“
[about suicide] And why is it the biggest sin of all? All your life you're told that you'll be going to this marvellous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queuejumping. But if someone jumps the queue at the Post Office, people tut. Or sometimes they say, “Excuse me, I was here first.” They don't say, “You will be consumed by hellfire for all eternity.” That would be a bit strong.
”
”
Nick Hornby (A Long Way Down)
“
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
”
”
Charles de Lint (Moonlight and Vines (Newford, #6))
“
Though recognition's been delayed by its circuitous construction, now the pattern, long concealed, emerges into view. Is it not fine? Is it not simple, and elegant, and severe? How strange, after the long exacting toil of preparation, it takes only the slightest effort and less thought to send this brief, elaborate amusement on its breathless, hurtling race. The merest touch, no more, and everything falls into place. The pieces can't perceive as we the mischief their arrangement tempts. Those stolid law-abiding queues, so pregnant with catastrophe. Insensible before the wave so soon released by callous fate. Affected most, they understand the least, and understanding, when it comes, invariably arrives too late.
”
”
Alan Moore (V for Vendetta)
“
All schooboys had been to the stores and had noticed the long queues, and knew that the most used word in the Soviet lexicon was "shortage.
”
”
Alexei Navalny (Patriot: A Memoir)
“
Because of a streak of dreaminess and a gentle abstraction in his nature, Victor in any queue was always at its very end. He had long since grown used to this handicap, as one grows used to weak sight or a limp.
”
”
Vladimir Nabokov (Pnin (Everyman's Library))
“
Whore. How many men had embraced her? How many gritty chins against her cheek? Always something to be endured. All of them punishing her for their need. Monotony had made them seem laughable, a long queue of the weak, the hopeful, the ashamed, the angered, the dangerous. How easily one grunting body replaced the next, until they became abstract things, moments of a ludicrous ceremony, spilling bowel-hot libations upon her, smearing her with their meaningless paint. One no different from the next.
”
”
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
“
There were upsides to the whole mess. While Douglas was holding me hostage, I’d met a girl—I mean, screw dating websites and house parties; apparently all the really eligible ladies are being held in cages these days. I would have liked to see Brid fill out a dating questionnaire, though. What would she put? “Hi, my name is Bridin Blackthorn. I’m next in line to rule the local werewolf pack. I like long walks on the beach and destroying my enemies. I have four older brothers, so watch your step. We’ll be forming a queue to the left for potential suitors.”
And, trust me, there would be a queue.
”
”
Lish McBride (Necromancing the Stone (Necromancer, #2))
“
When we reached the bus-stop we were a long way behind in the queue and when the bus came it took only half a dozen people. I noticed a group of priests looking down on us from the upper deck and I felt that somehow the Pope and his Dogmas had triumphed after all.
”
”
Barbara Pym (Excellent Women)
“
I came to realize that a female employee is more afraid of losing her job than a prostitute is of losing her life. An employee is scared of losing her job and becoming a prostitute because she does not understand that the prostitute’s life is in fact better than hers. And so she pays the price of her illusory fears with her life, her health, her body, and her mind. She pays the highest price for things of the lowest value. I now knew that all of us were prostitutes who sold themselves at varying prices, and that an expensive prostitute was better than a cheap one. I also knew that if I lost my job, all I would lose with it was the miserable salary, the contempt I could read every day in the eyes of the higher level executives when they looked at the lesser female officials, the humiliating pressure of male bodies on mine when I rode in the bus, and the long morning queue in front of a perpetually overflowing toilet.
”
”
Nawal El Saadawi (Woman at Point Zero)
“
Also a fan of being inscrutable, Franco once said, 'You are a the slave of what you say and the master of what you don't say.' He might have added that that approach isn't always guaranteed to work. If you attempt, for example, to be sphinx-like, mysterious and enigmatic when you get to the front of a long queue at the chip shop, you do risk being punched quite hard in the back of the head.
”
”
Alexei Sayle (Stalin Ate My Homework)
“
The Red Lamp, the army brothel, was around the corner in the main street. I had seen a queue of a hundred and fifty men waiting outside the door, each to have his short turn with one of the three women in the house. My servant, who had stood in the queue, told me that the charge was ten francs a man – about eight shillings at that time. Each woman served nearly a battalion of men every week for as long as she lasted. According to the assistant provost-marshal, three weeks was the usual limit: ‘after which she retired on her earnings, pale but proud.
”
”
Robert Graves (Goodbye to All That)
“
Nathaniel Upchurch. Margaret couldn’t believe it. Gone were the pale features, the thin frame, the hesitant posture, the spectacles. Now broad shoulders strained against his cutaway coat. Form-fitting leather breeches outlined muscular legs. The unfashionable dark beard emphasized his sharp cheekbones and long nose. His skin was golden brown. His hair unruly, some escaping its queue. Even his voice sounded different—lower, harsher, yet still familiar.
”
”
Julie Klassen (The Maid of Fairbourne Hall)
“
Carlyle, in his French Revolution, has described the French people as distinguished above all others by their faculty of standing in queue. Russia had accustomed herself to the practice, begun in the reign of Nicholas the Blessed as long ago as 1915, and from then continued intermittently until the summer of 1917, when it settled down as the regular order of things.
”
”
John Reed (Ten Days that Shook the World)
“
Jamie, who had insisted on walking most of the way to spare the horse, was a disreputable sight indeed, hose stained to the knees with reddish dust, spare shirt torn by brambles and a week’s growth of beard bristling fiercely from cheek and jaw. His hair had grown long enough in the last months to reach his shoulders. Usually clubbed into a queue or laced back, it was free now, thick and unruly, with small bits of leaf and stick caught in the disordered coppery locks. Face burned a deep ruddy bronze, boots cracked from walking, dirk and sword thrust through his belt, he looked a wild Highlander indeed.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Now we see it, lying in the middle of the road. A swan, a mute swan. It looks like an offcut of organza, crumpled around the edges, twitching. As we pass we see its long neck has buckled into its body like a folding chair. We see its wings are tucked back as if the tar is liquid and the swan is swimming.
