Cane Quotes

We've searched our database for all the quotes and captions related to Cane. Here they are! All 100 of them:

Who’d deny a poor cripple his cane?” “If the cripple is you, then any man with sense.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.
Milan Kundera (The Unbearable Lightness of Being)
Kaz had tapped his crow’s head cane on the flagstones of the tomb floor. “Do you know what Van Eck’s problem is?" “No honor?” said Matthias. “Rotten parenting skills?” said Nina. "Receding hairline?" offered Jesper.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He'd broken his leg dropping down from the rooftop. The bone didn't set right, and he'd limped ever after. So he'd found himself a Fabrikator and had his cane made. It became a declaration. There was no part of him that was no broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He thumbed quickly through the ledger and said, “When people see a cripple walking down the street, leaning on his cane, what do they feel?” Wylan looked away. People always did when Kaz talked about his limp, as if he didn’t know what he was or how the world saw him. “They feel pity. Now, what do they think when they see me coming?” Wylan’s mouth quirked up at the corner. “They think they’d better cross the street.” Kaz tossed the ledger back in the safe. “You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Knees suddenly weak, she reached for his forearms to stabilize herself. “You came for me.” He beamed, looking for all the world like a selfless, daring hero. “Don’t sound so surprised.” Dropping the cane, he pulled her into a crushing embrace that tore her away from Wolf and lifted her clean off the floor. “It turns out you are worth a lot of money on the black market.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
You showed mercy, Kaz. You were the better man.” There she went again, seeking decency when there was none to be had. “Inej, I could only kill Pekka’s son once.” He pushed the door open with his cane. “He can imagine his death a thousand times.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Mom! Mom. You have to smell him! It’s like… like… I don’t even know what it’s like! I was walking in the woods to scope out our territory so I could be like Dad and then it was like… whoa. And then he was all standing there and he didn’t see me at first because I’m getting so good at hunting. I was all like rawr and grr but then I smelled it again and it was him and it was all kaboom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
T.J. Klune (Wolfsong (Green Creek, #1))
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they would be touching. He was that close. He was that far from reach.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Using the chair is not a punishment. It is not a prison,' he said softly. 'It never was. And I am as much of a man in that chair, or with that cane, as I am standing on my feet.' He brushed away the tear that slipped down her cheek. 'I wanted to heal you,' she breathed. 'You did,' he said, smiling. 'Yrene, in every way that truly matters . . . You did.' Chaol wiped away the other tears that fell, brushing a kiss to her hot cheek.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Q: What’s hard for you? A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.
Tom Waits
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.' Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.' 'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.' Spook rushed over and fetched Breeze a cup of wine. 'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.' Spook frowned. 'Niceing the not on the playing without.' 'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.' Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.' 'Riding the rile of the rids to the right,' Spook said with a nod. 'What are you two babbling about?' Breeze said testily. 'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.' 'Ever wasing the doing of this,' Kelsier agreed. 'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.' Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.' Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Nina relaxed as soon as she caught sight of the three of them in the shadows. “Oh, it’s you.” “Yes, it’s us.” Kaz used his cane to herd them both toward the center of the island. “And you would have heard us if you hadn’t been busy shouting at each other. Stop gawking like you’ve never seen a girl in a dress before, Matthias.” “I wasn’t gawking,” Matthias said with as much dignity as he could muster. But for Djel’s sake, what was he supposed to look at when Nina had irises tucked between … everything. “Be quiet, Brekker,” Nina said. “I like it when he gawks.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What are you doing?" "Ya!" said Jane, whirling around, her hands held up menacingly. It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin's window. "Um, did I just say, 'Ya'?" "You just said 'Ya,'" he confirmed. "If I am not mistaken, it was a battle cry, warning that you were about to attack me. I, uh..." She stopped to laugh. "I wasn't aware until this precise and awkward moment that when startled in a startled in a strange place, my instincts would have me pretend to be a ninja.
Shannon Hale (Austenland (Austenland, #1))
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Tom Waits
The man, a huge grin spreading over his face, was slower to stand, first grabbing a cane from against the wall. "Welcome aboard the Rampion, Your Magesticness. Captain Carswell Thorne, at your service." He bowed.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Oh, measure it all out! Acceptable levels of misery and suffering!' The cane swung down, thumped hard on the ground. 'Acceptable? Who the fuck says any level is acceptable? What sort of mind thinks that?' Karsa grinned, 'Why, a civilized one.' 'Indeed!' Shadowthrone turned to Cotillion. 'And you doubted this one!
