Childhood Sweetheart Quotes

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What happened yesterday, or last week, or ten years ago … those things aren’t important. What really matters is now, here, today, tomorrow, next year. Some people fall in love at first sight and stay together for ever, other people marry their childhood sweetheart and end up in the divorce courts. You can't predict life, Jonah, you can only truly try to make the best of whatever it throws at you.´
Josie Silver (The Two Lives of Lydia Bird)
He gave me this advice one time: Never marry your childhood sweetheart, he said; the reasons that make you choose her will all turn into reasons why you should have rejected her.
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
We are going to have that thing that everyone talks about, that indescribable, indefinable thing that everybody wants to find...here's to endless stargazing.
Ella Harper (The Years of Loving You)
The longer she was around him the harder it would be to let go when it finally came to an end. And with Kyle everything came to an end eventually.
Nicole Douglas (Afraid to Fall)
I knew global warming was killing polar bears, the Chinese population blew past one billion several years ago, and rhythms was the longest word without a vowel in the English language. I did not know, however, that my childhood sweetheart, the man I had loved for nearly twenty years (twenty years!) was sexually attracted to men. “No,
Camille Pagán (Life and Other Near-Death Experiences)
Yes, goodbye was inevitable for two people as different as them. He had always wanted to spread his wings and fly away from home; she was content with settling down roots.
Nicole Douglas (Afraid to Fall)
Can you forget about me?” His eyes shimmered with tears.  “No.  Not if I live to be a hundred.” “Then don’t ask me to do what you can’t.
Katherine Allred (The Sweet Gum Tree)
I may have been able to keep myself distracted the last eight years, but the second my eyes locked with hers tonight, I was reminded of a truth I’d forgotten— she may not always be mine, but I will always be hers. It’s been 2,942 days since we last kissed, and I’ve belonged to her for all of them.
Hailey Dickert (The Sister Between Us)
We lie in each other's arms, our hearts slowly returning to a normal rhythm, but this time, I know they're forever synced. This woman has finally fought the monster and tamed it. I'd have it no other way.
K.D. Elizabeth (Monster (The King Brothers #1))
Now boarding flight 266." "That's you." Kyle whispered into her hair. On that note, she gave him one last squeeze and broke their embrace. She took off her glasses folded them up in her hand and looked him straight in the eyes. "Goodbye Kyle." A heartbreaking finality rang in her tone. "Goodbye Jessie.
Nicole Douglas (Afraid to Fall)
They had lived down the road from each other as children. Everyday they walked home from school hand in hand; they were childhood sweethearts, they were bestfriends. And when they came of age, in the time-honoured Sri Lankan tradition they were given in marriage. To other people.
Ashok Ferrey (The Good Little Ceylonese Girl)
Those are precisely the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form and continue to thrive.
Haruki Murakami (Kafka on the Shore)
You saved me, you should remember me. The spring of the year; young men buying tickets for the ferryboats. Laughter, because the air is full of apple blossoms. When I woke up, I realized I was capable of the same feeling. I remember sounds like that from my childhood, laughter for no cause, simply because the world is beautiful, something like that. Lugano. Tables under the apple trees. Deckhands raising and lowering the colored flags. And by the lake’s edge, a young man throws his hat into the water; perhaps his sweetheart has accepted him. Crucial sounds or gestures like a track laid down before the larger themes and then unused, buried. Islands in the distance. My mother holding out a plate of little cakes— as far as I remember, changed in no detail, the moment vivid, intact, having never been exposed to light, so that I woke elated, at my age hungry for life, utterly confident— By the tables, patches of new grass, the pale green pieced into the dark existing ground. Surely spring has been returned to me, this time not as a lover but a messenger of death, yet it is still spring, it is still meant tenderly.
Louise Glück
He knew it was a horrible time, but seeing her kicked his heart into overdrive.
Nicole Douglas (Afraid to Fall)
That's exactly what it would be to fall in love with him again; pure trouble and a twice broken heart.
