“
Funeral Blues
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
”
”
W.H. Auden (Another Time)
“
I shut him out. Maybe I’d send a water-dog barking after him later—let it bite him in the ass.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Golden retrievers are not bred to be guard dogs, and considering the size of their hearts and their irrepressible joy in life, they are less likely to bite than to bark, less likely to bark than to lick a hand in greeting. In spite of their size, they think they are lap dogs, and in spite of being dogs, they think they are also human, and nearly every human they meet is judged to have the potential to be a boon companion who might, at many moment, cry, "Let's go!" and lead them on a great adventure.
”
”
Dean Koontz
“
And I put my hand on her arm to stop her rowing.
Aaron’s Noise roars up in red and black.
The current takes us on.
“I’m sorry!” I cry as the river takes us away, my words ragged things torn from me, my chest pulled so tight I can’t barely breathe. “I’m sorry, Manchee!”
“Todd?” he barks, confused and scared and watching me leave him behind. “Todd?”
“Manchee!” I scream.
Aaron brings his free hand towards my dog.
“MANCHEE!”
“Todd?”
And Aaron wrenches his arms and there’s a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever.
And the pain is too much it’s too much it’s too much and my hands are on my head and I’m rearing back and my mouth is open in a never-ending wordless wail of all the blackness that’s inside of me.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
Quiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together and attached them, very lightly, to the belt. So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Let me adapt some of Nietzsche's words and say this to you: "To become wise, you must learn to listen to the wild dogs barking in your cellar.
”
”
Irvin D. Yalom (Staring at the Sun: Overcoming the Terror of Death)
“
We stand dead still and we listen to the night. The city drones. An owl hoots and a cat howls and a dog barks and a siren wails.
We let the stars shine into us.
”
”
David Almond (My Name Is Mina (Skellig, #0.5))
“
If We Must Die
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
”
”
Claude McKay (Selected Poems of Claude McKay)
“
Give me one more night to taste the dark
When wolves imitate a lone dog's bark
Let those secrets remain unspoken
Fallen angel's heart now lover's token
Light grows dim burying riddle’s death
Just breathe to free your one last breath
”
”
Munia Khan
“
Did you ever hear the Oriental proverb, "The dogs bark but the caravan passes on"? Let them bark, Scarlett. I fear nothing will stop your caravan.
”
”
Margaret Mitchell
“
She shook her head. “I swear, Roberts, the more I learn about your gender, the more I think a sperm
donor, a good handyman, and a great vibrator is the better way to go.”
He let out a bark of laughter. “In defense of my gender, we’re not all dogs. As a matter of fact, I
happen to be friends and work with a lot of good guys.”
“Ooh. Anyone you can set me up with?”
He gave her a long, dark scowl.
She’d take that as a no.
“I just breeched the sex-buddy etiquette again, didn’t I?” she asked.
“Quite.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
Really, you might make an effort. Honestly, I don't know what's the matter with all of you!"
I do, Tiffany thought. You're like a dog worrying sheep all the time. You don't give them time to obey you and you don't let them know when they've done things right. You just keep barking.
”
”
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
“
With purpose to be dressed in an opinion of wisdom gravity profound conceit as who should say 'I am Sir Oracle and when I ope my lips let no dog bark.' 1.1
”
”
William Shakespeare
“
Flowers were blooming, withered soon.. Rains kept falling, wasn't forever.. Dogs were barking, just for sometime.. Sun, moon & stars were invisible at times, but they kept watching you.. Let them shine for you, before it’s too late..
”
”
Heshan Udunuwara
“
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come
”
”
W.H. Auden
“
Let the dogs bark, the wolves howl, the lightnings flash and the crows caw, you continue doing your job!
”
”
Mehmet Murat ildan
“
Let us be neither dogs that do not bark nor silent onlookers nor paid servants who run away before the wolf. Instead let us be careful shepherds watching over Christ’s flock.
”
”
Boniface
“
Have you ever wondered
What happens to all the
poems people write?
The poems they never
let anyone else read?
Perhaps they are
Too private and personal
Perhaps they are just not good enough.
Perhaps the prospect
of such a heartfelt
expression being seen as
clumsy
shallow silly
pretentious saccharine
unoriginal sentimental
trite boring
overwrought obscure stupid
pointless
or
simply embarrassing
is enough to give any aspiring
poet good reason to
hide their work from
public view.
forever.
Naturally many poems are IMMEDIATELY DESTROYED.
Burnt shredded flushed away
Occasionally they are folded
Into little squares
And wedged under the corner of
An unstable piece of furniture
(So actually quite useful)
Others are
hidden behind
a loose brick
or drainpipe
or
sealed into
the back of an
old alarm clock
or
put between the pages of
AN OBSCURE BOOK
that is unlikely
to ever be opened.
someone might find them one day,
BUT PROBABLY NOT
The truth is that unread poetry
Will almost always be just that.
DOOMED
to join a vast invisible river
of waste that flows out of suburbia.
well
Almost always.
On rare occasions,
Some especially insistent
pieces of writing will escape
into a backyard
or a laneway
be blown along
a roadside embankment
and finally come
to rest in a
shopping center
parking lot
as so many
things do
It is here that
something quite
Remarkable
takes place
two or more pieces of poetry
drift toward each other
through a strange
force of attraction
unknown
to science
and ever so slowly
cling together
to form a tiny,
shapeless ball.
Left undisturbed,
this ball gradually
becomes larger and rounder as other
free verses
confessions secrets
stray musings wishes and unsent
love letters
attach themselves
one by one.
Such a ball creeps
through the streets
Like a tumbleweed
for months even years
If it comes out only at night it has a good
Chance of surviving traffic and children
and through a
slow rolling motion
AVOIDS SNAILS
(its number one predator)
At a certain size, it instinctively
shelters from bad weather, unnoticed
but otherwise roams the streets
searching
for scraps
of forgotten
thought and feeling.
Given
time and luck
the poetry ball becomes
large HUGE ENORMOUS:
A vast accumulation of papery bits
That ultimately takes to the air, levitating by
The sheer force of so much unspoken emotion.
It floats gently
above suburban rooftops
when everybody is asleep
inspiring lonely dogs
to bark in the middle
of the night.
Sadly
a big ball of paper
no matter how large and
buoyant, is still a fragile thing.
Sooner or
LATER
it will be surprised by
a sudden
gust of wind
Beaten by
driving rain
and
REDUCED
in a matter
of minutes
to
a billion
soggy
shreds.
One morning
everyone will wake up
to find a pulpy mess
covering front lawns
clogging up gutters
and plastering car
windscreens.
Traffic will be delayed
children delighted
adults baffled
unable to figure out
where it all came from
Stranger still
Will be the
Discovery that
Every lump of
Wet paper
Contains various
faded words pressed into accidental
verse.
Barely visible
but undeniably present
To each reader
they will whisper
something different
something joyful
something sad
truthful absurd
hilarious profound and perfect
No one will be able to explain the
Strange feeling of weightlessness
or the private smile
that remains
Long after the street sweepers
have come and gone.
”
”
Shaun Tan (Tales from Outer Suburbia)
“
NOT long ago, there lived in London a young married couple of Dalmatian dogs named Pongo and Missis Pongo. (Missis had added Pongo’s name to her own on their marriage, but was still called Missis by most people.) They were lucky enough to own a young married couple of humans named Mr. and Mrs. Dearly, who were gentle, obedient, and unusually intelligent—almost canine at times. They understood quite a number of barks: the barks for “Out, please!” “In, please!” “Hurry up with my dinner!” and “What about a walk?” And even when they could not understand, they could often guess—if looked at soulfully or scratched by an eager paw. Like many other much-loved humans, they believed that they owned their dogs, instead of realizing that their dogs owned them. Pongo and Missis found this touching and amusing and let their pets think it was true.
”
”
Dodie Smith (The 101 Dalmatians)
“
Sometimes I think I would rather just remember it in my head, all those streets and the places I loved. The way it smelled of car exhaust and sweet fruit. The thickness of the heat. The sound of dogs barking in alleyways. That's the Panama I want to hold on to. Because a place can do many things against you, and if it's your home or if it was your home at one time, you still love it. That's how it works.
”
”
Cristina Henríquez (The Book of Unknown Americans)
“
Golden retrievers are not bred to be guard dogs, and considering the size of their hearts and their irrepressible joy in life, they are less likely to bite than to bark, less likely to bark than to lick a hand in greeting. In spite of their size, they think they are lap dogs, and in spite of being dogs, they think they are also human, and nearly every human they meet is judged to have the potential to be a boon companion who might, at any moment, cry “Let’s go!” and lead them on a great adventure.
”
”
Dean Koontz (The Darkest Evening of the Year)
“
So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Did you ever hear the Oriental proverb: ‘The dogs bark but the caravan passes on’? Let them bark, Scarlett. I fear nothing will stop your caravan.
”
”
Margaret Mitchell (Gone with the Wind)
“
All that bothered him was the barking of dogs; that insistent, hysterical sound cut right across the music he heard in his head. That was why he preferred cats to dogs. Cats were always happy to let him compose.
”
”
Julian Barnes (The Noise of Time)
“
THIS ISN’T CHINA
Hold me close
and tell me what the world is like
I don’t want to look outside
I want to depend on your eyes
and your lips
I don’t want to feel anything
but your hand
on the old raw bumper
I don’t want to feel anything else
If you love the dead rocks
and the huge rough pine trees
Ok I like them too
Tell me if the wind
makes a pretty sound
in the billion billion needles
I’ll close my eyes and smile
Tell me if it’s a good morning
or a clear morning
Tell me what the fuck kind of morning
it is
and I’ll buy it
And get the dog
to stop whining and barking
This isn’t China
nobody’s going to eat it
It’s just going to get fed and petted
Ok where were we?
Ok go if you must.
