Chop Your Head Off Quotes

I dont know," said Simon, "it doesn't sound so bad to me. I'd rather have someone mess around inside my head than chop it off." "Then you're a bigger idiot than you look.

Get moving. We need to find that stag so I don’t have to chop your head off.” “I never said you had to chop my head off,” I grumbled, rubbing the sleep from my eyes and stumbling after him. “Run you through with a sword, then? Firing squad?” “I was thinking something quieter, like maybe a nice poison.” “All you said was that I had to kill you. You didn’t say how.” I stuck my tongue out at his back, but I was glad to see him so energized, and I suppose it was a good thing that he could joke about it all. At least, I hoped he was joking.

I've got a chainsaw with my name on it in my workshop," Milo told us happily. "If I'm ever killed by undead, I want you guys to chop me up with it. It's a good chainsaw." "I reckon it is, Milo. I would be honored to chop your head off," Sam said.

if Saint Bruce doesn't like your poem, he chops your head off.

Sometimes resignation brings relief. When you lose hope, you no longer bother struggling. You just stay benumbed like a vegetable and let your head chopped off by a guillotine so that it ends, once and for all.

Here comes a candle to light you to bed, and here comes a chopper to chop off your head.

I'll tell you," said Beatty, smiling at his cards. "That made you for a little while a drunkard. Read a few lines and off you go over the cliff. Bang, you're ready to blow up the world, chop off heads, knock down women and children, destroy authority. I know. I've been through it all.

He frowned. She laughed. He brightened. She pouted. He grinned. She flinched. Come on: we don’t do that. Except when we’re pretending. Only babies frown and flinch. The rest of us just fake with our fake faces. He grinned. No He didn’t. If a guy grins at you for real these days, you’d better chop his head off before he chops off yours. Soon the sneeze and the yawn will be mostly for show. Even the twitch. She laughed. No she didn’t. We laugh about twice a year. Most of us have lost our laughs and now make do with false ones. He smiled. Not quite true. All that no good to think, no good to say, no good to write. All that no good to write.

Tower of London, where they used to chop off your head if the king didn’t like you.

Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?

My dear Pierre, the affair is clear, you'll have your head chopped off. Let that be a lesson to you!

Hello there dandelions, fuck off! Chop go the heads with a cut of the stick excuse me just what do you think you're doing clip clip chop chop aaargh! what the fuck is going on where's our heads? Hee-yup!, I said and away again.

If you're supposed to sock somebody in the jaw, and you sort of feel like doing it, you should do it. I'm just no good at it, though. I'd rather push a guy out the window or chop his head off with an ax than sock him in the jaw.

I first set the needle on this record and bingo! the whole mechanism begins: the record player's arm tugs at a thread as the record plays; the thread pulls over this glass and lets this marble loose; the marble rolls down this miniature slide and snap! the spring is released, cutting off your heads! Brilliant! 'And just to be on the safe side,' he continued, 'this crossbow will shoot you as the trap is released, the axe will chop you in half and the anvil will crush you to pieces!' 'And do you see this gun?' Ratigan asked with a smile. 'In case you hadn't noticed, dear friends, it's also pointed at you! Ha! Ha! Ha!' Ratigan burst you laughing

If you're the wolf, though, I'll chop off your head and piss down the hole

My head hasn’t been very clear these last few days. I suppose that’s why sunflowers made me think of heads. I wish mine could be as clean as they are. I was thinking on the train—if only there were some way to get your head cleaned and refinished. Just chop it off—well, maybe that would be a little violent. Just detach it and hand it over to some university hospital as if you were handing over a bundle of laundry. ‘Do this up for me, please,’ you’d say. And the rest of you would be quietly asleep for three or four days or a week while the hospital was busy cleaning your head and getting rid of the garbage. No tossing and no dreaming.

Oh no, honey. Lots of women go through it early. Why, there was this woman over in Georgia who was only thirty-six-years-old and one day she got in her car and drove right up the stairs to the county courthouse, rolled down her window, and tossed her mother's head that she had just chopped off in her kitchen at a State policeman and hollered, "Here! This is what you wanted," and drove right back down the courthouse stairs. Now that's what an early menopause will do for you if you're not careful.

Why did you stop?” “I’m just wondering if you plan to stand there gawking at me all night?” “If you’re suggesting I take a nap instead, I’ll gladly comply.” “Or perhaps you could…help?” “How?” He circled his fingers around his temple, like her presence was giving him a headache. Then he whirled his hand in her direction and proclaimed, in a ridiculously staunch voice, “I do beseech you, oh fair one, would you please assist me with this most tedious of tasks by gathering the straw and bringing it within my reach, so that our progress might be hastened and you don’t get your head chopped off at dawn?” Serilda pressed her lips together. He was mocking her, but…at least this time he did say please. “With pleasure,” she snapped.

Warren was founded in 1775 and over here— Blah, blah, BLAH, finishes Ava on the bench beside me. What he’s not telling you is that there are people right here on campus who will chop your head off, she shouts to the mothers, who look at her, appalled. That’s right. With an ax! Like this. And then she’ll stand up and take a step toward them with an invisible ax over her shoulder and one or some or all of them will scream. Though I’m horrified, I laugh until I cry every time.

I eat some crisps while I think about my question. “Would you rather have your knob chopped off or your tongue?” “Bloody hell, Ariel,” he says. “Can’t you ask one normal question?” I shrug. “Answer it.” “Tongue,” he says. I laugh. “Really? You’d rather never speak a single word ever again, never tell your wife you love her, never tell your children that you think they’re beautiful, all so you could get your end away?” He nods. “I wouldn’t get a wife or a child if I didn’t have a knob.” “You’d still have balls and sperm,” I say. “You could still father a child.” He shakes his head. “I’d want my knob.

When criminals are hanged, priests always officiate, annoying the malefactors by their presence. In Prussia a pastor conducts the poor wretch to the block ; in Austria a Catholic priest escorts him to the gallows ; in France to the guillotine ; in America a clergyman accompanies him to the electric chair ; in Spain to the ingenious appliance by which he is strangled, etc. Everywhere they have to carry a crucifix about on these occasions, as if to say: "You're only having your head chopped off, you're only being hanged, you're only being strangled, you're only having 15,000 volts shoved into you, but don't forget what He had to go through.

Of course! When it's a question of anything stupid and pathetic and devoid of humor or wit, you're the man, you tragedian. Well, I am not. I don't care a fig for all your romantics of atonement. You wanted to be executed and to have your head chopped off, you lunatic! For this imbecile ideal you would suffer death ten times over. You are willing to die, you coward, but not to live. The devil, but you shall live! It would serve you right if you were condemned to the severest of penalties.

Orphan? Humph!’ she growled. ‘I’m a princess, not an orphan. And I have a grandmamma. And my grandmamma is a queen, so you’d better be careful. When I tell her you wanted to give me the strap, my grandmamma will order your head chopped off, you’ll see.’ ‘Ghastly! Ciri, have mercy!’ ‘Not a chance!’ ‘But you’re a good little girl. And beheading hurts awfully. You won’t say anything, will you?’ ‘I will.’ ‘Ciri.’ ‘I will, I will, I will! Afraid, are you?’ ‘Dreadfully. You know, Ciri, you can die from having your head cut off.’ ‘Are you mocking me?’ ‘I wouldn’t dream of it.

I didn’t think—” Nick began. “You didn’t think! That’s your problem, Nick, you just don’t think!” Nick struggled to respond. “You’re invulnerable,” Elphaba continued. “You’re immortal. You’re ancient. Nothing fazes you. No situation is too dangerous for you. Chop off your hand, or your head, or pull your liver out and eat it with some fava beans, you don’t care! In a few minutes you’ll be right as rain.” Elphaba took a deep breath. “But the rest of us aren’t like that, Nick. I only have the one liver, and I need it, thank you very much.” Elphaba’s diaphragm rapidly rose and fell.

Martin got up and brushed off the seat of his pants with his hat. He put his hat on his head and started back toward the path. For when you woke from a long dream, into the new morning, then try as you might you couldn't not hear, beyond your door, the sounds of the new day, the drawer opening in your father's bureau, the bang of a pot, you couldn't not see, through your trembling lashes, the stripe of light on the bedroom wall. Boys shouted in the park, on a sunny tree-root he saw a cigar band, red and gold. One of these days he might find something to do in a cigar store, after all he still knew his tobacco, you never forgot a thing like that. But not just yet. Boats moved on the river, somewhere a car horn sounded, on the path a piece of broken glass glowed in a patch of sun as if at any second it would burst into flame. Everything stood out sharply: the red stem of a green leaf, horse clops and the distant clatter of a pneumatic drill, a smell of riverwater and asphalt. Martin felt hungry: chops and beer in a little he remembered on Columbus Avenue. But not yet. For the time being he would just walk along, keeping a little out of the way of things, admiring the view. It was a warm day. He was in no hurry.

