“
Inej had once offered to teach him how to fall. "The trick is not getting knocked down," he'd told her with a laugh. "No, Kaz," she'd said, "the trick is in getting back up.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
No matter how many times you get knocked down, keep getting back up. God sees your resolve. He sees your determination. And when you do everything you can do, that’s when God will step in and do what you can’t do.
”
”
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
“
Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.
”
”
Sarah Kay
“
If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills. As far as I can tell, they never get up before noon unless there's some sort of national emergency, like my leg hair.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.
”
”
Sara Gruen (Water for Elephants)
“
It's not whether you got knocked down; it's whether you get back up.
”
”
Vince Lombardi
“
maybe a damned good night's sleep will bring me back to a gentle sanity.
But at the moment, I look about this room and, like myself, it's all in disarray: things fallen out of place, cluttered, jumbled, lost, knocked over and I can't put it straight, don't
want to.
Perhaps living through these petty days will get us ready for the dangerous ones.
”
”
Charles Bukowski
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
I won’t just have a job; I’ll have a calling. I’ll challenge myself every day. When I get knocked down, I’ll get back up. I may not be the smartest person in the room, but I’ll strive to be the grittiest.
”
”
Angela Duckworth (Grit: The Power of Passion and Perseverance)
“
I will never quit. My nation expects me to be physically harder and mentally stronger than my enemies. If knocked down I will get back up, every time. I will draw on every remaining ounce of strength to protect my teammates and to accomplish our mission. I am never out of the fight.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
when you stumble, keep faith. And when you're knocked down, get right back up and never listen to anyone who says you can't or shouldn't go on.
”
”
Hillary Rodham Clinton
“
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.
”
”
Charlotte Perkins Gilman (The Yellow Wallpaper)
“
A-la-la-la-la, fine, I get it,” said Thorne, covering his ears. “Please, never say that word again.”
Dr. Erland raised an eyebrow. “Cellular? Hematopoietic? Ganglion?”
“That last one.” Thorne grimaced. “Bleh.”
The doctor scowled. “Are you squeamish, Mr. Thorne?”
“Eye stuff weirds me out. As does any surgery regarding the pelvic bone. You can knock me out for that part, right?” He lay back on the exam table. “Do it fast.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
Sometimes, there aren't any good choices. Sometimes, making the right one is hard... It's funny, but when you think about it, we're all broken. That's what life does. It knocks you down and breaks you and you either get back up again, or you don't. You either do things on your terms, or you don't. You let the bad things win, or you don't."
"You either let it break you, or you don't.
”
”
Jennifer Lynn Barnes (Every Other Day)
“
Men don't get knocked out, or I mean they can fight back against big things. What kills them is erosion; they get nudged into failure. They get slowly scared.[...]It's slow. It rots out your guts.
”
”
John Steinbeck (The Winter of Our Discontent)
“
Congratulations, Mommy," I say, dropping the doll into his hands. "You could've told me I knocked you up."
"My bad. I thought you'd force me to get an abortion," Henry replies, taking the baby and cradling it as if it's real. "He has your eyes, Woods."
"And your hair." The doll is bald. "Can we name him Joe Montana?"
"Hells no, his name is Jerry Rice."
"No, his name is Joe Montana."
"I was in labor with him for fourteen hours!" Henry exclaims as he rocks the baby back and forth. “His name is Jerry Rice."
I grin. "Fine.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
”
”
Colleen Hoover
“
If you don't have anything useful to offer, then get out of here and let us wait until hunger weakens Sonya." And by get out of here, I meant: foolishly think you're going to leave so that I can knock your heads together and drag you back to the guardians.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Get rid of their mast, knock holes in the hull, then get back on board."
"You want us to sink her?" Gundar asked, and Halt shook his head.
"No. I want her badly damaged but capable of making it back to port. I want the word to go out that the strange ship with the red falcon ensign"—he gestured to Evanlyn's ensign, flying from the mast top—"is manned by dangerous, hairy maniacs with axes and is to be avoided at all costs."
"That sounds like us," Gundar said cheerfully.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Age is terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back
”
”
Sara Gruen (Water for Elephants)
“
It's so much easier to have a crush on someone who you know isn't going to respond-it makes it nice and safe and you never have to humiliate yourself by getting knocked back.
”
”
Hester Browne (The Little Lady Agency (The Little Lady Agency, #1))
“
As long as you've done your best, making mistakes doesn't matter. You and I are human; we will mess up. What counts is learning from your mistakes and getting back up when life has knocked you down.
”
”
Shawn Johnson (Winning Balance: What I've Learned So Far about Love, Faith, and Living Your Dreams)
“
Here's some advice. Stay alive," says Haymitch, and then bursts out laughing. I exchange a look with Peeta before I remember that I'm having nothing more to do with him. I'm surprised to see the hardness in his eyes. He generally seems so mild.
'That's very funny,' says Peeta. Suddenly, he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. 'Only not to us.'
Haymitch considers this a moment, then punches Peeta in the jaw, knocking him from his chair. When he turns back to reach for the spirits, I drive my knife into the table between his hand and the bottle, barely missing his fingers. I brace myself to deflect his hit, but it doesn't come. Instead, he sits back and squints at us.
'Well, what's this?' says Haymitch. 'Did I actually get a pair of fighters this year?
”
”
Suzanne Collins
“
I think I’m under control, that I’ve stripped away all weaknesses. That committing to my mission has made me impervious. I’m wrong. The thought of Barrons smiling brings other thoughts.
Barrons naked.
Dancing.
Dark head thrown back.
Laughing.
The image doesn’t “gently swim up in my mind” in a dreamy sort of way, like I’ve seen in movies. No, this one slams into my head like a nuclear missile, exploding in my brain in graphic detail. I suffocate in a mushroom cloud of pain.
I can’t breathe. I squeeze my eyes shut.
White teeth flashing in his dark face: I get knocked down but I get up again. You’re never gonna keep me down.
I stagger.
But he didn’t get up, the bastard. He stayed down.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
This life will hit you--hard. In the face! It'll wait for you to get back up, just so it can kick you in the stomach. But getting the wind knocked out of you, is the only way to remind your lungs how much they like the taste of air.
”
”
Sarah Kay
“
Lor blows in like he was plastered to the other side of the door.
"Escort the kid to clean the fuck up and get that stench off her."
"Sure thing, boss."
He scowls at me.
I scowl right back.
Lor points through the glass floor. "See that blonde down there with the big tits? I was about to get laid."
"One, I'm too young to hear that kind of stuff, and two, I don't see you carrying a club to knock her over the head with, so how were you going to accomplish that?"
Behind me, Ryodan laughs.
"You're ruining my night, kid."
"Ditto. Ain't life at Chester's grand.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
You are the strongest person I’ve ever known, Castor Achilleos, and it wasn’t because of how fast you ran or how hard you hit. It was because even when you got knocked flat on your back, you fought your way back up. You have to do it again now. Whatever you’re feeling, you have to leave it on the mat and get back up.
”
”
Alexandra Bracken (Lore)
“
Whenever you make a mistake or get knocked down by life, don't look back at it too long. Mistakes are life's way of teaching you. Your capacity for occasional blunders is inseparable from your capacity to reach your goals. No one wins them all, and your failures, when they happen, are just part of your growth. Shake off your blunders. How will you know your limits without an occasional failure? Never quit. Your turn will come.
”
”
Og Mandino
“
I will never quit. I persevere and thrive on adversity. My Nation expects me to be physically harder and mentally stronger than my enemies. If knocked down, I will get back up, every time. I will draw on every remaining ounce of strength to protect my teammates and to accomplish our mission. I am never out of the fight.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
Jack? It’s Margeaux.”
“My sister? Why would my sister be calling me? How did she get my number? Crazy questions blipped through my head. I knew she had married and was living in New Orleans, but we rarely spoke and have never been close by any means”
“Margeaux?”
“I’m calling from the police station. Dad was just brought in and I thought I should let you know.”
“What! Why was he brought in?”
“Jack, he’s been diagnosed with Alzheimer’s. He drove himself into New Orleans to Quest Diagnostic for some blood tests and he was waiting to be called. Apparently, they took other people back that had come in after him. He got upset and made a scene. The staff tried to explain that those people all had appointments and he didn’t. He became so abusive, they called security, but before they even got there, Dad knocked down one of the technicians. That’s when they called the police. They came and took him.
”
”
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
“
Being scared and weak aren't synonymous. It takes strength to keep getting back up after constantly being knocked down.
”
”
H.D. Carlton (Does It Hurt?)
“
We sat like that for a long time, until a discrete knock at the half-open door broke us apart. Lissa stood in the doorway.
"Sorry," she said, her face shining with joy when she saw me. "Should have put a sock on the door. Didn't realize that things were getting hot and heavy."
"No avoiding it," I said lightly, clasping Dimitri's hand. "Things are always hot with him around."
Dimitri looked scandalized. He'd never held back when we were in bed together, but his private nature wouldn't let him even hint about such matters and others. It was mean, but I laughed and kissed his cheek.
"Oh, this is going to be fun," I said. "Now that everything's out in the open."
"Yeah," he said. "I got a pretty 'fun' look from your father the other day.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
One thing," I said, when we had broken apart and the swirling feeling in my head subsided. "Maybe...don't tell your mom too much about this. I think she has ideas."
"What?" he asked, all innocence, as he put an arm around my shoulders and led me back toward his house. "Don't your parents cheer and stare when you make out with someone? Is that weird where you come from? I guess they don't get to see it much, though. From jail, I mean."
"Shut it, Weintraub. If I knock you down in the snow, these kids will swarm and eat you.
”
”
Maureen Johnson (Let It Snow: Three Holiday Romances)
“
I wish people would spread a Faustian rumor about me.' I leaned over and knocked Sunshine's hand out of Luke's hair. 'A Faustian myth,' I repeated. 'It's so much more interesting than just being that nouveau-poor blond girl who lives in a big house with nobody but her jackass brother with pecs bigger than his brain. Sunshine, if I ever disappear, please tell people that I ran after the Devil, trying to get my soul back.
”
”
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
“
When life knocks you down, try to land on your back. Because if you can look up, you can get up.
”
”
Les Brown
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You get that one chance; and damn it, you’ve got to take it! If there’s one lesson I know I will take with me for eternity, its that there are those things that might happen only once, those chances that come walking down the street, strolling out of a café; if you don’t let go and take them, they really could get away! We can get so washed out with a mindset of entitlement– the universe will do everything for us to ensure our happiness– that we forget why we came here! We came here to grab, to take, to give, to have! Not to wait! Nobody came here to wait! So, what makes anyone think that destiny will keep on knocking over and over again? It could, but what if it doesn’t? You go and you take the chance that you get; even if it makes you look stupid, insane, or whorish! Because it just might not come back again. You could wait a lifetime to see if it will...but I don’t think you should.
”
”
C. JoyBell C.
“
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
”
”
John Wayne
“
Knock, knock. You have the day to hide. Come nightfall, we hunt. (Desiderius)
Yeah, yeah...you and your little dog, too. (Kyrian)
You're not scared of his threats? (Amanda)
Chere, the day I fear something like him is the day I lie down at his feet and hand him the knife to cut my heart out. The only fear I have is getting you back to your sister and convincing High Queen Hard Head to leave off this matter until I can locate Desiderius and send his soul into oblivion where it belongs. (Kyrian)
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
She wasn't a cowardIf she were she would have retreated back into her shell years before and pulled back entirely from life. She was a fighter. Life knocked her down, and she coped by getting up and moving on.
