β
People aren't either wicked or noble. They're like chef's salads, with good things and bad things chopped and mixed together in a vinaigrette of confusion and conflict.
β
β
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
β
Here's all you have to know about men and women: women are crazy, men are stupid. And the main reason women are crazy is that men are stupid.
β
β
George Carlin (When Will Jesus Bring The Pork Chops?)
β
Give me six hours to chop down a tree and I will spend the first four sharpening the axe.
β
β
Abraham Lincoln
β
I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked too hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment.
β
β
John Steinbeck (Travels with Charley: In Search of America)
β
I've never forgotten him. Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love. Such is the strangeness of the human heart. I still cannot understand how he could abandon me so unceremoniously, without any sort of goodbye, without looking back even once. The pain is like an axe that chops my heart.
β
β
Yann Martel (Life of Pi)
β
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Isabella with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
β
β
Cassandra Clare
β
I think the warning labels on alcoholic beverages are too bland. They should be more vivid. Here is one I would suggest: "Alcohol will turn you into the same asshole your father was.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love.
I still cannot understand how he could abandon me so unceremoniously, without any sort of goodbye, without looking back even once. That pain is like an axe that chops at my heart.
β
β
Yann Martel (Life of Pi)
β
Arrakis teaches the attitude of the knife - chopping off what's incomplete and saying: 'Now, it's complete because it's ended here.'
- from "Collected Sayings of Maud'Dib'' by the Princess Irulan
β
β
Frank Herbert (Dune (Dune #1))
β
Just so you know,β I inform him, βone day, Iβm going to get tired of sharing your affection with that coffee table and Iβm going to make you choose.β βJust so you know,β he mimics me, βI would chop that table up and use it for firewood before I would ever choose anything over you.
β
β
Katja Millay (The Sea of Tranquility)
β
Instead of chopping yourself down to fit the world, chop the world down to fit yourself.
β
β
D.H. Lawrence (Women in Love)
β
You don't always have to chop with the sword of truth. You can point with it too.
β
β
Anne Lamott (Bird by Bird)
β
Chop your own wood and it will warm you twice
β
β
Henry Ford
β
I stand in front of my window and imagine myself a fearless knight, imagine myself a witch who hid her heart in her finger and then chopped her finger off.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
Let me tell you something. A man ainβt a goddamn ax. Chopping, hacking, busting every goddamn minute of the day. Things get to him. Things he canβt chop down because theyβre inside.
β
β
Toni Morrison (Beloved)
β
It's like you said the other day," said Adam. "You grow up readin' about pirates and cowboys and spacemen and stuff, and jus' when you think the world's full of amazin' things, they tell you it's really all dead whales and chopped-down forests and nucular waste hangin' about for millions of years. 'Snot worth growin' up for, if you ask my opinion.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Ken Karver here! Karver's the name, knives are the game. There's nothing that can't be sliced, diced, chopped, or otherwise taken care of with a good set of cutlery ... minus the spoons, forks, and such.
β
β
Jasun Ether (The Beasts of Success)
β
A fool pulls the leaves. A brute chops the trunk. A sage digs the roots.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Ten little Indian boys went out to dine; One choked his little self and then there were nine.
Nine little Indian boys sat up very late; One overslept himself and then there were eight.
Eight little Indian boys travelling in Devon; One said he'd stay there and then there were seven.
Seven little Indian boys chopping up sticks; One chopped himself in halves and then there were six.
Six little Indian boys playing with a hive; A bumblebee stung one and then there were five.
Five little Indian boys going in for law; One got in Chancery and then there were four.
Four little Indian boys going out to sea; A red herring swallowed one and then there were three.
Three little Indian boys walking in the Zoo; A big bear hugged one and then there were two.
Two little Indian boys sitting in the sun; One got frizzled up and then there was one.
One little Indian boy left all alone; He went and hanged himself and then there were none.
β
β
Agatha Christie (And Then There Were None)
β
When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another.
β
β
Zora Neale Hurston (Their Eyes Were Watching God)
β
I sat in the sun on a bench; the animal within me licking the chops of memory; the spiritual side a little drowsed, promising subsequent penitence, but not yet moved to begin.
β
β
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde (Signet Classics))
β
A book should be an axe to chop open the frozen sea inside us.
β
β
J.M. Coetzee (Summertime (Scenes from Provincial Life #3))
β
Oh, do you have A Tale of Two Cities?"
"That silly thing? Men going around getting their heads chopped off for love? Ridiculus." Will unpeeled himself from the door and made his way toward Tessa where she stood by the bookshelves. He gestured expansively at the vast number of volumes all around him. "No, here you'll find all sorts of advice about how to chop off someone else's head if you need to; much more useful.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.
β
β
Terry Pratchett (Hogfather)
β
i was joking with isabelle about vampires right before it happened. just trying to make her laugh, you know? what freaks out jewish vanpires? silver stars of david? chopped liver? check for eighteen dollars?
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em.
β
β
David Sedaris (Me Talk Pretty One Day)
β
I dont know," said Simon, "it doesn't sound so bad to me. I'd rather have someone mess around inside my head than chop it off."
"Then you're a bigger idiot than you look.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view.
Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view.
β
β
Shel Silverstein
β
I am a Muslim, because it's a religion that teaches you an eye for an eye and a tooth for a tooth. It teaches you to respect everybody, and treat everybody right. But it also teaches you if someone steps on your toe, chop off their foot. And I carry my religious axe with me all the time.
β
β
Malcolm X
β
Don't start an argument with somebody who has a microphone when you don't. They'll make you look like chopped liver.
β
β
Harlan Ellison
β
We are like tenant farmers chopping down the fence around our house for fuel when we should be using Natureβs inexhaustible sources of energy--sun, wind and tide. Iβd put my money on the sun and solar energy. What a source of power! I hope we donβt have to wait until oil and coal run out before we tackle that.
β
β
Thomas A. Edison
β
She doesn't quite chop his head off.
She makes a Pez dispenser out of him.
β
β
Frank Miller (Sin City, Vol. 3: The Big Fat Kill (Sin City, #3))
β
People can't seem to get it through their heads that there is never any healing or closure. Ever. There is only a short pause before the next "horrifying" event. People forget there is such a thing as memory, and that when a wound "heals" it leaves a permanent scar that never goes away, but merely fades a little. What really ought to be said after one of these so-called tragedies is, "Let the scarring begin.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
Man, it was so quiet you could hear a grasshopper karate chop a fly.
β
β
Jennifer L. Armentrout (Origin (Lux, #4))
β
I type as fast as a ten-legged man who just had eight legs chopped off runs.
β
β
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
β
Let me say what sorcery is not: it is not divine power, which comes with a thought and a blink. It must be made and worked, planned and searched out, dug up, dried, chopped and ground, cooked, spoken over, and sung. Even after all that, it can fail, as gods do not.
β
β
Madeline Miller (Circe)
β
A little kid asks my dad why that man is chopping down the tree.
Dad: He's not chopping it down. He's saving it. Those branches were long dead from disease. All plants are like that. By cutting off the damage you make it possible for the tree to grow again. You watch - by the end of summer, this tree will be the strongest on the block.