There are two men and a woman in the road. One man is standing on the tar, the other is directing the traffic. The woman is kneeling down beside the swan. I think she is crying, she seems to be crying, and this makes me suddenly angry. I think of all the other creatures we’ve seen since we set out. I think of the rat, the fox, the kitten, the badger. I think of the jackdaw, did you see the jackdaw? We passed it in the queue to pass the swan. Its beak was cracked open, its brains squeeged out. Why didn’t anybody stop for the jackdaw? Because the swan looks like a wedding dress, that’s why. Whereas the jackdaw looks like a bin bag. Because this is how people measure life.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
They all wore short hair, some few inches at most; some curly, some not; all light and clean and fresh-looking.
“If only their hair was long,” Jeff would complain, “they would look so much more feminine.”
I rather liked it myself, after I got used to it. Why should we admire a “woman’s crown of hair” and not admire a Chinaman’s queue is hard to explain, except that we are so convinced that long hair “belongs” to a woman. Whereas the “mane” in horses is on both, and on lions, buffaloes, and such creatures only on the male.
”
”
Charlotte Perkins Gilman (Herland and Selected Stories)
“
Even though your Netflix queue is four years long, somehow nothing looks good!
”
”
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
“
Back in Moscow our finest minds are working on the bread supply system, and yet there are such long queues in every bakery and grocery store. Here in London live millions of people, and we have passed today in front of many shops and supermarkets, yet I haven’t seen a single bread queue. Please take me to meet the person in charge of supplying bread to London. I must learn his secret.’ The hosts scratched their heads, thought for a moment, and said: ‘Nobody is in charge of supplying bread to London.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
”
”
Henry Miller (Black Spring)
“
Be apprised, though, that the Maine Lobster Festival’s democratization of lobster comes with all the massed inconvenience and aesthetic compromise of real democracy. See, for example, the aforementioned Main Eating Tent, for which there is a constant Disneyland-grade queue, and which turns out to be a square quarter mile of awning-shaded cafeteria lines and rows of long institutional tables at which friend and stranger alike sit cheek by jowl, cracking and chewing and dribbling. It’s hot, and the sagged roof traps the steam and the smells, which latter are strong and only partly food-related. It is also loud, and a good percentage of the total noise is masticatory.
”
”
David Foster Wallace
“
Work takes a long time to complete because it sits in queues waiting for stuff to happen. It's not unusual for wait times to be more than 80% of the total time. Many organizations are blind to the queue problem. They tend to focus on resource efficiency instead of applying systems thinking to improve the efficiency of the whole system, end to end.
”
”
Dominica Degrandis (Making Work Visible: Exposing Time Theft to Optimize Work & Flow)
“
But you are losing money every day you are here. It's always that thing: if I hang in here just a little bit longer, things may happen.
(...)
No matter what you want to do in London, there's a million others who are in the queue ahead of you. Everything is always a hassle, because there is just so many people wanting to do the same shit at the same time. No matter what it is. And no matter what cool idea you've had, there's somebody else who's already done it. And they're usually younger, richer and more well-connected than you.
(...)
London is like any other kind of addiction, really. You get 5 per cent entertainment out of it, and that makes you suffer through the other 95 per cent of it.
”
”
Craig Taylor (Londoners: The Days and Nights of London Now - As Told by Those Who Love It, Hate It, Live It, Left It, and Long for It)
“
You know, Jean’s slapped me out of a lot of moods like the one you’re in right now.” Locke took a long pull on his beer. “You’re taking the world awfully personally. Didn’t Chains ever tell you about the Golden Theological Principle?” “The what?” “The single congruent aspect of every known religion. The one shared, universal assumption about the human condition.” “What is it?” “He said that life boils down to standing in line to get shit dropped on your head. Everyone’s got a place in the queue, you can’t get out of it, and just when you start to congratulate yourself on surviving your dose of shit, you discover that the line is actually circular.” “I’m just old enough to find that distressingly accurate.
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
The government desires to purchase; it desires to use the market, not to disorganize it. But the officially-fixed price does disorganize the market in which commodities and services are bought and sold for money. Commerce, so far as it is able, seeks relief in other ways. It re-develops a system of direct exchange, in which commodities and services are exchanged without the instrumentality of money. Those who are forced to dispose of commodities and services at the fixed prices do not dispose of them to everybody, but merely to those to whom they wish to do a favour. Would-be purchasers wait in long queues in order to snap up what they can get before it is too late; they race breathlessly from shop to shop, hoping to find one that is not yet sold out.
”
”
Ludwig von Mises (The Theory of Money and Credit)
“
Together with all this there was something of the evil atmosphere of war. The town had a gaunt untidy look, roads and buildings were in poor repair, the streets at night were dimly lit for fear of air — raids, the shops were mostly shabby and half-empty. Meat was scarce and milk practically unobtainable, there was a shortage of coal, sugar, and petrol, and a really serious shortage of bread. Even at this period the bread-queues were often hundreds of yards long. Yet so far as one could judge the people were contented and hopeful. There was no unemployment, and the price of living was still extremely low; you saw very few conspicuously destitute people, and no beggars except the gipsies. Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. Human beings were trying to behave as human beings and not as cogs in the capitalist machine.
”
”
George Orwell (Homage to Catalonia)
“
ON THE A TRAIN
There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
”
”
Maeve Brennan
“
Jessica stared at her son, seeing the oval shape of face so like her own. But the hair was the Duke’s—coal-colored and tousled. Long lashes concealed the lime-toned eyes. Jessica smiled, feeling her fears retreat. She was suddenly caught by the idea of genetic traces in her son’s features—her lines in eyes and facial outline, but sharp touches of the father peering through that outline like maturity emerging from childhood. She thought of the boy’s features as an exquisite distillation out of random patterns—endless queues of happenstance meeting at this nexus.
”
”
Frank Herbert (Dune (Dune, #1))
“
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle!
...
He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.
”
”
Fredrik Backman (Anxious People)
“
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle!
...
He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.
...
There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
”
”
Fredrik Backman (Anxious People)
“
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop.
My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair.
Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
”
”
Frank H. Wu (Yellow)
“
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?'
I mumbled some noncommittal response.
'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me.
I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant.
'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear.
He cleared his throat and read the first poem.
There once was a lady most beautiful
Spirited, if a little unusual
Her friends were few
But how the men did queue
But to all she gave a refusal.
My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile.
Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers.
'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands.
Unusual. Queue. I looked at the second poem. Slaying. Conflagration.
'These are-' I stared.
'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.'
I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all.
