Chill Alone Quotes

We've searched our database for all the quotes and captions related to Chill Alone. Here they are! All 100 of them:

I have outlasted all desire, My dreams and I have grown apart; My grief alone is left entire, The gleamings of an empty heart. The storms of ruthless dispensation Have struck my flowery garland numb, I live in lonely desolation And wonder when my end will come. Thus on a naked tree-limb, blasted By tardy winter's whistling chill, A single leaf which has outlasted Its season will be trembling still.
Alexander Pushkin
He had done nothing on Christmas day, just wandered around outside in the frozen woods. Hard ground, chill winds and bare branches that looked like they'd been dipped in sugar. None of it seemed real, like walking around in a desolate dream, but one he didn't want to wake up from.
R.D. Ronald (The Elephant Tree)
Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion.
Maggie O'Farrell (Hamnet)
The first week of August hangs at the very top of the summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.
Natalie Babbitt (Tuck Everlasting)
[Baseball] breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall all alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops.
A. Bartlett Giamatti (Take Time for Paradise: Americans and Their Games)
It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops. Today, October 2, a Sunday of rain and broken branches and leaf-clogged drains and slick streets, it stopped and summer was gone.
A. Bartlett Giamatti
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Something like fear chilled me as I sat there in the small hours alone-I say alone, for one who sits by a sleeper is indeed alone; perhaps more alone than he can realise.
H.P. Lovecraft
The intensity in his gaze created a flutter low in my belly. When he spoke, his voice was rough, sending a series of chills up and down my spine. “I don’t know what made you change your sleeping attire, but I just want to let you know that I am a hundred and fifty-five percent behind it.” All I could think was that he liked what he saw and that was a good sign. “Actually, if you want to dress like that whenever we’re alone—to eat dinner, watch the TV, read a book or whatever, I also support that.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.
Angela Carter (The Bloody Chamber and Other Stories)
I exist," murmurs someone whose name is Everyone. "I'm young and in love; I am old and I want rest; I work, I prosper, I do good business, I have houses to rent, money in State Securities; I am happy, I have wife and children; I like all these things and I want to go on living, so leave me alone."... There are moments when all this casts a deep chill on the large-minded pioneers of the human race.
Victor Hugo (Les Misérables)
The person who truly wants nothing except his destiny no longer has others of his own kind; he stands completely alone and has only the chill of outer space around him. You know, that’s Jesus in the garden of Gethsemane.
Hermann Hesse (Demian (Dover Thrift Editions: Classic Novels))
A few cold words on yonder stone, A corpse as cold as they can be -­ Vain words, and mouldering dust, alone -­ Can this be all that's left of thee? O, no! thy spirit lingers still Where'er thy sunny smile was seen: There's less of darkness, less of chill On earth, than if thou hadst not been. Thou breathest in my bosom yet, And dwellest in my beating heart; And, while I cannot quite forget, Thou, darling, canst not quite depart.
Anne Brontë
Sparks do not fly. Chills do not run through my body. I do not suddenly recognize this man as my soulmate based on a handshake. Such bullshit. His hand is nice though. Firm, large. His thumb caresses the back of my hand and fine, that touch alone is enough to make me recognize that he’s probably good in bed. But that’s it.
Jana Aston (Right (Wrong #2))
I have attended church-service in the garrisons, and tried hard...to join in the prayers...but never could raise within me the solemn feelings and true affection that I feel when alone with God in the forest. There I seem to stand face to face with my Master; all around me is fresh and beautiful, as it came from His hand; and there is no nicety or doctrine to chill the feelings. No no; the woods are the true temple after all, for there the thoughts are free to mount higher even than the clouds.
James Fenimore Cooper (Pathfinder; or, the inland sea)
Morning Poem" I've got to tell you how I love you always I think of it on grey mornings with death in my mouth the tea is never hot enough then and the cigarette dry the maroon robe chills me I need you and look out the window at the noiseless snow At night on the dock the buses glow like clouds and I am lonely thinking of flutes I miss you always when I go to the beach the sand is wet with tears that seem mine although I never weep and hold you in my heart with a very real humor you'd be proud of the parking lot is crowded and I stand rattling my keys the car is empty as a bicycle what are you doing now where did you eat your lunch and were there lots of anchovies it is difficult to think of you without me in the sentence you depress me when you are alone Last night the stars were numerous and today snow is their calling card I'll not be cordial there is nothing that distracts me music is only a crossword puzzle do you know how it is when you are the only passenger if there is a place further from me I beg you do not go
Frank O'Hara (The Collected Poems of Frank O'Hara)
Linger now with me, thou Beauty, On the sharp archaic shore. Surely 'tis a wastrel's duty And the gods could ask no more. If thou lingerest when I linger, If thou tread'st the stones I tread, Thou wilt stay my spirit's hunger And dispel the dreams I dread. Come thou, love, my own, my only, Through the battlements of Groan; Lingering becomes so lonely When one lingers on one's own. I have lingered in the cloisters Of the Northern Wing at night, As the sky unclasped its oysters On the midnight pearls of light; For the long remorseless shadows Chilled me with exquisite fear. I have lingered in cold meadows Through a month of rain, my dear. Come, my Love, my sweet, my Only, Through the parapets of Groan. Lingering can be very lonely When one lingers on one's own. In dark alcoves I have lingered Conscious of dead dynasties; I have lingered in blue cellars And in hollow trunks of trees. Many a traveler through moonlight Passing by a winding stair Or a cold and crumbling archway Has been shocked to see me there. I have longed for thee, my Only, Hark! the footsteps of the Groan! Lingering is so very lonely When one lingers all alone. Will thou come with me, and linger? And discourse with me of those Secret things the mystic finger Points to, but will not disclose? When I'm all alone, my glory Always fades, because I find Being lonely drives the splendour Of my vision from my mind. Come, oh, come, my own! my Only! Through the Gormenghast of Groan. Lingering has become so lonely As I linger all alone!
Mervyn Peake (Titus Groan (Gormenghast, #1))
Her life had been altogether artificial; she had always been a great garden lily in a hot-house, she had never known what it was to be blown by a fresh breeze on a sun-swept moorland like a heather flower. The hot-house shelters from all chills and is full of perfume, but you can see no horizon from it; that alone is the joy of the moorland.