Nicole Douglas (Afraid to Fall)
Smelling the hint of his cologne. Hearing his voice speak her name. It was like reopening a cut you thought already healed and pouring salt directly into it.
Nicole Douglas (Afraid to Fall)
It’s us. It always has been.
Hailey Dickert (The Sister Between Us)
Kissing her is like coming home.
K.D. Elizabeth (Monster (The King Brothers #1))
Know that you are a beautiful woman with a beautiful soul and someday you will meet someone amazing, if you haven’t already. Someone that’s going to adore you as much as I always did.
Nicole Douglas (Afraid to Fall)
But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.” Oshima points at the stacks with the tip of his pencil. What he means, of course, is the entire library. “I wish I could just laugh off people like that, but I can’t.
Haruki Murakami (Kafka on the Shore)
Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. I’m sure somewhere in your childhood, you too had an experience like ours that day; similar if not in the actual details, then inside, in the feelings. Because it doesn’t really matter how well your guardians try to prepare you: all the talksvideos, discussions, warnings, none of that can really bring it home. Not when you’re eight years old, and you’re all together in a place like Hailsham; when you’ve got guardians like the ones we had; when the gardeners and the delivery men joke and laugh with you and call you “sweetheart.”    All the same, some of it must go in somewhere. It must go in, because by the time a moment like that comes along, there’s a part of you that’s been waiting. Maybe from as early as when you’re five or six, there’s been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you’ll get to know how it feels.” So you’re waiting, even if you don’t quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
Kazuo Ishiguro (Never Let Me Go)
But there will never be anyone else for me. You're it. No matter how hard I try, everything will always come back to you. I finally accept that. Even if you never feel the same way, even if I never get to have you. Four days ago, you walked back into my life, demanding I see you, obey. I can never go back to the way things were even a week ago.
K.D. Elizabeth (Monster (The King Brothers #1))
But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause,
Haruki Murakami (Kafka on the Shore)
Draco,” Harry said, because the heat of the sun was on his cheeks but he couldn’t look away from Draco’s thin, tired face. He was worn down here, the way he had never been in the curse world. He looked older, all the strain of the war and disaster taken out on him. He would never be the lighthearted kid who had kissed Harry at Hogsmeade in the fresh air after the rain. “We can’t be childhood sweethearts,” Draco said, with a sour little smile and the flicker of the Unbreakable Vow playing around his knuckles, “and we can’t have that weird, lovely life where everything was good and we always knew the right thing to do.” Harry stared at him. High up, away from him, he was aware of the faint, rough sound of Hermione crying. “We can have something else,” Draco said, and he held his free hand out to Harry.
aideomai (Dwelling)
There’s a story about a young palace clerk who’d had word that his childhood sweetheart back in his home village was being courted by the local tanner. He couldn’t afford the bribe for a warrant of absence, so he forged despatches from military intelligence, which misled the joint chiefs of the defence staff into thinking the Hasrut were planning to invade. The joint chiefs went to the emperor and persuaded him to levy the biggest conscript army the empire had ever seen, in order to deal with the Hasrut once and for all. The young clerk wangled a posting as a deputy assistant quartermaster with the expeditionary force, which he accompanied just as far as the turning off the Great Military Road that led to his village, two miles away. The army, meanwhile, continued into Hasrut territory, was ambushed at the Two Horns and wiped out to the last man, leading in turn to the fall of the Nineteenth Dynasty and thirty years of civil war. Moral: even the humblest of us can make a difference, and it’s love that makes the world go round, or at least wobble horribly.
K.J. Parker (A Practical Guide to Conquering the World (The Siege, #3))
I’ve experienced all kinds of discrimination,” Oshima says. “Only people who’ve been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I’m as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they’re doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don’t want to. Like that lovely pair we just met.” He sighs and twirls the long slender pencil in his hand. “Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas—none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. When I’m with them I just can’t bear it, and wind up saying things I shouldn’t. With those women—I should’ve just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can’t do that. I say things I shouldn’t, do things I shouldn’t do. I can’t control myself. That’s one of my weak points. Do you know why that’s a weak point of mine?” “’Cause if you take every single person who lacks much imagination seriously, there’s no end to it,” I say. “That’s it,” Oshima says. He taps his temple lightly with the eraser end of the pencil. “But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.” Oshima points at the stacks with the tip of his pencil. What he means, of course, is the entire library. “I wish I could just laugh off people like that, but I can’t.
