought-and-paid-for version – but the actual, warts and all, correct version. Given the way History has been rewritten, reimagined or downright faked over the last hundred years or so, you can imagine how many people would like to get their hands on our Archive. To misrepresent, alter, amend or completely obliterate the inconvenient bits of History not quite in line with current fashionable thinking. And if that ever did happen, everything we had ever accomplished would be a complete waste of time because we wouldn’t be able to go back and do it again. There are no do-overs in History.
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Jodi Taylor (The Good, The Bad and The History (Chronicles of St. Mary's #14))
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And finally the description of a new biography of Georgette Heyer by Jennifer Kloester. “Georgette Heyer remains an enduring international bestseller, read and loved by four generations of readers and extolled by today’s bestselling authors. Despite her enormous popularity she never gave an interview or appeared in public. Georgette Heyer wrote her first novel,The Black Moth, when she was seventeen in order to amuse her convalescent brother. It was published in 1921 to instant success and ninety years later it has never been out of print. A phenomenon even in her own lifetime, to this day she is the undisputed queen of regency romance. During ten years of research into Georgette Heyer’s life and writing, Jennifer Kloester has had unlimited access to Heyer’s notebooks and private papers and the Heyer family records, and exclusive access to several untapped archives of Heyer’s early letters. Engaging, authoritative and meticulously researched, Georgette Heyer: Biography of a Bestseller offers a comprehensive insight into the life and writing of a remarkable and ferociously private woman.” All of these are between 150 and
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Julian Smart (Professional Kindle Publishing with Jutoh 3: Beyond Word: a guide to importing, editing and creating ebooks professionally for Kindle)
“
The solution to this mania is simple: only touch each email twice. The first time we open an email, before closing it, answer this question: When does this email require a response? Tagging each email as either “Today” or “This Week” attaches the most important information to each new message, preparing it for the second (and last) time we open it. Of course, for super-urgent, email-me-right-now-type messages, go ahead and respond. Messages that don’t need a response at all should be deleted or archived immediately.
”
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Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
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Bryce met Hunt’s disbelieving stare. “The Horn cracked in two when Pelias sealed the Northern Rift. Its power was broken. The Fae and Asteri tried for years to renew it through magic and spells and all that crap, but no luck. It was given a place of honor in the Asteri Archives, but when they established Lunathion a few millennia later, they had it dedicated to the temple here.” Ruhn shook his head. “That the Fae allowed for the artifact to be given over suggests they’d dismissed its worth—that even my father might have forgotten its importance.” Until it was stolen—and he’d gotten it into his head that it would be a rallying symbol of power during a possible war. Bryce added, “I thought it was just
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Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
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A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us. But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes out destination. To love the journey is to accept no such end. I have found, through painful experience, that the most import step a person can take is always the next one
- Dalinar Kholin
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Address
BARTON CENTRE, 912, 9th Floor, Mahatma Gandhi Rd,
Bengaluru, Karnataka - 560 001
Phone Number
+91 8884400919
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Experience the crude excellence of Kenya's untamed life and nature as you experience the famous Large Five on safari and visit protection focuses and holds devoted to saving the country's rich biodiversity.
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Kenya Tour Package From Bangalore
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A journey will have pain and failure. It is not only the steps forward that we must accept. It is the stumbles. The trials. The knowledge that we will fail. That we will hurt those around us. But if we stop, if we accept the person we are when we fall, the journey ends. That failure becomes our destination. To love the journey is to accept no such end. I have found, through painful experience, that the most important step a person can take is always the next one. I’m certain some will feel threatened by this record. Some few may feel liberated. Most will simply feel that it should not exist.
”
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Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
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One of my prevailing philosophies is that if any individual were to find out that he or she had only six days to live, all people’s final thoughts would revolve around life’s most important things: the people they’ve loved and the places they’ve explored. Nothing shapes an individual as much as these two influences. {Kent family archives} An early safari on the shores of Lake Baringo. My parents and I started Abercrombie & Kent out of necessity when the land in Kenya that we’d spent our lives developing was taken away from us. Many entrepreneurs agree that it’s our worst vulnerabilities that inspire us to find our greater purpose. When the most precious part of yourself is taken away, you will do whatever it takes to get your power back. You’ll even travel to the ends of the earth. This book is more than a collection of the best moments that I’ve experienced along the path; this book is my love story. By bringing the same sense of adventure found on safari to other places around the world, I defined luxury experiential travel . . . but my own greatest adventure has been this business itself.
