Festive Look Quotes

Bastian looked at the book. 'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.' Suddenly an almost festive mood came over him. He settled himself down, picked up the book, opened it to the first page, and began to read...

I don't suppose I can wear the flamingo tie," he said as he pulled on black socks. "It's a bit festive, given the occasion," I responded. "Can't wear it to the opera," said the Colonel, almost smiling. "Can't wear it to a funeral. Can't use it to hang myself. It's a bit useless, as ties go." I gave him a tie.

I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr.

Look! A riddle! Time for fun! Should we use a rope or gun? Knives are sharp and gleam so pretty Poison’s slow, which is a pity Fire is festive, drowning’s slow Hanging’s a ropy way to go A broken head, a nasty fall A car colliding with a wall Bombs make a very jolly noise Such ways to punish naughty boys! What shall we use? We can’t decide. Just like you cannot run or hide. Ha ha. Truly, Devious

This faulty light fitting at the front door with the dangerously flickering bulb looks rather festive. Who says I don't do Christmas?

Inej cleared her throat. “You do look a bit …” “Enchanting,” said Matthias. Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. “You could be a maiden on the first day of Roennigsdjel.” “What is Roennigsdjel?” asked Kuwei. “Some festival,” replied Nina. “I can’t remember. But I’m pretty sure it involves eating a lot of elk. Let’s go, you big goon—and I’m supposed to be your sister, stop looking at me like that.” “Like what?” “Like I’m made of ice cream.” “I don’t care for ice cream.” “Matthias,” Nina said, “I’m not sure we can continue to spend time together.” But she couldn’t quite keep the satisfaction from her voice. Apparently she was going to have to stock up on ugly knitwear.

Do you know anything about silent films?” “Sure,” I said. “The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn’t until the 1920s that sound become truly incorporated into films, eventually making silent ones obsolete in cinema.” Bryan gaped, as though that was more than he’d been expecting. “Oh. Okay. Well, um, there’s a silent film festival downtown next week. Do you think you’d want to go?” I shook my head. “No, I don’t think so. I respect it as an art form but really don’t get much out of watching them.” “Huh. Okay.” He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? “What about Starship 30? It opens Friday. Do you want to see that?” “I don’t really like sci-fi either,” I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. “Is there any movie out there you want to see?” I ran through a mental list of current entertainment. “No. Not really.” The bell rang, and with a shake of his head, Bryan slunk back to his desk. “That was weird,” I muttered. “He has bad taste in movies.” Glancing beside me, I was startled to see Julia with her head down on her desk while she shook with silent laughter. “What?” “That,” she gasped. “That was hilarious.” “What?” I said again. “Why?” “Sydney, he was asking you out!” I replayed the conversation. “No, he wasn’t. He was asking me about cinema.” She was laughing so hard that she had to wipe away a tear. “So he could find out what you wanted to see and take you out!” “Well, why didn’t he just say that?” “You are so adorably oblivious,” she said. “I hope I’m around the day you actually notice someone is interested in you.” I continued to be mystified, and she spent the rest of class bursting out with spontaneous giggles.

You, you only, exist. We pass away, till at last, our passing is so immense that you arise: beautiful moment, in all your suddenness, arising in love, or enchanted in the contraction of work. To you I belong, however time may wear me away. From you to you I go commanded. In between the garland is hanging in chance; but if you take it up and up and up: look: all becomes festival!

With everyone lounging around, eating sleeping, sunning, pooping, it looks like some weird combat version of an outdoor rock festival.

Look around you. Of all the people you see, no one is here by his own wish. Of course, what I just said is the most banal truth there is. So banal, and so basic, that we’ve stopped seeing it and hearing it.

I dont suppose i can wear my flamingo tie" "it's a bit festive,given the occastion" "Cant wear it to the opera","Cant wear it to a funeral. Cant use it to hang myself. it's a bit useless, as ties go.

Then there was the concert where the boys refused to sing 'God Save the King' because of the pudding they had had for luncheon. One way and another, I have been consistently unfortunate in my efforts at festivity. And yet I look forward to each new fiasco with the utmost relish.

The white-and-green ferry gliding across the dark waters of Puget Sounds looked like a beacon steering toward Bremerton. The entire Seattle waterfront was lit up a festive holiday scene.

To: Anna Oliphant From: Etienne St. Clair Subject: HAPPY CHRISTMAS Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco. To: Anna Oliphant From: Etienne St. Clair Subject: I forgot to tell you. Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled? To: Anna Oliphant From: Etienne St. Clair Subject: Are you awake yet? Wake up.Wake up wake up wake up. To: Etienne St. Clair From: Anna Oliphant Subject: re: Are you awake yet? I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me. P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo. To: Anna Oliphant From: Etienne St. Clair Subject: HAHAHA@ Was it a PROMISE RING? Did your father give you a PROMISE RING? To: Etienne St. Clair From: Anna Oliphant Subject: Re: HAHAHA! I am so not responding to that.

In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity! Imagination is busy sketching rose-tinted pictures of joy. In fancy, the voluptuous votary of fashion sees herself amid the festive throng, 'the observed of all observers.' Her graceful form, arrayed in snowy robes, is whirling through the mazes of the joyous dance; her eye is brightest, her step is lightest in the gay assembly. "In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance into the Elysian world, of which she has had such bright dreams. How fairy-like does everything appear to her enchanted vision! Each new scene is more charming than the last. But after a while she finds that beneath this goodly exterior, all is vanity, the flattery which once charmed her soul, now grates harshly upon her ear; the ball-room has lost its charms; and with wasted health and imbittered heart, she turns away with the conviction that earthly pleasures cannot satisfy the longings of the soul!

Look" I narrowed my eyes at Mr. Gorgeous. "I'm kind of in the middle of a nervous breakdown and after that I plan on having a very festive pity party, table for one, so unless you are here to put me out of my misery I suggest you scurry on your way.

