Christmas Has Begun Quotes

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With the birth of Jesus, the great kingdom of peace has begun.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
This is the day I begin to hate winter. The snow is a burden, stained brown and black and piled high on the shoulder of the road, eventually freezing into chunks of sharp ice. Rock salt on the road clings to the paint of cars and gives them a ghostly veneer. Pine trees lie between garbage cans with slivers of Christmas tinsel still clinging to the needles, reminding me that the New Year has only just begun. And even when the sky is clear and free of clouds, the sunshine only illuminates dead, brown trees and empty flower beds. This is the day I wish the year would end in November and skip to March. Icicles hang from the grill of my
Anthony Muni Jr. (Honestly, I'm Fine)
I pull out the blue spool of thread and the sharp needle I always keep in the left pocket of my dress--because old seams have a way of popping, thread unspooling, and you never know when you'll need it--and begin stitching my arm back into place. It takes longer than usual; some of the linen has begun to fray along the seam, and I need to gather a few spare dead leaves from the graveyard to fill my shoulder socket all the way. It's a ghastly thing to lose an arm--or any part of yourself, really--to feel disconnected from your body. Not quite whole. And I've always wished Dr. Finkelstein had stuffed my insides with something other than dried, shriveled leaves, tossed aside by the trees. Cotton perhaps, or rose petals. Something silken and ladylike.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
ELECTIVE MUTISM Social anxiety appears in many forms, some of which are only now coming to light. Socially anxious children, for example, are usually thought of as quiet and reserved and of course “shy.” But some children, though they function fairly well in their home environment, have great difficulty talking in social situations. Donny was one such child. At fourteen, he managed quite well at home, but never talked to his peers. His parents encouraged him to join in group activities, and even sent him off to an overnight camp. But he remained silent, even when he became lost in the woods. The child was alone for several hours; dusk was approaching, and he began to get cold, but he still could not bring himself to call out. The counselors were near enough for him to attract their attention and yet he remained mute. Alarm bells went off for Melanie when she noticed that her daughter at age three had trouble talking with people outside their home. When the little girl went to see Santa Claus, and he asked her what she wanted for Christmas, she became hysterical and couldn’t respond verbally. And the problem continued: She would speak only with the immediate family, and never to peers or potential playmates. Elective mutism is a very specific symptom of social anxiety. Fear turns into panic which inhibits speech; the elective mute is capable—physically—of speaking to outsiders, but anxiety prevents him or her from speaking. Only recently has there been any media attention paid to this syndrome, and research in this area has just begun. After an article appeared in a New York-area newspaper, however, someone who had expressed interest in starting a self-help group for elective mutes was besieged with phone calls from desperate relatives, eager to get help for their silent family members. I have worked with people of all ages who suffer from varying degrees of elective mutism. From my perspective, elective mutism is treatable relatively easily in childhood or early adolescence. But treating the adult is very difficult because of the pervasive progression of the problem.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
In this day, this season, miracles will grow within, unfurl, bear fruit. And the heart that makes time and space for Him to come will be a glorious place. A place of sheer, radiant defiance in the face of a world careening mad and stressed. Because each day of Advent, we will actively wait. We will wait knowing that the remaking of everything has already begun.
Ann Voskamp (The Greatest Gift: Unwrapping the Full Love Story of Christmas)