Chester Quotes

We've searched our database for all the quotes and captions related to Chester. Here they are! All 100 of them:

And Mega has a crush on Chester." "I do not!" "Do too, Mega." "He's like, old!" "How old, Christian says." "Like at least thirty or something." Lor laughs. " Fucking ancient, ain't it, kid?" "Dude," I agree. I like Lor.
Karen Marie Moning (Iced (Fever, #6))
God grant me the courage not to give up what I think is right, even though I think it is hopeless.
Chester Nimitz
I thought you were disgusted by the people that come to my club.” “They’re still people.” He presses the button again. “If you go outside, you will be killed. If you make noise, you will be sent outside. Don’t piss me off.” Just like that, Chester’s goes completely silent.
Karen Marie Moning (Iced (Fever, #6))
I'm strong on the outside, not all the way through. I've never been perfect, but neither have you.
Chester Bennington
Dani: Crank it up. Lets get this party started. *I hand Dancer my iPod.* Lor: What is this crap. Where the hell is Hendrix on this thing? Jo: Did you get any Muse? Dani: Muse is something you do Jo: Distrubed is something you are Dancer: And Godsmacked is something you get Lor: Don't you have any Motley Crue or Van Halen? Christian: How about some Flogging Molly? Ryodan: Whats the deal with all the Linkin Park, for fuck's sake. Dancer: Mega has a crush on Chester Jo: You got any Adele? Dani: Got some Nicki Minaj. Ryodan: Somebody kill me now.
Karen Marie Moning (Iced (Fever, #6))
Lor blows in like he was plastered to the other side of the door. "Escort the kid to clean the fuck up and get that stench off her." "Sure thing, boss." He scowls at me. I scowl right back. Lor points through the glass floor. "See that blonde down there with the big tits? I was about to get laid." "One, I'm too young to hear that kind of stuff, and two, I don't see you carrying a club to knock her over the head with, so how were you going to accomplish that?" Behind me, Ryodan laughs. "You're ruining my night, kid." "Ditto. Ain't life at Chester's grand.
Karen Marie Moning (Iced (Fever, #6))
So, this is a rabbit, I thought. He sort of looks like Chester, only he's got longer ears and a shorter tail. And a motor in his nose.
James Howe (Bunnicula: A Rabbit-Tale of Mystery (Bunnicula, #1))
Alone in a world, With millions of souls Walking in circles Trapped in their dreams unhealthy, unclean walking in circles, now do not disturb scream in silence everyone's sleeping
Chester Bennington
You’re early.” I give him a mutinous look. Of course he thinks my being early is about him. It’s not. Mac was at Chester’s last night at eight. I think she’s hunting me. Since I can’t be late to avoid her, I have to be early. “Watch broke. Thought I was on time.” “You don’t wear a watch.” “See? I knew I had a problem. I’ll just dash out and get one. Be back tomorrow. On time.
Karen Marie Moning (Iced (Fever, #6))
All's I'm saying is love's a blessing, no matter all the same.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
What’s the worst thing I’ve stolen? Probably little pieces of other people’s lives. Where I’ve either wasted their time or hurt them in some way. That’s the worst thing you can steal, the time of other people. You just can’t get that back.
Chester Bennington
SPEAK SLOWLY AND PRECISELY! I CAN'T UNDERSTAND YOU!
Chester Bennington
She was a fool. She wept like a helpless child that night at Chester’s while the entire club watched. Not because you broke her finger or threatened her but because you were alive and she was that happy to see you. She was always happy to see you. She lit up inside. You lost her. You let her be lost.
Karen Marie Moning (Burned (Fever, #7))
I really wish Mike and Joe would stop drawing on me while I'm sleeping.