Ouida
Turn from that road's beguiling ease; return to your hunger's turret. Enter, climb the stair chill with disuse, where the croaking toad of time regards from shimmering eyes your slow ascent and the drip, drip, of darkness glimmers on the stone to show you how your longing waits alone. What alchemy shines from under that shut door, spinning out gold from the hollow of the heart? ("The Sea's Wash In The Hollow Of The Heart")
Denise Levertov
For with another part of his mind he felt the encroachment of a chilling fear, eclipsing all other feelings, that the thing they wanted was coming for him alone, before he was ready for it; it was a fear worse than the fear that when money was low one would have to stop drinking; it was compounded of harrowed longing and hatred, fathomless compunctions, and of a paradoxical remorse, for his failure to attempt finally something he was not going to have time for, to face the world honestly; it was the shadow of a city of dreadful night without splendour that fell on his soul.
Malcolm Lowry (Lunar Caustic)
When the pretty birds break your heart and disappear, be brave and strong through the chilly night weather. Just look around you and learn from Mother Nature. Be like the tree that, despite its fallen leaves, endures the chill of winter, holding on for the warm spring sunshine and the bright summer.
Mouloud Benzadi
Sitting on the porch alone, listening to them fixing supper, he felt again the indignation he had felt before, the sense of loss and the aloneness, the utter defenselessness that was each man's lot, sealed up in his bee cell from all the others in the world. But the smelling of boiling vegetables and pork reached him from the inside, the aloneness left him for a while. The warm moist smell promised other people lived and were preparing supper. He listened to the pouring and the thunder rumblings that sounded hollow like they were in a rainbarrel, shared the excitement and the coziness of the buzzing insects that had sought refuge on the porch, and now and then he slapped detachedly at the mosquitoes, making a sharp crack in the pouring buzzing silence. The porch sheltered him from all but the splashes of the drops that hit the floor and their spray touched him with a pleasant chill. And he was secure, because someewhere out beyond the wall of water humanity still existed, and was preparing supper.
James Jones (From Here to Eternity)
The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after. One
Natalie Babbitt (Tuck Everlasting)
It isn't pretty, he wanted to say, it's lonely, it's desolate, it's a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It's the human condition! It's the entire universe itself! It's the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.
Olivie Blake (Alone With You in the Ether)
Starkly in an instant she saw herself as she really was-alone in a wood standing among blue shadows with no sounds and the air a sort of black ice. She had no coat. All the people she’d known had forgotten her. Her mother, biting off thread between her teeth, couldn’t hear her, and her father with his eyes turned sorrowfully inward did not see her. They never had. Those she loved did not need her. Lila and Carl danced together in a bubble. Ralph Eastman picked lint from his sleeve. Buddy tucked in his shirttails, jumped in a truck and drove away. Fiona Speed showed the back of her hat, heading downtown in a cab. They all had more important concerns, they were all in their own lives, and there was no room for her. At night their doors were shut and through lit windows she could see them consulting one another, checking the baby, looking after business, licking envelopes, turning back the bedcover, shutting off the light switch, while she was left stranded out in the chill night in the true human state, lost, in the dark, alone.
Susan Minot (Evening)
I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.
Roberto Bolaño (By Night in Chile)
Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. "Little bird," he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps. When she crawled out of bed, long moments later, she was alone. She found his cloak on the floor, twisted up tight, the white wool stained by blood and fire. The sky outside was darker by then, with only a few pale green ghosts dancing against the stars. A chill wind was blowing, banging the shutters. Sansa was cold. She shook out the torn cloak and huddled beneath it on the floor, shivering.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I'm fine. I'm fine, he says, and fine, fine repeats in his head as he escapes back into the chill. Around him, a spin of bodies in dark coats, tapping thumbs on pads, pressing phones to heads, settling buds into ear canals, projecting an invisible shield of music as they move through the crowd, digital companionship warmer than the bodies around them. Every soul on the street is sunk within its body. Sometimes Bit imagines that he, alone, bears witness to the world.
Lauren Groff (Arcadia)
My father warned me that you’re an interloper. He told me I should make you leave, since we’re no longer married and you’re not my concern,” he says. The thought gives me a chill. Yes, I’m sure Vaughn would love for his son to abandon me, so that Vaughn can swoop in and reclaim me the second I’m alone. But Linden adds, “I told him that wouldn’t be a good idea either.
Lauren DeStefano (Sever (The Chemical Garden, #3))
She walks back, more slowly, the way she came. How odd it feels, to move along the same streets, the route in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion.
Maggie O'Farrell (Hamnet)
The ache in my chest expands, and my eyes are suddenly hot. “It will get better,” Keenan says. I look up to see sadness flicker across his face, almost instantly replaced by that now-familiar chill. “You’ll never forget them, not even after years. But one day, you’ll go a whole minute without feeling the pain. Then an hour. A day. That’s all you can ask for, really.” His voice drops. “You’ll heal. I promise.” He looks away, distant again, but I’m grateful to him anyway, because for the first time since the raid, I feel less alone.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
When crew and captain understand each other to the core, It takes a gale and more than a gale to put their ship ashore; For the one will do what the other commands, although they are chilled to the bone; And both together can live through weather that neither could face alone. KIPLING
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
Man. (alone). We are the fools of Time and Terror: Days Steal on us, and steal from us; yet we live, Loathing our life, and dreading still to die. In all the days of this detested yoke — This vital weight upon the struggling heart, Which sinks with sorrow, or beats quick with pain, Or joy that ends in agony or faintness — 170 In all the days of past and future — for In life there is no present — we can number How few — how less than few — wherein the soul Forbears to pant for death, and yet draws back As from a stream in winter, though the chill Be but a moment’s.
Lord Byron (Delphi Complete Works of Lord Byron)
I have never—and I mean ever—had a real desire to let otherwise-unaccounted-for money just chill in my bank account unmolested for more than maybe a week and a half. I barely have the willpower to leave other people’s money alone for the short time it’s in my custody. Money that isn’t earmarked for some pressing (transportation/pharmaceutical/credit card balance) need?! Why, yes, I do need fourteen nearly identical blushes, thank you.
Samantha Irby (We Are Never Meeting in Real Life.)
His fur was white, where the rest of the litter was grey. His eyes were as red as the blood of the ragged man who had died that morning. Bran thought it curious that this pup alone would have opened his eyes while the others were still blind. "An albino," Theon Greyjoy said with wry amusement. "This one will die even faster than the others." Jon Snow gave his father's ward a long, chilling look. "I think not, Greyjoy," he said. "This one belongs to me.
George R.R. Martin
It's like escaping a hot, bright room for the serenity of a city at night, covered in snow. People eliminated. A carpet of silence for taxis to whisper across. The world becoming a pleasant dream of itself. The itch of want smoldering to life on skin. Memory sends a chill vanishing between vertebrae. It's New Year's Eve. Hail the Calendar! As if clocks will pause for a moment before reloading their long rifles. Years are tiny freckles on the face of a century. Where is the constellation we gazed at each night Through a bill rolled so tight the first President lost his breath, as our eyeballs literally unraveled? I am alone in the rectangular borough in the observatory, where even fire trucks can't rescue the arsonist stretching his calves in my brain.
