Chest Of Drawers Quotes

When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.

We spoke on the phone for the first time that morning. My back against the chest of drawers, my knees tucked under my chin. "What are you doing?" You ask. "Staring at my socks," I reply, "I wore them inside out." "You dork." At some point in the following months, our conversation turns. "I'm going to kiss you really slow, while fucking you really fast.

You loved Sam as much as I loved Wesley.” Her chest hollowed out, but she nodded. Yes, she’d loved Sam—more than she’d ever loved anyone. Even Chaol. And reading in Wesley’s letter exactly what Arobynn had ordered Rourke Farran to do to Sam had left a raging wound in the core of her. Sam’s clothes were still in the two bottom drawers of her dresser, where Arobynn had indeed unpacked them. She’d worn one of his shirts to bed these past two nights.

In the girl’s room on the chest of drawers stood the glass vase with the withered flowers, the water had evaporated, it was there that her blind hands directed themselves, her fingers brushed against the dead petals, how fragile life is when it is abandoned.

Yet she resigned herself: reverently she put away in the chest of drawers her beautiful dress and even her satin shoes, whose soles had been yellowed by the slippery wax of the dance floor. Her heart was like them: contact with wealth had laid something over it that would not be wiped away.

In front of me 327 pages of the manuscript [Master and Margarita] (about 22 chapters). The most important remains - editing, and it's going to be hard. I will have to pay close attention to details. Maybe even re-write some things... 'What's its future?' you ask? I don't know. Possibly, you will store the manuscript in one of the drawers, next to my 'killed' plays, and occasionally it will be in your thoughts. Then again, you don't know the future. My own judgement of the book is already made and I think it truly deserves being hidden away in the darkness of some chest. [Bulgakov from Moscow to his wife on June 15 1938]

Here is something definite, something real. Thus, waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is a proof of some existence other than ours.

What about me?’ said Grantaire. ‘I’m here.’ ‘You?’ ‘Yes, me.’ ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’ ‘Why not?’ ‘Are you capable of being good for something?’ ‘I have the vague ambition to be,’ said Grantaire. ‘You don’t believe in anything.’ ‘I believe in you.’ ‘Grantaire, will you do me a favour?’ ‘Anything. Polish your boots.’ ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’ ‘You’re heartless, Enjolras.’ ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’ ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’ ‘Do you know them at all, those comrades who meet at Richefeu’s?' ‘Not very well. But we’re on friendly terms.’ ‘What will you say to them?’ ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’ ‘You?’ ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’ ‘Be serious,’ said Enjolras. ‘I mean it,’ replied Grantaire. Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’ Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat. ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest. And stepping close to Enjolras he said in his ear, ‘Don’t worry.’ He resolutely jammed on his hat, and off he went.

Oh, to awake from dreaming! Look, there is the chest of drawers. Let me pull myself out of this waters. But they heap themselves on me; they sweep me between their great shoulders; I am turned; I am tumbled; I am stretched, among these long lights, these long waves, these endless paths, with people pursuing, pursuing.

I think memory is the most important asset of human beings. It’s a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That’s why I want to write a book.

Big Ben struck the half hour. How extraordinary it was, strange, yes, touching, to see the old lady (they had been neighbors ever so many years) move away from the window, as if she were attached to that sound, that string. Gigantic as it was, it had something to do with her. Down, down, into the midst of ordinary things the finger fell making the moment solemn. She was forced, so Clarissa imagined, by that sound, to move, to go - but where? Clarissa tried to follow her as she turned and disappeared, and could still just see her white cap moving at the back of the bedroom. She was still there moving about at the other end of the room. Why creeds and prayers and mackintoshes? when, thought Clarissa, that's the miracle, that's the mystery; that old lady, she meant, whom she could see going from chest of drawers to dressing table. She could still see her. And the supreme mystery, which Kilman might say she had solved, or Peter might say he had solved, but Clarissa didn't believe either of them had the ghost of an idea of solving, was simply this: here was one room, there another. Did religion solve that, or love?

I think we live our lives in other people's hearts and minds. Alone by ourselves we're not very much good at all. But when we let someone else in with their stories and all their sights and sounds and songs and smells and sensations, we suddenly start building up libraries, filling boxes and drawers with them, books and shelves and chests...

When I had lain awake a little awhile, those extraordinary voices with which silence teems, began to make themselves audible. The closet whispered, the fireplace sighed, the little washing-stand ticked, and one guitar-string played occasionally in the chest of drawers.

and wordlessly opened the small chest of drawers was filled with pure white clothes.

It's just incredible. It just does not explain. Or perhaps that's it: they don't explain and we are not supposed to know. We have a few old mouth-to-mouth tales, we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable - Yes, Judith, Bon, Henry, Sutpen: all of them. They are there, yet something is missing; they are like a chemical formula exhumed along with the letters from that forgotten chest, carefully, the paper old and faded and falling to pieces, the writing faded, almost indecipherable, yet meaningful, familiar in shape and sense, the name and presence of volatile and sentient forces; you bring them together in the proportions called for, but nothing happens; you re-read, tedious and intent, poring, making sure that you have forgotten nothing, made no miscalculation; you bring them together again and again nothing happens: just the words, the symbols, the shapes themselves, shadowy inscrutable and serene, against that turgid background of a horrible and bloody mischancing of human affairs.

So with the lamps all put out, the moon sunk, and a thin rain drumming on the roof, a downpouring of immense darkness began. Nothing, it seemed, could survive the flood, the profusion of darkness which creeping in at keyholes and crevices, stole round window blinds, came into bedrooms, swallowed up here a jug and basin, there a bowl of red and yellow dahlias, there the sharp edges and firm bulk of a chest of drawers. Not only was furniture confounded; there was scarcely anything left of body or mind by which one could say, 'This is he,' or, 'This is she.

Why creeds and prayers and mackintoshes? when, thought Clarissa, that’s the miracle, that’s the mystery; that old lady, she meant, whom she could see going from chest of drawers to dressing-table.

Still, there's no harm in putting a full stop to one's disagreeable thoughts by looking at a mark on the wall... Here is something definite, something real. thus, waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is proof of some existence other than ours.

But she went and fetched some marigolds from her own little garden, and put them in a vase on the chest of drawers, for she knew there was lots of room for love, even if there was not much for great-aunties.

Why must I test myself? Because no one else will, not anymore. Now that I am no longer a student of any kind, I must take responsibility for the furniture inside my head. I must slide new drawers into chests and attach new rollers to armchairs. I must maintain the old highboys and sideboards and whatnots. Polish, patch, dust, buff.

Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila

It must be the top drawer," he reflected. "So she carries the keys in a pocket on the right. All in one bunch on a steel ring… . And there's one key there, three times as big as all the others, with deep notches; that can't be the key of the chest of drawers … then there must be some other chest or strong-box … that's worth knowing. Strong-boxes always have keys like that … but how degrading it all is.

Here is something definite, something real. Thus, waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is a proof of some existence other than ours. That is what one wants to be sure of…

Portability also explains why many old chests and trunks had domed lids- to throw off water during travel. The great drawback of trunks, of course, is that everything has to be lifted at to get things at the bottom. It took a remarkably long time- till the 1600s- before it occurred to anyone to put drawers in and thus convert trunks into chests of drawers.