”
”
Dee Henderson (Danger in the Shadows (O'Malley, #0))
“
Herb nodded. “Problem is, you knocked up your girl. That’s the only way women’ll allow you to get away with a Justice of the Peace.” Herb looked back to Hank as many of the men coughed to hide their laughter. “That’s the ticket, son, only way to save us all. Start workin’ on makin’ a baby.
”
”
Kristen Ashley (Rock Chick Reckoning (Rock Chick, #6))
“
It wasn't pretending I wouldn't get knocked down that protected me, but the knowledge that I would get back up as many times as I had to.
”
”
Veronica Roth (The Fates Divide (Carve the Mark, #2))
“
Life knocks you down. It’s going to, and you got to just turn around and get back up, hold on to me if you have to, but always get back up. People will just walk all over you if you leave yourself beaten on the ground.
”
”
Christine Zolendz (Here's to Falling)
“
My own father had always said the measure of a man wasn't how many times or how hard he got knocked down, but how fast he got back up. I made a pledge to myself that I would get up and emerge from this debacle better for having gone through it. I would live up to the expectation I had for myself. I would be the kind of man I wanted to be.
”
”
Joe Biden (Promises to Keep: On Life and Politics)
“
These boys need women who can take the heat without meltin’ like butter, and sometimes that heat is fiery. They need women who can give back their shit so they don’t walk all over ‘em and get bored out of their fucking skulls. And they need women who can go soft when the situation demands because they get hard knocks on a regular basis, sometimes literal y, and comin’ home to somethin’ soft is the only way to cope.
”
”
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste.
”
”
Philip Roth (The Ghost Writer)
“
There is no disgrace in being knocked down, there is only shame in not getting back up; never quit!
”
”
Ken Poirot
“
The human mind is an amazing thing. It protects us when we can't protect ourselves. Sometimes when we're holding pain and it gets to be too heavy or goes too deep, we have to give in to it, let it knock us over and pull us all the way down. Once we hit bottom, we rest in a quiet place for a while. Then, when the pain eases and we're ready to face the world again, we come right back up.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
There is no 'this'. This is nothing."
"And I am nothing," Neil prompted. When Andrew gestured confirmation, Neil said, "And as you've always said, you want nothing."
Andrew stared stone-faced back at him. Neil would have assumed it a silent rejection of Neil's veiled accusation if Andrew's hand hadn't frozen midair between them. Neil took the bottle from Andrew's other hand and set it off to one side where they couldn't knock it over.
"That's a first," Neil said. "Do I get a prize for shutting you up?"
"A quick death," Andrew said. "I've already decided where to hide your body."
"Six feet under?" Neil guessed.
"Stop talking," Andrew said, and kissed him.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Sometimes when the poop hits the fan we should block it and run, sometimes we should haul off and knock it for a loop back at the spinning blades. Wisdom is knowing two things. One is which time is which. The other is that no matter what you do you're gonna get crap on your hand.
”
”
Faith Hunter (Blood Trade (Jane Yellowrock, #6))
“
Run. And when you come back..."The king was getting to his feet, but another wave of Dorian's magic slammed into him, knocking him down. There were tears staining Dorian's bloody cheeks now. "When you come back," The prince said, "burn this place to the ground.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
<…>Tate fell silent.
Ty didn't.
"Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours."
"Friends do what I did for friends," Tate returned.
"No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about."
Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough."
Ty nodded.
Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?"
Ty didn't feel like joking and answered, "No."
"Then what -?"
"Love you, man," Ty interrupted quietly.
"Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two."
"Ty-" Tate murmured.
"I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful."
"Fuck man," Tate whispered.
"Now, do those words work so you get what you did mean to me?"
Silence then, "Yeah, they work."
"Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in.
He stopped with his ass nearly to the seat and looked up over the door when Tate called his name.
"I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
The things that knock you down in life are tests, forcing you to make a choice between giving in and remaining on the ground or wiping the dirt off and standing up even taller than you did before you were knocked down. I’m choosing to stand up taller. I’ll probably get knocked down a few more times before this life is through with me, but I can guarantee you I’ll never stay on the ground.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
I’ve come too far to stop now. I may be knocked down, but I’m not knocked out. I’m going to get back up again. I know I’m a victor, not a victim.
”
”
Joel Osteen (Become a Better You: 7 Keys to Improving Your Life Every Day)
“
Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back.
”
”
Sara Gruen (Water for Elephants)
“
Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.
”
”
Sara Gruen (Water for Elephants)
“
Remember the philosophy of the U.S. Navy SEALs: “I will never quit...My Nation expects me to be physically harder and mentally stronger than my enemies. If knocked down, I will get back up, every time. I will draw on every remaining ounce of strength to protect my teammates...I am never out of the fight.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
My old friend, what are you looking for?
After years abroad you’ve come back
with images you’ve nourished
under foreign skies
far from you own country.’
‘I’m looking for my old garden;
the trees come to my waist
and the hills resemble terraces
yet as a child
I used to play on the grass
under great shadows
and I would run for hours
breathless over the slopes.’
‘My old friend, rest,
you’ll get used to it little by little;
together we will climb
the paths you once knew,
we will sit together
under the plane trees’ dome.
They’ll come back to you little by little,
your garden and your slopes.’
‘I’m looking for my old house,
the tall windows
darkened by ivy;
I’m looking for the ancient column
known to sailors.
How can I get into this coop?
The roof comes to my shoulders
and however far I look
I see men on their knees
as though saying their prayers.’
‘My old friend, don’t you hear me?
You’ll get used to it little by little.
Your house is the one you see
and soon friends and relatives
will come knocking at the door
to welcome you back tenderly.’
‘Why is your voice so distant?
Raise your head a little
so that I understand you.
As you speak you grow
gradually smaller
as though you’re sinking into the ground.’
‘My old friend, stop a moment and think:
you’ll get used to it little by little.
Your nostalgia has created
a non-existent country, with laws
alien to earth and man.’
‘Now I can’t hear a sound.
My last friend has sunk.
Strange how from time to time
they level everything down.
Here a thousand scythe-bearing chariots go past
and mow everything down
”
”
George Seferis
“
You'll find that marriage is a good short cut to the truth. No, not quite that. A way of doubling back to the truth. Another thing you'll find is that the years of illusion aren't those of adolescence, as the grown-ups try to tell us; they're the ones immediately after it, say the middle twenties, the false maturity if you like, when you first get thoroughly embroiled in things and lose your head. Your age, by the way, Jim. That's when you first realize that sex is important to other people besides yourself. A discovery like that can't help knocking you off balance for a time.
”
”
Kingsley Amis (Lucky Jim)
“
Men don't get knocked out, or I mean they can fight back against big things. What kills them is erosion; they get nudged into failure.
”
”
John Steinbeck (The Winter of Our Discontent)
“
Age is a terrible thief. Just when you’re getting the hang of life, it knocks your legs out from under you and stoops your back.
”
”
Sara Gruen (Water for Elephants)
“
Sometimes, when love has flown or is absent, when life knocks us to the ground and won't let us get back up, hope may be all we have left to cling to.
”
”
Malorie Blackman (Just Sayin': My Life in Words)
“
Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head...
”
”
Sara Gruen (Water for Elephants)
“
If I was never knocked down, I’d never have discovered the strength it took to stand back up. And to keep getting up after every future kick, knowing that I could.
”
”
J.T. Geissinger (Carnal Urges (Queens & Monsters, #2))
“
Couldn’t get back up because his parents never let him get knocked down?
”
”
Max Brooks (Devolution: A Firsthand Account of the Rainier Sasquatch Massacre)
“
I could never see it before…
But I can now.
Parents aren’t superheroes.
Superhumans.
They’re just humans, doing their best, making mistakes, getting knocked on their ass and crawling until they can get back up again.
”
”
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
“
Aghhh! You don’t get it! I have to resist! No kiss, no matter how good it is, is worth killing you for. I’ve already lost one boyfriend. I am not going to
lose another one! Do you understand me?” Ryan didn’t answer my question, but he was positively glowing. “You just called me your boyfriend!” he
accused.
“I—” My mouth dropped all the way to my lap. “I did not!”
“Yes you did! You said you weren’t going to lose another boyfriend, and that would be me—the other boyfriend you don’t want to lose.”
“But…I…I…”
“Ha! You said it, and you can’t take it back! You are so my girlfriend now!”
“I am not!”
“Are too!
“Am not!”
“So are too!”
“Aghhh!” I screamed again. “You are so impossible!”
When I screamed, I lost control for a second and let out a burst of energy that stalled the truck.
Ryan just grinned at me. He was lucky the car stopped right then, because I was contemplating knocking the stupid cocky smirk right off his face.
Instead, I flung the door open.
“Bye, honey!” Ryan called playfully as I jumped out of the truck. “I’ll see you at school tomorrow!
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
I have been running all about; I have knocked again at all the doors of my youth and desired to enter in there; I thought, surely it must admit me again, for I am still young and have wished so much to forget; but it fled always before me like a will-o'-the-wisp; it fell away without a sound; it crumbled like tinder at my lightest touch. And I could not understand.--Surely here at least something of it must remain? I attempted it again and again, and as a result made myself merely ridiculous and wretched. But now I know. I know now that a still, silent war has ravaged this country of my memories also; I know now it would be useless for me to look farther. Time lies between like a great gulf; I cannot get back. There is nothing for it; I must go forward, march onward, anywhere; it matters nothing, for I have no goal
”
”
Erich Maria Remarque (The Road Back)
“
Next to fat babies, midgets are my favorite things to hold. I love them so much, and I want to help them to do adult things like drive cars, Jet-Ski, and lip-synch. I’m in awe of their little limbs, their large craniums, and their medicine-ball asses. I love the little baby steps they take while shifting their weight from side to side, and the fact that when you knock one over accidentally, he flails like a turtle on its back that can’t get up right away.
”
”
Chelsea Handler
“
Grief is a right bastard. Sneaks up on you, blasts you, hits you, pounds you, leaves you wrecked. There’s a moment of peace. You never know how long it could last. Minutes. Hours. Days. You’re starting to believe you can ‘do this’ and the bastard comes back, knocks you over with a battering ram. But if you fight it, deny it, ignore it, it’s still there. The bastard is just waiting until your shields are down, then he gets you again. Only way to deal is to take the beating, then breathe once he’s gone, and wait for him to return because it would get better.
”
”
Tijan (Enemies)
“
You think you have mastered it, but just as you get well under way in following, it turns a back somersault, and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.
”
”
Charlotte Perkins Gilman (The Yellow Wallpaper)
“
Ruin, therefore, is not caused by lavatories but it's something that starts in people's heads. So when these clowns start shouting "Stop the ruin!" - I laugh!' 'I swear to you, I find it laughable! Every one of them needs to hit himself on the back of the head and then when he has knocked all the hallucinations out of himself and gets on with sweeping out backyards - which is his real job - all this "ruin" will automatically disappear
”
”
Mikhail Bulgakov (Heart of a Dog)
“
Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse
”
”
Sara Gruen (Across Town)
“
Its not whether you got knocked down, its whether you get back up.
”
”
Vince Lombardi
“
Age is a terrible thief. Just when you’re getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently
”
”
Sara Gruen (Water for Elephants)
“
We do it for those tiny moments when the world opens up and we're no longer alone. Those moments when we realize that we aren't the center of the universe, but to one single person, we're their entire existence. We are what they live for and we matter to them more than anything. No matter how hard we get knocked down, we stand back up, and we face the darkness that's inside us and we raise our fist at it and tell it, not today. You won't have me yet. I won't let you take that last bit of my soul.