Chester Bennington
I guess I'm just feeling Septemberish," sighed Chester. "It's getting towards autumn now. And it's so pretty up in Connecticut. All the trees change color. The days get very clear―with a little smoke on the horizon from burning leaves. Pumpkins begin to come out.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
Where do we have it? Do we do the whole nine yards or shorten the ceremony? Do we try to make it religious or keep it nondenominational? Do you have a best man or do you ask Annie to stand with you? Do we involve our families, make one of them travel? Does Chester get to put a corsage on his shovel? If we have to go to Texas, can I put Barnum in a bow tie and have him be the bouncer for the reception?
Abigail Roux (Crash & Burn (Cut & Run, #9))
It seemed so illogical to punish some poor criminal for doing something that civilization taught him how to do so he could have something that civilization taught him how to want. It seemed to him as wrong as if they had hung the gun that shot the man.
Chester Himes (Yesterday Will Make You Cry)
Chester nods all the way through this, but does not rudely interrupt Randy as a younger nerd would. Your younger nerd takes offense quickly when someone near him begins to utter declarative sentences, because he reads into it an ssertion that he, the nerd, does not already know the information being imparted. But your older nerd has more self-confidence, and besides, understands that frequently people need to think out loud. And highly advanced nerds will furthermore understand that uttering declarative sentences whose contents are already known to all present is part of the social process of making conversation and therefore should not be construed as aggression under any circumstances.
Neal Stephenson (Cryptonomicon)
Anyone who doesn't want you to be happy with who you are is an asshole. Fuck pleasing everyone else. You only live once. Who are you gonna do it for?
Dahlia Adler (Under the Lights (Daylight Falls, #2))
To try and fail is at least to learn; to fail to try is to suffer the inestimable loss of what might have been.
Chester I. Barnard
Alright...here's the deal. What's happening in this piece is very simple, over here on this side...you see that there is a very scared little kinda guy over there...wanna know why he's scared? Because this guy over here is trying to eat him.
Chester Bennington
What the...? "Holy S***! You're 250 years old!?" He gives me a wink of his beautiful eye in response. "Surprised?" "Um, hell yeah. Ok, that's pretty much disgusting. Chester the Molester. I've been screwing an ancient artefact!" Dorian & Gabriella
S.L. Jennings (The Dark Prince (Dark Light, #2))
Harold: "It so happens I was discussing great works of literature with Toby." Chester: "Since when is a Twinkies wrapper considered a great work of literature?
James Howe (Bunnicula: A Rabbit-Tale of Mystery (Bunnicula, #1))
Buster was Rant was Buddy. Chester was Chet was Dad. Irene was Mom was Reen. How folks lay claim to their loved ones is they give you a name of their own. They figure to label you as their property.
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
Talent is something rare and beautiful and precious, and it must not be allowed to go to waste.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
Don't ever lean your whole weight on happiness, Jimmy. You fall too hard too hard when it gives away
Chester Himes (Yesterday Will Make You Cry)
Chester had even told Zane to call him Grandpa.
Abigail Roux (Crash & Burn (Cut & Run, #9))
Harold (about max): he looks kinda like a football couch Chester (sarcastically): Yay team rah rah. if he says anything athletic i'll scream max: want to jog? (chester screams).
James Howe (Howliday Inn (Bunnicula, #2))
There are currently three places to obtain food in Dublin, where the prices vary according to whim: Chester’s, the Fae, and the black market. If you ask me, they’re all black. Of course nobody does ask me because nobody sees me because I lay low all the time and I’ve got a boyfriend who isn’t much for talking. I snort. I just thought of Jericho Barrons as my “boyfriend.” I doubt that cataclysm was ever a boy and he certainly can’t be called friendly. It’s official. I’m losing it.
Karen Marie Moning (Burned (Fever, #7))
Odd way to dress for an investigation," Barrons murmured. "She's not Dani anymore," Ryodan clipped. "Would you rather she had on jeans and sneakers?" I said. "I'd rather she had on a fucking suit of armor," Ryodan said cooly. And a chastity belt if I could read the looks in a man's eyes. And I could. "She's a woman, Ryodan," I said softly. "Get used to it. Dancer was right. We need to accept her." (Mac, Barrons and Ryodan as Dani/Jada walks into Chesters)
Karen Marie Moning (Feverborn (Fever, #8))
There was another time when Mike was really foul mood and we had to make a pit stop so he could use a porta potty. Mike went to use the porta potty and we were waiting inside the RV. It was joe’s idea, but we all got out and started to rock the thing back and forth. We didn’t mean to, but we ended up tipping the porta potty over while Mike was in it! Then we attacked him with air freshener
Chester Bennington
You want to bang something too, sonny, you can borrow my shovel!