Haruki Murakami (Kafka on the Shore)
They entered the summer parlor, where the Ravenels chatted amiably with his sisters, Phoebe and Seraphina. Phoebe, the oldest of the Challon siblings, had inherited their mother's warm and deeply loving nature, and their father's acerbic wit. Five years ago she had married her childhood sweetheart, Henry, Lord Clare, who had suffered from a chronic illness for most of his life. The worsening symptoms had gradually reduced him to a shadow of the man he'd once been, and he'd finally succumbed while Phoebe was pregnant with their second child. Although the first year of mourning was over, Phoebe hadn't yet returned to her former self. She went outdoors so seldom that her freckles had vanished, and she looked wan and thin. The ghost of grief still lingered in her gaze. Their younger sister, Seraphina, an effervescent eighteen-year-old with strawberry-blonde hair, was talking to Cassandra. Although Seraphina was old enough to have come out in society by now, the duke and duchess had persuaded her to wait another year. A girl with her sweet nature, her beauty, and her mammoth dowry would be targeted by every eligible man in Europe and beyond. For Seraphina, the London Season would be a gauntlet, and the more prepared she was, the better.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas — none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. When I’m with them I just can’t bear it, and wind up saying things I shouldn’t. With those women — I should’ve just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can’t do that. I say things I shouldn’t, do things I shouldn’t do. I can’t control myself. That’s one of my weak points. Do you know why that’s a weak point of mine?” “‘Cause if you take every single person who lacks much imagination seriously, there’s no end to it,” I say. “That’s it,” Oshima says. He taps his temple lightly with the eraser end of the pencil. “But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.
Haruki Murakami (Kafka on the Shore)
I thought of what Cameron said about the day I came across the yard to him to ask him to be in my club. About how I had guts. About how I was brave and strong. He was around to tell me these things now, to remind me, but I was going to have to learn to remember them myself, and believe them. I got up, crept to Alan's office, and went in. "Cameron? Cam?" He didn't move, and appeared to be fast asleep. I'm not sure what I wanted. To look at him, I guess, and talk. I sat on the floor by the sofa bed so that my face was level with his. His breath came in short, toothpaste-minty sighs. "Cameron Quick," I whispered, just wanting to hear his name. He still didn't move. I touched his face, following the curve of his jaw, the bow of his lips. This was the boy who made my childhood less lonely, who made me feel loved. And known. And accepted. Who had stared into my most terrifying moment right beside me, while my most terrifying moment was his everyday life. And I pictured him patting that baby doll by a cold window, showing it comfort by instinct. I felt overwhelmed with sadness for his life and what it could have been, even though I knew he wouldn't want me to feel that way. He'd say it was all right, that he'd get by, that he could take care of himself. That he didn't need anyone to fix it. But I still wanted to, to somehow make up for that infinite, infinite well of helplessness that I'd spent most of my life believing had swallowed us up. It hadn't, though, because we were here, weren't we? Wiser and braver and more ready for life than our friends or parents or anyone we knew, than even I had realized until he came back to show me. I touched his wrist lightly, his elbow. I tucked the blanket up around his shoulder. "I love you, Cameron," I whispered.