Jeffrey McDaniel
Dating. The word alone roused fear in her, confusion as to how to begin, and—worst—a disgusting, chilling whisper that assured her she wasn’t attractive enough or woman enough or whatever enough to keep a man long term. Yikes. Um . . . no wonder she’d been hiding behind dowdy clothes and her beloved spinster persona. It was time, past time, to stop hiding. To move beyond the scars Harrison had left. To repair her self-image. And to step into the future wearing a pair of fashionable high heels.
Becky Wade (True to You (A Bradford Sisters Romance, #1))
It is a dreadful thing to wait and watch for the approach of death; to know that hope is gone, and recovery impossible; and to sit and count the dreary hours through long, long, nights - such nights as only watchers by the bed of sickness know. It chills the blood to hear the dearest secrets of the heart, the pent-up, hidden secrets of many years, poured forth by the unconscious helpless being before you; and to think how little the reserve, and cunning of a whole life will avail, when fever and delirium tear off the mask at last. Strange tales have been told in the wanderings of dying men; tales so full of guilt and crime, that those who stood by the sick person's couch have fled in horror and affright, lest they should be scared to madness by what they heard and saw; and many a wretch has died alone, raving of deeds, the very name of which, has driven the boldest man away. ("The Drunkard's Death")
Charles Dickens
Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child. Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.
Victor Hugo (Les Misérables)
The Pilgrim Queen (A Song) There sat a Lady all on the ground, Rays of the morning circled her round, Save thee, and hail to thee, Gracious and Fair, In the chill twilight what wouldst thou there? 'Here I sit desolate,' sweetly said she, 'Though I'm a queen, and my name is Marie: Robbers have rifled my garden and store, Foes they have stolen my heir from my bower. 'They said they could keep Him far better than I, In a palace all His, planted deep and raised high. 'Twas a palace of ice, hard and cold as were they, And when summer came, it all melted away. 'Next would they barter Him, Him the Supreme, For the spice of the desert, and gold of the stream; And me they bid wander in weeds and alone, In this green merry land which once was my own.' I look'd on that Lady, and out from her eyes Came the deep glowing blue of Italy's skies; And she raised up her head and she smiled, as a Queen On the day of her crowning, so bland and serene. 'A moment,' she said, 'and the dead shall revive; The giants are failing, the Saints are alive; I am coming to rescue my home and my reign, And Peter and Philip are close in my train.
John Henry Newman
Touch" You are already asleep. I lower myself in next to you, my skin slightly numb with the restraint of habits, the patina of self, the black frost of outsideness, so that even unclothed it is a resilient chilly hardness, a superficially malleable, dead rubbery texture. You are a mound of bedclothes, where the cat in sleep braces its paws against your calf through the blankets, and kneads each paw in turn. Meanwhile and slowly I feel a is it my own warmth surfacing or the ferment of your whole body that in darkness beneath the cover is stealing bit by bit to break down that chill. You turn and hold me tightly, do you know who I am or am I your mother or the nearest human being to hold on to in a dreamed pogrom. What I, now loosened, sink into is an old big place, it is there already, for you are already there, and the cat got there before you, yet it is hard to locate. What is more, the place is not found but seeps from our touch in continuous creation, dark enclosing cocoon round ourselves alone, dark wide realm where we walk with everyone.
Thom Gunn (Collected Poems)
It was a wonderful experience. She mistrusted his very slumbers--and she seemed to think I could tell her why! Thus a poor mortal seduced by the charm of an apparition might have tried to wring from another ghost the tremendous secret of the claim the other world holds over a disembodied soul astray amongst the passions of this earth. The very ground on which I stood seemed to melt under my feet. And it was so simple too; but if the spirits evoked by our fears and our unrest have ever to vouch for each other's constancy before the forlorn magicians that we are, then I--I alone of us dwellers in the flesh--have shuddered in the hopeless chill of such a task.
Joseph Conrad
They don’t even visit the dying anymore. Their argument being that if someone is dying, there’s no point interrupting a good game of golf, and they’d best just get on with dying. However, they do give you a helpline number for an organisation called ‘Dying To Help You Out.’ A volunteer talks you through the process of dying alone without medical attention: “feeling a bit chilled are you, love, don’t fret, it’s just your lifeblood congealing in your veins, you’ll be gone any second now, hang on pet, I’ve got a corpse on line nine, if I don’t get back before you peg it, have a nice afterlife,” and then they bugger of leaving you with Robbie Williams singing Angels.
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
You are wise beyond your years. How many lives have you walked this earth alone?” Ari felt a chill run down her spine as those strange, ancient eyes stared into hers, but she set her jaw and looked right back. “Only the one.
Allyson S. Barkley (A Vision in Smoke (Until the Stars Are Dead, #2))
Again the dance hall, the money rhythm, the love that comes over the radio, the impersonal, wingless touch of the crowd. A despair that reaches down to the very soles of the boots, an ennui, a desperation. In the midst of the highest mechanical perfection to dance without joy, to be so desperately alone, to be almost inhuman because you are human. If there were life on the moon what more nearly perfect, joyless evidence of it could there be than this. If to travel away from the sun is to reach the chill idiocy of the moon, then we have arrived at our goal and life is but the cold, lunar incandescence of the sun. This is the dance of ice-cold life in the hollow of an atom, and the more we dance the colder it gets.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Feeling drunk with the anticipation of being alone in the elevator with the blonde seductress, Jack turned back and flashed a wicked grin at Todd before disappearing down the hall. "I’m Shala. I was also hoping we'd have a private moment together, before your adventure begins.” She spoke softly and slipped her hand into the crook of Jack's arm. "Shala, you read my mind," Jack replied as they reached the elevator. "After Dr. Strong and I talk, how about you show me the sights of Landon." "The most exciting thing in Landon is in my suite.” Shala whispered and leaned hard against him, forcing his back to the wall. Shala’s hands explored Jacks chest then moved to his sides and round to his back sinking lower. Her fiery smile sent an unexpected chill through him. Jack squirmed uncomfortably as he glanced up at the panel above the elevator doors. The second floor indicator lit and held. The doors silently slid aside to reveal a large banquet hall just as Shala's hands reached a sensitive spot.