I’ll create the cosmos
by myself
I’ll let it all stick to me
every fucking pine needle
And I’ll broadcast my affection
from this shaven dome
360 degrees
to all the dramatic vistas
to all the mists and snows
that moves across
the shining mountains
to the women bathing
in the stream
and combing their hair
on the roofs
to the voiceless ones
who have petitioned me
from their surprising silence
to the poor in the heart
(oh more and more to them)
to all the thought-forms
and leaking mental objects
that you get up here
at the end of your ghostly life
”
”
Leonard Cohen (Book of Longing)
“
to pull away. “I promise this dog will not hurt you,” he said. “This is a golden retriever. He has a scary bark because he’s big, but he would let anyone into the house. For a belly rub, he’d help the thieves carry the valuables to their getaway car.
”
”
Melinda Leigh (See Her Die (Bree Taggert, #2))
“
The minute Molly and Priss disappeared inside, Trace cursed. He actually wanted to hit something, but a tree would break his knuckles, he didn’t want to put another dent in the truck, and Dare would hit back.
Chris Chapey, Dare’s longtime best friend and personal assistant, approached with the enormous cat draped over one shoulder so that he could keep an eye on the trailing dogs. The bottom half of Liger filled his arms, and the long tail hung down to the hem of Chris’s shorts.
Without even thinking about it, Trace started petting the cat. After a few hours in the truck together, he and Liger had an understanding of sorts.
Dare watched him, but said only, “That cat is a beast.”
“He’s an armful, that’s for sure.” Chris hefted him a little higher, and got a sweet meow in return.
Both dogs barked in excitement, but quited when Liger gave them a level stare.
Chris laughed at that. “You want me to head in to keep an eye on things”
“That’s why I pay you the big bucks, right?” Dare stared toward the house. “You can tell Trace’s lady—”
“She’s not mine.”
Both Chris and Dare gave him a certain male-inspired look, a look that said they understood his bullshit and would let it slide—for now.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
As it turned out, the sachem had been dead wrong.
The Europes neither fled nor died out. In fact, said the old women in charge of the children, he had apologized for this error in prophecy and admitted that however many collapsed from ignorance or disease more would always come.
They would come with languages that sounded like a dog bark; with a childish hunger for animal fur. They would forever fence land, ship whole trees to faraway countries, take any woman for quick pleasure, ruin soil, befoul sacred place and worship a dull, unimaginative god.
They let their hogs browse the ocean shore turning it into dunes of sand where nothing green can ever grow again. Cut loose from the earth's soul, they insisted on purchase of its soil, and like all orphans they were insatiable.
It was their destiny to chew up the world and spit out a horribleness that would destroy all primary peoples.
”
”
Toni Morrison
“
Pond(er) This [2]
I don't want to be the loudest tail wagger
in the Hello Poetry kennel ~
I just want there to be less of you
flea bag bitten bitches in heat.
Enough already,
with your bullshit barking.
SIT STILL!
Thaaat's it. Good girl!
You're a good dog, aren't you?
Let me scratch behind your ears
and give a another treat of my wit.
”
”
Beryl Dov
“
Suddenly, from the depths of that chair emerged the biggest, meanest-looking dog Jesse had ever seen. One side of his face had suffered some disfiguring injury.
The jaw hung slack and the eye on that side was missing.
Jesse froze in her tracks, terrified that she might be mauled by this monstrosity of a pet. She glanced
around, looking for a stick or a rock or anything to defend herself. There was nothing close but she was afraid to move. Surely if the animal were dangerous, Floyd and Alice Fay would have said something. Jesse waited tensely for a moment before realizing the dog wasn’t so much growling or barking as he was howling; loudly, purposefully howling.
“She don’t bite,” a voice called out. “She’s my hillbilly alarm system, letting me know that they’s strangers about.
”
”
Pamela Morsi (The Lovesick Cure (Tales from Marrying Stone, #3))
“
The attendant opened the door, and the faint barking Nina had heard before became frantic and shrill. Nina stepped into the concrete cell block and stopped, blown out of her self-absorption by the row of gray metal cages where dogs barked to get her attention. She let her breath out, horrified. “Oh, God, this is awful.” “Spay your pets.” The attendant stopped in front of the next to last cage. “Here you go.” She jerked her head again. “Perky.” Nina
”
”
Jennifer Crusie (Anyone But You)
“
Similarly, if a dog barks annoyingly to be let into the house from the yard and the owner usually eventually caves in, the first time the owner ignores the dog’s barking the behavior won’t stop right away. The dog will try harder and bark more. How hard he tries depends on how much he’s had to bark to get his way in the past. The existence of the extinction burst means that when we address a bad behavior by removing the reward, we have to be ready to endure a temporary worsening of the behavior.
”
”
Sophia Yin (How to Behave So Your Dog Behaves, Revised and Updated 2nd Editon)
“
Wait for a sing.
If the light go out, you will know the lost are listening.
If you hear dogs barking, you will know the lost have heard your call.
If you hear the howling, you will know the lost have answered.
Be caredful what yu bargain with:
Every lost thing requires a sacrifice-
A new loss for every called thing found.
What will you let go of?
What can you not afford to lose?
Consider carefully before you cast the calling:
It may not be for you to choose.
Be carefull what you wish for:
Not all lost things should be found.
”
”
Moïra Fowley-Doyle (Spellbook of the Lost and Found)
“
So on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Solitary Swedish Houses"
A mix-max of black spruce
and smoking moonbeams.
Here’s the croft lying low
and not a sign of life.
Till the morning dew murmurs
and an old man opens
– with a shaky hand – his window
and lets out an owl.
Further off, the new building
stands steaming
with the laundry butterfly
fluttering at the corner
in the middle of a dying wood
where the mouldering reads
through spectacles of sap
the proceedings of the bark-drillers.
Summer with flaxen-haired rain
or one solitary thunder-cloud
above a barking dog.
The seed is kicking inside the earth.
Agitated voices, faces
fly in the telephone wires
on stunted rapid wings
across the moorland miles.
The house on an island in the river
brooding on its stony foundations.
Perpetual smoke – they’re burning
the forest’s secret papers.
The rain wheels in the sky.
The light coils in the river.
Houses on the slope supervise
the waterfall’s white oxen.
Autumn with a gang of starlings
holding dawn in check.
The people move stiffly
in the lamplight’s theatre.
Let them feel without alarm
the camouflaged wings
and God’s energy
coiled up in the dark.
”
”
Tomas Tranströmer (Samlade dikter: 1954–1996)
“
Please yourself, you won't get in. I can't be the daughter of a dog seeing as I am the daughter of a wolf! There are six of you. What's that to me? You're men. Well, I'm a woman. You don't frighten me, that's for sure. I'm telling you, you won't get inside this house because I don't want you to. If you come any nearer I'll bark. I told you, I'm the 'cab'. I couldn't care less about you. Now be on your way, I've had enough of you! Go anywhere you like, but don't come here, I won't let you! You use your knives, I'll use my feet, it's all the same to me. So come on, then!
”
”
Victor Hugo (Les Misérables)
“
They would come with languages that sounded like dog bark; with a childish hunger for animal fur. They would forever fence land, ship whole trees to faraway countries, take any women for quick pleasure, ruin soil, befoul sacred places and worship a dull, unimaginative god. They let their hogs browse the ocean shore turning it into dunes of sand where nothing green can ever grow again. Cut loose from the earth's soul, they insisted on purchase of its soil, and like all orphans they were insatiable. It was their destiny to chew up the world and spit out a horribleness that would destroy all primary peoples.
”
”
Toni Morrison
“
Shall we go," he said, "from the woods that all folk know, and the pleasant ways of the Land, to see a new thing, and be swept away by time?" And there was a murmur among the trolls, that hummed away through the forest and died out, as on Earth the sound of beetles going home. "Is it not to-day?" he said. "But there they call it to-day, yet none knows what it is: come back through the border again to look at it and it is gone. Time is raging there, like the dogs that stray over our frontier, barking, frightened and angry and wild to be home."
"It is even so," said the trolls, though they did not know; but this was a troll whose words carried weight in the forest. "Let us keep to-day," said that weighty troll, "while we have it, and not be lured where to-day is too easily lost. For every time men lose it their hair grows whiter, their limbs grow weaker and their faces sadder, and they are nearer still to to-morrow."
So gravely he spoke when he uttered that word "to-morrow" that the brown trolls were frightened.
"What happens to-morrow?" one said.
"They die," said the grizzled troll. "And the others dig in their earth and put them in, as I have seen them do, and then they go to Heaven, as I have heard them tell." And a shudder went through the trolls far over the floor of the forest.
And Lurulu who had sat angry all this while to hear that weighty troll speak ill of Earth, where he would have them come, to astonish them with its quaintness, spoke now in defence of Heaven.
"Heaven is a good place," he blurted hotly, though any tales he had heard of it were few.
"All the blessed are there," the grizzled troll replied, "and it is full of angels. What chance would a troll have there? The angels would catch him, for they say on Earth that the angels all have wings; they would catch a troll and smack him forever and ever."
And all the brown trolls in the forest wept.
”
”
Lord Dunsany (The King of Elfland's Daughter)
“
From harsh and shrill and clamant, the voices grew blurred and inarticulate. Bad sentences were helped out by worse gestures, and at one table, Scabius could only express himself with his napkin, after the manner of Sir Jolly Jumble in the first part of the Soldier’s Fortune of Otway. Basalissa and Lysistrata tried to pronounce each other’s names, and became very affectionate in the attempt; and Tala, the tragedian, robed in roomy purple and wearing plume and buskin, rose to his feet and with swaying gestures began to recite one of his favourite parts. He got no further than the first line, but repeated it again and again, with fresh accents and intonations each time, and was only silenced by the approach of the asparagus that was being served by satyrs dressed in white muslin.
Clitor and Sodon had a violet struggle over the beautiful Pella, and nearly upset a chandelier. Sophie became very intimate with an empty champagne bottle, swore it had made her enceinte, and ended by having a mock accouchement on the top of the table; and Belamour pretended to be a dog, and pranced from couch to couch on all fours, biting and barking and licking. Mellefont crept about dropping love philtres into glasses. Juventus and Ruella stripped and put on each other’s things, Spelto offered a prize for who ever should come first, and Spelto won it! Tannhäuser, just a little grisé, lay down on the cushions and let Julia do whatever she liked.