Everywhere Frances looked there were children: children sitting gravely behind news desks, controlling traffic, running writers' festivals, taking her blood pressure, managing her taxes, and fitting her bras.

There is a delightful story which tells of Eostre finding an injured bird on the ground and, in order to save its life, she transformed it into a hare. The transformation however was incomplete and, although the bird looked like a hare, it still retained the ability to lay eggs. Regardless of this slight mishap, the hare was so grateful for the goddess saving her life that on Eostre’s festival the hare would lay eggs, decorate them and leave them as a token of thanks. In Germany today, many young children still believe that their Easter eggs are laid and delivered by the Easter hare.

.” “Neither do we, if we remember to stop and look,” Dex said. “But that’s the point of a shrine, or an idol, or a festival. The gods don’t care. Those things remind us to stop getting lost in everyday bullshit. We have to take a sec to tap into the bigger picture. That’s easier said than done for a lot of folks

Sept 15 1930 at the independence festival of the school of cretins…"At the head of the table by the bowl of pomegranates, Senora Bartolome had put a note: Take only one, our Lord Jesus is watching!. A second note appeared at the foot of the table beside the sugared almonds: Take all you want, Jesus is looking at the pomegranates.

An endless gossamer-like sentence embroidered with jewel-like metaphors, far too many clauses, and a meaning so obscure it had to be profound wrapped itself around Frances’s neck, but it really didn’t suit her, so she wrenched it off and flung it into space, where it floated free until at last a shy author on his way to a festival to accept a prize grabbed it from the sky and used it to gag one of his beautiful corpses. It looked lovely on her. Gray-bearded critics applauded with relief, grateful it hadn’t ended up in a beach read.

My time in camp with Kaden had become awkward several times, or perhaps I was just more self-conscious now. I had known he cared about me. It was hardly a secret. It was the reason I was still alive, but I hadn’t quite grasped how much he cared. And in spite of myself, I knew in my own way, I cared about him too. Not Kaden the assassin, but the Kaden I had known back in Terravin, the one who had caught my attention the minute he walked through the tavern door. The one who was calm and had mysterious, but kind, eyes. I remembered dancing with him at the festival, his arms pulling me closer, and the way he struggled with his thoughts, holding them back. He didn’t hold back the night he was drunk. The fireshine had loosened his lips and he laid it all out quite blatantly. Slurred and sloshy but clear. He loved me. This from a barbarian who was sent to kill me. I lay back, staring into the cloudless sky, a shade bluer and brighter than yesterday. Did he even know what love was? For that matter, did I? Even my parents didn’t seem to know. I crossed my arms behind my head as a pillow. Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky. I wondered if his interest had begun when I tended his shoulder. I remembered his odd look of surprise when I touched him, as if no one had ever shown him a kindness before. If Griz, Finch, and Malich were any indication of his past, maybe no one had. They showed a certain steely devotion to one another, but it in no way resembled kindness. And then there were those scars on his chest and back. Only cruel savage could have delivered those. Yet somewhere along the way, Kaden had learned kindness. Tenderness, even. It surfaced in small actions. He seemed like he was two separate people, the intensely loyal Vendan assassin and someone else far different, someone he had locked away, a prisoner just like me.

On a personal level, I chose not to look at the eclipse but rather sat outside during it and listened and appreciated nature, instead of participating in it like a pop festival. My decision was based partly on belief but also I have to contemplate the mass production of glasses and how they will only be used once, polluting our earth with plastics and harmful metals.

Other kids get white rice, but the food you give us makes it look like we're living a subsistence life.” “I buy white rice for the New Year's Festival,” I said, stung. Then, defensively, “I often put barley in your lunch –” “Which is even more embarrassing, because that means we're really poor.” “What a lucky child you are to say that. You don't know what poor means –

Jimi, a red scarf around his head and wearing a white fringed and beaded leather shirt, looked almost like a mystical holy man in meditation. His eyes closed, his head back, he'd merged with his music, his Strat--played upside down since he's a lefty--his magic wand. Though he was surrounded by his band, he projected the feeling he was all alone. ... Tom Law of the Hog Farm (on Jimi's rendition of the national anthem): I felt like he was the defining poet of the festival with that piece of music. It was like taking you right into the heart of the beast and nailing it.

A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.

Of all the evils which escaped from Pandora’s Box, the institution of priesthoods was the worst. Priests have been the curse of the world...Look at China, the festival of Juggernaut, the Crusades, the massacres of St. Bartholomew, of the Mexicans, and of the Peruvians, the fires of the Inquisition, of Mary, Cranmer, Calvin...look ever where and you will see the priests reeking with gore. They have converted, and are converting, populous and happy nations into deserts, and have made our beautiful world into a slaughter-house drenched with blood and tears – Godfrey Higgins (Celtic Druids)

The Coroner's Office didn't look any different from the rest of Cozumel. It was colorful in that Spanish flavor; an orange-brown background trimmed in soft yellow only slightly brighter than pastel. Palm trees kissed each corner. It was set back from the thoroughfare some distance and well-manicured shrubbery lined the long brick walkway leading to the entrance. Massive Ceiba trees -- ironically, the Mayan tree of life -- shielded curious tourists from reality. The sight of dead people was not compatible to festivity, nor would it encourage vacationing gringos to spend often and unwisely.

That's how I read the Bible. There are more than sixty references in Scripture to celebration and all but one or two of them are positive. Most of them are divine commands to go and party. Exodus and Deuteronomy and Numbers read like a string of invitations to a nonstop whirlwind of festival: "Celebrate the Feast of Unleavened Bread...Celebrate the Feast of Harvest...Celebrate the Feast of Weeks...Celebrate the Passover...Celebrate the Feast of Tabernacles...Celebrate." These were not quiet, sedate, well-mannered little tea parties. They were raucous, shout-at-the-top-of-your-lungs and dance-in-the-streets, weeklong shindigs. The heart of the prodigal home, shouting to His servants, "Bring the fatted calf and kill it. Let's have a feast and celebrate!" That's our God. You read this stuff enough, you start to get the sense that God is looking for just about any excuse to fire up the barbecue and invite the neighborhood over.