Alaina Stanford (Forbidden Quest (Hypnotic Journey, #1))
Darkness is dizzying. We need light; whenever we plunge into the opposite of day we feel our hearts chilled. When the eye sees darkness, the mind sees trouble. In an eclipse, at night, in the sooty darkness, even the strongest feel anxiety. Nobody walks alone
Victor Hugo (Les Misérables)
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
December 6th, 2018: 1: 03am: The sound of a door SLAMMING from within the darkened, glass-fronted depository 1: 04am: The sound of a child laughing, female It being 24 degrees fahrenheit has nothing on the chills shuddering from my skin 1: 13am: I decide to ride home; my shadow, cast from streetlamps, passes me on the road Escaping this haunting is futile The entity’s Terror only increases with each second I get further from the library “Please don’t go there again”, it begs me without language Yet here I am, 10: 26pm, alone, pondering who may be watching from within
Joe Christmas (One Dollar in November)
She attempted to lie to herself and to believe his finely spun lies, too, in a desperate act of self-immolation. Yet it did no good, and when they moved toward the bed, she remained lost, alone, bone chilled. It was like trying to revive a fire when water has been poured on it: there was only smoke.
Silvia Moreno-Garcia (The Lover)
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl... Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys. Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health. Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be! Just as long as you follow the rules.
Candace Bushnell (Rules for Being a Girl)
The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and for ever grew still! And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride; And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail: And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!
null
The day is impossibly bright: the sort of crystalline clarity that comes when winter still sits in the air. They have already entered at the narrow mouth of the fjord, and the cliffs rise sheerly either side, a clean hundred feet, the black rock raked with lines of lighter grey. The sea is green and glitters with chips of ice, and as soon as the wind bites at her face and brings up its blood, chilling her lungs, she feels better than she has since she left home. ‘They are magnificent, are they not?’ ‘They are,’ she breathes, and is embarrassed by the keenness in her voice. ‘Though you must have seen mightier, captain?’ ‘I take each sight for itself alone, Mistress Cornet.
Kiran Millwood Hargrave (The Mercies)
A moment out of time .lights whirling and spinning in a cotton candy universe .down a bottomless funnel roundly sectioned like a goat' s horn .a cornucopia that rose up cuculiform smooth and slick as a worm belly .endless nights that pealed ebony funeral bells .out of fog .out of weightlessness .suddenly total cellular knowledge .memory running backward .gibbering spastic blindness .a soundless owl of frenzy trapped in a cave of prisms .sand endlessly draining down .billows of forever .edges of the world as they splintered .foam rising drowning from inside .the smell of rust .rough green corners that burn .memory the gibbering spastic blind memory .seven rushing vacuums of nothing .yellow .pinpoints cast in amber straining and elongating running like live wax .chill fevers .overhead the odour of stop .this is the stopover before hell or heaven .this is limbo .trapped and doomed alone in a mist-eaten nowhere .a soundless screaming a soundless whirring a soundless spinning spinning spinning .spinning .spinning .spinning .spinning
Harlan Ellison (I Have No Mouth & I Must Scream)
Also, she doesn't want to hear anyone else's inspiring story about a sister-in-law who went through exactly the same thing and is now running ultramarathons. Celeste doesn't mean to be ungenerous in her thoughts, but she has come to the chilling conclusion that we are all alone in our bodies. Irrefutably, immutably alone. And hence, no one's story offers hope.
Elin Hilderbrand (The Perfect Couple (Nantucket, #3))
It is hard to live alone in the dark, confusing the day and night; dropping to sleep through sheer weariness at mid-day, and rising restless in the chill of the dawn. At first Dick, on his awakenings, would grope along the corridors of the chambers till he heard some one snore. Then he would know that the day had not yet come, and return wearily to his bedroom.
Rudyard Kipling (The Light That Failed)
She walks back, more slowly, the way she came. How odd it feels, to move along the same streets, the route in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion.
Maggie O'Farrell (Hamnet)
She walks back, more slowly, the way she came. How odd it feels, to move along the same streets, the route in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion.
Maggie O'Farrell (Hamnet)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
Though we try hard to go through life two by two or in groups, there are times, especially when death approaches, that the truth—that we are born alone and must die alone—breaks through with chilling clarity. I have heard many dying patients remark that the most awful thing about dying is that it must be done alone. Yet, even at the point of death, the willingness of another to be fully present may penetrate the isolation.
Irvin D. Yalom (Love's Executioner)
So I spent my birthday alone. I went out to where I go with BOB. It was light out, and everything seemed like an awful dream, until I saw a piece of rope lying at the back of the base of his favorite tree. I got a chill, but forced it away. I tried to look carefully at the tree, to find something that would explain why he picked this place, this tree. There was nothing. I made sure I was alone before I did what I had planned.
Jennifer Lynch (The Secret Diary of Laura Palmer (Twin Peaks Books))
Through all of those different wars, we came to understand each other. The Mason’s fellas just wanted to chill in their area and be left alone. The Border Boys basically wanted the same thing. Stinky and Robert just wanted to be able to sell their drugs and make their money. But us, we were on a mission to take over the whole town. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Okay, okay . . . where do you hear it coming from?” “Around here somewhere.” “Always in this spot?” “No. Not always. You are going to think I am even more insane, but I swear it is following me around.” “Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him. “You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.” He turned and walked into the living room, looking around at every shelf. “The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?” “No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?” Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife. “It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes. “A Demon wearing a watch? Now I have heard everything.” Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands. “Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!” “What?” she asked, her shock so powerful she could barely speak. “I am with child?” “Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.” Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels. “I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .” “Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—” She was still rattling off names as she teleported them to the King’s castle.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I consider these things idly. Each one of them seems the same size as all the others. Not one seems preferable. Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.   I look out at the dusk and think about its being winter. The snow falling, gently, effortlessly, covering everything in soft crystal, the mist of moonlight before a rain, blurring the outlines, obliterating color. Freezing to death is painless, they say, after the first chill. You lie back in the snow like an angel made by children and go to sleep. Behind me I feel her presence, my ancestress, my double, turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get it over, she says. I'm tired of this melodrama, I'm tired of keeping silent. There's no one you can protect, your life has value to no one. I want it finished.   As I'm standing up I hear the black van. I hear it before I see it; blended with the twilight, it appears out of its own sound like a solidification, a clotting of the night. It turns into the driveway, stops. I can just make out the white eye, the two wings. The paint must be phosphorescent. Two men detach themselves from the shape of it, come up the front steps, ring the bell. I hear the bell toll, ding-dong, like the ghost of a cosmetics woman, down in the hall. Worse is coming, then. I've
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Or been driven away,” their father said, looking at the sixth pup. His fur was white, where the rest of the litter was grey. His eyes were as red as the blood of the ragged man who had died that morning. Bran thought it curious that this pup alone would have opened his eyes while the others were still blind. “An albino,” Theon Greyjoy said with wry amusement. “This one will die even faster than the others.” Jon Snow gave his father’s ward a long, chilling look. “I think not, Greyjoy,” he said. “This one belongs to me.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The sun was low, burning gold through the trees, casting our shadows before us on the ground, long and distorted. We walked for a long time without saying anything. The air was musty with far-off bonfires, sharp with the edge of a twilight chill. There was no noise but the crunch of our shoes on the gravel path, the whistle of wind in the pines; I was sleepy and my head hurt and there was something not quite real about any of it, something like a dream. I felt that at any moment I might start, my head on a pile of books at my desk, and find myself in a darkening room, alone.