”
”
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
“
Natalie had what I'd call a slow beauty, the kind you don't really notice at first and then it knocks you back and grows on you and she gets more beautiful every time you see her and then you can't believe that you ever thought that she was anything less than completely stunning. Whenever I saw her, my entire body reacted, as though it were the first time or better.
”
”
Harlan Coben (Six Years)
“
She thought she'd get out clean, but the foyer monitor blinked on as she reached for her jacket. "Going somewhere, Lieutenant?"
"Jesus, Roarke, why not just knock me over the head with a blunt instrument. Keeping tabs on me?"
"As often as possible. Wear your coat if you're going out. That jacket isn't warm enough for this weather."
"I'm just going into Central for a couple of hours."
"Wear the coat," he repeated, "and the gloves in the pocket. I'm sending one of the four-wheels around."
She opened her mouth, but he'd already vanished. "Nag, nag, nag," she muttered, then nearly jolted when he swam back on-screen.
"I love you, too," he said easily, and she heard his chuckle as the image faded again.
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
Every friend, every neighbor, and every family member wishes that you retain your golden heart. No one wants to see your love sullied. Yet, they all know a dark circumstance will find you eventually. Know this: You are being hunted--like game. Life will knock you down with some unexpected misfortune. Resolve now, to help your partner get back up. Only a determined family kills its wounded. When everyone else abandons him, come back for your husband.
”
”
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
“
The case was becoming serious. It was now past midnight. The hotels at Shiplake and Henley would be crammed; and we could not go round, knocking up cottagers and householders in the middle of the night, to know if they let apartments! George suggested walking back to Henley and assaulting a policeman, and so getting a night's lodging in the station-house. But then there was the thought, "Suppose he only hits us back and refuses to lock us up!"
We could not pass the whole night fighting policemen. Besides, we did not want to overdo the thing and get six months.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
You will leave now," she said softly, " or I will drag you out of here by your hair."
The man had breath like a day-old tuna sandwich. "I hate dykes. You always think you're tougher than you really----"
Xhex grabbed the man's wrist, turned him in a little circle, and cranked him arm up to the middle of his back. Then she clipped her leg around his ankles and shoved him off balance. He landed like a side of beef, the wind getting knocked out of him on a curse, his body plowing into the short-napped carpet. In a quick move, she bent down, buried one hand in his gelled-up hair, and locked the other on the collar of his suit jacket. As she draggep him face-first to the side exit, she was multitasking : creating a scene, commiting both an assault and a battery, and running the risk of a brawl if his buddies in the Hall of Fucktards got involved. But you had to put on a show every once in a while. To keep the peace, you had to get your hands dirty every once in a while.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
He sat at his desk – last seat, last row – and looked at the chart on the wall next to him. Of course there was no gold star next to his name. He had already done three things wrong: First, he had knocked over a girl and made her cry. Second, he was late getting back to class. And third and worst of all, his name was Bradley Chalkers. As long as his name was Bradley Chalker's, he'd never get a gold star. They don't give gold stars to monsters.
”
”
Louis Sachar (There's a Boy in the Girls' Bathroom)
“
Master, the paintings, the paintings in the storage rooms!" I cried.
"Forget the paintings. It's too late. Boys, run from here, get out now, save yourselves from the fire."
Knocking the attackers back, he shot up the stairwell and called down to me from the uppermost railing. "Come, Amadeo, fight them off, believe in your strength, child, fight.
”
”
Anne Rice (The Vampire Armand (The Vampire Chronicles, #6))
“
Age is a terrible thief. Just when you’re getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse. Metastatic,
”
”
Sara Gruen (Water for Elephants)
“
can’t be mine. Age is a terrible thief. Just when you’re getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.
”
”
Sara Gruen (Water for Elephants)
“
Men don’t get knocked out, or I mean they can fight back against big things. What kills them is erosion; they get nudged into failure. They get slowly scared. I’m scared.
”
”
John Steinbeck (The Winter of Our Discontent)
“
A man can be knocked down a thousand times and can still get back up, but when he puts himself down he has defeated himself more than a million others could have done.
”
”
Stephen Richards
“
When life knocks you down…. calmly get back up, Smile and very politely say, “You hit like a bitch
”
”
Natasha Thomas (Floating (Devil's Spawn MC, #2))
“
Vi?" Jag's soft voice called from the other room. I'd been soaking so long, the water in the tub was cold. I stepped out, careful not to get the book wet, and wrapped a towel around myself.
"In here," I whispered. He had switched the lamp on and was rubbing his eyes when I came into the bedroom.
"Hey."
I slipped the book back onto the table next to his bed. "I didn't get it wet."
"Not. That." His eyes raked over my only-towel-covered body with a hungry expression.
"Knock it off." I pulled the towel tighter and returned to the bathroom. He followed me, putting his hand on the door before I could close it. I looked anywhere but at him. Lying fully clothed in bed with him was bad enough.
I couldn't help it when I drank him in, starting at his feet and slowly creeping up to his neck, past his chin, lips, nose to his eyes. When I finally reached them, my heart clutched almost painfully. I swallowed hard and cleared my throat, playing with the end of my towel.
"Vi, babe-"
"Don't talk like that," I said.
He smiled his Jag-winner. I took a shuddering breath and tried to focus. "Don't smile like that either. It's not fair."
"Okay, then. Let's talk about being fair." He carefully wove his fingers through mine. The way he studied the ground was adorable. He took a few slow steps back into the bedroom, pulling me with him.
"Jag-
”
”
Elana Johnson (Possession (Possession, #1))
“
Jim waited for us at the Gold Gate. His teeth were bared. “What happened to barely winning?”
“You said sloppy! Look, I didn’t even use my sword; I hit him with my head like a moron.”
“A man with a sword attacked you and you disarmed him and knocked him out cold in under two seconds.” He turned to Curran.
The Beast Lord shrugged. “It’s not my fault that he didn’t know how to fall.”
Jim’s gaze slid from Curran to Dali. “What the hell was that?”
“Crimson Jaws of Death.”
“And were you planning on letting me know that you can turn people’s elbows backwards?”
“I told you I did curses.”
“You said they don’t work!”
“I said they don’t always work. This one worked apparently.” Dali wrinkled her forehead. “It’s not like I ever get to use them against live opponents anyway. It was an accident.”
Jim looked at us. The clipboard snapped in his hands. He turned around and very deliberately walked away.
“I think we hurt his feelings.” Dali looked at his retreating back, sighed, and went after him.
Curran looked at me. “What the hell was I supposed to do, catch the werebison as he was falling?
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her.
"Get off her!" Hollyleaf yowled.
Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck.
The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur.
"Run," she hissed. "Because if you stay, I will kill you".
Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse.
Ivypool stared at the black she-cat. "You saved my life!"
Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do.
"I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
Panic always comes to me in the same way. First, I get a knot in the pit of my stomach that turns to nausea, then a fluttery breathlessness that no amount of deep breathing can cure. But what causes my fear is different every day, I never know what will set me off. It could be a kiss from my husband, or the lingering look of sadness in his eyes when he draws back. Sometimes I know he's already grieving for me, missing me even while I'm still here. Worse yet is Marah's quiet acceptance of everything I say. I would give anything for another of our old knock-down drag-out fights. That's one of the first things I'd say to you now, Marah: Those fights were real life. You were struggling to break free of being my daughter but unsure of how to be yourself, while I was afraid to let you go. It's the circle of love. I only wish I'd recognized it then. Your grandmother told me I'd know you were sorry for those years before you did, and she was right. I know you regret some of the things you said to me, as I regret my own words. None of that matters, though. I want you to know that. I love you and I know you love me.
”
”
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
“
Regardless of how you begin your careers, it is important to realize that your life will not necessarily move in a straight line. You have to recognize that the world is an unpredictable place. Sometimes even gifted people such as yourselves will get knocked back on their heels. It is inevitable that you will confront many difficulties and hardships during your lives. When you face setbacks, you have to dig down and move yourself forward. The resilience you exhibit in the face of adversity—rather than the adversity itself—will be what defines you as a person.
”
”
Stephen A. Schwarzman (What It Takes: Lessons in the Pursuit of Excellence)
“
here’s my 8-step process for maximizing efficacy (doing the right things): Wake up at least 1 hour before you have to be at a computer screen. Email is the mind-killer. Make a cup of tea (I like pu-erh) and sit down with a pen/pencil and paper. Write down the 3 to 5 things—and no more—that are making you the most anxious or uncomfortable. They’re often things that have been punted from one day’s to-do list to the next, to the next, to the next, and so on. Most important usually equals most uncomfortable, with some chance of rejection or conflict. For each item, ask yourself: “If this were the only thing I accomplished today, would I be satisfied with my day?” “Will moving this forward make all the other to-dos unimportant or easier to knock off later?” Put another way: “What, if done, will make all of the rest easier or irrelevant?” Look only at the items you’ve answered “yes” to for at least one of these questions. Block out at 2 to 3 hours to focus on ONE of them for today. Let the rest of the urgent but less important stuff slide. It will still be there tomorrow. TO BE CLEAR: Block out at 2 to 3 HOURS to focus on ONE of them for today. This is ONE BLOCK OF TIME. Cobbling together 10 minutes here and there to add up to 120 minutes does not work. No phone calls or social media allowed. If you get distracted or start procrastinating, don’t freak out and downward-spiral; just gently come back to your ONE to-do.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down.
“I take it we’re camping here, then?”
Royce said nothing, still refusing to acknowledge his existence.
“You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.”
Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.”
Royce shifted to his side, hood up.
“Yeah, well … thank Maribor and Novron I didn’t need your help that time.”
“Didn’t care for my help too much in the stable,” Royce said.
“It speaks!
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
I can be your savior, I can cloak you in gold, or I can be your worst nightmare. I can destroy your life, your career, everything can come crashing down around you. Chicago will become a place worse than hell because I get whatever I want when I want it. Those who get in my way never get back up after I knock them down. Nothing and no one is out of reach for me. So doctor, when I ask you what else, speak, and when you speak, don't waste my time preaching ethics and morality to me... I have and want none.
”
”
J.J. McAvoy (A Bloody Kingdom (Ruthless People, #4))
“
You've passed like three stores that sell batteries," she says. "We need to get one now in case it's too late on our way back."
“You don’t need a battery. Your battery is fine,” I say.
I avoid looking over at her but I can see her watching me, waiting for more explanation.
I don’t immediately respond. I flick the blinker on and turn onto my grandparent’s street. When I pull into their driveway, I turn the car off and tell her the truth. What harm could it do at this point?
“I unhooked your battery cable before you tried to leave today.” I don’t wait for her reaction as I get out of the car and slam the door. I’m not sure why I slam the car door. I’m not mad at her, I’m just frustrated. Frustrated that she doubts me after all this time.
“You what!?” she yells. When she gets out of the car, she slams her door intentionally.
I keep walking, shielding the wind and snow with my jacket until I reach the front door. She rushes after me. I almost walk inside without knocking but remember how it feels, so I knock.
“I said I unhooked your battery cable. How else was I going to convince you to ride with me?”
"That's real mature, Will.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Do you think about
Everything you've been through
You never thought you'd be so depressed
Are you wondering
Is it life or death
Do you think that there's no one like you
We are
We are
We are
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
The life I think about
Is so much better than this
I never thought I'd be stuck in this mess
I'm sick of wondering
Is it life or death
I need to figure out who's behind you
We are
We are
We are
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
The life I think about
Is so much better than this
I never thought I'd be stuck in this mess
I'm sick of wondering
Is it life or death?
