“
He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace
“
Me: “This is obviously a clog. How about I take it apart and check the internal tubing?” NASA: (after five hours of deliberation) “No. You’ll fuck it up and die.” So I took it apart.
”
”
Andy Weir (The Martian)
“
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Another thing I don't want on my tombstone," Shane said.
You have others?" Claire asked.
He held up one finger. "I thought it wasn't loaded," Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
They pulled apart when Keefe shouted, "YOU GUYS HAVE TO SEE THIS!"
They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with THIS!"
"Isn't that the same dragon Fitz brought to your house that one time?" Dex asked Sophie.
"WHAT?" Keefe shouted. "YOU KNEW AND YOU DIDN'T TELL ME?!"
"Mr. Snuggles wasn't my secret to share," Sophie said.
"IT'S NAME IS MR. SNUGGLES?! That is... I can't even..." Keefe ran back to Fitz's room shouting, "ARE YOU MISSING YOUR SNUGGLE BUDDY?!"
"Fitz is going to die of embarrassment, you know that, right?" Biana asked.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think.
My lips are forming his name when his fingers lock around my throat.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
We are killers,” Matthias said.
Bad news.
“Not girls. We don’t kill girls.”
Good news.
“She’s no girl.”
Insulting news?
“What? Of course she’s a girl.”
“Want me to check?”
“Shut up, Blake,” the rest of them chorused.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
How did you find me? If you hacked into the Club’s computer to look up my appointments - "
“Whoa, I think you overestimate me, shitlord. Last time I checked all I did was be in the wrong place at the right time. I saw you and had to - ”
“Stalk me.”
“ - delicately approach you. In a sideways manner. From behind. Without being seen at all. For ten minutes.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
Log Entry: SOL 118
My conversation with NASA about the Water Reclaimer was boring and riddled with technical details. So I'll paraphrase for you:
Me: "This is obviously a clog. How about I take it apart and check the internal tubing?"
NASA: (After about 5 hours of deliberation) "No. You'll fuck it up and die."
So I took it apart.
”
”
Andy Weir (The Martian)
“
When Liam stepped forward again, Derek's arm shot around me , a growl vibrating up from his stomach.
Liam put his hand out toward me. When Derek tensed he pilled back, then did it again, testing his reaction, laughing when he got one, untill even Ramone started to laugh.
"Check this out," Liam said. "I think the pup's got himself a mate. Isn't that the cutest thing?
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really.
”
”
David Foster Wallace (Infinite Jest)
“
I really am sorry for shooting you."
"Are you?"
Her touch lingered as it reached the end of the bandage, checking that it was still securely tied. "What does that mean?"
"I suspect you would shoot me all over again if you thought it would help your grandmother."
She blinked up at him, almost surprised to discover how close they were standing. "I would," She said. "But that doesn't mean I wouldn't be sorry about it afterward.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Nix to Declan:
Begin transcript—
Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck.
This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me!
Now, down to business—
Squirrel!
Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute!
Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. …
Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie?
That’s right. The Enemy of Old can be very useful to you. So use him already.
P.S. Your middle name’s about to be spelled r-e-g-r-e-t.
And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. …
[Muffled] Who’s mummy’s wittle echolocator? That’s right—you are!
—End transcript
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
”
”
Billy Collins (Picnic, Lightning)
“
Cross.”
His head popped up a few shelves over. “What?”
“Check out the magic crap.”
He shot me a look. “Oh, is that what we’re supposed to be doing? Because I’ve just been drawing hearts and our initials in the dirt.”
Sophie + Archer
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
No you don’t,” he tells me. He walks into the building lobby with me under his arm like a rolled-up newspaper. He even checks his mailbox.
”
”
Sally Thorne (The Hating Game)
“
I hate when I'm at the grocery store and the person checking me out asks, "Paper or plastic?" It's offensive. As if I'm going to sleep with her just because she has a clever pick up line.
”
”
Jarod Kintz (It Occurred to Me)
“
You just couldn’t wait to get me naked, could you, Princess?” Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in place.
“No, I—I was checking for wounds,” I stumbled. I wouldn’t meet his gaze.
“I’m sure.” He moved his thumb, almost caressing my hand, until it hit my ring. “What’s that?” He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. “Is that a wedding ring?”
“No, engagement.” I lowered my hand, resting it on the bed next to him. “I’m not married yet.”
“I’m not too late, then.” He smiled and settled back in the bed.
“Too late for what?” I asked.
“To stop you, of course.” Still smiling, he closed his eyes.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V.
I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy.
Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him.
I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time?
I texted back: How'd you get my number?
Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
”
”
Amy Plum (Die for Me (Revenants, #1))
“
Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of a school assignment. Or about something boring."
"A real date." I figured I wouldn't give him the specifics on the Shakespheare play.
"What's the lucky guy's name?"
"Brayden."