And we saved your life, y’know,” Andrew said, jerking his head in Oliver’s direction. “I mean, the least you could do is thank us.” “Of course!” Oliver said hastily. “Thank you very much.” “It was really dangerous back there,” Patricia said earnestly, as though wanting to make sure he understood the severity of the situation. “Yes, beheading is a serious business, I suppose,” Oliver said kindly. “I think it would have been difficult to keep on living once my head was chopped off.

If you only knew about the stupid crush I had on you.” “Oh, I knew.” Her mouth dropped open. “No way. I was stealth.” “You mean when you used to hide in the loft and watch me work?” She grimaced. “Fine. So I liked when you used to chop wood. You’d get hot and take off your shirt.” She slid him a sly smile. “Teenage Alice thanks you.” “Good to know.” He cocked his head. “And grown up Alice?” She bit her lower lip while looking at his mouth. “She’s … undecided.” What an adorably sexy liar. “You’re flirting with me again.” “Am I?” He smiled. “You’re just playing with me right now. Let me know when you mean it.

Every time you get angry with yourself for where you are in your process of growth, it’s the equivalent of chopping off the head of the rose because it hasn’t bloomed yet. Now you have to go through that part of the process again. Anger will set you back every time and slow down your growth. However, self-compassion and self-encouragement are like water and sunshine; they help the growth process happen faster and easier. It’s up to you how you want to proceed, but if you can break the habit of getting angry with yourself and replace it with some compassion and encouragement, then you will bloom like you have never bloomed before.

After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.

You’re the one thing that makes my life bearable,” he said, and the sudden tension in him, suffusing every muscle, reminded me of how he had braced himself every time Vas came around. It was the way he looked when he was guarding himself against pain. “You’re this bright spot of light. You’re--Cyra, before I knew you, I thought about…” I raised my eyebrows. He drew a sharp breath. His gray eyes looked glassy. “Before I knew you,” he began again, “I didn’t intend to live past rescuing my brother. I didn’t want to serve the Noavek family. I didn’t want to give my life to them. But when it’s you…it seems like whatever the end is, it might be worthwhile.” Maybe, to another person, this might have sounded kind. Or at least realistic. A person couldn’t avoid fate. That was the whole point. Fate was the place at which all possible life paths converged--and when the oracles said “all,” they meant all. So was it really so bad, being something good in the fate Akos dreaded? Maybe not. To another person. Unfortunately, I was not another person. “What you’re telling me,” I said, “is that if you’re going to have your head chopped off anyway, it’s at least nice to have your head on a very soft chopping block.” “That’s…” He made a frustrated noise. “That’s the worst possible way to interpret what I said!” “Yeah? Well, it’s my way,” I snapped. “I don’t want to be the gift someone gets when they’ve already lost. I don’t want to be a happy inevitability. I want to be chosen. I want to be wanted.” “You think I don’t want you? Haven’t I made that clear? I still chose you over my family, Cyra, and it wasn’t because of fate!

Second, you should know that if you choose to be a tyrant, you are conscripting yourself to a life of paranoia and isolation. Your reign will be defined by treachery, rebellion, and terror of your own dwindling faculties. I have conducted a survey of history and found that the most common causes of death among dictators are beheading, dismembering, disemboweling, hanging, and poisoning. Have you never wondered why the bullies of the past are always anemic, impotent, depraved, incestuous, deformed bedwetters? It's because their obituaries were written by their victims, written by the very men and women who pulled down their pants and chopped off their heads. So shall it be for you. You will live in fear, die in violence, and your name will be scorned for generations. Ruminate upon your fate young man, that is all I have to say to you.

They say the princess is a stunner,” said Peashot. “They also say she’s eighteen and twice as tall as you,” Vayle replied. “I meant the younger one.” “The younger one is a boy.” “Oh. Well then I meant the older one. Five years is not so much, and anyway, I’ll grow.” “Yes, I’m sure she thinks daily of a delinquent midget apprentice growing up to claim her hand ahead of all the nobles and princes of the realm. What could any of them possibly give that you don’t have, except titles, land, wealth and all that. You don’t have any of those things lying around, do you?” “You’re an idiot, Vayle. What does delinquent mean?” “It means you. If anybody asks you to describe yourself, that’s the word you want.” “Thanks. Idiot.” “My pleasure. Allisian is pretty though, but I’ve heard that the prince chops off the heads of men who stare at his sister.” Peashot snorted.

Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.

Chef Ayden says you have something special. An 'affinity with the things that come from the dirt,' he says. A master of spices. And coming from Ayden that means a lot. He doesn't usually believe in natural inclinations. Only in working hard enough to make the hard work seem effortless. Is it true about you?" I know my eyebrows look about ready to parachute off my face. "You mean the bay-leaf thing?" "No more oil, that's good." She takes the bowl of marinated octopus from my hand, covers it with a red cloth, and puts it in the fridge. "The 'bay-leaf thing' is exactly what I mean. You're new to Spain. From what your teacher tells me, not many of you have had exposure to world cuisines. Yet, you know a variety of herb that looks and smells slightly different when found outside of this region. I'm sure you've probably seen it in other ways. You've probably mixed spices together no one told you would go together. Cut a vegetable in a certain way that you believe will render it more flavorful. You know things that no one has taught you, sí?" I shake my head no at her. 'Buela always said I had magic hands but I've never said it out loud about myself. And I don't know if I believed it was magic as much as I believed I'm a really good cook. But she is right; most of my experimenting is with spices. "My aunt Sarah sends me recipes that I practice with. And I watch a lot on Food Network. Do you have that channel here? It's really good. They have this show called Chopped-" Chef Amadí puts down the rag she was wiping down the counter with and takes my hands in hers. Studies my palms. "Chef Ayden tells me you have a gift. If you don't want to call it magic, fine. You have a gift and it's probably changed the lives of people around you. When you cook, you are giving people a gift. Remember that.

Then, as we ascend into the fifth and final act of the show, we can choose what we want to take back with us: a piece of our underworld self that, frankly, the cheating boyfriend may need to meet, or the boss that doesn't appreciate you, or the terrorizing Bitch at school—or maybe you're the terrorizing Bitch, maybe I am. Some fragments that took their masks off while we were on this underworld journey sometimes walk quietly with me. Only I know that after the show they will be staying with me as my figurative New Renter in my seafront condo, down the street from Pituitary Lane, behind Heart Terrace. Then again, some unmasked Beings that I see during a performance find me once I'm back in my dressing room and receive from me the “Okay you, thank you for the perspective and the vision, but in this century you can't just chop people's heads off and feed them to your cats, and I know these guys are bad guys, and thank you for the vision. So you can haunt me during the show again in Indy

When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her. "Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling. Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees. "Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet. Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.” And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it." "This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize."" -Baby Suggs

I don’t know. I think maybe I’m just partly yellow and partly the type that doesn’t give much of a damn if they lose their gloves. One of my troubles is, I never care too much when I lose something—it used to drive my mother crazy when I was a kid. Some guys spend days looking for something they lost. I never seem to have anything that if I lost it I’d care too much. Maybe that’s why I’m partly yellow. It’s no excuse, though. It really isn’t. What you should be is not yellow at all. If you’re supposed to sock somebody in the jaw, and you sort of feel like doing it, you should do it. I’m just no good at it, though. I’d rather push a guy out the window or chop his head off with an ax than sock him in the jaw. I hate fist fights. I don’t mind getting hit so much—although I’m not crazy about it, naturally—but what scares me most in a fist fight is the guy’s face. I can’t stand looking at the other guy’s face, is my trouble. It wouldn’t be so bad if you could both be blindfolded or something. It’s a funny kind of yellowness, when you come to think of it, but it’s yellowness, all right. I’m not kidding myself.