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
We are the ones
We get knocked down
We get back up and stand above the crowd
We are one
We stand above the crowd
We stand above the crowd
We stand above the crowd (Crowd)
(We stand) We stand above the crowd
We stand above the crowd (We Stand)
We stand above the crowd
(We are the ones) We stand above the crowd
(We get knocked down get back up) We stand above the crowd
(We are the ones) We stand above the crowd
(We get knocked down get back up) We stand above the crowd
We stand above the crowd
We stand above the crowd
We stand above the crowd
”
”
Three Days Grace (Three Days Grace - One-X (Recorded Versions Guitar))
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park (Vintage Contemporaries))
“
Commala-come-come
There’s a young man with a gun.
Young man lost his honey
When she took it on the run.
Commala-come-one!
She took it on the run!
Left her baby lonely
But he baby ain’t done.
Commala-come-coo
The wind’ll blow ya through.
Ya gotta go where ka’s wind blows ya
Cause there’s nothin else to do.
Commala-come-two!
Nothin else to do!
Gotta go where ka’s wind blows ya
Cause there’s nothin else to do.
Commala-come-key
Can you tell me what ya see?
Is it ghosts or just the mirror
That makes ya wanna flee?
Commala-come-three!
I beg ya, tell me!
Is it ghosts or just your darker self
That makes ya wanna flee?
Commala-come-ko
Whatcha doin at my do’?
If ya doan tell me now, my friend
I’ll lay ya on de flo’.
Commala-come-fo’!
I can lay ya low!
The things I’ve do to such as you
You never wanna know.
Commala-gin-jive
Ain’t it grand to be alive?
To look out on Discordia
When the Demon Moon arrives.
Commala-come-five!
Even when the shadows rise!
To see the world and walk the world
Makes ya glad to be alive.
Commala-mox-nix!
You’re in a nasty fix!
To take a hand in traitor’s glove
Is to grasp a sheaf of sticks!
Commala-come-six!
Nothing there but thorns and sticks!
When your find your hand in traitor’s glove
You’re in a nasty fix.
Commala-loaf-leaven!
They go to hell or up to heaven!
The the guns are shot and the fires hot,
You got to poke em in the oven.
Commala-come-seven!
Salt and yow’ for leaven!
Heat em up and knock em down
And poke em in the oven.
Commala-ka-kate
You’re in the hands of fate.
No matter if it’s real or not,
The hour groweth late.
Commala-come-eight!
The hour groweth late!
No matter what shade ya cast
You’re in the hands of fate.
Commala-me-mine
You have to walk the line.
When you finally get the thing you need
It makes you feel so fine.
Commala-come-nine!
It makes ya feel fine!
But if you’d have the thing you need
You have to walk the line.
Commala-come-ken
It’s the other one again.
You may know her name and face
But that don’t make her your friend.
Commala-come-ten!
She is not your friend!
If you let her get too close
She’ll cut you up again!
Commala-come-call
We hail the one who made us all,
Who made the men and made the maids,
Who made the great and small.
Commala-come-call!
He made us great and small!
And yet how great the hand of fate
That rules us one and all.
Commala-come-ki,
There’s a time to live and one to die.
With your back against the final wall
Ya gotta let the bullets fly.
Commala-come-ki!
Let the bullets fly!
Don’t ‘ee mourn for me, my lads
When it comes my day to die.
Commala-come-kass!
The child has come at last!
Sing your song, O sing it well,
The child has come to pass.
Commala-come-kass,
The worst has come to pass.
The Tower trembles on its ground;
The child has come at last.
Commala-come-come,
The battle’s now begun!
And all the foes of men and rose
Rise with the setting sun.
”
”
Stephen King (Song of Susannah (The Dark Tower, #6))
“
Peachy. Alrighty, then. She’d just get in her car, run home to check her clothes, hair, and makeup, walk across the street to Jason’s apartment, knock on his door, stare at his masculine hotness in stupid adoration, probably insert her foot into her mouth fifty-five times in under five minutes, then go back to her place and relive the embarrassment all night long while replaying what she should’ve done or said had she been a sophisticated woman, instead of a blundering moron.
Done and done. Piece of cake.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
MY FIVE DOS FOR GETTING BACK INTO THE GAME:
1. Do expect defeat. It’s a given when the stakes are high and the competition is working ferociously to beat you. If you’re surprised when it happens, you’re dreaming; dreamers don’t last long.
2. Do force yourself to stop looking backward and dwelling on the professional “train wreck” you have just been in. It’s mental quicksand.
3. Do allow yourself appropriate recovery—grieving—time. You’ve been knocked senseless; give yourself a little time to recuperate. A keyword here is “little.” Don’t let it drag on.
4. Do tell yourself, “I am going to stand and fight again,” with the knowledge that often when things are at their worst you’re closer than you can imagine to success. Our Super Bowl victory arrived less than sixteen months after my “train wreck” in Miami.
5. Do begin planning for your next serious encounter. The smallest steps—plans—move you forward on the road to recovery. Focus on the fix.
MY FIVE DON’TS:
1. Don’t ask, “Why me?”
2. Don’t expect sympathy.
3. Don’t bellyache.
4. Don’t keep accepting condolences.
5. Don’t blame others.
”
”
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
“
Wow. Hindsight didn’t just make things crystal clear; it smacked me upside the head and knocked some sense into me. “I get it.”
“I don’t think you do. This”—he gestured impatiently at himself—“is just a fucking shell. You’re what drives me, Eva. Can you understand that? You’re my heart and soul. If something ever happened to you, it would kill me, too. Keeping you safe is goddamned self-preservation! Tolerate it for me, if you won’t do it for yourself.”
I surged into him, knocking him off-balance and onto his back. I kissed him hard, my heart pounding and blood roaring in my ears. “I hate to freak you out,” I muttered between desperate kisses, “but you’ve got it real bad for me.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
Bowe shakes his head. “You’re not, Soto. I know you can’t see it—because you’re one of those annoying kids in school who thinks getting ninety-nine on the test only means you didn’t get one hundred.” “It does mean that.” “Yeah, and there you go, ruining the curve for everybody else.” “And everyone hates me.” “I wish you could see it from the outside.” “See what?” Bowe looks me in the eye and is quiet for a moment. And then he says, “Eres perfecta, incluso en tu imperfección.” I sit up, unsure I heard him right. But of course I did. His accent is terrible, but it has knocked the wind out of me just the same.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
How about you get on my back? So in a way you’re not being carried – you’re riding me.” I paused and then winked.
Kat stared.
“What?” I laughed, and her eyes immediately narrowed.
“You should see yourself right now. Like a kitten – that’s what I keep telling you. Your hackles are raised.”
Her eyes rolled as she shuffled behind me. “You should conserve your energy and stop talking.”
“Ouch.”
“You’ll get over it.” She placed her hands on my shoulders. “Besides, you could be knocked down a peg or two.”
...
“Baby, I’m so far up the ladder there aren’t any pegs under me to be knocked down.”
“Wow”, she said. “That’s a new one.”
“You loved it.” .. “Hold on, Kitten. I’m going to start to glow just a little, and we’re going to go fast.”
“I like when you glow. It’s like having my own personal flashlight.”
I grinned. “Glad I can be of assistance.”
She patted my chest. “Giddy up.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
The way my luck is at the moment,” said Polly, “I probably will get a tiny bit of money back, and as I leave the bank after picking it up, a bolt of lightning will come out of the sky and set it on fire. Then a piano will fall on my head and knock me down a manhole.
”
”
Jenny Colgan (Little Beach Street Bakery)
“
Yeah,bumpers are for preschoolers or two teenagers who couldn't stop throwing gutter balls if their lives depended on it.Which, fortunately, they don't.Because we'd be screwed."
I grabbed my glittery hot pink ball (which I was seriously considering buying) and imitated the perfect form a Mohawked guy next to us was using. Instead of shooting straight down the lane and knocking over all the pins, my ball inexplicably went flying backward toward Lend.
"Okay,now we're getting dangerous." Lend brought my ball back and, wrapping himself around me,we threw it together. After pinballing off the bumpers on both sides,it knocked down a whole three pins.
I jumped up and down, screaming. "That's like, practically a strike,right?"
"Good enough for me!
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you.
”
”
Charlotte Perkins Gilman (The Yellow Wallpaper: The classic 1892 *psychological book" (Annotated))
“
She’d always assumed that falling in love would be like getting slammed into a brick wall. That you’d just be going along as usual and you’d get knocked on your ass and think, Gee, I guess I’m in love. But it hadn’t happened that way. It had just kind of snuck up on her before she’d realized it. It had happened one smile and one touch at a time. One look. One kiss. One pink cat collar. One pinch to the heart and one breathless anticipation after another until she was in so deep there was no denying it. No turning back before it was too late. No more lying about what she felt.
”
”
Rachel Gibson (Tangled Up In You (Truly Idaho, #2; Writer Friends, #3))
“
Perfection wasn’t strength. Righting your wrongs took more strength than anything. You were lucky to dodge the hits. Getting back up after being knocked down showed immeasurable strength and courage.
”
”
Jewel E. Ann (The Life That Mattered (Roe & Evie, #1; Life, #1))
“
When you’re sick and dying, the ego is and should be the first thing to go. I know there’re gurus who teach people how to release the ego, to conquer the ego. I get it now, but I didn’t back when I was healthy. It’s moot now. The guy who falls off the toilet and knocks himself out no longer has an ego.
”
”
J.R. Rain (Silent Echo)
“
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
”
”
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
“
You gotta know that. S’important you know.” “Let’s get you to bed.” He suddenly looked around like he was lost. “Shit…” “What?” He looked at Sade confused. “How’d I get in here?” “On your planter.” His face screwed up for a second then he busted out laughing. “Ohhhh my fucking God!” he squealed. “Don’t tell Liberty I knocked that plant over. I didn’t mean it.” “I’ll tell her a rat did it.” “Yesssss.” Sade limped his way to the other side of him when he turned to get off the stool. “A fucking rat.” His silent laughter snorted out. “That would be a big ass rat, right?” “Yes indeed,” Sade said. “How about you get on my back and let me walk you back to your room.” “Awwwwwwww maaaaan, that would be so much faster. The plant-mobile
”
”
Lucian Bane (No Mercy (Mercy, #2))
“
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home.
By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy.
She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it.
She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him.
"Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth."
She didn't wait for him to say anything, just turned around and walked back to her house.
He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it.
But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her.
He ate another cookie before getting up to make himself dinner.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
An awkward pause fell across the conversation. Daphne was shifting from foot to foot, not at all certain what to say to the duke, when Nigel exhibited stellar timing for the first time in his life, and sat up.
“Daphne?” he said, blinking as if he couldn’t see straight. “Daphne, is that you?”
“Good God, Miss Bridgerton,” the duke swore, “how hard did you hit him?”
“Hard enough to knock him down, but no worse than that, I swear!” Her brow furrowed. “Maybe he is drunk.”
“Oh, Daphne,” Nigel moaned.
The duke crouched next to him, then reeled back, coughing.
“Is he drunk?” Daphne asked.
The duke staggered back. “He must have drunk an entire bottle of whiskey just to get up the nerve to propose.”
“Who would have thought I could be so terrifying?” Daphne murmured, thinking of all the men who thought of her as a jolly good friend and nothing more. “How wonderful.”
Simon stared at her as if she were insane, then muttered, “I’m not even going to question that statement.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Someone's at the door! Someone's at the door!!!" they both yelled.
"I just told you, it's my—" I called, knowing they couldn't hear.