Donna Tartt (The Secret History)
It isn’t pretty, he wanted to say, it’s lonely, it’s desolate, it’s a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It’s the human condition! It’s the entire universe itself! It’s the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that’s what you think this is? You think that’s all she’s capable of? You fool, she’s done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to fully focus, and do you realize that I will spend a lifetime trying to do the same and never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn’t, it’s Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.
Olivie Blake (Alone With You in the Ether)
March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?
Jean Lorrain (Monsieur de Phocas)
The campaign’s most chilling feature was the huge wave of murder and arson orchestrated by the Ku Klux Klan against black and white Republicans in the South. As state conventions drafted new constitutions that endowed blacks with the franchise, the white South acted to stamp out that voting power through brute force. Nathan Bedford Forrest boasted that the Klan had recruited forty thousand men in Tennessee alone, half a million across the South. This bloodthirsty backlash grew out of simple arithmetic: in South Carolina and Mississippi, blacks made up a majority of the electorate, while in other southern states, the substantial black populace, joined with white Republicans, appeared set to prevail during Reconstruction.
Ron Chernow (Grant)
Steve Harmon, thirty-six, had esophageal cancer growing at the inlet of his stomach. For six months, he had soldiered through chemotherapy as if caught in a mythical punishment cycle devised by the Greeks. He was debilitated by perhaps the severest forms of nausea that I had ever encountered in a patient, but he had to keep eating to avoid losing weight. As the tumor whittled him down week by week, he became fixated, absurdly, on the measurement of his weight down to a fraction of an ounce, as if gripped by the fear that he might vanish altogether by reaching zero. Meanwhile, a growing retinue of family members accompanied him to his clinic visits: three children who came with games and books and watched, unbearably, as their father shook with chills one morning; a brother who hovered suspiciously, then accusingly, as we shuffled and reshuffled medicines to keep Steve from throwing up; a wife who bravely shepherded the entire retinue through the whole affair as if it were a family trip gone horribly wrong. One morning, finding Steve alone on one of the reclining chairs of the infusion room, I asked him whether he would rather have the chemotherapy alone, in a private room. Was it, perhaps, too much for his family—for his children? He looked away with a flicker of irritation. “I know what the statistics are.” His voice was strained, as if tightening against a harness. “Left to myself, I would not even try. I’m doing this because of the kids.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
Michael Fertik took me for dinner and talked to me about the criticism people often level at him, that ‘any change of search results is manipulating truth and chilling free speech’. He drank some wine. ‘But there is a chilling of behaviour that goes along with a virtual lynching. There is a life modification.’ ‘I know,’ I said. ‘For a year Lindsey Stone had felt too plagued to even go to karaoke.’ And karaoke is something you do alone in a room with your friends. ‘And that’s not an unusual reaction,’ Michael said. ‘People change their phone numbers. They don’t leave the house. They go into therapy. They have signs of PTSD. It’s like the Stasi. We’re creating a culture where people feel constantly surveilled, where people are afraid to be themselves.
Jon Ronson (So You've Been Publicly Shamed (Picador Collection))
Empress.— I tensed. Was that . . . Matthew’s voice? Why would he be in my head after all these months? How dare he contact me now! Leave me alone! A buzz in my ears grew louder and louder, like white-noise on steroids. —Have a secret. He doesn’t want me to tell you.— His eerie tone gave me chills. Aric hurried around the truck, snatching open my door. He leaned in, cradling my face in his shaking palms. He was speaking to me with dread in his eyes, but I couldn’t hear a word. Get out of my head, Fool! —Listen.— A different voice carried into my mind: —“What kind of danger is she in? Damn it, tell me! What’s coming, coo-yôn?”— I whimpered. Jack??? Is that you? He sounded so close. Blood kept pouring. My breaths shallowed till I was hyperventilating, on the verge of blacking out. But I was desperate to hear more of his voice. Jack, please answer me!
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon (Song of Rainswept Sand)
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon (Song of Rainswept Sand)
You weren’t supposed to choose me,” he said. Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it. “The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.” Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed. “Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone. “I was in the dory,” he whispered. Ira cocked his head. “Say again?” Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat. “The dory?” Oscar nodded again, eyebrows creased. “I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.” So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably. “And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued. Samuel and Ira glanced at each other with marked expressions of doubt and confusion. “But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.” Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him? "Did he say anything?" she asked, anxious to know yet afraid to hear. "It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces." Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side. "I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry." She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool. "No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
Angie Frazier (Everlasting (Everlasting, #1))
Back in the early years of the Persian rise to greatness, while Cyrus was still in Lydia, he had found himself unexpectedly visited by a delegation from across the Aegean Sea. The ambassadors were Greek, but quite different from the Greeks of Asia, whose cities, prosperous and tempting, Cyrus was plotting at that very moment to crush and make his own. The strangers wore their hair long; they sported distinctive red cloaks; they spoke not with the subtlety and sense of propriety that conventionally marked an ambassador’s language, but brusquely, bluntly, rudely. The message they gave the greatest king on earth was simple: Cyrus should leave the cities of the Ionians well alone; if he did not, then he would have to answer to those who had sent them—the Spartans. Evidently, the strangers felt that the mere mention of this name was sufficient to chill the blood, for they added nothing more. Cyrus, turning from them, was obliged to summon a nearby Ionian attendant. “Tell me,” he demanded, all bemusement, “who are the Spartans?