β
β
Laurie Halse Anderson (Speak)
β
I reach out my hand to pull her up, and the look Lira gives me is nothing short of poisonous. βDo you want me to chop it off?β she asks. I keep my hand hovering in the space between us. βNot particularly.β βThen get it out of my face.
β
β
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
β
For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents."
"What does that have to do with it?" asked Milo.
"Nothing at all," he answered, "but it's an interesting possibility, don't you think?
β
β
Norton Juster (The Phantom Tollbooth)
β
Give me one good reason why I shouldn't chop him into worthless-bastard-themed confetti.
--Isabelle Lightwood
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
I'm not a person who thinks they can have it all, but I certainly feel that with a bit of effort and guile I should be able to have more than my fair share.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
..."Fun?" you ask. "Weren't feminists these grim-faced, humorless, antifamily, karate-chopping ninjas who were bitter because they couldn't get a man?" Well, in fact the problem was that all too many of them HAD gotten a man, married him, had his kids, and then discovered that, as mothers, they were never supposed to have their own money, their own identity, their own aspirations, time to pee, or a brain. And yes, some women indeed became bad-tempered as a result. After all, no anger, no social change.
β
β
Susan J. Douglas
β
If no one knows when a person is going to die, how can we say he died prematurely?
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
Your mother sounds like a formidable woman," Valek said into the silence.
"You have no idea," Leif replied with a sigh.
"Well, if she's anything like Yelena, my deepest sympathies," Valek teased.
"Hey!"
Leif laughed and the tense moment dissipated.
Valek handed Leif his machete. "Do you know how to use it?"
"Of course. I chopped Yelena's bow into firewood," Leif joked.
β
β
Maria V. Snyder (Magic Study (Study, #2))
β
I left the jutra to chop wood. I began my walk through the snow, five kilometers to the tree line. That's when I saw it. A tiny silver of gold appeared between shades of gray on the horizon.
I stared at the amber band of sunlight, smiling.
The sun had returned.
I closed my eyes. I felt Andrius moving close. "I'll see you," he said.
"Yes, I will see you," I whispered "I will."
I reached into my pocket and squeezed the stone.
β
β
Ruta Sepetys (Between Shades of Gray)
β
People love chopping wood. In this activity one immediately sees results.
β
β
Albert Einstein
β
Shagga son of Dolf likes this not. Shagga will go with the boyman, and if the boyman lies, Shagga will chop off his manhood-"
"-and feed it to the goats, yes," Tyrion said wearily.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
You'd think getting chopped into a million pieces and cast into the darkest part of the Underworld would give him a subtle clue that nobody wanted him around.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
Our riches, being in our brains, die with us... Unless of course someone chops off our head, in which case, we won't need them anyway.
β
β
Wolfgang Amadeus Mozart
β
They signed the unwind order just to spite each other,but laugh,laugh,laugh,Hayden, because if you ever stop laughing,it might just tear you apart worse than a Chop Shop.
β
β
Neal Shusterman (UnWholly (Unwind, #2))
β
We'll be chopped up before you can say 'King Maggot'.
β
β
Tamora Pierce (Lady Knight (Protector of the Small, #4))
β
The present moment can be chopped into infinitely smaller present moments. This moment is forever. And it is all that matters.
β
β
Wendy Wunder (The Probability of Miracles)
β
If love played an instrument, Iβll bet it would be the piano. 88 keys, double infinity, and the ability to chop down trees with a sharpened mustache. β¨
β
β
Jarod Kintz (This Book Has No Title)
β
Some marriages are made in heaven,
Mine was made in Hong Kong, by the same people who make those little rubber pork chops they sell in the pet department at Kmart.
β
β
Tom Robbins
β
When you know that trees experience pain and have memories and that tree parents live together with their children, then you can no longer just chop them down and disrupt their lives with larger machines.
β
β
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
β
I can tell you that βJust cheer upβ is almost universally looked at as the most unhelpful depression cure ever. Itβs pretty much the equivalent of telling someone who just had their legs amputated to βjust walk it off.β Some people donβt understand that for a lot of us, mental illness is a severe chemical imbalance rather just having βa case of the Mondays.β Those same well-meaning people will tell me that Iβm keeping myself from recovering because I really βjust need to cheer up and smile.β Thatβs when I consider chopping off their arms and then blaming them for not picking up their severed arms so they can take them to the hospital to get reattached.
β
β
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
β
Violence harms the one who does it as much as the one who receives it. You could cut down a tree with an axe. The axe does violence to the tree, and escapes unharmed. Is that how you see it? Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.
β
β
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
β
Henry patted Charlotteβs shoulder anxiously. βWould you like a cool cloth? What can I do to help?β
βYou could ride up to Yorkshire and chop that old goatβs head off.β Charlotte sounded mutinous.
βWonβt that make things rather awkward with the Clave?β asked Henry. βTheyβre not generally very receptive about, you know, beheadings and things.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Some may remain imprisoned in a gridlock of lies or keep on blurring the lines between facts and fables, expecting us to buy the debilitating and fake narrative of their life, until they eventually end up on the chopping block of the inexorable truth. Be that as it may, one can βfool people some of the time, but not all of the timeβ. (βBribe payers' index Β»)
β
β
Erik Pevernagie
β
We can do anything. Itβs not because
our hearts are large, theyβre not, itβs what we
struggle with. The attempt to say Come over. Bring
your friends. Itβs a potluck, Iβm making pork chops, Iβm making
those long noodles you love so much.
β
β
Richard Siken (Crush)
β
When the black thing was at its worst, when the illicit cocktails and the ten-mile runs stopped working, I would feel numb as if dead to the world. I moved unconsciously, with heavy limbs, like a zombie from a horror film. I felt a pain so fierce and persistent deep inside me, I was tempted to take the chopping knife in the kitchen and cut the black thing out I would lie on my bed staring at the ceiling thinking about that knife and using all my limited powers of self-control to stop myself from going downstairs to get it.
β
β
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
β
Seven little crazy kids chopping up sticks;
One burnt her daddy up and then there were six.
Six little crazy kids playing with a hive;
One tattooed himself to death and then there were five.
Five little crazy kids on a cellar door;
One went all schizo and then there were four.
Four little crazy kids going out to sea;
One wouldn't say a word and then there were three.
Three little crazy kids walking to the zoo;
One jerked himself too much and then there were two.
Two little crazy kids sitting in the sun;
One a took a bunch of pills and then there was one.
One little crazy kid left all alone;
He went and slit his wrists, and then there were none.
β
β
Michael Thomas Ford (Suicide Notes)
β
Kindness is chopping firewood for the elderly couple who has neither the money nor the means to acquire it. Kindness is a warm hug or a soft smile. Kindness is not this fuckery right here.
β
β
Laura Thalassa (Pestilence (The Four Horsemen, #1))
β
It's astonishing the amount of time that certain straight people devote to gay sex - trying to determine what goes where and how often. They can't imagine any system outside their own, and seem obsessed with the idea of roles, both in bed and out of it. Who calls whom a bitch? Who cries harder when the cat dies? Which one spends the most time in the bathroom? I guess they think that it's that cut-and-dried, though of course it's not. Hugh might do the cooking, and actually wear an apron while he's at it, but he also chops the firewood, repairs the hot-water heater, and could tear off my arm with no more effort than it takes to uproot a dandelion.