When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The trends speak to an unavoidable truth. Society's future will be challenged by zoonotic viruses, a quite natural prediction, not least because humanity is a potent agent of change, which is the essential fuel of evolution. Notwithstanding these assertions, I began with the intention of leaving the reader with a broader appreciation of viruses: they are not simply life's pathogens. They are life's obligate partners and a formidable force in nature on our planet. As you contemplate the ocean under a setting sun, consider the multitude of virus particles in each milliliter of seawater: flying over wilderness forestry, consider the collective viromes of its living inhabitants. The stunnig number and diversity of viruses in our environment should engender in us greater awe that we are safe among these multitudes than fear that they will harm us.
Personalized medicine will soon become a reality and medical practice will routinely catalogue and weigh a patient's genome sequence. Not long thereafter one might expect this data to be joined by the patient's viral and bacterial metagenomes: the patient's collective genetic identity will be recorded in one printout. We will doubtless discover some of our viral passengers are harmful to our health, while others are protective. But the appreciation of viruses that I hope you have gained from these pages is not about an exercise in accounting. The balancing of benefit versus threat to humanity is a fruitless task. The viral metagenome will contain new and useful gene functionalities for biomedicine: viruses may become essential biomedical tools and phages will continue to optimize may also accelerate the development of antibiotic drug resistance in the post-antibiotic era and emerging viruses may threaten our complacency and challenge our society economically and socially. Simply comparing these pros and cons, however, does not do justice to viruses and acknowledge their rightful place in nature.
Life and viruses are inseparable. Viruses are life's complement, sometimes dangerous but always beautiful in design. All autonomous self-sustaining replicating systems that generate their own energy will foster parasites. Viruses are the inescapable by-products of life's success on the planet. We owe our own evolution to them; the fossils of many are recognizable in ERVs and EVEs that were certainly powerful influences in the evolution of our ancestors. Like viruses and prokaryotes, we are also a patchwork of genes, acquired by inheritance and horizontal gene transfer during our evolution from the primitive RNA-based world.
It is a common saying that 'beauty is in the eye of the beholder.' It is a natural response to a visual queue: a sunset, the drape of a designer dress, or the pattern of a silk tie, but it can also be found in a line of poetry, a particularly effective kitchen implement, or even the ruthless efficiency of a firearm. The latter are uniquely human acknowledgments of beauty in design. It is humanity that allows us to recognize the beauty in the evolutionary design of viruses. They are unique products of evolution, the inevitable consequence of life, infectious egotistical genetic information that taps into life and the laws of nature to fuel evolutionary invention.
”
”
Michael G. Cordingley (Viruses: Agents of Evolutionary Invention)
“
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets
returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted
stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one
eye on the black-and-white television in the distance; of the old booksellers who lurch from
one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of
the barbers who complain that men don’t shave as much after an economic crisis; of the
children who play ball between the cars on cobblestoned streets; of the covered women
who stand at remote bus stops clutching plastic shopping bags and speak to no one as they
wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of
the teahouses packed to the rafters with unemployed men; of the patient pimps striding up
and down the city’s greatest square on summer evenings in search of one last drunken
tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of
the wooden buildings whose every board creaked even when they were pashas’ mansions,
all the more now that they have become municipal headquarters; of the women peeking
through their curtains as they wait for husbands who never manage to come home in the
evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in
the courtyards of mosques; of the tens of thousands of identical apartment house entrances,
their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries
on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the
markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled;
of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the
pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold
mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of
the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the
smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings,
now porn cinemas frequented by shamefaced men; of the avenues where you never see a
woman alone after sunset; of the crowds gathering around the doors of the state-controlled
brothels on one of those hot blustery days when the wind is coming from the south; of the
young girls who queue at the doors of establishments selling cut-rate meat; of the holy
messages spelled out in lights between the minarets of mosques on holidays that are
missing letters where the bulbs have burned out; of the walls covered with frayed and
blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces
in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow
alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose
lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like
gateways to a second world, and of their cypress trees; of the dim lights that you see of an
evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets
who try to sell the same packet of tissues to every passerby; of the clock towers no one ever
notices; of the history books in which children read about the victories of the Ottoman
Empire and of the beatings these same children receive at home; of the days when
everyone has to stay home so the electoral roll can be compiled or the census can be taken;
of the days when a sudden curfew is announced to facilitate the search for terrorists and
everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
”
”
Orhan Pamuk (Istanbul: Memories and the City)
“
that seaweedy smell of the sea on an indented coast. It was strange to smell it so unpreparedly in such unsealike surroundings. It was still more strange to come on it suddenly as a small green pool among the hills. Only the brown surge of the weed along the rocks proclaimed the fact that it was ocean and not moor loch. But as they swept into Garnie with all the éclat of the most important thing in twenty-four hours, the long line of Garnie sands lay bare in the evening light, a violet sea creaming gently on their silver placidity. The car decanted him at the flagged doorway of his hostelry, but, hungry as he was, he lingered in the door to watch the light die beyond the flat purple outline of the islands to the west. The stillness was full of the clear, far-away sounds of evening. The air smelt of peat smoke and the sea. The first lights of the village shone daffodil-clear here and there. The sea grew lavender, and the sands became a pale shimmer in the dusk.
”
”
Josephine Tey (The Man in the Queue (Inspector Alan Grant, #1))
“
We are always awaiting the Messiah that never arrives. I long for bygone days where every dawn brought a new eschatology and an interminable queue of prophets preached humanity’s impending salvation as if it were syndicated. It must have been joyous to receive a fresh messiah weekly, and to be regaled with inspiring tales of the glory that lay ahead.
”
”
Simon Brass (Lamentations on the Nothingness of Being)
“
I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement.
“Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil.
The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway.
“Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub.
Tory’s lip curled back as she glared at me with poison in her gaze.
“We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes.
“Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not.
Tory moved to intercept me and Caleb joined her too like a prime asshole.
“You don’t fucking touch her again,” Tory growled.
I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight.
“Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy.
“Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy.
I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave.
You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her?
I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue.
Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more.
I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair.
Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces.
“Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night.
I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that.
(ORION POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
You can only keep up the precarious act of sustaining this fantasy of a better world for so long when not much has actually changed in our favor. But as long as there's something new in our queue, after binging on a season or two, we can move on, forestalling a confrontation with the shallow, messy world we ultimately inhabit.
