“
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
I'm homesick all the time," she said, still not looking at him "I just don't know where home is. There's this promise of happiness out there. I know it. I even feel it sometimes. But it's like chasing the moon - just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.
”
”
Sarah Addison Allen (The Girl Who Chased the Moon)
“
The thing about Magellan is the thing about all these explorers. Most of the time, they’re just determined to chase impossible things. And most of them are so busy looking at the horizon that they can’t even see what’s right in front of them.
”
”
Morgan Matson (Amy & Roger's Epic Detour)
“
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3:
ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever.
And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it:
BERTIE: Touch of indigestion, Jeeves?
JEEVES: No, Sir.
BERTIE: Then why is your tummy rumbling?
JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us.
BERTIE: Animal? What animal?
JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner.
BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?"
JEEVES: I fancy it might be judicious if you were to make an exit, Sir.
BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile.
Who can say which method is superior?"
(As reproduced in
Plum, Shakespeare and the Cat Chap
)
”
”
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
“
We’re always itching to go, to move on, to escape. We convince ourselves we could truly be happy if only we were somewhere else. Or somebody else.
While it’s smart to plan for the future, we won’t find real happiness if our eyes never leave the horizon. When we’re all rushing off in different directions, we miss the worthwhile places, and worthwhile people, already around us.
But we can’t wait for them to chase us down—we’ve got to seek them out. Because for two people to meet in the middle, both have to take that first step.
”
”
Kirsten Hubbard (Like Mandarin)
“
Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire.
Pablo Neruda
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
The broken are not always gathered together,of course, and not all mysteries of the flesh are solved. We speak of "senseless tragedies" but really: Is there any other kind? Mothers and wives disappear without a trace. Childeren are killed. Madamen ravage the world, leaving wounds immeasurably deep, and endlessy mourned. loved ones whose presence once filled us move into the distance; our eyes follow them as long as possible as they recede from view. Maybe we chase them clumsily, across railroad tracks and trafficked streets; Over roads new printed with their foot steps,the dust still whirling in the wake of them; through impossibly big cities people with strangers whose faces and bodies carry fragments of their faces and bodies, whose laughter, steadiness, pluck, stuberness remind us of the beloved we seek. Maybe we stay put, left behind, and look for them in our dreams. But we never stop looking, not even after those we love become part of the unreachable horizon. we can never stop carrying the heavy weight of love on this pilgimage; we can only transfigure what we carry. We can only shatter it and send it whirling into the world so that it can take shape in some new way.
”
”
Stephanie Kallos (Broken for You)
“
She was always over the horizon, chasing stars.
”
”
Kerry Greenwood
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
Quit living as if the purpose of life is to arrive safely at death. Set God-sized goals. Pursue God-ordained passions. Go after a dream that is destined to fail without divine intervention. Keep asking questions. Keep making mistakes. Keep seeking God. Stop pointing out problems and become part of the solution. Stop repeating the past and start creating the future. Stop playing it safe and start taking risks. Expand your horizons. Accumulate experiences. Enjoy the journey. Find every excuse you can to celebrate everything you can. Live like today is the first day and last day of your life. Don’t let what’s wrong with you keep you from worshiping what’s right with God. Burn sinful bridges. Blaze new trails. Criticize by creating. Worry less about what people think and more about what God thinks. Don’t try to be who you’re not. Be yourself. Laugh at yourself. Don’t let fear dictate your decisions. Take a flying leap of faith. Chase the lion!
”
”
Mark Batterson
“
That’s because stacked on and around her desk, in neat skyscraper-high columns, are books. About three dozen of them. For a moment, I freeze, my mouth open and my eyes wide with shock. Then, inanely, I wonder how the hell she got them all up here. Kate weighs a buck-ten at best. There’s got to be several hundred pounds of pages in this room. It’s then that her shiny dark head emerges over the horizon. And, once again, she smiles. Like a cat with a mouthful of bird.
”
”
Emma Chase (Tangled (Tangled, #1))
“
1. Write.
2. Put one word after another. Find the right word, put it down.
3. Finish what you're writing. Whatever you have to do to finish it, finish it.
4. Put it aside. Read it pretending you've never read it before. Show it to friends whose opinion you respect and who like the kind of thing that this is.
5. Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
6. Fix it. Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving.
7. Laugh at your own jokes.
8. The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (That may be a rule for life as well as for writing. But it's definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter."
[Ten rules for writing fiction (The Guardian, 20 February 2010)]
”
”
Neil Gaiman
“
Most of the time, they’re just determined to chase impossible things. And most of them are so busy looking at the horizon that they can’t even see what’s right in front of them.
”
”
Morgan Matson
“
The sap rises and, itself a mixture of elements, flowers in a mixture of tones; the trees, the rocks, the granites cast their reflections in the mirror of the water; all the transparent objects seize and imprison colour reflections, both close and distant, as the light passes through them. As the star of day moves, the tones change in value, but always they respect their mutual sympathies and natural hatreds, and continue to live in harmony by reciprocal concessions. The shadows move slowly and drive before them or blot out the tones as the light itself, changing position, sets others vibrating. These mingle their reflections, and, modifying their qualities by casting over them transparent and borrowed glazes, multiply to infinity their melodious marriages and make them easier to achieve. When the great ball of fire sinks into the waters, red fanfares fly in all directions, a blood-red harmony spreads over the horizon, green turns to a deep red. But soon vast blue shadows chase rhythmically before them the crowd of orange and soft tones, which are like the distant and muted echoes of the light. This great symphony of today, which is the eternally renewed variation of the symphony of yesterday, this succession of melodies, where the variety comes always from the infinite, this complex hymn is called colour.
”
”
Charles Baudelaire (Selected Writings on Art and Literature)
“
If you’re chasing the forward gap, the chase will never end. No matter how good life gets, you’ll always be chasing the next idea on the horizon. And just like the actual horizon, you can’t catch it. It will always remain ahead of you. Tying happiness to the attainment of some future goal is like trying to catch up to the horizon. It’s always going to be one step beyond your reach.
”
”
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
“
To walk on the beach was the most incredible thing. When you look at the horizon it helps regauge your gyros and your inner ear. It helps you know exactly what’s up and down and what’s right and left.
”
”
Leland Melvin (Chasing Space: An Astronaut's Story of Grit, Grace, and Second Chances)
“
Another star crossed the sky, twirling and twisting over itself, as if it were revelling in its own sparkling beauty. It was chased by another, and another, until a brigade of them were unleashed from the edge of the horizon, like a thousand archers had loosed them from mighty bows.
The stars cascaded over us, filling the world with white and blue light. They were like living fireworks, and my breath lodged in my throat as the stars kept on falling and falling.
I'd never seen anything so beautiful.
And when the sky was full with them, when the stars raced and danced and flowed across the world, the music began.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Dreams that last hold secrets from the past.
Out of reach. Impossible to breach.
Fragile to clutch. Fleeting to touch.
Like stars and snowflakes and visions all aglow.
Time is endless in our youth. Our dreams are rustproof.
Our time to chase is aloof.
From the horizon of hope comes the challenge to dare.
Our time to dream has changed in midair.
Dreams that last hold secrets from the past—
uniquely ours to share if we so care.
Starla Jordan's therapy - writing song lyrics or poetry.
”
”
JoDee Neathery (A Kind of Hush)
“
There is a phrase from World War I describing warfare as “months of boredom punctuated by moments of terror.” The same applies to long spacecraft missions. And it was a long and frankly terrifying hour as they awaited the hoped-for signal to return from New Horizons.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry.
And it was pretty much the best underwater kiss of all time.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
I've never seen such eyes," he said almost absently. "They remind me of the first time I saw the North Sea." His fingertips followed the edge of her jaw. "When the wind chases the waves before it, the water is the same green-gray your eyes are now... and then it turns to blue at the horizon.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
The sun circles me like a vulture. I want a respite of stars. Circles are wondrous because they are endless. Anything endless is wondrous. But endlessness is torture, too. I knew the horizon could never be caught but still chased it. What I have done is foolish; I had no choice but to do it.
