Chloe Movie Quotes

We've searched our database for all the quotes and captions related to Chloe Movie. Here they are! All 16 of them:

I looked at Ethan and smiled a little. “I love you,” he mouthed. “I love you, too,” I mouthed back. “And I’m nauseous,” Catcher grumbled. “Let’s get on with this. I am seriously in need of a beer and a Lifetime movie.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
Let’s get on with this. I am seriously in need of a beer and a Lifetime movie.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
Top Gun,” I whispered to Lindsey. We’d started pointing out Luc’s ubiquitous pop culture references, having decided that because he cut his fangs in the Wild West, he’d been entranced by movies and television. You know, because living in a society of magically enhanced vampires didn’t require enough willing suspension of disbelief. -Merit in Chloe Neill’s Friday Night Bites
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Time neither flies nor sleeps. It is flexible, plastic, ever changing. Spend two hours watching a movie curled up with your lover and time ceases to exist. Spend two hours waiting for your lover to come and time is the iron bars of a prison
Chloe Thurlow (Katie in Love)
At least you had sense enough not to attempt to lead this particular away team.” “Star Trek,” I murmured, picking out one of Luc’s ubiquitous movie and television references. “I have trained you well, Padawan.” “You’re mixing your Wars and Treks,” Jeff pointed out. “They’re interchangeable,” Luc said, earning a horrified look from Jeff.
Chloe Neill (Wild Things (Chicagoland Vampires, #9))
I frowned with disappointment. I’m not sure what I’d expected to see, although a short, dark-haired man standing beneath a floating neon arrow that read BAD GUY HERE would have been nice. A suspect and quick confession wouldn’t have been amiss, either. This was a lot harder than in the movies.
Chloe Neill (Hard Bitten (Chicagoland Vampires, #4))
Chloe had her knees pulled up, one arm wrapped around them. Her other hand was entwined with Derek's. He leaned back against the tree. Slumping, as if it was holding him up. His face glowed with sweat and his eyes were closed. When I'd seen Derek in wolf form, I figured werewolves grew when they shifted, like the ones in movies. They didn't. He was really that big. Even slumped, he was more than a head taller then Chloe. A huge football player of a guy. Beside me, Daniel whispered, "I was going to tell him off for bullying you. But I'm having second thoughts." I smiled at him. "I don't blame you." Despite his size, Derek was obviously no older than us. His cheeks were dotted with mild acne and I could see the ghosts of fading pocks, as if it had been much worse not too long ago. Dark hair tumbled into his eyes as he rested with his head bent forward.
Kelley Armstrong (The Rising (Darkness Rising, #3))
I had meant to take her to my favorite pastry shop after dinner. I'd known happiness there once, or maybe not happiness, but the vision of it. I wanted to see whether the place had changed at all, or whether I had changed, or whether, just by sitting with her I could make up for old loves I'd gotten so close to but had never been bold enough to seize. Always got so very close, and always turned my back when the time came. Manfred and I had dessert here so many times, especially after the movies, and before Manfred, Maud and I, because it was so hot on summer nights that we'd stop to drink fizzy lemonades here, night after night, happy to be together drinking nothing stronger. And Chloe, of course, on those cold afternoons on Rivington Street so many years ago. My life, my real life, had not even happened yet, and all of this was rehearsal still. Tonight, I thought, relishing Joyce's words and feeling exquisitely sorry for myself, the time has come for me to set out on my journey westward. Then I thought of Saint Augustine's words: "Sero te amavi! Late have I loved you!
André Aciman (Enigma Variations)
Yeah, I worry what will happen when we stop running. When we go back to school. When she meets other boys. Boys who don’t argue and snap at her. Boys who don’t obsessively worry about her. Boys that could take her to a movie and stay right until the end, not have to leave halfway through because he started turning into a wolf. But she wouldn’t pick up some random guy in the mall. Ever. So why was I over-reacting? I don’t know. I saw the guy and something ignited in my brain, a flash-fire that burned away reason and common sense. If Simon hadn’t stopped me, I’d have made an idiot of myself and called attention to us. Worse, I’d have embarrassed Chloe. I was over-protective enough as it was. Frothing at the mouth because a guy talked to her? Really not going help us get to that next anniversary.