Sara Zarr (Sweethearts)
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
Alan, as per his usual routine, got up early and peeked into my rom to check on me. What he found were his teenage stepdaughter and her childhood sweetheart curled up in the same bed, sound asleep and draped all over each other. He hissed my name, alarmed: "Jenna!" "Wha-?" I sat straight up, immediately aware of what was happening and how it all looked. I clambered over Cameron, who was just coming to consciousness, and followed Alan into the kitchen. "It's nothing, I swear," I said in a whisper. If Mom wasn't up yet, I wanted to keep it that way. Alan shook his head. "It looks bad." He glanced toward my bedroom. "Was that Ethan? Tell him to come out here. I want to talk to him." "Um, it's not Ethan. It's Cameron." He put his hands to his head. "Jenna. Jenna." "I know. Is Mom awake?" "Not yet." I kept my voice low. "Can we talk by the fish tank?" He led, I followed. "He came to my window in the night," I explained. "He needed to talk. I let him in. It was me. It was my idea. It was all...nothing happened." "This isn't my area," Alan said, looking at the fish. "Your mom is supposed to do the tough stuff. We have a policy of laissez-faire when it comes to me and...this kind of thing." "Exactly. So," I said hopefully, "go make the coffee and we'll pretend nothing every happened." Cameron came into the room, his blanket wrapped around him. His hair was sticking up in the back, and his long eyelashes hooded sleepy eyes. "I just needed to talk to someone," he said to Alan. "Guess we fell asleep." "Uh-huh." Alan cast an anxious glance toward his and mom's bedroom and said, "You couldn't talk in the kitchen?" "We didn't think about it," I said. "That's how innocent it was, see?" Alan stared at us, still shaking his head. "Look, Cameron, just get out of here before Jenna's mom sees you. Okay?" He nodded. "I'll go get my boots." I breathed a sigh of relief. "Thank you, Alan." When Cameron shut my bedroom door, Alan said, "Jenna. This is the kind of situation that's very, very awkward, to say the least. If your mom were to find out, I would be in scalding hot water." "She won't. Thank you thank you thank you." "Now. I need my coffee." He shuffled off to the kitchen, ankles cracking. "I'm too old for this." Back in my room, I watched Cameron get ready to go, thinking about everything we'd talked about and what it meant. "Where do you live?" I asked. "I'll take you home." "I share a studio apartment with three other guys. It's a dump," he said, lacing up his boots. "How come you were sleeping in my car yesterday?" "Sometimes I don't want to be there." He pulled on his jacket. "I'll go straight to school, shower in the locker room. See you later." He started to open the window. "Wait," I said. "You can use the front door, you know. Just be quiet." "Okay." He paused on his way out of my room, looing back once to say, "Thanks.
Sara Zarr (Sweethearts)
Those are exactly the kind of people who murdered Miss Saeki's childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it's important to know what's right and what's wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They're a lost cause, and I don't want anyone like that
Anonymous
That's it," Oshima says. He taps his temple lightly with the eraser end of the pencil. "But there's one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki's childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it's important to know what's right and what's wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They're a lost cause, and I don't want anyone like that coming in here.
Anonymous
Not only was Feenah—whoever she was—Sylvan’s ex, she was also his childhood sweetheart! How could she compete with that? You’re not supposed to be competing, she reminded herself sternly. He’s foresworn himself of you, remember? But the thought didn’t make her feel one bit better. In fact, she felt worse. “Uh-huh.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
What rumors?” Edgar asked slowly. “Ones that center on the idea that you and Wilhelmina were discovered alone together in Mrs. Travers’ conservatory.” Nora caught Edgar’s eye. “The only reason the poor girl’s reputation isn’t in complete tatters is because rumors are also flying about that the two of you are the most romantic couple of the season—childhood sweethearts who were kept apart in your youth but who have finally been reunited.” Edgar set aside his teacup. “How, pray tell, is it even possible that rumors are swirling around the city? As I mentioned before, everyone left the ball before Mrs. Travers would have had an opportunity to do more than bid everyone a good evening. Add in the notion that the conditions outside on the streets today are less than ideal, and I would have thought that any and all rumors would have been put on hold for the foreseeable future.” Nora’s forehead took to furrowing. “Surely you haven’t been away from society so long that you’ve forgotten that there is little, even a blizzard, that can stop a good story from making the rounds.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.
R.D. Rosen (Such Good Girls: The Journey of the Holocaust's Hidden Child Survivors)
The stranger spun her around, gloved hand still securely over her mouth. She considered trying to bite down on his fingers and run straight for Kyle. At least then they would both die together. It wasn’t much in terms of comfort, but it damn sure beat both of them dying alone.