You have heard your sentence. So you see, you’ll have to get used to going on listening to the radio music of life. It will do you good. You are uncommonly lacking in talent, my dear stupid chap, but by now I suppose even you have gradually realized what is being asked of you. You are to learn to laugh, that’s what is being asked of you. You are to understand life’s humour, the gallows humour of this life. But of course you are prepared to do anything on earth other than what is asked of you. You are prepared to stab girls to death; you are prepared to have yourself solemnly executed; you would no doubt also be prepared to spend a hundred years mortifying your flesh and scourging yourself. Or am I wrong? ‘No! With all my heart I’d be prepared to do so,’ I cried in my despair. Naturally! There isn’t a single stupid and humourless activity, anything pompous, serious and devoid of wit, that doesn’t appeal to you! But, you see, nothing of that sort appeals to me. I don’t give a fig for all your romantic desire to do penance. You must be berserk, wanting to be executed and have your head chopped off! You’d commit another ten murders to achieve this stupid ideal of yours. You want to die, you coward, but not to live. But to go on living, damn it, is precisely what you will have to do.

You have heard your sentence. So you see, you’ll have to get used to going on listening to the radio music of life. It will do you good. You are uncommonly lacking in talent, my dear stupid chap, but by now I suppose even you have gradually realized what is being asked of you. You are to learn to laugh, that’s what is being asked of you. You are to understand life’s humour, the gallows humour of this life. But of course you are prepared to do anything on earth other than what is asked of you. You are prepared to stab girls to death; you are prepared to have yourself solemnly executed; you would no doubt also be prepared to spend a hundred years mortifying your flesh and scourging yourself. Or am I wrong?’ ‘No! With all my heart I’d be prepared to do so,’ I cried in my despair. ‘Naturally! There isn’t a single stupid and humourless activity, anything pompous, serious and devoid of wit, that doesn’t appeal to you! But, you see, nothing of that sort appeals to me. I don’t give a fig for all your romantic desire to do penance. You must be berserk, wanting to be executed and have your head chopped off! You’d commit another ten murders to achieve this stupid ideal of yours. You want to die, you coward, but not to live. But to go on living, damn it, is precisely what you will have to do.

I look over the recipe again. It sounds very simple. You boil some rice in water like pasta, I can do that. You cook some onion in butter, stir in the rice, pop it in the oven. Add some cream and grated cheese and mix it up. And voila! A real dinner. I pull out a couple of the pots Caroline gave me, and began to get everything laid out. Grant always yammered on about mise en place, that habit of getting all your stuff together before you start cooking so you can be organized. It seems to make sense, and appeals to the part of me that likes to make lists and check things off of them. I manage to chop a pile of onions without cutting myself, but with a lot of tears. At one point I walk over to the huge freezer and stick my head in it for some relief, while Schatzi looks at me like I'm an idiot. Which isn't unusual. Or even come to think of it, wrong. But I get them sliced and chopped, albeit unevenly, and put them in the large pot with some butter. I get some water boiling in the other pot and put in some rice. I cook it for a few minutes, drain it, and add it to the onions, stirring them all together. Then I put the lid on the pot and put it in the oven, and set my phone with an alarm for thirty-five minutes. The kitchen smells amazing. Nothing quite like onions cooked in butter to make the heart happy. While it cooks, I grab a beer, and grate some Swiss cheese into a pile. When my phone buzzes, I pull the pot out of the oven and put it back on the stovetop, stirring in the cream and cheese, and sprinkling in some salt and pepper. I grab a bowl and fill it with the richly scented mixture. I stand right there at the counter, and gingerly take a spoonful. It's amazing. Rich and creamy and oniony. The rice is nicely cooked, not mushy. And even though some of my badly cut onions make for some awkward eating moments, as the strings slide out of the spoon and attach themselves to my chin, the flavor is spectacular. Simple and comforting, and utterly delicious.

What ways are those?” she asked carefully. Did the woman really believe in people five spans tall who sang to trees? There was something about axes, too. Here come the Aelfinn to steal all your bread; here come the Ogier to chop off your head. Light, she had not heard that since Harine was still in leading strings. With their mother rising in the ships, she had been charged with raising Harine along with her own first child.

Strip off the branches and make the logs smooth,” the quail said in the voice of a mischievous girl-child. “Didn’t your mother and father teach you anything?” Paul stared. It was not the strangest thing he had encountered, but it was still a bit surprising. “Who are you?” She made a little chirping sound of amusement. “A quail! What do I look like?” He nodded his head, conceding the point. “And you know how to build a raft?” “Better than you do, it seems. It’s a good thing Calypso herself brought you here, because you didn’t even ask permission from the dryads before you chopped down their trees, and they’ll all have to find new homes now.

On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.

You know where the term severance pay comes from, Scot?” said Longo as he hung the clipboard on a peg inside the cabinet and locked it again. “No, but you’re going to tell me, right?” Ignoring Harvath’s sarcasm, Longo continued. “It’s also from England. When prisoners were going to be beheaded, they offered the axeman a little extra money to make sure he chopped their heads off with one, clean blow.

Brandon and Taryn are at the end of the hallway. He has her skinny little body pinned up against the lockers and is kissing her neck. He turns his head, sees me, and pauses (midkiss) and stares. His look speaks volumes: "Keep your mouth shut, fat girl." If I had an ax, I’d love to hold him down and chop his nuts off. Or if I had the guts, give him the finger, but I busy myself in my locker. By the time I slam it shut, they’re long gone. I’ve broken out in a cold sweat. My T-shirt clings to my stomach and back. A single bead of panic rolls down my spine, tickling my skin like a spider. I shiver as I round the corner. If I tell anyone about the rape, I risk major backlash. People won’t believe that Brandon raped me. I know it.

Non-violent resistance supposes that the almighty enemy, at the very least, considers you to be a human being, capable of logically arguing why you disagree. It supposes that this enemy is ready to hear your demands and find common ground. Yes, Bamileke maquisards took up arms! But did they have a choice? Colonial masters feigned departure, but their cruel puppets continue to safeguard their interests through murder. We were cheated. Our struggle has been used to different ends. And, you will see, they will chop off any head that stands out, and then falsify our history. In fact, they won't; they will not even bother to record our history." "Who is "they?" I asked. "This 'they' is 'we’,” replied Louis. "We are the ones killing ourselves. Our killers are encouraged, trained, and funded by the former colonial power. But, and this is what makes it worse, we ourselves are the ones doing the dirty work with senseless enthusiasm," he added. That was how Cameroon—not just myself as an individual, or my village, Ombessa, or Bafia and Yaounde, the places where I had lived, but also this multi-layered, nuanced, bruised entity called my country—took shape in my mind.

Back in the days when rulers actually said “off with their heads” it was customary to give the executioner a monetary gift so he would be sure to kill you with the first stroke of the blade. If he didn’t, you were still alive but laying around, your head hanging partly chopped off. Not a fun way to spend the day, even the last day of the rest of your life. “The

I don't think I've ever heard you laugh. Ever. You face life like it's a warrior come to chop your head off, and you're just biding your time fretting until it does. Haven't you ever heard of the power of laughter?

Consider the chicken,” he said. “Today we have industrialized animals. A chicken needs to be cheap to be competitive in the marketplace. So the industrial chicken has a life that lasts forty-two days between its hatching and its sacrifice. They flood the chicken with twenty-three hours of light a day so that the chicken constantly feeds, and then they give it one hour of rest. They do this for six weeks, then the chickens are put on a conveyor belt and either gassed or have their heads chopped off and are immediately dumped in scalding water, after which the dead body is sent to market. “On the other hand, the traditional chicken used to take one and a half years from hatching to sacrifice. You would see the chicken every day and speak to her, and you would share with her certain aspects of your own life. The chicken was your friend; she understood you. You loved each other. She knew she was going to have a happy life and tried to give you her best while you gave her yours. She knew her destiny, that eventually she would make a gift of her life to feed your family. But you honored each other. The chicken lived at home with you, and you ate her at home.

Combining the French passions for snails and beheadings, Lavoisier conducted a series of experiments in 1768 that proved that certain species of snails would regrow their heads after they were chopped off.