”
”
Anthony Veasna So (Songs on Endless Repeat: Essays and Outtakes)
“
Queueing is the national passion of an otherwise dispassionate race. The English are rather shy about it, and deny that they adore it.
”
”
George Mikes (How to be a Brit: The hilariously accurate, witty and indispensable manual for everyone longing to attain True Britishness)
“
What else can he do?” Talbot reached forward to queue up another video. “A lot. But reaching most of the genes, even using a genome sequencing process like CRISPR, takes a long time. Too long for your schedule.” She stared at Bullman. “What we need…is that sample.
”
”
Michael C. Grumley (Mosaic (Breakthrough, #5))
“
I joined a long queue of people at the check-out. ‘And what did you do today?’ I felt like asking them, annoyed that an important neurosurgeon like myself should be kept waiting after such a triumphant day’s work.
”
”
Henry Marsh (Do No Harm: Stories of Life, Death and Brain Surgery)
“
I'm not writing this with any expectation or to put pressure on you. That's not what this is. I have just held on to this for too long now so I've got to get it off my chest. I like you. I like you so much I think I might love you, only I don't think a person can really be in love in an entirely one-sided way. And I need to know how you feel about me.
”
”
Kay Kerr (Social Queue)
“
How to Use the Biker Service for CNIC Applications
In an effort to streamline the application process for CNICs (Computerized National Identity Cards) and make government services more accessible, the Biker Service has been introduced as a part of Pakistan’s initiative to modernize its registration systems. This service allows citizens to complete their CNIC applications from the comfort of their homes through mobile service officers who assist in the process. Here’s a guide on how to effectively use the Biker Service for your CNIC application.
1. What is the Biker Service?
The Biker Service is an outreach program that sends mobile registration officers directly to applicants’ homes. This service is especially beneficial for individuals who face difficulties visiting local NADRA (National Database and Registration Authority) centers due to health, age, or mobility issues. It provides doorstep assistance to ensure all parts of the CNIC application, including biometric verification and photo capture, are done seamlessly.
2. Key Benefits
Convenience: Eliminates the need to visit physical centers.
Time-Saving: Reduces waiting times associated with in-person visits.
Accessibility: Helps those in remote or underserved areas complete their applications.
Professional Assistance: Ensures the application is correctly filled and all necessary steps are completed.
3. Steps to Use the Biker Service for CNIC Applications
Booking an Appointment:
Contact NADRA’s helpline or visit their online service portal to schedule a biker appointment.
Provide your personal details and address to confirm the visit.
Prepare Required Documents:
Ensure that you have all necessary documents ready, such as your old CNIC (if renewing), a copy of your birth certificate, or any relevant supporting paperwork for a new CNIC application.
The Biker Visit:
On the scheduled day, a NADRA officer on a motorcycle will arrive at your address.
The officer will verify your identity, take your photograph, and collect your biometric data (fingerprints and thumb impressions) directly at your home.
Completion and Confirmation:
The mobile officer submits your application to the NADRA system.
You will receive a receipt or application tracking number for follow-up.
Payment and Fees:
The cost of the Biker Service includes standard CNIC processing fees plus an additional convenience charge. Ensure you have the means to make a payment, whether via cash or through any payment method recommended during the booking.
4. Tracking Your Application
Once your application is submitted, you can track its progress using NADRA’s online tracking system. Enter your application or tracking number to check the status and receive updates on when your CNIC will be ready for collection or delivery.
Final Thoughts
The Biker Service by NADRA is a major advancement in making government services more user-friendly and accessible to a broader population. It saves applicants from the hassle of traveling and long queues, making it especially useful for senior citizens, individuals with disabilities, and those living in remote areas. If you’re eligible and looking for a hassle-free way to apply for a CNIC, this service is a great option to consider.
”
”
Abdul Rehman
“
Maisie was next, and stepped up to vote. She wondered how many hands had trembled already today, holding their pencils over the ballots, with all the little boxes. Did most women take to their new, belated right with aplomb, or did they take their time, marveling over the beauty of it all, the silent speech that would be heard?
Or did they think, like she did, that there was a long queue behind her and she had to get to work.
She wrote a thick X, drew over it twice, and dropped the paper in the ballot box.
That’s how you spell a shout. With an X.
”
”
Sarah-Jane Stratford (Radio Girls)
“
Well, say you write a handler and it requires a lot of computation — that is, something that takes a long time to compute. As long as your handler is chugging along computing, I’m sitting around waiting until it’s done. Only then can I continue with the queue.
”
”
Eric Freeman (Head First JavaScript Programming: A Brain-Friendly Guide)
“
Q
I join the queue
We move up nicely.
I ask the lady in front
What are we queuing for.
'To join another queue,'
She explains.
'How pointless,' I say,
'I'm leaving.' She points
To another long queue.
'Then you must get in line.'
I join the queue.
We move up nicely.
”
”
Roger McGough
“
Ironically both of them were on the pavement that night to escape their past and all that had circumscribed their lives so far. And yet, in order to arm themselves for battle, they retreated right back into what they sought to escape, into what they were used to, into what they really were. He, a revolutionary trapped in an accountant’s mind. She, a woman trapped in a man’s body. He, raging at a world in which the balance sheets did not tally. She, raging at her glands, her organs, her skin, the texture of her hair, the width of her shoulders, the timbre of her voice. He, fighting for a way to impose fiscal integrity on a decaying system. She, wanting to pluck the very stars from the sky and grind them into a potion that would give her proper breasts and hips and a long, thick plait of hair that would swing from side to side as she walked, and yes, the thing she longed for most of all, that most well stocked of Delhi’s vast stock of invectives, that insult of all insults, a Maa ki Choot, a mother’s cunt. He, who had spent his days tracking tax dodges, pay-offs and sweetheart deals. She, who had lived for years like a tree in an old graveyard, where, on lazy mornings and late at night, the spirits of the old poets whom she loved, Ghalib, Mir and Zauq, came to recite their verse, drink, argue and gamble. He, who filled in forms and ticked boxes. She, who never knew which box to tick, which queue to stand in, which public toilet to enter (Kings or Queens? Lords or Ladies? Sirs or Hers?). He, who believed he was always right. She, who knew she was all wrong, always wrong. He, reduced by his certainties. She, augmented by her ambiguity. He, who wanted a law. She, who wanted a baby. A circle formed around
”
”
Arundhati Roy (Ministry of Utmost Happiness)
“
Myron kept his eye on Patrick, but he also couldn’t help but watch Big Cyndi work the crowd. Thirty seconds after she got back into action, the queue to have a photo taken with her was so long the Naked Cowboy looked at her askance. She glanced at Myron. Myron gave her a big thumbs-up. Here
”
”
Harlan Coben (Home (Myron Bolitar, #11))
“
A long queue had formed at L'Arc. Back then, the disco was more a gay establishment than the metrosexual club it is today. It attracted an international gay and lesbian-friendly crowd, many who were either celebrities or on the way to becoming famous. Ubaid
”
”
Young (Initiation (A Harem Boy's Saga Book 1))
“
I pass the bakery on the corner, the smells hitting me before I reach the shop itself. They are thick and sweet. Cars are double-parked down our street, locals dashing from the passenger doors to pick up their breakfast. A long queue snakes from the entrance. Inside there are piles of pork buns, slices of dark honey cake, rolls topped with pork floss, bread with ham laid on top and stuck fast with melted cheese. It is a different smell from bakeries back home. I tried a loaf of bread once, but the slices are thin and sugary.