I've always thought of myself as a big music fan. When I walk to the station, or when I'm waiting for a friend or a train, I listen to music on my phone. I go to festivals and shows every summer. But listening to music alone in my room, with all the tome in the world... I wouldn't know what to do with myself. An artist, someone I couldn't see, singing, putting their heart and soul into it. Where should I look, What kind of face should I make? The more members in the band, the more awkward I feld. What did other people do - people who thought of themselves as music lovers? Did they just sit there with their eyes closed as they took it in? Did they stare off, bobbing their heads and moving along to the music?

How do you know that?” “I read a brochure. Someone dropped off a whole folder filled with brochures on the various town festivals. Some of them look fun.

Virgil looks as comfortable in the police station as a vegetarian at a barbecue festival.

The blood on his chest looked like war paint. So be it.

Gentlemen. You are looking at the true Abraham Lincoln of Arabia. And in order to end our internal bickering - our civil war, if you will - I have solicited your aid.

I was on South Bank one day by the Royal Festival Hall. It was a sunny day with a bright blue sky. I was looking up at a train crossing the Hungerford Bridge. Through the train I could see the sky successively framed by each window as the carriage passed. Each window moving quickly forward and away held briefly a rectangle of blue. The windows passing, the blue remained.

The Active Life If an expert does not have some problem to vex him, he is unhappy! If a philosopher's teaching is never attacked, she pines away! If critics have no one on whom to exercise their spite, they are unhappy. All such people are prisoners in the world of objects. He who wants followers, seeks political power. She who wants reputation, holds an office. The strong man looks for weights to lift. The brave woman looks for an emergency in which she can show bravery. The swordsman wants a battle in which he can swing his sword. People past their prime prefer a dignified retirement, in which they may seem profound. People experienced in law seek difficult cases to extend the application of the laws. Liturgists and musicians like festivals in which they parade their ceremonious talents. The benevolent, the dutiful, are always looking for chances to display virtue. Where would the gardener be if there were no more weeds? What would become of business without a market of fools? Where would the masses be if there were no pretext for getting jammed together and making noise? What would become of labor if there were no superfluous objects to be made? Produce! Get results! Make money! Make friends! Make changes! Or you will die of despair! Those who are caught in the machinery of power take no joy except in activity and change--the whirring of the machine! Whenever an occasion for action presents itself, they are compelled to act; they cannot help themselves. They are inexorably moved, like the ma- chine of which they are a part. Prisoners in the world of objects, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces, fashion, the mar- ket, events, public opinion. Never in a whole lifetime do they re- cover their right mind! The active life! What a pity!

Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.

They weren't stronger than him, they weren't smarter, they weren't more prepared. But circumstances had brought them together and allowed them to succeed where so many others had failed. Patricia knew how they looked, a bunch of silly Southern women, yakking about books over white wine. A bunch of carpool drivers, skinned-knee kissers, errand runners, secret Santas and part-time tooth fairies, with their practical jeans and festive sweaters. Think of us what you will, she thought, we made mistakes and probably scarred our children for life, and we froze sandwiches, and forgot carpool, and got divorced. But when the time came, we went the distance.

You know, you'd do a better job of convincing the men if you dipped your wick in a pussy or two." Cillian's low voice made him tense. The man stood next to Sean's barstool, watching the sexual festivities in boredom. "I have a girlfriend," he mumbled. "I'm sure she won't mind." Sean glanced at the naked women littering the room, picturing the look on Bailey's face if he admitted to "dipping his wick" in a prostie. "She'd rip my balls off," he said dryly.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

Look closer at this street corner: The sun is setting. The vendor at the newspaper stand packs up the dailies and puts away the cartons of eggs. Students with laptops in their arms shuffle out of the cha chaan teng. Elderly couples and their poodles take a stroll by the pier. You can still hear the uproar of the crowds that once gathered on the steep slopes for film screenings, festivals, protests. The florists at the wet market put away the last lilies. The last tram slots itself into the station. And then the scene dissolves again. Maybe you can’t save this place; maybe it isn’t even worth saving. But for a moment, there was a sliver of what this city could have become. And that is why we’re still here.

I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it." "Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself." Anthony looked appalled now and complained, "You didn't say she was that mad." "Didn't I? Think you're wearing that black eye just because she's a mite annoyed?" "That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married." That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides." "So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't." "Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so." Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?" "Panda bears indeed," Anthony snorted as soon as the door closed. James looked up to reply drolly, "Least the roof is still intact.

I nodded, appreciating the wisdom of her words.‘Yellow is the colour of early spring,’ she said, ‘just look at your garden!’ She gestured towards the borders, which were full of primulas, crocuses and daffodils. ‘The most cheerful of colours,’ she continued, ‘almost reflective in its nature and it is of course the colour of the mind.’ ‘That’s why we surround ourselves with it!’ laughed Phyllis, ‘in the hope that its properties will rub off.’‘Nonsense dear,’ said Mrs Darley dismissively, ‘Yellow light simply encourages us to think more positively. It lifts our spirits and raises our self-esteem in time for summer.’I immediately made a mental note to surround myself with the colour of the season and, like Phyllis, hoped that some of its properties would rub off on me.

Everyone looks for the first snowdrop as proof that our part of the earth is once more turning towards the sun, but folklore maintains that we should be wary of bringing them into the house before St Valentine’s Day, as any unmarried females could well remain spinsters!