β
β
David Sedaris (When You Are Engulfed in Flames)
β
I like flowers, I also like children, but I do not chop their heads off and keep them in bowls of water around the house.
β
β
George Bernard Shaw
β
Avoid teams at all cost. Keep your circle small. Never join a group that has a name.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
β
β
Toni Morrison (Beloved)
β
I moved to leave, and Dylan actually grabbed me by my shoulders. I was so surprised that I forgot to karate-chop his elbows and break his arms.
β
β
James Patterson (Fang (Maximum Ride, #6))
β
Poor Cindy's heart was torn to shreds.
My Prince! She thought. He chops off heads!
How could I marry anyone
Who does that sort of thing for fun?
The Prince cried, "Who's this dirty slut?
Off with her nut! Off with her nut!
β
β
Roald Dahl (Revolting Rhymes)
β
Get moving. We need to find that stag so I donβt have to chop your head off.β
βI never said you had to chop my head off,β I grumbled, rubbing the sleep from my eyes and stumbling after him.
βRun you through with a sword, then? Firing squad?β
βI was thinking something quieter, like maybe a nice poison.β
βAll you said was that I had to kill you. You didnβt say how.β
I stuck my tongue out at his back, but I was glad to see him so energized, and I suppose it was a good thing that he could joke about it all. At least, I hoped he was joking.
β
β
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
β
To make bread or love, to dig in the earth, to feed an animal or cook for a strangerβthese activities require no extensive commentary, no lucid theology. All they require is someone willing to bend, reach, chop, stir. Most of these tasks are so full of pleasure that there is no need to complicate things by calling them holy. And yet these are the same activities that change lives, sometimes all at once and sometimes more slowly, the way dripping water changes stone. In a world where faith is often construed as a way of thinking, bodily practices remind the willing that faith is a way of life.
β
β
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
β
Really! Between you and Eragon, I seem to spend most of my time among the Varden healing people to silly to realize they need to avoid getting chopped into tiny little pieces
β
β
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
β
Penetrating so many secrets, we cease to believe in the unknowable. But there it sits nevertheless, calmly licking its chops
β
β
H.L. Mencken (Minority Report (Maryland Paperback Bookshelf))
β
I can't - I'll chop off my own foot!"
"If you're going to chop off anyone's foot, chop off Benedict's," Will muttered.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
hard work is a misleading term. physical effort & long hours do not constitute hard work. hard work is when someone pays you to do something you'd rather not be doing. anytime you'd rather be doing something other than the thing you're doing...you're doing hard work.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water.
β
β
Zen saying
β
A human body in no way resembles those that were born for ravenousness; it hath no hawkβs bill, no sharp talon, no roughness of teeth, no such strength of stomach or heat of digestion, as can be sufficient to convert or alter such heavy and fleshy fare. But if you will contend that you were born to an inclination to such food as you have now a mind to eat, do you then yourself kill what you would eat. But do it yourself, without the help of a chopping-knife, mallet or axe, as wolves, bears, and lions do, who kill and eat at once. Rend an ox with thy teeth, worry a hog with thy mouth, tear a lamb or a hare in pieces, and fall on and eat it alive as they do. But if thou had rather stay until what thou eat is to become dead, and if thou art loath to force a soul out of its body, why then dost thou against nature eat an animate thing? There is nobody that is willing to eat even a lifeless and a dead thing even as it is; so they boil it, and roast it, and alter it by fire and medicines, as it were, changing and quenching the slaughtered gore with thousands of sweet sauces, that the palate being thereby deceived may admit of such uncouth fare.
β
β
Plutarch
β
Harmony with land is like harmony with a friend; you cannot cherish his right hand and chop off his left. That is to say, you cannot love game and hate predators... The land is one organism.
β
β
Aldo Leopold
β
We clear the harbor and the wind catches her sails and my beautiful ship leans over ever so gracefully, and her elegant bow cuts cleanly into the increasing chop of the waves. I take a deep breath and my chest expands and my heart starts thumping so strongly I fear the others might see it beat through the cloth of my jacket. I face the wind and my lips peel back from my teeth in a grin of pure joy.
β
β
L.A. Meyer (Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (Bloody Jack, #3))
β
Sometimes resignation brings relief. When you lose hope, you no longer bother struggling. You just stay benumbed like a vegetable and let your head chopped off by a guillotine so that it ends, once and for all.
β
β
Abhaidev (The Meaninglessness of Meaning)
β
Just so you know,β he mimics me, βI would chop that table up and use it for firewood before I would ever choose anything over you.
β
β
Katja Millay (The Sea of Tranquility)
β
Personally, I'm happy I haven't run into a murderous killer since, well...since you chopped my ex's head off with a sword.
β
β
Amy Plum (Until I Die (Revenants, #2))
β
Iβve spent the last two hours worried that you were bleeding to death in a ditch,β Evie continued. βNow that I know youβre okay, I just want you to be bleeding to death in a ditch.β
βAww, Lamb Chop, you missed me.
β
β
Libba Bray (Lair of Dreams (The Diviners, #2))
β
There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her.
Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
β
β
Cassandra Clare
β
If it works out, it's the best thing in the world. If it doesn't work out, it's like having your heart torn out and chopped up into little pieces while you watch. It leaves a big hollow space that never really heals.
β
β
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
β
I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see.
β
β
Dorothy Parker
β
Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home β and regardless of whether or not I have been to bed β breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessertβ¦ Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good musicβ¦ All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.
β
β
Hunter S. Thompson
β
or 3 sprigs fresh thyme or Β½ teaspoon dried thyme 1 bay leaf Reduce the heat to low, cover, and cook for 5 minutes. Add the eggplant and zucchini and cook until everything is tender, about 20 minutes more. Taste and adjust the seasonings. Stir in: ΒΌ cup chopped basil (Chopped pitted NiΓ§oise or Kalamata olives to taste)
β
β
Irma S. Rombauer (Joy of Cooking)
β
In the immortal words of Loshain P'stane, 'If anyone reads this without permission, he will be most certainly and brutally slain. Or at the very least I'll chop off a finger or two. Or three.
β
β
Andrew Peterson (On the Edge of the Dark Sea of Darkness (The Wingfeather Saga, #1))
β
This is worse than Hollywood, he thought. A girl comes in with a pork chop and I write a song for her.
β
β
Eva Ibbotson
β
Because men
are killing the forests
the fairy tales are running away.
The spindle doesn't know
whom to prick,
the little girl's hands
that her father has chopped off,
haven't a single tree to catch hold of,
the third wish remains unspoken.
King Thrushbeard no longer owns one thing.
Children can no longer get lost.
The number seven means no more than exactly seven.
Because men have killed the forests,
the fairy tales are trotting off to the cities
and end badly.
β
β
GΓΌnter Grass (Rat)
β
What about animals slaughtered for our consumption? who among us would be able to continue eating pork chops after visiting a factory farm in which pigs are half-blind and cannot even properly walk, but are just fattened to be killed? And what about, say, torture and suffering of millions we know about, but choose to ignore? Imagine the effect of having to watch a snuff movie portraying what goes on thousands of times a day around the world: brutal acts of torture, the picking out of eyes, the crushing of testicles -the list cannot bear recounting. Would the watcher be able to continue going on as usual? Yes, but only if he or she were able somehow to forget -in an act which suspended symbolic efficiency -what had been witnessed. This forgetting entails a gesture of what is called fetishist disavowal: "I know it, but I don't want to know that I know, so I don't know." I know it, but I refuse to fully assume the consequences of this knowledge, so that I can continue acting as if I don't know it.