”
”
Aubrey Beardsley (Salome/ Under the Hill: Oscar Wilde/Aubrey Beardsley (Creation Classics))
“
I know that the pale faces are a proud and hungry race. I know that they claim not only to have the earth, but that the meanest of their color is better than the Sachems of the red man. The dogs and crows of their tribes," continued the earnest old chieftain, without heeding the wounded spirit of his listener, whose head was nearly crushed to the earth in shame, as he proceeded, "would bark and caw before they would take a woman to their wigwams whose blood was not of the color of snow. But let them not boast before the face of the Manitou too loud. They entered the land at the rising, and may yet go off at the setting sun. I have often seen the locusts strip the leaves from the trees, but the season of blossoms has always come again.
”
”
James Fenimore Cooper (Last of the Mohicans)
“
Suddenly a force greater than my common sense—which, I’ll admit, has been pretty faulty lately, propels me—and I find myself creeping up the long staircase to the forbidden second floor.
I need to see Michael’s room.
I need to find out if he is a secret slob, or if there’s even more interesting evidence of whom he is up there. I’m not expecting to find anything big, like a literal skeleton in his closet. But I am going to find it, whatever it is. And I will know once and for all who he is.
I make it to the landing when I hear a burst of barking below me and I freeze.
Someone has let a dog in.
Which means that some member of the Endicott family is actually in the house.
Which means that one of Michael’s parents is about to catch me snooping.
”
”
Stephanie Wardrop (Pride and Prep School (Snark and Circumstance, #3))
“
He was taking a nap,” Kate explained. “He’s a very sound sleeper.”
But once awake, Newton refused to be left out of the action, and with a slightly more awake bark, he leaped up onto the chair, landing on Kate’s lap.
“Newton!” she squealed.
“Oh, for the love of—” But Anthony’s mutterings were cut short by a big, sloppy kiss from Newton.
“I think he likes you,” Kate said, so amused by Anthony’s disgusted expression that she forgot to be self-conscious about her position on his lap.
“Dog,” Anthony ordered, “get down on the floor this instant.”
Newton hung his head and whined.
“Now!”
Letting out a big sigh, Newton turned about and plopped down onto the floor.
“My goodness,” Kate said, peering down at the dog, who was now moping under the table, his snout lying sorrowfully on the carpet, “I’m impressed.”
“It’s all in the tone of voice,” Anthony said archly, snaking a viselike arm around her waist so that she could not get up.
Kate looked at his arm, then looked at his face, her brows arching in question. “Why,” she mused, “do I get the impression you find that tone of voice effective on women as well?”
He shrugged and leaned toward her with a heavy-lidded smile. “It usually is,” he murmured.
“Not this one.” Kate planted her hands on the arms of the chair and tried to wrench herself up. But he was far too strong.
“Especially this one,” he said, his voice dropping to an impossibly low purr.
With his free hand, he cupped her chin and turned her face to his. His lips were soft but demanding, and he explored her mouth with a thoroughness that left her breathless.
-Kate & Anthony
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
I watch people sometimes, wonder how they can walk around with the weight of what they know. Wonder if they feel like me, stumbling with lead shoes on the bottom of the ocean, swimming in a sea of the unsayable. It's a mistake we make, thinking it's words that tell us everything. It's sound that breaks glasses, cracks windows, sends cats up trees. Bats hear more than humans, understand more noise, let alone dogs. Maybe we're just not getting it, standing here listening for sensible speech, dying of loneliness and waiting for whatever it is. How do we know we're not calling and calling all the time, our throats so tight with it, it's too high to hear? At night I hear dogs barking, and think how much of their howling is outside my conscious range, so that I feel it like a vibration but mistake it for silence?
”
”
Cate Kennedy (Dark Roots)
“
I don’t really like tiny dogs. I can get to know and respect individual small dogs, but as a concept, they generally bum me out. I guess it’s because I know human beings had a hand in their breeding and I believe that to be wrong. Let dogs fuck each other (or not, if you spay/neuter them), and stay out of the way. Don’t decide which dogs should fuck each other so that you can wind up with a litter of miserable, shivering little abominations that will fit in a cereal bowl when fully grown. Plus, do you watch the dogs fuck each other and/or assist them? Psychos. Do you punish them if they refuse? Anyway, it’s clear my issue is with the dog breeders themselves more than their cursed progeny, but I can’t help but be reminded of their origin when I hear some yappy little shitbox barking at the heavens, knowing deep inside God has forgotten about it.
”
”
Rob Delaney (A Heart That Works)
“
Summer Nocturne"
Let us love this distance, since those
who do not love each other are
not seperaated. --Simone Weil
Night without you, and the dog barking at the silence,
no doubt at what's in the silence,
a deer perhaps pruning the rhododendron
or that racoon with its brilliant fingers
testing the garbage can lid by the shed.
Night I've chosen a book to help me think
about the long that's in longing, "the space across
which desire reaches." Night that finally needs music
to quiet the dog and whatever enormous animal
night itself is, appetite without limit.
Since I seem to want to be hurt a little,
it's Stan Getz and "It Never Entered My Mind,"
and to back him up Johnnie Walker Black
coming down now from the cabinet to sing
of its twelve lonely years in the dark.
Night of small revelations, night of odd comfort.
Starting to love this distance.
Starting to feel how present you are in it.
”
”
Stephen Dunn (Everything Else in the World: Poems)
“
During Snow White's story, her mother had somehow survived sharing a castle with the Greatest Evil the World Has Ever Known and come out of it not only okay but Happily Ever After. What advice would her mother give?
Apple knew because Snow White had cross-stitched the words on a pillow and propped it up in the informal receiving room: When Life Is All Dark Woods And Poisoned Apples, Remember You Have Friends. Snow White had stitched messages on other pillows, too, such as: Squirrels Will Never Let You Down, Unless They're Hibernating; There Are Always Birds; Nature Loves A Broom; Love Is Knowing A rabbit Needs You; Hugs Are How It's Done; Double Hugs Are For The Grumpy; Trees And Dogs Are Happy, So Start Barking; and others. Honestly, it was hard to find a sofa in the enormous White Castle that didn't sport a cross-stitched pillow. But the "Remember You Have Friends" one offered the most insight to Apple at the moment.
”
”
Shannon Hale (The Unfairest of Them All (Ever After High, #2))
“
Let me play the fool.
With mirth and laughter let old wrinkles come.
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster,
Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and ’tis my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a willful stillness entertain
With purpose to be dressed in an opinion
Of wisdom, gravity, profound conceit,
As who should say, “I am Sir Oracle,
And when I ope my lips, let no dog bark!”
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing, when I am very sure
If they should speak, would almost damn those ears
Which, hearing them, would call their brothers fools.
I’ll tell thee more of this another time.
But fish not with this melancholy bait
For this fool gudgeon, this opinion.—
”
”
William Shakespeare
“
It was late; I’d been sleeping. I woke up to the sound of him crying. The ward was dark, with only the light from the nurses’ station bleeding in. ‘Kid,’ he said to me, and his voice… his voice was like a ghost. Like that part of him had already died and had come back for the rest. ‘Kid, this is worse than Topeka.’ He told me that once, in the war, he’d come upon a German soldier in the grass with his insides falling out; he was just lying there in agony. The soldier had looked up at Sergeant Leonard, and even though they didn’t speak the same language, they understood each other with just a look. The German lying on the ground; the American standing over him. He put a bullet in the soldier’s head. He didn’t do it with anger, as an enemy, but as a fellow man, one soldier helping another. ‘One soldier helping another.’ That’s how he put it.” Again, Jericho fell quiet for a moment. “He told me what he needed me to do. Told me I didn’t have to. Told me that if I did, he’d make sure God would forgive me, if that’s what I was worried about. One soldier helping another.”
Jericho fell quiet. Evie held so still she thought she might break.
“I found his belt in the dresser and helped him into the wheelchair. The hall was quiet on the way to the shower. I remember how clean the floor was, like a mirror. I had to make a new hole in the leather to tighten it around his neck. Even without his arms and legs, he was heavy. But I was strong. Just before, he looked at me, and I’ll never forget his face as long as I live—like he’d just realized some great secret, but it was too late to do anything about it. ‘Some craps game, this life, kid. Don’t let ’em take you without a fight,’ he said.”
Silence. A dog barking in the distance. A puff of wind against the glass, wanting to be let in.
“After, I took the wheelchair back and parked it in the same spot. Then I slipped under the covers and pretended to sleep until it was morning and they found him. Then I did sleep. For twelve hours straight.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
The kitchen is full of people and food. The turkey sits on the table, Grandfather carving it and cursing at it. Papa laughs at this, as if it is something old, something familiar.
Sun comes in the windows so that everything and everyone is touched by it, like gold, even Seal and Min by the fire.
Papa is smiling again. Sarah has not stopped. Even Lottie and Nick seem to smile as they hope for Grandfather to drop the turkey for them to eat.
Cassie is practicing saying a new grace, one that does not have “fuud” in it. I like the “fuud” grace myself.
Soon, Sam and Justin and Anna will drive up the road and into the yard. Everyone will run outside to greet them, and the dogs will bark and leap up, and I can tease Anna again about Justin because he is home again and safe.
Grandfather will stay. He has started writing in the journal I gave him, but he won’t let me read it yet.
He says it is private.
The winter came early and will stay longer. There will be winds and storms, but I don’t care. There is happiness here now. What Sarah told Cassie is true. Not one thing in the world is wrong.