"Hey. Get away from the door, you miserable jack-off," I heard Chuck shout at my dad. "I'll rip your ass in half."
"Me too! I'll rip your ass in half, too!!" yelled Johnny Depp. "We hate you. We hate you. We hate you. We hate you."
"You guys, knock it off," I said, racing to open the door. "I just told you...it's my—Hi, Daddy," I said, hugging him.
"Come on in! Great to see you again!!" screamed Chuck.
"Thank God you're finally here!" screamed Johnny Depp. "We missed you. Where you been? Welcome back! Who are you??
”
”
Merrill Markoe (Walking in Circles Before Lying Down)
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
Wheeling around, he went blindly for the doors, messing up the piles, nearly knocking himself over on the coffee table.
Saxton got there first, blocking the way out with his body.
Blay's eyes locked on the males face." Get out of my way. Right now. You don't want to be around me."
"Is that not for me to decide."
Blay shifted his focus to those lips he knew so well. "Don't push me."
"Or what."
"If you don't get the fuck out of my way, I'm going to bend you over that desk of your-"
"Prove it."
Wrong thing to say. In the wrong tone. At the wrong time.
Blay let out a roar that rattled the diamond-paned windows. Then he grabbed his lover by the back of the head and all but threw Saxton across the room. As the male caught himself of the desk, papers went flying, the confetti of yellow legal pad and computer printouts falling down like snow.
Saxton's torso curled around as he looked behind at what was coming at him.
"Too late to run." Blay growled as he ripped open his button fly.
Falling upon the male, he was rough with his hands, tearing the the layers that kept him from what he was going to take. When there were no barriers, he bared his fangs and bit down on Saxton's shoulder through his clothes, locking the male beneath him even as he grabbed those wrist and all but nailed them to the leather blotter.
And then he pushed in hard and let out everything he had, his body taking over .. . even as his heart stayed far, far away.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Well, George Anson Phillips is a kind of pathetic case... He was the sort of cop who would be likely to hang a pinch on a chicken thief, if he saw the guy steal the chicken and the guy fell down running away and hit his head on a post or something and knocked himself out. Otherwise it might get a little tough and George would have to go back to the office for instructions.
”
”
Raymond Chandler (The High Window (Philip Marlowe, #3))
“
The guy who was punching me was a lot burlier than I was, so it hurt plenty. But I tried to pretend it didn't bother me at all, that I actually liked it. It was hard to do this convincingly, because he had kind of knocked the wind out of me there, so all I could do was smile and wink and give him the thumbs up while I waited to be able to breath again. He thought I was making fun of him and started punching me in the stomach harder. Meanwhile, I'm not any closer to getting my breath back. Some days are like that.
”
”
John Swartzwelder (The Time Machine Did It)
“
Oh, and another time he gave me a sex concussion. I can’t really go into the details, because my mother will probably read this, but basically he had a bunk bed in his dorm room (because he’s an only child and only children are obsessed with bunk beds for some reason), so we were on the bottom bunk and I tossed back my hair in what I envisioned would be a total porn-star move, except the wooden beam of the bunk bed above us was too low, and so I violently head-butted the wood plank and totally knocked myself out, which is pretty much the least sexy thing you could ever possibly do. Like, if I also lost control of my bowels that would be worse, but not by much. Then when I’d recovered, Victor was all, “Sex concussion, motherfucker!” like it was something to be proud of. Basically it was like autoerotic asphyxiation, except instead of being choked you get whacked in the head with a two-by-four. And instead of having an orgasm you lose all muscle control and pee on yourself. Which I totally did not do because that would be disgusting. I hardly ever pee on myself.
”
”
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
“
Can you tell me how a meltdown feels?”
She tilted her head to stare at the ceiling. “Itchy. And bad. You get so mad at yourself, because you know the thing that set you off isn’t worth the reaction you’re having, but you can’t control it. It’s like . . . knocking over a cup of tea. It goes everywhere, staining as it spreads, but you can’t take it back. You just have to get over yourself and mop up the mess.
”
”
Julia Day
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
She nodded anxiously. Kyle sucked on his Popsicle, assessing her eagerness, wondering if he should tell her she was the best sex he's ever had. She would never believe him anyways, so instead, he told her where to improve as she asked. "You can get ahead if you give better head. Got me?"
"Ah, okay. What would you suggest?"
He stared at her mouth as it moved up and down the frozen treat. "Want to practice?"
She gave him a cynical look. "I'm eating my dessert right now."
"Okay, practice on that. See how deep you can go."
She looked at the sweet treat in her hand and back at him. "I'll choke."
"I know CPR. Don't worry. I won't let you. Pretend it's me. I'll be able to direct you better if I'm not the test subject."
She shrugged and inserted the Popsicle in her mouth.
"Wait," he said, knocking it out of her hand.
"Why did you do that?"
He took the discarded Popsicle and ran to the kitchen. He retrieved a new one that wasn't broken in halves. "If you're going to pretend it's me, we should be more realistic," he said, unwrapping it for her. "At least in terms of girth. The length... well, you'll have to use your imagination."
"Um...grape," she replied and licked the edge.
He sat down and rested his chin on his hands to watch her. She licked it a few times and then shocked him by taking a small bite off the top. She gave him an amused smile. Kyle shook his head. "You are a cruel, cruel woman.
”
”
M.K. Schiller (The Do-Over)
“
Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
You are about to be reminded of the truth-of-all-truths. I use the word “reminded” because it is something you already know, but may have forgotten or ceased to believe. No self-help book, no guru, no sage of any faith can teach you anything more important or powerful. If you accept it and embrace it this truth will whip your life around and set you on a new, higher road. You will live larger, healthier, more happily. You’ll have the ability to bounce back when you get knocked down. You’ll have the faith you need to tunnel through dark times. You’ll have the light you need to lead others to a better place.
You are a child of God.
That’s it.
That’s everything—everything you’ll ever need to know to conquer doubt, fear and adversity, to transform your life from the mundane to the magnificent, to fortify your relationships and the foundations of all that is good and right and worthy of your attention. You are a literal spiritual child of a king all-powerful and all-loving. He knows you. He values you. He wants you to be happy and successful. You have the right to approach the throne of God and ask not only for what you need, but for what you want.
”
”
Toni Sorenson
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
■ Identify your counterpart’s negotiating style. Once you know whether they are Accommodator, Assertive, or Analyst, you’ll know the correct way to approach them. ■ Prepare, prepare, prepare. When the pressure is on, you don’t rise to the occasion; you fall to your highest level of preparation. So design an ambitious but legitimate goal and then game out the labels, calibrated questions, and responses you’ll use to get there. That way, once you’re at the bargaining table, you won’t have to wing it. ■ Get ready to take a punch. Kick-ass negotiators usually lead with an extreme anchor to knock you off your game. If you’re not ready, you’ll flee to your maximum without a fight. So prepare your dodging tactics to avoid getting sucked into the compromise trap. ■ Set boundaries, and learn to take a punch or punch back, without anger. The guy across the table is not the problem; the situation is. ■ Prepare an Ackerman plan. Before you head into the weeds of bargaining, you’ll need a plan of extreme anchor, calibrated questions, and well-defined offers. Remember: 65, 85, 95, 100 percent. Decreasing raises and ending on nonround numbers will get your counterpart to believe that he’s squeezing you for all you’re worth when you’re really getting to the number you want.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
There, I saw Adam messing around with a container of tic tacs. I had found the source of the cinnamon taste of his kisses. He looked up.
"Want one?" he offered.
"Sure, thanks," I replied. He proceeded to knock exactly one tic tac into his palm and hand it to me. "Are you sure you can spare this?" I asked solemnly.
"How many did you want?"
"Well, more than one. Who gives somebody one tic tac? Would it kill to be a little more generous? some psychologist somewhere probably has some theory about one tic tac givers and fear of commitment."
"Fear of commitment, my ass. You should be committed, you loon. If you were intended to have more than one tic tac, they would have just made tic tacs bigger. This is regulation sized tic tac, and it should be more than enough to satisfy your breath freshening needs," he said, sounding affronted.
"A tic tac is not merely a breath freshener, it is a candy," I pointed out, voice rising in anger. Who was he calling a loon? "And they make them small on purpose, so you'll think you're getting more, and so you'll run out faster when someone asks for one, and you will give them a few!"
"Why would someone ask for A tic tac when they really wanted several tic tacs? What does that say about their psychology?! Why not be honest from the get-go about what you want?!" he shouted back at me.
" I didn't ask for one! You offered me one, God damn it!"
"And as for your other points, it is primarily a breath freshener, and maybe you should alert the media about your great tic tac size conspiracy!"
"I can't believe we're fighting about motherfucking tic tacs!" I screamed and the two of us glowered each other across my desk for several seconds before smiles slowly appeared on both of our faces.
"Want to have make-up sex?" he asked.
"Yeah, let's go," I said, getting up and heading for the bedroom.
”
”
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
“
I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject.
My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that.
So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson's the night before; and would describe how they had heard the victim's shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse.
So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears.
She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea - where the connection came in, she could not explain).
Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
you see, my whole life
is tied up
to unhappiness
it's father cooking breakfast
and me getting fat as a hog
or having no food
at all and father proving
his incompetence
again
i wish i knew how it would feel
to be free
it's having a job
they won't let you work
or no work at all
castrating me
(yes it happens to women too)
it's a sex object if you're pretty
and no love
or love and no sex if you're fat
get back fat black woman be a mother
grandmother strong thing but not woman
gameswoman romantic woman love needer
man seeker dick eater sweat getter
fuck needing love seeking woman
it's a hole in your shoe
and buying lil sis a dress
and her saying you shouldn't
when you know
all too well that you shouldn't
but smiles are only something we give
to properly dressed social workers
not each other
only smiles of i know
your game sister
which isn't really
a smile
joy is finding a pregnant roach
and squashing it
not finding someone to hold
let go get off get back don't turn
me on you black dog
how dare you care
about me
you ain't go no good sense
cause i ain't shit you must be lower
than that to care
it's a filthy house
with yesterday's watermelon
and monday's tears
cause true ladies don't
know how to clean
it's intellectual devastation
of everybody
to avoid emotional commitment
"yeah honey i would've married
him but he didn't have no degree"
it's knock-kneed mini skirted
wig wearing died blond mamma's scar
born dead my scorn your whore
rough heeeled broken nailed powdered
face me
whose whole life is tied
up to unhappiness
cause it's the only
for real thing
i
know
”
”
Nikki Giovanni
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
”
”
Philip Roth
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
You're back early from Chicago," Jim remarked, seemingly oblivious to his friend's cold reserve. "I wonder why?"
"You know damned well why," Nick retorted grimly.
Jim's brows lifted, but he turned his tawny, appreciative gaze on Lauren. "I'd tell you how gorgeous you look,but at the moment,Nick is already restraining the urge to knock my teeth down my throat.
"Why?" Lauren gasped, her own gaze flying to Nick's granite features.
Jim answered with a chuckle. "It has something to do with two dozen red roses and a kiss he witnessed.He's forgotten about a girl I was in love with once but couldn't quite get up the nerve to ask to marry me. He got tired of waiting for me to bolster my courage, so he sent Ericka two dozen-"
Nick's breath exploded in laughter. "You bastard," he said good-naturedly, and this time his handclasp was sincere.
”
”
Judith McNaught (Double Standards)
“
Aiden what have you told this poor child? And let go of her arm, you'll pull it out of the socket like that." The woman admonished. Aiden immediately released her arm. Meryn eyed the woman with new respect, if she had Aiden hopping to, then maybe she could help her get out of here.