There was a pause. "Brayden? That his real name?"
"Why are you asking if everything's real? You think I'd make any of this up?"
"No, no," Adrian assured me. "That what's so ynbelievable about it. Is he cute?"
I glanced at the clock. It was time for me to meet my study group. "Gee, maybe I should just send you a picture to review?"
"Yes, please. And a full background check and life history."
"I have to go. Why do you care so much anyway?" I finally asked in exasperation.
His answer took a long time, which was uncharacteristic.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Regardless, you ask why I
did not greet you. Well, let us assume that I had acted as you suggest I
should. Upon your approach, you would have had me gush over you?”
“Naturally.”
“You would have me point out how stunning you appear in that gown?”
“I wouldn’t complain.”
“Mention how your dazzling eyes glisten in the fireworks like burning
embers?”
“That would be nice.”
“Expound on how your lips are so perfectly red that they could leave any
man breathless with wonder, yet drive him compose the most brilliant of
poetry each time he recalled the moment?”
“I’d be flattered for certain.”
“And you claim you want these reactions from me?”
“I do.”
“Well blast it, woman,” Lightsong said, picking up his cup. “If I’m
stunned, dazzled, and breathless, then how the hell am I supposed to greet
you? By definition, won’t I be struck dumb?”
She laughed. “Well, then, you’ve obviously found your tongue now.”
“Surprisingly, it was in my mouth,” he said. “I always forget to check
there.
”
”
Brandon Sanderson (Warbreaker)
“
So, uh,” I said, shuffling from one foot to the other, “want to go with me to check up on Obliteration? If you’re not doing anything else important, I mean.”
She cocked her head. “Did you just invite me on a date … to spy on a deadly Epic planning to destroy the city?”
“Well, I don’t have a lot of experience with dating, but I’ve always heard you’re supposed to pick something you know the girl will enjoy...”
She smiled. “Well, let’s get to it then.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm a actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of hair between his fingers - "is that someday even you will realize that you can do better." "Thorne..." "Not to worry." He kissed the lock of hair. "I am a criminal mastermind, I have a plan." Clearing his throat, he started to check things off in the air. "First, get a legitimate job - check. Legally buy my ship - in progress. Prove that I'm hero material by helping Cinder save the world - oh, wait, I did that already." He winked. "Oh, and I have to stop stealing things, but that's probably a given. So I figure, by the time you realize how much I don't deserve you... I might kind of deserve you
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
He held up one finger. "I thought it wasn't loaded" Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first."
Michael shook his head. "So what's on your good list?"
"Oh you know. Hero stuff that gets me rerun on CNN, Like I died saving a busload of supermodels" Claire smacked his arm. "Ow! Saving them! What did you think I meant?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
Come up when you’re finished down here.”
He raised a brow. “I don’t have any alarms to check up there.”
That sexy sparkle was back in her eyes. “Then I guess you’ll just have to check me.
”
”
Lisa Kessler (Dance of the Heart (Muse Chronicles, #6))
“
It's always been most important for me to figure out "my space" rather than trying to check out what everyone else is up to, minute by minute. Technology is making it easier to connect to other people, but maybe harder to keep connected to yourself-- and that's essential for any artist, I think.
”
”
Jay-Z (Decoded)
“
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her.
Gggrrrr rawf arrrgggrrrrarrrr," I said.
Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me.
I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better.
Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them."
Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?"
Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off."
The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon."
I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?"
Lea narrowed her eyes. Then she said, "You're bluffing."
One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me."
The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?"
He didn't," Mouse said. "I won him.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
You are an enigma, Avery Morgansten."
I leaned against the counter, my eyes widening as he proceeded to eat half the loaf. "Not really. More like you are."
"How so?"
I gestured at him. "You just ate four hard-boiled eggs, you're eating half a loaf, and you have abs that look like they belong on a Bowflex ad."
Cam looked absolutely thrilled to hear that. "You've been checking me out, haven't you? In between your flaming insults? I feel like man candy."
I laughed. "Shut up."
"I'm a growing boy.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
[Anna] In February, I woke up from a nap. A bouquet of flowers gathered from the various bushes and shrubs scattered around the island lay on the blanket beside me, a small length of rope wound around their stems.
I found T.J. down at the shore. “Someone’s been checking the calendar.”
He grinned. “I didn’t want to miss Valentine’s Day.”
I kissed him. “You’re sweet to me.”
Pulling me closer, he said, “It’s not hard, Anna.”
I stared into T.J.’s eyes, and he started to sway. My arms went around his neck and we danced, moving in a circle, the sand soft and warm under our feet.
“You don’t need music, do you?”
“No,” T.J. said. “But I do need you.
”
”
Tracey Garvis Graves (On the Island (On the Island, #1))
“
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
You okay with all of this?" I whispered to Daemon.
He shrugged. "Not like I can stop her."
I knew he could if he wanted, which meant he didn't have a problem with it.