Well, go in,” said Pandora. “It’s open to the public.” “So, for once, we won’t have to destroy private property,” Uncle Mort said, opening the door. “Look how far we’ve come, gang—” A shriveled, bony fist punched him in the face. Since there wasn’t much force behind the blow, however, it just sort of shoved him off balance for a second. Uncle Mort rubbed his cheek, as if he’d been stung by a mosquito. “Ow.” “Don’t you dare come in here!” a little man in a bow tie and suspenders yelled. He stared out at them from behind a pair of humongous old-man glasses, his wispy white hairs quivering as he shouted. When the Juniors came in anyway, he got even angrier. “Don’t you dare take another step!” They took another step. “Don’t you dare—” “Turlington!” Pandora blared, holding up a balled fist of her own. “You shut that pie hole of yours or I’ll stuff it with a hearty slice of knuckle cobbler!” “Knuckle cobbler?” Lex whispered to Driggs. “Good name for a band,” he replied. The man almost fainted. “Pan—Pandora?” “Damn straight!” She puffed out her chest and trapped him up against the wall. “Now, you’re going to let these friends of mine bunk here for the evening, and you’re going to be real nice and real pleasant about it, and above all, you’re not even going to think of ratting us out. Got it?” “Yes, yes,” he said, shaking. “Whatever you need. I think I might even have some pillows and blankets left over from the last overnight camp, in the closet behind the—” Pandora karate-chopped the side of his head. The Juniors watched as he went down like a sack. “What’d you do that for?” Uncle Mort asked once the poor man stopped twitching. “He would have ratted,” Pandora said with confidence. “Old Turly was my partner for a brief stint back in our younger days. Thick as thieves, we were. But he’s a squirrelly bastard, I know that much.” “So are you,” Uncle Mort pointed out. “That’s why we were such good friends!” Uncle Mort stared at her for a moment more, then rubbed his eyes. “Okay. Fine. Make yourselves at home, kids. Just step right on over the unconscious senior citizen.

HOW TO MAKE A HAND-TIED BOUQUET This bouquet has a lush, loose, casual feel. You make it by holding a stem in one hand and adding other stems around it in a spiral fashion. Because it’s not tightly wrapped in ribbon, it can easily be stored in a glass of water until showtime. (Do make sure it’s dry before it gets anywhere near your dress!) MATERIALS: • 15 to 20 stems of fairly long-stemmed flowers (no more than 3 or 4 varieties for a mixed bouquet; if using a variety of colors make sure they are evenly distributed) • Florist’s knife • 5 to 10 stems of greenery • 26-gauge florist’s wire or ordinary twine • Floral shears • Ribbon for finishing 1. Cut each of the stems on the diagonal and place in water while you work. Remove any thorns by gently scraping them off with a florist’s knife (take care not to gouge too deeply) and any foliage from the bottom half of the stem. 2. Take the largest flower in the bunch—this will form the center of the bouquet. Hold its stem in your left hand, between your thumb and first finger, about 6 to 8 inches from the base of the flower head. 3. With your right hand, add 4 to 6 clusters of greenery evenly around the center flower, tucking them in just below the head, allowing the stems to cross at the bottom and turning the bouquet clockwise as you work. 4. Tuck the end of a long piece of wire or twine in between two of the stems, and then wind it around the whole bunch of stems a couple of times to begin to hold everything together. Do not cut the wire. 5. Holding the bouquet in your left hand as in step 2, place 5 or 6 more flowers around the greenery, turning the bouquet clockwise as you work. Secure this next layer of stems with a couple of twists of wire in the same place as before. Continue adding greenery, flowers, or whatever you like to add mass to the bouquet until it reaches the desired size and shape. (Look at it from all angles to make sure you like the silhouette.) 6. Finish with a ring of greenery to give it a nice decorative cuff (optional). 7. Secure all the stems together one last time by winding the wire gently but firmly around several times, and then cut it off and tuck it in. 8. Using floral shears, cut the stems to the desired length, all at the same level. (Don’t chop them too short or your bouquet will look top heavy.) 9. Wrap ribbon around the stems to cover the wire, and tie in a droopy bow. If your ribbon is narrow, wrap it around several times before tying a bow to ensure that you’ve covered all your work. Leave the ends of the bow long and trim them at an angle.

She shrieked his name, threw her arms around his neck and hugged him so fiercely he took a step back and started to laugh. He put his arms around her and held her off the floor in her excitement. She kissed him on both cheeks, several times, making loud smacking noises. He laughed at her, hanging on, hating the thought of letting her go. He had to put her down too soon. Large, liquid green eyes stared up at him, overcome, and on her lips a phenomenal smile. “How did you do this?” she asked in a breath. “It was easy,” he said. “I need to show you how to work that computer. I can’t believe you didn’t use a computer before.” She just shook her head and stared at the paper. Wes wouldn’t allow her use of his computer; it would have put her in touch with the outside world too much. “Go on,” he said. “Call ’em. Use the phone in my place instead of in here. Have a little time alone with the girlfriends.” She got up on her toes and kissed his cheek again, laying her small hand against the other cheek. She looked at him with such gratitude, it melted his heart. Then she whirled and ran to his apartment, gripping that paper like a lifeline. “Yeah,” he said to himself, under his breath, nodding. “Bet there’s lots of little things I can look up for her. Yeah.” And he went back to chopping. Jack came into the kitchen, looked at Preacher and frowned. “What are you grinning about?” he asked. “I’m not grinning,” Preacher said. “Preacher, I didn’t know you had that many teeth.” “Aw, Paige. I looked up something for her, got her all excited. That’s all.” “Kind of looks like it got you a little excited, too. I think you’re flushed. And Jesus, you sure have a mouthful. You never showed me a grin like that.” Yeah, he thought—big mystery. You put your arms around me and kiss all over me like that, I’ll show you a mouthful—of fist. But he couldn’t stop grinning. He could feel it and couldn’t stop it. Jack just shook his head and left the kitchen. There

You got me so fucking turned on I couldn’t stand up if the place were on fucking fire, princess.” He points toward my chocolate-milk container. “And all you did was touch your pretty little lips to a fucking milk carton.” He rubs his forehead as if he wants to rub the thoughts away. He looks into my eyes. “All I know is if you ever touched me with that mouth of yours, I would go off like a cannon, princess. I’d be the happiest man in the world, but ashamed of myself, because I have no control when it comes to you, apparently.” He grimaces and looks down toward his lap, adjusting his pants as he wiggles his hips. “Our situation is messed up for so many reasons that I can’t even think about going there with you. But all I can think about is going there with you.” He groans and shoves a piece of bacon in his mouth. His eyes don’t leave mine, though. “I got up this morning thoroughly prepared to ignore you today. But then there you were, and you were smiling at me.” He looks down at my mouth. “I couldn’t ignore you if I tried.” I take a deep breath, trying to rationalize my thoughts. But I can’t. I have never, ever felt like this before. My girlfriends have talked about it, but I have never felt it. Even when I go on dates, it’s like some part of me shuts down. But with Pete, nothing shuts down. Everything wakes up. He goes on to say, “I don’t want to want you.” My heart stutters. I get it. I don’t like it. But I get it. I nod. Nobody likes damaged goods. I get up from the table and pick up my plate. “Wait,” he calls. I can’t wait. If I wait, he might see the tears that are brimming in my eyes. “Princess,” he calls again. Suddenly, my shirt jerks and I can’t walk any farther. I look back and see his hand twisted in the tail end of my shirt. He leans over the table and presses his lips together. “Don’t walk away,” he says. But all I see is the hand fisted in my shirt. My heart stutters, and my breaths freeze in my chest. I can’t get away. I turn back and punch him directly in the face with the heel of my hand. He jerks, his eyes closing as he winces and snaps his head back. I chop his wrist with my fist. One, two… Next, I’ll go for his eyes. “Reagan!” Dad yells as he drops what he’s holding and rushes in my direction. He tackles Pete, who is still stunned from my punch to the face. They drop to the ground, with Pete rolling to the bottom. Dad flips him over and pulls his hands behind his back. “Reagan,” Dad grunts. “What happened?” Pete lays there on the ground. He’s not even putting up a fight. He just winces, his eyes shut tightly as a slow trickle of blood streams from his nose. “Stay down,” Dad warns. Pete nods, and he doesn’t move. But his eyes finally open, and they meet mine. I don’t know how to interpret that look at all or what to say. So, I turn and run back to the house. I run like the terrified little girl I am.

Jesus Christ,” he breathes quietly. He looks over his shoulder to where my dad’s standing, talking with some of the men from the prison program. “If your father has any clue what’s going on in my head, he’ll chop my nuts off for sure.