I dance the hardest, laugh the hardest at my own jokes, and make casual reference to my vagina, like it's a car or a chest of drawers.

Given the state of her room, it would have been no surprise to find her chest of drawers utterly empty;

I have found it impossible to get a chest of drawers in the back of a Ford Fiesta and a tent back in its bag, so fitting a universe into a melon boggles me and my mind.

When he reached his own room again, he found Khloe curled up on his bed, asleep. He stood over her, watching her sleep peacefully for a few moments before taking a deep breath and moving to the other side of the bed. He sat down on top of the covers next to her and watched the rise and fall of her chest as she slept. He withdrew a leather bond journal from the nightstand drawer and tried to push Hecate’s words from his mind. Khloe is yours to deal with.

Colorless green ideas sleep furiously three old owls on a chest of drawers were screwing the daughter of the doctor. But then the mother called them, colorless green ideas slepp furiously.

I’d dreamed once of a forest of gold, and Jesse had done what he could to give it to me. His bedroom had been transformed into a wonderland of leaves and flowers, pinecones and branches of birch and oak, all of it glimmering, all of it singing. The bed was covered, his chest of drawers, the sill. Much of it was jumbled together, beautiful for what it was if not its presentation. Jesse had last left this room on the night of his death, right after he’d called to me, right before he’d gone to the castle. So he would have been scattering his final gift in haste, knowing he worked against the clock. Knowing, somehow, what was to come. Which meant he’d been making gold for weeks. When I’d seen him so tired, when he’d told me all those nights that we should rest apart…he had been doing this. For me. A folded note had been set upon the bed. My name had been scrawled upon it. I love you was all it said inside. I sank to the floor. I looked up and all around as the sun danced through the window and turned Jesse’s room into an ambered heaven of song and shimmer and sparks. That was how Armand found me, hours later. That was what he saw, as well, what he heard, as he walked slowly into the chamber and eased down beside me to rest his back against the bed. We sat there together, listening, marveling. In time, his hand reached out and took firm hold of mine.

Whatever happens in the world - whatever is discovered or created or bitterly fought over - eventually ends up, in one way or another, in your house. Wars, famine, the Industrial Revolution, the Enlightenment - they are all there in your sofas and chests of drawers, tucked into the folds of your curtains, in the downy softness of your pillows, in the paint on your walls and the water in your pipes. So the history of household life isn't just a history of beds and sofas and kitchen stoves ... but of scurvy and guano and the Eiffel Tower and bedbugs and body-snatching and just about everything else that has ever happened. Houses aren't refuges from history. They are where history ends up.

There was a doily on the chest of drawers. I eyed it warily. I have nothing against doilies, but they’re a slippery slope. You start with doilies, then pretty soon it’s crocheted table runners and then it’s a short step to antimacassars.

How are you feeling Sweet Peach?” he enquires as he walks across to the chest of drawers, selects a pair of socks and pulls them on. Sweet Peach? What the hell? He’s definitely gay … I shrug. “Er … okay, I guess. I really don’t remember much though. How did I get here … and why am I wearing your t-shirt?” I ask hesitantly, afraid of the answer. Hagen laughs nervously. “I brought you home when you couldn’t tell me where you lived. And don’t worry, you got changed all by yourself … in the kitchen … for like an hour.

waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is a proof of some existence other than ours. That is what one wants to be sure of….

waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is a proof of some existence other than ours. That is what one wants to be sure of. . .

For Isaac’s protection he had a blue Turkish evil eye and a painted tin hand of Fatima hanging from the bedpost; a candle was always lit on his chest of drawers, next to Hebrew and Christian Bibles and a jar of holy water that one of the domestic staff had brought from the Shrine of Saint Jude.

Oh, to awake from dreaming! Look, there is the chest of drawers. Let me pull myself out of these waters. But they heap themselves on me; they sweep me between their great shoulders; I am turned; I am tumbled; I am stretched, among these long lights, these long waves, these endless paths, with people pursuing, pursuing.

In twenty years you could say and do a lot you wish you hadn't. In twenty years you could store up a lot of regrets. And then, when it was too late, when there was no one left to say "I'm sorry" to, "I didn't mean it" to, you could stop sleeping for regret, stop eating, talking, working, for regret. You could stop wanting to live. You could want to die for regret. It was only remembering the good times that kept you from taking the knife from the kitchen drawer and, holding it so, tightly in your fist, on the bed, naked to no purpose except that that was how you came into the world and how your best moments in the world had been spent--holding it so, roll onto the blade, slowly so that it slid like love between your ribs and into that stupidly pumping muscle in your chest that kept you regretting.

What is it?" She hissed through clenched teeth. "What's wrong?" He bent down toward her. "I was just thinking how beautiful you looked." The punch was impressive, both accurate and strong. Jette's fist caught her husband squarely on the jaw. It was an absolute peach of a shot, and it propelled him backward into the chest of drawers.

There was a doily on the chest of drawers. I eyed it warily. I have nothing against doilies, but they’re a slippery slope. You start with doilies, then pretty soon it’s crocheted table runners and then it’s a short step to antimacassars. As if doilies are some kind of larval form, and the table runners are an instar in their development.

It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage. One for each of us—each sister. Those stars and moons sent to me, my mind, by my mate, long before we’d ever met.

In the end it comes down to two rival versions of the English middle afternoon. Post-Barrett, Pink Floyd kept on in a middle-afternoonish vein, but they fell in love with the idea of portentous storm clouds in the offing somewhere over Grantchester....Barrett's afternoonishness was far more supple and engaging. It superimposed the hippie cult of eternal solstice on the pre-teatime daydreams of one's childhood, occasioned by a slick of sunlight on a chest of drawers....His afternoonishness is lit by an importunate adult intelligence that can't quite get back to the place it longs to be....Barrett created the same precocious longing in adolescents. "I remember 'See Emily Play' drifting across a school corridor in 1967...and I remember the powerful wish to stay suspended indefinitely in that music...I also remember the quasi-adult intimation that this wasn't possible. [from the London Review of Books for January 2, 2003]

Imagine a forty-five-year-old male fifty feet long, a slim, shiny black animal cutting the surface of green ocean water at twenty knots. At fifty tons it is the largest carnivore on earth. Imagine a four-hundred-pound heart the size of a chest of drawers driving five gallons of blood at a stroke through its aorta; a meal of forty salmon moving slowly down twelve-hundred feet of intestine…the sperm whale’s brain is larger than the brain of any other creature that ever lived…With skin as sensitive as the inside of your wrist.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

Nothing, it seemed, could survive the flood, the profusion of darkness which, creeping in at keyholes and crevices, stole round window blinds, came into bedrooms, swallowed up here a jug and basin, there a bowl of red and yellow dahlias, there the sharp edges and firm bulk of a chest of drawers. Not only was furniture confounded; there was scarcely anything left of body or mind by which one could say, “This is he” or “This is she.” Sometimes a hand was raised as if to clutch something or ward off something, or somebody groaned, or somebody laughed aloud as if sharing a joke with nothingness.