”
”
Hannah Tunnicliffe (The Color of Tea)
“
By the Markovian and stationary properties of the CTMC, the probability that the CTMC leaves state i in the next t seconds is independent of how long the CTMC has already been in state i. That is, P{τi > t + s | τi > s} = P{τi > t} . Question: What does this say about τi? Answer: This says that τi is memoryless. But this means τi is Exponentially distributed!
”
”
Mor Harchol-Balter (Performance Modeling and Design of Computer Systems: Queueing Theory in Action)
“
for periodic chains, when the solution to the stationary equations exists, it does not represent the limiting distribution, but rather it represents the long-run time-average fraction of time spent in each state.
”
”
Mor Harchol-Balter (Performance Modeling and Design of Computer Systems: Queueing Theory in Action)
“
[I had a very surreal experience with a coach ‘justifying’ his methods. He set up a shooting practice for under-12s that contained a long queue of players, something in itself that is thoroughly frowned upon. When challenged, the coach insisted that his aim was to “identify technique in each individual player and work to rectify it”. The first shot taken went high and wide and the coach told him to “go fetch his own s**t”. That was not the technical detail I was expecting!]
”
”
Ray Power (Making The Ball Roll: A Complete Guide to Youth Football for the Aspiring Soccer Coach)
“
Whenever you look in front and see a lot of people ahead of you, take time to look at the long queue behind you. Let us live a life of contentment.
”
”
Martin Moore
“
A great tide of civilization governs how humans do things. When that tide goes out, we centralize, establish command and control structures, and attempt to find efficiencies in large batches and long queues. When the water starts to come back in, we break down those structures, start to drive control down into the hands of 'common' folk, and attempt to find efficiencies in the quick decisions that get made by people closest to the problem. The tide is coming back in and will probably continue to ebb that direction for the lifespan of anyone alive at the time of this writing.
”
”
Max Guernsey III (Test-Driven Database Development: Unlocking Agility)
“
In China, the transition has been to abrupt that many traffic patterns come directly from pedestrian life - people drive the way they walk. They like to move in packs, and they tailgate whenever possible. They rarely use turn signals. Instead they rely on automobile body language: if a car edges to the left, you can guess that he's about to make a turn. And they are brilliant at improvising. They convert sidewalks into passing lanes, and they'll approach a roundabout in reverse direction if it seems faster. If they miss an exit on a highway, they simply pull onto the shoulder, shift into reverse, and get it right the second time. They curb-sneak in traffic jams, the same way Chinese people do in ticket lines. Tollbooths can be hazardous, because a history of long queues has conditioned people into quickly evaluation options and making snap decisions. When approaching a toll, drivers like to switch lanes at the last possible instant: it's common to see an accident right in front of a booth. Drivers rarely check their rearview mirrors. Windshield wipers are considered a distraction, and so are headlights.
”
”
Peter Hessler (Country Driving: A Journey Through China from Farm to Factory)
“
When the Manchus conquered China 200 years ago, they forced men to wear queues, like the long tails of horses. If you didn’t wear a queue you’d be put to death. But also, if we cut our hair we are dishonouring our ancestors. Every part of us comes from them.
”
”
Julie Lawson (White Jade Tiger)
“
Much water has flown under Tiber's bridges, carrying away splendour and mystery from Rome, since the pontificate of Pius XII. The essentials, I know, remain firmly entrenched and I find the post-Conciliar Mass simpler and generally better than the Tridentine; but the banality and vulgarity of the translations which have ousted the sonorous Latin and little Greek are of a super-market quality which is quite unacceptable. Hand-shaking and embarrassed smiles or smirks have replaced the older courtesies; kneeling is out, queueing is in, and the general tone is rather like a BBC radio broadcast for tiny tots (so however will they learn to put away childish things?) The clouds of incense have dispersed, together with many hidebound, blinkered and repressive attitudes, and we are left with social messages of an almost over-whelming progressiveness. The Church has proved she is not moribund. ‘All shall be well,’ I feel, ‘and all manner of things shall be well,’ so long as the God who is worshipped is the God of all ages, past and to come, and not the idol of Modernity, so venerated by some of our bishops, priests and mini-skirted nuns.
”
”
Alec Guinness (Blessings in Disguise)
“
KEY POINTS A good launch is like a Hollywood movie: You first hear about it far in advance, then you hear more about it before the debut, then you watch as crowds of people anxiously queue up for the opening. A good launch blends strategy with tactics. Strategy refers to “why” questions such as story, offer, and long-term plan. Tactics refers to “how” questions such as timing, price, and specific pitch. A series of regular communications with prospects before the launch will help you re-create the Hollywood experience with an audience of any size. Tell a good story and be sure to consider the question of timeliness: Why should people care about your offer now? Use the Thirty-Nine-Step Product Launch Checklist as a model. Not every step may apply to you, and you may want to add steps of your own.
”
”
Anonymous
“
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will.
She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips.
Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves
she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence.
“We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to
know we outnumbered you.”
He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness…
“It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers.
He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men.
“I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own
and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman.
“What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.”
Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the
Ruby Cross.”
How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong.
The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate.
Bloody hell.