Rachel . . .” He ran a nervous hand through his hair and paused for a second, as if trying to figure out what to say. “The school year is about to end and you’ll be going back to Cali over the summer. I feel like I’m about to miss any chance with you I may have. And I don’t want to. I know you liked me when we were growing up. But, Rach, you were way too young back then.” “I’m still five years younger; that hasn’t changed.” He smirked. “You and I both know a relationship between a thirteen-year-old and eighteen-year-old, and a twenty-one- and twenty-six-year-old are completely different.” So? That doesn’t help my argument right now. “Well, you and I have both changed over the last eight years. Feelings change—” “Yes.” He cut me off and his blue eyes darkened as he gave me a once-over. “They do.” I hated that my body was responding to his look. But honestly, I think it’d have been impossible for anyone not to respond to him. Like I said. Adonis. “Uh, Blake. Up here.” He smiled wryly, and dear Lord, that smile was way too perfect. “Look, honestly? I have an issue with the fact that you’re constantly surrounded by very eager and willing females. It’s not like I’d put some claim on you if we went on a couple dates, but you ask me out while these girls are touching you and drooling all over you. It’s insulting that you would ask me out while your next lay is already practically stripping for you.” His expression darkened and he tilted his head to the side. “You think I’m fucking them like everyone else?” Ah, frick. Um, yes? “If you are, then that’s your business. I shouldn’t have said that, I’m sorry. But whether you are or not, you don’t even attempt to push them away. Since you moved here, I’ve never seen you with less than two women touching you. You don’t find that weird?” Was I really the only person who found this odd? Suddenly pushing off the wall he’d been leaning against, he took the two steps toward me and I tried to mold myself to the door. A heart-stopping smile and bright blue eyes now replaced his darkened features as he completely invaded my personal space. If he weren’t so damn beautiful I’d have karate-chopped him and reminded him of personal bubbles. Or gone all Stuart from MADtv on him and told him he was a stranger and to stay away from my danger. Instead, I tried to control my breathing and swallow through the dryness in my mouth. “No, Rachel. What I find weird is that you don’t seem to realize that I don’t even notice those other women or what they’re doing because all I see is you. I look forward to seeing you every day. I don’t think you realize you are the best part of my weekdays. I moved here for this job before I even knew you and Candice were going to school here, and seeing you again for the first time in years—God, Rachel, you were so beautiful and I had no idea that it was you. You literally stopped me in my tracks and I couldn’t do anything but watch you. “And you have this way about you that draws people to you . . . always have. It has nothing to do with how devastatingly beautiful you are—though that doesn’t hurt . . .” He smirked and searched my face. “But you have this personality that is rare. And it bursts from you. You’re sweet and caring, you’re genuinely happy, and it makes people around you happy. And you have a smile and laugh that is contagious.” Only men like Blake West could get away with saying things like that and still have my heart racing instead of making me laugh in their faces. “You’re not like other women. Even though these are the years for it, you don’t seem like the type of girl to just have flings, and I can assure you, that’s not what I’m into, nor what I’m looking for with you. So I don’t see those other women; all I’m seeing is you. Do you understand that now?” Holy shit. He was serious? “Rachel?” I nodded and he smiled. “So, will you please let me take you out this weekend?” For

It is socially unsafe if you risk being mocked, laughed at, joked about, scaffolded, castigated. In such a disrespectful interaction, people are losing face. The safety issue sometimes irritates managers (in my practice). They argue that no heads are being chopped off. So why would you not be safe? They feel that people should say what they mean anyway. But in a position where you can be ridiculed or punished for expressing ideas, people will hide and hoard information to protect themselves.

Have dinner with me?” he says, his eyebrows shooting up. He looks hopeful, and that’s not what I want for him. He bends his knees so he can look into my face. “Dinner?” he repeats, like I might not have understood him. “A date,” he says. “Go on a date with me.” I shake my head. I shouldn’t like him so much after such a short time, but I see possibilities there where before I had none. He makes me believe I could have a real connection with someone. Well, maybe if I were someone else. But I’m not. So I can’t. “Thank you for letting me sleep here,” I say. “And do my laundry and take a shower. I really appreciate it. Will you tell your brothers thank you for me?” His hand falls away from me, and I feel like someone just untethered my anchor and I’m going to float away. He nods. He walks back over to the table, sits down, and begins turning the pages of the newspaper. He’s not looking at me anymore, and I feel the loss like someone chopped off my arm.

Pete,” I say. “Beg your pardon?” He glares at me. “My name is Pete,” I say. “We should probably be on a first name basis if you’re going to get intimate enough to chop my nuts off.” I motion to his hatchet. He blows out a quick breath, grins, and shakes his head.

I laugh and turn around to see what he was pointing at. But it’s not Reagan. It’s her dad, and he’s bearing down on me carrying that fucking hatchet. I cross my hands in front of my lap and step to the side. “Pete,” he says. He’s a little out of breath, and I feel like he ran here to find me. “Mr. Caster,” I say. I look at the hatchet, and he raises it up, appraising it greedily, like he’s enjoying all my discomfort. “Everything all right?” I ask. “Fuck no, everything is not all right,” he says. He scrubs a hand down his face. He points a finger in my face. “I’ve messed around with you all week long, and now I’m done playing.” “I didn’t realize we were playing, sir,” I start. He holds up a hand to stop me. “My daughter likes you a lot, and that’s the only reason I tolerated you this week.” “Um,” I start. But he shuts me up again with a hushed breath. He raises the hatchet, and I step to the side. “But I swear to God that if you do anything to hurt my daughter, I will chop off your head right after I chop off your nuts.” “I wouldn’t hurt her, sir,” I say. But he shushes me again. “When you get back to the city and there’s no dad with a hatchet waiting to emasculate you, you remember that I am just a phone call away. Do you understand?” “Clearly,” I say. “That’s all I wanted to say.” He heaves a deep breath and blows it out. “It was nice to meet you, Pete. Hope you have a good life if I never see you again.” He walks away, swinging his hatchet. Shit. I wasn’t expecting that.

Why is she mad at you?” She’s all innocence and wonder. “What makes you think she’s mad at me?” I narrow my eyes at her. “She looked like she was going to cry.” Fuck. She did. I pick up my phone and call Matt. “Hey,” I say. “What the fuck do you want?” he replies. But he has that playful tone in his voice that’s all Matt. “Hayley wants to come over and touch Sky’s belly.” “Oh,” he says. He puts his hand over the phone and says something to someone. “Bring her over. Sky’s belly will be waiting.” I wait a beat. “What’s wrong?” he says. “I think I messed up.” “Friday?” “Yeah.” “Bad?” “Yeah.” “You want us to watch Hayley so you can go talk Friday down off the ledge?” “I just want to climb up with her and hold her hand.” I scrub my palm down my face. “How far away are you?” “Five minutes.” He hangs up on me. I hate it when he does that; I taught him better manners. I look down at Hayley. “You want to go touch Matt and Sky’s babies? See if they’re kicking?” She puts her hands on her hips. “You’re despecting.” I sputter. “I’m what?” “Despecting. Making me think about one thing when I want to think about another. Like why Friday is crying.” I scratch my head. “Despecting?” “Despecting,” she says again. She puts her hands up like she’s blocking karate chops. “Despecting.” “Oh, deflecting!” I laugh. “Yeah, I’m deflecting. That okay with you?” “Do I still get to go see Sky’s belly?” I nod, and she grins. Apparently, deflecting is okay as long as Matt’s babies are involved.

Lord Golden does not go to Aslevjal with us. Therefore, if we discover a dragon in the ice, which I very much doubt, he doesn’t try to interfere with Dutiful killing the dragon. Or at least chopping the frozen head off some ancient carcass, which I consider far more likely. Then, even if this ‘Pale Woman’ does still exist and is some sort of threat to him, he never comes near her. Hence, Lord Golden doesn’t die.” “What if he comes to Aslevjal anyway, with or without us?” Chade gave me a look. “Fitz. Think, lad. Aslevjal is not an easy island to visit, even from the other Out Islands. Not that he’ll get that far. Don’t you think I can issue an order that forbids Lord Golden to take passage on any ship outbound from Buckkeep Town? I’ll do it subtly, of course. But it will be done.” “What if he changes his appearance?” He raised a white eyebrow at me. “Do you wish me to have him locked in a dungeon while we are gone? I suppose I could arrange that, if it would put your mind at rest. A comfortable dungeon, of course. All the amenities.” His tone plainly said that he thought I was worrying unnecessarily. Confronted with his calm skepticism, I found it difficult to support the frantic fear the Fool had raised in me. “No. Of course I don’t want that,” I muttered. “Then trust me. Trust me as you used to. Have a little confidence in your old mentor. If I don’t want Lord Golden to a ship from Buckkeep, then he won’t.

dead. After I chopped his head off, I found a taxidermist that specialized in Homo Sapien preservation. For an extra fee, he threw in the animatronics for the eyes. Makes me feel like he’s terrified to see me when his eyes shift like that,” Caesar laughed. “Daddy, what in the entire fuck!! Why is there a dead nigga’s head in your wall safe? Where is the rest of his dead ass?” Shania asked animatedly as she looked towards the decapitated head of a person she hadn't seen or thought of in years.