Steven Erikson
This is the problem with letting your enemies live.” “They’re my parents.” “Your point?” Kaz settled his cane more firmly in his grip and nodded to the cable operator, ready to descend. “A word of advice, from one bastard to another: Sometimes it’s best to let the demon have its day.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
You can be up to your boobies in white satin, with gardenias in your hair and no sugar cane for miles, but you can still be working on a plantation.
Billie Holiday
I dread no more the first white in my hair, Or even age itself, the easy shoe, The cane, the wrinkled hands, the special chair: Time, doing this to me, may alter too My anguish, into something I can bear
Edna St. Vincent Millay
Beside him a tiny elderly woman was leaning on a cane, studying him with curiosity. Since good manners seemed to require that he speak to her, Jon cast about for some sort of polite conversation pertinent to the occasion. “I hate funerals, don’t you?” He said. “I rather like them,” she said smugly. “At my age, I regard each funeral I attend as a personal triumph, because I was not the guest of honor.
Judith McNaught (Paradise (Paradise, #1))
I would do anything to make you happy because no one had ever smelled like you did. It was candy canes and pinecones. It was epic and awesome. and it was home.
T.J. Klune (Wolfsong (Green Creek, #1))
it is so dark now with the sadness of people they were tricked, they were taught to expect the ultimate when nothing is promised now young girls weep alone in small rooms old men angrily swing their canes at visions as ladies comb their hair as ants search for survival history surrounds us and our lives slink away in shame.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
I will remember what I was, I am sick of rope and chains - I will remember my old strength and all my forest affairs. I will not sell my back to man for a bundle of sugar cane; I will go out to my own kind, and the wood-folk in their lairs. I will go out until the day, until the morning break - Out to the wind's untainted kiss, the water's clean caress; I will forget my ankle-ring and snap my picket stake. I will revisit my lost love and playmates masterless!
Rudyard Kipling (The Jungle Books)
Has he never been trained? The work seems rudimentary.” Jesper sniffed. “I thought it had a certain rustic elegance.” “No,” said Wylan. “He hasn’t been trained. He’s stubborn that way.” “Independent,” corrected Jesper. “Pigheaded.” “But stylish.” Kaz rapped his cane on the floor. “And now you know why I don’t visit more often.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
It's like pretending to be Santa and then stabbing someone with a candy cane!
Ellery Adams (Chili Con Corpses (A Supper Club Mystery, #3))
I'm talking about the heavy shit, Anastasia. You should see what I can do with a cane or a cat.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
In the space of a breath, Kaz had shoved Wylan against the tomb wall with his forearm, the crow head of his cane wedged beneath Wylan's jaw. "Tell me my business again." Wylan swallowed, parted his lips. "Do it," said Kaz. "And I'll cut the tongue from your head and feed it to the first stray cat I can find.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It was a few seconds before Cinder found her voice and she had to grip the door frame to keep standing. “Thorne?” His head jerked around. “Cinder?” “Wh—what are you—how? Where have you been? What’s going on? Why are you wearing that stupid bandanna?” He laughed. Gripping a wooden cane, he stumbled toward her, waving one hand until it landed on her shoulder. Then he was hugging her, suffocating her against his chest. “I missed you too.” “You jerk,” she hissed, even as she returned the hug. “We thought you were dead!” “Oh, please. It’d take a lot more than a satellite plummeting to Earth to kill me. Although, admittedly, Cress may have saved us that time.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
It was warm like a summer day. It was candy canes and pinecones, it was epic and awesome, it was dirt and leaves and rain, it was grass and lake water and sunshine. It was a forest so alive, so untouched.
T.J. Klune (Brothersong (Green Creek, #4))
I know what I’ve done for music, but don’t call me “a legend”.(…) A legend is an old man with a cane known for what he used to do. I’m still doing it.
Miles Davis
Not only do I not believe in not believing in God, I’m also a big supporter of crutches, canes, walkers, and anything that helps support man through difficult times.

Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
She realized he'd stopped to change his coat and it clung to him in perfectly tailored lines. He stood leaning on his cane, hair neatly pushed back from his pale brow, a black glass boy of deadly edges. The look of surprise on Haskell's face was nearly comical. Then he started to laugh. "Well, I'll be a son of a bitch, Brekker. You have to be the craziest bastard I ever met.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You can't tell how heavy somebody else's load is just from looking. The Lord doesn't give us more than we can carry
Lalita Tademy (Cane River)
You know," Loki said, toeing a volume that had tumbled from the pile. "You'd have more room if you kept fewer books." Theo hung his cane on the edge of the grate beside the small fire place and began to stoke the ashes. "I'd rather have books than space.
Mackenzi Lee (Loki: Where Mischief Lies)
In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.
Milan Kundera (The Unbearable Lightness of Being)
Jesper and Kaz swung around, crashed into the mechanism of the clock, righted themselves. It wasn’t a fight, it was a brawl—graceless, a tangle of elbows and fists. “Ghezen and his works, someone stop them!” Wylan said desperately. “Jesper hasn’t shot him,” Nina said. “Kaz isn’t using his cane,” said Inej. “You think they can’t kill each other with their bare hands?” They were both bleeding—Jesper from a cut on his lip and Kaz from somewhere near his brow. Jesper’s shirt was halfway over his head and Kaz’s sleeve was tearing at the seam.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Inej,” Wylan called from one of the rolling bins. “These are our clothes.” He reached in and, one after the other, pulled out Inej’s little leather slippers. Her face broke into a dazzling smile. Finally, a bit of luck. Kaz didn’t have his cane. Jesper didn’t have his guns. And Inej didn’t have her knives. But at least she had those magic slippers. “What do you say, Wraith? Can you make the climb?” “I can.” Jesper took the shoes from Wylan. “If I didn’t think these might be crawling with disease, I would kiss them and then you.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Okay, you’re older. Not much, really. And considering you love staying in shape and I refuse to run, we’ll probably get all old and crippled at the same time. If not, then I’ll learn to use a cane, and I’ll get to beat on your ass for a change.
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
Now you’re going to get it,” I said, guessing Al was coming when the ones in the back scattered. “You should have been nice.” With a weird cry, the closest surface demon fell back, but it was too late. A flash of red light exploded overhead, smashing the buildings away as if I were at the center of an atomic explosion. The surface demons scattered like brown leaves, the remnants of their clothes and auras fluttering. It was Al, and he burst into existence in a grand mood, an old-fashioned lantern in his hand and a walking cane at his side. “Rachel Mariana Morgan!” he shouted enthusiastically, raising the lantern high, and I painfully rose from my crouch, breaking my bubble with a small thought. “I’ve come to save you, love!
Kim Harrison (Pale Demon (The Hollows, #9))
My dear Madame, I just noticed that I forgot my cane at your house yesterday; please be good enough to give it to the bearer of this letter. P.S. Kindly pardon me for disturbing you; I just found my cane.
Marcel Proust
A hysterical young woman with flowing brown hair is also called from 4, but she's quickly replaced by a volunteer, an eighty-year-old woman who needs a cane to walk to the stage.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Men are apt to idolize or fear that which they cannot understand, especially if it be a woman.
Jean Toomer (Cane)
Look, Gail." Roark got up, reached out, tore a thick branch off a tree, held it in both hands, one fist closed at each end; then, his wrists and knuckles tensed against the resistance, he bent the branch slowly into an arc. "Now I can make what I want of it: a bow, a spear, a cane, a railing. That's the meaning of life." "Your strength?" "Your work." He tossed the branch aside. "The material the earth offers you and what you make of it . . .
Ayn Rand (The Fountainhead)
Hey, if you decided to tear up the town, you can always use the leftover bread from my breakfast in place of your cane. I'm pretty sure it's hard enough to bust heads.