”
”
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
“
I told him he must carry it thus. It was evident the sagacious little creature, having lost its mother, had adopted him for a father. I succeeded, at last, in quietly releasing him, and took the little orphan, which was no bigger than a cat, in my arms, pitying its helplessness. The mother appeared as tall as Fritz. I was reluctant to add another mouth to the number we had to feed; but Fritz earnestly begged to keep it, offering to divide his share of cocoa-nut milk with it till we had our cows. I consented, on condition that he took care of it, and taught it to be obedient to him. Turk, in the mean time, was feasting on the remains of the unfortunate mother. Fritz would have driven him off, but I saw we had not food sufficient to satisfy this voracious animal, and we might ourselves be in danger from his appetite. We left him, therefore, with his prey, the little orphan sitting on the shoulder of his protector, while I carried the canes. Turk soon overtook us, and was received very coldly; we reproached him with his cruelty, but he was quite unconcerned, and continued to walk after Fritz. The little monkey seemed uneasy at the sight of him, and crept into Fritz's bosom, much to his inconvenience. But a thought struck him; he tied the monkey with a cord to Turk's back, leading the dog by another cord, as he was very rebellious at first; but our threats and caresses at last induced him to submit to his burden. We proceeded slowly, and I could not help anticipating the mirth of my little ones, when they saw us approach like a pair of show-men. I advised Fritz not to correct the dogs for attacking and killing unknown animals. Heaven bestows the dog on man, as well as the horse, for a friend and protector. Fritz thought we were very fortunate, then, in having two such faithful dogs; he only regretted that our horses had died on the passage, and only left us the ass. "Let us not disdain the ass," said I; "I wish we had him here; he is of a very fine breed, and would be as useful as a horse to us." In such conversations, we arrived at the banks of our river before we were aware. Flora barked to announce our approach, and Turk answered so loudly, that the terrified little monkey leaped from his back to the shoulder of its protector, and would not come down. Turk ran off to meet his companion, and our dear family soon appeared on the opposite shore, shouting with joy at our happy return. We crossed at the same place as we had done in the morning, and embraced each other. Then began such a noise of exclamations. "A monkey! a real, live monkey! Ah! how delightful! How glad we are! How did you catch him?
”
”
Johann David Wyss (The Swiss Family Robinson; or Adventures in a Desert Island)
“
After several long, tense minutes, one of the hounds began to bark excitedly somewhere in the trees upstream. The other dogs rushed in that direction and resumed the deep-chested baying that meant they were in close pursuit of their quarry.
When the clamor had receded, Roran slowly rose to his full height and swept his gaze over the trees and bushes. “All clear,” he said, keeping his voice subdued.
As the others stood, Hamund--who was tall and shaggy-haired and had deep lines next to his mouth, although he was only a year older than Roran--turned on Carn, scowling, and said, “Why couldn’t you have done that before, instead of letting us go riding willy-nilly over the countryside and almost breaking our necks coming down that hill?” He motioned back toward the stream.
Carn responded with an equally angry tone: “Because I hadn’t thought of it yet, that’s why. Given that I just saved you the inconvenience of having a host of small holes poked in your hide, I would think you might show a bit of gratitude.”
“Is that so? Well, I think that you ought to spend more time working on your spells before we’re chased halfway to who-knows-where and--”
Fearing that their argument could turn dangerous, Roran stepped between them. “Enough,” he said. Then he asked Carn, “Will your spell hide us from the guards?”
Carn shook his head. “Men are harder to fool than dogs.” He cast a disparaging look at Hamund. “Most of them, at least.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Albert?"
The barking became more passionate, with cries and whimpers breaking in.
Slowly Beatrix lowered to the ground and sat with her back against the shed. "Calm yourself, Albert," she said. "I'll let you out as soon as you're quiet."
The terrier growled and pawed at the door.
Having consulted several books on the subject of dogs, one on rough terriers in particular, Beatrix was fairly certain that training Albert with techniques involving dominance or punishment would not be at all effective. In fact, they would probably make his behavior worse. Terriers, the book had said, frequently tried to outsmart humans. The only method left was to reward his good behavior with praise and food and kindness.
"Of course you're unhappy, poor boy. He's gone away, and your place is by his side. But I've come to collect you, and while he's gone, we'll work on your manners. Perhaps we can't turn you into a perfect lapdog... but I'll help you learn how to get on with others." She paused before adding with a reflective grin. "Of course, I can't manage to behave properly in polite society. I've always thought there's a fair amount of dishonesty involved in politeness. There, you're quiet now." She stood and pulled at the latch. "Here is your first rule, Albert: it's very rude to maul people."
Albert burst out and jumped on her. Had she not been holding on to the support of the shed's frame, she would have been knocked over. Whining and wagging his tail, Albert stood on his hind legs and dove his face against her.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The Blessed
I am in the darkness and alone.
In front of me stands the door.
When I open it, I am bathed in light.
There are a father, a mother and sister,
A dog, which, dumb, still barks in friendliness.
How can I lie, and how can I say
That I, hidden there in darkness, have not come to harm them?
I drag myself over the threshold.
Snow blossoms in my eyes.
I saw him bowing to me courteously;
How much that hurt me.
How could my heart find peace,
When round it raced the voice of the old man?
I live in coldness.
I dried my tears and went
To where the man was eating with his family.
It was so calm and loving a reception.
I felt the violins sounding inside me
At first, so sweetly, so gently.
They will never sound again, when I have finished.
Fear drenched my hands.
Beneath me I could almost taste my womb.
A sneer seemed to say: 'Have you no shame?
What have you done with the wedding-ring on your finger?
Terrible thief, where did you hide your courage?
Does the nakedness of my right hand mean so little to me?'
I felt so poor and naked.
I wriggled in my chair
And trembled to think what I must do.
Pity clawed at my heart and shook my body
Like a tree in a winter field blown by the wind
Shedding leaves.
I told myself it was time to go,
Scolding my wan, faded self for my little worries.
Pleased with myself again, I steeled myself for the torture.
The joy of it! Oh, how I want to be
Just like an animal and be happy again!
I sharpen my claws with a knife.
It is still night, and that thing called shame,
I may not let it show itself.
I know the train that tears through the woods.
I go out to the unfeeling rails.
Weary, I am glad to go to bed,
Running across two flat sticks of iron.
”
”
Gertrud Kolmar
“
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door.
Wendy was so delighted tears sprang to her eyes.
It was her Imaginary House!
They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself.
She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off.
Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut.
She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter.
"Luna!" Wendy cried in joy.
The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face.
"Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp.
Although...
"You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy."
Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used.
You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!"
As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home.
The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior.
Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket.
"This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside.
"Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
”
”
Liz Braswell (Straight On Till Morning)
“
Springs and summers full of song and revolution.
The Popular Front, demonstrations and confrontations,
time that takes you away from yourself and your poetry,
so that you could see them as if from cosmic space,
a way of looking that changes everything into stars,
our Earth, you and me, Estonia and Eritrea,
blue anemones and the Pacific Ocean.
Even the belief that you will write more poems. Something
that was breathing into you,
as May wind blows into a house
bringing smells of mown grass and dogs' barks, -
this something has dissipated, become invisible
like stars in daylight. For quite a time I haven't
permitted myself to hope it would come back.
I know I am not free, I am nothing without
this breathing, inspiration, wind that comes
through the window. Let God be free,
whether he exist or no. And then, it comes
once again. At dusk in the countryside
when I go to an outhouse, a little
white moth flies out of the door.
That's it, now. And the dusk around me
begins little by little to breathe in words and syllables.
*
In the morning, I was presented to President Mitterrand,
in the evening, I was weeding nettles from under the currant bushes.
A lot happened inbetween, the ride from Tallinn to Tartu and to our country home
through the spring that we had waited for so long,
and that came, as always, unexpectedly,
changing serious greyish Estonia at once
into a primary school child's drawing in pale green,
into a play-landscape where mayflies, mayors and cars
are all somewhat tiny and ridiculous... In the evening
I saw the full moon rising above the alder grove. Two bats
circled over the courtyard. The President's hand
was soft and warm. As were his eyes,
where fatigue was, in a curious way,
mingled with force, and depth with banality.
He had bottomless night eyes
with something mysterious in them
like the paths of moles underground
or the places where bats hibernate and sleep.
”
”
Jaan Kaplinski
“
The long year passed slowly. Then one day, as October winds blew golden leaves around the farm, Autumn heard his mother say that even though her son was gone she would bake a pumpkin pie for Halloween. And of course she would need a pumpkin. At last an idea came to Autumn. If he could just get his mother to the barn and up to the loft she would find the magic pumpkin. Autumn began to pull at his mother’s apron.
“What’s wrong with you today?” cried his mother. “I have many things to do and I have no time for playing.”
But Autumn kept pulling on her apron until she was out of the house and in the barnyard. Then he ran into the barn, barking louder than he ever had. His mother followed him into the barn, where it was so dark she could not see the little dog.
“Now where have you gone?” she cried.
Autumn began barking again and it seemed to come from above her. She looked up and dimly saw Autumn at the top of the loft ladder, barking wildly.
“What are you carrying on about up there? There’s nothing up in that old loft.”
But Autumn did not stop barking.
“All right, all right, I’ll come up and take a look,” she said as she began to climb the ladder. When she got to the top, the morning light lit up the corner of the loft where Autumn, smiling as much as a dog can smile, stood next to a very large pumpkin. It was one of the largest pumpkin she had ever seen.
“Now, how did this pumpkin get up here?” Of course there was no one there to answer her question except Autumn and he could not talk. So she decided to use the pumpkin for the pie she planned to bake.
She pulled at it and rolled it, and finally after a great effort she managed to get the magic pumpkin down the ladder and into the kitchen, where Autumn ran barking around the table.
“Calm down, Autumn, and let me get to work on this pie.”
As she was about to cut the stem from the pumpkin, she thought of the days when her husband carved the jack-o’-lantern for Angus.
“Well, maybe I’ll just do the same.”
She went to Angus’s room and found one of his old drawings. She traced a jack-o’-lantern face onto the pumpkin. Then, taking a large kitchen knife, she cut into the pumpkin. When only one eye was carved, there were streams of light. And when she carved the nose, and the smiling mouth, great shafts of light like sunbeams filled the room.
Again Autumn began to bark. But when she turned to quiet him, there, standing in the wonderful light, was her son.