Poppy is mine,” I spoke from behind, making him jump. “If you look at her again, I’ll remove your eyes from their sockets. If you touch her, I’ll chop off your hands. If your dick gets hard fantasizing about her, I’ll cut it off. If you even think about her, I will sever your head from your body and keep the brains on my nightstand.

At least I brought lube,” Morgan says against my ear, thrusting in and out, as I try to pretend I’m anywhere else. “I made this feel good, and you fucking bit me?” he hisses acidly against my ear. “I want this to feel good for you, baby. I didn’t have to hit you if you’d just kissed me instead of trying to bite me,” he says, his thrusts building speed. “I want you to come. I want you to know it was me who made you come. I want you to close your eyes for the rest of the night and see me thrusting in and out of you even when it’s not my turn.” My stomach roils, and I swallow back the vomit. “You’re going to love every second I’m inside you.” He moves my hair to the side. “Just remember I could have stopped all this if you’d stopped fighting me a long time ago.” He stills inside me, shuddering his release. I stare blankly at the side as he runs his lips along my neck. I’m drenched from the lube, and the pain is more bearable, but to keep from crying, I picture someone riding in to save us. They’ll start by chopping his head off while he’s inside me.

How can it be so, this hovering sense of being both victim and perpetrator, both us and them, both me and him? Have we been expelled from an arcadia of fun where nature provided us with innocent automata, lowing and braying machines for our amusement? I doubt it. I doubt it very much. I tell you what I think, since you ask, since you dare to push your repulsive face at me, from out of the smooth paintwork of my heavily mortgaged heart. I think there was only so much fun to go round, only so much and no more available. We've used it all up country dancing in the gloaming, kissing by moonlight, eating shellfish while the sun shatters on our upturned fork and we make the bon point. And of course, the think about fun is that it exists solely in retrospect, in retroscendence; when you're having fun you are perforce abandoned, unthinking. Didn't we have fun, well, didn't we? You know we did. You're with me now, aren't you? We're leaving the party together. We pause on the stairs and although we left of our own accord, pulled our coat from under the couple entwined on the bed, we already sense that it was the wrong decision, that there was a hidden hand pushing us out, wanting to exclude us. We pause on the stairs and we hear the party going on without us, a shrill of laughter, a skirl of music. Is it too late to go back? Will we feel silly if we go back up and announce to no one in particular, 'Look, the cab hasn't arrived. We thought we'd just come back up and wait for it, have a little more fun.' Well, yes, yes, we will feel silly, bloody silly, because it isn't true. The cab has arrived, we can see it at the bottom of the stairs, grunting in anticipation, straining to be clutched and directed, to take us away. Away from fun and home, home to the suburbs of maturity. One last thing. You never thought that being grown up would mean having to be quite so - how can I put it? Quite so - grown up. Now did you? You didn't think that you'd have to work at it quite so hard. It's so relentless, this being grown up, this having to be considered, poised, at home with a shifting four-dimensional matrix of Entirely Valid Considerations. You'd like to get a little tiddly, wouldn't you? You'd like to fiddle with the buttons of reality as he does, feel it up without remorse, without the sense that you have betrayed some shadowy commitment. Don't bother. I've bothered. I've gone looking for the child inside myself. Ian, the Startrite kid. I've pursued him down the disappearing paths of my own psyche. I am he as he is me, as we are all . . . His back, broad as a standing stone . . . My footsteps, ringing eerily inside my own head. I'm turning in to face myself, and face myself, and face myself. I'm looking deep into my own eyes. Ian, is that you, my significant other? I can see you now for what you are, Ian Wharton. You're standing on a high cliff, chopped off and adumbrated by the heaving green of the sea. You're standing hunched up with the dull awareness of the hard graft. The heavy workload that is life, that is death, that is life again, everlasting, world without end. And now, Ian Wharton, now that you are no longer the subject of this cautionary tale, merely its object, now that you are just another unproductive atom staring out from the windows of a branded monad, now that I've got you where I want you, let the wild rumpus begin.

Oranges and Lemons, say the bells of St. Clements, You owe me five farthings, say the bells of St. Martins. When will you pay me? say the bells of Old Bailey. When I grow rich, say the bells of Shoreditch. When will that be? say the bells of Stepney. I’m sure I don’t know, says the great bell at Bow. Here comes a candle to light you to bed, And here comes a chopper to chop off your head.

She's good at picking out clothes to send a certain message- even if the message of her drawings appears to be "stay away from me or I will chop off your head"...

The most frequent expression in the Muslim world is inshallah, if God wills. It removes all guilt: blame it on Allah. If the oasis dries up and blows away, it was Allah’s will. If you get caught sleeping with your brother’s wife, it was Allah’s will. Getting your hand or your cock or your head chopped off in reprisal is Allah’s will, too.

The gelding had a broad back, making for a comfortable ride. Yedan rode at a canter. Ahead, the hills thickened with scrub, and beyond was a forest of white trees, branches like twisted bones, leaves so dark as to be almost black. Just before them and running the length of the wooded fringe rose dolmens of grey granite, their edges grooved and faces pitted with cup-shaped, ground-out depressions. Each stone was massive, twice the height of a grown man, and crowding the foot of each one that he could see were skulls. He slowed his mount, reined in a half-dozen paces from the nearest standing stone. Sat motionless, flies buzzing round the horse’s flickering ears, and studied those grisly offerings. Cold judgement was never short of pilgrims. Alas, true justice had no reason to respect secrets, as those close-fisted pilgrims had clearly discovered. A final and fatal revelation. Minute popping sounds in the air announced the approach of dread power, as the buzzing flies ignited in mid-flight, black bodies bursting like acorns in a fire. The horse shied slightly, muscles growing taut beneath Yedan, and then snorted in sudden fear. ‘Hold,’ Yedan murmured, his voice calming the beast. Those of the royal line among the Shake possessed ancient knowledge, memories thick as blood. Tales of ancient foes, sworn enemies of the uncertain Shore. More perhaps than most, the Shake rulers understood that a thing could be both one and the other, or indeed neither. Sides possessed undersides and even those terms were suspect. Language itself stuttered in the face of such complexities, such rampant subtleties of nature. In this place, however, the blended flavours of compassion were anathema to the powers that ruled. Yet the lone figure that strode out from the forest was so unexpected that Yedan Derryg grunted as if he had been punched in the chest. ‘This realm is not yours,’ he said, fighting to control his horse. ‘This land is consecrated for adjudication,’ the Forkrul Assail said. ‘I am named Repose. Give me your name, seeker, that I may know you—’ ‘Before delivering judgement upon me?’ The tall, ungainly creature, naked and weaponless, cocked his head. ‘You are not alone. You and your followers have brought discord to this land. Do not delay me—you cannot evade what hides within you. I shall be your truth.’ ‘I am Yedan Derryg.’ The Forkrul Assail frowned. ‘This yields me no ingress—why is that? How is it you block me, mortal?’ ‘I will give you that answer,’ Yedan replied, slipping down from the horse. He drew his sword. Repose stared at him. ‘Your defiance is useless.’ Yedan advanced on him. ‘Is it? But, how can you know for certain? My name yields you no purchase upon my soul. Why is that?’ ‘Explain this, mortal.’ ‘My name is meaningless. It is my title that holds my truth. My title, and my blood.’ The Forkrul Assail shifted his stance, lifting his hands. ‘One way or another, I will know you, mortal.’ ‘Yes, you will.’ Repose attacked, his hands a blur. But those deadly weapons cut empty air, as Yedan was suddenly behind the Forkrul Assail, sword chopping into the back of the creature’s elongated legs, the iron edge cutting between each leg’s two hinged knees, severing the buried tendons—Repose toppled forward, arms flailing. Yedan chopped down a second time, cutting off the Assail’s left arm. Blue, thin blood sprayed on to the ground. ‘I am Shake,’ Yedan said, raising his sword once more. ‘I am the Watch.’ The sudden hiss from Repose was shortlived, as Yedan’s sword took off the top of the Forkrul Assail’s head.