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Geoffrey Kent (Safari: A Memoir of a Worldwide Travel Pioneer)
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There exists in our world today a powerful and dangerous secret cult. This cult is patronized and protected by the highest level government officials in the world. Its membership is composed of those in the power centers of government, industry, commerce, finance, and labor. It manipulates individuals in areas of important public influence - including the academic world and the mass media. The Secret Cult is a global fraternity of a political aristocracy whose purpose is to further the political policies of persons or agencies unknown. It acts covertly and illegally – Victor Marchetti (The CIA and the Cult of Intelligence) The symbolic archive of the
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Michael Tsarion (The Trees of Life: Exposing the Art of Holy Deception, Vol 1)
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Delete it. The message isn’t important or it requires no response. The simplest action is to get rid of it. If you think it might be important, then you will put the message into an archive folder. Defer it. If a message requires a task that takes 5 or more minutes to complete, then defer it and schedule a date and time when you will do it. One of the main reasons people get bogged down is that they try to take action on emails that require you to complete a lengthy task. For emails like this, it makes sense to estimate the time required, write down the specific action into your calendar, respond back to the recipient with a date when they should expect it and then filter the email into your “Follow-Up” folder. You can use the items on your calendar to schedule the rest of your week. Another option for deferring an item is to use the Boomerang extension, which creates reminders for specific tasks. Delegate it. You may not be the best person to handle the task. If you have a team or subordinates, then delegate the task to the appropriate person. After that, create a reminder in your calendar to follow up and make sure it has been handled. Do it. If it takes less than 5 minutes to respond to an email or complete the required task, then take care of it immediately.
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S.J. Scott (10-Minute Digital Declutter: The Simple Habit to Eliminate Technology Overload)
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Spend the first 15 minutes of your working day prioritizing what to do. • Spend one hour a week for organizing and filing papers. • Spend 15 minutes a day throwing away papers and clearing away your desk • Spend the last 15 minutes of your working day to go through your tasks for tomorrow. What’s important? What’s urgent? • Use your e-mail inbox as a to-do list. Tasks solved get archived and tasks unsolved stay in the inbox. • If there are any e-mails and tasks that you can do in less than 5 minutes, always do them right away! ALWAYS! • Don’t accept any new tasks until you are in control. • Do the job right the first time, so that it doesn’t come back to haunt you and cost you more time later. Do
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Marc Reklau (30 Days - Change your habits, Change your life: A couple of simple steps every day to create the life you want)
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fireplace poker—to one of the servants. The messenger stood up in a smooth motion. His refinement seemed a shield that rebuffed Father’s temper. Shallan envied him. “It appears I will get nowhere with this conversation,” the messenger said loudly. He looked at Father, but his tone seemed to imply that his words were for them all. “I came prepared for that inevitability. The highprince has given me authority, and I would very much like to know the truth of what happened in this household. Any lighteyes of birth who can provide witness will be welcomed.” “They need the testimony of a lighteyes,” Jushu said softly to his siblings. “Father is important enough that they can’t just remove him.” “There was one,” the messenger said loudly, “who was willing to speak to us of the truth. He has since made himself unavailable. Do any of you have his courage? Will you come with me and testify to the highprince of the crimes committed on these lands?” He looked toward
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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Which was more important? Stability or the ability to watch over the others? Blood of my fathers, he thought. I wasn’t made for this politicking and scheming. I was made to wield a sword and ride down enemies .
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Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
For this reason- the sentimental mementos of personal relationships collectively stockpiled and interlinked within the vast archives of the site- Facebook has become an important place for remembrance, a nostalgic campfire that draws together old friends in my memory. It is also a virtual medium through which my now-distant friends and I keep track of the ongoing stories of each others’ lives, enabling us to “groom” one another in a variety of ways- sending Gifts, playing Scrabulous, or taking the time to write a humorous or thoughtful Wall Post. The glow of this campfire may make invisible the surrounding forest and the wolves that lurk within, waiting for their chance to steal our source of sustenance for their own gain.
”
”
Jennifer Anne Ryan (The Virtual Campfire: An Ethnography of Online Social Networking)