Nicole Douglas (Afraid to Fall)
Knowing she was a poor liar under pressure kept him from telling her the truth. He remembered far too many occasions as kids when they had formulated a story to stay out of trouble with their parents and she had blown it within seconds.
Nicole Douglas (Afraid to Fall)
Looking at his bare chest and perfectly chiseled abs did not settle the twist in her gut or the flutter of her heart at her recent acceptance that she still loved the man. One kiss and it all came back, washing over her in an overwhelming wave.
Nicole Douglas (Afraid to Fall)
I had to leave before all those great times we had turned to shit. In my world good things don't last. And great things, things like what we had, sure as hell don't. I was saving us both from a lot of heartache down the road.
Nicole Douglas (Afraid to Fall)
He had never felt so ill-at-ease on a date in his life. Then again, going on a date with your best friend was a delicate matter. He had to proceed with the utmost care and caution.
Nicole Douglas (Afraid to Fall)
The songs transported her backwards in time, to when she first wrote them. As each one melted into the next, as her voice sang lyrics and melodies from her past, memories burst like colors across a blank canvas. Because inside each and every one of these songs---songs she'd written before she ever left Edgewood---memories were hidden. Emeline choked on them. Hot tears burned in her eyes as she tapped the next file, and the next, racing through songs and, with them, memories that had been stolen from her. Images of a younger Sable flashed before her eyes, interwoven with a younger Rooke. And someone else. Hawthorne. He was everywhere, with his dark hair and strange eyes. Her songs were so full of him, Emeline felt like she was drowning in him. Hawthorne, sitting next to the fire, reading a book. Hawthorne, shucking off his shirt and diving into a moonlit pond. Hawthorne, climbing in through her bedroom window. Kissing her in the dark. She'd embedded him inside her music. Because songs were never just songs for Emeline. They were capsules, each one containing a moment trapped inside it. As the next one started to play through her headphones, an image of a tree rose up in her mind. Emeline could see its thirsty roots; the twisting, twirling gray-brown bark; the gnarly branches stretching towards the sky. A silent sentinel, standing guard at the edge of the woods. Her tree.
Kristen Ciccarelli (Edgewood)
Joseph had graduated from high school, but did not want to go to school anymore. He had met Sofia, and he wanted to work and save so he could settle down with her. He, like his brothers, had had enough of living under Julian’s tyrannical rule. Joseph lived with Robert until Robert secured a job in Morinze, Arizona, a four-hour drive from El Paso. Joseph then began living with Sofia, his childhood sweetheart.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Mr Berry: We are not childhood sweethearts, we are not in the first flush of youth, we are not Romeo and Juliet. Mrs Berry: No ... we are the warring what's-their-names families of Romeo and Juliet.
Edna O'Brien (Haunted)
He remembered how the scar-faced man had stepped on his fingers one by one, sneering while telling him that Zhou Yang would never show up.  Zhou Yang was abroad with his childhood sweetheart. No matter how many phone calls Shen Mo made, no one answered.
Kun Yi Wei Lou (The Missing Piece)
Hailey Dickert (The Sister Between Us)
My childhood best friend and high school sweetheart. Theo Landmark has always had my heart … and my heart is still all tripped up over him.
Willow Aster (Someday (Landmark Mountain #2))
And what about you? he asks Anton. What's happened since we last met? Oh, it's been good. What did you study? Never got there, actually. Had a few years of wandering around, then I settled down. Married my childhood sweetheart and been running the family farm ever since. Listens to himself with amazement. All of it true, all false.
Damon Galgut (The Promise)
Sometimes life is a zero-sum game between the people you love.
K.D. Elizabeth (Monster (The King Brothers #1))
I could no longer go without confessing these things. They are an indelible part of me, written in the hope of youth and the disillusionment of adulthood. I can no more deny them than I can breathe.