Jennifer Rardin (Bitten to Death (Jaz Parks, #4))
Which is nonsense, for whatever you live is Life. That is something to remember when you meet the old classmate who says, "Well now, on our last expedition up the Congo-" or the one who says, "Gee, I got the sweetest little wife and three of the swellest kids ever-" You must remember it when you sit in hotel lobbies or lean over bars to talk to the bartender or walk down a dark street at night, in early March, and stare into a lighted window. And remember little Susie has adenoids and the bread is probably burned, and turn up the street, for the time has come to hand me down that walking cane, for I got to catch that midnight train, for all my sin is taken away. For whatever you live is life
Robert Penn Warren (All the King's Men)
I envisioned huge piles of the Elf Hotel flying off the belt, taking down everybody in sight. I had seen pictures of that Elf Hotel - it had sharp candy-cane spires that could easily impale someone. If anyone was ever going to be killed by an Elf Hotel, it would be my parents.
Maureen Johnson (Let It Snow: Three Holiday Romances)
The day I bought my cane, I realized I was through with the burden of feet. Instead, I am going to become a mermaid. I have always liked the ocean, the promise of depth. I am tired of this dry world, all of this dust and sickness, these barren fields. I want to dive without drowning. I want to kiss sharks. I want men to carve me into the bows of their ships like a prayer, before I lure them into the depths with my fishnet mouth. I want the beauty, the gorgeous mutation, the fairytale of half body. All the wisdom of a woman, without the failures of sex. I am plunging. I am not coming up for air. I do not want all this human, my legs move like they resent being legs, my body is wrecked by all this gravity. I cannot face another morning waking up with no hope of a fairytale. Here on land, I am always drowning. Here on land, I cannot move.
Clementine von Radics
He stood leaning on his cane, hair neatly pushed back from his pale brow, a black glass boy of deadly edges.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. The boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.
Cormac McCarthy (The Road)
I was all like rawr and grr but then I smelled it again and it was him and it was all ka­boom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
T.J. Klune (Wolfsong (Green Creek, #1))
Pater noster Our Father who art in heaven Stay there And we'll stay here on earth Which is sometimes so pretty With its mysteries of New York And its mysteries of Paris At least as good as that of the Trinity With its little canal at Ourcq Its great wall of China Its river at Morlaix Its candy canes With its Pacific Ocean And its two basins in the Tuileries With its good children and bad people With all the wonders of the world Which are here Simply on the earth Offered to everyone Strewn about Wondering at the wonder of themselves And daring not avow it As a naked pretty girl dares not show herself With the world's outrageous misfortunes Which are legion With legionaries With torturers With the masters of this world The masters with their priests their traitors and their troops With the seasons With the years With the pretty girls and with the old bastards With the straw of misery rotting in the steel of cannons.
Jacques Prévert
Reaching too deep into something not meant for you is full of pain. Figure out what you can have and work on that
Lalita Tademy (Cane River)
The idea of someone who can play with their emotions, who can 'mystically' get them to do certain things, makes them uncomfortable. What they do not realize-and what you must realize-is that manipulating others is something that all people do. In fact, manipulation is at the core of our social interaction." He settled back, raising his dueling cane and gesturing with it slightly as he spoke. "Think about it. What is a man doing when he seeks the affection of a young lady? Why, he is trying to manipulate her to regard him favorably. What happens when two old friends sit down for a drink? They tell stories, trying to impress each other. Life as a human being is about posturing and influence. This isn't a bad thing-in fact, we depend upon it. These interactions teach us how to respond to others." -Breeze
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Sometimes it’s not the beginning that screams romance, but rather the journey.
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
Kaz settled his hands over his cane, his back to the city. “We all want different things from this day. Freedom, redemption—” “Cold hard cash?” suggested Jesper. “Plenty of that. There are lots of people looking to stand in our way. Van Eck. The Merchant Council. Pekka Rollins and his goons, a few different countries, and most of this Saintsforsaken town.” “Is this supposed to be encouraging?” asked Nina. “They don’t know who we are. Not really. They don’t know what we’ve done, what we’ve managed together.” Kaz rapped his cane on the ground. “So let’s go show them they picked the wrong damn fight.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Sometimes while you wait for what you think is better," Philomene said, "what is good enough slips away.
Lalita Tademy (Cane River)
Just when you think you’ve hit rock bottom, when you don’t think there’s any way you could climb the mountain again to find happiness, you stumble across a trail, one that has its bumps and bruises, but offers a gorgeous outcome.