”
”
Maggie Shipstead (Great Circle)
“
When word of the astronomers’ vote in Prague reached the New Horizons team, reactions ranged from indifferent (“Who cares what astronomers think? They’re not the experts in this.”), to bemused, to annoyed, to seriously pissed off. As Fran Bagenal succinctly put it, “Dwarf people are people. Dwarf planets are planets. End of argument.
”
”
Alan Stern (Chasing New Horizons: Inside the Epic First Mission to Pluto)
“
There are many fishes in the sea and then there are a few beautiful swishy mermaids. Me?! No, I'm not the fish not even the mermaid, I don't belong to the sea.
I am the Ocean! At a horizon far far away I'm a whirlpool of a storm rising and chasing, twirling and dancing to my own tunes and at another all calm serene still and silent, I am the ocean! limitless boundless infinite and as beautiful as I may seem from the outside, I have life within!
”
”
Himanjali Singh
“
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person.
The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
”
”
Rachel Heffington
“
JAMIE'S SONG 'Bright Blue Dream':
I watch the world go round and round.
And see the sun go up and down.
I think I’ve heard most every sound
Except your voice.
I feel the river by my feet.
And let the tears dry indiscrete.
Seems the horizon’s incomplete
Without your face.
The world is a colder place,
Shadows everywhere you used to be.
Darker than the darkest nights I’ve seen.
And I try go back to that
Bright blue dream.
When there was nothing, there was nothing, but you and me.
Clear blue sky.
Yes there was something, there was something, I could not see.
”
”
Neha Yazmin (Chasing Pavements (The Soulmates Saga #1))
“
All their men—brothers, uncles, fathers, husbands, sons—had been picked off one by one by one. They had a single piece of paper directing them to a preacher on DeVore Street. The War had been over four or five years then, but nobody white or black seemed to know it. Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson. Dazed but insistent, they searched each other out for word of a cousin, an aunt, a friend who once said, “Call on me. Anytime you get near Chicago, just call on me.” Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men. Forbidden public transportation, chased by debt and filthy “talking sheets,” they followed secondary routes, scanned the horizon for signs and counted heavily on each other. Silent, except for social courtesies, when they met one another they neither described nor asked about the sorrow that drove them from one place to another. The whites didn’t bear speaking on. Everybody knew.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
And there it was. The prim face of censure he’d been seeking. A strange sense of satisfaction descended on him. Divine justice, perhaps. Other men, better men, confessed their sins to priests and saints, but Gray had chosen for his confessor this governess. The most beautiful woman he’d ever set eyes on, in all his years of chasing pleasure from one horizon to the next. The only woman to stir this desperate yearning in his breast. And this was his penance-to watch her shrink back into her chair, to see those clear eyes glaze with mistrust as she at last recognized him for the devil he was.
Yes, this was his due. And she wasn’t finished yet, his petite, austere inquisitor.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
This effort notwithstanding, however, certain British institutions were not be trifled with: “Sent hands to tea at 3:30 with Indefatigable to go to tea after us,” Kennedy recorded in his action report. By 3:45 p.m., Goeben and Breslau were pulling away into a misty haze; at 4:00, Goeben was only just in sight against the horizon. Dublin held on, but at 7:37 p.m. the light cruiser signaled, “Goeben out of sight now, can only see smoke; still daylight.” By nine o’clock, the smoke had disappeared, daylight was gone, and Goeben and Breslau had vanished. At 9:52 p.m., on Milne’s instructions, Dublin gave up the chase. At 1:15 a.m., a signal from Malta informed the Mediterranean Fleet that war had begun.
”
”
Robert K. Massie (Castles of Steel: Britain, Germany and the Winning of the Great War at Sea)
“
But it so happened, that those boats, without seeing Pip, suddenly spying whales close to them on one side, turned, and gave chase; and Stubb's boat was now so far away, and he and all his crew so intent upon his fish, that Pip's ringed horizon began to expand around him miserably. By the merest chance the ship itself at last rescued him; but from that hour the little negro went about the deck an idiot; such, at least, they said he was. The sea had jeeringly kept his finite body up, but drowned the infinite of his soul. Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the miser-merman, Wisdom, revealed his hoarded heaps; and among the joyous, heartless, ever-juvenile eternities, Pip saw the multitudinous, God-omnipresent, coral insects, that out of the firmament of waters heaved the colossal orbs. He saw God's foot upon the treadle of the loom, and spoke it; and therefore his shipmates called him mad. So man's insanity is heaven's sense; and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.
”
”
Herman Melville (Moby Dick)
“
You are personally responsible for so much of the sunshine that brightens up your life. Optimists and gentle souls continually benefit from their very own versions of daylight saving time. They get extra hours of happiness and sunshine every day. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
The secret joys of living are not found by rushing from point A to point B, but by slowing down and inventing some imaginary letters along the way. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
“There is nothing more important than family.” Those words should be etched in stone on the sidewalks that lead to every home. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
I may be uncertain about exactly where I’m headed, but I am very clear regarding this: I’m glad I’ve got a ticket to go on this magnificent journey. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
When your heart is filled with gratitude for what you do have, your head isn’t nearly so worried about what you don’t. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
Don’t let cynical people transfer their cynicism off on you. In spite of its problems, it is still a pretty amazing world, and there are lots of truly wonderful people spinning around on this planet. – Douglas Pagels, from Required Reading for All Teenagers
All the good things you can do – having the right attitude, having a strong belief in your abilities, making good choices and responsible decisions – all those good things will pay huge dividends. You’ll see. Your prayers will be heard. Your karma will kick in. The sacrifices you made will be repaid. And the good work will have all been worth it. – Douglas Pagels, from Required Reading for All Teenagers
The more you’re bothered by something that’s wrong, the more you’re empowered to make things right. – Douglas Pagels, from Everyone Should Have a Book Like This to Get Through the Gray Days
May you be blessed with all these things: A little more joy, a little less stress, a lot more understanding of your wonderfulness. Abundance in your life, blessings in your days, dreams that come true, and hopes that stay. A rainbow on the horizon, an angel by your side, and everything that could ever bring a smile to your life. – Douglas Pagels, from May You Be Blessed with All These Things
Each day brings with it the miracle of a new beginning. Many of the moments ahead will be marvelously disguised as ordinary days, but each one of us has the chance to make something extraordinary out of them. – Douglas Pagels, from May You Be Blessed with All These Things
Keep planting the seeds of your dreams, because if you keep believing in them, they will keep trying their best to blossom for you. – Douglas Pagels, from May You Be Blessed with All These Things
I hope your dreams take you... to the corners of your smiles, to the highest of your hopes, to the windows of your opportunities, and to the most special places your heart has ever known. – Douglas Pagels, from May You Be Blessed with All These Things
Love is what holds everything together. It’s the ribbon around the gift of life. – Douglas Pagels, from May You Be Blessed with All These Things
There are times in life when just being brave is all you need to be. – Douglas Pagels, from May You Be Blessed with All These Things
When it comes to anything – whether it involves people or places or jobs or hoped-for plans – you never know what the answer will be if you don’t ask. And you never know what the result will be if you don’t try. – Douglas Pagels, from Make Every Day a Positive One
Don’t just have minutes in the day; have moments in time. – Douglas Pagels, from Chasing Away the Clouds
A life well lived is simply a compilation of days well spent. – Douglas Pagels, from Chasing Away the Clouds
”
”
Douglas Pagels
“
What in the sodding Dark happened back there on Aarden? What did you find?"
He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be.
She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips.
"Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad.
"I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow.
"Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself.
Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her.
After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile.
Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side.
"Storm's comin' ".