The house wasn't theirs anymore. It was full of people, some in uniforms and some in suits. People counting rooms, making lists of objects and pictures, taking things away. Anna is in there somewhere. She has been ordered to help with this packing-up into boxes and crates, told that she should be ashamed of working for the Jews. And it is not just their art, not just the bibelots, all the gilded stuff from tables and mantelpieces, but their clothes, Emmy's winter coats, a crate of domestic china, a lamp, a bundle of umbrellas and walking-sticks. Everything that has taken decades to come into this house, settling in drawers and chests and vitrines and trunks, wedding-presents and birthday-presents and souvenirs, is now being carried out again. This is the strange undoing of a collection, of a house and of a family. It is the moment of fissure when grand things are taken and when family objects, known and handled and loved, become stuff.

The odd sensation I had while cooking would often last through the meal, then dissolve as I climbed the stairs. I would enter my room and discover the homework books I had left on the bed had disappeared into my backpack. I’d look inside my books and be shocked to find that the homework had been done. Sometimes it had been done well, at others it was slapdash, the writing careless, my own handwriting but scrawled across the page. As I read the work through, I would get the creepy feeling that someone was watching me. I would turn quickly, trying to catch them out, but the door would be closed. There was never anyone there. Just me. My throat would turn dry. My shoulders would feel numb. The tic in my neck would start dancing as if an insect was burrowing beneath the surface of the skin. The symptoms would intensify into migraines that lasted for days and did not respond to treatment or drugs. The attack would come like a sudden storm, blow itself out of its own accord or unexpectedly vanish. Objects repeatedly went missing: a favourite pen, a cassette, money. They usually turned up, although once the money had gone it had gone for ever and I would find in the chest of drawers a T-shirt I didn’t remember buying, a Depeche Mode cassette I didn’t like, a box of sketching pencils, some Lego.

Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.

A lone figure lies motionless in his bed as the street below him is still and silent, until a sudden sound shatters the relative calm. The noise comes from out of nowhere, is high-pitched and repetitive and is starting to get louder and louder; what could it be? A light breeze stirs the cold air as it makes its way down the long passages of the street, sweeps down and picks up the yet unknown noise and lifts it high in the air, spreading the sound all around before taking it up into a darkened room above: Paul’s room. The room is a simple one with a double bed and bedside table, a built-in wardrobe, a chest of drawers and a few shelves scattered with books being the only other furniture: it is a single man’s room.

Now Snape was head to head with Mundungus in an unfamiliar tavern, Mundungus’s face looking curiously blank, Snape frowning in concentration. “You will suggest to the Order of the Phoenix,” Snape murmured, “that they use decoys. Polyjuice Potion. Identical Potters. It is the only thing that might work. You will forget that I have suggested this. You will present it as your own idea. You understand?” “I understand,” murmured Mundungus, his eyes unfocused… Now Harry was flying alongside Snape on a broomstick through a clear dark night: He was accompanied by other hooded Death Eaters, and ahead were Lupin and a Harry who was really George…A Death Eater moved ahead of Snape and raised his wand, pointing it directly at Lupin’s back-- “Sectumsempra!” shouted Snape. But the spell, intended for the Death Eater’s wand hand, missed and hit George instead-- And next, Snape was kneeling in Sirius’s old bedroom. Tears were dripping from the end of his hooked nose as he read the old letter from Lily. The second page carried only a few words: could ever have been friends with Gellert Grindelwald. I think her mind’s going, personally! Lots of love, Lily Snape took the page bearing Lily’s signature, and her love, and tucked it inside his robes. Then he ripped in two the photograph he was also holding, so that he kept the part from which Lily laughed, throwing the portion showing James and Harry back onto the floor, under the chest of drawers…

If You're Gonna Be Dumb, You Gotta Be Tough" If your gonna be dumb, you gotta be tough When you get knocked down you gotta get back up, If your gonna be dumb, you gotta be tough When you get knocked down you gotta get back up, I ain't the sharpest knife in the drawer but I know enough, to know, If your gonna be dumb, you gotta be tough I lit my brain with Rot-Gut whiskey 'Till all my pain was chicken fried And I had dudes with badges frisk me Teach me how to swallow pride I took advice no fool would take I got some habits I can't shake I ain't the sharpest knife in the drawer, but I know enough to know If you're gonna be dumb, you gotta be tough If you're gonna be dumb, you gotta be tough When you get knocked down, you gotta get back up That's the way it is in life and love If you're gonna be dumb, you gotta be tough I've been up and down and down and out I've been left and right and wrong Well I've walked the walk and I've run my mouth I've been on the short end for too long But if they gave medals for honky tonk wars Hell, I'd keep mine in my chest of drawers With my IRS bills and divorce papers and all that stuff If you're gonna be dumb, you gotta be tough If you're gonna be dumb, you gotta be tough When you get knocked down, you gotta get back up I ain't the sharpest knife in the drawer, but I know enough to know If you're gonna be dumb, you gotta be tough If you're gonna be dumb you gotta be tough

She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.

He pulled out stiff starched sheets, yellowed at the creases, each sheet embroidered with an elaborate medallion in which the letters D.F. twined above a garland of roses; some woman's trousseau from a hundred- two hundred- years back. There were other treasures too: sandalwood boxes of handkerchiefs, copper saucepans dulled with verdigris, an old radio from before the war, he guessed, its casing cracked to reveal tubes as big as doorknobs. Best of all was a huge old spice chest of rough black oak, some of its drawers still labeled in faded brown ink: Cannelle, Poivre Rouge, Lavande, Menthe Verte. The long-empty compartments were still fragrant with the scents of those spices, some dusted with a residue which colored his fingertips with cinnamon and ginger and paprika and turmeric.

We are exceedingly pleased with the house; the rooms are quite as large as we expected. Mrs. Bromley is a fat woman in mourning, and a little black kitten runs about the staircase. Elizabeth has the apartment within the drawing-room; she wanted my mother to have it, but as there was no bed in the inner one, and the stairs are so much easier of ascent, or my mother so much stronger than in Paragon as not to regard the double flight, it is settled for us to be above, where we have two very nice-sized rooms, with dirty quilts and everything comfortable. I have the outward and larger apartment, as I ought to have; which is quite as large as our bedroom at home, and my mother’s is not materially less. The beds are both as large as any at Steventon, and I have a very nice chest of drawers and a closet full of shelves, — so full indeed that there is nothing else in it, and it should therefore be called a cupboard rather than a closet, I suppose.

Houses are amazingly complex repositories. What I found, to my great surprise, is that whatever happens in the world – whatever is discovered or created or bitterly fought over – eventually ends up, in one way or another, in your house. Wars, famines, the Industrial Revolution, the Enlightenment – they are all there in your sofas and chests of drawers, tucked into the folds of your curtains, in the downy softness of your pillows, in the paint on your walls and the water in your pipes.

When all we care about is cheapness, we don't ask how long things will last or how well they are made--and in truth, we don't particularly care. Because when a product is cheap, it becomes disposable; we are more likely to throw out that skirt from H&M that cost only $29.99 and buy a new one. Despite our understanding of the environmental hazards of plastic, countless objects are made out of it--appliances, toys, furniture, shopping and produce bags--which cost less to manufacture than their non-plastic counterparts. When cheapness becomes the priority, it's also hard for people to tell if what they are buying has been made with integrity. Part of the issue behind cheapness is that we have no sense of craftsmanship. We don't know how many hours or materials went into producing our smartphone or our space heater, or even our chest of drawers. And once you can't imagine how things are made, you are free to have an utter fantasy that everything can and should be cheap.