”
”
David Ray (Pumpkin Light)
“
In Memory of W. B. Yeats
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
”
”
W.H. Auden
“
Dear Mom and Dad
How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is.
We killed the lawn.
We killed it dead.
You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life.
We killed the lawn.
Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good.
We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine.
A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission.
We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning.
Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck.
Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you.
Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain?
So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault.
Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese.
Love always
Peter, James & Carmine
”
”
Peter F. DiSilvio
“
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’
‘You’ve got a brother?’
She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile.
Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’
‘Who was it?’
‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything.
‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said.
‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’
It took a moment for the horror of what she was saying to sink in.
‘Don’t tell me any more if you don’t want to,’ I said gently.
She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old.
‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’
She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’
Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
”
”
Emma Carroll (Letters from the Lighthouse)
“
thepsychchic chips clips ii
If you think of yourself instead as an almost-victor who thought correctly and did everything possible but was foiled by crap variance? No matter: you will have other opportunities, and if you keep thinking correctly, eventually it will even out. These are the seeds of resilience, of being able to overcome the bad beats that you can’t avoid and mentally position yourself to be prepared for the next time. People share things with you: if you’ve lost your job, your social network thinks of you when new jobs come up; if you’re recently divorced or separated or bereaved, and someone single who may be a good match pops up, you’re top of mind. This attitude is what I think of as a luck amplifier. … you will feel a whole lot happier … and your ready mindset will prepare you for the change in variance that will come … 134-135
W. H. Auden: “Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences.” Pay attention, or accept the consequences of your failure. 142
Attention is a powerful mitigator to overconfidence: it forces you to constantly reevaluate your knowledge and your game plan, lest you become too tied to a certain course of action. And if you lose? Well, it allows you to admit when it’s actually your fault and not a bad beat. 147
Following up on Phil Galfond’s suggestion to be both a detective and a storyteller and figure out “what your opponent’s actions mean, and sometimes what they don’t mean.” [Like the dog that didn’t bark in the Sherlock Holmes “Silver Blaze” story.] 159
You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.) 161-162
Erik: Generally, the people who cash the most are actually losing players (Nassim Taleb’s Black Swan strategy, jp). You can’t be a winning player by min cashing. 190
The more you learn, the harder it gets; the better you get, the worse you are—because the flaws that you wouldn’t even think of looking at before are now visible and need to be addressed. 191
An edge, even a tiny one, is an edge worth pursuing if you have the time and energy. 208
Blake Eastman: “Before each action, stop, think about what you want to do, and execute.” … Streamlined decisions, no immediate actions, or reactions. A standard process. 217
John Boyd’s OODA: Observe, Orient, Decide, and Act. The way to outmaneuver your opponent is to get inside their OODA loop. 224
Here’s a free life lesson: seek out situations where you’re a favorite; avoid those where you’re an underdog. 237
[on folding] No matter how good your starting hand, you have to be willing to read the signs and let it go.
One thing Erik has stressed, over and over, is to never feel committed to playing an event, ever. “See how you feel in the morning.”
Tilt makes you revert to your worst self. 257
Jared Tindler, psychologist, “It all comes down to confidence, self-esteem, identity, what some people call ego.” 251
JT: “As far as hope in poker, f#¢k it. … You need to think in terms of preparation. Don’t worry about hoping. Just Do.” 252
”
”
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
“
But were even the masters his friends? Only the Instructor, who had eventually turned into a dog, had been a real friend — and what had he been barking that night, to the howling of the snowstorm? He had said: 'Let us leave them. They are no brothers of ours. They are enemies. Every last one of them is an enemy!
”
”
Georgi Vladimov (Faithful Ruslan)
“
If anything's to be praised, it's most likely how
the west wind becomes the east wind, when a frozen bough
sways leftward, voicing its creaking protests,
and your cough flies across the Great Plains to Dakota's forests.
At noon, shouldering a shotgun, fire at what may well
be a rabbit in snowfields, so that a shell
widens the breach between the pen that puts up these limping
awkward lines and the creature leaving
real tracks in the white. On occasion the head combines
its existence with that of a hand, not to fetch more lines
but to cup an ear under the pouring slur
of their common voice. Like a new centaur.
There is always a possibility left to let
yourself out to the street whose brown length
will soothe the eye with doorways, the slender forking
of willows, the patchwork puddles, with simply walking.
The hair on my gourd is stirred by a breeze
and the street, in distance, tapering to a V, is
like a face to a chin; and a barking puppy
flies out of a gateway like crumpled paper.
A street. Some houses, let's say,
are better than others. To take one item,
some have richer windows. What's more, if you go insane,
it won't happen, at least, inside them.
... and when 'the future' is uttered, swarms of mice
rush out of the Russian language and gnaw a piece
of ripened memory which is twice
as hole-ridden as real cheese.
After all these years it hardly matters who
or what stands in the corner, hidden by heavy drapes,
and your mind resounds not with a seraphic 'do',
only their rustle. Life, that no one dares
to appraise, like that gift horse's mouth,
bares its teeth in a grin at each
encounter. What gets left of a man amounts
to a part. To his spoken part. To a part of speech.
Not that I am losing my grip; I am just tired of summer.
You reach for a shirt in a drawer and the day is wasted.
If only winter were here for snow to smother
all these streets, these humans; but first, the blasted
green. I would sleep in my clothes or just pluck a borrowed
book, while what's left of the year's slack rhythm,
like a dog abandoning its blind owner,
crosses the road at the usual zebra. Freedom
is when you forget the spelling of the tyrant's name
and your mouth's saliva is sweeter than Persian pie,
and though your brain is wrung tight as the horn of a ram
nothing drops from your pale-blue eye.
”
”
Joseph Brodsky
“
I don’t fuck girls,” Stitch repeated. “Are you blind? I’m a fucking fag. I’ve always been. I couldn’t even fuck my wife properly. Why do you think she divorced me? This is some bullshit!” He kicked the broken window and cracked the wood with his boot.
Zak let out a long breath, his mouth pressing into a thin like. “Why didn’t you say anything? You never said you were gay. How could I know that?” he asked in a small voice. “I thought... that we were just buddies.”
Stitch walked up to him and cupped Zak’s face, digging his thumbs into his warm cheeks. “I don’t like to talk about this kind of shit. There is no other option for me. Either you’re in, or you’re not. We’re not ‘buddies’ and we never were. We’re not friends, we’re not mates. I see you as a… lover. Someone to get close to, someone I can be myself with. If you need to arrange to be exclusive, then it looks like this dog was barking up the wrong tree.”
Zak opened and closed his mouth, his shining blue eyes looking straight into Stitch’s soul. “I’ve never been with anyone like this.
”
”
K.A. Merikan (Road of No Return: Hounds of Valhalla MC (Sex & Mayhem, #1))
“
Needing a second opinion This one. I think this is the one women in the workplace are scared of. I know I am. Broad City is a very collaborative environment, and I trust everyone we’ve hired to work with us, so I naturally ask people’s opinions. But when you get a new job, a new assignment, or a promotion, the fear of not being good enough, of not knowing everything can seep in. In the last season of Broad City (4), I directed two episodes. This was a new experience for me, and one I took very seriously. But I found, during the process, that a big insecurity for me is the fear that if I need a second opinion, that means I don’t know what I’m doing. This is false, I do know what I’m doing, but it’s that vulnerability, that want for another set of eyes on my decision that can make me shaky. I ultimately made all the decisions I needed to—after using my resources aka asking questions—but in order to do that, I had to continually let go of this unease that someone from a dark, back corner would pop out, pointing directly at me, yelling about how I’m a fraud for asking for help while in charge. That I’d be plucked up by a huge claw and dropped outside on the sidewalk, banished from taking on this new role. This fear is mindless. Understandable, but stupid. Crews are a team. Any business is a team, and the whole point of having people do different jobs and be experts in their specific department is for them to help in any way they know how. The director isn’t there to bark out orders. They are the conductor bringing everyone’s talents together to execute their own artistic vision. Asking and bouncing ideas off people, and even changing your mind, is allowed. It’s so hard to ever show any sort of weakness, especially when you’re a woman at the top of the project, in a business you never thought you’d actually be able to break into. But going through all the possibilities and asking for help is not weak, it’s smart. I’m going to go ahead and dog-ear this paragraph so even I can come back and remind myself.
”
”
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
“
Stop all the clocks, cut off the telephone; Prevent the dog from barking with a juicy bone; Silence the pianos and with muffled drum; Bring out the coffin, let the mourners come.
”
”
Steven Rowley (Lily and the Octopus)
“
The sugar content in this cereal’s too high for Willie. You know the doctor said sugar’s bad for him. No wonder he ends up under the teacher’s desk. Can’t you cook him a proper breakfast, Judy? Oatmeal and toast and scrambled eggs, that’s what he needs.”
“He’s not going to lift bricks, Harold.”
“Mental exercise uses up calories, too--which is why I eat an egg and an English muffin before going to work.”
As mom was agreeing that Dad always did eat sensibly, Willie looked up from pouring his juice and saw through the kitchen window that his bus was rounding the corner. Looking down, he saw he’d poured a puddle that was dripping onto the floor.
Dad noticed, of course. Dad noticed everything. “Willie, you klutz! Now look what you’ve done.”
“I’ve gotta go,” Willie said.
“Not before you eat your breakfast.”
“Then I’ll miss the bus.” Booboo ambled into the kitchen, wagged a greeting to everyone, and barked to be let out. Willie moved to open the door for him.
“Hold it right there!” Dad said. He probably thought Willie meant to leave, too. “You sit down and eat your cereal. After you mop up the juice. QUIET, BOOBOO!”
Booboo yipped pathetically as if asking what he’d done wrong. Mom slipped over to the door. “The dog has to go out, Harold,” she said. “Unless you want him to do his business on the floor?”
As if on command, Booboo squatted and made a second puddle. “I thought he got up pretty early for him,” Willie said. “I guess he had to go.”
Willie’s bus driver waited for him a few seconds and then took off.