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says “from scratch,” he means from nothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses, Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.
Nicola Yoon (The Sun Is Also a Star)
Se sabe que las bicicletas han tratado por todos los medios de remediar su triste condición social. Pero en absolutamente todos los países de la tierra 'está prohibido entrar con bicicletas'. Algunos agregan: 'y perros', lo cual duplica en las bicicletas y en los canes su complejo de inferioridad.
Julio Cortázar (Historias de cronopios y de famas)
The two of you together are a menace,” Penelope remarked. “My aim in life,” Lady Danbury announced, “is to be a menace to as great a number of people as possible, so I shall take that as the highest of compliments, Mrs. Bridgerton.” “Why is it,” Penelope wondered, “that you only call me Mrs. Bridgerton when you are opining in a grand fashion?” “Sounds better that way,” Lady D said, punctuating her remark with a loud thump of her cane.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
There was no part of him that was not broken, that had not healed wrong, and there was not part of him that was not stronger for having been broken. The cane became a part of the myth he built. No one knew who he was. No one knew where he came from. He'd become Kaz Brekker, cripple and confidence man, bastard of the Barrel.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I believe in the Supreme Being, in a Creator, whatever he may be. I care little who has placed us here below to fulfil our duties as citizens and fathers of families; but I don't need to go to church to kiss silver plates, and fatten, out of my pocket, a lot of good-for-nothings who live better than we do. For one can know him as well in a wood, in a field, or even contemplating the eternal vault like the ancients. My God! mine is the God of Socrates, of Franklin, of Voltaire, and of Beranger! I am for the profession of faith of the 'Savoyard Vicar,' and the immortal principles of '89! And I can't admit of an old boy of a God who takes walks in his garden with a cane in his hand, who lodges his friends in the belly of whales, dies uttering a cry, and rises again at the end of three days; things absurd in themselves, and completely opposed, moreover, to all physical laws, which proves to us, by the way, that priests have always wallowed in turpid ignorance, in which they would fain engulf the people with them.
Gustave Flaubert (Madame Bovary)
Mrs. Zuppa was coming in from bingo just as I was leaving the building. "Looks like you're going to work," she said, leaning heavily on her cane. "What are you packin'?" "A thirty-eight." "I like a nine-millimeter myself." "A nine's good." "Easier to use a semiautomatic after you've had hip replacement and you walk with a cane," she said. One of those useful pieces of information to file away and resurrect when I turn eighty-three.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
It is because we understand you, Toblakai, that we do not set the Hounds upon you. You bear your destiny like a standard, a grisly one, true, but then, its only distinction is in being obvious. Did you know that we too left civilization behind? The scribblers were closing in on all sides, you see. The clerks with their purple tongues and darting eyes, their shuffling feet and sloped shoulders, their bloodless lists. Oh, measure it all out! Acceptable levels of misery and suffering!’ The cane swung down, thumped hard on the ground. ‘Acceptable? Who the fuck says any level is acceptable? What sort of mind thinks that?’ Karsa grinned. ‘Why, a civilized one.’ ‘Indeed!’ Shadowthrone turned to Cotillion. ‘And you doubted this one!
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
At this point, none of us are sure why we fight. We’re sisters. We need no good reason to fight, even though we have plenty of them.
Ken Wheaton (Sweet as Cane, Salty as Tears)
Call them from their houses, and teach them to dream.
Jean Toomer (Cane)
But carbon 13 [the carbon from corn] doesn't lie, and researchers who have compared the isotopes in the flesh or hair of Americans to those in the same tissues of Mexicans report that it is now we in the North who are the true people of corn.... Compared to us, Mexicans today consume a far more varied carbon diet: the animals they eat still eat grass (until recently, Mexicans regarded feeding corn to livestock as a sacrilege); much of their protein comes from legumes; and they still sweeten their beverages with cane sugar. So that's us: processed corn, walking.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Jesper sniffed. “I thought it had a certain rustic elegance.” “No,” said Wylan. “He hasn’t been trained. He’s stubborn that way.” “Independent,” corrected Jesper. “Pigheaded.” “But stylish.” Kaz rapped his cane on the floor. “And now you know why I don’t visit more often.” Jesper folded his arms. “No one asked you to visit more often. And I don’t remember issuing an invitation for lunch.” “I have a job that requires both of your skill sets.” “Kaz,” Wylan said, carefully collecting some of the half-full glasses around the room. “We’d prefer not to do anything illegal.” “That’s not strictly true,” said Jesper. “Wylan would prefer it, and I want to keep Wylan happy.” He paused, unable to hide his interest. “Is it illegal?” “Highly,” said Kaz. “But the pay is excellent,” offered Nikolai. “We don’t need money,” said Wylan. “Isn’t it glorious?” Jesper sighed happily. Kaz smoothed a gloved hand over his lapel, looking at no one. “It’s for Inej.” Wylan set down the dirty glasses. “Why didn’t you say so? What do you need?