Abigail Roux (Ball & Chain (Cut & Run, #8))
When you're young artist, it's really important to like pay attention to what you're doing and be honest with yourself and in the creative proccess.
Chester Bennington
They feed back exactly what is given them. Because they do not believe in words - words are for "typeheads," Chester Anderson tells them, and a thought which needs words is just one more of those ego trips - their only proficient vocabulary is in the society's platitudes. As it happens I am still committed to the idea that the ability to think for one's self depends upon one's mastery of the language, and I am not optimistic about children who will settle for saying, to indicate that their mother and father do not live together, that they come from "a broken home." They are sixteen, fifteen, fourteen years old, younger all the time, an army of children waiting to be given the words.
Joan Didion (Slouching Towards Bethlehem)
Chester pointed his fork at Nick’s face. “When I was your age, sonny, they used to say redheads was relations of Satan.” Kelly choked on his breakfast, but Nick just gave Chester an enigmatic smile. “What do they say about you now?” Chester asked him. Nick gave an easy shrug. “They say we have no soul.
Abigail Roux (Ball & Chain (Cut & Run, #8))
uncommon valor was a common virtue
Chester Nimitz
Only one president in this book was a supervillain. Ladies and gentlemen, meet Chester A. Arthur, the Lex Luthor of the American Presidency.
Daniel O'Brien (How to Fight Presidents: Defending Yourself Against the Badasses Who Ran This Country)
Chester's playing filled the station. Like ripples around a stone dropped into still water, the circles of silence spread out from the newsstand. And as people listened, a change came over their faces. Eyes that looked worried grew soft and peaceful; tongues left off chattering; and ears full of the city's rustling were rested by the cricket's melody.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
But I shook my head. I just couldn't go with him. Nor could I tell him it wasn't his public mistreatment that stole my breath and blocked my tongue; it was something too mean to explain. It was the fact that Chester the Fester, the worst man I'd ever seen, even worse in his way than Israel Finch, got a whole new face to look out of and didn't even know to be grateful; while I, my father's son, had to be still and resolute and breathe steam to stay alive.
Leif Enger
Pack couldn’t go home at the conclusion of his shift at the Cunningham Aircraft plant and relax. He wasn’t Chester A. Riley. He was a sheepdog protecting his herd from wolves like Rick Jason. For Simon Pack, there could be no long recovery time. Wolves were on the prowl, and without his vigilance, and those like him, his herd would disappear. He would not permit his America to perish in the flames of hatred. Back to work tomorrow.
John M Vermillion (Packfire (Simon Pack, #9))
…Or he could choose life. At that pivotal moment, it occurred to him that with all his schooling in theology he had, perhaps, missed the entire point of his studies, the very crux of the gospel he had professed to believe. That the measure of a person’s heart, the barometer of good or evil, was nothing more than the extent of their willingness to choose life over death. That the path of God was, simply, the path of life, abundant and eternal. And this is where he failed, for to choose life is to choose sorrow as well as joy, pain as well as pleasure. When Hunter had buried Rachel, he buried along with her his heart, lest it might heal and feel and grow again. And in so doing he had chosen more than death, he had chosen damnation itself, for damnation is nothing more than to stop a thing in its eternal progression. In that first flight from West Chester he had run not only from the horror and pain of death but from life itself.
Richard Paul Evans (The Looking Glass (The Locket, #2))
You get what you design for. Chester, your peer in Development, is spending all his cycles on features, instead of stability, security, scalability, manageability, operability, continuity, and all those other beautiful ’itties.