"She is a menace! She gave Colton a bloody lip, threw a lamp at me, knocked me unconscious with the back of my toilet, kicked me in the back of the head... twice and dented the roof of my trunk!" Meryn noticed that he roared the last grievance, trust a man to be more worried about his car than his possible concussion.
"And how did she dent the roof of your trunk?" Meryn heard the edge to the woman's voice and answered quickly hoping to garner sympathy for her situation.
"He threw me in the trunk of his car. I was kicking it from the inside trying to escape." She sniffed dramatically and glared at Aiden. She noticed that he had suddenly paled.
"Oh, son." The handsome older man covered his face with his hand and the woman stared at them in shock.
"You locked her in the trunk?!"
"She was kicking me." Aiden protested.
"She is human and half your size!"
"You don't understand, she is a terrorist!
”
”
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
“
In his head, he tries to cobble a list together in a panic, gets as far as, One, Henry’s lips are soft, and short-circuits. He tests leaning into the kiss and is rewarded by Henry’s mouth sliding and opening against his, Henry’s tongue brushing against his, which is, wow. It’s nothing like kissing Nora earlier—nothing like kissing anyone he’s ever kissed in his life. It feels as steady and huge as the ground under their feet, as encompassing of every part of him, as likely to knock the wind out of his lungs. One of Henry’s hands pushes into his hair and grabs it at the roots at the back of his head, and he hears himself make a sound that breaks the breathless silence, and— Just as suddenly, Henry releases him roughly enough that he staggers backward, and Henry’s mumbling a curse and an apology, eyes wide, and he’s spinning on his heel, crunching off through the snow at double time. Before Alex can say or do anything, he’s disappeared around the corner. “Oh,” Alex says finally, faintly, touching one hand to his lips. Then: “Shit.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: Uncommon Prostitues
I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber.
To: Etienne St. Clair
From: Anna Oliphant
Subject: Christmas Dinner
MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama.
P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey.
To: Anna Oliphant
From: Etienne St. Clair
Subject: Re: Christmas Dinner
YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist.
P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me.
To: Etienne St. Clair
From: Anna Oliphant
Subject: SAVE ME
Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming.
And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal.
WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
You don’t know how it is. It’s like I’ve got this angry little person inside me, and I can feel him trying to get out. He’s running out of room because he’s growing bigger and bigger, and so he starts rising up, into my lungs, chest, throat, and I just push him right back down. I don’t want him to come out. I can’t let him out because i hate him, because he's not me, but he's in there and he won't leave me alone, and all I can think is that I want to go up to someone, anyone, and just knock them into space because I'm angry at all of them.
”
”
Jennifer Niven (All the Bright Places)
“
There's a lot of talk these days about a thing called resilience. That's the in term at the moment," says Dr. John Leach, a survival psychologist. "You've got built-in resilience, so you can bounce back when you get knocked [down] by a survival situation. My argument with that is that if you've gone through a survival situation, you've gone through a POW camp, or you've been taken hostage, or you've been through sea survival, you will not be bouncing back to what you were before. You will not be bouncing back to who you were before. Because you won't be the same person. If you think you are meant to be the same person, you can have problems. You've had an experience that has changed you. Coupled with that is that the society, the world you're coming back to, has certainly changed in their perception of you. They don't know how to handle you. Normally, most survivors want above all to be treated as normal. But the rest of the world can't treat them as normal.
”
”
Jonathan Franklin (438 Days: An Extraordinary True Story of Survival at Sea)
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
Let me sleep," he said, and shut the door; it clicked in her face and she felt animal terror - this was what she feared most in life: the clicking shut of a man's door in her face.
Instantly, she raised her hand to knock, discovered the rock... she banged on the door with the rock, but not loudly, just enough to let him know how desperate she was to get back in, but not enough to bother him if he didn't want to answer.
He didn't. No sound, no movement of the door. Nothing but the void.
"Tony?" she gasped, pressing her ear to the door. Silence. "Okay," she said numbly; clutching her rock she walked unsteadily across the porch toward her own living quarters.
The rock vanished. Her hand felt nothing.
"Damn," she said, not knowing how to react. Where had it gone? Into air. But then it must have been an illusion, she realized. He put me in a hypnotic state and made me believe. I should have known it wasn't really true.
A million stars burst into wheels of light, blistering, cold light, that drenched her. It came from behind and she felt the great weight of it crash into her. "Tony," she said, and fell into the waiting void. She thought nothing; she felt nothing. She saw only, saw the void as it absorbed her, waiting below and beneath her as she plummeted down the many miles.
On her hands and knees she died. Alone on the porch. Still clutching for what did not exist.
”
”
Philip K. Dick (A Maze of Death)
“
Even knowing all of that, if I head to Kauf alone, I can make it in half the time that it would take the wagons. I don’t wish to leave Laia—I will feel the absence of her voice, her face, every day. I already know it. But if I can make it to the prison in a month, I’ll have enough time before Rathana to break Darin out. The Tellis extract will keep the seizures at bay until the wagons get close to the prison. I will see Laia again. I rise, coil my bedroll, and make for Afya’s wagon. When I knock on the back door, it takes her only a moment to answer, despite it being the dead of night. She
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.”
Ormsley beamed. “He did indeed, your grace.”
“I feel twenty years younger.”
Ormsley nodded. “This is a very great day.”
“What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.”
“You shouldn’t overly exert yourself, your grace.”
“Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It's halftime. Both teams are in their locker room discussing what they can do to win this game in the second half.
It's halftime in America, too. People are out of work and they're hurting. And they're all wondering what they're going to do to make a comeback. And we're all scared, because this isn't a game.
The people of Detroit know a little something about this. They almost lost everything. But we all pulled together, now Motor City is fighting again.
I've seen a lot of tough eras, a lot of downturns in my life. And, times when we didn't understand each other. It seems like we've lost our heart at times. When the fog of division, discord, and blame made it hard to see what lies ahead.
But after those trials, we all rallied around what was right, and acted as one. Because that's what we do. We find a way through tough times, and if we can't find a way, then we'll make one.
All that matters now is what's ahead. How do we come from behind? How do we come together? And, how do we win?
Detroit's showing us it can be done. And, what's true about them is true about all of us.
This country can't be knocked out with one punch. We get right back up again and when we do the world is going to hear the roar of our engines.
Yeah, it's halftime America. And, our second half is about to begin.
”
”
Clint Eastwood
“
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house.
'Has he kissed you?' Rhys asked when Malachi was gone.
'Yes, on the island.'
'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.)
Her breath left her body in a rush of memories. 'So much more than fine.'
He nudged her shoulder with his own. 'Then don't be stubborn, go to him.'
Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression.
'What do you want?'
'I kissed Rhys.'
Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard.
His voice was low and thick with tension. 'Get that out of your system?'
'Felt a little like kissing my brother.'
He dropped the towel and tugged her into the room.'This won't' "
”
”
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
“
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic.
He stared at them. “How—”
“I got them from the discarded clothes. Before I made the climb.”
“Six stories in the dark.”
She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again.
He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish.
“When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.”
He looked away. “You should. You were always too good for the Barrel.”
It was time to go. “Saints’ speed, Kaz.”
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?”
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster.
“We have to get home,” Ceres says.
“I am home,” her daughter says.
”
”
Amy Bloom (Away)
“
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in.
The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground.
Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again.
Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get.
This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here.
("New York Blues")
”
”
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
“
Me? Rebuild" I shook my head."First off, I don't know anything about construction or reconstruction. And second, have you been down there? Have you seen it? So many people haven't moved back or rebuilt, and I totally get it. Why invest all that time and money when each hurricane season brings a new threat?"
Aimee regarded me with a steady blue gaze. "Why build skyscrapers in San Francisco that might be knocked down by an earthquake? Or why build farms in Kansas and Oklahoma that might get blown away by a tornado?" She snorted, and it seemed so uncharacteristic for the elegant old woman that I almost laughed. "Where did they want us to go, anyway? I figure if we're still breathing, then we're meant to keep going. So we rebuild. We start over. It's just what we do.
”
”
Karen White (The Beach Trees)
“
Whatever they’d done to him, it had shaken something lose. “No,” he repeated, calmer. “No. I’ll save you for last. I owe you for what you did to me. I’ll make you suffer like I did, then I’ll bring you in.”
And just like that, the fragile patchwork of hope shattered, stealing my breath and bleeding me dry. My hand closed around something—I had no idea what, but it was heavy. That was all I cared about. “Good,” I said, resigned. I loved Kale and I’d do anything to get him back, but I wasn’t stupid. “Then that gives me time.”
“For what?”
I whipped the object—it turned out to be a wrench—around and slammed it into the side of Kale’s head as Alex yanked up the garage door. “To knock some frigging sense into you.”
I raced toward Alex as Kale went down and Kiernan burst through the door.
”
”
Jus Accardo
“
Oh for Christ’s sake, give the ass-kissing a rest, Julian.” K.T. knocked back a slug of wine, then slapped her glass on the table. She actually snapped her fingers at one of the servers so he would deal with the refill. “Even your mouth ought to be tired of puckering up by now.”
“We’re having a conversation,” Julian began.
“Is that what you call it? You act like you and Marlo are the only ones in this goddamn vid, and the two people you’re trying so hard to mimic are the only ones who count. It’s insulting. So why don’t you give it a fucking rest, set up your threesome with Marlo and Dallas on your own time? Some of us are trying to eat.”
In the beat of horrified silence, Eve studied K.T. down the length of the table. “Peabody?”
“Yes, sir,” Peabody said, shoulders hunched.
“You know how I occasionally mention the possibility of kicking your ass?”
“I’d term that as regularly, but yes, sir, I do.”
“You may get the chance to watch me kick your fake ass while you sit comfortably on your own. That’s an opportunity that doesn’t come around every day.
”
”
J.D. Robb (Celebrity in Death (In Death, #34))
“
A Knock On The Door
They ask me if I've ever thought about the end of
the world, and I say, "Come in, come in, let me
give you some lunch, for God's sake." After a few
bites it's the afterlife they want to talk about.
"Ouch," I say, "did you see that grape leaf
skeletonizer?" Then they're talking about
redemption and the chosen few sitting right by
His side. "Doing what?" I ask. "Just sitting?" I
am surrounded by burned up zombies. "Let's
have some lemon chiffon pie I bought yesterday
at the 3 Dog Bakery." But they want to talk about
my soul. I'm getting drowsy and see butterflies
everywhere. "Would you gentlemen like to take a
nap, I know I would." They stand and back away
from me, out the door, walking toward my
neighbors, a black cloud over their heads and
they see nothing without end.
”
”
James Tate
“
Look—here’s a table covered with a red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. In its front paws is a carrot-stub upon which it is contentedly munching. On its back, clearly marked in blue ink, is the numeral 8. Do we see the same thing? We’d have to get together and compare notes to make absolutely sure, but I think we do. There will be necessary variations, of course: some receivers will see a cloth which is turkey red, some will see one that’s scarlet, while others may see still other shades. (To color-blind receivers, the red tablecloth is the dark gray of cigar ashes.) Some may see scalloped edges, some may see straight ones. Decorative souls may add a little lace, and welcome—my tablecloth is your tablecloth, knock yourself out.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom.
It's why we fall in love, Jenny will tell June.
We fall in love to get back to that dimension, that wonder.
She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.