Troy rose from the bed and walked to his chest of drawers. He pulled a pair of black boxer briefs from the top drawer and handed them to her, watching her warily for some type of reaction to what they had just done, before turning his back. She shimmied out of her underwear and slipped on his, glad for the warmth they provided. After a minute, he climbed into bed and pulled her back against his chest to plant a kiss on her shoulder. Ruby automatically stiffened at the tender gesture. He laughed under his breath. “Now you’re shy? What happened to the girl who walked out of my bathroom naked?” When Ruby didn’t answer, Troy sighed. “Sleep now, hustler. You can go back to being your difficult self in the morning. I’ll even let you run your mouth as much as you need to. All day long. But when the time comes where I take you to bed, that’s when I put a stop to it. Can you live with that?” “I’ll tell you in the morning,” she whispered, grateful for the darkness. “Fine. Good night, Ruby.” “’Night.

In my father’s workshop there is a little girl in a red dress and she will always be there, laughing and hiding under the table with the vise clamped to one edge or all bundled up with her scabby knees clasped against her chest behind the big toolbox with its thousand drawers. That girl is a very happy girl. But in my mother’s parlor there is a much smaller girl who can’t help piddling on the rug like a bad dog. Like a bad little bitch puppy. And she will always be there, too, no matter how much I wish she would be gone.

Nesta's stare drifted to the paint flaking off the walls. The intricate little designs. Cassian followed her stare. 'Did Feyre paint that?' Nesta swallowed, and managed to get out, 'She painted every chance she got. Any extra coins she managed to save went toward paints.' 'Have you ever seen what she's done to the cabin up in the mountains?' 'No.' She'd never been there. 'Feyre painted the whole thing. Just like this. She told me once that there's a dresser here...' Nesta aimed for the bedroom. 'This one?' Cassian followed her, and gods, it was so cramped and dark and smelly. The bed was still covered with stained linens. The three of them had slept here for years. Cassian ran a hand over the painted dresser, marvelling. 'She really did paint stars for herself before she knew Rhys was her mate. Before she knew he existed.' His fingers traced the twining vines of flowers on the second drawer. 'Elain's drawer.' They drifted lower, curling over a lick of flame. 'And yours.' Nesta managed a grunt of confirmation, her chest tight to the point of pain.

RECIPE FOR MAKING WONKA-VITE Take a block of finest chocolate weighing one ton (or twenty sackfuls of broken chocolate, whichever is the easier). Place chocolate in very large cauldron and melt over red-hot furnace. When melted, lower the heat slightly so as not to burn the chocolate, but keep it boiling. Now add the following, in precisely the order given, stirring well all the time and allowing each item to dissolve before adding the next: THE HOOF OF A MANTICORE THE TRUNK (AND THE SUITCASE) OF AN ELEPHANT THE YOLKS OF THREE EGGS FROM A WHIFFLE-BIRD A WART FROM A WART-HOG THE HORN OF A COW (IT MUST BE A LOUD HORN) THE FRONT TAIL OF A COCKATRICE SIX OUNCES OF SPRUNGE FROM A YOUNG SLIMESCRAPER TWO HAIRS (AND ONE RABBIT) FROM THE HEAD OF A HIPPOCAMPUS THE BEAK OF A RED-BREASTED WILBATROSS A CORN FROM THE TOE OF A UNICORN THE FOUR TENTACLES OF A QUADROPUS THE HIP (AND THE PO AND THE POT) OF A HIPPOPOTAMUS THE SNOUT OF A PROGHOPPER A MOLE FROM A MOLE THE HIDE (AND THE SEEK) OF A SPOTTED WHANGDOODLE THE WHITES OF TWELVE EGGS FROM A TREE-SQUEAK THE THREE FEET OF A SNOZZ-WANGER (IF YOU CAN’T GET THREE FEET, ONE YARD WILL DO) THE SQUARE-ROOT OF A SOUTH AMERICAN ABACUS THE FANGS OF A VIPER (IT MUST BE A VINDSCREEN VIPER) THE CHEST (AND THE DRAWERS) OF A WILD GROUT When all the above are thoroughly dissolved, boil for a further twenty-seven days but do not stir. At the end of this time, all liquid will have evaporated and there will be left in the bottom of the cauldron only a hard brown lump about the size of a football. Break this open with a hammer and in the very centre of it you will find a small round pill. This pill is WONKA-VITE.

Whenever I see lifestyle magazines where everything’s so clean, I wonder, “Where’s all the junk?” The first thing I figure out when furnishing a room is where to put the junk. Two words: secret storage. The key to a harmonious and clutter-free living area, especially when you have kids, is to hide everything. I’m talking about closets everywhere, drawers on everything, and ottomans that are really storage chests. Baskets for Legos. Shelves for games. Just please don’t open any cabinets in my house . . . I’m afraid there might be a waterfall of toys coming at you!

After my parents were dead, I found in a box and in two chests of drawers nothing but hundreds of bright red Alpine caps, I said, nothing but bright red Alpine stockings. Every one of them knitted by my mother. My parents could have gone into the High Alps with these bright red caps and bright red stockings for thousands of years. I burnt every one of those bright red caps and bright red stockings, I said. I put on one of my mother's hundreds of bright red Alpine caps and in this costume burnt all the others, laughing, laughing, continuously laughing, I said. (Goethe Dies, p.65)

night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than

Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.

She hit the button again, holding her breath this time until she heard it. Soft, sibilant, as insubstantial as the breaths that came before: Shannon. The voice whispered Shannon. The blood rushed out of her head. Her heart knocked hard in her chest. Her knees buckled and she grabbed the counter to keep from falling. She was starting to hyperventilate, had to calm it down before she was taken by a full-blown panic attack. Paper bag. Think. Think! Drawer below the silverware, next to the sink. Over the nose and mouth. Breathe slowly, slowly. Holding the bag against her face, Shane slid to the floor with her back against the cabinets, legs splayed, lungs heaving. It couldn’t be him. It couldn’t be Jordan. Jordan was dead.

„The air was saturated with the finest flour of a silence so nourishing, so succulent, that I could move through it only with a sort of greed, especially on those first mornings of Easter week, still cold, when I tasted it more keenly because I had only just arrived in Combray: before I went in to say good morning to my aunt, they made me wait for a moment, in the first room where the sun, still wintry, had come to warm itself before the fire, already lit between the two bricks and coating the whole room with an odour of soot, having the same effect as one of those great country ‘front-of-the-ovens’, or one of those château mantelpieces, beneath which one sits hoping that outdoors there will be an onset of rain, snow, even some catastrophic deluge so as to add, to the comfort of reclusion, the poetry of hibernation; I would take a few steps from the prayer stool to the armchairs of stamped velvet always covered with a crocheted antimacassar; and as the fire baked like a dough the appetizing smells with which the air of the room was all curdled and which had already been kneaded and made to ‘rise’ by the damp and sunny coolness of the morning, it flaked them, gilded them, puckered them, puffed them, making them into an invisible, palpable country pastry, an immense ‘turnover’ in which, having barely tasted the crisper, more delicate, more highly regarded but also drier aromas of the cupboard, the chest of drawers, the floral wallpaper, I would always come back with an unavowed covetousness to snare myself in the central, sticky, stale, indigestible and fruity smell of the flowered coverlet.