A year or so earlier I had been to the Sky River Rock Festival in rural Washington, where a dosen stone-broke freaks from Seattle Liberation Front had assembled a sound system that carried every small note of an acoustic guitar - even a cough or the sound of a boot drooping on the stage - to half-deaf acid victims huddled under bushes a half mile away. But the best technicians available to the National DAs' convention in Vegas apparently couldn't handle it. Their sound system looked like something Ulysses S. Grant might have triggered up to addres his troops during the Siege of Vicksburg. The voices from up front crackled with a fuzzy, high-pitched urgency, and the delay was just enough to keep the words disconcertingly out of phaze with the speaker's gestures. (Fear and Loathing in Las Vegas, p. 73)

Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. Has he been lost, then? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated? - Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tel1 you! We have kil/ed him - you and I! Wc are all his murderers. But how did wc do this? How were we able to drink up the sea? Who gave us the spange to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are wc not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? - Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers. The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it?

It's autumn," I said. "I can see the trees turning through the windows." He tucked a strand of hair behind my ear. "It's going to be the Day of the Dead soon," I said. "Sounds gruesome." "It's a festival." I looked at him over my shoulder. "The only one that gentry and peasants share. We celebrate Persephone going down to Hades for the winter, they remember Tom-a-Lone getting his head cut off by Nanny-Anna. Everybody makes grave offerings, then there's a great sacrifice to Hades and Persephone, and that night there's a bonfire and they burn a straw Tom-a-Lone dressed up in ribbons.

The bright colors of the carnations, larkspurs, asters and delphinium, mixed with the occasional white of a calla lily, looked more festive than mournful. They were all beautifully fresh and absolutely dying, a terrifying reminder of how easily we pass from one realm to the other. How easily Corrine had.

Why is learning about these Jewish festivals so important? It is in looking back at what God has done that we can see forward to His future plans for us. “‘For I know the plans I have for you,’ declares the LORD, ‘plans to prosper you and not to harm you, plans to give you hope and a future’” (Jeremiah 29:11).

EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.

The last caravan they robbed had been filled with fine clothing, pieces of which were strewn about their camp. Trousers hung from trees, shirts danced in the breeze. The bright colors on bare branches gave everything a festival air. Petru wrestled with an intricately brocaded vest, struggling to get it across his shoulders. He spun in one direction and then the other. Nicolae watched, lips a single straight line but eyes dancing with mirth. “That would fit better if it were designed for a man,” Matei said as he walked by. Matei’s purse was full now, but he still looked hungry. Petru stopped spinning and ripped off the vest in horror. Nicolae burst into laughter. “You could have told me!” Petru said. “But it set off the color of your eyes so nicely.” Petru glared murderously. Then he looked over at Lada and held the vest out. She raised a single eyebrow at the delicate colors and needlework. Muttering to himself, Petru threw the vest at Nicolae’s head and walked away

Then the bird threw a gold and silver dress down to her, and slippers embroidered with silk and silver. She put on the dress with all speed, and went to the festival. Her step-sisters and the step-mother however did not know her, and thought she must be a foreign princess, for she looked so beautiful in the golden dress. They never once thought of Cinderella,

Color is like sex. It's mysterious. It's unknowable. It never looks the same twice. No two people see the same thing. No two people feel the same thing. I once went to china on a cruise ship. Eight hundred of us got off the ship wearing white, because it feels festive and shippy and says "I'm on a cruise." In China white is the color of mourning. We looked insane.

The festival is over. We sit quietly sipping on memories of the day looking out past window boxes at revelers heading home. I turn and watch as hieroglyphics flow from your mouth. Ancient architectures are being released again from doorways opening up and down your spine. In this hour before sleep, we feel it. The fibers holding the world together are crackling again.

Bryan gaped, as though that was more than he'd been expecting. "Oh. Okay. Well, um, there's a silent film festival downtown next week. Do you think you'd want to go?" I shook my head. "No, I don't think so. I respect it as an art form but really don't get much out of watching them." "Huh. Okay." He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? "What about Starships 30? It opens Friday. Do you want to see that?" " I don't really like sci-fi either," I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. "Is there any movie out there you want to see?" I ran through a mental list of current entertainment. "No. Not really." The bell rang, and with a shake of his head, Bryan slunk back to his desk. "That was weird," I muttered. "He has bad taste in movies." Glancing beside me, I was startled to see Julia with her head down on the desk while she shook with silent laughter. "What?" "That," she gasped. "That was hilarious." "What?" I said again. "Why?" "Sydney, he was asking you out!

Legend tells us that the High King of Tara, who ruled supreme over all the Kings of Ireland, looked out from his castle one day during the festival of Eostre and saw a fire blazing away on a far hillside. Furious with this obvious disregard for the law, for which the penalty was death, he sent out soldiers to arrest the guilty party. When the soldiers arrived at the hillside they found St Patrick, the patron Saint of Ireland, piling wood onto his fire and immediately seized him. Standing before the King he was asked why he disobeyed the law, and he explained that his fire was a sign that Christ had risen from the dead and was the light of the world. The King so admired Patrick’s courage that he forgave him and became a convert to Christianity!

The wires noted how all four Beatles attended Bob Dylan’s Royal Festival Hall appearance, captured by D. A. Pennebaker’s Don’t Look Back documentary. Dylan’s recent Bringing It All Back Home featured a side of electric rock, and this would be his last acoustic-only tour. Convulsed over Dylan’s identity, his British audience parsed every lyric, mistrusting his flirtation with rock ’n’ roll more for its flight from literary pretense than inexplicable lack of explicit social protest. The Beatles’ attendance conferred royal approval of Dylan’s vexing persona, whichever guise it took. With the publication of Lennon’s second book, A Spaniard in the Works, the Dylan rivalry intensified. Spaniard was both hastier than its predecessor and more ambitious, with more wordplay by the pound.

he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and

what you’ve got to do is learn to reach inside yourself for that holy oil that God gave all of us when we were created. You’re going to find that you have a greater inner strength, a greater inner fire, a greater ability to go on than you thought, if only you would stop, not listen to anybody else, and look within yourself. That’s the meaning of the Festival of Lights. That’s the meaning of Hanukkah. WHAT

Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.