Tom Holland (Persian Fire)
She walks back, more slowly, the way she came. How odd it feels, to move along the same streets in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion. There is the stall they passed earlier, piled high with tin pots and cedar shavings. There is the woman they saw, still making her decision, holding two pots in her hands, weighing them, and how can she still be there, how can she still be engaged in the same activity, in the choosing of a pot, when such a change, such a transformation has occurred in Agnes's life? Her very world has cloven in two and here is the same dog dozing in a doorway. Here is a young woman, tying up clothing into bundles, just as she was doing when they passed. Here is her neighbour...giving her a grave nod as he walks by. Can he not see, can he not read that life as she knows it is over, that he is gone?” Hamnet, pp214-5
Maggie O'Farrell (Hamnet)
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
We are not talking just about dollars and cents. We are talking about lives. Consider one chilling example: drug-resistant infections. As America’s breakthroughs in antibiotics recede into the past, bacteria are evolving to defeat current antibiotics. For more and more infections, we are plunging back into the pre-antibiotic era. In the United States alone, two million people are sickened and tens of thousands die each year from drug-resistant infections—mostly because private companies see little incentive to invest in the necessary research, and the federal government has failed to step in.87 Though federal funding for the National Institutes of Health ramped up in the mid-1990s, it has fallen precipitously since, cutting the share of young scientists with NIH grants in half in roughly six years.88 As one medical professor lamented recently: “In my daily work in both a university medical school and a public hospital, it’s a rare month that some bright young person doesn’t tell me they are quitting science because it’s too hard to get funded. . . . A decade or two from now, when an antibiotic-resistant bacteria or new strain of bird flu is ravaging humanity, that generation will no longer be around to lead the scientific charge on humanity’s behalf.”89
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
She looked up to see a knob of canary-yellow butter being carried towards her in a glass-lidded container. 'All this butter just for me, when there's a national shortage...' Hearing Rika mumbling these words, the maitre d' smiled and lifted the lid of the dish. 'This butter had been flown in especially from overseas. Pleas help yourself to as much as you'd like.' Confronted with an overwhelming selection of different kinds of bread on the trolley, Rika chose the simplest option she could see--- a piece of baguette. Once again, she thought that she should have come with Reiko. Reiko would have told her which to choose. Rika spread a thick layer of butter on the bread. The butter, of a firmness that would break apart slowly on the tongue, went sinking into the crumb of the baguette. That alone was enough to make Rika glad she'd come. The next course to be served was a chilled dish of avocado and snow crab stacked delicately like layer cake, topped with a generous helping of caviar. The acidity of the pomegranate seeds that exploded juicily in her mouth accentuated the creamy richness of the avocado and the sweetness of the crab flesh. Their unabashed scarlet hue brought the color palette of the whole plate to life. Chased by the champagne, the taste of the crab and the caviar expanded like light suffusing her mouth.
Asako Yuzuki (Butter)
Until now I had conceived of sleep as a kind of model for death. I had imagined death as an extension of sleep. A far deeper sleep than ordinary sleep. A sleep devoid of all consciousness. Eternal rest. A total blackout. But now I wondered if I had been wrong. Perhaps death was a state entirely unlike sleep, something that belonged to a different category altogether―like the deep, endless, wakeful darkness I was seeing now. No, that would be too terrible. If the state of death was not to be a rest for us, then what was going to redeem this imperfect life of ours, so fraught with exhaustion? Finally, though, no one knows what death is. Who has ever truly seen it? No one. Except the ones who are dead. No one living knows what death is like. They can only guess. And the best guess is still a guess. Maybe death is a kind of rest, but reasoning can’t tell us that. The only way to find out what death is is to die. Death can be anything at all. An intense terror overwhelmed me at the thought. A stiffening chill ran down my spine. My eyes were still shut tight. I had lost the power to open them. I stared at the thick darkness that stood planted in front of me, a darkness as deep and hopeless as the universe itself. I was all alone. My mind was in deep concentration, and expanding. If I had wanted to, I could have seen into the uttermost depths of the universe. But I decided not to look. It was too soon for that.
Haruki Murakami (The Elephant Vanishes)
But the beauty of Tragedy does but make visible a quality which, in more or less obvious shapes, is present always and everywhere in life. In the spectacle of Death, in the endurance of intolerable pain, and in the irrevocableness of a vanished past, there is a sacredness, an overpowering awe, a feeling of the vastness, the depth, the inexhaustible mystery of existence, in which, as by some strange marriage of pain, the sufferer is bound to the world by bonds of sorrow. In these moments of insight, we lose all eagerness of temporary desire, all struggling and striving for petty ends, all care for the little trivial things that, to a superficial view, make up the common life of day by day; we see, surrounding the narrow raft illumined by the flickering light of human comradeship, the dark ocean on whose rolling waves we toss for a brief hour; from the great night without, a chill blast breaks in upon our refuge; all the loneliness of humanity amid hostile forces is concentrated upon the individual soul, which must struggle alone, with what of courage it can command, against the whole weight of a universe that cares nothing for its hopes and fears. Victory, in this struggle with the powers of darkness, is the true baptism into the glorious company of heroes, the true initiation into the overmastering beauty of human existence. From that awful encounter of the soul with the outer world, enunciation, wisdom, and charity are born; and with their birth a new life begins.
Bertrand Russell
Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.
Paullina Simons (Children of Liberty (The Bronze Horseman, #0.5))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
You know just as well as I do that Vikram’s thread never budged,” I said stonily. Amar bowed his head. Good, I thought. At least he could fake some guilt. “I know.” “Why couldn’t I? Why did you made it sound like I could? All this talk about being a true ruler here, this…awakening of power. Or control. I had no control over that thread. I couldn’t even pull it from one side to another.” “It takes time. But it’s a start. It’s a new beginning,” he said. A chill ran up my spine. “For you and me.” He braced his elbows against his knees, the sleeves revealing the bracelet of my hair around his wrist. He had tethered a part of me to him, but I had nothing of his. He kept all his secrets from me. “Trust me,” said Amar. “And tonight, we shall celebrate. Where shall I take you, my queen? Your will is where I lay my head.” My mind twisted into a snarl. “How can I trust you?” Amar’s grin slipped off his face and his eyes narrowed. “Have I not proven myself? I rescued you from death--” “You don’t know that,” I retorted, my voice raising. “Perhaps I would’ve made a last-minute escape. Perhaps the kingdom would’ve changed its mind.” “But they didn’t, did they?” said Amar coldly. “I’m the one who took you to safety. I’m the one who made you a queen.” “Queen? I’m no better than a caged bird,” I bit out. The words tasted like bile. “What would that make me? An owner? You have free rein, as always, over this kingdom. Much more freedom than any caged bird. Think on that. All I ask, for now, is that you don’t--” “Walk alone? Question you? Breathe without your permission?” I offered, knowing what he would say. “I have free rein except when I don’t.