”
”
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
“
The Queue consists entirely of fragments of ochered’ dialogue, a linguistic vernacular anchored by the long-suffering word stoyat’ (to stand). You stood? Yes, stood. Three hours. Got damaged ones. Wrong size. Here’s what the line wasn’t: a gray inert nowhere. Imagine instead an all-Soviet public square, a hurly-burly where comrades traded gossip and insults, caught up with news left out of the newspapers, got into fistfights, or enacted comradely feats. In the thirties the NKVD had informers in queues to assess public moods, hurrying the intelligence straight to Stalin’s brooding desk. Lines shaped opinions and bred ad hoc communities: citizens from all walks of life standing, united by probably the only truly collective authentic Soviet emotions: yearning and discontent (not to forget the unifying hostility toward war veterans and pregnant women, honored comrades allowed to get goods without a wait).
”
”
Anya von Bremzen (Mastering the Art of Soviet Cooking: A Memoir of Food and Longing)
“
I dreamt of paradise for long,
Kept my patience intact,
But when sourness hit the bong,
I couldn't bear the fact.
The sky has its limit,
So do I,
Hold back and sit,
It's always been a bye.
The touch of reality,
Never touched you,
It's been my fantasy,
Waiting in the queue.
Differences are many,
Likenesses are few,
Something so uncanny,
Always existed in my hue.
Deep into the vault,
I will bury,
This everlasting cult,
Not in hurry,Not in fury.
”
”
Bikash Chaurasiya
“
In reality, you are at the back of a long queue of men who would not take me on. You know that good feeling you just had? How nice it felt to be special to someone? Please realize I have never experienced that feeling in return.
”
”
Sally Thorne (Angelika Frankenstein Makes Her Match)
“
Stung, I nod coolly at him and turn back to face forwards in the queue, my face burning. This reminds me a bit of being at school, watching the cool kids and longing to be a part of them but being utterly dismissed as being below their notice.
”
”
Lily Morton (The Mysterious and Amazing Blue Billings (Black and Blue #1))
“
His hair was a dark gold and worn long enough to reach his chin. It had been pulled back into a tight queue for riding and bound with a leather strip, but the wind had pulled it loose and now it flew around his face. Perhaps on another man, the style might have been unflattering. But on Linden Chevalier it only added something more alluring to his presence, and as he lifted a black-gloved hand to push it back, the set of his jaw and twist of his mouth made him look sharp and wicked.
”
”
Fenna Edgewood (Once Upon a Midwinter's Kiss)
“
There was so much to think about and so much to do with all this activity and responsibility that he hardly had time to really consider how he missed London, the hum of it, the Brixton roar and the beloved river, the West Indian take aways, the glittering of the tower blocks at night, the mobile phone shacks, the Africans in Peckham, the common proximity of plantain, the stern beauty of church women on Sunday mornings, the West End, the art in the air, the music in the air, the sense of possibility. He missed the tube, the telephone boxes. He even missed, deep down, the wicked parking inspectors and the heartless bus drivers who flew past queues of freezing pedestrians out of spite. He missed riding from Loughborough to Surrey Quays on his bike with the plane trees whizzing by, the sight of some long-weaved woman walking along in tight jeans and a studded belt and look-at-me boots and maybe a little boy holding her hand. The skylines, the alleyways, and yes, the sirens and helicopters and the hit of life, all these things he knew so well. And the fact, most of all, that he belonged there in a way that he would never, could never, belong in Dorking. He was outside, displaced. He was off the A-Z. He felt, in a very fundamental way, that he was living outside of his life, outside of himself. And the problem was, if indeed it was a problem – how could you call something like this a problem when there were bills to pay and children to feed and a house to maintain? – the problem was that he did not know what to do about it, how to get rid of this feeling, how to get to a place where he felt that he was in the right place. And this not being such a serious problem, not really a problem at all, he had suppressed it and accepted things as they were.
”
”
Diana Evans (Ordinary People)
“
We are always awaiting the Messiah that never arrives. I long for bygone days where every dawn brought a new eschatology and an interminable queue of prophets preached humanity’s impending salvation as if it were syndicated. It must have been joyous to receive a fresh messiah weekly, and to be regaled with inspiring tales of the glory that lay ahead. When those false idols were smashed others took their place, from progress to the realization of History. None of this means anything to the cockroaches or rats anyway.
”
”
Simon Brass (Lamentations on the Nothingness of Being)
“
This distributed efficiency of the market is indeed extraordinary, and attempting to run an economy without it typically leads to short supplies and long queues. It was out of recognition of this power that the neoliberal scriptwriters put the market centre stage in their economic play. There is, however, a flip side to the market’s power: it only values what is priced and only delivers to those who can pay. Like fire, it is extremely efficient at what it does, but dangerous if it gets out of control. When the market is unconstrained, it degrades the living world by over-stressing Earth’s sources and sinks. It also fails to deliver essential public goods—from education and vaccines to roads and railways—on which its own success deeply depends.
”
”
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
“
The last insight to improve flow is to manage and reduce the length of the work queue. Long queues of work create all sorts of undesirable results.
”
”
Richard Knaster (SAFe 5.0 Distilled: Achieving Business Agility with the Scaled Agile Framework)
“
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For those who love scenic drives, this highway doesn’t disappoint. While cruising along, I enjoyed the changing landscapes, vast open fields, and a peaceful environment—something rare on many busy roads. It’s the kind of drive that makes you appreciate the progress India is making in road infrastructure.
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Beyond just being a fantastic road for travelers, the Agra Etawah Toll Road Project plays a significant role in improving regional connectivity. The faster and more efficient transport options mean businesses can move goods with ease, and daily commuters can reach their destinations quicker. This isn’t just a highway; it’s a well-planned route that fuels economic growth and development.
For anyone who enjoys long drives or frequently travels between these cities, this highway is a must-experience. It’s more than just a stretch of road—it’s proof of how modern infrastructure can transform travel in India. If you haven’t taken a drive on this route yet, you’re missing out on one of the country’s best highway experiences! #indiabesthighway
”
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aartiblogger
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geetublogger
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I have to say I’m truly shocked at what men deem appropriate behavior in the modern dating world.”
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“I am. I’m not sure how you women put up with it.”
“The struggle is real. Go on.”
“Your emails all include emoticons, usually hearts and smiley faces, and your Netflix queue consists mostly of romantic comedies. Oh, and you’re a 34C. That’s just the stuff I can remember off hang. I’m sure there’s more.”