“I missed my bus,” Willie said. He got the squeegee mop out to clean up both accidents. Dad was holding his head. “Do you have a headache, Dad?” Willie asked.
”
”
C.S. Adler (Willie, the Frog Prince)
“
Dad, I’m sorry about the report card and all that, but I didn’t do anything bad to Mrs. Lima. She told Jackson and me to do the walk and the driveway, but then she wouldn’t pay us for the walk, even though we did a good job. So we just put the snow back. That’s all.”
“According to Mrs. Lima,” Dad said, “she never told you to do the walk because she doesn’t use it. She goes through her garage. And you wouldn’t take her word for it. That’s what upset her the most, that you acted as if she meant to cheat you.”
“But she did, Dad.”
“Willie--” Dad hesitated. Then he shook his head and said, “I don’t know who to believe.”
“Me. I’m your son, and I don’t lie. Much,” Willie amended carefully to cover any white lies he might have told.
“That’s true,” Mom said. “You know that’s true, Harold.”
Dad lifted his bony shoulders and let them drop. “All right. It’s possible Mrs. Lima’s getting forgetful and thinks she told you just the driveway. In any case, I want to satisfy her, especially after we kept her up last night with the dog barking. So you just return the money for the walk and say you’re sorry. Say you must have misunderstood her.”
“That’s not fair,” Willie said.
“Fair or not, it’s foolish to make bad feelings with a neighbor over three dollars.”
“But Dad--” Willie couldn’t find the words for it, but he knew there was a flaw in his father’s reasoning. Wasn’t Dad holding out for an admission from his boss that he’d been wrong?
“Here.” Dad took three dollars out of his own wallet and handed it to Willie. “Go. Just give her this money and say you didn’t mean to upset her…Put on your shoes and your jacket first.”
Willie looked at Mom, who shrugged her shoulders.
It wasn’t fair, Willie thought resentfully as he marched down his driveway and up Mrs. Lima’s with Dad’s three dollars pinched between his thumb and index finger.
Mrs. Lima answered her door, dressed in a wool suit with a lot of gold chains. “Here’s your three dollars back,” Willie said. And he added, “I’m sorry my dog kept you awake last night.”
“You can keep the three dollars,” she said stiffly. “I just wanted to teach you a little respect for your elders, Willie.”
He nodded. “Okay.” He turned to leave.
“Willie,” she called. “You can do my driveway and walk again next time it snows.”
“No, thank you, Mrs. Lima,” he called back politely.
Her eyes went wide with surprise. Then she shut her door fast.
She might have won, but that didn’t mean he was ever going to let her trick him again, Willie told himself. He went back home and returned Dad’s three dollars to him.
“So, you and Mrs. Lima made friends?”
“No,” Willie said. “But I did what you told me.
”
”
C.S. Adler (Willie, the Frog Prince)
“
November
The month of the drowned dog. After long rain the land
Was sodden as the bed of an ancient lake,
Treed with iron and bridles. In the sunk lane
The ditch - a seep silent all summer -
Made brown foam with a big voice: that, and my boots
On the lane's scrubbed stones, in the gulleyed leaves,
Against the hill's hanging silence;
Mist silvering the droplets on bare thorns
Slower than the change of daylight.
In a let of the ditch a tramp was bundled asleep;
Face tucked down into beard, drawn in
Under his hair like a hedgehog's. I took him for dead,
But his stillness separated from the death
Of the rotting grass on the ground. A wind chilled,
And a fresh comfort tightened through him,
Each hand stuffed deeper into the other sleeve.
His ankles, bound with sacking and hairy band,
Rubbed each other, resettling. The wind hardened;
A puff shook a glittering from the thorns,
And against the rains' dragging grey columns
Smudged the farms. In a moment
The fields were jumping and smoking; the thorns
Quivered, riddled with the glassy verticals.
I stayed on under the welding cold
Watching the tramp's face glisten and the drops on his coat
Flash and darken. I thought what strong trust
Slept in him - as the trickling furrows slept,
And the thorn-roots in their grip on darkness;
And the buried stones, taking the weight of winter;
The hill where the hare crouched with clenched teeth.
Rain plastered the land till it was shining
Like hammered lead, and I ran, and in the rushing wood
Shuttered by a black oak leaned.
The keeper's gibbet had owls and hawks
By the neck, weasels, a gang of cats, crows:
Some stiff, weightless, twirled like dry bark bits
In the drilling rain. Some still had their shape,
Had their pride with it; hung, chins on chests
Patient to outwait these worst days that beat
Their crowns bare and dripped from their feat.
”
”
Ted Hughes
“
November
The month of the drowned dog. After long rain the land
Was sodden as the bed of an ancient lake,
Treed with iron and bridles. In the sunk lane
The ditch - a seep silent all summer -
Made brown foam with a big voice: that, and my boots
On the lane's scrubbed stones, in the gulleyed leaves,
Against the hill's hanging silence;
Mist silvering the droplets on bare thorns
Slower than the change of daylight.
In a let of the ditch a tramp was bundled asleep;
Face tucked down into beard, drawn in
Under his hair like a hedgehog's. I took him for dead,
But his stillness separated from the death
Of the rotting grass on the ground. A wind chilled,
And a fresh comfort tightened through him,
Each hand stuffed deeper into the other sleeve.
His ankles, bound with sacking and hairy band,
Rubbed each other, resettling. The wind hardened;
A puff shook a glittering from the thorns,
And against the rains' dragging grey columns
Smudged the farms. In a moment
The fields were jumping and smoking; the thorns
Quivered, riddled with the glassy verticals.
I stayed on under the welding cold
Watching the tramp's face glisten and the drops on his coat
Flash and darken. I thought what strong trust
Slept in him - as the trickling furrows slept,
And the thorn-roots in their grip on darkness;
And the buried stones, taking the weight of winter;
The hill where the hare crouched with clenched teeth.
Rain plastered the land till it was shining
Like hammered lead, and I ran, and in the rushing wood
Shuttered by a black oak leaned.
The keeper's gibbet had owls and hawks
By the neck, weasels, a gang of cats, crows:
Some stiff, weightless, twirled like dry bark bits
In the drilling rain. Some still had their shape,
Had their pride with it; hung, chins on chests
Patient to outwait these worst days that beat
Their crowns bare and dripped from their feet.
”
”
Ted Hughes
“
It is easier and more productive to teach your dog what TO DO than to keep telling him what NOT to do. Practice some or all of these at home until your dog has excellent responses. Do Not let them rehearse the aggressive/Reactive behaviour. It will become a habit! About The Clicker
Clicker Basics
We teach the dogs that the ‘Click’ is a clear signal that they have done something we like and will reward it.
Why use the clicker? 1. It is clear, specific, unemotional communication to the dog.
2. It helps you to focus on the good things your dog is doing and recognize small improvements. You can pick out short moments of good behaviour.
3. While
”
”
Sarah Maisey (Reactive Dog Training: Does your dog bark and lunge at other dogs?)
“
They would come with languages that sounded like dog bark; with a childish hunger for animal fur. They would forever fence land, ship whole trees to faraway countries, take any woman for quick pleasure, ruin soil, befoul sacred places and worship a dull, unimaginative god. They let their hogs browse the ocean shore turning it into dunes of sand where nothing green can ever grow again. Cut loose from the earth's soul, they insisted on purchase of its soil, and like all orphans they were insatiable. It was their destiny to chew up the world and spit out a horribleness that would destroy all primary peoples.
”
”
Toni Morrison (A Mercy)
“
finish cleaning up. A creak overhead let her know Mama was in the small attic. Again. Belinda grasped the lip of the sink, lowered her head, and closed her eyes. Lord, bring healing to Mama’s heart. She misses Papa so, but it’s not healthy for her to sit beside the trunk of his clothes and relive past days. She needs to move forward. A dog barked outside, and Belinda looked out the window. A dark figure moved through the alley—a man, tall and wide-shouldered, his head down and hands thrust deep in his pockets. She recognized him by his size. Herr Ollenburger. No other man in town carried such proportions. His posture exuded sadness, and Belinda’s heart caught in sympathy. So many of Gaeddert’s former residents seemed to have lost their sparkle. She leaned closer to the open window, watching as he turned into the backyard of the house across the alley. If he glanced her way, she would reward him with a cheery expression. To her delight, his chin angled in her direction. She called a greeting. “Good evening! Did you enjoy—” She drew back in embarrassment when she realized the man wasn’t Herr Ollenburger after all.
”
”
Kim Vogel Sawyer (Where the Heart Leads (Heart of the Prairie #2))
“
LITTLE LOST PUP
He was lost! — Not a shade of doubt of that;
For he never barked at a slinking cat.
But stood in the square where the wind blew raw,
With a drooping ear, and a trembling paw,
And a mournful look in his pleading eye.
And a plaintive sniff at the passer-by
That begged as plain as a tongue could sue, "
Oh, Mister, please may I follow you?"
A lorn, wee waif of a tawny brown
Adrift in the roar of a heedless town.
Oh, the saddest of sights in a world of sin
Is a little lost pup with his tail tucked inl
Well, he won my heart (for I set great store
On my own red Bute, who is here no more)
So I whistled clear, and he trotted up.
And who so glad as that small lost pup?
Now he shares my board, and he owns my bed,
And he fairly shouts when he hears my tread.
Then if things go wrong, as they sometimes do.
And the world is cold, and I'm feeling blue.
He asserts his right to assuage my woes
With a warm, red tongue and a nice, cold nose,
And a silky head on my arm or knee,
And a paw as soft as a paw can be.
When we rove the woods for a league about
He's as full of pranks as a school let out;
For he romps and frisks like a three-months colt.
And he runs me down like a thunder-bolt.
Oh, the blithest of sights in the world so fair
Is a gay little pup with his tail in air!
- Anonymous
”
”
Robert Frothingham (Songs of Dogs, an Anthology Selected and Arranged by Robert Frothingham. (1920) [Leather Bound])
“
First, let the storm pass, let the sun shine, let the barking dogs be silent, let the potholes in the road disappear, then everything will be easy and I will start the journey! If you have such thoughts then you will fail because of overcalculation! Make the right decision and then start the journey, focus on the goal, not on the obstacles!