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity. Within seconds, Marlboro Man was running back out the door. “There’s a fire,” he said hurriedly. “A big one--I’ve got to go.” Without pausing, he ran toward the pickup. I stood there, still dazed and fizzy, still unable to feel my knees. And then, just as I was beginning to reflect on the utter irony that a prairie fire may have just saved my eternal soul from burning in hell for carnal sin, Marlboro Man’s pickup flew into reverse and screeched abruptly to a halt at the edge of The Porch--our porch. Rolling down his window, he leaned out and yelled, “You comin’?” “Oh…um…sure!” I replied, running toward the pickup and hopping inside. A prairie fire. A real, live prairie fire, I thought as Marlboro Man’s diesel pickup peeled out of his gravel driveway. Cool! This’ll be so neat! Moments later, as the pickup reached the top of the hill by his house, I could see an ominous orange glow in the distance. I shuddered as I felt a chill go through me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Ryder turns off the radio and reaches for my camera, pointing it at me in the dark. It beeps, and a red light indicates that he’s filming. “Are you scared, Jemma?” I prop my head up on one elbow. “Yeah, I’m scared,” I say, carefully weighing my words. “But…we’ll be okay. This house has weathered plenty of storms through the years. It’ll keep us safe.” “I hope you’re right.” “Yeah, me too.” I hear him swallow hard. “I’m glad I’m here with you.” “I’m glad you are too,” I say automatically. But then…I realize with a start that it’s true. I am glad he’s here. I feel safe with him. More relaxed than I would be otherwise. He thinks I’m distracting him, making him forget his fears. But the truth is, he’s helping me just as much. Maybe more. I’m pretty sure I’d be a blubbering mess right about now if I were alone. “Thanks, Ryder,” I say, my voice thick. “For what?” “Everything.” I squeeze my eyes shut. “Turn off the camera, okay?” He does, setting it aside before stretching out on the far side of the bed, facing me. Our gazes meet, and my stomach flutters nervously. There’s something there in his dark eyes, something I’ve never seen before. Vulnerability…mixed with a kind of dark, melty chocolate expression that I don’t recognize. Our hands are lying there on the bed between us, nearly touching. I lift my pinkie, brushing it against his. Chills race down my spine at the contact, my heart pounding against my ribs. I hear his breath catch. Slowly, his hand moves over mine, his fingertips brushing my knuckles until his entire hand covers mine. His skin is hot, the pressure reassuring. A minute passes, maybe two. It’s almost like he’s waiting, watching to see if I pull my hand away. I don’t. In one quick movement, he slides his hand under mine and threads our fingers together. We lie like that for several minutes, arms outstretched, hands joined, eyes wide open. The storm continues to rage around us, but it’s like we’re locked in this safe, calm place where nothing can touch us. My breathing slows; my limbs grow heavy. My lids flutter shut. I try to resist, but it’s futile. I’m exhausted. I drift off to sleep with a smile on my lips, Ryder holding me fast.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Nick found Gabriel in his bedroom, sitting cross-legged on his bed, surrounded by textbooks. Headphones trailed from his ears, and his pencil tapped in time with whatever he was listening to. He either didn’t notice Nick standing at the door, or he deliberately wasn’t looking up. Nick wanted to shove him off the bed and kick him in the face. Not aggressive, my ass. Gabriel finally looked up and yanked the headphones free. “So I have to leave you alone, but you get to stand there like a freaky stalker?” Oh, good. New adjectives. Nick told his heartbeat to chill out. He pushed Gabriel’s door open. “I need to talk to you about something.” Gabriel stared at him. Nick could read the debate on his face: screw with Nick or just play it easy. He went with the latter. His pencil dropped into the spine of his trig textbook. “Okay. Talk.” “If you grabbed someone by the wrist, could you set their skin on fire without anyone knowing you were doing it?” Gabriel’s eyebrows went up. “Not exactly what I thought you’d want to talk about.” Nick didn’t have an answer for that. He kept his gaze steady and waited. “Look, Nicky . . .” Gabriel hesitated. “Whatever I did to piss you off, just—” “Forget it.” Nick was halfway out his door before Gabriel slid off the bed to grab his arm. “Stop,” said his twin. “I’ll answer your question, all right?” Nick stopped, but he didn’t look at him... Gabriel drew a ragged breath, and it took Nick a second to even remember his question about burning. “I don’t know. I’d have to try it. It would take a lot of control. A lot of focus.” “Fine.” Nick held out his wrist, the good one. “Try it.” “Okay.” Nick braced himself, but Gabriel turned his head. “Hey, Chris. Come here. I want to try something.” Chris came out of his room, took one look at them, and turned around. “No way. I know that look.” But Gabriel was too quick. He rushed around Nick and caught Chris’s door before it latched. He forced his way through. And five seconds later, Chris was yelling and punching him and shoving past Nick to get to the bathroom. He was clutching his wrist. “What the f**k, Gabriel?” Then the door slammed and the water was running. Gabriel turned to Nick and smiled. “So, yeah. I can do it.
Brigid Kemmerer (Secret (Elemental, #4))
If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.
Thomas Pynchon (V.)
Well, how come you didn’t just have Carl drop you off there?” I asked. Mike didn’t always take the most reasonable course. “Because I t-t-t-told him my sister would be glad to take me!” Mike replied. Mike liked to sign me up for things without my consent. I wasn’t budging, though; I wasn’t going to let Mike bully me. “Well, Mike,” I said, “I’ll take you to the mall in a little bit, but I’ve got to finish getting dressed. So just chill out, dude!” I loved telling Mike to chill out. Marlboro Man had been watching the whole exchange, clearly amused by the Ping-Pong match between Mike and me. He’d met Mike several times before; he “got” what Mike was about. And though he hadn’t quite figured out all the ins and outs of negotiating him, he seemed to enjoy his company. Suddenly, Mike turned to Marlboro Man and put his hand on his shoulder. “C-c-c-can you please take me to the mall?” Still grinning, Marlboro Man looked at me and nodded. “Sure, I’ll take you, Mike.” Mike was apoplectic. “Oh my gosh!” he said. “You will? R-r-r-really?” And with that he grabbed Marlboro Man in another warm embrace. “Okeydoke, Mike,” Marlboro Man said, breaking loose of Mike’s arms and shaking his hand instead. “One hug a day is enough for guys.” “Oh, okay,” Mike said, shaking Marlboro Man’s hand, apparently appreciating the tip. “I get it now.” “No, no, no! You don’t need to take him,” I intervened. “Mike, just hold your horses--I’ll be ready in a little bit!” But Marlboro Man continued. “I’ve gotta get back to the ranch anyway,” he said. “I don’t mind dropping him off.” “Yeah, Ree!” Mike said belligerently. He stood beside Marlboro Man in solidarity, as if he’d won some great battle. “M-m-m-mind your own beeswax!” I gave Mike the evil eye as the three of us walked downstairs to the front door. “Are we gonna take your white pickup?” Mike asked. He was about to burst with excitement. “Yep, Mike,” Marlboro Man answered. “Wanna go start it?” He dangled the keys in front of Mike’s face. “What?” Mike said, not even giving Marlboro Man a chance to answer. He snatched the keys from his hand and ran to the pickup, leaving Marlboro Man and me alone on our old familiar front step. “Well, uh,” I said playfully. “Thanks for taking my brother to the mall.” Mike fired up the diesel engine. “No problem,” Marlboro Man said, leaning in for a kiss. “I’ll see you tonight.” We had a standing date. “See you then.” Mike laid on the horn. Marlboro Man headed toward his pickup, then stopped midway and turned toward me once again. “Oh, hey--by the way,” he said, walking back toward the front step. “You wanna get married?” His hand reached into the pocket of his Wranglers. My heart skipped a beat.