”
”
Emily Ruskovich (Idaho)
“
Snake pushes me out of the way, using me like a weapon to knock Gage and Tank off balance. He runs for the door and bursts out before we get a chance to get back to our feet. The men try to keep me in the house, but I don’t listen to them. Chasing after Snake, I reach under my shirt and wrap my hand around the handle of my gun. He doesn’t have a car, but that’s not going to stop the slimy piece of shit from trying to get away from me. After jangling a few handles, he finds an unlocked door and dives behind the wheel. My shot obliterates the back window, but it doesn’t stop him from cranking the engine
”
”
A.J. Rivers (The Girl in Cabin 13 (Emma Griffin FBI Mystery, #1))
“
Look,” Anil says, after Billy has explained enough of this. “Just cut to the chase.”
“The chase,” Billy says. He knocks back the new shot that the bartender has set up for him. He wipes his chin with the back of his hand. “The chase is that at the end of it she said she just wanted me to say one thing. She just wanted me to tell her that everything was going to be okay and that things were going to get easier from here on out.”
“Okay, yeah,” says Anil. “And you responded by saying—?”
“I responded by saying that it would be ethically unsound for me to make a claim, for the purposes of comfort, that I couldn’t be certain was true under the present circumstances.”
Anil opens his mouth and then shuts it again. Finally he offers this: “No offense, man, but you’re a fucking idiot.”
“I’m aware.”
“Fucking,” Anil says, ticking it off on his thumb. “Idiot,” he concludes, ticking this one off on his pointer finger.
”
”
Jeremy Bushnell (The Weirdness)
“
Don't expose your sore finger, or everything will knock against it. Don't complain about your sore points, for malice always attacks where our weaknesses hurt most. Getting annoyed will only serve to spur on someone else's enjoyment. The ill-intentioned are searching for a pretext to get your back up. Their dart-like insinuations aim to discover where you hurt, and they'll try a thousand different ways until they hit upon your most sensitive point. The circumspect pretend not to notice and never reveal their troubles, whether their own or their family's, for even fortune occasionally likes to hit where it hurts most, and it always cuts to the quick.
”
”
Baltasar Gracián (How to Use Your Enemies)
“
one thing my own marriage taught me is that relationships are like football in a lot of ways. It’s a team sport and you have to work together to be successful. There are highs and lows, good plays and bad calls, and if you’re going to step out on the field, you need to be ready to play the game. Big mistakes get you benched, and, depending on how bad you screwed up, they can cost you a fortune before you’re allowed back on the playing field. There will always be rivals, people trying to knock you out of the game, but if you’re lucky, you’ll end up with a nice ring to show for your hard work. But it’s not over there, you know. That’s when it really starts, because for the rest of your life you’ll be trying to prove to everyone that you, out of everyone, deserved to be given that ring.” He paused, snickering to himself. “That’s not the biggest way relationships are like football, though. No matter what you do, no matter what happens, the point of both is to score as much as you can. Without scoring, the entire thing is really just a waste of time.
”
”
J.M. Darhower (Redemption (Sempre, #2))
“
You don’t want to do this, Miss Sheffield,” he warned.
“Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill.
Farther . . .
Farther . . .
Right into the lake.
Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!”
“You don’t win,” Anthony snapped.
“Oh, it feels like I’ve won,” she reveled.
Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.”
“Brilliant,” Daphne agreed. “Absolutely brilliant.”
Anthony, of course, had no choice but to cross his arms and scowl mightily.
Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.”
“I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .”
“I had been hoping you would pick up the reins of his destruction,” Colin said.
The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented.
“It’s not over yet,” Daphne said.
Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?”
Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.”
Kate beamed.
The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.”
Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant.
“Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.”
“I was two wickets behind the rest of you,” Kate demurred.
“Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?”
No one did, although Anthony looked close to violence.
“Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.”
A strange, muffled sound burst from Kate’s mouth, half laugh and half choke.
“Well, someone has to lose,” Colin said with a grin. “It’s tradition.”
“It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.
”
”
Kate Rusby
“
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?"
Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again.
"Hello," Skulduggery said, speaking loudly to be heard over the alarm.
"Hi," said the man. "The door's locked."
"Is it?"
"Yes."
"That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?"
There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?"
Skulduggery tilted his head. "Who am I speaking with?"
"This is Oscar Nightfall."
"Are you sure?"
"What?"
"Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know."
Oscar Nightfall sounded puzzled. Who are you?"
"Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?"
"What's your name? Give me you name."
"No. It's mine."
"Tell me your name!"
"My name is Oscar Nightfall."
"What? No it isn't. That's my name."
"Is it? Since when?"
"Since I took it!"
"You didn't ask me if you could take it. I was using it first."
"Open this door immediately."
"I don't have the key."
"I'll fetch the Cleavers."
"I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go."
Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
”
”
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life,
every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.”
Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just.
“If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.”
“You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?”
Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke.
“I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.”
“What do you know about love and souls?” Lindsay growled as he stalked to the study door.
“I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.”
“You do indeed.”
Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
”
”
Charlotte Featherstone (Addicted (Addicted, #1))
“
Her knock was wimpier than she meant it to be—so wimpy that there was a second where she wasn’t sure if Keefe had actually heard her. But then he called out, “Back to nag me already? You seriously need to get yourself a hobby. I hear spelunking’s fun. Oooh, or you could try swimming with the krakens! I doubt they’d eat you—but maybe we’ll get lucky!” Which wasn’t exactly a “come in.” But Sophie still grabbed the silver handle and turned it—realizing only as she was yanking the door open that she should’ve made sure Keefe was dressed before she barged in. Thankfully, he was. Mostly… He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
He watched her small hand hike up her skirt, saw her reach under to cup her sex. Once her fingers were covered in slick, she met his eyes, smearing her hand down his neck, directly over the spot where he stank of his beloved. Gathering more of her wetness, Claire soaked the patch of his shirt until she could only smell herself. It was not good enough. Unable to comprehend anything beyond black rage, Claire clawed the fabric and ripped Shepherd’s shirt to threads. Her nose went back to his exposed chest and she let out the most threatening growl an Omega could make. If he was hushing her, or reprimanding, touching, or in shock, Claire was absolutely oblivious. Every fiber of her being demanded she stake claim, that she scratch her marks all over his body, that she leave a sign all other females would see. She left him bloody. Breathing hard, she reared up until eye level with the man. “Now you will fuck me, hard, in every way that pleases me. And when it is done, you will get me food, because I’m fucking hungry!” He was on her with such force the breath was knocked from her body. Shepherd did exactly as his mate demanded, pounding into her with a fury that set her howling amidst their shredded clothing. In Shepherd’s experience, there had never been a coupling like it.
”
”
Addison Cain (Reborn (Alpha's Claim, #3))
“
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.”
My heart jerked in my chest, then began to pound. My mouth went dry.
“I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.”
The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..?
“I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.”
“Stop.” The word broke from my throat like slivers of glass.
“And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.”
“Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!”
He trembled visibly, but didn’t back down. “I had to tell you –“
His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!”
Tears lipped down his face. “I love you like my own. Always have.”
I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it.
“I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.”
I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?”
Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.”
Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.”
Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists.
He stopped before he left the room, facing me. “I’m glad you told Eva.”
“Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it.
He left.
The weight of the day crashed onto my shoulders, dropping me to my knees.
I broke.
”
”
Sylvia Day (Captivated by You (Crossfire, #4))
“
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled.
“I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes.
“Is it safe?” he asked.
I giggled. “Is that a no for tacos?”
Romeo shook his head and rolled his eyes. “We’re dressed, man.”
Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.”
Ah, that explained why everything still looked so blurry.
I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet.
“Oh!” I exclaimed. “You have to be freezing!”
I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.”
“She’s giving away your clothes, man,” Braeden said to Romeo.
“Chicks.” He sighed.
Braeden shook his head.
“You’re dripping on the carpet!” I reminded him.
He laughed and went in the bathroom to get dressed.
“Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door.
He laughed. “Laundry service? Damn! I’m moving in.”
Romeo shook his head.
I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began.
“No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.”
He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?”
I nodded. “Did you jump in the pool to get my glasses?”
He nodded.
“Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected.
I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?”
Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered.
“Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed.
I shuddered. “I know how to swim.”
“Well, you sank to the bottom like an anchor,” he grumbled.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
You came all this way for a whore?” Albert asked, and Royce shot him a harsh look.
“Don’t call her that if you want to live a long and happy life,” Hadrian said as they dismounted.
“But this is a whorehouse—a brothel, right? And you’re here to see a woman, so—”
“So keep talking, Albert.” Hadrian tied his horse to the post. “Just let me get farther away.”
Gwen saved our lives,” Royce said, looking up at the porch. “I beat on doors. I even yelled for help.” He looked at Albert, letting that image sink in. Yes, I yelled for help. “No one cared.” Royce gestured toward Hadrian. “He was dying in a pool of blood, and I was about to pass out. Broken leg, my side sliced open, the world spinning. Then she was there saying, ‘I’ve got you. You’ll be all right now.’ We would have died in the mud and the rain, but she took us in, nursed us back to health. People were after us—lots of people … lots of powerful people—but she kept us hidden for weeks, and she never asked for payment or explanation. She never asked for anything.” Royce turned back to Albert. “So if you call her a whore again, I’ll cut your tongue out and nail it to your chest.”
Albert nodded. “Point taken.”
Royce climbed the steps to the House and rapped once.
Albert leaned over to Hadrian and whispered, “He knocks at a—”
“Royce can still hear you.” Hadrian stopped him.
“Really?”
“Pretty sure. You have no idea how much trouble I got into before I learned that. Now I never say anything I don’t want him to know.
”
”
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
“
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity.
My identity comes back fine and clean and boring.
Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so.
His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing?
I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud.
I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes.
He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
They pulled apart when Keefe shouted, “YOU GUYS HAVE TO SEE THIS!” They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe’s eyes as he said, “I went in to check on our boy and found him cuddling with this!” “Isn’t that the same dragon Fitz brought to your house that one time?” Dex asked Sophie. “WHAT?” Keefe shouted. “YOU KNEW AND YOU DIDN’T TELL ME?!” “Mr. Snuggles wasn’t my secret to share,” Sophie said. “IT’S NAME IS MR. SNUGGLES?! That is . . . . I can’t even . . .” Keefe ran back to Fitz’s room shouting, “ARE YOU MISSING YOUR SNUGGLE BUDDY?!” “Fitz is going to die of embarrassment, you know that, right?” Biana asked. “I didn’t know he had a stuffed dragon,” Della said. “I wonder where he got it.” “Elwin gave it to him when Alden was sick,” Sophie explained. “And Elwin named him.” “Wow, you really know my brother super well, don’t you?” Biana asked. Sophie’s cheeks flushed. “Well . . . we have to do a lot of trust exercises.” Dex sighed. Down the hall, Sophie could hear Keefe laughing hysterically. “I better make sure Fitz is still talking to me,” she said. “You should be worried about me,” Keefe told her, stalking back into the room. “You deprived me of the Snuggles—that cannot be forgiven! Actually it can, but you have to convince Fitz to call himself Lord of the Snuggles from now on.” Sophie laughed. “I’ll see what I can do.” Fitz’s door was closed, so she knocked before going in. “I told you, Mr. Snuggles’s visiting hours are over,” he called through the door. “What about your visiting hours?” she asked. “Oh! I thought you were Keefe.” Sophie pushed open the door. “I get that a lot.” “YOU SHOULD BE SO LUCKY!” Keefe shouted from the main room. Fitz had Mr. Snuggles perched on his lap, and the sparkly dragon looked almost defiant. Like, Yeah, I’m cute and glittery—what’s it to you? “So . . . I guess the secret’s out,” she said. “Looks like it. You’d think almost dying would earn me a little slack.” “NOT WHEN YOU’RE CUDDLING WITH A GLITTERY DRAGON, DUDE!” Keefe shouted.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down.