Don’t forget that going on this adventure helped you find a boyfriend as well,” said Carl with a grin. “Why don’t you give Dave a kiss right now and tell us how much you love him?” Somehow, Spidroth’s cheeks went redder than they already were. “I will kill you, creeper!” she shrieked, pulling out her ruby sword and pointing it at Carl. “I will chop off that ugly green head of yours!

You don’t disturb a king while he naps, are you crazy? That’s how you get your head chopped off.” “Hey, that only happened one time,

I can see where having a healer for a wife is going to come in handy.” “Just do not get your head chopped off. I cannot fix that.

The Dayaks had once been known as the headhunters of Borneo. They believed that if you chopped off the head of your enemy and ate his liver, you received his strength. That old, traditional, animistic belief still flourished—never addressed because under Suharto, discussing issues of race, religion, or ethnicity was banned. It was too “emotional,” too contentious, and in a society where order was largely imposed by the military, it was “unnecessary” to discuss and debate contentious issues because it only made things worse.

Semi-Charmed Life" Doo doo doo, doo doo-doo doo... I'm packed and I'm holding I'm smiling, she's living, she's golden She lives for me, says she lives for me Ovation, her own motivation She comes round and she goes down on me And I make her smile, like a drug for you Do ever what you wanna do, coming over you Keep on smiling, what we go through One stop to the rhythm that divides you And I speak to you like the chorus to the verse Chop another line like a coda with a curse Come on like a freak show takes the stage We give them the games we play, she said... I want something else to get me through this Semi-charmed kinda life, baby, baby I want something else, I'm not listening when you say good-bye Doo doo doo, doo doo-doo doo... The sky was gold, it was rose I was taking sips of it through my nose And I wish I could get back there, someplace back there Smiling in the pictures you would take Doing crystal meth, will lift you up until you break It won't stop, I won't come down I keep stock with a tick-tock rhythm, a bump for the drop And then I bumped up, I took the hit that I was given Then I bumped again, then I bumped again I said... How do I get back there to the place where I fell asleep inside you How do I get myself back to the place where you said... I want something else to get me through this Semi-charmed kinda life, baby, baby I want something else, I'm not listening when you say good-bye I believe in the sand beneath my toes The beach gives a feeling, an earthy feeling I believe in the faith that grows And the four right chords can make me cry When I'm with you I feel like I could die And that would be alright, alright And when the plane came in, she said she was crashing The velvet it rips in the city, we tripped on the urge to feel alive Now I'm struggling to survive, Those days you were wearing that velvet dress You're the priestess, I must confess Those little red panties they pass the test Slide up around the belly, face down on the mattress one And you hold me, and we're broken Still it's all that I wanna do, just a little now Feel myself, heading off the ground I'm scared, I'm not coming down No, no And I won't run for my life She's got her jaws now locked down in a smile But nothing is alright, alright And I want something else to get me through this life Baby, I want something else Not listening when you say Good-bye, good-bye, good-bye, good-bye Doo doo doo, doo doo-doo doo... The sky was gold, it was rose (Doo doo doo, doo doo-doo doo...) I was taking sips of it through my nose (Doo doo doo, doo doo-doo doo...) And I wish I could get back there (Doo doo doo, doo doo-doo doo...) Someplace back there, in the place we used to start (Doo doo doo, doo doo-doo doo...) I want something else (Doo doo doo, doo doo-doo doo...) Third Eye Blind (1997)

You shouldn’t practice with me, then,” I said. “We don’t need you getting hurt.” “How will you practice then, my friend?” Bernsten cocked his head in concern. “I mean, I could still cast the spells without having an opponent, right?” I asked, turning to look between all of the kingdom elves. “I believe so,” Nadeine said, though there was hesitancy in her tone. “Did magi not used to perform spells as a spectacle in addition to when they were needed?” “Yes,” Marinka nodded, “Though I’m unsure how effective doing so in practice would be.” “Indeed,” Nadeine said, narrowing her eyes as she turned to me. “It would be more beneficial for you to practice with an opponent, Leo.” “Yeah, you’re probably right,” I agreed, but I raised a finger. “But it would be even worse if Bernsten got his head chopped off, wouldn’t it?” “I suppose this is true,” Nadeine said slowly. “You suppose?” Bernsten asked in mock surprise, turning to her. “Your affection for me knows no bounds, sister. I am flattered.

Before I knew you,” he began again, “I didn’t intend to live past rescuing my brother. I didn’t want to serve the Noavek family. I didn’t want to give my life to them. But when it’s you…it seems like whatever the end is, it might be worthwhile.” Maybe, to another person, this might have sounded kind. Or at least realistic. A person couldn’t avoid fate. That was the whole point. Fate was the place at which all possible life paths converged--and when the oracles said “all,” they meant all. So was it really so bad, being something good in the fate Akos dreaded? Maybe not. To another person. Unfortunately, I was not another person. “What you’re telling me,” I said, “is that if you’re going to have your head chopped off anyway, it’s at least nice to have your head on a very soft chopping block.” “That’s…” He made a frustrated noise. “That’s the worst possible way to interpret what I said!

What you’re telling me,” I said, “is that if you’re going to have your head chopped off anyway, it’s at least nice to have your head on a very soft chopping block.” “That’s…” He made a frustrated noise. “That’s the worst possible way to interpret what I said!” “Yeah? Well, it’s my way,” I snapped. “I don’t want to be the gift someone gets when they’ve already lost. I don’t want to be a happy inevitability. I want to be chosen. I want to be wanted.” “You think I don’t want you? Haven’t I made that clear? I still chose you over my family, Cyra, and it wasn’t because of fate!” He was mad now, practically spitting at me. Good. I wanted to fight. Fighting was something I could do, something I had trained myself to do whenever things got difficult. It was what kept me safe--not avoidance, because when had I ever been able to avoid the things that hurt me? No, it wasn’t pretending I wouldn’t get knocked down that protected me, but the knowledge that I would get back up as many times as I had to. “How do you know?” I demanded. “It’s not saying yes if you don’t feel like you have a choice!” “This isn’t about me, this is about your own insecurity.” He spoke fiercely, hotly, against my face. We were too close together but neither of us moved back. “You don’t think anyone could possibly want you, so therefore, I must not be able to really want you. You’re taking something good away from yourself because you don’t think you deserve it.

The allied air power was very strong and this added to my doubts. But this was not the kind of thing you said openly, for two reasons: if the Kempeitai [military police] heard that you were saying such things you could get your head chopped off! Also it would only reduce the men’s morale.

thought. Suddenly the girl stopped. To his surprise, she said, “I feel someone watching me! Come out, whoever you are, and help me carry this basket. There’s so much food in it that I can barely lift it.” “Food!” thought L. B. “Dad was right!” Licking his chops, L. B. stepped out of the bushes behind the girl. “Did you say your basket is too heavy, little girl?” he asked. The little girl reached into her hood and pulled out a spray can. She wheeled around and pointed it at L. B.’s drooling muzzle. “Freeze, Buster!” she cried. “One move and you’re history!” L. B. froze until he read the label on the can. Then his long snout stretched into a wolfy grin. “Oh please, little girl, don’t squirt me with cheese spread! I’ll have to spend all morning licking it off my fur.” The little girl lowered the can in disgust. “Well, it was either that or bop you over the head with a pepperoni. I’m too young to carry weapons.” “You don’t need weapons with me. What’s your name?” “Everyone calls me Red Riding Hood, so you might as well, too. My mother got a deal on a bolt of red cloth, and she makes all my clothes from it. I talked her into adding

That said, I love to go to sleep at 2 a.m. Which is weird, because I’m an extremely jumpy and anxious person, especially in the dark. As soon as night falls, a family of raccoons will skitter across the deck eating compost or a deer will ram its head repeatedly into the garage door, causing my heart to skip several beats as I brace myself for a horror-movie villain to come crashing through the glass door while my wife sleeps peacefully upstairs, blissfully unaware of the corpse she’s unfortunately going to have to heave out of the way when she wakes up to get past the guy in the Scream mask hiding in the closet. But let me tell you what your partner won’t: it’s worth risking getting your head chopped off by Freddy Krueger to watch your makeup tutorials and/or read a couple chapters of your Book of the Month in blissful unadulterated silence.

Then the Jaghut said, ‘Hanako, I am named Raest.’ ‘Then welcome, Raest, to our fire.’ ‘Voice a single jibe, Hanako, and I might have to chop off your head. Just so you understand how this night will play.