"Aye," she answered softly. "Been coming for some time now."
- from the upcoming "RUINE" series.
”
”
T.B. Schmid
“
He hopes at least after pulling himself up from one branch to another he will be able to see farther, discover where the roads lead; but the foliage beneath him is dense, the ground is soon out of sight, and if he raises his eyes toward the top of the tree he is blinded by The Sun, whose piercing rays make the leaves gleam with every colour against the light. However, the meaning of those two children seen in the tarot should also be explained: they must indicate that, looking up, the young man has realized he is no longer alone in the tree; two urchins have preceeded him, scrambling up the boughs.
They seem twins: identical, barefoot, golden blond. At this point the young man spoke, asked: “what are you two doing here?” or else: “how far is it to the top?” And the twins replied, indicating with confused gesticulation toward something seen on the horizon of the drawing, beneath the sun’s rays: the walls of a city.
But where are these walls located, with respect to the tree? The Ace of Cups portrays, in fact, a city, with many towers and spires and minarets and domes rising above the walls. And also palm fronds, pheasants’ wings, fins of blue moonfish which certainly jut from the city’s gardens, aviaries, aquariums, among which we can imagine the two urchins, chasing each other and vanishing. And this city seems balanced on top of a pyramid, which could also be the top of a great tree; in other words, it would be a city suspended on the highest branches like a bird’s nest, with hanging foundations like the aerial roots of certain plants.
”
”
Italo Calvino (The Castle of Crossed Destinies)
“
Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units).
This is the conclusion we've been chasing. Notice that although black holes are central to the reasoning, the analysis applies to any region of space, whether or not a black hole is actually present. If you max out a region's storage capacity, you'll create a black hole, but as long as you stay under the limit, no black hole will form.
I hasten to add that in any practical sense, the information storage limit is of no concern. Compared with today's rudimentary storage devices, the potential storage capacity on the surface of a spatial region is humongous. A stack of five off-the-shelf terabyte hard drives fits comfortable within a sphere of radius 50 centimeters, whose surface is covered by about 10^70 Planck cells. The surface's storage capacity is thus about 10^70 bits, which is about a billion, trillion, trillion, trillion, trillion terabytes, and so enormously exceeds anything you can buy. No one in Silicon Valley cares much about these theoretical constraints.
Yet as a guide to how the universe works, the storage limitations are telling. Think of any region of space, such as the room in which I'm writing or the one in which you're reading. Take a Wheelerian perspective and imagine that whatever happens in the region amounts to information processing-information regarding how things are right now is transformed by the laws of physics into information regarding how they will be in a second or a minute or an hour. Since the physical processes we witness, as well as those by which we're governed, seemingly take place within the region, it's natural to expect that the information those processes carry is also found within the region. But the results just derived suggest an alternative view. For black holes, we found that the link between information and surface area goes beyond mere numerical accounting; there's a concrete sense in which information is stored on their surfaces. Susskind and 'tHooft stressed that the lesson should be general: since the information required to describe physical phenomena within any given region of space can be fully encoded by data on a surface that surrounds the region, then there's reason to think that the surface is where the fundamental physical processes actually happen. Our familiar three-dimensional reality, these bold thinkers suggested, would then be likened to a holographic projection of those distant two-dimensional physical processes.
If this line of reasoning is correct, then there are physical processes taking place on some distant surface that, much like a puppeteer pulls strings, are fully linked to the processes taking place in my fingers, arms, and brain as I type these words at my desk. Our experiences here, and that distant reality there, would form the most interlocked of parallel worlds. Phenomena in the two-I'll call them Holographic Parallel Universes-would be so fully joined that their respective evolutions would be as connected as me and my shadow.
”
”
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
“
In a sentiment that Anne Lamott memorably made, urging that perfectionism is the great enemy of creativity, and Neil Gaiman subsequently echoed in his 8 rules of writing, where he asserted that “perfection is like chasing the horizon,” Wallace adds:
”
”
Anonymous
“
How does one power a spacecraft that will be traveling for at least a decade on a journey so far from the Sun that our star shines there at less than a thousandth of its brightness at Earth? Solar arrays won’t work that far from the Sun, and no battery is powerful and light enough to do the job of powering a decade-long mission. But the radioactive decay of plutonium (an element that was discovered in 1940 and was named for Pluto) passively generates heat without fail—and that heat can be turned into electricity. For this reason, plutonium-fueled nuclear batteries have been the power supplies of choice for deep-space interplanetary missions to the most distant planets from the Sun.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
THE SHEER COMPLEXITY OF PLUTO The diversity of phenomena seen on Pluto was far beyond what anyone, even New Horizons team members, expected to find on such a small planet so cold and far from the Sun. Ground fogs, high-altitude hazes, possible clouds, canyons, towering mountains, faults, polar caps, apparent dune fields, suspected ice volcanoes, glaciers, evidence for flowing (and even standing) liquids in the past, and more. This little red planet perched 3 billion miles away in the Kuiper Belt packed more punch than any other known small world explored, and indeed more punch than many much larger worlds. The variety of terrains, its complex interactions between the surface and the atmosphere, and the wide range of surface ages even prompted the New Horizons team to adopt the slogan “Pluto is the new Mars.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
There are many fishes in the sea and then there are a few beautiful swishy mermaids. Me?! No I'm not the fish not even the mermaid, I don't belong to the sea.
I am the Ocean! At a horizon far far away I'm a whirlpool of storm rising and chasing, twirling and dancing to my own tunes and at another all calm serene still and silent, I am the ocean! limitless boundless infinite and as beautiful as I may seem from the outside, I have life within!
”
”
Himanjali Singh
“
Space Race Wanting the sky, wanting the horizon, wanting to travel further than anyone has ever gone. There were days when nobody knew what was over the other side of the sea. A time when wild places sprawled endless and unchanging. But here we are, too late to explore the Earth and too soon to venture into space. I want to sleep until the universe is open. I want to sleep until I can pour myself into it and never look back; chase galaxies like sailors once chased ports.
”
”
Elisabeth Hewer (Wishing for Birds)
“
Never chase money because it resides at horizon.
”
”
Rajesh Walecha
“
I just don't know where home is. There's this promise of happiness out there. I know it. I even feel it sometimes. But it's like chasing the moon- just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.
”
”
Sarah Addison Allen (The Girl Who Chased the Moon)
“
There are many fishes in the sea and then there are the beautiful swishy mermaids. Me?! No I'm not the fish not even the mermaid, I dont belong to the sea.
I am the Ocean! At a horizon far far away I'm a whirlpool of storm rising and chasing, twirling and dancing to my own tunes and at another all calm serene still and silent, I am the ocean! limitless boundless infinite and as beautiful as I may seem from the outside, I have life within!
”
”
Himanjali Singh
“
The Prophecy
From the place where the sun rises, there will come to the People a great warrior who will stand tall above his brothers and see far into the great beyond with eyes like the midnight sky. This Comanche shall carry the sign of the wolf upon his shield, yet none shall call him chief. To his people shall come much sadness, and the rivers will run red with the blood of his nation. Mountains of white bones will mark where the mighty buffalo once grazed. In the sky, black smoke will carry away the death cries of helpless women and children. He will make big talk against the White-Eyes and fierce war, but the battles shall stretch before him with no horizon.
When his hatred for the White-Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land. Though her voice will have been silenced by great sorrow, her eyes shall speak into his of a morning with new beginnings. She will be golden like the new day, with skin as white as the night moon, hair like rippling honey, and eyes like the summer sky. The People will call her the Little Wise One.
The Comanche will raise his blade to slay her, but honor will stay his hand. She will divide his Comanche heart, so his hate that burns hot like the sun will make war with his hate that is cold like the winter snow, and the hate shall melt and flow out of him to some faraway place he cannot find. Just as the dawn streaks the night sky, he will chase the shadows form her heart and return her voice to her.