"You should have returned my calls. Or my texts," he says, his voice tight.
As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?"
You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma."
"Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.”
He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand.
Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate?
“Where are you taking me? I told you I want to go home.”
“We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.”
“I don’t want to talk. You might have realized that when I didn’t answer your calls.”
He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.”
One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?”
“Absolutely. But I happen to be a nice guy, too.”
Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.”
“You threw Rayna through a window. Call it even?”
“When are you going to get over that? Besides, she provoked me!”
“Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.”
“Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’.
Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing.
Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission.
Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system.
This is the split second before Game Over.
Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast.
The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games.
I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way.
Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips.
A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’
I really used to love that.
”
”
Alex Garland
“
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome.
And look at that—someone left the keys in the ignition.
Stealthily, I sidle up to Sarah.
“Have you ever driven in a convertible?”
She looks up sharply, like she didn’t see me approach. “Of course I have.”
My hands slide into my pockets and I lean back on my heels.
“Have you ever been in a convertible driven by a prince?”
Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles.
“No.”
I nod. “Perfect. We do this in three.”
Now she looks nervous. “Do what?”
I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time.
“Three . . .”
“I don’t know what you mean.”
“Two . . .”
“Henry . . .”
“One.”
“I . . .”
“Go, go, go!”
“Go where?” she asks, loud enough to draw attention.
So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side.
“Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods.
“The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl.
“I know a shortcut. Buckle up.”
We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good.
“Duck.”
“What?”
I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree.
After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me.
I smirk. “If you wanted me to push your head down, love, you could’ve just said so.”
“You’re insane!”
I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?”
We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
There are human boys here somewhere?” Zoey asked.
Aurox’s face scrunched up as he frowned at her. “Not here. Outside—out there. ” He pointed in the general direction of the door to the field house behind them.
“Outside the field house!” she almost yelled.
“Zo, sometimes I think you don’t listen so good,” Aurox said. Still frowning at her, he continued speaking slowly, as if trying to get her to understand a foreign language.
“Two boys. Outside the wall. With the keg. And cups. They. Want. Hot. Vampyre. Chicks.”
“Okay, I think I get it.” Stark grabbed Aurox’s arm and started to drag him toward the door and away from Z
before she went for his throat, although that would have been funny as hell. “You found two kids, with beer, trying to get over the wall, right?”
“See, you listen better.” Aurox patted him on the back, almost knocking Stark over. “But they’re just looking through the hole for vampyre pussy, not trying to get over the wall.”
“If you say pussy one more time I’m going to smack the crap out of you,” Zoey said, coming after them.
“You can’t come!” Aurox stumbled to a stop. “You have legs and tits!”
“Oh. My. Goddess. I’m going to kill him!” Stark stepped between the two of them. He faced Zoey.
She’d gone from pale to bright red in zero-point-nothing seconds. “Z, I think this is something that a Warrior needs to handle.”
Behind him, Aurox belched, sending a wave of beer air wafting over them.
Zoey narrowed her eyes and pointed at Aurox. “You have never been able to drink!” Then she spun around and stomped back to the basement entrance, slamming the door behind her.
“She seems mad. Should we bring her a beer?” Aurox said.
Stark covered his laugh with a cough. “Ur, no. Z doesn’t like beer.”
“Doesn’t like beer? She should. It would make her head feel bubbly and happy.”
Stark didn’t bother to cover his laugh a second time. “I wish it worked that way with her, but it doesn’t.”
“Because she has legs and tits?”
Stark knew it was wrong, but he couldn’t stop himself.
“I’m not sure. Maybe you should ask her next time you see her.”
Aurox nodded, looking as serious as a drunk could look. “I will.”
“That should be fun. But until then, show me where these humans are, and while we’re going there, start back at the beginning and tell me exactly what happened before and after you were introduced to the red Solo cup.
”
”
Kristin Cast (Revealed (House of Night, #11))
“
Cabal. Cabal. Cabal. I summon you to me. Now."
Simi and Kody exchanged a look that said he was as crazy as he suddenly felt when nothing happened.
Great, Dad. I can look stupid on my own. Didn't really need you to help out on that front.
That was his thought until he heard a curse and something slammed into him, knocking him against the wall. Nick shoved his attacker away, then froze as he looked into a pair of familiar, startled brown eyes.
Now this was the giant badass-tough demon that Nick was used to.
"Malphas?"
Tense and braced to fight, Caleb turned around slowly, surveying every aspect of his new surroundings. He paused as he faced Kody and Simi. "Where the heck am I? And how did I get here?"
Kody pointed to Nick. "Apparently, Nick summoned you."
"Nick?" Caleb glanced right past Nick and kept searching the room with his gaze. "Our Nick? Where is the little booger?"
She gestured even more exaggeratedly at Nick's position. "Right there."
Caleb's jaw went slack as he faced him."Nick?"
"Caleb?"
The word had barely left his lips before Caleb grabbed him into a bear hug and held him tight. Which was extremely awkward and gross. Completely weirded out by it, Nick tried to disentangle himself from the demon. It wasn't like Caleb to show any emotion toward him other than irritation or frustration. Sometimes anger.
"Stop C! If you're going to hug me like this, you got to buy me dinner first, boy. And it's got to be someplace nice, like Antoine's or Brennan's. I ain't easy or cheap."
Laughing, Caleb stepped back and narrowed his eyes on Nick as he held him by his arms. "Dude . . . did you lose a bet with a sorcerer or something?"
Nick gave him a droll smirk. "Don't taunt me now that I know your real name. I'm told I can do some damage to you with that. Make you fetch my slippers and stuff.
”
”
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved)
“
...Here, let me see. Stop rubbing it so I can -"
He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool.
"What happened! Are you alright?"
Percy's got one eye open but blinking frantically, hand extended blindly to me.
"I'm fine!"
I touch the back of my head, and it comes back damp and red.
"No, wait, I'm bleeding."
"You're bleeding!?" He yelps.
"It's fine! "
"It's clearly not if you're bleeding."
I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough.
"It's fine!"
My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow.
"God, this is really bleeding!"
My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor.
Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
”
”
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
“
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
”
”
David Foster Wallace (The Pale King)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door.
“Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.”
As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook.
“So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.”
Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish.
“Curse it, Freddy, put it back,” Maria ordered.
“What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.”
Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.”
“And get myself skewered for the effort? No, thank you. Let the pup have his fun.”
Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.”
“No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.”
Don’t encourage him,” Maria told Oliver.
The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life.
Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers.
When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away.
“If you hoped to catch my attention,” he remarked, “you’ve succeeded.”
“Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“
“I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
Are you a relative of her late husband?” the woman asked.
His eyes widened. “I beg your pardon?”
“It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?”
Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!”
He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic!
As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance!
He knocked on the door and waited.
There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes.
He managed to get inside the screen door and catch her before she passed out.
She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks.
He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition.
“When did we make him?” he asked without preamble.
She felt her world dissolve. He knew about the baby. Of course. That was why he was here.
He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once.
“The baby is mine.”
“And mine.”
“Audrey is not getting her avaricious little hands on my child…!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.”
“No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling.
“Slothrop’s knocked out Dodson-Truck and the girl in one day!”
“The whole thing’s falling apart, Pointsman!”
“Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“
“That’s the P.M.’s son-in-law, Pointsman, not good, not good!”
“We’ve already begun to run into a deficit—“
“Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.”
“Your Interested Parties again?” sez Rollo Groast.
“Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?”
“No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.”
“The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.”
They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles.
“Lame, lame,” mutters the younger Dr. Groast.
“What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.”
“Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.”
They never are, in these meetings of his.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Will you never forgive me for what I did so long ago, Jane?”
The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer.
With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.”
Her breath turned to ice in her throat. “That’s the problem. You still really believe that.”
His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both.
“It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.”
Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.”
With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her.
Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins.
“Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.”
Sweet Lord, were they all right outside the door?
“I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.”
As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?”
“Apparently not.”
Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now.
Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her.
Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing?
Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.”
Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that.
To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?”
She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question.
So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.”
In more ways than one.
Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks.
She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.”
“That was the most self-centered thing I’ve ever heard you say.”
Jane blinked. “It was?”
“Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?”
The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now.
“Henry, tell me which parts were true.”
“All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead.
The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing.
Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh.
“How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?”
She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing.
“I knew I really liked you,” he said against her lips.
His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck.
And when he spoke, he called her Jane.
Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room.
Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole.
Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child.
Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
This could get a little hairy,” I tell them in interruption.
Seriously, I don’t want to know this secret. I’ve got too much other shit going on.
I grimace at the very questionable intestines that belong to some fabled creature that surely can’t exist under the radar if all that fit inside it. “If you’re a respawner instead of an unkillable being, get out of the kitchen and at least a mile from the house.”
Mom assured me there’s a five mile seclusion radius.
Damien starts speaking to me, almost as though he’s too tired to deal with my tinkering right now. “Violet, that potion has to be fresh. There’s no need-"
...
There’s a loud, bubbling, sizzling noise that cracks through the air, and I drop to the floor, as a pulse shoots from the pot.
Damien yelps, as he and Emit are thrown into one wall, and Mom curses seconds before she and Arion are launched almost into each other, hitting opposing walls instead, when they manage to twist in the air to avoid touching.
Everyone crashes to the ground at almost the same time. Groans and grunts and coughs of pain all ring out in annoyed unison.
“I warned you,” I call out, even as most of them narrow their eyes in my direction.
Damien shoots me a look of exasperation, and I shrug a shoulder.
“She did warn us,” Mom grumbles as she remains lying on the floor, while everyone else pushes to their feet.
“No one fucks up a potion better than I do. If I fuck it up enough, less power will be needed to raise them,” I go on, smiling over at Emit…who is just staring at me like he’s confused.
“But it’s the exact right ingredients,” he says warily, as he stands.
“She’s apples and oranges. You can’t compare her to anyone else using those ingredients for that reason,” Mom says dismissively, as I gesture to Vance.
“Take him with you; I’m going to be a while. That was just the first volatile ingredient. I don’t think you want to be here for the yacktite—”
“Ylacklatite,” they all correct in unison.
“You don’t want to be here for those gross, possibly toxic, hard-to-say, fabled-creature intestines. It’s going to probably get crazy up in here,” I say as I twirl my finger around, staying on the floor for a minute longer.
Sometimes there’s an echo.
“Raise your heartbeat. You’re not taking this seriously enough,” Mom scolds. “What are you doing letting your heartbeat drop so much?”
“You really should go. It gets unpredictable when—”
The echo pulse I worried would come knocks Arion, Emit, and Damien to the ceiling this time, and I cringe when I hear things crack.
When they drop, Arion and Emit land in a crouch, and Damien lands hard on his back, cursing the pot on the stove like it’s singled him out and has it in for sexual deviants.
Arion’s lips twitch as he stares over at me, likely thinking what sort of punch a pencil could pack with this concoction. But I’ll be damned if Shera steals any of this juice for his freaky pencils.
“Do you rip up those dolls to use them as a timer?” the vampire asks, as he stays on the floor, causing Mom to sneer in his direction.
Another pulse cracks some glass, but everyone is under the reach of it now.
Damien just shakes his head.
“You have drawers full of toxic pencils I don’t even want to know the purpose of,” I tell him dryly. “You don’t get to judge.”
His grin grows like he’s pleased with something. I think Mom is seconds away from a brain aneurism
”
”
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))