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You're one of those who has to tune the world out and focus on one thing at a time. We have a word for that down here, women like you. Insiwa. Inside one. It means you live inside your head and to step out of it hurts like a caning.
Rivers Solomon (An Unkindness of Ghosts)
Let no one reduce to tears or reproach This statement of the mastery of God, Who, with magnificent irony, gave Me at once both books and night Of this city of books He pronounced rulers These lightless eyes, who can only Peruse in libraries of dreams The insensible paragraphs that yield With every new dawn. Vainly does the day Lavish on them its infinite books, Arduous as the arduous manuscripts Which at Alexandria did perish. Of hunger and thirst (a Greek story tells us) Dies a king amidst fountains and gardens; I aimlessly weary at the confines Of this tall and deep blind library. Encyclopedias, atlases, the East And the West, centuries, dynasties Symbols, cosmos and cosmogonies Do walls proffer, but pointlessly. Slow in my shadow, I the hollow shade Explore with my indecisive cane; To think I had imagined Paradise In the form of such a library. Something, certainly not termed Fate, rules on such things; Another had received in blurry Afternoons both books and shadow. Wandering through these slow corridors I often feel with a vague and sacred dread That I am another, the dead one, who must Have trodden the same steps at the same time. Which of the two is now writing this poem Of a plural I and of a single shadow? How important is the word that names me If the anathema is one and indivisible? Groussac or Borges, I see this darling World deform and extinguish To a pale, uncertain ash Resembling sleep and oblivion
Jorge Luis Borges
Oh, and put in an order for a new hat.” “Please.” Kaz heaved a sigh as he braced himself for three painful flights of stairs. He looked over his shoulder and said, “Please, my darling Inej, treasure of my heart, won’t you do me the honor of acquiring me a new hat?” Inej cast a meaningful glance at his cane. “Have a long trip down,” she said, then leapt onto the banister, sliding from one flight to the next, slick as butter in a pan.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Instead of a thigh-high miniskirt or a leather bustier, I wore my usual ensemble—dark jeans, heavy boots, a long-sleeved T-shirt, and a black fleece jacket. Since it was almost Christmas, I’d donned one of my more festive T-shirts to celebrate—thick crimson cotton with a giant candy cane in the middle of my chest. The fabric was dark enough that Vinnie Volga’s blood wouldn’t stand out on it—much. Happy holidays.
Jennifer Estep (Tangled Threads (Elemental Assassin, #4))
He turned to her. “Didn’t you see the lightning strike the steeple?” She recovered with a sip of tea, then smiled sweetly. “I was listening too devotedly to the sermon.” “Claptrap last week,” Lady D announced. “I think the priest is getting old.” Gareth opened his mouth, but before he could say a word, his grandmother’s cane swung around in a remarkably steady horizontal arc. “Don’t,” she warned, “make a comment beginning with the words, ‘Coming from you…’” “I wouldn’t dream of it,” he demurred. “Of course you would,” she stated. “You wouldn’t be my grandson if you wouldn’t.” She turned to Hyacinth. “Don’t you agree?” To her credit, Hyacinth folded her hands in her lap and said, “Surely there is no right answer to that question.” “Smart girl,” Lady D said approvingly. “I learn from the master.” Lady Danbury beamed.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Religious people tend to encounter, among those who are not, a cemented certainty that belief in God is a crutch for the weak and the fearful...Now the belief in God may turn out at the last trump to be a mistake. Meantime, let us be quite clear, it is not merely the comfort of the simple--though it is that too, much to its glory--it is a formidable intellectual position with which most of the first-class minds of the human race, century in and century out, have concurred, each in his own way....speaking of crutches--Freud can be a crutch, Marx can be a crutch, rationalism can be a crutch, and atheism can be two canes and a pair of iron braces. We none of us have all the answers, nor are we likely to have. But in the country of the halt, the man who is surest he has no limp may be the worst-crippled.