When this is done, the warrior and his maiden shall walk together to a high place on the night of the Comanche moon. He will stand on the land of the Comanche, she on the land of the tosi tivo. Between them will be a great canyon that runs high with blood. The warrior will reach across the canyon to his maiden, and she will take his hand. Together they will travel a great distance into the west lands, where they will give birth to a new tomorrow and a new nation where the Comanche and the tosi tivo will live as one forever.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Can I have just a moment with the priest?”
“For why?”
“Just to ask him something.”
Hunter’s grip on her arm relaxed. “Namiso, hurry.”
Loretta cupped a hand over the priest’s ear and quickly whispered her request, then stepped back to Hunter’s side. The priest considered what she had said, then nodded. A moment later he blessed the young couple before him, and the ceremony began. The words bounced off the walls of Loretta’s mind, making no sense. Numbly she made her responses when she was instructed to. Then it came Hunter’s turn. The priest asked the usual question, adding at the end, “Forsaking all others, taking one wife and only one wife, forever with no horizon?”
Hunter, eyes narrowed suspiciously, shot Loretta a knowing look. For several long seconds he made no response, and she held her breath, her gaze locked with his. Then, with solemn sincerity, he inclined his head and replied, “I have spoken it.”
The priest, momentarily confused by the unusual response when he had expected an “I do,” sputtered a moment, seemed to consider, then nodded his assent and finished the ceremony. Loretta and Hunter were married, according to his beliefs and hers. Hunter instructed his friends to return the priest to his mission, stressing that he would have their heads if the man didn’t arrive there unharmed. Then he sent Amy to his mother’s lodge. When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.”
He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.”
Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples?
Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.”
Bend or break. In all her life, she had never felt quite so helpless. Her attention moved to the knife on his hip. If only he would drop his guard--just for a moment.
As if he sensed what she was thinking, he smiled another humorless smile and lowered his gaze to her chest where the water lapped just above her splayed fingertips. She tightened her arms around herself. He said nothing more, but words weren’t necessary. She couldn’t stay in the river forever, and when she emerged, he would be waiting. She was trapped. Always, forever, with no horizon.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.”
He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?”
“I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--”
He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.”
Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.”
He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question.
“Do you hunger for food?” he asked her softly.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.”
He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
It felt wonderful. So good, in fact, that she turned and began pulling herself in the other direction again. And as she did so, she noticed the sailors watching her. Was it because of the oddity of her floating chair? Or because she risked interrupting their workflow, moving among them as she did? Though one of them nodded as she passed. And then another raised his fist toward her.
They’re . . . rooting me on, she realized. In that moment she finally felt a kinship with the crew. A bond of understanding. What kind of person sought work on a sailing vessel? The type who longed for freedom—who wasn’t content to sit where they were told, but instead wanted to see something new. A person who wanted to chase the horizon.
Perhaps she was imagining too much, but whatever their reasons, another raised a fist as he passed. The gesture seemed to propel her as she crossed the deck.
”
”
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
“
She's chasing power and prestige. The feeling of enough is always over the next horizon.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
Dance with the Devil
[Verse]
Dancin' with the devil in the moonlight starlit mess
Demons in my closet never gave me any rest
High and low and then lower still hit the ground so hard
Had to claw my way out back to life from the dark
[Verse 2]
Disappointed mother tears in dad's eyes deep
Friends turned to shadows had no one to keep
Hidin' from the truth scared of what I'd see
Had to lose it all just to find me
[Chorus]
Rise from the ashes 'gainst the dark night's howl
Every scar a story every pain a growl
Digging my nails through the dirt and stone
Reckoning the ghost of the life I know
[Bridge]
Lost myself lost my way in the foggy deep
Found nothin' but regret every night of sleep
Pledge to the horizon promises in blue
Chasing better days ripping through
[Verse 3]
Country road callin' heartbeats lead the way
Breath of fresh freedom in the light of day
Undone sins behind stepped into the new
Grit in the voice but a fire in the view
[Chorus]
Rise from the ashes 'gainst the dark night's howl
Every scar a story every pain a growl
Digging my nails through the dirt and stone
Reckoning the ghost of the life I know
”
”
James Hilton-Cowboy
“
I’m homesick all the time,” she said, still not looking at him. “I just don’t know where home is. There’s this promise of happiness out there. I know it. I even feel it sometimes. But it’s like chasing the moon—just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.
”
”
Sarah Addison Allen (The Girl Who Chased the Moon)
“
They landed in a field with a light dusting of snow.
“Middle of nowhere?” Elysia said, looking around. “Interesting choice.”
“No waaaay!” Thrilled, Ferbus broke from the group and started running toward a series of objects on the horizon.
Driggs snickered. “This should be fun.”
As they got closer to Ferbus’s shouts of glee, the forms that had made no sense at a distance began to take shape into something that made even less sense: stacks of old automobiles, seemingly dropped from space but arranged in an undeniable pattern.
“Carhenge!” Ferbus jubilantly danced through the pillars, taking it all in. “Man, you hear about it, you dream about the day you might get to see it, but it’s even better than I imagined!”
Elysia blinked. “What is Carhenge?”
“Don’t you get it?” said Ferbus, the grin still on his face. “It’s like Stonehenge.” He pointed. “But with cars.”
The Juniors stared at him. Bang coughed.
“Well,” said Uncle Mort after a moment, “as riveting as”—he consulted his atlas—“rural Nebraska is, it’s probably best that we keep moving.”
Ferbus’s face fell. “But the gift shop.”
Uncle Mort rubbed his temples. “Tell you what, next time we’re being chased by a murderous criminal, I’ll try to schedule in a little more time for sightseeing.” He formed the Juniors back into a circle. “Let’s not assign a designated driver this time. We’ll scythe, and whoever thinks of something first, somewhere farther east—that’s where we’ll go. Ready?”
***
This time around they were greeted by the stoic faces of George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln, all wearing caps of snow. “Ooh, Mount Rushmore,” Ferbus said bitterly. “Because dead presidents are so much more fascinating than the subtle, delicate art of automotive sculpture.”
“East!” Uncle Mort said, exasperated. “Not north!
”
”
Gina Damico (Scorch (Croak, #2))
“
Breaking News,” which came of age chasing white Broncos and watching Twin Towers fall, reached its apotheosis.
”
”
P.J. Manney ((R)evolution (Phoenix Horizon #1))
“
When you’re poor and hungry and frightened of failure, you often don’t have the luxury of high values, lofty goals, and social conscience. Funny how fear and poverty will acid-wash your value set, burn away all the flimflam and artifice and learned morality and leave you with nothing but the urgency of survival. - Dr. Dan Trix - Chasing the Horizon.
”
”
Rodney Romig (Chasing the Horizon (#4))
“
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken. She will lose what resolve she has because she will see an old bicycle speeding down a hill, bouncing on rocks and gravel, the metal pounding both their rears, clouds of dust kicked up with each sudden skid. She sits on the frame, and Masooma is the one on the saddle, she is the one who takes the hairpin turns at full speed, dropping the bike into a deep lean. But Parwana is not afraid. She knows that her sister will not send her flying over the handlebars, that she will not hurt her. The world melts into a whirligig blur of excitement, and the wind whooshes in their ears, and Parwana looks over her shoulder at her sister and her sister looks back, and they laugh together as stray dogs give chase.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
In the distance, steel-blue mountains loomed heavy on the horizon, their shoulders burdened with the same accursed snow the gods were currently depositing upon the lowlands. Between us and the mountains, the vast expanse of one of the innumerable caravan sites littering the Welsh shores was dimly visible, and at the far edges of the sands, grey waves tipped a mulch of brown foam up on to the beach, a sudden deposition of wishy-washy creatures that seemed to spider-leg over each other in their haste to reach the shore and see what all the fuss was about.
But even these creatures comprised of sea-foam were freaked out by the death-stare, for the little critters swiftly dissipated under the force of a skeletal glower.