"Cookie?" he offered, holding a cookie full of chocolate chips.
Upset tummy or not, there was no way I could refuse that. "Sure."
His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it."
Come and get...? Daemon placed half the cookie between those full, totally kissable lips.
Oh, holy alien babies everywhere...
My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing.
That cookie—those lips—were right there.
Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me.
Dee gagged. "I think I'm going to hurl."
Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me.
Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten."
I stared at him.
Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Hello, sexy. I knew that you couldn't get through the night without me," Finn's smug, slightly sleepy voice filled my ear. "So why don't you tell me what you're wearing?"
I rolled my eyes. Apparently, my foster brother hadn't bothered to check his caller ID before he picked up the phone. I wondered if this was how he answered all his late night calls, or if he was actually expecting to hear from Bria. I really hoped it was the second one.
"What am I wearing? Well, right now it would be the blood of two giants, among other naughty unmentionables," I purred. "What does that do for you, sexy?"
Silence.
Then Finn cleared his throat. "Uh Gin? Did you dial my number by mistake? Shouldn't you be cooing these sweet, sweet nothings into Owen's ear instead of mine?
”
”
Jennifer Estep (By a Thread (Elemental Assassin, #6))
“
Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.” I straighten up and slap the check down. “Here’s your bill; leave the money on the table. There’s the door—use it before I come back with my baseball bat and show you why they used to call me Babe Ruthette.” I
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
Why do you want a letter from me? Why don't you take the trouble to find out for yourselves what Christianity is? You take time to learn technical terms about electricity. Why don't you do as much for theology? Why do you never read the great writings on the subject, but take your information from the secular 'experts' who have picked it up as inaccurately as you? Why don't you learn the facts in this field as honestly as your own field? Why do you accept mildewed old heresies as the language of the church, when any handbook on church history will tell you where they came from?
Why do you balk at the doctrine of the Trinity - God the three in One - yet meekly acquiesce when Einstein tells you E=mc2? What makes you suppose that the expression "God ordains" is narrow and bigoted, while your own expression, "Science demands" is taken as an objective statement of fact?
You would be ashamed to know as little about internal combustion as you know about Christian beliefs.
I admit, you can practice Christianity without knowing much theology, just as you can drive a car without knowing much about internal combustion. But when something breaks down in the car, you go humbly to the man who understands the works; whereas if something goes wrong with religion, you merely throw the works away and tell the theologian he is a liar.
Why do you want a letter from me telling you about God? You will never bother to check on it or find out whether I'm giving you personal opinions or Christian doctrines. Don't bother. Go away and do some work and let me get on with mine.
”
”
Dorothy L. Sayers
“
Who’s your friend?”
I practically leaped into the air and spun around to see that Kate had walked up behind me. I slapped the back of my hand against Marcus’s chest, hard enough to force him back a step. “This is Marcus. Ignore him. He’s a bad seed.”
As she checked him out, that growing smile of hers told me she was up to no good. She held out a hand for him to take. “Hi. I’m Kate. I’m a bad seed, too.
”
”
Courtney Allison Moulton
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good."
Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?"
"Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know."
Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch.
"My dear Reaper," Vlad said, still laughing. "Did you just check out our--"
"No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
To this day, I wake up at times, look in the mirror, and just stare, obsessed with the idea that the person I am in my head is something entirely different than what everyone else sees. That the way I look will prevent me from doing the things I want; that there really are sneetches with stars and I’m not one of them. I touch my face, I feel my skin, I check my color every day, and I swear it all feels right. But then someone says something and that sense of security and identity is gone before I know it.
”
”
Eddie Huang (Fresh Off the Boat)
“
I recheck my inbox. Everything’s up to date. I check the clock. Three fifteen P.M. I check my lipstick in the reflection of the shiny wall tile near my computer monitor. I check Joshua, who is glowering at me with contempt. I stare back. Now we are playing the Staring Game.
I should mention that the ultimate aim of all our games is to make the other smile, or cry. It’s something like that. I’ll know when I win.
”
”
Sally Thorne (The Hating Game)
“
Well...unfortunately there's a little problem," he said.
"What?"
He pointed up. "That."
I looked up to see the mistletoe dangling from the ceiling where I'd hung it three hours before.
"Okay, but what does that-?"
Rhys kissed me.
"I really, really, didn't want to like that," he said.
"Rhys-" But before I could say anything else, he kissed me again and pulled me closer.
”
”
Michelle Rowen (Reign Check (Demon Princess, #2))
“
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows.
“Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest.
“I dunno. Impress girls?” Nine looks over at me. “Did it work?”
“Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.”
“Tough crowd.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
Listen, now, you're going to die, Ray-mond K. K. K. Hessel, tonight. You might die in one second or in one hour, you decide. So lie to me. Tell me the first thing off the top of your head. Make something up. I don't give a shit. I have a gun.