Gene Kim (The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win)
To paraphrase Muggeridge: Everything is a parable that God is speaking to us, the art of life is to get the message.
Chester Elijah Branch
She silently thanked God for creating such a beautiful universe where anything was possible even when it seemed impossible.
Suzanne Elizabeth Anderson (God Loves You. -Chester Blue)
When you get to mixing sex and religion, it will make anybody crazy.
Chester Himes (The Crazy Kill (Harlem Cycle, #3))
Our culture pushes this idea that romantic love is somehow more significant than other forms of love.
Chester Brown
Who cares if one more light goes out? Well I do
Chester Bennington
When life leaves us blind, love keeps us kind.
Chester Bennington
As the sign over the cash register made clear, the three ways you could get your coffee at Chester’s were sweetened, unsweetened, and somewhere else.
Amor Towles
That [Chester Bowles's] ideas seemed to be a little unfashionable did not bother him. He simply did not take the Russian threat that seriously; he thought the real dangers in the world were those of poverty and hunger. To many liberals he was a comforting throwback to the Roosevelt era; he still stood for things that they believed in but which had recently come under considerable attack.
David Halberstam (The Best and the Brightest)
Some people gave up on their wishes and dreams because they’d been disappointed too many times in life and just didn’t have the courage to keep hoping things would change
Suzanne Elizabeth Anderson (God Loves You. -Chester Blue)
how many people never see how beautiful the sky is at night because they simply don’t take the time to look up?
Suzanne Elizabeth Anderson (God Loves You. -Chester Blue)
Begin the fun, the fun's begun. One for all, and all for one.
Laura Chester
Neatness was not one of the things he aimed at in life.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
You can't be afraid of people willing to hurt you, cause if you fear life, then you will never live.
Chester Bennington
Loving Jesus is not a technique. Do not think about how you can communicate a passion for Jesus to others. Be passionate about him. Meditate on Jesus until he captures your heart afresh.
Tim Chester
Feminists have accepted that choice is possible when it comes to a different, difficult subject: abortion. The feminist position (and I agree with it) is that women own their bodies and therefore each woman has the right to choose to get an abortion if she gets pregnant. This is called being "pro-choice". Feminists should be consistent on the subject of choice. If a woman has the right to choose to have an abortion, she should also have the right to choose to have sex for money. It's her body; it's her right.
Chester Brown (Paying for It)
people don't really want original stories. they want different versions of the same story. this is called meta-narrative.
Chester Elijah Branch (Holy Subtext: Meta-Narrative Trends in Cinema)
I may be President of the United States, but my private life is nobody's damned business
Chester A. Arthur
I know that when things are at their worst, something better is just around the corner if we just put one foot in front of the other and keep moving forward.
Suzanne Elizabeth Anderson (God Loves You. -Chester Blue)
In business, you don't get what you deserve, you get what you negotiate.
Chester L. Karrass
We'd like to think that our music will always be bigger than any one of our individual personalities.
Chester Bennington
The Auden/Kallman relationship had this to be said for it: It affirmed that it's better to be blatant than latent.
Christopher Hitchens
To be lyrical you've got to stuff your ears up and keep other people out of your life- if you have one.