A skull lay in the sand, its empty sockets staring down the beach at the retreating surge. Their fear wouldn’t last long. Soon they’d realise the skeleton had not engaged in pursuit, their confidence would grow, and they’d encroach, further and further up the bank. Eventually, they’d be close enough to see it was completely inert, and would overrun our position, victoriously sweeping up their fallen foe and dragging it back out with them into the dreary waves.
”
”
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
“
A very old man once told me a pirate is always chasing after the horizon, fooling himself into believing he can reach it. It might be gold, it might be freedom, it might even be a girl he’s looking to impress. Always it beckons, beautiful and glorious, but no matter how hard a pirate pushes his ship, it remains just out of grasp. The woman who has stolen my cabin, I wager she was Jonathan Griffith’s horizon.
”
”
Matt Tomerlin (The Devil's Horizon (Devil's Fire, #3))
“
Hunter gazed at the horizon for a moment. Loretta’s voice kept whispering to him. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.
Hunter wasn’t sure why finding Amy had become so important to him, and he didn’t care to analyze his feelings. Was his aim to cement a bargain with a woman he had already bought? Why must he pay twice to possess her? Was her happiness so important to him that he was willing to risk his life and those of his friends to chase the shadows from her eyes? The questions were unanswerable. And troubling.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Whatever I need to be
In the mirror every morning, I see a face of dreams,
A heart full of wander, bursting at the seams.
I'm a rolling stone on this winding road,
Chasing the horizon, carrying my load.
I need to be strong, I need to be wise,
Need to be the truth in a world of lies.
I need to be the light when the night falls deep,
I need to be the promise that I intend to keep.
I've worn many hats, played many parts,
Sang with the joyous, danced with broken hearts.
But through every role, I've come to see,
The only thing I need to be is me.
I need to be brave, I need to be kind,
Need to be the vision when the world's gone blind.
I need to be the hope when doubts arise,
I need to be the love that never dies.
Like a river flows to the open sea,
I'll keep moving on to where I need to be.
With every step, I'll find my way,
To be the man I'm meant to be, come what may.
So here's to the dreamers, reaching for the stars,
To the healers, the believers, bearing their scars.
We're all on a journey, finding our place,
In this grand old tale, the human race.
We need to be strong, we need to be wise,
Need to be the truth in a world of lies.
We need to be the light when the night falls deep,
We need to be the promise that we intend to keep.
So when you're feeling lost, and you're in too deep,
Remember the strength, the promises you keep.
For whatever you need to be, you'll find inside,
In the heart of a cowboy, where the truest selves reside.
This captures the essence of striving to be the best version of oneself, with a nod to the cowboy spirit of resilience and hope that you seem to appreciate.
”
”
James Hilton-Cowboy
“
In the mirror every morning, I see a face of dreams,
A heart full of wander, bursting at the seams.
I'm a rolling stone on this winding road,
Chasing the horizon, carrying my load.
I need to be strong, I need to be wise,
Need to be the truth in a world of lies.
I need to be the light when the night falls deep,
I need to be the promise that I intend to keep.
I've worn many hats, played many parts,
Sang with the joyous, danced with broken hearts.
But through every role, I've come to see,
The only thing I need to be is me.
I need to be brave, I need to be kind,
Need to be the vision when the world's gone blind.
I need to be the hope when doubts arise,
I need to be the love that never dies.
Like a river flows to the open sea,
I'll keep moving on to where I need to be.
With every step, I'll find my way,
To be the man I'm meant to be, come what may.
So here's to the dreamers, reaching for the stars,
To the healers, the believers, bearing their scars.
We're all on a journey, finding our place,
In this grand old tale, the human race.
We need to be strong, we need to be wise,
Need to be the truth in a world of lies.
We need to be the light when the night falls deep,
We need to be the promise that we intend to keep.
So when you're feeling lost, and you're in too deep,
Remember the strength, the promises you keep.
For whatever you need to be, you'll find inside,
In the heart of a cowboy, where the truest selves reside.
This captures the essence of striving to be the best version of oneself, with a nod to the cowboy spirit of resilience and hope that you seem to appreciate.
”
”
James Hilton-Cowboy
“
In the quiet corners of existence, we grapple with our perceived insignificance, yet relentlessly chase dreams. But beware, for these very aspirations can blur our vision of reality. Instead of fixating on distant horizons, let us savor the present—our most precious currency. Amid fractured identities and fleeting emotions, find solace in imperfection, and weave meaning from the void.
”
”
Jonathan Harnisch
“
Summer Wild…
a restless summer child, sunrise-sweet and sunset-wild,
kissed by light glimmer and running free in the wild air,
under the magic of fireflies and in the glow of bonfire flare,
feeling alive and chasing new horizons is why we're here,
so when the sunset unfolds into the night of our lives…
promise you'll meet me there.
”
”
butterflies rising
“
Yes, it is." Impossible to keep the bitterness out of my tone. "She's very good at doing her job, but she isn't doing it out of the charity of her soul. She's chasing power and prestige. The feeling of enough is always over the next horizon [...] She loves me, but it's secondary to everything else.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
If you’ve ever suffered the accusations of people who objectified you as an emblem of darkness, it wasn’t your fault. If you’ve ever been haunted by the opinions of your friends, it wasn’t your fault. If they’ve ever assumed the worst of you, it wasn’t your fault. If you’ve ever been judged by your own parents, it wasn’t your fault. If you’ve ever been treated as an outcast, it wasn’t your fault. If you’ve ever made a decision based on an opinion, it wasn’t your fault. If you’ve ever been labeled, it wasn’t your fault. If you’ve ever been stuck in the middle of a love triangle, it wasn’t your fault. If you’ve ever been heartbroken, it wasn’t your fault. If you’ve ever cried yourself to sleep, it wasn’t your fault.
As you suffered and grew up, your soul got stained, your heart got shattered and your body paralyzed, which drove you into a deep state of slow sleep. As you opened your eyes, the atrocities of your past were glistening over your eyes and you knew, you had lost yourself in a place of utter darkness, but there was learning to be done in the cold dark. Like seeds of plants shaded by dirt, you twitched with the want to rise. As you grew tired of the shadows, you climbed into a world that was finally making room for light. Room for you and for all your truth. You ignited not in the light but in the distant shadows of the dark. In your chaos, you found clarity. In your suffering, you found purpose. You didn’t ignore the pain. You gave it reason. You used it. You reveled in it. As you began your journey to redefine yourself in misery and pain, your heart grew fonder but you didn’t give up. As stones of suffering came to dance, your feet took flight, the sun tried to burn you down, but God threw a shadow over the horizon and you saw a ray of hope and chased your way over the mightiest slopes. For a long time, you thought being different was a negative thing; but as you grew older, you started to realize that you were born to stand out, not blend in. Now, when people put a label on you, you find comfort in your true self because, in the end, you are proud to be who you’re. You’re a survivor. You and I come from completely different places, our world is a parallel space and we speak different languages, but one thing I’m sure of is that my heart beats the same as yours.
At end of the day, we’re all meant to be who we are; Our True Selves.
”
”
Kamil Alvi
“
A crucial aspect of purpose is that it’s always worked towards, but never fully achieved, like chasing the earth’s horizon or pursuing a guiding star.
”
”
Jim Collins (BE 2.0 (Beyond Entrepreneurship 2.0): Turning Your Business into an Enduring Great Company)
“
Trust me, it wasn't your fault
If you’ve ever suffered the accusations of people who objectified you as an emblem of darkness, it wasn’t your fault. If you’ve ever been haunted by the opinions of your friends, it wasn’t your fault. If they’ve ever assumed the worst of you, it wasn’t your fault. If you’ve ever been judged by your own parents, it wasn’t your fault. If you’ve ever been treated as an outcast, it wasn’t your fault. If you’ve ever made a decision based on an opinion, it wasn’t your fault. If you’ve ever been labeled, it wasn’t your fault. If you’ve ever been stuck in the middle of a love triangle, it wasn’t your fault. If you’ve ever been heartbroken, it wasn’t your fault. If you’ve ever cried yourself to sleep, it wasn’t your fault.