Finally, you were listening and coming out of the little tragedy in your head.
Fill in the blank. What does Raymond Hessel want to be when he grows up?
Go home, you said you just wanted to go home, please.
No shit, I said. But after that, how did you want to spend your life? If you could do anything in the world.
Make something up.
You didn't know.
Then you're dead right now, I said. I said, now turn your head.
Death to commence in ten, in nine, in eight.
A vet, you said. You want to be a vet, a veterinarian.
You could be in school working your ass off, Raymond Hessel, or you could be dead. You choose. I stuffed your wallet into the back of your jeans. So you really wanted to be an animal doctor. I took the saltwater muzzle of the gun off one cheek and pressed it against another. Is that what you've always wanted to be, Dr. Raymond K. K. K. K. Hessel, a veterinarian?...
So, I said, go back to school. If you wake up tomorrow morning, you find a way to get back into school.
I have your license.
I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, mister Raymond K. Hessel. In three months, and then six months, and then a year, and if you aren't back in school on your way to being a veterinarian, you will be dead...
Raymond K. K. Hessel, your dinner is going to taste better than any meal you've ever eaten, and tomorrow will be the most beautiful day of your life.
”
”
Chuck Palahniuk (Fight Club)
“
Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
If anyone should talk to her," Renfield piped up, "it should be me. We're the most compatible, culturewise. I'm sure that on top of feeling as if she's been thrust into one of the many levels of Hades, with all of its attendant demons, she feels like a lady wandering, lost, amongst the mannerless cads of the slums."
We were all silent for a moment before Tom asked, "You do realize that we're sitting right here, right?"
"Oh, I am horribly aware of this fact."
"Just checking.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
Yes! I did [grow up on a Christmas Tree farm], so this is a good season for me. I was too young to help with the hauling of the trees up the hills and putting them onto cars. So, it was my job to pull off the preying mantis pods off of the Christmas trees. The problem with that is if you leave them on there, people bring them into their house. I forgot to check one time and they hatched all over these people’s house. And there were hundreds of thousands of them. And they had little kids, and they couldn’t kill of them because that’d be a bad Christmas.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out.
Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché.
I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass.
I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool.
I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that?
Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days.
Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that.
But I'll still be ugly though.
Nothing's gonna change that.
”
”
Charlie Kaufman
“
Sera tried again. “I’m thinking of fighting the next match topless. What do you think about that idea?” This time, he stopped—and turned his angry dragon eyes on her. “That would be unadvisable. You do not need to pick up any more stalkers.” She smirked at him. “I was just checking to see if you were listening to me.
”
”
Ella Summers (Magic Games (Dragon Born Serafina, #2))
“
Very good, Mr.—?”
“Robinson,” the boy supplied.
Ms. Terwilliger produced a clipboard and scanned a list.
“Ah, there you are. Robinson. Stephanie.”
“Stephan,” corrected the boy, flushing as some of his
friends giggled.
Ms. Terwilliger pushed her glasses up her nose and
squinted. “So you are. Thank goodness. I was just thinking
how difficult your life must be with such a name. My
apologies. I broke my glasses in a freak croquet accident
this weekend, forcing me to bring my old ones today. So,
Stephan-not-Stephanie, you’re correct. It’s a temple. Can
you be more specific?”
...
“Indeed it is,” she said. “And your name is?”
“Sydney.”
“Sydney …” She checked the clipboard and looked up in
astonishment. “Sydney Melbourne? My goodness. You
don’t sound Australian.”
“Er, it’s Sydney Melrose, ma’am,” I corrected.
Ms. Terwilliger scowled and handed the clipboard to
Trey, who seemed to think my name was the funniest thing
ever. “You take over, Mr. Juarez. Your youthful eyes are
better than mine. If I keep at this, I’ll keep turning boys into
girls and perfectly nice young ladies into the descendants
of criminals.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
with every passing year she found herself wondering more and more where all the good guys had gone. Or even if there really was such a thing anymore. Where were the guys who didn’t expect you to sleep with them after only a date or two? Or guys who believed that picking up the check on a first date was a classy thing to do? Or even a guy with a somewhat decent job and plans for the future?
”
”
Nicholas Sparks (See Me)
“
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.”
“Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death."
“Don’t talk to me about being a brat,” I shot back. “You’re as selfish and
self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.”
“Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.”
“Good. I hope you mean it this time.”
His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had.
I won’t be coming back.
And for the first time ever, I had a feeling he really wouldn’t be.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Churches crack me up. They're like money, a conspiracy of faith. Like everyone agreed to believe that not only is there a God, but he comes down and checks on folks, so long as they hang in certain places, put up alters, burn lots of candles and incense, and perform sit-stand-kneel and other wacky rituals that'd make a coven of witches not look OCD.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
I changed my mind. Maybe I do want a black hole for a vagina. How bad could it be? I wouldn't need to carry a purse anymore. I could just shove things up my twat. 'Oh, you need a pen? Hold on, let me check in my vagina. What's that you say? Do I have a flashlight? Let me stick my hand up my vag and find out.' Let's go home. We could do a home birth in the bathtub. It might be a tight squeeze but I bet we could both fit in there.