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him. His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too. He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.” I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body. “I'm bound by so many rules I could waste the rest of your evening telling you them,” he said. “Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest. He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?” No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin. The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest. “Lance,” I breathed and his pupils dilated as I met his gaze. He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out. A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin. My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper. I need more. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
I don’t know what to say.” My voice was raspy. “You don’t have to say anything. The medics already cleaned and took care of these.” “No,” I said, still holding on to his hand. “I don’t know how to thank you for saving my life. Again.” “Stop thanking me,” he ground out. “I have to,” I said, looking straight into his eyes. “If you hadn’t been there…” My sentence trailed away. We both knew what would’ve happened. “But I was,” he said softly. “About that…” I began, wetting my lips. “Why were you there?” “I needed to talk to you about something.” “What?” He withdrew his hand, reaching into the back pocket of his jeans and pulling out a folded piece of paper. “About this.” It was a plain white piece of paper, the kind that anyone would use in a printer. I unfolded it, noticing there was some kind of writing on the inside. When I got to the last fold, I glanced up at Holt who was wearing a very grim expression. Clearly, whatever this was wasn’t good. I pulled it open and stared down, my brain not really comprehending what it saw. I had to read the line over three times before I really got what it was saying. My stomach clenched. My hands trembled slightly. You should have let her die. “Where did you get this?” I finally asked. “It was on my truck when I left work earlier tonight.” The paper fluttered to the floor slowly, joining the towel by my feet. “So you got this before the fire tonight?” “Yes. It’s the reason I came looking for you.” “You didn’t say that.” “I figured you were dealing with enough at the moment.” “Did you tell the police?” He shook his head slowly. “But why?” “I wanted to talk to you first. See if you knew what it meant.” “It means someone wants me dead!” I shouted. My voice seemed to echo through the hallway. “You’re not going to die,” he growled. “I shouldn’t have come here,” I said, looking frantically around. “I need to go.” I spun around to rush into the living room, but the towel was tangled around my feet and I tripped, falling toward the floor. Holt caught me around the waist, pulling me back so I was up against the solid wall of his body. The heat of him was delicious and it radiated around my fear-chilled body. “You’re not going anywhere,” he rumbled in my ear. I struggled against him, but it was stupid. He outweighed me by a hundred pounds, easily, and was likely a foot taller than me. If he didn’t want to let me go, then I was pretty much stuck in his embrace. I slumped against him. “I’m putting you in danger by being here.” “You’re in more danger when I’m not around.” I couldn’t stop my snort. “There goes that ego of yours again.” His chuckle vibrated my ear. Chill bumps raced over my scalp. “All I’m saying is that clearly this guy is a pyro. My job is fire. You’re better off here than alone.” “But what about you?” “You let me worry about me.” I tried to wiggle out of his embrace so I could look at him. He only loosened his hold enough to allow me to spin in his arms. I had to tip my head back so I could stare up at him. “Do you have a death wish?” “I’m not going to die. Especially since life just got a hell of a lot more interesting.” His fingers flexed against my hip.
Cambria Hebert (Torch (Take It Off, #1))
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
He told me I’d know for sure when you heard their voices,” Etienne went on. “And he said to ask you about the screams. He said only you would hear their screams at night.” Her curiosity vanished now, replaced by a growing panic. This can’t be happening to me. It squeezed her heart and choked her words, though she fought to stay calm. Her hands clenched at her sides. She willed her voice not to tremble. “I don’t even know what you’re talking about.” “Look, Miranda--” “I don’t know about any voices.” “But you heard one in your apartment today, yeah? We both know that--” “No. It was a mistake. I only thought I did…” “I guess it’d be easier to believe that. Safer to believe that.” Despite her angry glare, Etienne’s voice softened. “Your grand-père, he cares about you. He knows what it’s like. He wants your life to be happy.” “I’ll be happy when you leave. Why’d you come here anyway? Why don’t you just go?” She was starting to shake uncontrollably. Deep, painful chills that ached all the way through. She couldn’t get warm. She couldn’t concentrate on what Etienne was saying. She hugged herself and tried to stop shivering, and that’s when she realized Etienne’s arms were around her. “Your grand-père, he wants me to help you, cher,” Etienne insisted. “So you won’t be alone in all this.” The chills began instantly to melt. As Etienne pressed her firmly to his chest, she could feel his faint stir of breath through her hair, the length and shape of his body against hers. Her pulse quickened; her thoughts spun. She had to escape--from this room and this house, from Etienne and the way he was holding her, from these crazy things he was saying… Miranda pushed him away. “I told you, I don’t know what you’re talking about. My grandpa doesn’t know anything about me, and neither do you. There’s nothing to help me with. I don’t need any help. And I’m not lonely.” “I didn’t say you’d be lonely.” Etienne seemed to be studying her, as if she was some unusual specimen under a microscope. “I said you’d be alone. But in this case, you might end up being both.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
she has come to the chilling conclusion that we are all alone in our bodies.
Elin Hilderbrand (The Perfect Couple (Nantucket, #3))
I travelled alone as a cloud Which was floating on high over vale and mountains. Sometime off I see few horde, a guest, beautiful lake under the trees. Fluttering and dancing in the chill breeze. The golden sunflower garden welcomes me to the side of vale. As the stars shine and twinkle on the Milky Way, They overlooked in never finish line across the margin of glance. Thousands of stars I see at a glance, tossing their tail in bright frame dance. The bronze faced magnetic stars welcomes me to the side of vale. The birds chirping towards the beach, I hear the shuttling of sand and water, the waves beside them dance but they do sparkle under stars. The blue mirage welcomes me to the side of vale. This poet could not but be passionate, in such a colorful company, I watched and felt I saw wealth in paper but the show here got me real wealth. The black words welcome me to the side of vale. Often, when I’m in my bed I rest I space or in penning mood, this show flashes upon inward eye, which is the bliss of solitude. Then my heart is full of pleasure and dances with the green leaves. No color no substance feelings welcome me to the side of vale.
Karan M. Pai