She was horrified. “How do you know my bra size?”
“I scrolled through your order history at Victoria’s Secret.”
“Well, that’s not at all creepy,” she deadpanned.
“Did you know there are items in your shopping cart? Sweaters. Lots of thick, long, skin-covering sweaters. Frankly, it confused me.”
“”Maybe I already own plenty of lingerie. Considering I walk to work, sweaters are more practical. Plus, they’re awfully cute.”
“I added a few things to your cart and checked out for you. I paid for it with my credit card. Expedited the shipping too, so you should have it by Monday.”
“You ADDED a few thing?”
“One hint: not sweaters.”
“How wildly inappropriate.”
“Kid in a candy store. Couldn’t help myself.”
“How?”
“Excuse me?”
“You obviously hacked into my computer. How did you do it?”
“I came in your backdoor.”
“I’m certain you did not.”
“I assure you that I did.”
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He grinned. “Are we still talking about your computer? Because I find you utterly delightful right now?”
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~ Heart-Shaped Hack: Kate and Ian #1
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Tracey Garvis Graves
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Business was booming for Tiffany & Co. in the late 1990s, thanks to the introduction of a new affordable silver jewellery line. The $110 silver charm bracelet inscribed with the Tiffany name was coveted by teenage girls, causing sales of the new silver product line to skyrocket 67% between 1997 and 2002. By 2003, company earnings had doubled and the silver jewellery line accounted for a third of Tiffany’s U.S. sales. And yet the queues of excited girls didn’t fill the store managers with joy. Sure, sales were up and stores were busy, but the people close to the brand, who understood its heritage, began to worry that this lower price point would forever change how the brand was perceived by its high-end customers. “We didn’t want the brand to be defined by any single product.” —Michael Kowalski, CEO, Tiffany & Co. Despite some unease from investors, Tiffany raised prices on their most popular silver products by 30% over the next three years and managed to halt the growth of their highly profitable silver line. And so the company sacrificed short-term gain and profits for the long-term good of the brand by telling the story they wanted customers to believe—that Tiffany’s represents something special. A client recently told me about her friend’s excited engagement announcement on Facebook. All she did was post a photo of the Tiffany blue box—not a picture of the ring in sight. The box alone was enough to say everything she wanted to say. QUESTIONS FOR YOU How are you least like the competition?
”
”
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
“
I have now scoured your Internet, and have identified several ersatz concierges that were created by your own society, and are in current and active use throughout it. I strongly suggest that you allow me to import and implement one of them.” I caught Manda’s eye. She shrugged. “Sure,” I said. “Earth’s most popular ersatz concierge has had hundreds of millions of users—although its usage has declined rather dramatically in recent years. Shall we try that one?” I really, really, really should have asked why the thing was shedding users. Instead I shrugged and said, “Why not?” The dazzling, octodimensional projection instantly transformed into a flat rendering of a paperclip with googly eyes. “That’s an ersatz concierge?” Manda whispered after a shocked silence. “Dear God …” As she said this, the paperclip’s eyes darted cunningly from side to side. Then a cartoon bubble appeared above its head reading, “It looks like you’re writing a letter. Would you like help?” It was Clippy—the despised emcee of Microsoft Office. I knew him well. Because while he had allegedly retired long ago, my firm—like so many others—had clung to the Clippy-infested Windows XP operating system for years beyond its expiration date, staving off the expense and trauma of a Windows upgrade. That process had finally started eighteen months back. But copyright associates are low in the priority queue—and I had been slated to get upgraded “next month” for as long as I could remember. “Okay, go back,” I said. Clippy stared at me impassively. “Stop it. Cut it out. Go back. Use the other interface. Use the gem thing.” As I said this, Clippy’s eyes started darting again as he scribbled on a notepad with an animated pencil. Another cartoon bubble appeared. “It looks like you’re making a list. Should I format it?” I fell into an appalled silence. Then Manda gave it a shot. “We do not want to use this ersatz concierge,” she enunciated clearly. “Please return us to the previous one.” Clippy gazed back with bovine incomprehension. We went on to try every command, plea, and threat that we could think of. But we couldn’t get back to the prior concierge. Luckily, the stereopticon’s projector mode was still working fine (“If you download Windows Media Player, I’m throwing you under a bus,” Manda warned it).
”
”
Rob Reid (Year Zero)
“
Performance Tactics on the Road Tactics are generic design principles. To exercise this point, think about the design of the systems of roads and highways where you live. Traffic engineers employ a bunch of design “tricks” to optimize the performance of these complex systems, where performance has a number of measures, such as throughput (how many cars per hour get from the suburbs to the football stadium), average-case latency (how long it takes, on average, to get from your house to downtown), and worst-case latency (how long does it take an emergency vehicle to get you to the hospital). What are these tricks? None other than our good old buddies, tactics. Let’s consider some examples: • Manage event rate. Lights on highway entrance ramps let cars onto the highway only at set intervals, and cars must wait (queue) on the ramp for their turn. • Prioritize events. Ambulances and police, with their lights and sirens going, have higher priority than ordinary citizens; some highways have high-occupancy vehicle (HOV) lanes, giving priority to vehicles with two or more occupants. • Maintain multiple copies. Add traffic lanes to existing roads, or build parallel routes. In addition, there are some tricks that users of the system can employ: • Increase resources. Buy a Ferrari, for example. All other things being equal, the fastest car with a competent driver on an open road will get you to your destination more quickly. • Increase efficiency. Find a new route that is quicker and/or shorter than your current route. • Reduce computational overhead. You can drive closer to the car in front of you, or you can load more people into the same vehicle (that is, carpooling). What is the point of this discussion? To paraphrase Gertrude Stein: performance is performance is performance. Engineers have been analyzing and optimizing systems for centuries, trying to improve their performance, and they have been employing the same design strategies to do so. So you should feel some comfort in knowing that when you try to improve the performance of your computer-based system, you are applying tactics that have been thoroughly “road tested.” —RK
”
”
Len Bass (Software Architecture in Practice)
“
If you consider the total time from the moment the material comes into the plant to the minute it goes out the door as part of a finished product, you can divide that time into four elements. One of them is setup, the time the part spends waiting for a resource, while the resource is preparing itself to work on the part. Another is process time, which is the amount of time the part spends being modified into a new, more valuable form. A third element is queue time, which is the time the part spends in line for a resource while the resource is busy working on something else ahead of it. The fourth element is wait time, which is the time the part waits, not for a resource, but for another part so they can be assembled together. As Jonah pointed out last night, setup and process are a small portion of the total elapsed time for any part. But queue and wait often consume large amounts of time—in fact, the majority of the elapsed total that the part spends inside the plant. For parts that are going through bottlenecks, queue is the dominant portion. The part is stuck in front of the bottleneck for a long time. For parts that are only going through non-bottlenecks, wait is dominant, because they are waiting in front of assembly for parts that are coming from the bottlenecks. Which means that in each case, the bottlenecks are what dictate this elapsed time. Which, in turn, means the bottlenecks dictate inventory as well as throughput.