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
I don’t think we’re in love anymore.
I think about sex constantly.
I hate your parents. I’m pretty sure they hate me.
Do you have any idea how fucked up this is?
I’ve been sleeping with my back to you for months now,
and you haven’t touched me once.
I almost went home with the guy who gave me change
at the bank. I almost asked his name.
I don’t think we’re in love anymore.
We don’t kiss like we used to. Your lips are always
cold and mine are always chapped.
Neither of us even apologize.
I haven’t shaved in days and you haven’t noticed.
I am insatiable.
I am a disaster just waiting to remember
the storm in her bones.
I am proud of this.
I want someone to fuck me so hard
that something inside of me snaps
and I can’t stop screaming ‘I love you, oh my God, I love you.’
I don’t think we’re in love anymore.
Sometimes, I genuinely think the sky is bleeding, and I don’t
know how to stop it.
I don’t think I am capable of staying put.
My bags are already packed. I’ve been waiting for you
to check the bedroom.
I don’t think we’re in love anymore.
I don’t know whose fault it is.
Let’s stop trying to make a broken thing work.
We were brave for trying.
We were brave for trying.
”
”
Caitlyn Siehl
“
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.
You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe.
When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself.
When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
”
”
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
“
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me.
I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
”
”
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
“
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors--values, standards, my own limitations as an observer--make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself.
This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they've easily hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves?
The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
You can stay on the porch. Like how you left me on the floor outside our room."
"I didn't know what else to do. You found the check, and I panicked."
"That isn't an excuse."
"I know. And I'm not saying that this is going to make up for it. I'm going to try, really try, to make you trust me again. I want you to trust me. I just... I couldn't sleep last night without you. It was the strangest thing, being in the room alone without you. I couldn't hear you breathing, and your laughter was gone and you were gone, and it was like a part of my life was missing. A big part. I tripped going to the bathroom and banged my head. See?" He pointed to a lovely gash on his forehead.
"And then I burned my hand on the toaster oven. And then my car wouldn't start. Again. I've never had such bad luck in my life.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
How much did you hear?"
"Everything that mattered."
He nodded, his face unreadable. "It is what it is. All cards are on the table."
"Not quite." I sat up.
"Oh?"
"The real Rogan hasn't asked me."
He frowned.
"I want the dragon to ask me."
"Be careful," he warned.
"I know what the Head of House Rogan wants. I heard all of his noble warnings about the future of House Baylor. I saw him told himself in check. I want to know what you want, Connor. What do you want of me? Ask me.
”
”
Ilona Andrews (Wildfire (Hidden Legacy, #3))
“
We fought over the bill when it came. By fought I mean: I insisted loudly on paying half and he responded with beleaguered silence. Instead of discussing it or attempting to engage in my one-sided conversation, he wordlessly put his credit card in the holder; he kept it carefully out of my reach as I continued to list all the reasons we should split the check, not the least of which was that we’d agreed earlier that this was not a date,
then handed it stealthily to the waiter as he passed. I was still oblivious, making my case, when Quinn signed the receipt.“Wait- what are you doing?” I looked from him to the paper slip.Silence. Scribble. Silence. “Did you just sign that? Was that the check?” My voiced hitched, my eyes wide with pseudo outrage. He glanced up at me, something like mock innocence lighting his features, and said, “I’m sorry. Did you want to split that?
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
Ranger picked up and there was a moment of silence as if he was sensing me at the other end, taking my body temperature and heart rate long distance. “Babe,” he finally said.
“Do you know the slum apartment building Bobby Sunflower owns on Stark?”
“Yes. It’s on the same block as his funeral home.”
“That’s the one. I’m going in to look for someone. If you don’t hear from me in a half hour maybe you could send someone to check.”
“Is this a smart thing to do?”
“Probably not.”
“As long as you know,” Ranger said. And he disconnected.
”
”
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
“
I need to check your ankle.”
“Ask.”
“If you object, I—”
“Giving me a chance to object is not the same as asking permission. You’re used to telling people what to do. That works with those guards you’re in charge of. You aren’t in charge of me. You have to ask.”
One corner of his mouth turned up. “It’s more efficient my way.”
“If your primary goal in life is efficiency, you should just die.”
That startled him. His head actually jerked back. “What?”
“The most efficient way to live a life is to die a couple seconds after you’re born. Pfft. Done.” She dusted her hands to demonstrate that. “It’s too late for you to achieve optimal efficiency, but you could still . . .