As you suffered and grew up, your soul got stained, your heart got shattered and your body paralyzed, which drove you into a deep state of slow sleep. As you opened your eyes, the atrocities of your past were glistening over your eyes and you knew, you had lost yourself in a place of utter darkness, but there was learning to be done in the cold dark. Like seeds of plants shaded by dirt, you twitched with the want to rise. As you grew tired of the shadows, you climbed into a world that was finally making room for light. Room for you and for all your truth. You ignited not in the light but in the distant shadows of the dark. In your chaos, you found clarity. In your suffering, you found purpose. You didn’t ignore the pain. You gave it reason. You used it. You reveled in it. As you began your journey to redefine yourself in misery and pain, your heart grew fonder but you didn’t give up. As stones of suffering came to dance, your feet took flight, the sun tried to burn you down, but God threw a shadow over the horizon and you saw a ray of hope and chased your way over the mightiest slopes. For a long time, you thought being different was a negative thing; but as you grew older, you started to realize that you were born to stand out, not blend in. Now, when people put a label on you, you find comfort in your true self because, in the end, you are proud to be who you’re. You’re a survivor. You and I come from completely different places, our world is a parallel space and we speak different languages, but one thing I’m sure of is that my heart beats the same as yours.
At end of the day, we’re all meant to be who we are; Our True Selves.
”
”
Kamil Khalil Alvi
“
If you’ve ever suffered the accusations of people who objectified you as an emblem of darkness, it wasn’t your fault. If you’ve ever been haunted by the opinions of your friends, it wasn’t your fault. If they’ve ever assumed the worst of you, it wasn’t your fault. If you’ve ever been judged by your own parents, it wasn’t your fault. If you’ve ever been treated as an outcast, it wasn’t your fault. If you’ve ever made a decision based on an opinion, it wasn’t your fault. If you’ve ever been labeled, it wasn’t your fault. If you’ve ever been stuck in the middle of a love triangle, it wasn’t your fault. If you’ve ever been heartbroken, it wasn’t your fault. If you’ve ever cried yourself to sleep, it wasn’t your fault.
As you suffered and grew up, your soul got stained, your heart got shattered and your body paralyzed, which drove you into a deep state of slow sleep. As you opened your eyes, the atrocities of your past were glistening over your eyes and you knew, you had lost yourself in a place of utter darkness, but there was learning to be done in the cold dark. Like seeds of plants shaded by dirt, you twitched with the want to rise. As you grew tired of the shadows, you climbed into a world that was finally making room for light. Room for you and for all your truth. You ignited not in the light but in the distant shadows of the dark. In your chaos, you found clarity. In your suffering, you found purpose. You didn’t ignore the pain. You gave it reason. You used it. You reveled in it. As you began your journey to redefine yourself in misery and pain, your heart grew fonder but you didn’t give up. As stones of suffering came to dance, your feet took flight, the sun tried to burn you down, but God threw a shadow over the horizon and you saw a ray of hope and chased your way over the mightiest slopes. For a long time, you thought being different was a negative thing; but as you grew older, you started to realize that you were born to stand out, not blend in. Now, when people put a label on you, you find comfort in your true self because, in the end, you are proud to be who you’re. You’re a survivor. You and I come from completely different places, our world is a parallel space and we speak different languages, but one thing I’m sure of is that my heart beats the same as yours.
At end of the day, we’re all meant to be who we are; Our True Selves.
”
”
Kamil Khalil Alvi
“
Some days the doves seemed to know
what we needed to know. Some days
you would run until you fell into the air.
and the birds would scatter like clouds.
What is it you were wanting to hold there
in your empty hand? I think you were starting
to play, even then, your flute, hearing
the strange music of the doves, the notes
floating feather-like into the future. And what
does a single feather mean except the love
we treasure, or a butterfly mean except
the dreams we chase, the way those doves
chased whatever called them from beyond the park,
something beyond words, beyond the sky
that gives away nothing except the longing
to discover how love creates its own endless skies.
— Richard Jackson, “Poem for Any,” Broken Horizons (Press 53, 2018)
”
”
Richard Jackson (Broken Horizons)
“
Looking out to sea, you can see for miles. I love the way the sea just starts where the sand stops and then fades away to absolutely nothing, just the flat line of the horizon. It makes me want to get in a boat and chase it, although I know that’s not how it works, I’d just end up in France if I didn’t die somewhere along the way.
”
”
Portia MacIntosh (Better Off Wed)
“
Another star crossed the sky, twirling and twisting over itself, as if it were reveling in its own sparkling beauty. It was chased by another, and another, until a brigade of them were unleashed from the edge of the horizon, like a thousand archers had loosed them from mighty bows. The stars cascaded over us, filling the world with white and blue light. They were like living fireworks, and my breath lodged in my throat as the stars kept on falling and falling. I’d never seen anything so beautiful. And when the sky was full with them, when the stars raced and danced and flowed across the world, the music began. Wherever they were, people began dancing, swaying and twirling, some grabbing hands and spinning, spinning, spinning to the drums, the strings, the glittering harps. Not like the grinding and thrusting of the Court of Nightmares, but—joyous, peaceful dancing. For the love of sound and movement and life. I lingered with Rhysand at the edge of it, caught between watching the people dancing on the patio, hands upraised, and the stars streaming past, closer and closer until I swore I could have touched them if I’d leaned out.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Man lives freely only by his readiness to die, for the shadow of mortality constantly accompanies us on our life's journey. From the very moment of our birth, the inexorable march towards the unknown horizon of death begins. The awareness of our own mortality serves as a constant reminder that our time here is limited, urging us to seize each moment with purpose, to chase our dreams with unwavering determination, and to cultivate deep connections with others.
”
”
Carson Anekeya
“
The goddess stretched her fingers toward the horizon. “Have you heard of the Pacific garbage patch?” “I have, Lady Ran,” Sam said. “It’s a floating collection of rubbish the size of Texas. It sounds terrible.” “It is amazing,” said the goddess. “The first time I saw it, I was overwhelmed! It put my own collection to shame. For centuries, all shipwrecks of the northern seas have been mine to claim. Anything lost in the depths comes to me. But when I saw the wonders of the garbage patch, I realized how puny my efforts had been. Ever since, I’ve spent all my time scavenging the seafloor, looking for additions to my net. I would not have found your sword if I hadn’t been so quick!
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Cassilda:
(speaking to herself)
We strain our ears for the sound of love, but must all mothers bear the horror of seeing their Children grow from wonderful possibility to grim reality?
Stranger:
(Stands mutely in the shadows, his hands folding across his chest)
Cassilda: If only we could stay a moment behind the veil of time, and live in that moment of indecision.
Stranger:
(Whispers so Cassilda cannot hear)
Existence is decision.
(...)
[Te Child appears before the closed curtain]
1
Te Child: I am not the Prologue, nor the Afterword; call me the Prototaph. My role is this: to tell you it is now too late to close the book or quit the theatre. You already thought you should have done so earlier, but you stayed. How harmless it all is! No definite principles are involved, no doctrines promulgated in these pristine pages, no convictions outraged…but the blow has fallen, and now it is too late. And shall I tell you where the sin lies? It is yours. You listened to us; and all the say you stay to see the Sign. Now you are ours, or, since the runes also run backwards, we are yours…forever.
(...)
Along the shore the cloud waves break,
The twin suns sink behind the lake,
The shadows lengthen
In Carcosa.
Strange is the night where black stars rise,
And strange moons circle through the skies
But stranger still is
Lost Carcosa.
Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.