So, these competitors . . . What do they hope to gain by interfering with your journey?” The instant the question left his mouth, he knew it was too direct. Nicole dropped her gaze and removed her hand from his arm. “With all due respect, Mr. Thornton . . .” Drat. They were back to Mr. Thornton again. “ . . . the details of the business I’m conducting for my father are not your concern.” “They are if they put you in danger. And what of the rest of my staff?” Darius snatched the napkin from his lap and threw it onto the table before lurching to his feet and pacing behind his chair. “I have a right to know if having you here is putting them at risk.” “No greater risk than they face from your exploding boilers!” Nicole shot from her seat, color running high in her cheeks. The audacity of the chit. “I take every precaution—” “As do I.” She glared at him. “The Wellborns are in no peril, especially if they keep my presence here a secret. It’s doubtful that Jenkins’s sons will find me, anyway. Heaven knows they aren’t the sharpest knives in the drawer.” “As master of this house, it’s my duty to know the business of those under my roof.” He didn’t know what nonsense he was spouting now. He didn’t care. Nicole had let a vital piece of information slip in her anger, and he wasn’t about to let the argument cool long enough for her to notice her lapse. “Well, perhaps it’s time I collect the pay I’ve earned and leave you and your roof to your own devices.” Not on her life. The woman would be unprotected. Vulnerable. Easy prey for that Jenkins scum. But he couldn’t let her know his refusal was out of concern for her. She’d simply assure him she’d be fine and walk out the door. Darius crossed his arms over his chest and looked down his nose at her. “You agreed to accept payment after a term of two weeks. I’ll not pay a cent before then. You owe me ten more days, Miss Greyson. Or do you plan to renege on our agreement?” Her hands fisted at her sides. “I never go back on my word.

No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.

Don’t cry, Evie.” He rubbed his broad hands on her back, gentling her. “Those things are not true. You aren’t a whore.” She choked. “I’m here aren’t I? At Ford’s?” John always knew exactly how to hurt her. Charley held her away from him, honest intensity in his chocolate eyes. He spoke deliberately, his tone serious. “I know you’re not a whore because I don’t often get denied. Nine out of ten people, man or woman, would have fucked me on the spot when I offered it the first time.” Her mouth dropped open and for a moment she forgot her emotions. He grinned and his eyes twinkled with mischief. Balling her fist, she cuffed him on the chest. Hard. “Ouch!” “You’re an asshole.” She was laughing through her tears. “That’s your whore test?” “No! God, of course not! That’s just my you-have-a-pulse test. My whore test is much more hard-core. I can give you that one if you want. But…” He made a show of looking around the room. “We’re going to need some lube. And possibly some plastic sheeting.” He got up and opened one of the dresser drawers. “Do you have a video recorder with a wide-angle lens? And a zucchini?

Phoebe entered the room and stopped with a head-to-toe quiver, like an arrow striking a target, at the sight of a half-naked West Ravenel. He was facing away from her, standing barefoot at an old-fashioned washstand as he blotted his neck and chest with a length of toweling. The robe had been tossed to a chair, leaving him dressed only in a pair of trousers that rode dangerously low on his hips. Henry had always seemed so much smaller without his clothes, vulnerable without the protection of civilized layers. But this man, all rippling muscle and bronzed skin and coiled energy, appeared twice as large. The room scarcely seemed able to contain him. He was big-boned and lean, his back flexing as he lifted a goblet of water and drank thirstily. Phoebe's helpless gaze followed the long groove of his spine down to his hips. The loose edge of a pair of fawn-colored trousers, untethered by braces, dipped low enough to reveal a shocking absence of undergarments. How could a gentleman go without wearing drawers? It was the most indecent thing she'd ever seen. The inside of her head was scalded by her own thoughts.

The rain-sifted light was weaker now, coming in through the transom windows in pallid silver and dark rainbow dapples. Through heavy-lidded eyes, she watched the play of muted color and shadow across Tom's shirt. Eventually, his long-boned, eloquent hands slid up over her knees and beneath the legs of her drawers. He untied her white lace garters and rolled her silk stockings down into neat circles. After dropping them to the floor, he unfastened his shirt and discarded it, taking his time, letting her look her fill. His body was beautiful, built with the long, efficient lines of a rapier, every inch wrought with tough muscle. A light furring of hair covered his chest and narrowed down toward his midriff. Cassandra sat up on the mattress and touched the black fleece, her fingertips as shy and fleet as a hummingbird in flight. Still standing by the side of the bed, Tom reached out to gather her against his chest. Cassandra shivered at the feel of being surrounded by so much bare skin and body hair, so much hardness. "Did you ever imagine we would be doing this?" she said in a wondering tone. "Sweet darling... I imagined it about ten seconds after we met, and I haven't stopped since.

One of the best things about reconnecting with Annika is how natural it feels to be with her. Standing on the sidewalk, I wonder if she remembers how it felt to be in love with me. I haven't forgotten how it felt to be in love with her. As soon as we're settled in the back of the cab, she snuggles up next to me. Her body relaxes until I can feel her melting into me. She goes limp and falls asleep with her head on my chest. I don't mind at all, and I hold her until we get home. With my arms around her, she feels like mine again. It's only when we're inside her department that I realize the evening- and the performance required of her to endure it- has taken everything she had and there's simply nothing left. She's done. She walks into the bedroom, and I follow. She pulls a T-shirt out of a dresser drawer and turns her back to me, not because she's upset that I followed, but so that I can unzip her dress. I oblige, and as soon as I've lowered it, the dress hits the floor. Her bra and underwear follow, which tells me that modesty is still a completely foreign concept to her. I'm not going to ogle her like the horny college student I once was, but I appreciate the view of her naked backside just the same. She turns around and when I see the front view, maybe I ogle just a little. I mean, I'm human.

I’ve had the best time! The spirit here is incredible. It’s competitive, to be sure, but everyone supports each other. I was getting advice from men I was about to go against right up to the very moment the competitions began.” “That’s wonderful,” Joanna said and handed him a mug of lemonade. “You look absolutely awful.” “I showered,” he replied, a bit defensively. “She means the bruises,” Kassandra said. She thought “awful” was going too far, for the truth was, he looked magnificent. He was a bit battered, however, as was to be expected. All the competitors were the same. “These are nothing,” he insisted, gesturing to the livid black-and-blue splotches with which he was adorned, and with the enthusiasm of a boy, added, “I won two silver bracelets. Here.” He handed one to each of them and beamed as they put them on. “Thank you,” Joanna said sweetly and leaned over to kiss his cheek. Kassandra stared at the bracelet, turning it round and round her wrist. In her quarters, there were chests fitted with silk-lined drawers that held precious jewels given to her because she was a princess. She wore them on occasion and enjoyed them. But never had she received anything so lovely as that simple silver bracelet won by sweat and skill in the Games. “It’s very nice,” she said, and felt his gaze even as she refused to meet it.