Kelley Armstrong (Belonging (Darkest Powers, #3.5))
somehow reminding Chloe of Nightcrawier in X-Men United. Who needs movies when you are a mutant?
Liz Braswell (The Nine Lives of Chloe King (The Nine Lives of Chloe King, #1-3))
I don't understand! Why am I tied up?” Thane walked around the bed, his eyes never leaving her. “You said you wanted to be in a movie, didn't you?” “Yes, but, I thought...”” “You thought you were coming to a casting call. And you are. Oh yes, you are,” Thane said. “But...€”but what about Chloe and the other girls? I'm so confused. I need my clothes. Please, please untie me!” Her head pounded, and her brain felt so fuzzy. She couldn't think. Why was the room spinning? Thane laughed again. “You still don't get it, do you? You wanted to be in a movie, and you're just in time for your audition.” Diamond tried to think straight. Nothing made sense. She felt drugged. “Wha? What? I...€”I don't understand.” Thane flicked on the lights, and Diamond twisted her head away from the sudden brightness. “You will be the star tonight, my dear girl,” Thane whispered. Then, in a louder voice, he called, “Lights. Camera. Action.” Diamond blinked her eyes open, straining to see in the harsh, glaring light. Two large movie cameras were positioned directly over the bed. Oh, no! Oh, no! Her heart thudding, she jerked and thrashed against the ropes once more. “No!” she screamed. “Let me go! Please, please, let me go!
Sharon M. Draper
Well, looks like we’re going to Penn. College decision done.” “Well, one of us has the transcript for Penn,” she says slowly, wrinkling her nose at me. “Ugh. How hard could it be?” I eye the door, hoping for another glimpse of Finn. Chloe pinches the bridge of her nose. “It’s Ivy League, Everly.” “So I’ll Legally Blonde myself together.” “Good plan. You remember how that movie ended, don’t you?” I nod. “She gets the guy.” “Not the guy she got into law school for.” Humph. Sometimes Chloe is just so literal. “It’s an outline, Chloe. We can edit as we go.
Jana Aston (Right (Cafe, #2))
I’m not a dress girl at all. I feel completely awkward and, honestly, not very beautiful wearing this purple dress and insanely high heels that Chloe and Rayne talked me into when we went dress shopping a few weeks ago. I really want to go home and throw on an old faded T-shirt and ripped jeans and curl up on the couch with a book or maybe watch a movie and binge on chocolate and ice cream.
Carian Cole (Torn (All Torn Up Book 1))
After Chloe had had enough and hung up (or killed herself ), Tommy busted out some English audiotape course he’d purchased.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
In the domain of cinema, the latest example of such “classism” is Nomadland (Chloe Zhao, 2020) which portrays the daily lives of our “nomadic proletarians,” workers without a permanent home who live in trailers and wander around from one temporary job to another. They are shown as decent people, full of spontaneous goodness and solidarity with each other, inhabiting their own world of small customs and rituals, enjoying their modest happiness (even the occasional work in an Amazon packaging center goes quite well . . . ). That’s how our hegemonic ideology likes to see workers—no wonder the movie was the big winner of the last Oscars. Although the lives depicted are rather miserable, we are bribed into enjoying the movie with the charming details of the workers’ specific way of life, the underlying message being: enjoy being a nomadic proletarian!
Slavoj Žižek (Heaven in Disorder)
Nick exhales, short and frustrated. "I wouldn't be done with you in one night, Chloe. That's the entire problem.
Kerry Winfrey (Not Like the Movies (Waiting for Tom Hanks, #2))