The last time he had done this, when Chris was just a child, he’d hung the signs every twenty feet or so. This time, he hung a sign on every single tree. They rustled in the light wind, a hundred yellow warnings, garish and obscenely festive against the dark trunks. James stepped out on the road to look at his handiwork. He stared at his signs, thinking of amulets carried, of red worn to ward off the Evil Eye, of Hebrews painting lamb’s blood on doorposts, and he wondered what, exactly, he was trying to keep away. THEN 1989 Chris huddled beside Emily, their hands twined together around the telephone receiver. “You’re chicken,” he murmured, as the dial tone swam in his ear. “Am not,” Em whispered. There was a pickup on the other end. Chris felt Emily’s fingers flutter above his wrist. “Hello?” Em lowered her voice. “I’m looking for Mr. Longwanger.

[23] Our situation is like that at a festival.* Sheep and cattle are driven to it to be sold, and most people come either to buy or to sell, while only a few come to look at the spectacle of the festival, to see how it is proceeding and why, and who is organizing it, and for what purpose. [24] So also in this festival of the world. Some people are like sheep and cattle and are interested in nothing but their fodder; for in the case of those of you who are interested in nothing but your property, and land, and slaves, and public posts, all of that is nothing more than fodder. [25] Few indeed are those who attend the fair for love of the spectacle, asking, ‘What is the universe, then, and who governs it? No one at all? [26] And yet when a city or household cannot survive for even a very short time without someone to govern it and watch over it, how could it be that such a vast and beautiful structure could be kept so well ordered by mere chance and good luck? [27] So there must be someone governing it. What sort of being is he, and how does he govern it? And we who have been created by him, who are we, and what were we created for? Are we bound together with him in some kind of union and interrelationship, or is that not the case?’ [28] Such are the thoughts that are aroused in this small collection of people; and from then on, they devote their leisure to this one thing alone, to finding out about the festival before they have to take their leave. [29] What comes about, then? They become an object of mockery for the crowd, just as the spectators at an ordinary festival are mocked by the traders; and even the sheep and cattle, if they had sufficient intelligence, would laugh at those who attach value to anything other than fodder!

The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.

Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory. Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers. Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto. Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.

His European visits were infrequent enough to have kept unimpaired the freshness of his eye, and he was always struck anew by the vast and consummately ordered spectacle of Paris: by its look of having been boldly and deliberately planned as a background for the enjoyment of life, instead of being forced into grudging concessions to the festive instincts, or barricading itself against them in unenlightened ugliness, like his own lamentable New York.

I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.

Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude of nature. Nature, as we have elsewhere said, “looks before her.” Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.

any. Make sure your drink doesn’t get spiked. Don’t drink too much to make yourself vulnerable. Make sure you don’t get an unlicensed cab. Don’t let yourself get picked in the wrong way. Look at this woman in the papers who has had more than three boyfriends – the slut. A guy grabbing your arse in the club is a compliment. A guy telling you you’re ugly is actually him saying he likes you. Do you know how many men are falsely accused of rape? Isn’t it disgusting? Don’t ever lie about something so terrible. We won’t believe you anyway. Go to a festival and see no women onstage, but try to have fun, when it’s not safe to be near the front. You’re so basic to put a flower in your hair. Go to the cinema and see men grow, and women help them grow while wearing next to no clothes and then getting raped and dying. Give it an Oscar. Fuck like a porn star. Make me a sandwich. Stop being difficult. Shut up. Put up. Use this anti-ageing cream. Nobody wants to fuck you any more, Karen. Oh, come on, it’s only a joke.

Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude Free eBooks at Planet eBook.com 2395 of nature. Nature, as we have elsewhere said, ‘looks before her.’ Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.

When you hear on the radio and read in newspapers and magazines and books and speeches the words 'the Occupied Territories' year after year, and festival after festival, and summit conference after summit conference, you think it's somewhere at the end of the earth. You think there is absolutely no way you can get to it. Do you see how close it is? How touchable? How real? I can hold it in my hand, like a handkerchief. Now here I am looking at it. Who would dare make it into an abstraction now that it has declared its physical self to the senses?

Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!

John Durham, while he waited for Madame de Malrive to draw on her gloves, stood in the hotel doorway looking out across the Rue de Rivoli at the afternoon brightness of the Tuileries gardens. His European visits were infrequent enough to have kept unimpaired the freshness of his eye, and he was always struck anew by the vast and consummately ordered spectacle of Paris: by its look of having been boldly and deliberately planned as a background for the enjoyment of life, instead of being forced into grudging concessions to the festive instincts, or barricading itself

Saturday morning brought an Imbolc gift of thick fog, as our select company of three set off onto the rain-sodden moor. ‘Here we are,’ said Mrs Darley, as the well appeared before us after a ten minute climb. She immediately began to unwrap a joint offering from Phyllis and herself of an ivy swag interwoven with white ribbons and laid it across the lintel of the well. I followed suit but with a far more modest bunch of pine branches and silver honesty. ‘Drinks, dear?’ Mrs Darley looked at Phyllis, who right on cue produced three paper cups from her bag and filled them with whiskey from a hip flask.