Alfred Chester (Head of a Sad Angel: Stories 1953-1966)
what i really need is a dead man.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
I try so hard and got so far in the end it doesn't even matter
Chester Bennington
Well, no. I'm not saying I'm not enjoying this immensely. She feels heavenly in my arms. Fits perfectly. And if we are fated, the least you can do is let me hold her." Jasper to Dodge (Crossover)
Mireille Chester (Crossover (The Chosen One Trilogy, #1))
Just this once, in the very heart of the busiest of cities, everyone was perfectly content not to move and hardly to breathe. And for those few minutes, while the song lasted, Times Square was still as a meadow at evening, with the sun streaming in on the people there and the wind moving among them as if they were only tall blades of grass.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
There should be a Stage IV of black identity—Unmitigated Blackness. I’m not sure what Unmitigated Blackness is, but whatever it is, it doesn’t sell. On the surface Unmitigated Blackness is a seeming unwillingness to succeed. It’s Donald Goines, Chester Himes, Abbey Lincoln, Marcus Garvey, Alfre Woodard, and the serious black actor. It’s Tiparillos, chitterlings, and a night in jail. It’s the crossover dribble and wearing house shoes outside. It’s “whereas” and “things of that nature.” It’s our beautiful hands and our fucked-up feet. Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations. Unmitigated Blackness is essays passing for fiction. It’s the realization that there are no absolutes, except when there are. It’s the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living. Sitting
Paul Beatty (The Sellout)
How many King Charmings have there been?” Conner asked. “We’ve lost count,” Lampton said. “There are three currently. King Chester had four sons: Chance Charming, Chase Charming, Chandler Charming, and Charlie Charming.” Each of the Charming brothers had his own portrait on the wall. “King Chance Charming is the oldest and is married to Queen Cinderella,” Lampton said, and gestured to the portrait of the man they had just seen in the ballroom. “King Chase Charming is the second oldest and is married to Queen Sleeping Beauty,” Lampton continued. Chase looked exactly like his brother, except he was a bit taller and wore a goatee. “King Chandler Charming is the third oldest and is married to Queen Snow White,” Lampton said. Chandler looked like his brothers, but had the longest hair of all of them. The
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
What's Shlova?" He started behind me. "When did I say that?" "This morning, when we started off. Before you got mad at Dodge. You said,'we better get going, Shlova'." "Oh. Well, it means love." His voice was quiet.
Mireille Chester (Crossover (The Chosen One Trilogy, #1))
I asked God for strength that I might achieve. I was made weak that I might learn to obey. I asked for health that I might do greater things. I was given infirmity that I might do better things. I asked for riches that I might be happy. I was given poverty that I might be wise. I asked for power that I might have the praise of men. I was given weakness that I might feel the need of God. I asked for all things that I might enjoy life. I was given life that I might enjoy all things. I got nothing that I asked for, but everything I hoped for. Almost despite myself, my unspoken prayers were answered. I am, among all men, most richly blessed.
Chester Nimitz
Fan-fucking-tastic. Not only were Jo and Trixie in danger from this master vampire, but Trixie's beleif in my prickishness was fading fast. Priorities. I need to focus on getting Jo free of Chester permanently while protecting Trixie from any backlash from the master vampire. I could always prove to her later that I was a dick.
Jocelynn Drake (The Asylum Interviews: Trixie (The Asylum Tales, #0.6))
Gay rights aren't predicated on being born gay or having the right gene. Gay rights are predicated on having choice and consent. If you're a man and you can find another man that consents to have sex with you, it's the consent that gives you the right to have sex with him. Genetics are irrelevant when it comes to sexual rights. Just as gay rights are based on choice and consent, so are prostitution rights. All sexual rights are based on choice and consent.
Chester Brown (Paying for It)
Quiet! English only!” The dark eyes of a matron bored into me. “English, or you’ll be punished.” I wonder what she said?
Chester Nez (Code Talker: The First and Only Memoir By One of the Original Navajo Code Talkers of WWII)
And I know, when things look the worst is when something new and wonderful is about to happen, if we can just hold on.
Suzanne Elizabeth Anderson (God Loves You. -Chester Blue)
I've never done it before—I don't like doing things I've never done before.
Chester Brown (I Never Liked You: A Comic Strip Narrative)
Tucker the mouse said I learned the value of ecomonicness - which means savings.
George Selden (The Cricket in Times Square (Chester Cricket and His Friends, #1))
how can you read books?
Mélanie Watt (Chester)
One thing can't be defeated is love.You can conquer hate by ignoring it.You can destroy it by loving the person next to you.So I want everybody here tonight to look at the person standing next to you and just tell them you love them or happy that they are here with you tonight and having a good time,listening to music,celebrating life. We don't care what are you look like,we don't care where are you come from,we don't care what you believe in.We love every single one of you out there and nothing will ever change that.With that said let's sing some songs together.