Song of my soul, my voice is dead;
Die thou, unsung, as tears unshed
Shall dry and die in
Lost Carcosa.
(...)
[As the gong continues to strike, everyone begins to unmask. There are murmurs and gestures of surprise, real or polite, as identities are recognized or revealed. Ten there is a wave of laugher. The music becomes louder and increases in tempo.]
Camilla: You, sir, should unmask.
Stranger: Indeed?
Camilla: Indeed, it’s time. We have all laid aside disguise but you.
Stranger: I wear no mask.
Camilla: No mask? No mask!
Stranger: I, I am the Pallid Mask itself. I, I am the Phantom of Truth. I came from Alar. My star is Aldebaran. Truth is our invention; it is our weapon of war. And see–by this sign we have conquered, and the siege of good and evil is ended…
§ [On the horizon, the towers of Carcosa begin to glow]
Noatalba: (Pointing) Look, look! Carcosa, Carcosa is on fire!
(...)
The King: Te Phantom of ruth shall be laid. Te scalloped tattersof Te King must hide Haita forever. As for thee, Yhtill–
All: No! No, no!
Te King: And as for thee, we tell you this; it is a fearful thing to fall into the hands of the living god.
(...)
Te Stranger falls, and everyone else sinks slowly to the ground after him. Te King can now be seen, although only faintly. He stands in state upon the balcony. He has no face, and is twice as tall as a man. He wears painted shows under his tattered, fantastically colored robes, and a streamer of silk appears to fall from the pointed tip of his hood. Behind his back he holds inverted a torch with a turned and jeweled shaft, which emits smoke, but no light. At times he appears to be winged; at others, haloed. These details are for the costumier;
at no point should Te King be sufficiently visible to make themall out. Behind him, Carcosa and the Lake of Hali have vanished. Instead, there appears at his back a huge sculptured shield, in shape suggesting a labrys of onyx, upon which the Yellow Sign is chased in gold. Te rest of the stage darkens gradually, until, at the end, it is lit only by the decomposed body of the Stranger, phosphorescing bluely.]
”
”
Talbot Estus
“
He knew in that moment that if they chased this connection, there would be no writing it off as casual. No “getting it out of their systems” or “seeing where things went.” Ethan didn’t know the right words to ask for what he wanted. “I think I could be good at loving you,” he said, “if you let me.” Adrenaline raced under the surface of his skin, urgent and electric. “That’s a lot. It’s a big thing to say, and it’s a bigger thing to deliver. I promise that I know that, but I still want you to give me a shot.” “Ethan.” She leaned her cheek into his palm, kissed the thin skin of his wrist. Was she telling him to stop? Telling him good-bye? Her lips were just as hard to diagnose as her words. He took a step back toward the beach, reaching for her hand, wanting space to think, to get the words out, but needing to stay tethered to her at the same time. “Say the word, and we can forget this ever happened. I’ll pretend that I never thought about loving you.” Ethan searched for the seam of the horizon. “I’ll look at you less, and without so much longing.” He took a deep breath. Giving speeches was part of his job, but no amount of reading Torah had prepared him for this. “I won’t forget that we kissed. Sorry”—Ethan tried to grin a little—“but you have to cut me some slack on that one. Because, I mean, come on, you’re you.” She nodded, not guilty at all. “But I promise not to think about it too much. I’ll save it for those really dark moments, when I look at everything wrong with the world and I feel helpless. When every good thing I’ve ever done, ever seen or heard about, pales against the garish human capacity for hate and corruption.” He bent forward quickly and kissed her cheek, lingering more than he should but less than he wanted to before pulling back. “I’ll think about it then, if it’s okay,” he said gently, “just for a few seconds, so I can remember what it was like to feel transcendent.
”
”
Rosie Danan (The Intimacy Experiment (The Shameless Series, #2))
“
We would seem to be in the presence of a genuine historical anomaly: a political entity that presented itself to the outside world as a kingdom, organized around the charismatic figure of a brilliant child of pirates, but which within operated by a decentralized grassroots democracy without any developed system of social rank. How to explain this? Are there any real historical analogies? In fact, the most obvious parallel would be pirate ships themselves. Pirate captains often tried to develop a reputation among outsiders as terrifying, authoritarian desperadoes, but on board their own ships not only were they elected by majority vote and could be removed by the same means at any time, they were also empowered to give commands only during chase or combat, and otherwise had to take part in the assembly like anybody else. There were no ranks on pirate ships, other than the captain and the quartermaster (the latter presided over the assembly). What’s more, we know of explicit attempts to translate this form of organization onto the Malagasy mainland. Finally, as we’ll see, there is a long history of buccaneers or other questionable characters who found themselves a foothold in some Malagasy port town, trying to pass themselves off as kings and princes without doing anything to reorganize actual social relations on the ground in the surrounding communities.
Discipline on board sixteenth-century European ships was arbitrary and brutal, so crews often had good reason to rise up; but the law on land was unforgiving. A mutinous crew knew they had signed their own death warrants. To go pirate was to embrace this fate. A mutinous crew would declare war “against the entire world,” and hoist the “Jolly Roger.” The pirate flag, which existed in many variations, is revealing in itself. It was normally taken to be an image of the devil, but often it contained not only a skull or skeleton, but also an hourglass, signifying not a threat (“you are going to die”) so much as a sheer statement of defiance (“we are going to die, it’s only a matter of time”)—which crews making out such a flag on the horizon would likely have found, if anything, even more terrifying. Flying the Jolly Roger was a crew’s way of announcing they accepted they were on their way to hell.
”
”
David Graeber (Pirate Enlightenment, or the Real Libertalia)
“
The sun spread into the horizon as if it were melting into the water, an act that, while poetic, would not have been appreciated by the fish.
”
”
Sarah Beth Durst (Chasing Power)
“
I just don’t know where home is. There’s this promise of happiness out there. I know it. I even feel it sometimes. But it’s like chasing the moon—just when I think I have it, it disappears into the horizon.
”
”
Sarah Addison Allen (The Girl Who Chased the Moon)
“
Rapture"
Does beauty sleep alone—
that all her leaves have fallen in the night?
Her trees shivering quietly within their newfound nakedness,
and yet not so immodest is the wind as it caresses
the starkness of her limbs now bare.
Clouds churn in the half-light.
Rolling barrels of thick, black smoke spinning silently on the horizon.
Like oil upon water; they delicately contort the dawn
with the soft and wistful mutiny of their unspoken revelations.
The sun begrudgingly awakens,
his pride subdued by the currents of reckless circumstance.
Therefore, not but a shadow of its self, he clambers listlessly into the sky
treading the waters of his own light.
And the streets scurry with ocher—
The umberlings of motherless children chased along by the wind.
The air—indifferent, is yet sweet with their laughter,
and I am haunted by the inflection, as her soul gathers in the twilight
of my shadow.
Outlandos D'Amour (2008)
”
”
Charles Simpson
“
Belle had come a long way from her desire to leave Aveyon behind forever in search of adventure like those she had read about in her books. Now she understood that adventure didn't have to mean chasing endless horizons. Adventure could be gathering brilliant minds like Marguerite and her father and others to her court so they could challenge her. Adventure could mean traveling to every corner of her kingdom and meeting people from all walks of life in order to learn from them. Adventure could be working to make her kingdom a better place for everyone in it, with the man she loved by her side.
”
”
Emma Theriault (Rebel Rose (The Queen's Council, #1))
“
And what
does a single feather mean except the love
we treasure, or a butterfly mean except
the dreams we chase, the way those doves
chased whatever called them from beyond the park,
something beyond words, beyond the sky
that gives away nothing except the longing
to discover how love creates its own endless skies.
— Richard Jackson, from “Poem for Amy,” Broken Horizons (Press 53, 2018)
”
”
Richard Jackson
“
Always chasing the horizon. Never realizing, if I stood still, the sun actually came right to me.