Men," said the little prince, "set out on their way in express trains, but they do not know what they are looking for. Then they rush about, and get excited, and turn round and round..." And he added: "It is not worth the trouble..." [...] "I am thirsty for this water," said the little prince. "Give me some of it to drink..." And I understood what he had been looking for. I raised the bucket to his lips. He drank, his eyes closed. It was as sweet as some special festival treat. This water was indeed a different thing from ordinary nourishment. Its sweetness was born of the walk under the stars, the song of the pulley, the effort of my arms. It was good for the heart, like a present. When I was a little bou, the lights of the Christmas tree, the music of the Midnight Mass, the tenderness of smiling faces, used to make up, so the radiance of the gifts I received. "The men where you live," said the little prince, "raised five thousand roses in the same garden - and they do not find in it what they are looking for. [...] And yet what they are looking for could be found in one single rose, or in a little water." "Yes, that is true," I said. And the little prince added: "But the eyes are blind. One must look with the heart...

They weren’t stronger than him, they weren’t smarter, they weren’t more prepared. But circumstances had brought them together and allowed them to succeed where so many others had failed. Patricia knew how they looked, a bunch of silly Southern women, yakking about books over white wine. A bunch of carpool drivers, skinned-knee kissers, errand runners, secret Santas and part-time tooth fairies, with their practical jeans and their festive sweaters. Think of us what you will, she thought, we made mistakes, and probably scarred our children for life, and we froze sandwiches, and forgot car pool, and got divorced. But when the time came, we went the distance.

The End” It is time for me to go, mother; I am going. When in the paling darkness of the lonely dawn you stretch out your arms for your baby in the bed, I shall say, “Baby is not there!”—mother, I am going. I shall become a delicate draught of air and caress you; and I shall be ripples in the water when you bathe, and kiss you and kiss you again. In the gusty night when the rain patters on the leaves you will hear my whisper in your bed, and my laughter will flash with the lightning through the open window into your room. If you lie awake, thinking of your baby till late into the night, I shall sing to you from the stars, “Sleep, mother, sleep.” On the straying moonbeams I shall steal over your bed, and lie upon your bosom while you sleep. I shall become a dream, and through the little opening of your eyelids I shall slip into the depths of your sleep; and when you wake up and look round startled, like a twinkling firefly I shall flit out into the darkness. When, on the great festival of puja, the neighbours’ children come and play about the house, I shall melt into the music of the flute and throb in your heart all day. Dear auntie will come with puja-presents and will ask, “Where is our baby, sister?” Mother, you will tell her softly, “He is in the pupils of my eyes, he is in my body and in my soul.

In the spring, during the Festival of Flora, when Rome was crowded with visitors from all over Italy, Clodius’s mob found itself for once outnumbered by ordinary citizens who despised their bullying tactics. Clodius himself was actually jeered at the theatre. Unused to anything other than adulation from the people, according to Atticus he looked around him in astonishment at the slow handclapping, taunts, whistles and obscene gestures, and realised—almost too late—that he was in danger of being lynched. He retreated hastily, and that was the beginning of the end of his domination, for the Senate now recognised how he could be beaten: by appealing over the heads of the

Hugh Anthony, in his new nautical overcoat with brass buttons, neither knew nor cared what he looked like, but was comforted in his heated state by a whistle on a white cord. For years he had been telling his grandparents that a whistle should always accompany marine attire and now at last, just in time for the festival, this remark had sunk in. With his lovely eyes fixed on the altar and an expression of great spiritual beauty on his face he was wondering just when to blow the whistle. Should he accompany the last hymn on it or should he blow one shrill blast in the middle of the Dean's sermon? It was difficult to decide. He must, as Grandfather said one should, wait and be guided.

Instead of driving straight to the wharf where we usually parked the boat, Adam slowed at the marina dock so the boys could mock Mr. Vader, who hadn’t moved from the position he’d been in when I splashed him, except he’d started on another beer. The boys told him he was all washed up and he should enter a wet T-shirt contest with that figure, and so forth. My brother called to Dad, “Nice save, Pops.” “Hey.” Dad tipped his beer to us. “You’ve got to be fast with Lori around.” “I have to say, young lady,” grumbled Mr. Vader. “I was very impressed with all your shenanigans. Right up to the point I got doused. I want you to plan to close the Crappie Festival show until further notice.” Which meant, Until you screw up. That was okay. He’d told me I was better than the boys at something for once in my life! I turned to Sean and beamed so big that my cheeks hurt. Sean squinted into the sun, wearing that strange, fixed smile. Even my brother and Cameron gave each other puzzled looks rather than congratulating me again. Only Adam met my eyes. He shook his head at me. Oh, crap. Crappy. Holy Crappie Festival! I had upset the natural order. After Adam had already upset the natural order in team calisthenics. I should have thought all of this through better. Sean began, “But I didn’t even get a chance to-“ “I saw what happened,” Mr. Vader told him. “You had your chance. The Big Kahuna has spoken.

(Afterword) In the mountains of Bolivia--one place the book has yet to be published--every year, the poorest people gather in high Andes villages to celebrate the festival of "Tinku". There, the campesino men beat the crap out of one another. Drunk and bloody, they pound one another with just their bare fists, chanting, "We are men. We are men. We are men..." They fight the way they have for centuries. In their world, with little income or wealth, few possessions, and no education or opportunity, it's a festival they look forward to all year long. Then, when they're exhausted, the men and women go to church. And they get married. Being tired isn't the same as being rick, but most times it's close enough.

The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.