Chester Bennington
That’s the scandal of grace. It means that if you’ve been working hard to be right with God, then you’ve been wasting your time because God welcomes everyone—righteous and unrighteous alike.
Tim Chester (A Meal with Jesus: Discovering Grace, Community, and Mission around the Table)
I said, my phone." I stand at the threshold and look in. The princess has her back to me, and Lor is beyond noticing anything. Ryodan and Barrons are another matter. They're too observant by far. There is also the small matter of the enormous possessiveness I feel where Barrons is concerned. I step inside and place my palm on the interior panel. Two males roar in unison. "Ms. Lane, you will not close-" "Mac, you will give me my f*ucking-" The door hisses closed behind me.
Karen Marie Moning (Burned (Fever, #7))
Drawing a good figure doesn’t make you a good artist. I can name you ten men, right off the bat, who draw better than I do. But I don’t think their work gets as much response as mine. I can’t think of a better man to draw Dick Tracy than Chester Gould, who certainly is no match for Leonardo Da Vinci. But Chester Gould told the story of Dick Tracy. He told the story of Dick Tracy the way it should have been told. No other guy could have done it. It’s not in the draftsmanship, it’s in the man. Like I say, a tool is dead. A brush is a dead object. It’s in the man. If you want to do, you do it. If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands. The only thing I can say is: Caniff was my teacher, Alex Raymond was my teacher, even the guy who drew Toonerville Trolley was my teacher. Whatever he had stimulated me in some way. And I think that’s all you need. You need that stimulation. Stimulation to make you an individual. And the draftsmanship, hang it. If you can decently: learn to control what you can, learn to control what you have, learn to refine what you have. Damn perfection. You don’t have to be perfect. You are never going to do a Sistine Chapel, unless someone ties you to a ceiling. Damn perfection. All a man has in this field is pressure. And I think the pressure supplies a stimulation. You have your own stresses, that will supply your own stimulation. If you want to do it, you’ll do it. And you’ll do it anyway you can.
Jack Kirby
When were you in Christian's bed," Ryodan says softly. I gape. "Dude, you got a serious case of selective hearing, the kind that bleeps out all the important stuff! Who cares when I was in his stupid bed? How the feck did you kill Velvet? You been holding out on me! You need to learn to share your weapons!" "When." There's something in the way he utters that single word that makes me shiver, and I'm hard to rattle. "So, I didn't change in a convenience store! So, shoot me. I need my sword. What're are you going to do to get it back?" I've never seen Ryodan's face go so smooth. It's like it got iced blank of all expression. I've never heard him talk so soft and silky either. "Take her back to Chester's and lock her down. I'll get the sword.
Karen Marie Moning (Iced (Fever, #6))
Chester watched it shining clearly above the picnic grounds. Soon an astronaut would step down off the LEM of Apollo 11 and plant his foot on what had once been hallowed ground. Science would intrude on what for all known time had been the sole domain of poets and dreamers alone: the moon. After that, well -- one thing was for certain: no matter what they found up there, it would never again be as easy for a father to tell his young son that the mysterious ball of light that appeared in the heavens each night was really just a hunk of old cheese floating in the sky. Nothing would ever be that simple again.
Quentin R. Bufogle (Horse Latitudes)
As a result of its investigation, the NIH said that to qualify for funding, all proposals for research on human subjects had to be approved by review boards—independent bodies made up of professionals and laypeople of diverse races, classes, and backgrounds—to ensure that they met the NIH’s ethics requirements, including detailed informed consent. Scientists said medical research was doomed. In a letter to the editor of Science, one of them warned, “When we are prevented from attempting seemingly innocuous studies of cancer behavior in humans … we may mark 1966 as the year in which all medical progress ceased.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
We Navajos believe in witchcraft. Cut hair and fingernail clippings should be gathered and hidden or burned. Such things could be used to invoke bad medicine against their owner. People should not leave parts of themselves scattered around to be picked up by someone else. Even the smallest children knew that.