β
β
Slavoj Ε½iΕΎek (Violence: Six Sideways Reflections)
β
Sore loser? You bet your fuckin' ass! What on earth is wrong with being a sore loser? It shows you cared about whatever the contest was in the first place. Fuck losing graciously-that's for chumps. And losers, by the way.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
He grabbed her arm and karate-chopped her wrist to force the weapon out of her hand. She lost her balance and fell backward, but he kept a grip on her.
β
β
Karl Braungart (Triple Deception (Remmich/Miller, #4))
β
You don't understand!' Foaly objected.
Trouble cut him off with a chop of his hand through the air. 'I never understand. That's why we pay you and your dork posse."
Foaly objected again. 'They are not dorks!'
Trouble found space for yet another holster. 'Really? That guy brings a Beanie Baby to work every day. And your nephew, Mayne, speaks fluent Unicorn.'
'They're not all dorks,' said Foaly, correcting himself.
β
β
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
β
Why is it I feel a new nostalgia for the era of the guillotine?
β
β
Dennis Cooper (The Marbled Swarm)
β
The whole trouble lies in that people think that there are conditions excluding the necessity of love in their intercourse with man, but such conditions do not exist. Things may be treated without love; one may chop wood, make bricks, forge iron without love, but one can no more deal with people without love than one can handle bees without care.
β
β
Leo Tolstoy (Resurrection)
β
God grant me the serenity to accept the things I cannot change, courage to change the things I can, and the patience not to strangle my mother-in-law, chop her into little pieces, and dump them down a sewer.
β
β
Jennifer Weiner (Little Earthquakes)
β
People go through life eating lamb chops and breaking their motherβs hearts.
β
β
Eve Babitz (Sex and Rage)
β
The Days were a clan that mighta lived long
But Ben Dayβs head got screwed on wrong
That boy craved dark Satanβs power
So he killed his family in one nasty hour
Little Michelle he strangled in the night
Then chopped up Debby: a bloody sight
Mother Patty he saved for last
Blew off her head with a shotgun blast
Baby Libby somehow survived
But to live through that ainβt much a life
βSCHOOLYARD RHYME, CIRCA 1985
β
β
Gillian Flynn (Dark Places)
β
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
β
β
Jeanette Winterson (Gut Symmetries)
β
Little redcape," he snarled, "when next you bare steel on Shagga son of Dolf, I will chop off your manhood and roast it in the fire."
"What, no goats?" Tyrion said, taking a bite of his cheese.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in bowl.
β
β
Jhumpa Lahiri (The Namesake)
β
I find it easier to believe in God than to believe Hamlet was deduced from the molecular structure of a mutton chop.
β
β
William F. Buckley Jr.
β
And what? Accidentally cuts off three fingers postmortem? 'Oops, oh, no, my girlfriend just died! Clumsy me, in trying to perform CPR, I chopped off some fingers! Guess I'll just take them with me.... Oh, darn, where did that middle finger go?
β
β
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
β
What? It's a fair sacrifice. If you've got to be with one chick for the rest of your life, then you should at least get to go out with a bang. Or two. Or three."
Anna raised a perfectly arched brow.
"Really? Would you want some jackass to do that with our daughter?"
"Fuck no. Iβll chop the little bastardβs balls off if he tries that kind of shit on my girl," he scowled.
β
β
S.C. Stephens (Reckless (Thoughtless, #3))
β
Political correctness is America's newest form of intolerance, and it is especially pernicious because it comes disguised as tolerance. It presents itself as fairness, yet attempts to restrict and control people's language with strict codes and rigid rules. I'm not sure that's the way to fight discrimination. I'm not sure silencing people or forcing them to alter their speech is the best method for solving problems that go much deeper than speech.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
The worst thing about e-mail is that you canβt interrupt the other person. You have to read the whole thing and then e-mail them back, pointing out all their mistakes and faulty assumptions. Itβs frustrating and itβs time-consuming. God bless phone calls.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
STAY HOME FROM SCHOOL FAUX VOMIT:
1 cup of cooked oatmeal
1.2 cup of sour cream (or buttermilk ranch dressing or anything that smells like rancid, sour milk)
2 chopped cheese sticks (for chunkiness)
1 uncooked egg (for authentic slimy texture)
1 can of split pea soup (for putrid green color)
1/4 cup of raisins (to increase gross-osity)
Mix ingredients and simmer over low heat for 2 minutes
Let mixture cool to warm vomit temperature
Use liberally as needed
Makes 4 to 5 cups
β
β
Rachel RenΓ©e Russell (Tales from a Not-So-Popular Party Girl (Dork Diaries, #2))
β
I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
β
β
Allen Ginsberg
β
As far as Death was aware, the sole reason for any human association with pigs and lambs was as a prelude to chops and sausages. Quite why they should dress up for childrenβs wallpaper as well was a mystery. Hello, little folk, this is what youβre going to eatβ¦ He felt that if only he could find the key to it, heβd know a lot more about human beings.
β
β
Terry Pratchett (Hogfather)
β
Jack furiously chopped vegetables. "Captain Dependable! Wait, we vetoed that one. The Divine Door Maker? Too much? Hmm...Handsome Hero, but maybe I should move away from alliteration. Something sleek. Our Lord and Master Jack.
β
β
Kiersten White (Endlessly (Paranormalcy, #3))
β
Tonight the Internet seemed filled with versions of me, like a fun house filled with mirrors. Some of them made me look prettier, and some of them made me look uglier, and some of them chopped me right in half, but none of them were right.
β
β
Leila Sales (This Song Will Save Your Life)
β
Now, as far as I knew, he (Luke) was still sailing around on his demon-infested cruise ship while the chopped-up Lord Kronos re-formed, bit by bit, in a golden sarcophagus, biding his time until he had enough power to challenge the Olympian gods. In demigod-speak, we call this a βproblem.β
- Percy, 'The Battle of the Labyrinth
β
β
Rick Riordan
β
There are pockets of wealth in this country. Mostly those pockets are in the politiciansβ pants.
β
β
Jarod Kintz (How to construct a coffin with six karate chops)
β
We could have chopped down the sycamore with this...
β
β
Brian Jacques (Martin the Warrior (Redwall, #6))
β
And what did you do last night, Dexter? Oh, I played with my dolls while a friend chopped up my sister.
β
β
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
β
But this tree in the yard-this tree that men chopped down...this tree that they built a bonfire around, trying to burn up it's stump-this tree lived!
It lived! And nothing could destroy it.
β
β
Betty Smith (A Tree Grows in Brooklyn)
β
In sum, do not insult me with the beheadings, finger choppings or the lung-deflations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whisper with. I will not go gently onto a shelf, degutted, to become a non-book.
All you umpires, back to the bleachers. Referees, hit the showers. It's my game. I pitch, I hit, I catch. I run the bases. At sunset I've won or lost. At sunrise, I'm out again, giving it the old try.
And no one can help me. Not even you.