Soon you will find yourself in more and more situations you don’t want to run from. At work you’ll realize that you’ve spent the entire day in your body, really in it, not imagining what you look like to the people who surround you but just being who you are. You are a tool being put to its proper use. That changes a lot of things. And one day you’ll get out of bed to pee, and someone will say, “I hate it when you leave,” and you will want to rush back. You’ll think, Stuff like this only happens to characters played by Jennifer Garner, right? but it’s happening to you and it keeps happening even when you cry or misbehave or show him how terrible you are at planning festive group outings. He seems to be there without reservation. He pays attention. He listens. He seems to want to stay.

bombs poured down from the sky exploding across trachimbrod in bursts of light and heat those watching the festivities hollered ran frantically they jumped into the bubbling splashing frantically dynamic water not after the sack of gold buy to save themselves they stayed under as long as they could they surfaced to seize air and look for loved ones my safran picked up his wife and carried her like a newlywed into the water which seemed amid the falling trees and hackling crackling explosions the safest place hundreds of bodies poured into the brod that river with my name I embraced them with open arms come to me come I wanted to save them all to save everybody from everybody the bombs rained from the sky and it was not the explosions or scattering shrapnel that would be our death not the heckling cinders not the laughing debris but all of the bodies bodies flailing and grabbing hold of one another bodies looking something to hold on to my safran lost sight of his wife who was carried deeper into me by the pull of the bodies the silent shrieks were carried in bubbles to the surface where they popped PLEASE PLEASE PLEASE PLEASE the kicking in zosha’s belly became more and more PLEASE PLEASE the baby refused to die like this PLEASE the bombs came down cackling smoldering and my safran was able to break free from the human mass and float downstream over the small falls to clearer waters zosha was pulled down PLEASE and the baby refusing to die like this was pulled up and out of her body turning the waters around her red she surfaced like a bubble to the light to oxygen to life to life WAWAWAWAWAWA she cried she was perfectly healthy and she would have lived except for the umbilical cord that pulled her back under toward her mother who was barely conscious but conscious of the cord and tried to break it with her hands and then bite it with her teeth but could not it would not be broken and she died with her perfectly healthy nameless baby in her arms she held it to her chest the crowd pulled itself into itself long after the bombing ceased the confused the frightened the desperate mass of babies children teenagers adults elderly all pulled at each other to survive but pulled each other into me drowning each other killing each other the bodies began to rise one at a time until I couldn’t be seen through all of the bodies blue skin open white eyes I was invisible under them I was the carcass they were the butterflies white eyes blue skin this is what we’ve done we’ve killed our own babies to save them

I think,to add to the festive occasion, we ought to turn on the lights and siren." He turned to Delia. "What do you say?" "Oh,heavens,no." She covered her mouth with her hand before giving it a second thought. "Sorry.That was the old Delia. The new Delia says yes.That would be so exciting." Beside her,Marilee said sternly, "The old Marilee says you'll be breaking the law." Wyatt winked. "This old rebel says he doesn't care. A celebration requires some noise." The two exchanged a long look, then broke out into peals of laughter. As they sped along the open highway, lights flashing,siren blasting, Delia found herself laughing along with them in absolute delight. Despite all the heartache,and all the turmoil,she was sharing a ride with Coot's grandson, heading out to Coot's ranch for the first time in over fifty years,and having the time of her life.

Maria winks at me, takes a mouthful of stuffing, and rolls her eyes in ecstasy. The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.

Do you mean to tell me,” she cried out, “that he left nothing! That Sara will have no fortune! That the child is a beggar! That she is left on my hands a little pauper instead of an heiress?” Mr. Barrow was a shrewd businessman, and felt it as well to make his own freedom from responsibility quite clear without any delay. “She is certainly left a beggar,” he replied. “And she is certainly left on your hands, ma’am--as she hasn’t a relation in the world that we know of.” Miss Minchin started forward. She looked as if she was going to open the door and rush out of the room to stop the festivities going on joyfully and rather noisily that moment over the refreshments. “It is monstrous!” she said. “She’s in my sitting room at this moment, dressed in silk gauze and lace petticoats, giving a party at my expense.” “She’s giving it at your expense, madam, if she’s giving it,” said Mr. Barrow, calmly.

I thundered hot water into the big tub, setting up McGee's Handy Home Treatment for Melancholy. A deep hot bath, and a strong cold drink, and a book on the tub rack. Who needs the Megrims? Surely not McGee, not that big brown loose-jointed, wirehaired beach rambler, that lazy fishcatching, girlwatching, grey-eyed iconoclastic hustler. Stay happy, McGee, while you use up the stockpiled cash. Borrow a Junior from Meyer for the sake of coziness. Or get dressed and go over to the next doc, over to the big Wheeler where the Alabama Tiger maintains his permanent floating house party and join the festive pack. Do anything, but stop remembering the way Sam Taggart looks with all the wandering burned out of him. Stop remembering the sly shy way Nicki would walk toward you, across a room. Stop remembering the way Lois died. Get in there and have fun, fella. While there's fun to have. While there's some left. Before they deal you out.

I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family. I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way. I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot. Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face. Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top. We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food. Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days. Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death. I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down. It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.

in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.

Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.

Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.

Everyone looks at us expectantly when we emerge from the downstairs, and I’m sure it’s just my imagination but I can’t help but feel that a suspicious hush has fallen over the room. I wave, like an idiot. “Hey. Sorry I fell asleep.” I point behind me, down the stairs. “After we were talking. And playing cards. You know.” Miles screws his face up. “Thanks for the update.” He tugs at the strap of a floral apron around his neck and picks up a can opener. Granted, it’s a sort of fancy version of a regular can opener, but my brother turns it around in his hands like it’s a complicated rocket engine part salvaged from NASA. Are we really entrusting this fetus with dinner preparation for thirteen people? Andrew starts to explain to him how to use it, but I stop him with a hand on his arm. “No. He will learn through the suffering.” I turn to give the same warning look to my mom, but she seems perfectly content at the kitchen table with a glass of wine in one hand and a paperback in the other. Miles looks like he would very much like to give me the finger, but then his expression clears and a smirk pulls at his mouth. “Dude.” He points upward. “You two are under the mistletoe.” In unison, Andrew and I turn our faces up to the doorway overhead. Miles is right. The festive sprig is now hanging from a red ribbon pinned into the doorway. “I didn’t know that was there,” I burst out defensively