”
”
Mehmet Murat ildan
“
And that was why the dogs were necessary. They were important, a balancing act, an interface, a safety buffer against instant, face-to-face, mortal clashes of loathsome and self-loathsome emotions, the very type that erupt in seconds between individuals, between clans, between nations, between sexes, doing irreversible damage all around. To stay it, to evade it, to push away those bad memories, all that pain and history and deterioration of character, you hear the barking, the onset of that savage, tribal barking, and you know then to wait indoors - quarter of an hour thereabouts - to let that soldiery go its way. In that manner you don't come into contact, you don't have to feel the powerlessness, the injustice, or worst of all, how you - a normal, ordinary, very nice human being - could want to kill or take relief at a killing.
”
”
Anna Burns (Milkman)
“
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.”
Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.”
“I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.”
She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.”
“They exist though.”
Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.”
“If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.”
“There are plenty of apartments in Ellsberg.”
“Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.”
“Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest.
“No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.”
“I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?”
“I don’t normally tattoo pregnant women.”
“You really going to have your kid born to a chick with a worm tattoo?”
Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.”
“Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.”
“Glad you approve, but don’t mock my dogs again and stop barking at Pollack.”
“Fuck off,” she said over her shoulder while walking inside.
”
”
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
“
You don't have to concern yourself with other people's points of view. Once you can see that nothing others say or do is about you, it doesn't matter who gossips about you, who blames you, who rejects you, who disagree with your point of view. All the gossip doesn't affect you. You don't even bother to defend your point of view.
You let the dogs bark, and surely they will bark, and bark, and bark. So what? Whatever people say doesn't affect you because you are immune to their opinions and their emotional poison.
”
”
Janet Mills
“
What's your name, big guy?" Carden asked.
Blue let out something between a bark and a howl that sounded just like," Bluuuue."
"Good boy," Carden said, and gave Blue the dog biscuit. Blue took it in his mouth and crunched it into pieces, eating it bit by bit instead of gobbling.
That's all it took for Lindsey to fall head-over-heels for Blue. His owner wasn't too bad either.
”
”
Tracy March (Should've Said No (Thistle Bend, #1))
“
Precious batted her eyelashes and let out a soft bark. “And your cuteness will get you nowhere.” Giovanni couldn’t believe he was trying to have a conversation with a dog for the second time in two days.
”
”
Rich Amooi (Dog Day Wedding)
“
So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--”
She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure.
Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found!
Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away.
Christopher.
It seemed the entire world stopped.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I made my way to the back of the house and saw Clay sunning on the deck. “Nice to know you can let yourself out,” I said as I walked past him. I nudged open the door and kicked it closed behind me. With a sigh, I put the bags on the table and began to unpack. After a sharp bark from outside, I grudgingly turned to let Clay in. “What? Can’t let yourself back in?” He didn’t respond, except to sit by the sink. I went back to the table and reached into one of the bags. “Look what I got you.” I pulled out a small bag of dog food. Clay growled again, but it lacked any menace. “You want to look like a normal dog don’t you? Well... as normal as a dog your size can look, anyway.
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
In the ensuing pause, he heard the sound of Albert barking outside. With despairing impatience, Christopher wondered if the blasted dog was ever going to be quiet.
“He wants to protect you,” Beatrix said. “He’s wondering where I’ve taken you.”
Christopher let out a taut sigh. “Perhaps I shouldn’t stay. He’ll bark for hours.”
“Nonsense. Albert must learn to adapt to your plans. I’ll bring him inside.”
Her authoritative manner rankled Christopher, no matter that she was right. “He might damage something,” he said, rising to his feet.
“He can’t do any worse than the goat,” Beatrix replied, standing to face him.
Politely Rohan stood as well, watching the two of them.
“Miss Hathaway--” Christopher continued to object, but he fell silent, blinking, as she reached out and touched his chest. Her fingertips rested over his heart for the space of one heartbeat.
“Let me try,” she said gently.
Christopher fell back a step, his breath catching. His body responded to her touch with disconcerting swiftness. A lady never put her hand to any area of a man’s torso unless the circumstances were so extreme that…well, he couldn’t even imagine what would justify it. Perhaps if his waistcoat was on fire, and she was trying to put it out. Other than that, he couldn’t think of any defensible reason.
And yet if he were to point out the breach of etiquette, the act of correcting a lady was just as graceless. Troubled and aroused, Christopher gave her a single nod.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
What the devil are you eating?” Leo, Lord Ramsay, stood in the family parlor at Ramsay House, viewing his dark-haired twins, Edward and Emmaline, who were playing on the carpeted floor.
His wife, Catherine, who was helping the babies to build block towers, looked up with a smile. “They’re eating biscuits.”
“These?” Leo glanced at a bowl of little brown biscuits that had been placed on a table. “They look revoltingly similar to the ones Beatrix has been feeding the dog.”
“That’s because they are.”
“They’re…Good God, Cat! What can you be thinking?” Lowering to his haunches, Leo tried to pry a sodden biscuit away from Edward.
Leo’s efforts were met with an indignant squall.
“Mine!” Edward cried, clutching the biscuit more tightly.
“Let him have it,” Catherine protested. “The twins are teething, and the biscuits are very hard. There’s nothing harmful in them.”
“How do you know that?”
“Beatrix made them.”
“Beatrix doesn’t cook. To my knowledge, she can barely butter her bread.”
“I don’t cook for people,” Beatrix said cheerfully, coming into the parlor with Albert padding after her. “But I do for dogs.”
“Naturally.” Leo took one of the brown lumps from the bowl, examining it closely. “Would you care to reveal the ingredients of these disgusting objects?”
“Oats, honey, eggs…they’re very nourishing.”
As if to underscore the point, Catherine’s pet ferret, Dodger, streaked up to Leo, took the biscuit from him, and slithered beneath a nearby chair.
Catherine laughed low in her throat as she saw Leo’s expression. “They’re made of the same stuff as teething biscuits, my lord.”
“Very well,” Leo said darkly. “But if the twins start barking and burying their toys, I’ll know whom to blame.” He lowered to the floor beside his daughter.
Emmaline gave him a wet grin and pushed her own sodden biscuit toward his mouth. “Here, Papa.”
“No, thank you, darling.” Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. “Is this a dog or a street broom?”
“It’s Albert,” Beatrix replied.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I stood in the doorway and studied him while he, in turn, watched me. We were finally alone, and I was determined to set some rules. “First, I’d like to clarify that this does not qualify as getting to know each other. Second, you smell like wet dog. If you want to continue to sleep in my room, on my bed, you’ll let Rachel give you a bath when she gets home.” He snorted at that but didn’t get off the bed. “Third, once I’m awake, you get out. I know what you are, and I am not changing in front of you.” He outright harrumphed at that one, and I swore I saw a canine smile. But, he did hop down from the bed. He left the room with quiet dignity. I closed the door behind him, remade the bed—thankfully, he didn’t appear to shed—and grabbed some clothes. I had two goals for the day. First, I needed to figure out how long it would take me to walk to the campus from here. Then, I needed to learn the bus schedule for the days I ran late or the weather prevented walking. If worst came to worst, I’d buy a beater car to drive. Opening the door, I was startled to see Clay sitting there patiently waiting for me. “What are you doing?” I asked when he didn’t move. Of course, he didn’t answer. I eyed him warily and walked past him. In the kitchen, I grabbed the house key from the counter then moved to the back door. Clay’s nails clicked on the floor as he followed me. “I’m going for a walk, and you’re staying here,” I said when he made to follow me outside. Clay growled slightly in response. His deep growl gave me pause. He sounded scary. “Please don’t do that. Unless you really are trying to scare me.” His fur continued to bristle, but his growl stopped. Our relationship wouldn’t go anywhere if he thought he could bully and maneuver me to his way of thinking. “And don’t crab at me. I’m not the unlicensed dog without a leash. Do you want me to talk Rachel into buying a pink collar for you?” He coughed out a strangled bark then turned and walked back to the living room. “See you later,” I said, feeling a little smug. The
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
That dog has been my companion for two years,” Christopher snapped. “The last thing I would subject him to is that bedlam of a household. He doesn’t need chaos. He doesn’t need noise and confusion--”
He was interrupted by an explosion of wild barking, accompanied by an earsplitting metallic crash. Albert had come racing through the entrance hall and had crossed paths with a housemaid bearing a tray of polished silver flatware.
Beatrix caught a glimpse of forks and spoons scattering to the doorway, just before she was thrown bodily to the receiving room floor. The impact robbed her of breath.
Stunned, she found herself pinned to the carpet and covered by a heavy masculine weight.
Dazedly she tried to take in the situation. Christopher had jumped on her. His arms were around her head…he had instinctively moved to shelter her with his own body. They lay together in a confusion of limbs and disheveled garments and panting breaths.
Lifting his head, Christopher cast a wary glance at their surroundings. For a moment, the blank ferocity of his face frightened Beatrix. This, she realized, was how he had looked in battle. This was what his enemies had seen as he had cut them down.
Albert rushed toward them, baying furiously.
“No,” Beatrix said in a low tone, extending her arm to point at him. “Down.”
The dog’s barking flattened into a growl, and he slowly lowered to the floor. His gaze didn’t move from his master.
Beatrix turned her attention back to Christopher. He was gasping and swallowing, struggling to regain his wits. “Christopher,” she said carefully, but he didn’t seem to hear. At this moment, no words would reach him.
She slid her arms around him, one at his shoulders, the other at his waist. He was a large man, superbly fit, his powerful body trembling. A feeling of searing tenderness swept through her, and she let her fingers stroke the rigid nape of his neck.
Albert whined softly, watching the two of them.
Beyond Christopher’s shoulder, Beatrix glimpsed the housemaid standing uncertainly at the doorway, stray forks clutched in her hand.