β
β
Ray Bradbury (Fahrenheit 451)
β
He thinks how it will be winter soon, and then another year gone by and another one on the chopping block, time flowing faster and faster. Life is nothing how he expected it would be when he was young and living under the delusion that things could be controlled. Nothing can be controlled. Only endured.
β
β
Blake Crouch (Recursion)
β
. . . I feel we donβt really need scriptures. The entire life is an open book, a scripture. Read it. Learn while digging a pit or chopping some wood or cooking some food. If you canβt learn from your daily activities, how are you going to understand the scriptures? (233)
β
β
Satchidananda (The Yoga Sutras of Pantanjali)
β
The gruff gryphonβs voice turned gentle. βWhat am I, chopped liver? You beat the crap out of me this afternoon. That pretty much makes us pals in my book.
β
β
Thea Harrison (Dragon Bound (Elder Races, #1))
β
I saw you, Walt Whitman, childless, lonely old grubber,poking among the meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops?
What price bananas?
Are you my Angel?
β
β
Allen Ginsberg (Howl and Other Poems)
β
I have no routines or personal history. One day I found out that they were no longer necessary for me and, like drinking, I dropped them. One must have the desire to drop them and then one must proceed harmoniously to chop them off, little by little. If you have no personal history, no explanations are needed; nobody is angry or disillusioned with your acts. And above all no one pins you down with their thoughts. It is best to erase all personal history because that makes us free from the encumbering thoughts of other people. I have, little by little, created a fog around me and my life. And now nobody knows for sure who I am or what I do. Not even I. How can I know who I am, when I am all this?
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β
Carlos Castaneda (Journey to Ixtlan: The Lessons of Don Juan)
β
You grow up readings about pirates and cowboys and spacemen and stuff, and just when you think the world's all full of amazing things, they tell you it's really all dead whales and chopped-down forests and nuclear waste hanging about millions of years.
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β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Royalty was like dandelions. No matter how many heads you chopped off, the roots were still there underground, waiting to spring up again.
It seemed to be a chronic disease. It was as if even the most intelligent person had this little blank spot in their heads where someone had written: "Kings. What a good idea." Whoever had created humanity had left in a major design flaw. It was its tendency to bend at the knees.
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β
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
β
I had no shoes, and I felt sorry for myself until I met a man who had no feet. I took his shoes. Now I feel better.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
I swear, if you touch me, Iβll go Lorena Bobbitt on you.β Lorena Bobbitt? Why does that soundβoh my God, the lady that chopped off her husbandβs dick? I busted out laughing and put my pillow over my face. βOh my God! Princess! Youβre my new favorite!β Thatβs it, that comment right there, and it was sealed. I would do anything to have this beautiful gray-eyed princess lying next to me, as mine.
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β
Molly McAdams (Stealing Harper (Taking Chances, #1.5))
β
Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.
β
β
Ami Blackwelder
β
Who needs a large vocabulary when you can just make up any word at any time? It makes life a whole lot more emeaglibop.
β
β
Jarod Kintz (How to construct a coffin with six karate chops)
β
Whenever you hear the phrase zero tolerance, remember, someone is bullshitting you.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
To my way of thinking, there is every bit as much evidence for the
existence of UFOs as there is for the existence of God. Probably far
more. At least in the case of UFOs there have been countless taped
and filmed and, by the way, unexplained sightings from all over the
world, along with documented radar evidence seen by experienced
military and civilian radar operators.>>
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
My definition of dictionary canβt be found in the dictionary. DictionaryβA linguistic prison, confining words to well-defined cells, with little chance of parole.
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β
Jarod Kintz (How to construct a coffin with six karate chops)
β
I stole a bit of a chopped vegetable and was about to put it in my mouth when Jaeβs long fingers closed over my wrist. βWhat? You canβt eat this raw?β
βItβs bitter melon. You wonβt like it.β He went into the fridge and came out with something that looked halfway familiar. βHere, leftover bao. Thereβs char siu inside.β
βThe red pork stuff? Yeah, I like that. I thought it was Chinese.β
βIt is. We also eat hamburgers and spaghetti.
β
β
Rhys Ford (Dirty Kiss (Cole McGinnis, #1))
β
The apples stewed with prunes are excellent, except for the prunes, I won't eat prunes myself. Well, there was one time when Hobb chopped them up with chesnuts and carrots and hid them in a hen. Never trust a cook, my lord. They'll prune you when you least expect it.
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β
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β
We can't attack a thing we don't know. That's dangerous. And...foolish. It would be like trying to chop down a tree from the top of it. If we understand how the tree works, how the trunk and roots are where the power lies, and how gravity is on our side, we can attack it, each of us with small axes, and change the face of the the forest.
β
β
Jason Reynolds (Stamped: Racism, Antiracism, and You)
β
I've got a chainsaw with my name on it in my workshop," Milo told us happily. "If I'm ever killed by undead, I want you guys to chop me up with it. It's a good chainsaw."
"I reckon it is, Milo. I would be honored to chop your head off," Sam said.
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β
Larry Correia (Monster Hunter International (Monster Hunter International, #1))
β
The way to deal with an impossible task was to chop it down into a number of merely very difficult tasks, and break each one of them into a group of horribly hard tasks, and each of them into tricky jobs, and each of them...
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β
Terry Pratchett (Truckers (Bromeliad Trilogy, #1))
β
The funny thing about Thanksgiving ,or any big meal, is that you spend 12 hours shopping for it then go home and cook,chop,braise and blanch. Then it's gone in 20 minutes and everybody lies around sortof in a sugar coma and then it takes 4 hours to clean it up.
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β
Ted Allen (The Food You Want to Eat: 100 Smart, Simple Recipes)
β
A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child. And I have searched myself for this possibility with a kind of horror. For I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked too hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment. I did not want to surrender fierceness for a small gain in yardage. My wife married a man; I saw no reason why she should inherit a baby.
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β
John Steinbeck (Travels with Charley: In Search of America)
β
What a strange expression said the herbalist who would compare themselves to chopped liver in the first place? If you have to to choose an organ why not pick a gallbladder or a thymus gland instead? Much more interesting than a liver. Or what about chopped t-
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β
Christopher Paolini
β
When Iβm lonely I stand in the corner and play my saxophone and feel sorry for myself. I would ask you to accompany me on the piano, but if I did that I wouldnβt be lonely, would I? And whatβs the point of a saxophone if not to celebrate despair?
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Jarod Kintz (How to construct a coffin with six karate chops)
β
Iβm not in manufacturing, but I make something. I make a difference. But to be honest, I think China can make it cheaper.β¨
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β
Jarod Kintz (How to construct a coffin with six karate chops)
β
I never met a pig I didn't like. All pigs are intelligent, emotional, and sensitive souls. They all love company. They all crave contact and comfort. Pigs have a delightful sense of mischief; most of them seem to enjoy a good joke and appreciate music. And that is something you would certainly never suspect from your relationship with a pork chop.
β
β
Sy Montgomery (The Good Good Pig: The Extraordinary Life of Christopher Hogwood)
β
There were two brothers, Truth and Lie. One day they get to playing, throwing cutlasses up into the air. Them cutlasses come down and fast as can be-swish!-chop each of their faces clean off! Truth bed down, searching for his face. But with no eyes, he can't see. Lie, he sneaky. He snatch up Truth's face and run off! Zip! Now Lie go around wearing Truth's face, fooling everybody he meet.