”
”
Eileen Wilks (Blood Challenge (World of the Lupi, #7))
“
The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace (Infinite Jest)
“
Our disenchantment of the night through artificial lighting may appear, if it is noticed at all, as a regrettable but eventually trivial side effect of contemporary life. That winter hour, though, up on the summit ridge with the stars falling plainly far above, it seemed to me that our estrangement from the dark was a great and serious loss. We are, as a species, finding it increasingly hard to imagine that we are part of something which is larger than our own capacity. We have come to accept a heresy of aloofness, a humanist belief in human difference, and we suppress wherever possible the checks and balances on us - the reminders that the world is greater than us or that we are contained within it.
”
”
Robert Macfarlane (The Wild Places)
“
Roth,” muttered Zayne. He sounded closer, but I didn’t want to take my eyes off the Alphas to check. “You might want to chill out a bit.”
The Crown Prince smirked. “Nah. You want to know why? The Alphas could end me, but they’re not going to.”
Across from us, the Alpha who had spoken stiffened but didn’t interrupt.
“You see, I am the favorite Crown Prince,” Roth continued, his smirk spreading. “They take me out when I haven’t done anything to warrant it and they’ll have the Boss to contend with. They don’t want that.”
Surprise flickered through me. They couldn’t just end Roth because of who he was? I’d always thought they could simply do as they pleased.
The Alpha who had been silent up to this point spoke. “There are rules for a reason. It does not mean we have to like them, so I’d suggest you do not push your luck, Prince.”
Then Roth did the unthinkable. He raised his hand and extended his middle finger. “Does this count as pushing it, Bob?”
Crap on a cracker, he’d flipped off an Alpha! And he’d called the Alpha Bob! Who did that? Seriously?
”
”
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
How does she do it? She makes it sound like she is so cut up to be giving them this information, and it's all just bumph out of her head. She never told them ANYTHING. I don't think she's given them the right name of any airfield in Britain except Mainsend and Buscot, which of course were where she was stationed. They could have easily checked. It's all so close to truth, and so glib--her aircraft identification is rather good considering what a fuss she makes about it. It makes me think of the first day I met her, giving those directions in German. So cool and crisp, such authority--suddenly she really was a radio operator, a German radio operator, she was so good at faking it. Or when I told her to be Jamie, how she just suddenly turned into Jamie.
This confession of hers is rotten with error...
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
It happens when I get really excited. The more excited I get, the more I vibrate.”
“Now there’s a thought,” Lor says.
“If you mean what I think you mean, you want to shut the fuck up and never think it again,” Ryodan says.
“Just saying, boss,” Lor says. “You can’t tell me you didn’t think it, too.”
I never understand half of what these dudes are talking about and don’t care. “You can touch me if you want to,” I say to Lor magnanimously. I’m so pumped on adrenaline and excitement that I’m feeling downright sociable. I poke one of my shoulders toward him. “Check me out. It feels really cool.”
All heads swivel my way, then they look back at Ryodan.
“He doesn’t own my fecking shoulder. Why you looking at him?
”
”
Karen Marie Moning
“
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Cookie?” he offered, holding up a cookie full of chocolate chips.
Upset tummy or not, there was no way I could refuse that. “Sure.”
His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.”
Come and get…? Daemon placed half the cookie between those full, totally kissable lips.
Oh, holy alien babies everywhere…
My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing.
That cookie – those lips – were right there.
Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me.
Dee gagged. “I think I’m going to hurl.”
Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me.
Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked.
I paused. "Yeah, he's cute."
"Come on, America! You have to have noticed those eyes and his voice..."
"Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself.
"Yes, okay, he does have a funny laugh, but it's cute."
"Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke."
Marlee lost it and doubled over in laughter.
"All right, all right," she said, coming up for air. "You have to think there's something attractive about him."
I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it.
What was attractive about Maxon?
"Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it."
Marlee smiled, and I knew she'd seen that in him, too.
"And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that.
"And...well, don't tell anyone this, but his arms. I like his arms."
I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation.
"Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed.
"I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird."
"Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms.
"Ha, ha! I bet that's it. I dare you to ask him!"
"No way!
”
”
Kiera Cass (The Selection (The Selection, #1))
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAPPY CHRISTMAS
Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco.
To: Anna Oliphant
From: Etienne St. Clair
Subject: I forgot to tell you.
Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled?
To: Anna Oliphant
From: Etienne St. Clair
Subject: Are you awake yet?
Wake up.Wake up wake up wake up.
To: Etienne St. Clair
From: Anna Oliphant
Subject: re: Are you awake yet?
I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me.
P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo.
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAHAHA@
Was it a PROMISE RING? Did your father give you a PROMISE RING?
To: Etienne St. Clair
From: Anna Oliphant
Subject: Re: HAHAHA!
I am so not responding to that.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
A Hard Life With Memory
I’m a poor audience for my memory.