Although Beatrix didn’t give a fig about appearances or scandal, she cared very much about shielding Christopher during a vulnerable moment. He would not want anyone to see him when he was not fully in command of himself.
“Leave us,” she said quietly.
“Yes, miss.” Gratefully the maid fled, closing the door behind her.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
1 A STRANGER IN THE NIGHT The moon shone in the rocking horse’s eye, and in the mouse’s eye, too, when Tolly fetched it out from under his pillow to see. The clock went tick-tock, and in the stillness he thought he heard little bare feet running across the floor, then laughter and whispering, and a sound like the pages of a big book being turned over. L. M. Boston, The Children of Green Knowe Rain fell that night, a fine, whispering rain. Many years later, Meggie had only to close her eyes and she could still hear it, like tiny fingers tapping on the windowpane. A dog barked somewhere in the darkness, and however often she tossed and turned Meggie couldn’t get to sleep. The book she had been reading was under her pillow, pressing its cover against her ear as if to lure her back into its printed pages. “I’m sure it must be very comfortable sleeping with a hard, rectangular thing like that under your head,” her father had teased the first time he found a book under her pillow. “Go on, admit it, the book whispers its story to you at night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
What do you think of when you think of mourning?' Jenny asks.
The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.'
'I don't know it.'
'It's a poem.'
'I gathered.'
'I'm just clarifying. It's not a blues album.'
Jenny ignores my swipe at her intelligence.
'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'
I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?
'Why do you thin of that poem in particular?'
"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.'
I learned the poem in college and it stuck.
”
”
Steven Rowley (Lily and the Octopus)
“
So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--”
She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure.
Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found!
Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away.
Christopher.
It seemed the entire world stopped.
Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience.
His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness.
How bleak he looked. How alone.
She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest.
She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.”
He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness.
“I’m Beatrix Hathaway,” she managed to say. “My family--”
“I remember you.”
The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face.
To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it.
Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.”
“I wasn’t ready for it.”
So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.”
“Things,” he repeated cautiously.
“There’s a Phelan hat.”
His brows lowered. “No there isn’t.”
“Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.”
Scowling, Christopher muttered something beneath his breath.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Precisely three days after Christopher and Audrey had left for London, Beatrix went to the Phelans’ house to ask after Albert. As she had expected, the dog had set the household into chaos, having barked and howled incessantly, ripped carpeting and upholstery to shreds, and bitten footman’s hand.
“And in addition,” the housekeeper, Mrs. Clocker, told Beatrix, “he won’t eat. One can already see his ribs. And the master will be furious if we let anything happen to him. Oh, this is the most trying dog, the most detestable creature I’ve ever encountered.”
A housemaid who was busy polishing the banister couldn’t seem to resist commenting, “He scares me witless. I can’t sleep at night, because he howls fit to wake the dead.”
The housekeeper looked aggrieved. “So he does. However, the master said we mustn’t let anyone take Albert. And as much as I long to be rid of the vicious beast, I fear the master’s displeasure even more.”
“I can help him,” Beatrix said softly. “I know I can.”
“The master or the dog?” Mrs. Clocker asked, as if she couldn’t help herself. Her tone was wry and despairing.
“I can start with the dog,” Beatrix said in a low undertone.
They exchanged a glance.
“I wish you could be given the chance,” Mrs. Clocker murmured. “This household doesn’t seem like a place where anyone could get better. It feels like a place where things wane and are extinguished.”
This, more than anything, spurred Beatrix into a decision. “Mrs. Clocker, I would never ask you to disobey Captain Phelan’s instructions. However…if I were to overhear you telling one of the housemaids where Albert is being kept at the moment, that’s hardly your fault, is it? And if Albert manages to escape and run off…and if some unknown person were to take Albert in and care for him but did not tell you about it immediately, you could not be blamed, could you?”
Mrs. Clocker beamed at her. “You are devious, Miss Hathaway.”
Beatrix smiled. “Yes, I know.”
The housekeeper turned to the housemaid. “Nellie,” she said clearly and distinctly. “I want to remind you that we’re keeping Albert in the little blue shed next to the kitchen garden.”
“Yes, mum.” The housemaid didn’t even glance at Beatrix. “And I should remind you, mum, that his leash is on the half-moon table in the entrance hall.”
“Very good, Nellie. Perhaps you should run and tell the other servants and the gardener not to notice if anyone goes out to visit the blue shed.”
“Yes, mum.”
As the housemaid hurried away, Mrs. Clocker gave Beatrix a grateful glance. “I’ve heard that you work miracles with animals, Miss Hathaway. And that’s indeed what it will take, to tame that flea-ridden fiend.”
“I offer no miracles,” Beatrix said with a smile. “Merely persistence.”
“God bless you, miss. He’s a savage creature. If dog is man’s best friend, I worry for Captain Phelan.”
“So do I,” Beatrix said sincerely.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Mercury starts barking
at a bunch of colourful parrots sitting in the bending fennel.
I let him off the leash,
and they twitter and fly away,
points
in a
moving constellation.
Dad used to say Aussie birds reminded him
of fish in the reef near his village,
Free, multicoloured, dreamlike.
”
”
Omar Musa (Here Come The Dogs)
“
My sister and I practiced our howling and barking so we would be able to talk to our dogs if our mother ever let us get any.
”
”
Cynthia Kadohata
“
in shock. Then they crept closer to him, shivering as they moved. Lucky gave a few barks and growls of encouragement as he began to guide them toward the thicker tree cover. There might be some risk of falling trees and branches, but it would be much more dangerous to let the Leashed Dogs go on working themselves into their panic out in the open, where any stray lashing
”
”
Erin Hunter (A Hidden Enemy (Survivors, #2))
“
Jones had a dog; it had a chain;
Not often worn, not causing pain;
But, as the I.K.L. had passed
Their 'Unleashed Cousins Act’ at last,
Inspectors took the chain away;
Whereat the canine barked ‘Hooray!’
At which, of course, the S.P.U.
(Whose Nervous Motorists’ Bill was through)
Were forced to give the dog in charge
For being Audibly at Large.
None, you will say, were now annoyed,
Save, haply, Jones - the yard was void.
But something being in the lease
About ‘alarms to aid the police,’
The U.S.U. annexed the yard
For having no sufficient guard.
Now if there’s one condition
The C.C.P. are strong upon
It is that every house one buys
Must have a yard for exercise;
So Jones, as tenant, was unfit,
His state of health was proof of it.
Two doctors of the T.T.U.'s
Told him his legs, from long disuse,
Were atrophied; and saying ‘So
From step to higher step we go
Till everything is New and True.’
They cut his legs off and withdrew.
You know the E.T.S.T.'s views
Are stronger than the T.T.U.'s:
And soon (as one may say) took wing
The Arms, though not the Man, I sing.
To see him sitting limbless there
Was more than the K.K. could bear.
'In mercy silence with all speed
That mouth there are no hands to feed;
What cruel sentimentalist,
O Jones, would doom thee to exist -
Clinging to selfish Selfhood yet?
Weak one! Such reasoning might upset
The Pump Act, and the accumulation
Of all constructive legislation;
Let us construct you up a bit - '
The head fell off when it was hit:
Then words did rise and honest doubt,
And four Commissioners sat about
Whether the slash that left him dead
Cut off his body or his head.
An author in the Isle of Wight
Observed with unconcealed delight
A land of just and old renown
Where Freedom slowly broadened down
From Precedent to Precedent.
And this, I think, was what he meant.
”
”
G.K. Chesterton (Poems By G. K. Chesterton)
“
By your Owl Ever-Watchful By your Broom that sweeps the Land of souls By your Geese who bark in the Sky By the Deer who are your herd in the wood By your Caudle that boils the dark remains of former worlds, By your loom that weaves dreams and nightmares, By your Black Dog that menaces the wicked, By your Wheel, Key and Thrice Locked Door, Let the cup overflow with your shadow and your ardor- Let me drink and be whole by your mighty leave; Let me greet the stars and touch the earth Made Red by your beneficence.
”
”
Robin Artisson (Letters from the Devil's Forest: An Anthology of Writings on Traditional Witchcraft, Spiritual Ecology and Provenance Traditionalism)
“
Be afraid of not the dog that barks, but of the one that doesn't.
Note: I thought of this quote while playing a video game. After searching, I couldn't find this exact wording anywhere and believe it might be my own creation. If you find the exact quote and its original author, please let me know, as I do not wish to claim someone else's work.
”
”
Michael Palamas (?)
“
She’d never been very good at the whole let-sleeping-dogs-lie thing. No, she liked her dogs up and barking, the better to find out which were the vicious ones.
”
”
Robin Burcell (The Bone Chamber (Sidney Fitzpatrick #2))
“
Be afraid of not the dog that barks, but of the one that doesn't.
Note: I thought of this quote while playing a video game. After searching, I couldn't find this exact wording anywhere and believe it might be my own creation. If you find the exact quote and its original author, please let me know, as I do not wish to claim someone else's work.
”
”
Michael Palamas
“
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly."
"I'm not a Strander," she said, looking him in the eye.
"Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off."
Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it.
"I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?"
Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks.
"WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?"
Maraly mumbled.
"What?" Claxton shouted, clenching her throat tighter.
She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love."
"Love," Claxton sputtered. He snorted with laughter.
Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me."
"You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike.
Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain.
But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt.
"Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
”
”
Andrew Peterson
“
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly."
"I'm not a Strander," she said, looking him in the eye.
"Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off."
Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it.
"I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?"
Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks.
"WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?"
Maraly mumbled.
"What?" Claxton shouted, clenching her throat tighter.
She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love."
"Love," Claxton sputtered. He snorted with laughter.
Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me."
"You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike.
Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain.
But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt.
"Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
”
”
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
“
Question: If your dog is barking at the back door and your wife is yelling at the front door, who do you let in first? Answer; The dog, of course. He'll shut up once you let
”
”
Robert Allans (FUNNY ENGLISH: A NEW & RELIABLE METHOD OF ENGLISH MASTERY WITH THE AID OF JOKES)