β
β
P. Djèlà Clark (Ring Shout)
β
Can I get a lock for my tent?
Bears can't unzip tents, Lana.
Well, chainsaw psychos who wander the woods looking for young girls all alone to chop up into pieces can.
There are no chainsaw psychos! I can't believe you've never been camping. It's safe, Lana. I promise.
Easy for you to say. You'll be snuggled up safely in the arms of Beau Vincent. I'm more than positive he could take on a black bear.
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β
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
β
The gods made the earth for all men t' share. Only when the kings come with their crowns and steel swords, they claimed it was all theirs. "My trees," they said, "you can't eat them apples. My stream, you can't fish here. My wood, you're not t' hunt. My earth, my water, my castle, my daughter, keep your hands away or I'll chop 'em off, but maybe if you kneel t' me I'll let you have a sniff." You call us thieves, but at least a thief has t' be brave and clever and quick. A kneeler only has t' kneel.
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β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
Let me tell you a little story. You may have heard it before.
It's a story about a butcher named Barry.
Once upon a time, in central city, there was a butcher named Barry. Barry loved to chop up meat more than anything in the world. But one day, when Barry got tired of just chopping up cows and pigs...
...He found something NEW to chop up-- PEOPLE. And so, he went out night after night in search of fresh meat.
Eventually, Barry was caught, but not before he had slaughtered 23 victims!!! For terrorizing the poor people of central city, Barry was sent straight to the gallows...And everyone else lived happily ever after!
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β
Hiromu Arakawa (Fullmetal Alchemist, Vol. 3)
β
The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.
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β
Hilary Mantel (A Place of Greater Safety)
β
Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer whoβs going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesnβt count until you chop it down and sell it as lumber.
β
β
Rutger Bregman (Utopia for Realists: And How We Can Get There β from the presenter of the 2025 BBC βMoral Revolutionβ Reith lectures)
β
And off we go, out onto the highway looking for a little fun. Perhaps a flatbed truck loaded with human cadavers will explode in front of a Star Trek reunion. One can only dream and hope.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
I have a good ear for music, just like Van Gogh had a good ear for art.
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β
Jarod Kintz (How to construct a coffin with six karate chops)
β
My advice: just keep movin' straight ahead. Every now and then you find yourself in a different place.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.
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β
E.A. Bucchianeri
β
I explain to him that nothing matters, and nothing lasts. Everyone forgets, and everything disappears. The things you do, the things you are; itβs all nothing. Would anyone miss you, if you went away? Would anyone look for you? Would anyone listen, or even care, if I hurt you? If I put my hands around your neck and crushed your windpipe and chopped you up, would anyone find you? And if itβs a no to any of these, did you even exist in the first place?
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β
Eliza Clark (Boy Parts)
β
As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship?
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David Ogilvy (Confessions of an Advertising Man)
β
Females create life, males end it. War, crime, violence, are primarily male franchises. Man shit. Itβs natureβs supreme joke.
Deep in the womb, men start out as the good thing, and wind up as the crappy thing. Not all men. Just enough. Just enough to fuck things up.
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β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sexβthe clown of love. They donβt know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like thatβsoftly, without props. But the world is such a showpiece, maybe thatβs why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other peopleβs graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but theyβre not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they canβt be caught one at a time. Poor swimmers head for shore while strong ones wait for lightningβs silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the womenβs shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: βGet moving!
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β
Toni Morrison (Love)
β
Karrin Murphy led the charge, and Sanya and I tried to keep up. She went through that sea of foes like a little speedboat, her enemies spun and tossed and turned and disoriented in her wake. Sanya and I hacked our way through stunned foes, pushing and chopping with unsophisticated brutality-and that big Russian lunatic just kept laughing the whole time.
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Jim Butcher (Changes (The Dresden Files, #12))
β
[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.
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Anne Carson
β
I think a cool band name would be War Dwarf. Of course, Iβm entirely too tall and peaceful to be a member. Not to mention nonmusical.β¨
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Jarod Kintz (How to construct a coffin with six karate chops)
β
The Screelings are loose and the Keeper may win.
His assassins have come to rip off your skin.
Golden eyes will see you if you try to run.
The screelings will get you and laugh like it's fun.
Walk away slow or they'll tear you apart,
and laugh all day long as they rip out your heart.
Golden eyes will see you if you try to stand still.
The screelings will get you, for the Keeper they kill.
Hack 'em up, chop 'em up, cut 'em to bits,
or else they will get you while laughing in fits.
If the screelings don't get you the Keeper will try,
to reach out and touch you, your skin he will fry.
Your mind he will flail, your soul he will take.
You'll sleep with the dead, for life you'll forsake.
You'll die with the Keeper till the end of time.
He hates that you live, your life is the crime.
The screelings might get you, it says so in text.
If screelings don't get you the Keeper is next,
lest he who's born true can fight for life's bond.
And that one is marked; he's the pebble in the pond.
β
β
Terry Goodkind (Stone of Tears (Sword of Truth, #2))
β
If you can't say something nice about a person, go ahead
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position β but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
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Emily St. John Mandel (Station Eleven)
β
I learned something in the juice isle, and that is, I don't know what's going on with cranberries, but they're getting in all the other juices. Whoever the salesman for cranberries does a great job. He's showing up everywhere. "Hey what do you got? Apples? Well let's put some cranberries in them; we'll call it cran-apple - go fifty fifty. What do you got? Grapes? What about cran-grape? What do you got? Mangos? Cran-mango! What do you got? Pork chops? Cran-chops!
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Brian Regan
β
When my trust was suspended from the fragile thread of justice
and in the whole city
they were chopping up my heart's lanterns
when they would blindfold me
with the dark handkerchief of Law
and from my anxious temples of desire
fountains of blood would squirt out
when my life had become nothing
nothing
but the tic-tac of a clock,
I discovered
I must
must
must love,
insanely.
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β
Forough Farrokhzad
β
I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.'
βI donβt want anything to happen to you,β he said urgently.
βWhat you want does not matter here,β I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or Iβll kill you.
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James Patterson (Fang (Maximum Ride, #6))
β
It is well-known that there are many faces in the world over the finishing of which nature did not take much trouble, did not employ any fine tools such as files, gimlets, and so on, but simply hacked them out with round strokes: one chop-a nose appears; another chop-lips appear; eyes are scooped out with a big drill; and she lets it go into the world rough-hewn, saing: "ALIVE!
β
β
Nikolai Gogol (Dead Souls)
β
I let wine breathe. And I hold my breathe, so it can get all the air.
β
β
Jarod Kintz (How to construct a coffin with six karate chops)
β
Homemade is a myth. You want to know some things that are homemade? Crystal meth. Crack cocaine. A pipe bomb full of nails. Now we're talkin' homemade.
β
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George Carlin (When Will Jesus Bring the Pork Chops?)
β
[Stephanie] 'You see, Mrs. Mayer was going on about George's lodge, and how he wanted to be buried with his ring, and so Grandma had to check the ring out, and in the process broke off one of George's fingers. Turns out the finger was wax. Somehow Kenny got into the mortuary this morning, left Spiro a note, and chopped off George's finger. And then while I was at the mall tonight with Mary Lou, Kenny threatened me in the shoe department. That must have been when he put the finger in my pocket.'