”
”
Kristen Ashley (Bounty (Colorado Mountain, #7))
“
Are you facing giants today? Does your problem look too big? Do your dreams seem impossible? You need to get your staff out. Instead of going around discouraged, and thinking it’s never going to work out, start dwelling on your victories. Start thinking about how you killed the lion and bear in your own life. Start remembering how far God has brought you.
Rehearse all the times He opened doors, gave you promotions, healed your family members, and put you in the right places with the right people. Don’t forget your victories. On a regular basis go back over your memorial stones, and read the victories etched on your staff.
When those negative memories come up, they come to all of us--the things that didn’t work out, your hurts, your failures, and your disappointments. Many people mistakenly stay on that channel and they end up stuck in a negative rut and do not expect anything good. Remember, that’s not the only channel--get your remote control and switch over to the victory channel.
Expect breakthroughs. Expect problems to turn around. Expect to rise to new levels. You haven’t seen your greatest victories. You haven’t accomplished your greatest dreams. There are new mountains to climb, new horizons to explore.
Don’t let past disappointments steal your passion. Don’t let the way somebody treated you sour you on life. God is still in control. It may not have happened in the past, but it can happen in the future.
Draw a line in the sand and say, “That’s it. I’m done with low expectations. I’m not settling for mediocrity. I expect favor, increase, and promotion. I expect blessings to chase me down. I expect this year to be my best so far.”
If you raise your level of expectancy, God will take you places you’ve never dreamed. He’ll open doors no man can shut. He will help you overcome obstacles that looked insurmountable, and you will see His goodness in amazing ways.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
No doubt, there was something that drew people to this particular launch—a sense of something epochal, a passing of the torch from Voyager to a new generation of explorers who had been inspired by Voyager. You could feel it; it was in the air, now it was a new generation’s chance to explore never-before-seen worlds.
”
”
Alan Stern (Chasing New Horizons: Inside the Epic First Mission to Pluto)
“
They had done it! Against all the struggles, doubts, and naysayers of the past 17 years, a spaceship had left Earth that day on its way to explore the Pluto system. With it rode the hopes of its team and a larger scientific community for what discoveries it would make there, a decade hence, in the cold, cold reaches of the outer solar system.
”
”
Alan Stern (Chasing New Horizons: Inside the Epic First Mission to Pluto)
“
The people who created this amazing mission of exploration chased their new horizons hard; they never let go of their dream; they put everything they had into it; and eventually they chased it down and accomplished what they set out to do.
”
”
Alan Stern (Chasing New Horizons: Inside the Epic First Mission to Pluto)
“
The ubiquity of New Horizons and Pluto on the web, and the number of people sharing in New Horizons events around the globe, gave this flyby an entirely new kind of feel. The world had changed since Voyager, with so many new forms of communication and participation. Thanks to that, the New Horizons mission felt in many ways like the first truly twenty-first-century planetary encounter. Consider: with Voyager, to participate fully you had to be in just the right place—specifically, at JPL—at just the right time—on flyby day. For New Horizons you didn’t need to be there; the flyby was everywhere simultaneously. The events at APL, the imagery from Pluto—everything that reached Earth—went onto the internet “for all mankind,” as it were.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
Twenty-six years had elapsed between that first fateful meeting to discuss the idea of going to Pluto with NASA in May of 1989, and that summer in 2015 when the exploration of Pluto was accomplished. People who were not even born when it started were moved by it in ways that no one had imagined when the quest began. History was made. New knowledge was created. A nation was reminded it can achieve greatness. And a world was reminded that we humans, we Earthlings—really can accomplish amazing things.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
If we humans are nothing else, we are an inquisitive and restless species, explorers at heart. For that reason, we’re also optimistic that even humans will one day travel to the Kuiper Belt to explore it in person, making footfall on Pluto and other Kuiper Belt worlds, as we have already done on the Moon and will soon do on Mars, and then no doubt on many other worlds.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
“
Think about that for a minute: seventy years earlier, photons of light from the Sun had reflected off Pluto, traveled for four hours and over all those billions of miles to Earth, and passed through a telescope in Flagstaff, Arizona. Those photons created a tiny dot in a plate of photographic emulsion that had caught young Clyde Tombaugh’s eye when he examined that image a few weeks later, revealing the existence of a new, faraway planet. Now some atoms that had been part of Clyde were going to make the journey to that faraway world and then continue on, outward, to leave our solar system for interstellar space and the galaxy beyond. Whatever you believe about life, death, consciousness, and fate, this was surely a unique and wondrous memorial, unlike any other in history.
”
”
Alan Stern (Chasing New Horizons: Inside Humankind's First Mission to Pluto)
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You never want to know what’s beyond the door,” Telsin whispered. “You never did chase the horizon. Where is your curiosity?
”
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Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
God, how had I not seen that was how life could be? Always chasing the horizon. Never realizing, if I stood still, the sun actually came right to me.
”
”
Kristen Ashley (Bounty (Colorado Mountain, #7))
“
XVIII.
Here I love You"
Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorus on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea toward no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing you name with their leaves of wire.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
The broken are not always gathered together, of course, and not all mysteries of the flesh are solved. We speak of “senseless tragedies,” but really: Is there any other kind? Mothers and wives disappear without a trace. Children are killed. Madmen ravage the world, leaving wounds immeasurably deep, and endlessly mourned. Loved ones whose presence once filled us move into the distance; our eyes follow them as long as possible as they recede from view. Maybe we chase them—clumsily, across railroad tracks and trafficked streets; over roads new-printed with their footsteps, the dust still whirling in the wake of them; through impossibly big cities peopled with strangers whose faces and bodies carry fragments of their faces and bodies, whose laughter, steadiness, pluck, stubbornness remind us of the beloved we seek. Maybe we stay put, left behind, and look for them in our dreams. But we never stop looking, not even after those we love become part of the unreachable horizon. We can never stop carrying the heavy weight of love on this pilgrimage; we can only transfigure what we carry. We can only shatter it and send it whirling into the world so that it can take shape in some new way.
”
”
Stephanie Kallos (Broken for You)
“
Rapture"
Does beauty sleep alone—
that all her leaves have fallen in the night?
Her trees shivering quietly within their newfound nakedness,
and yet not so immodest is the wind as it caresses
the starkness of her limbs now bare.
Clouds churn in the half-light.
Rolling barrels of thick, black smoke spinning silently on the horizon.
Like oil upon water; they delicately contort the dawn
with the soft and wistful mutiny of their unspoken revelations.
The sun begrudgingly awakens,
his pride subdued by the currents of reckless circumstance.
Therefore, not but a shadow of its self, he clambers listlessly into the sky
treading the waters of his own light.
And the streets scurry with ocher—
The umberlings of motherless children chased along by the wind.
The air—though indifferent, is sweet with their laughter,
and I am haunted by the inflection, as her soul gathers in the twilight
of my shadow.
”
”
Randall I. Charles
“
A lofty breeze rushed by, threatening to brush him over the ridge. He looked with hardened eyes off into the East as the first sign of the sun broke the horizon with a distinct flash. He didn’t flinch as the first rays of light shot at his eyes. He watched as the shadow of the valley gradually succumbed to the sweeping radiance of the long-awaited daylight. The dark of the night had had its turn. The morning sun had returned to once again claim its former glory.
”
”
Evan Grinde (Chasing Oblivion)
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She: The Final Becoming
There comes a moment, one that’s often overlooked or misinterpreted, where the search for identity stops being a quest for definition and becomes an act of surrender. For so long, She was chasing something—an image, a truth, a version of herself that seemed just out of reach. It was as if each step She took toward understanding only moved the horizon farther away. She was always becoming, but never fully being. And yet, isn’t that the nature of life? To exist in the space between what we were and what we will be, constantly caught in the act of unfolding.
”
”
L. Rose (She)