Chester Nez (Code Talker: The First and Only Memoir By One of the Original Navajo Code Talkers of WWII)
Lovecraft says he knows about tentacles but that motherfucker never bedded a girl from West Chester and survived She was a toothache that one and she tasted like crack the best thing about her was if I was ever hungry I could always make a meal out of whatever was making rest at the corners of her mouth I can't remember her name as is the case with most of them then again I can't remember how many donuts I ate this morning or how many beers I'll drink tonight, tomorrow
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
So we do not read the Bible simply to fill our minds, but to change our hearts. We do not read the Bible simply to be informed, but to be conformed to the image of Jesus. We read the Bible to stir our affections: our fear, our hope, our love, our desire, our confidence. We read it until our heart cries out, 'The Lord is good!
Tim Chester (Everyday Church: Gospel Communities on Mission)
Meet Chester,” Katie said, holding out a plastic bag with a nervous-looking goldfish darting about in the three inches of water. “What happened to Rudy?” Christy asked. Katie had insisted they buy a goldfish on their way home from Bargain Barn last Saturday. She had situated the fish in his new, twenty-five-cent fishbowl and had named him Rudy. She talked to him every day and fed him way too much. “Rudy went to fish heaven this morning,” Katie said sadly. “Chester wants to live with us now.” “You better get him in the bowl pretty soon,” Christy said. “He looks like he’s drowning in that bag.” “Drowning, ha-ha. Very funny.” “Okay, then, he’s suffocating.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes. The man drowned. When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
We're compensated metaphysically with the absolute freedom to define and pursue whatever it is we believe will make our lives worthwhile- a dubious birthright that imparts a wearisome burden of its own. Rather like choosing one all-important meal from an infinite menu.
Chris Chester (Providence of a Sparrow: Lessons from a Life Gone to the Birds)
This was the neighborhood of the cheap addicts, whisky-heads, stumblebums, the flotsam of Harlem; the end of the line for the whores, the hard squeeze for the poor honest laborers and a breeding ground for crime. Blank-eyed whores stood on the street corners swapping obscenities with twitching junkies. Muggers and thieves slouched in dark doorways waiting for someone to rob; but there wasn't anyone but each other. Children ran down the street, the dirty street littered with rotting vegetables, uncollected garbage, battered garbage cans, broken glass, dog offal — always running, ducking and dodging. God help them if they got caught. Listless mothers stood in the dark entrances of tenements and swapped talk about their men, their jobs, their poverty, their hunger, their debts, their Gods, their religions, their preachers, their children, their aches and pains, their bad luck with the numbers and the evilness of white people. Workingmen staggered down the sidewalks filled with aimless resentment, muttering curses, hating to go to their hotbox hovels but having nowhere else to go.
Chester Himes
If you’re a police officer then I want to report that Chink Charlie pushed me out of the window to my death, but God placed the body of Christ on the ground to break my fall.” “It was a basket of bread,” the sergeant corrected. “The body of Christ,” Reverend Short maintained.
Chester Himes (The Crazy Kill (Harlem Cycle, #3))
And it was such a perfect tragedy, wasn’t it? An age-old story, parricide. The Greeks loved parricide, Mr Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the father; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him. But Robin had never envied his father, never wanted anything of his except his recognition, and he hated to see himself reflected in that cold, dead face.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Some of his [Chester Bowles's] friends thought that his entire political career reflected his background, that he truly believed in the idea of the Republic, with an expanded town-hall concept of politics, of political leaders consulting with their constituency, hearing them out, reasoning with them, coming to terms with them, government old-fashioned and unmanipulative. Such governments truly had to reflect their constituencies. It was his view not just of America, but of the whole world. Bowles was fascinated by the political process in which people of various countries expressed themselves politically instead of following orders imposed by an imperious leadership. In a modern world where most politicians tended to see the world divided in a death struggle between Communism and free-world democracies, it was an old-fashioned view of politics; it meant that Bowles was less likely to judge a country on whether or not it was Communist, but on whether or not its government seemed to reflect genuine indigenous feeling. (If he was critical of the Soviet leadership, he was more sympathetic to Communist governments in the underdeveloped world.) He was less impressed by the form of a government than by his own impression of its sense of legitimacy. ... He did not particularly value money (indeed, he was ill at ease with it), he did not share the usual political ideas of the rich, and he was extremely aware of the hardships with which most Americans lived. Instead of hiring highly paid consultants and pollsters to conduct market research, Bowles did his own canvassing, going from door to door to hundreds of middle- and lower-class homes. That became a crucial part of his education; his theoretical liberalism became reinforced by what he learned about people’s lives during the Depression.