The leader of the Red Guards stepped up to Nien Cheng. “We are the Red Guards. We have come to take revolutionary action against you!” Nien Cheng held up the copy of the Constitution and looked the leader in the eye. “It’s against the Constitution to enter a private house without a search warrant.” The man grabbed the Constitution out of Nien’s hand and threw it on the floor. “The Constitution is abolished. It was a document written by the Revisionists within the Communist Party. We recognize only the teachings of our Great Leader Chairman Mao.” One of the Red Guards took the stick he was carrying and smashed the mirror hanging over a wooden chest in the entryway. Another guard replaced the mirror with a blackboard that bore a quotation from Mao: “When the enemies with guns are annihilated, the enemies without guns still remain. We must not belittle these enemies.”2 With that, the young guards tore through the house, smashing furniture, dumping shelves of books onto the floor, slashing priceless paintings by Lin Fengmian and Qi Baishi. On a rampage, the eager students looted the closets and drawers, tearing most of Nien Cheng’s clothing and linens. They overturned the bed mattresses and hacked them to pieces. Then they smashed her music recordings. Pressing on, they found the food pantry and dumped flour, sugar, and canned goods onto the ravaged clothing. They broke several bottles of red wine, pouring it over the mess.

NOTE: Practice your most effective relaxation techniques before you begin these exercises (refer to Chapter 6 if necessary). People are better able to concentrate when they are relaxed. Listening -Pay attention to the sounds coming from outside: from the street, from above in the air, from as far away as possible. Then focus on one sound only. -Pay attention to the sounds coming from a nearby room—the kitchen, living room, etc. Identify each one, then focus on a single sound. -Pay attention to the sounds coming from the room you are in: the windows, the electrical appliances. Then focus on one sound only. -Listen to your breathing. -Hear a short tune and attempt to re-create it. -Listen to a sound, such as a ringing doorbell, a knock on the door, a telephone ringing, or a siren. How does it make you feel? -Listen to a voice on the telephone. Really focus on it. -Listen to the voices of family members, colleagues, or fellow students, paying close attention to their intonation, pacing, and accent. What mood are they conveying? Looking -Look around the room and differentiate colors or patterns, such as straight lines, circles, and squares. -Look at the architecture of the room. Now close your eyes. Can you describe it? Could you draw it? -Look at one object in the room: chair, desk, chest of drawers, whatever. Close your eyes and try to picture the shape, the material, and the colors. -Notice any changes in your environment at home, at school, or in your workplace. -Look at magazine photos and try to guess what emotions the subjects’ expressions show. -Observe the effect of light around you. How does it change shapes? Expressions? Moods? Touching -When shaking a person’s hand, notice the temperature of the hand. Then notice the temperature of your own hand. -Hold an object in your hands, such as a cup of coffee, a brick, a tennis ball, or anything else that is available. Then put it down. Close your eyes and remember the shape, size, and texture of the object. -Feel different objects and then, with your eyes closed, touch them again. Be aware of how the sensations change. -Explore different textures and surfaces with your eyes first open and then closed. Smelling and Tasting -Be aware of the smells around you; come up with words to describe them. -Try to remember the taste of a special meal that you enjoyed in the past. Use words to describe the flavors—not just the names of the dishes. -Search your memory for important smells or tastes. -Think of places with a strong tie to smell. These sensory exercises are an excellent way to boost your awareness and increase your ability to concentrate. What is learned in the fullest way—using all five senses—is unlikely to be forgotten. As you learn concentration, you will find that you are able to be more in tune with what is going on around you in a social situation, which in turn allows you to interact more fully.

Jane felt limp and sated and thoroughly wicked as she snuggled against Dom. They were still joined below, though he’d begun to soften inside her. Still, how naughty it was to be here like this, how deliciously carnal to have made love while they were both half-dressed. Why, Dom still even wore his cravat! She didn’t know why that excited her, though it did. But not as much as Dom saying “please” over and over. Letting her take control of their lovemaking. Even encouraging her to do it. And not nearly as much as Dom asking her to marry him. Well, he didn’t really ask, exactly. He demanded it yet again. But he’d said “please,” and that made all the difference. Especially since he’d then asked her to love him. Silly man. As if she had any choice in the matter. “I do love you, you know,” she whispered. “I can’t help myself. I fell in love with you practically from the moment we met, and I never stopped.” “I love you, too, sweeting,” he murmured into her shoulder. “Always have, always will.” Her heart thundered in her chest. She’d waited so long to hear those words again, she could scarcely believe them. She pulled back to search his face. “Truly?” “Truly.” With infinite tenderness, he brushed her fringe of curls from her eyes. “I tried so hard to forget you after we parted. But I couldn’t. Not for one day.” That earned him a long kiss…that, and the prospect of him as hers. Her very own husband. Oh, yes. She could let herself think it now. They could marry at once, or at least as soon as this business with Nancy was over. Nancy! Oh, Lord, she’d forgotten all about her cousin. Sliding off him, she frantically sought to put her clothing to rights. “You don’t think that Meredith returned while we were…you know…” “No.” A faint amusement lightened his tone as he tucked himself back into his drawers and buttoned them. “The man I spoke to said she and her family return at seven every night.” He pulled out his pocket watch. “It’s only six now.” “Thank heaven.” She tugged her skirts and petticoats into place and patted her hair. “I do wish that hackney coaches came with mirrors.” Dom’s eyes gleamed at her. “Be glad I didn’t take your hair down completely, while I was mauling you with all the self-control of some half-grown lad.” She shot him a teasing glance. “I didn’t mind. You maul very well. And making love in a carriage, with the world passing by unsuspecting, was rather…well…thrilling.” “I can do without that kind of thrill, frankly. If anyone had discovered us…” He shuddered. “Next time we make love, it will be in a bed, and I will treat you with the tenderness you deserve.

The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.

Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.

You think you know me me, my daughter-in-law, but you don't. For instance, I bet you don't know I'm a space traveler. But I am. And I do. In my mind, I travel through time and space in ways you cannot even dream of - from Ohio to Bombay to Ohio again; from the land of the living to the land of the dead, where my Rustom resides; from my wallpapered bedroom in this house, to my painted bedroom in Bombay, of which I know every inch - where the embroidered handkerchiefs are kept in the bottom drawer of the chest of drawers, what books are on the bedside table; the color of the frame that holds the painted picture of Lord Zoroaster that Rustom got me for my fiftieth birthday. Yes, I may be older than you, Susan, and my knees my creak when I got up in the morning, but I can run faster and fly higher than you will ever know.

Chino stood unsteadily, propping himself up on his cane. He paused, then shuffled toward a battered chest of drawers against one wall. He opened it and pulled out a thick manila file, which Trapp saw as he returned was well-thumbed. His host threw it down on the couch

He drags his hand over his face. “Would you be pissed if I already had condoms?” “Huh?” The question strikes me as weird at first, because he's the guy and he should have condoms and why the hell would I be mad about that and oh—oh. Okay. He already had condoms. That's why I should be mad. I mean, we haven't yet had sex in our several months of dating and he has condoms, presumably in the nightstand drawer because that's where he keeps flicking his gaze. And they're probably condoms from sexual exploits with another girl—a prettier girl, a better girl than I am. And now he finally won over his new girlfriend enough to do the deed so he'll just cock an eyebrow and flash that cute smile and ask if it's okay if he uses another relationship's leftovers for our first time. “Okay, whatever is going on in your head is wrong,” Jace says with a small chuckle. “Gosh, your face is adorable when you're internally freaking out.” “What am I supposed to think about this?” I ask in frustration. He leans over me and pulls open the nightstand drawer, taking out an unopened box of condoms. He shakes the box like a maraca to prove his point. “They're unopened. I bought a box a few weeks ago, you know, just in case.” “Why would I get pissed about that?” I ask. “It's much sexier than a guy wanting to jump my bones with no protection.” He shrugs. “I didn't want you thinking I was assuming we'd have sex, or I was pressuring you too soon by buying them, or—shit, I don't know.” He runs a hand through his hair. It makes his bicep grow taunt and the sight of it sends a fire through my belly. “I don't want to screw up anything with you.” His voice is resigned, hopeful and desperate all at the same time. “I love you so much, Bayleigh. And it sucks because it feels like everything I do or don't do has the potential to screw up this thing we have going on.” “This thing,” I say with a roll of my eyes, “is perfect.” I move closer and nuzzle against his chest. He wraps his arm around me. “We both overthink everything way too much,” he says.