The demon is the mental shadow-side archetype. What it shows is that the lifeblood of Raktabija has the power to give birth to thousands of Raktabijas, just like the thinking of the soul. Similarly, thoughts from the mind seem to sprout more and more thoughts as soon as they appear to land. Even if one in meditation cuts them off, more will sprout. It requires the power of Shakti Kundalini to spring the mind, dispatch the demon. Kali comes in in this great mythical tale and cuts the demon's head off. Before it could hit the fertile ground of existence she drank all her blood. In other words, out of all the thoughts, desires, and delusions that plague the seeker and prevent the seeker from knowing pure union, Kali Kundalini takes the life energy. Kali, as She's chopping the heads off, is symbolically slashing through the soul, removing all the emotions that will give birth to slavery and illusion over and over again. She absorbs them into herself; in other words, She frees from those bound forms the life-force, the Shakti. The formation is all forms. She alone has the power to dissolve all forms, to free from them the soul, the life. Kali wears a fifty-skull garland all around her neck. In addition, these fifty skulls reflect the Sanskrit alphabet's fifty letters— the sounds and forms that make up thought, which are the basis of all life. She's the one who sucks the life-force out of them so we can be safe from them, as well as the one who gave them birth to begin with. Taking refuge in Kali takes refuge in that inherent ability to cut off the heads of the very modes of thought, behaviors, values and all of the mind's restricting mechanisms that trap us in illusion. When free, She brings us back into unity with the Infinite — as does Kali with her husband Shiva. Even a myth of this kind, which may seem so bizarre and gruesome to the ignorant, has profound significance for our sadhana, revealing moment by moment what is involved in our spiritual practice. When you do japa, the ritual of mantra repeating, of Om Kali Ma, her mantra, you bring your mind back to Kali again and again. You can do this practice right now, or you can sit for meditation the next time. Close your eyes and dissolve Om Kali Ma, Om Kali Ma, Om Kali Ma with every thought. Kali's story shows that with every repeat of Om Kali Ma, this glorious phenomenon occurs. She cuts off all the emotions, all the deluded ideas, all the bound behaviors and perceptions that might have filled the mind as the pulse of mantra. Keeping the mind in the mantra refuge means holding the mind in a sacred place that is safe from all the modes of thought with which the mind might have developed its own slavery. Every repetition of mantra is a movement of Kali's sword clearing and opening that spaciousness of awareness, freeing our energy and consciousness so we can experience the fullness of who and what we are in each moment.

When it comes to money management, most people live like Gollum in The Lord of the Rings. They cower in a shabby trailer, shrilling about “my precious” and how it must be guarded with dear life. Such is the existence of someone consumed by the frugality scam—the belief that obsessive expense reduction, penny-pinching, and experiential deprivation will someday pay off in the opposite: rich life experiences, freedom, and abundance. The frugality scam is like chopping off your head and bragging you’ll never suffer migraines again.

This is my happiest day. I am going to the Lord.' 'Yes,' cry the pastors and the judges and philanthropic ladies. 'This is the happiest day of your life, for you are going to the Lord!' They all walk or drive to the scaffold in procession behind the prison van. At the scaffold they call to Richard: 'Die, brother, die in the Lord, for even thou hast found grace!' And so, covered with his brothers' kisses, Richard is dragged on to the scaffold, and led to the guillotine. And they chopped off his head in brotherly fashion, because he had found grace.

SUNDAY Very boring weekend. I ended up spending most of it lying on my bed listening to the Mary Poppins soundtrack (really very catchy) and reading one of my library books, My Family and Other Animals by Gerald Durrell, which is a true story about a boy who goes off to Corfu with his family and adopts loads of cool animals. His older siblings are totally head-wrecking, especially his pretentious big brother Larry, which is partly why I like it. But I also like it because I too have an affinity with the animal kingdom, as proved by the fact that every time I go to Alice’s house in the country I always see loads of wild creatures. Well, squirrels. But they’re wild, aren’t they? Of course, my sensible way of spending the weekend didn’t please my tyrannical parents. Their sympathy for my relegation to the chorus didn’t last very long. This afternoon my mother came in to my room (without knocking, of course. She has the manners of a … I dunno. Something rude) when I was quietly reading, took one look at me and said, ‘What on earth are you doing like that?’ ‘I am reading, mother,’ I said. ‘Isn’t that obvious?’ ‘But why are you lying with your head over one side of the bed and the book on the floor? That can’t be comfortable. Or good for your neck.’ Honestly! She can even find fault with the way I read! I don’t even know why I was lying like that; it just felt like the right way to lie. Also it meant that when I needed to take a break from Mary Poppins I could reach over and change the music on my iPod which was plugged into its little speakers on a shelf by the bed. So I told her this and she said, ‘Well, if you get a terrible crick in your neck, don’t say I didn’t warn you.’ And then she demanded I come down soon and chop up some carrots. Yet again, I wonder what the fans of my mother’s books would

The Final Word by Stewart Stafford On the wall of a prominent jacks, Came anonymous, scurrilous attacks, Innuendo and defamatory jibes, Scrawled by cowardly scribes, Dared the executioner’s axe. And whoever wrote the indecent graffiti, Would never say it to the King in a meeting, He’d cry: ‘Off with their heads,’ Then sleep safely in bed, Having the final word takes some beating. And as they walked to an undignified death, No sarcastic words came from their breath, They were up for the chop, On the executioner’s block, And would plead it was all for a bet. So if you’ve ill words planned, Remember to keep them in hand, Or the butt of your jokes, Becomes your executioner’s host, And that’s the end of your brand. © Stewart Stafford, 2021. All rights reserved.

The tunnel became the place of dares:Kids said that if you walked the tunnel at midnight, you might hear a train whistle, and if you didn’t run the half-mile length of darkness at top speed, the conductor would ride along in his ghost train and- Choo-choo, chopity-chop. Cut your head off too.

the shadows. “Why do you think they invented chess?” “He’s got you there,” said the captain, following Fletcher. Jake jogged slightly to catch up as Captain Chenoweth continued. “These guys are exactly who we need to get you to your destination. They’ve got contacts throughout the area, and we should be able to slip through without anyone even knowing we’re coming.” “But why should anyone care?” Captain Chenoweth pointed back the way they’d come, toward the coastal village. “Those people down there didn’t know us, but they were ready to kill you. Now, no matter what started this little conflict, don’t think for a second anyone here cares which side you’re on. In their eyes America is their enemy, and they’re likely to kill us all simply to vent their frustration. Either that, or they’ll capture us and hold us for ransom – maybe do what those wannabe terrorists did and chop our heads off, posting it on the internet for shits and giggles. We’re not sitting in your little ivory bubble anymore. Highly polished principles won’t wash well here.” The words felt like a slap in the face. “You think I’m that naive?” he eventually mustered after an awkward pause. Captain Chenoweth gave a short whistle, and the SEAL team dropped back from their defensive positions, jogging up the short hill and clambering into the rear of one of the virtually invisible trucks. “I think it’s time to go, sir.” And with that simple statement, Captain Chenoweth relayed volumes to Jake, who nodded silently and walked toward the large truck, its back tray covered by a canvas roof stretched over a high, metal frame. Jake saw the SEAL team seated alongside Fletcher and three of his men, two bench-seats running the length of the tray. He climbed awkwardly into the back of the truck as its engine roared to life. The tray reeked of livestock; the musky scent of animal feces mixed with grass or hay and wet fur. Jake gagged, but otherwise remained silent, still stinging from the captain’s indirect rebuke. Complaining of the stench would only serve to lower him further in their esteem. Captain Chenoweth climbed in alongside

These werewolves and the gwrgi are not like the American breed of werewolf. They are not part timers. They do not spend the one, full moon, night in every twenty eight as a wolf or wolf-man beast. They do not spend twenty eight days and twenty seven nights wandering round high school hallways and shopping malls filled with teenage angst about falling in love with the 'one'. They do not go to cool parties where everyone is half naked and waxed. When werewolves change that's it, seven years as a wolf. Gwrgi are stuck the way they are permanently and aren't so much a wolf with a large dollop of teenage heart throb mixed in, but more a wolf with a little too much stinky tramp mixed in. One folk legend is true. You can kill both werewolves and gwrgi by either shooting them through the heart with a silver bullet or by chopping their head off. But then, pretty much any animal can be killed by shooting them through the heart with a silver bullet or by chopping their head off. And if you're on a budget, the bullet probably doesn't even need to be silver.

You obnoxious little shit! You're like a chicken that keeps moving around when I try to chop its head off.