”
”
Eliyahu M. Goldratt (The Goal: A Process of Ongoing Improvement)
“
Well, since we started keeping data on the bottlenecks, I’ve been noticing I’m able to predict several weeks in advance what each bottleneck will be working on at a particular time. See, as long as I know exactly what’s in queue, I just take the average setup and process times for each type of part, and I’m able to calculate when each batch should clear the bottleneck. Because we’re only dealing with one work center, with much less dependency, we can average the statistical fluctuations and get a better degree of accuracy.
”
”
Eliyahu M. Goldratt (The Goal: A Process of Ongoing Improvement)
“
Yes. I will head to the buffet myself on the pretext of needing coffee, and in the queue or passing in the corridor will feign trouble with my phone. I will ask Sarah for help – hoping to separate her from Antony for a quiet word – and give a little warning that she needs to step away from this nonsense or I will be phoning her parents. Immediately, you understand me, Sarah? I can find out their number. Our carriage is three away from the buffet. I stumble into seats passing through the second, bump-bump-bumping my thighs, and then feel for my phone in the pocket of my jacket as I pass through the automatic doors into the connecting space. And that’s when I hear them. No shame. No attempt even to keep themselves quiet about it. Making out, loud and proud, in the train toilet. Rutting in the cubicle like a pair of animals. I know it’s them from what he’s saying. How long it’s been. How grateful he is. ‘Sarah, oh Sarah . . .’ And yes, I admit it. I am completely shocked to the core of my very being. Hot with humiliation. Furious. Winded and desperate, more than anything on this planet, to escape the noise. Also the shame of my naivety. My ridiculous assumptions. I stumble across the corridor to the next set of automatic doors and into the carriage, breathless and flustered in the scramble to put distance between myself and the evidence of my miscalculation. Nice girls? In the buffet queue, I am listening again to the pulse in my ear as I wonder if someone else will have heard them by now. Even reported them? And then I am thinking, Report them? Report them to whom, Ella? Will you just listen to yourself? Other people will do precisely what you should have done from the off. They will mind their own.
”
”
Teresa Driscoll (I Am Watching You)
“
There was already a small queue for the tap in the corner of the field. Harry, Ron and Hermione joined it, right behind a pair of men who were having a heated argument. One of them was a very old wizard who was wearing a long flowery nightgown. The other was clearly a Ministry wizard; he was holding out a pair of pinstriped trousers and almost crying with exasperation. ‘Just put them on, Archie, there’s a good chap, you can’t walk around like that, the Muggle on the gate’s already getting suspicious –’ ‘I bought this in a Muggle shop,’ said the old wizard stubbornly. ‘Muggles wear them.’ ‘Muggle women wear them, Archie, not the men, they wear these,’ said the Ministry wizard, and he brandished the pinstriped trousers. ‘I’m not putting them on,’ said old Archie in indignation. ‘I like a healthy breeze round my privates, thanks.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
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Barry J. McDonald (Herobrine - The Complete Collection)
“
In his memoirs of the late 1940s and 50s, published after his death following the famous ‘umbrella assassination’ in London in 1978, the Bulgarian dissident writer Georgi Markov told a story that is emblematic of the postwar period – not only in his own country, but in Europe as a whole. It involved a conversation between one of his friends, who had been arrested for challenging a Communist official who had jumped the bread queue, and an officer of the Bulgarian Communist militia: ‘And now tell me who your enemies are?’ the militia chief demanded. K. thought for a while and replied: ‘I don’t really know, I don’t think I have any enemies.’ ‘No enemies!’ The chief raised his voice. ‘Do you mean to say that you hate nobody and nobody hates you?’ ‘As far as I know, nobody.’ ‘You are lying,’ shouted the Lieutenant-Colonel suddenly, rising from his chair. ‘What kind of a man are you not to have any enemies? You clearly do not belong to our youth, you cannot be one of our citizens, if you have no enemies! … And if you really do not know how to hate, we shall teach you! We shall teach you very quickly!’1 In a sense, the militia chief in this story is right – it was virtually impossible to emerge from the Second World War without enemies. There can hardly be a better demonstration than this of the moral and human legacy of the war. After the desolation of entire regions; after the butchery of over 35 million people; after countless massacres in the name of nationality, race, religion, class or personal prejudice, virtually every person on the continent had suffered some kind of loss or injustice. Even countries which had seen little direct fighting, such as Bulgaria, had been subject to political turmoil, violent squabbles with their neighbours, coercion from the Nazis and eventually invasion by one of the world’s new superpowers. Amidst all these events, to hate one’s rivals had become entirely natural. Indeed, the leaders and propagandists of all sides had spent six long years promoting hatred as an essential weapon in the quest for victory. By the time this Bulgarian militia chief was terrorizing young students at Sofia University, hatred was no longer a mere by-product of the war – in the Communist mindset it had been elevated to a duty.
”
”
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
“
Adam Smith’s great insight was to show that the marketplace can mobilise diffuse information about people’s wants and the cost of meeting them, thereby coordinating billions of buyers and sellers through a global system of prices – all without the need for a centralised grand plan. This distributed efficiency of the market is indeed extraordinary, and attempting to run an economy without it typically leads to short supplies and long queues. It was out of recognition of this power that the neoliberal scriptwriters put the market centre stage in their economic play. There is, however, a flip side to the market’s power: it only values what is priced and only delivers to those who can pay. Like fire, it is extremely efficient at what it does, but dangerous if it gets out of control. When the market is unconstrained, it degrades the living world by over-stressing Earth’s sources and sinks. It also fails to deliver essential public goods – from education and vaccines to roads and railways – on which its own success deeply depends.
”
”
Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)