From the bottom drawer of her desk, Diane produces a bag of chocolate-covered macadamia nuts. She pulls out six of the nuts and places them on a napkin. Returning the bag to its not-so-secret hiding place, she picks up one of the morsels and puts it carefully in her mouth, the way one might place a fresh briquette on a barbeque. Small, satisfied noises issue from somewhere deep in her chest as the chocolate melts, and then she crunches down on the nut, savoring it with just as much gusto.

Displayed on top of a chest of drawers were several wedding gifts received twenty-five years earlier by Francesco’s parents: an engraved wooden box; an open case containing six crystal glasses, each in its own faded velvet-lined niche; a collection of small plaster figurines; and other such objects. The only use for these things was to be shown off, and they never moved from their place on the dresser except to be delicately cleaned and dusted. Gathered in what could be described as an altar, the great value of these precious things had been impressed on Francesco from a very young age, so that the objects would not fall victim to the violence of his curious little hands. And so acquiring, because inviolable, increased power and mystery, these nuptial gifts inhabited his childhood like people of a strange and noble lineage.

Entreri went for the chest of drawers as Jarlaxle moved to the closet. “Poor taste,” he heard the dark elf say, and turned to see Jarlaxle rifling through the hanging clothes, most of them drab and grey. Entreri shook his head and pulled open the bottom drawer, finding some linens, and under them, a small pouch of coins, which disappeared into his pocket.

My smile reaches higher, deeper. I’ll stick to throttling your cock in one of our two beds. Speaking of cocks, shall we go retrieve yours, mo khrà? Retrieve my cock, he mutters right before popping my ass cheek. Did you just spank me? Well, you did just call me dickless. He spins me around, his hands kneading the skin he tapped, and then he tilts my hips, and I flail forward, my fingers locking around the edge of the chest of drawers that sits like an island in the middle of his dressing chamber. My cock may not be made of flesh, Fallon, but it can fill you up just the same. Allow me to demonstrate. When he slams home, I wheeze. Can you feel me, my love? I can feel nothing else. To punish me once again for having alluded to his missing manhood, he rubs my ass, then gives it a brisk smack. A dizzying current whizzes through my body, zapping a throaty mewl from my lungs. Oh, Gods, Lore. Oh—I choke as Lore pounds into me, stretching me with his shadows—Gods—my climax roars through my body, jostling both my skin and marrow—Lore! He keeps rocking his shadow-hips. Reassured? I didn’t mean to make you feel like less of a man. He doesn’t respond, merely recalls his shadows. When a translucent trail of wetness dribbles down my inner thighs, he rips a fresh tunic off a hanger and cleans my skin. I hook up an eyebrow. Was any of that yours? His gaze remains locked on the fabric absorbing my pleasure. No. Because he cannot come in this form . . . If I need to come, I’ll penetrate your mind before I penetrate your body. Now get dressed and meet me in the war room. His gruff timbre makes me glance over my shoulder at where he stands, delineated in dark wisps. How do I reach the war room? Use the door beside my fireplace. It’ll lead to a sitting room, which will lead you to the war room. His tone is laced with so much frost that it ices my heart. “Lore, I’m sorry. I . . .” He leaves before I can finish speaking.

Mr. Mackenzie endeavoured to persuade me to buy a bed, but I refused for I had decided to have a new one. The bed in Mrs. Hall’s boarding-house with its queer musty smell had given me a horror of second-hand beds and bedding. My refusal pained Mr. Mackenzie and to soothe his injured feelings I consented to buy a large old-fashioned chest of drawers and a standard lamp with a parchment shade.

She could only admire the breadth of his chest, each pectoral muscle clearly defined. Her palms itched to explore them, and she wanted to curl her fingers in the sprinkling of dark hair that narrowed over the flat plains of his belly. There was an indentation bisecting them that she ached to trace. The hair grew denser just below his navel, arrowing toward his low-slung drawers, half-opened now. She gasped when she saw it. The tip of him rose up, thick and pink, protruding over the top of the linen. The ache between her thighs increased, as if knowing he was meant to be inside her to assuage it. He saw her take notice and kept his arms up, fingers laced behind his head, as if basking in her study of him.

Hi there,” he said casually.  “Uh, hi. I was just…cleaning.” She knew it sounded lame, but what was she supposed to say? “The drawer?” he asked. “Yup. full turn down and everything.” She widened her smile, trying to sell the obvious lie.  “Interesting.” He moved closer to her, and her heartbeat rose, a shiver running down her spine. “Did you find what you were looking for?” “No…I wasn’t…I mean, -” He tipped her chin up so they were eye to eye. The words faded from her lips. Silence filled the space. The only sound was her heart thudding in her chest. He leaned in further, their lips almost touching. “You could just ask, snow bunny. I would tell you anything you wanted to know.

After a moment, she shoved the ancient chest of drawers in front of it, too. Not for her own safety. Oh, no. It was for the safety of whatever fool tried to break in—and would then find himself split open from navel to nose just to satisfy a wandering assassin’s boredom.

When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.

Yes, Vicky decided, the female mind, in its eagerness to shine afresh every day, had to have a very rapid turnover. There was no attic treasure chest or ice box where the good education was stored, mothproof, mouse-proof, and shrinkproof. There was only a top dresser drawer where names, dates, fragments of facts were flung without mates as the information hurtled through.

Some may get religion, then they’re all right, I expect. But for the others, for so many, what can there be but witchcraft? That strikes them real. Even if other people still find them quite safe and usual, and go on poking with them, they know in their hearts how dangerous, how incalculable, how extraordinary they are. Even if they never do anything with their witchcraft, they know it’s there—ready! Respectable countrywomen keep their grave-clothes in a corner of the chest of drawers, hidden away, and when they want a little comfort they go and look at them, and think that once more, at any rate, they will be worth dressing with care. But the witch keeps her cloak of darkness, her dress embroidered with signs and planets; that’s better worth looking at. And think, Satan, what a compliment you pay her, pursuing her soul, lying in wait for it, following it through all its windings, crafty and patient and secret like a gentleman out killing tigers. Her soul—when no one else would give a look at her body even! And they are all so accustomed, so sure of her! They say: ‘Dear Lolly! What shall we give her for her birthday this year? Perhaps a hot-water bottle. Or what about a nice black lace scarf? Or a new workbox? Her old one is nearly worn out.’ But you say: ‘Come here, my bird! I will give you the dangerous black night to stretch your wings in, and poisonous berries to feed on, and a nest of bones and thorns, perched high up in danger where no one can climb to it.’ That’s why we become witches: to show our scorn of pretending life’s a safe business, to satisfy our passion for adventure. It’s not malice, or wickedness—well, perhaps it is wickedness, for most women love that—but certainly not malice, not wanting to plague cattle and make horrid children spout up pins and—what is it?—‘blight the genial bed.’ Of course, given the power, one may go in for that sort of thing, either in self-defense, or just out of playfulness. But it’s a poor twopenny housewifely kind of witchcraft, black magic is, and white magic is no better. One doesn’t become a witch to run round being harmful, or to run round being helpful either, a district visitor on a broomstick. It’s to escape all that—to have a life of one’s own, not an existence doled out to you by others, charitable refuse of their thoughts, so many ounces of stale bread of life a day, the workhouse dietary is scientifically calculated to support life. As for the witches who can only express themselves by pins and bed-blighting, they have been warped into that shape by the dismal lives they’ve led.

Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.

Mrs Jackson rummaged tapped on Odette's bedroom door as Clarice rummaged through her best friend's chest of drawers searching for something to liven up, or cover up those dreadful dresses Odette always wore. The blind grandmother who had made her clothes back when she was a little girl was dead, but her grandma's style and taste lived on in Odette's sorry closet.

I’ve got a shift ye can use that I can trim the hem from, but we’ll have to wait on the men for a proper dress. Now, how shall we do your hair? Up, I think. With a crown of heather. Aye. Darcy likes heather.” With Fran on a mission, Melanie had no choice but to follow her and weather the bustling wind of her energy. She dressed Melanie in a long cotton slip and began twisting and piling her hair into a graceful up-do. Laird Steafan might not be known for his hospitality, but Melanie could find nothing to complain about when it came to the generosity of his cottars. In fact, Fran seemed positively delighted to have Melanie disturbing what would likely otherwise be a peaceful night with her husband and baby. “Thank you for your hospitality,” she said to Fran, meeting her eyes in the small bronze mirror on the chest of drawers. “I really appreciate everything you’re doing for me.” “Nonsense,” Fran said, her smile dimpling her cheeks. “It’s not hospitality. We’re practically family.

Day had fucked up big time. This was all his fault, all because he couldn’t keep his nosy ass out of other peoples private business. Day rushed to God’s side. “I’ll help you ba—” Day didn’t know how, but God had found enough strength after that beating to push him so hard that he flew into the dresser, knocking it and all of the items that were on top of it to the floor, including the television. Day rolled a few feet, the dresser just missing falling on top of him. “Cash, what the fuck!” Day cursed. He rolled to his side and winced at the sharp pain in his ribs from coming into contact with the dresser. “I was trying to help you get into bed.” “Get the fuck out, Leo.” God’s face was an unyielding mask. For the first time in four long years, Day couldn’t read what the hell was going through God’s mind. Day stood slowly. “God, I only called him because I needed to go—” “It doesn’t matter why you did it! You had no right! You have no clue what you just did!” God yelled. “Now get out!” “Cashel, please. Just hear me out,” Day pleaded. His eyes begged for God to see the sincerity in them. He really didn’t mean for any of this to happen. “Baby, I swear. I didn’t know any of this was happening between you and your family. You should’ve told me. Why was he calling you a murderer?” No matter what, Day couldn’t turn off his detective side. Day watched God squeeze his eyes shut. He went down on one knee and clutched his chest when the hard coughing started again. God’s eyes were full of water and pain. Day timidly eased over to God’s side but God cut his eyes at him, daring him to come any closer. Day had to fight the moisture in his own eyes. “I just want to help you into bed.” “Day, if you don’t get the fuck out of my house, I’m going to show you why he called me a murderer,” God said through clenched teeth. Day couldn’t stop the gasp that escaped his lips, or the pain that radiated through his chest, as if his rib cage had been torn open and his heart ripped out and thrown underneath the bed. Day kept his eyes on God as he knelt to pick up the dresser, then the television. God watched him as well. Day didn’t say anything as the rogue tear fell down his face without his permission. Day went around to the opposite side of the bed and pulled a pen and piece of scrap paper from the drawer, still watching God carefully. He really didn’t like the look on his best friend’s face. He’d seen the look before, but he’d never had it leveled on him. Day scribbled a couple of phone numbers on the paper.

On your knees, Agent Daley. I want that ass ready for fucking now.” Oh, shit. He loved when Sloane used that tone of authority on him during sex. Dex quickly turned over, his chest pressed against the couch’s armrest so he could reach into the small drawer of the coffee table next to it. Sloane snatched the small bottle of lube and condom from Dex with one hand, the other pressed to Dex’s back, holding him against the armrest. Oh, damn, Sloane was going to fuck him just like this. “Don’t move,” Sloane demanded in a low and husky voice. All Dex could do was remain perfectly still as Sloane parted his ass cheeks before a cool, lube-slicked finger pressed against his hole, causing shivers to rack Dex’s body. First one finger, then two. Dex moved his hand to his cock only to have Sloane grab a fistful of his hair and gently pull his head back. “Did I say you could touch yourself?” “No, sir.” “So move your fucking hand away from there.” “Sloane,” Dex pleaded. God, he was so hard it hurt. Sloane took his time, prepping Dex, torturing him, his finger hitting his prostate. “Oh, shit! You asshole. Fuck me already.” Sloane leaned in, whispering against his ear. “You have an insubordinate streak in you, Agent Daley. Looks like I’m going to have to break you of it.” Oh God, yes. Just when Dex thought he was going to lose it, or punch Sloane’s lights out, Sloane’s cock started stretching him. Dex shut his eyes, releasing his breath slowly as Sloane sank farther in. The mixture of pain and pleasure was almost too much, and Dex gripped the armrest so tight his fingers hurt. “That’s

Snape took the page bearing Lily’s signature, and her love, and tucked it inside his robes. Then he ripped in two the photograph he was also holding, so that he kept the part from which Lily laughed, throwing the portion showing James and Harry back onto the floor, under the chest of drawers. . . . And now Snape stood again

idea. I told Mom we should empty out each room, clean it thoroughly, and put back only the things that were essential. That was the one way, it seemed to me, to get rid of the clutter. But Mom said my idea was too time-consuming, so all we ended up doing was straightening piles of paper into stacks and stuffing dirty clothes into the chest of drawers. Mom insisted that we chant Hail Marys while we worked. “It’s a way of cleansing our souls while we’re cleaning house,” she said. “We’re killing two birds with one stone.” The

She changed her position, contemplated a row od apple shrubs that she had put in last autumn at the bottom of the terrace, and slowly filled up again with comfortable thoughts. Things wee coming to a head. Her inner life, her restless inner life, was still and lay asleep. She was at liberty now to think of material things; positions of wardrobes and chests-of-drawers; lists of books to be piled by her bed; dressing jackets; white wooly vests and pants. It was not often she could thus play dolls and doll-houses without feeling she ought to be doing something else; that life was short; that she was threatened by the melancholy of life itself whose vapors sometimes reached her with overpowering strength. from her present sea-deep content two things were absent now - the horror of the ultimate departure, and the need to express herself before the end. The baby seemed to swim and strike like a dolphin. "it is a mystery," she said. "Women bearing children, bulbs becoming hyacinths, acorns … sheep… lambs. Feet that never touched the earth… I shall become two people." She stared between the apple trees; hypnotized, drugged by that sea-deep peace; wonder drifting weedily in and out. She was a vase, a container, a plot oak for a gnome to live in, a split oak, a hollow elm.