She wants me to attend her voice nonstop,
but I fidget, fuss,
listen and don’t,
step out, come back, then leave again.
She wants all my time and attention.
She’s got no problem when I sleep.
The day’s a different matter, which upsets her.
She thrusts old letters, snapshots at me eagerly,
stirs up events both important and un-,
turns my eyes to overlooked views,
peoples them with my dead.
In her stories I’m always younger.
Which is nice, but why always the same story.
Every mirror holds different news for me.
She gets angry when I shrug my shoulders.
And takes revenge by hauling out old errors,
weighty, but easily forgotten.
Looks into my eyes, checks my reaction.
Then comforts me, it could be worse.
She wants me to live only for her and with her.
Ideally in a dark, locked room,
but my plans still feature today’s sun,
clouds in progress, ongoing roads.
At times I get fed up with her.
I suggest a separation. From now to eternity.
Then she smiles at me with pity,
since she knows it would be the end of me too.
”
”
Wisława Szymborska (Here)
“
But before I could come up with an answer, Tod appeared in the desk chair, where I'd sat minutes earlier. 'Hey. Am I interrupting something?'
'Yes,' Nash said. 'Get out.'
But Tod was watching me, and I could tell from the angry line of his jaw that he'd been listening long before he showed himself. He'd heard what Avari had done to me. What Nash had let him do.
'You want me to go?' Tod asked me, his back to his brother.
Nash implores me silently to say yes. Tod waited patiently.
'No,' I said, looking right at Nash. He scowled, and his shoulders sagged.
'Good.' Tod stood and kicked the rolling chair out of his way. 'I just checked on your friend in the straitjacket. But first...' The reaper swung before either of us realized what he intended to do.
Tod's very sold first slammed into Nash's jaw. Nash's head snapped back. He stumbled into the wall. Tod shook his hand like it hurt. 'That's for what you let him do to Kaylee.
”
”
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
“
Absolutely pathetic.”
I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?”
“Lucinda flirting with couriers. Pathetic.”
Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing.
“I’m nice to him.”
“You? Nice?”
I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.”
“Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.”
He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window.
“She’s got a few lovely things about her, I suppose.”
I raise a finger and enunciate the words crisply: “Human resources.”
He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you.
We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
”
”
Sally Thorne (The Hating Game)
“
Tentacles is my term — the Tentacles are the evil tasks that invade my life. Like, for example, my American History class last week, which necessitated me writing a paper on the weapons of the Revolutionary war, which necessitated me traveling to the Metropolitan Museum to check out some of the old guns, which necessitated me getting the subway, which necessitated me being away from my cell phone and email for 45 minutes, which meant that I didn’t get to respond to a mass mail sent out by my teacher asking who needed extra credit, which meant other kids snapped up the extra credit, which meant I wasn’t going to get a 98 in the class, which meant I wasn’t anywhere close to a 98.6 average (body temperature, that’s what you needed to get), which meant I wasn’t going to get into a Good College, which meant I wasn’t going to have a Good Job, which meant I wasn’t going to have health insurance, which meant I’d have to pay tremendous amounts of money for the shrinks and drugs my brain needed, which meant I wasn’t going to have enough money to pay for a Good Lifestyle, which meant I’d feel ashamed, which meant I’d get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn’t get out of bed, which led to the ultimate thing — homelessness. If you can’t get out of bed for long enough, people come and take your bed away.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
We live in an age in which saving is subterfuge for spending. No doubt you sincerely believe that there is margarine in your refrigerator because it is more economical than butter. But you are wrong. Look in your bread drawer. How many boxes of cute snack crackers are there? How many packages of commercial cookies reeking of imitation vanilla badly masked with oil of coconut? How many presweetened breakfast cereals? Tell me now that you bought the margarine because you couldn't afford butter. You see - you can't. You bought the bread drawer of goodies because you were conned into them; and you omitted the butter because you were conned out of it. The world has slipped you culinary diagrams instead of food. It counts on your palate being not only wooden, but buried under ten coats of synthetic varnish as well. Therefore, the next time you go to check out of the supermarket, simply put back one box of crackers, circle round the dairy case again, swap your margarine for a pound of butter and walk up to the checker with your head held high, like the last of the big spenders. This is no time for cost-counters: It is time to be very rich or very poor - or both at once.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex.
“My eyes!” Cole yelled.
Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake.
Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.”
Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement.
I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.”
Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
Tonight," he announced, "is the night we take back that village. And we're not going to do it by marching in lines or committing acts of brave idiocy. We're going to do it by being men. Manly men. The kind of men a woman wants to take control."
Brows wrinkled in confusion.
"But . . ." The blacksmith looked around the group. "We are men. Last I checked, anyhow."
"It's not just a matter of having the proper equipment. It's using the equipment properly." Leaping up on a crate, Colin spread his arms wide. "Look at me. Now look at yourselves. Now look back at me. I am the man you want to be like."