K.D. Elizabeth (Monster (The King Brothers #1))
one of the legends of Agrippa concerns a visit paid to his alchemical laboratory in Florence by the Wandering Jew himself. (In David Hoffman’s Chronicles of Cartaphilus, the Wandering Jew, the date is given as 1525.) Cartaphilus begged Agrippa to show him his childhood sweetheart in a magic mirror. Agrippa asked him to count off the decades since the girl died so that he could wave his wand for each decade; when the Jew reached 149, Agrippa began to feel dizzy; but the Jew went on numbering them until the mirror showed a scene 1,510 years earlier, in Palestine. The girl, Rebecca, appeared, and the Jew was so moved that he tried to speak to her—which Agrippa had strictly forbidden. The mirror immediately clouded over and the Jew fainted. On reviving, he identified himself as the Jew who struck Jesus when he was carrying the cross, and who has been condemned to walk the earth ever since.
Colin Wilson (The Occult)
I've asked you so many Golub words over the years." She looked up at him. Her eyes glistened. "But what's the Golub word for 'love'?" "Love," he repeated. "Th-there's more than one word for love. There's friendship love---silan. Gratitude love---baya. Nostalgic love---ruman. There's... there are forty words for love." "What if, hypothetically, you feel all those ways about someone?" "Hypothetically?" "No." She held his gaze. "Actually not hypothetically at all." Looking into her eyes, Raf found himself unable to speak. "I... I started working on that mural randomly. I didn't even plan it out properly. What did it matter? Not like anyone's given a crap about that mural since the storm came through. And what did I end up creating? The dolphins we swam with," she said. "The sandcastles we made together. Everything on there... Do you see it, Raf?" There was Main Street---the movie theater. Tilted Tales, where they sat for hours on end reading comics. The entire street was there, but it was both of these locations that shone with a sheen of glitter. He took it all in. "It's us," he said slowly. "You painted our places. Our favorite memories." "I love you, Raf." Her voice quivered. "Silan---the friendship one. Baya, the gratitude one. Ruman. Nostalgia for what we were. All of it. I love you in all the ways I know.
Aisha Saeed (Forty Words for Love)
It seems after so many years of chasing my childhood sweetheart I have found her hiding in the eyes of that girl behind the bike shed. I have expected for years that medicine should leak into my poetry but never dreamed that poetry might leak into my medicine in such a way. On my best days there is no separation at all between both disciplines. I feel as though I have discovered a late love and, like all of those who have, it is all the more sweet for taking so long to wander by.
Glenn Colquhoun (Late Love: Sometimes Doctors Need Saving as Much as Their Patients (BWB Texts Book 48))
A self-inflicted injury with my childhood sweetheart applying pressure
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
After the radio silence of the past years, it was pretty clear to me that whatever bond or connection we had was just one-sided
Zeec Rustom (A Sense of Betrayal)
Really? That's not the name you screamed into the night and if you ever call me that, this is what's gonna happen.
Zeec Rustom (A Sense of Betrayal)
Calm down Tarzan. There are somethings a girl may want to keep to herself.
Zeec Rustom (A Sense of Betrayal)
murmured behind me, and I tensed. “Yes, James’s fiancée,” came a whispered reply. “The poor dear. She looks so young. How long were they engaged?” “I’m not sure, but they’d known each other since they were children.” A surprised breath. “Childhood sweethearts. How tragic.” “I heard it took weeks for them to locate the body. Can you imagine? The not knowing?” I moaned. My lower lip quivered uncontrollably. “Hey! A little respect here,
Kerry Lonsdale (Everything We Keep (Everything, #1))
Do you want this one, sweetheart? The yellow or the blue or the red? Which do you want?” Just give her one, Ifemelu thought. To overwhelm a child of four with choices, to lay on her the burden of making a decision, was to deprive her of the bliss of childhood. Adulthood, after all, already loomed, where she would have to make grimmer and grimmer decisions.
Chimamanda Ngozi Adichie (Americanah)
If you don't start treating me like a member of Havoc, instead of your childhood sweetheart, we're going to have problems.
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))