We’ll go out tomorrow morning, then. First thing,” she ventures, more to Silas than me. “Though how the hell are we supposed to hunt? The Fenris certainly can’t see my face, and he’ll recognize Rosie. We’ve got no bait, unless you think you’ll look pretty in a dress, Silas.” “Okay, one, I would look great in a dress,” Silas begins. He turns to lean against the bathroom door, seemingly forgetting that I’m still in a towel. When he sees me, he averts his eyes and flushes a little. “And two,” he continues in a forced voice, “you’ve been luring Fenris on your own for pages, Scarlett. The Apple Time Festival is tomorrow. Perfect place for a Fenris to hang out, even if you don’t take into account all the red people will be wearing. We’ll go there.” Scarlett nods curtly. No one moves for a few minutes as water continues to trickle off my back and onto the shower floor. Finally, Scarlett gives me another cold look, turns on her heel, and storms down the hall. “Sorry I got you in trouble,” Silas whispers guiltily, his voice the only sound other than the steady pattering of water hitting the tile floor. “I was worried about you when you took off, and then I realized it was probably your first solo . . .” I shake my head. “I had to tell her eventually.” “For what it’s worth,” he says, eyes still averted respectfully, “I thought you did great.” “Thanks, Silas.” He finally meets my eyes, keeping his gaze firmly on my face. I tug the towel a little tighter. “You’re welcome. And I’m sorry for barging in. I didn’t . . . um, see anything. I promise.

A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.

Let the nations be glad and sing for joy…. —Psalm 67:4 (KJV) My wife was poring over a map of Europe. “Look, Danny. My homeland is a tiny little country. I had no idea it was so small.” “I know, you could put maybe half a dozen Irelands inside the state of Texas.” It may be small, but Ireland has made a huge impression on the world. More than a dozen US presidents and some thirty-four million Americans trace their roots to Ireland, including my own auburn bride. Officially, Saint Patrick’s Day honors the missionary who came to Ireland about 1,600 years ago. There he started hundreds of churches and baptized thousands, thus raising the moral profile of Ireland. But most of his life is a mystery and forgotten. Unofficially, Saint Patrick’s Day is everybody’s opportunity to be Irish for a day, regardless of religion or nationality. By the simple act of wearing green, I can be lucky or bonny or practice a bit of blarney. In short, I can be happy for a day. There are many ways to celebrate the day. Some daring types dye their hair green or wear shamrock tattoos. Others march in parades or attend Irish festivals, where they dance an Irish jig or enjoy an Irish stew. More serious types demonstrate for green causes or go to spiritual retreats, where they pray for missionaries. Yes, I will wear green today, so I don’t get pinched. And I will listen to some fine Irish music, starting with my favorite, “Danny Boy.” I will also pray for some of my former students who are currently missionaries in Ireland. Most of all, I will try to be happy for the day. That’s what it’s really all about, isn’t it? And if I can be happy for one day, why not every day? There is much to be happy about, God. Help me find a reason to sing with joy every day. —Daniel Schantz Digging Deeper: Ps 16:9; Is 55:12

That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.

Meanwhile, Matthew took the empty place beside Daisy’s. “Miss Bowman,” he said softly. Daisy couldn’t manage a word. Her gaze lifted to his smiling eyes, and it seemed that emotions sprang from her in a fountain of warmth. She had to look away from him before she did something foolish. But she remained intensely aware of his body next to hers. Westcliff and Matthew entertained the group with an account of how their carriage had gotten stuck in mire. Luckily they had been helped by a passing farmer with an ox-drawn wagon, but in the process of freeing the vehicle, all participants had been covered with mud from head to toe. And apparently the episode had left the ox in quite an objectionable temper. By the time the story was finished, everyone at the table was chuckling. The conversation turned to the subject of the Shakespeare festival, and Thomas Bowman launched into an account of the visit to Stratford-on-Avon. Matthew asked a question or two, seeming fully engaged in the conversation. Suddenly Daisy was startled to feel his hand slide into her lap beneath the table. His fingers closed over hers in a gentle clasp. And all the while he took part in the conversation, talking and smiling easily. Daisy reached for her wine with her free hand and brought it to her lips. She took one sip, and then another, and nearly choked as Matthew played lightly with her fingers beneath the table. Sensations that had lain quiescent for a week kindled into vibrant life. Still not looking at her, Matthew gently slid something over her ring finger, past the knuckle, until it fit neatly at the base. Her hand was returned to her lap as a footman came to replenish the wine in their glasses. Daisy looked down at her hand, blinking at the sight of the glittering yellow sapphire surrounded by small round diamonds. It looked like a white-petaled flower. Her fingers closed tightly, and she averted her face to hide a betraying flush of pleasure. “Does it please you?” Matthew whispered. “Oh, yes.” That was the extent of their communication at dinner. It was just as well. There was too much to be said, all of it highly private. Daisy steeled herself for the usual long rituals of port and tea after dinner, but she was gratified when it seemed that everyone, even her father, was inclined to retire early. As it appeared the elderly vicar and his wife were ready to return home, the group dispersed without much fanfare. Walking with Daisy from the dining hall, Matthew murmured, “Will I have to scale the outside wall tonight, or are you going to leave your door unlocked?” “The door,” Daisy replied succinctly. “Thank God.

Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place, and cried incessantly: "I seek God! I seek God!" --As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lost his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated?--Thus they yelled and laughed. The madman jumped into their minds and pierced them with his eyes. "Whither is God?" he cried; "I will tell you. We have killed him--you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions. Is there still any up or down? Are we not straying as though an infinite nothing? Do we not feel the breath of empty space? Had it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him. "How shall we comfort ourselves. the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under out knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us--for the sake of this deed he will belong to a higher history than all history hitherto." Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground and it broke into pieces and went out. "I have come too early," he said then; "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightening and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars--and yet they have done it themselves" It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said to always have replied nothing but: "What after all are these churches now if they are not tombs and sepulchers of God?

If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.

You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.