[Morelli] 'Have you been drinking?
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Janet Evanovich (Two for the Dough (Stephanie Plum, #2))
β
But at this moment I'm feeling the effect of being thrown from a moving car, held at gunpoint, and tossed through a plate-glass window. You, incredibly attractive or not, might be the only thing that stands between my waking up in the morning and my being chopped up in my sleep. I am staying here, and so are you. And these fine silk pajamas are staying on. Now get in bed.
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Annabel Monaghan (A Girl Named Digit (Digit, #1))
β
How do you kill something that's already dead?
Nobody knows enough about them. Ask Jason. He'll have an opinion.
Wait a moment. Rachel could see Corinne talking to Jason, but they were too far ahead to hear. He says you chop them up into little pieces.
But what if that infects you with the disease?
Jason leaned closer to answer Corinne quietly. She laughed. You let Nollin do it.
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Brandon Mull
β
What exactly is the free world, anyway? I guess it would depend on what you consider the non-free world. And I can't find a clear definition of that, can you? Where is that? Russia? China? For chrissakes, Russia has a better Mafia than we do now, and China is pirating Lion King DVDs and selling dildos on the Internet. They sound pretty free to me. Here are some more jingoistic variations you need to be on the lookout for; "The greatest nation on Earth; the greatest nation in the history of the world"; and "the most powerful nation on the face of the Earth." That last one is usually thrown in just before we bomb a bunch of brown people. Which is every couple of years.
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
We have a soul at times.
No oneβs got it non-stop,
for keeps.
Day after day,
year after year
may pass without it.
Sometimes
it will settle for awhile
only in childhoodβs fears and raptures.
Sometimes only in astonishment
that we are old.
It rarely lends a hand
in uphill tasks,
like moving furniture,
or lifting luggage,
or going miles in shoes that pinch.
It usually steps out
whenever meat needs chopping
or forms have to be filled.
For every thousand conversations
it participates in one,
if even that,
since it prefers silence.
Just when our body goes from ache to pain,
it slips off-duty.
Itβs picky:
it doesnβt like seeing us in crowds,
our hustling for a dubious advantage
and creaky machinations make it sick.
Joy and sorrow
arenβt two different feelings for it.
It attends us
only when the two are joined.
We can count on it
when weβre sure of nothing
and curious about everything.
Among the material objects
it favors clocks with pendulums
and mirrors, which keep on working
even when no one is looking.
It wonβt say where it comes from
or when itβs taking off again,
though itβs clearly expecting such questions.
We need it
but apparently
it needs us
for some reason too.
β
β
WisΕawa Szymborska
β
Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty.... People with no imagination feed it with sex -- the clown of love. They don't know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that -- softly, without props.
β
β
Toni Morrison (Love)
β
I think one of the problems in this country is that too many people are screwing things up, committing crimes and then getting on with their lives. What is really needed for public officials who shame themselves is ritual suicide.
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George Carlin (When Will Jesus Bring the Pork Chops?)
β
She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks made them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.
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Zora Neale Hurston
β
You win over people just like you win over a dog. You see a dog passing down the street with an old bone in his mouth. You don't grab the bone from him and tell him it's not good for him. He'll growl at you. It's the only thing he has. But you throw a big fat lamb chop in front of him, and he's going to drop that bone and pick up the lamb chop, his tail wagging to beat the band. And you've got a friend. Instead of going around grabbing bones from people... I'm going to throw them some lamb chops. Something with real meat and life in it. I'm going to tell them about New Beginnings.
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β
David Wilkerson (The Cross and the Switchblade)
β
Everyone knows how to cook parasolsβyou soak them in milk, then dip them in egg and breadcrumbs and fry them until they're brown as chops. You can do the same thing with a panther amanita that smells of nuts, but people don't pick amanitas. They divide mushrooms into poisonous and edible, and the guidebooks discuss the features that allow you to tell the differenceβas if there are good mushrooms and bad mushrooms. No mushroom book separates them into beautiful and ugly, fragrant and stinking, nice to touch and nasty, or those that induce sin and those that absolve it. People see what they want to see, and in the end they get what they wantβclear, but false divisions. Meanwhile, in the world of mushrooms, nothing is certain.
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β
Olga Tokarczuk
β
Neythen looked perplexed. 'My mum always said I'm named after a saint, not an illness.'
'Which one?'
'Well he had his head chopped off, see? And then he picked it up and carried it down the road a time. All the way back home, I think.'
'Messy,' Piers said. 'Not to mention unlikely, though one has to think of chickens and their post-mortal abilities. Did she think that you would inherit the same gift?'
Neythen blinked. 'No, my lord.'
'Perhaps she was just hopeful. It behooves mothers to look ahead to this sort of possibility, after all. I'm tempted to behead you just to see if she was right.Sometimes the most unlikely superstitions turn out to have a basis in fact.
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β
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
β
But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.
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β
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
β
Bashere shrugged, grinning brhind his grey-streaked moustaches, "When I first slept in a saddle, Muad Cheade was Marshal-General. The man was as mad as a hare in spring thaw. Twice every day he searched his bodyservant for poison, and he drank nothing but vinegar and water which he claimed was sovereign against the poison the fellow fed him, but he ate everything the man prepared for as long as I knew him. Once he had a grove of oaks chopped down because they were looking at him. And then insisted they be given decent funerals; he gave the oration. Do you have any idea how long it takes to dig graves for twenty-three oak trees?" "Why didn't somebody do something? His Family?" "Those not as mad as him, or madder, were afraid to look at him sideways. Tenobia's father wouldn't have let anyone touch Cheade anyway. He might have been insane, but he could outgeneral anyone I ever saw. He never lost a battle. He never even came close to losing.
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Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
β
You can never rouse Harris. There is no poetry about Harris- no wild yearning for the unattainable. Harris never "weeps, he knows not why." If Harris's eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop.
If you were to stand at night by the sea-shore with Harris, and say:
"Hark! do you not hear? Is it but the mermaids singing deep below the waving waters; or sad spirits, chanting dirges for white corpses held by seaweed?" Harris would take you by the arm, and say:
"I know what it is, old man; you've got a chill. Now you come along with me. I know a place round the corner here, where you can get a drop of the finest Scotch whisky you ever tasted- put you right in less than no time."
Harris always does know a place round the corner where you can get something brilliant in the drinking line. I believe that if you met Harris up in Paradise (supposing such a thing likely), he would immediately greet you with:
"So glad you've come, old fellow; I've found a nice place round the corner here, where you can get some really first-class nectar.
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Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
β
Some people may think that it is a dangerous attitude to take toward the Bible, to pick and choose what you want to accept and throw everything else out. My view is that everyone already picks and chooses what they want to accept in the Bible...I have a young friend who whose evangelical parents were upset because she wanted to get a tattoo, since the Bible, after all, condemns tattoos. In the same book, Leviticus, the Bible also condemns wearing clothing made of two different kinds of fabric and eating pork...Why insist on the biblical teaching about tattoos but not about dress shirts, pork chops, and stoning?