Dawes crossed his arms. "Why is that, precisely?"
"Do you know how many women I've bedded?" When Rufus and Finn perked, he waved at them. "Have a guess, boys."
"Seventeen," offered Finn.
"More."
"Eighteen."
"Still more."
"Er . . . nineteen?"
"Oh, for the love of God," he muttered. "We'll be here all day. Let's just call the number more than you can imagine. Because clearly, that is the case." Under his breath, he added, "Perhaps higher than you know how to count.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
He stared back at me so blatantly I wanted to smack him. “I know. Like I said, that… was never my intention. It was an accident.” My mouth dropped open. “Did you slip and fall on my bed? Because I don’t understand how you’ve accidentally ended up there.” Red stained the tips of his cheeks. “I check the outside, and then I check the inside just to be sure. Hybrids can get into your house, Katy, as you already know. So could Daedalus if they wanted.” What would he have done if Daemon had been there? Then it struck me and I felt sick all over again. “How long do you watch at night?” He shrugged. “A couple of hours.” So he’d have known if Daemon had come over most of the time, and the rest was just sheer dumb luck. Part of me wished he’d tried it just once when Daemon was there. He wouldn’t be walking right for months. There was a good chance he may leave this stairwell with a limp. Blake seemed to sense where my mind went. “After I checked inside your house, I… I don’t know what happened. You have bad dreams.” I wondered why. I had perverts sleeping in the bed with me.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
A small boy asks his Dad, "Daddy, what is politics?" Dad says, "Well son, let me try to explain it this way: I'm the breadwinner of the family, so let's call me Capitalism. Your mom, she's the administrator of the money, so we'll call her the Government. We're here to take care of your needs, so we'll call you the People. The nanny, we'll consider her the Working Class. And your baby brother, we'll call him the Future. Now, think about that and see if that makes sense." So the little boy goes off to bed thinking about what Dad has said. Later that night, he hears his baby brother crying, so he gets up to check on him. He finds that the baby has severely soiled his diaper. The little boy goes to his parents' room and finds his mother sound asleep. Not wanting to wake her, he goes to the nanny's room. Finding the door locked, he peeks in the keyhole and sees his father having sex with the nanny. He gives up and goes back to bed. The next morning, the little boy says to his father, "Dad, I think I understand the concept of politics now." The father says, "Good, son, tell me in your own words what you think politics is all about." The little boy replies, "Well, while Capitalism is screwing the Working Class, the Government is sound asleep, the People are being ignored and the Future is in Deep Shit." ♦◊♦◊♦◊♦
”
”
Various (101 Dirty Jokes - sexual and adult's jokes)
“
this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!” ~~~~~~
”
”
Tanya Thompson (Assuming Names: a con artist's masquerade (Criminal Mischief Book 1))
“
Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS.
"What can I take for the pain?" I asked him before he got out the door.
"You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day."
I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me.
"I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!"
Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy.
My mother, however, had lost the ability to speak.
”
”
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park)
“
But the Greeks and the Romans both believed in the idea of an external daemon of creativity—a sort of house elf, if you will, who lived within the walls of your home and who sometimes aided you in your labors. The Romans had a specific term for that helpful house elf. They called it your genius—your guardian deity, the conduit of your inspiration. Which is to say, the Romans didn’t believe that an exceptionally gifted person was a genius; they believed that an exceptionally gifted person had a genius. It’s a subtle but important distinction (being vs. having) and, I think, it’s a wise psychological construct. The idea of an external genius helps to keep the artist’s ego in check, distancing him somewhat from the burden of taking either full credit or full blame for the outcome of his work. If your work is successful, in other words, you are obliged to thank your external genius for the help, thus holding you back from total narcissism. And if your work fails, it’s not entirely your fault. You can say, “Hey, don’t look at me—my genius didn’t show up today!” Either way, the vulnerable human ego is protected. Protected from the corrupting influence of praise. Protected from the corrosive effects of shame.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup.
Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go.
The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry?
Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.
”
”
Jeanette Winterson (Written on the Body)
“
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
”
”
David D. Burns (Feeling Good: The New Mood Therapy)
“
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
”
”
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
You know what I think?”
Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?”
“I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.”
“About work,” I say.
“About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish.
“You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.”
“And by you’ve seen me,” I say, “you mean you’ve watched me.”
“Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.”
“You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
”
”
Emily Henry (Book Lovers)
“
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.”
He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.”
I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again.
I spoke to him softly, “Ren? I’m here. Don’t give up.”
He raised his head as if he’d heard me.
“Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared.
I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes.
I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him.
He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?”
“Well, I’m no maggoty corpse, if that’s what you mean.”
He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.”
I countered, “Well, how do I know it’s really you?”
He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response.
When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.”
He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.”
I smiled gaily back at him. “No problem.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
”
Jenny Downham
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)