David Halberstam (The Best and the Brightest)
The Christian community demonstrates the effectiveness of the gospel. We are the living proof that the gospel is not an empty word but a powerful word that takes men and women who are lovers of self and transforms them by grace through the Spirit into people who love God and others. We are the living proof that the death of Jesus was not just a vain expression of God’s love but an effective death that achieved the salvation of a people who now love one another sincerely from a pure
Tim Chester (Everyday Church: Gospel Communities on Mission (Re:Lit))
Before they are preachers, leaders or church planters, the disciples are to be lovers! This is the test of whether or not they have known Jesus. This remains the case today: this cross-love is the primary, dynamic test of whether or not we have understood the gospel word and experienced its power...It is our cross-love for each other that proclaims the truth of the gospel to a watching and skeptical world. Our love for one another, to the extent that it imitates and conforms to the cross-love of Jesus for us, is evangelistic. pp. 56-7
Tim Chester (Total Church: A Radical Reshaping around Gospel and Community (Re:lit))
It was out of this river that the assassin's bullet came, regardless of who pulled the trigger or why. We accept, with the authorities, the guilt of the lonely psychopath because it tells a truth if not a fact. It dramatizes the refusal of Unreason to be silenced any longer by man's, Europe's,idea that he, Reason, rules the world. Humanism, however pretty, isn't for us because nature isn't human, and man willy nilly is of nature. Nature is unreason and God. It is the madness that runs through our lives and connects us to the stars in a way no rocket ship can ever duplicate. It connects us to all living things and to ourselves. To name this madness Holy doesn't promise peace or prosperity; it promises only a reason for being, a reinvestment of life into the dead matter of which the universe is now composed.
Alfred Chester
Of course the activists—not those whose thinking had become rigid, but those whose approach to revolution was imaginatively anarchic—had long ago grasped the reality which still eluded the press: we were seeing something important. We were seeing the desperate attempt of a handful of pathetically unequipped children to create a community in a social vacuum. Once we had seen these children, Ave could no longer overlook the vacuum, no longer pretend that the society’s atomization could be reversed. This was not a traditional generational rebellion. At some point between 1945 and 1967 we had somehow neglected to tell these children the rules of the game we happened to be playing. Maybe we had stopped believing in the rules ourselves, maybe we were having a failure of nerve about the game. Maybe there were just too few people around to do the telling. These were children who grew up cut loose from the web of cousins and great-aunts and family doctors and lifelong neighbors who had traditionally suggested and enforced the society’s values. They are children who have moved around a lot, San Jose, Chula Vista, here. They are less in rebellion against the society than ignorant of it, able only to feed back certain of its most publicized self-doubts, Vietnam, Saran-Wrap, diet pills, the Bomb. They feed back exactly what is given them. Because they do not believe in words—words are for “typeheads,” Chester Anderson tells them, and a thought which needs words is just one more of those ego trips—their only proficient vocabulary is in the society’s platitudes. As it happens I am still committed to the idea that the ability to think for one’s self depends upon one’s mastery of the language, and I am not optimistic about children who will settle for saying, to indicate that their mother and father do not live together, that they come from “a broken home.” They are sixteen, fifteen, fourteen years old, younger all the time, an army of children waiting to be given the words.
Joan Didion (Slouching Towards Bethlehem)