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Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
β
Events stream past us like these crowds and the face of each is seen only for a minute. What is urgent is not urgent for ever but only ephemerally. All work and all love, the search for wealth and fame, the search for truth, like itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future.
So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
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β
Iris Murdoch (Under the Net)
β
When the nettle is young, the leaves make excellent greens; when it grows old it has filaments and fibers like hemp and flax. Cloth made from the nettle is as good as that made from hemp. Chopped up, the nettle is good for poultry; pounded, it is good for horned cattle. The seed of the nettle mixed with the fodder of animals gives a luster to their skin; the root, mixed with salt, produces a beautiful yellow dye. It makes, however, excellent hay, as it can be cut twice in a season. And what does the nettle need? very little soil, no care, no culture; except that the seeds fall as fast as they ripen, and it is difficult to gather them; that is all. If we would take a little pains, the nettle would be useful; we neglect it, and it becomes harmful. Then we kill it. How much men are like the nettle! My friends, remember this, that there are no weeds, and no worthless men, there are only bad farmers.
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β
Victor Hugo
β
I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.
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Haruki Murakami (The Wind-Up Bird Chronicle)
β
Voodou isnβt like that. It isnβt concerned with notions of salvation and transcendence. What itβs about is getting things done. You follow me? In out system, there are many gods, spirits. Part of one big family, with all the virtues, all the vices. Thereβs a ritual tradition of communal manifestation, understand? Voodou says, thereβs a God, sure, Gran Met, but Heβs big, too big and too far away to worry Himself if your ass is poor, or you canβt get laid. Come on, man, you know how this works, itβs street religion, came out of dirt poor places a million years ago. Voodouβs like the street. Some duster chops out your sister, you donβt go camp on the Yakuzaβs doorstep, do you? No way. You go to somebody, though, who can get the thing done. Right?
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β
William Gibson (Count Zero (Sprawl, #2))
β
England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floorβ¦
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first.
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β
Roald Dahl
β
Personally, if I were trying to discourage people from smoking, my sign would be a little different. In fact, I might even go too far in the opposite direction. My sign would say something like, "Smoke if you wish. But if you do, be prepared for the following series of events: First, we will confiscate your cigarette and extinguish it somewhere on the surface of your skin. We will then run you nicotine-stained fingers through a paper shredder and throw them into the street, where wild dogs will swallow them and then regurgitate them into the sewers, so that infected rats can further soil them before they're flushed out to sea with the rest of the city's filth. After such time, we will sysematically seek out your friends and loved one and destroy their lives."
Wouldn't you like to see a sign like that?
β
β
George Carlin (When Will Jesus Bring the Pork Chops?)
β
What Rangers do, or more correctly, what Rangersβ apprentices do, is the housework.β
Will had a sinking feeling as the suspicion struck him that heβd made a tactical error. βTheβ¦housework?β he repeated. Halt nodded, looking distinctly pleased with himself.
βThatβs right. Take a look around.β He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, βSee ay servants?β
βNo, sir,β Will said slowly.
βNo sir indeed!β Halt said. βBecause this isnβt a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?β
Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, βWould that be me, sir?β
βI believe it would be,β the Ranger told him, then rattled off a list of instructions crisply. βBucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?β
βYes, sir,β said Will, beginning to roll up his sleeves.
β
β
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
β
Letβs say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Donβt worry, the man was already dead. Or maybe you should worry, because youβre the one who shot him.
He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And youβre chopping off his head because, even with eight bullet holes in him, youβre pretty sure heβs about to spring back to his feet and eat the look of terror right off your face.
On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax.
The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade.
Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. Heβs also got a new head, stitched on with what looks like plastic weed-trimmer line, and itβs wearing that unique expression of βyouβre the man who killed me last winterβ resentment that one so rarely encounters in everyday life.
You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, βThatβs the same ax that beheaded me!β
IS HE RIGHT?
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β
David Wong (John Dies at the End (John Dies at the End, #1))
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Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress...
Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!
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Nick Hornby (The Polysyllabic Spree)
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Sniffer of carrion, premature gravedigger, seeker of the nest of evil in the bosom of a good word, you, who sleep at our vigil and fast for our feast, you with your dislocated reason, have cutely foretold, a jophet in your own absence, by blind poring upon your many scalds and burns and blisters, impetiginous sore and pustules, by the auspices of that raven cloud, your shade, and by the auguries of rooks in parlament, death with every disaster, the dynamatisation of colleagues, the reducing of records to ashes, the levelling of all customs by blazes, the return of a lot of sweetempered gunpowdered didst unto dudst but it never stphruck your mudhead's obtundity (O hell, here comes our funeral! O pest, I'll miss the post!) that the more carrots you chop, the more turnips you slit, the more murphies you peel, the more onions you cry over, the more bullbeef you butch, the more mutton you crackerhack, the more potherbs you pound, the fiercer the fire and the longer your spoon and the harder you gruel with more grease to your elbow the merrier fumes your new Irish stew.
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James Joyce (Finnegans Wake)
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She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
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Sarah Cross (Kill Me Softly (Beau Rivage, #1))
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I was still young and the whole world of beauty was opening before me, my own officious obstructions were often swept aside and, startled into self-forgetfulness, I again tasted Joy. ... One thing, however, I learned, which has since saved me from many popular confusions of mind. I came to know by experience that it is not a disguise of sexual desire. ... I repeatedly followed that path - to the end. And at the end one found pleasure; which immediately resulted in the discovery that pleasure (whether that pleasure or any other) was not what you had been looking for. No moral question was involved; I was at this time as nearly nonmoral on that subject as a human creature can be. The frustration did not consist in finding a "lower" pleasure instead of a "higher." It was the irrelevance of the conclusion that marred it. ... You might as well offer a mutton chop to a man who is dying of thirst as offer sexual pleasure to the desire I am speaking of. ... Joy is not a substitute for sex; sex is very often a substitute for Joy. I sometimes wonder whether all pleasures are not substitutes for Joy.
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C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
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She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
"Here," she said, "in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard.
Yonder they do not love your flesh. They despise it. They donβt love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize." Saying no more, she stood up then and danced with her twisted hip the rest of what her heart had to say while the others opened heir mouths and gave her the music.
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Toni Morrison (Beloved)
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The repetitive phases of cooking leave plenty of mental space for reflection, and as I chopped and minced and sliced I thought about the rhythms of cooking, one of which involves destroying the order of the things we bring from nature into our kitchens, only to then create from them a new order. We butcher, grind, chop, grate, mince, and liquefy raw ingredients, breaking down formerly living things so that we might recombine them in new, more cultivated forms. When you think about it, this is the same rhythm, once removed, that governs all eating in nature, which invariably entails the destruction of certain living things, by chewing and then digestion, in order to sustain other living things. In The Hungry Soul Leon Kass calls this the great paradox of eating: 'that to preserve their life and form living things necessarily destroy life and form.' If there is any shame in that destruction, only we humans seem to feel it, and then only on occasion. But cooking doesn't only distance us from our destructiveness, turning the pile of blood and guts into a savory salami, it also symbolically redeems it, making good our karmic debts: Look what good, what beauty, can come of this! Putting a great dish on the table is our way of celebrating the wonders of form we humans can create from this matter--this quantity of sacrificed life--just before the body takes its first destructive bite.
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Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)