Herman Wouk (This Is My God: The Jewish Way of Life)
Well, look at the other characters in Winnie the Pooh. They all actually demonstrate that Pooh is the most mentally balanced. There’s Tigger, I mean, that tiger just can’t stay in the moment and enjoy it. He’s too much of a hedonist; he always wants the next adventure. That’s not healthy, he’ll burn out.” I started properly laughing. “And what about Eeyore?” “Well he’s a depressive, isn’t he? If Eeyore walked into my doctor’s office he’d be prescribed with a lifetime supply of antidepressants. And not just because US doctors dole them out like candy canes at Christmas.” The music stopped and I found myself clapping without even looking. “But Pooh?” “Pooh lives in the moment. He doesn’t fret about the past, or freak about the future. He’s an expert at mindfulness.” Kyle
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
Happy, Muriel? No, not happy. Your aim is wrong. There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death.
Jean Toomer (Cane)
Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin. He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.
Amy Plum (If I Should Die (Revenants, #3))
. . . every society that grows extensive lawns could produce all its food on the same area, using the same resources, and . . . world famine could be totally relieved if we devoted the same resources of lawn culture to food culture in poor areas. These facts are before us. Thus, we can look at lawns, like double garages and large guard dogs, [and Humvees and SUVs] as a badge of willful waste, conspicuous consumption, and lack of care for the earth or its people. Most lawns are purely cosmetic in function. Thus, affluent societies have, all unnoticed, developed an agriculture which produces a polluted waste product, in the presence of famine and erosion elsewhere, and the threat of water shortages at home. The lawn has become the curse of modern town landscapes as sugar cane is the curse of the lowland coastal tropics, and cattle the curse of the semi-arid and arid rangelands. It is past time to tax lawns (or any wasteful consumption), and to devote that tax to third world relief. I would suggest a tax of $5 per square metre for both public and private lawns, updated annually, until all but useful lawns are eliminated.
Bill Mollison
Kaz rapped his cane on the stone floor. He was standing in the doorway to the tomb. “If everyone is done cuddling, we have a job to do.” “Hold up,” said Jesper, arm still slung around Inej. “We’re not talking about the job until we figure out what those things were on the Stave.” “What things?” asked Inej. “Did you miss half the Stave blowing up?” “We saw the bomb at the White Rose go off,” said Inej, “and then we heard another explosion.” “At the Anvil,” said Nina. “After that,” Inej said, “we ran.” Jesper nodded sagely. “That was your big mistake. If you’d stuck around, you could have nearly been killed by a Shu guy with wings.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Her Lips Are Copper Wire” whisper of yellow globes gleaming on lamp posts that sway like bootleg licker drinkers in the fog and let your breath be moist against me like bright beads on yellow globes telephone the power-house that the main wires are insulate (her words play up and down dewy corridors of billboards) then with your tongue remove the tape and press your lips to mine till they are incandescent
Jean Toomer (Cane)
And a variety of more colorful names. Hypothetically.” The privateer cast him an assessing glance. “Just how did you know I wasn’t who I claimed to be, Mister Brekker?” Kaz shrugged. “You speak Kerch like a native—a rich native. You don’t talk like someone who came up with sailors and street thugs.” The privateer turned slightly, giving Kaz his full attention. His ease was gone, and now he looked like a man who might command armies. “Mister Brekker,” he said. “Kaz, if I may? I am in a vulnerable position. I am a king ruling a country with an empty treasury, facing enemies on all sides. There are also forces within my country that might seize any absence as an opportunity to make their own bid for power.” “So you’re saying you’d make an excellent hostage.” “I suspect that the ransom for me would be considerably less than the price Kuwei has on his head. Really, it’s a bit of a blow to my self-esteem.” “You don’t seem to be suffering,” said Kaz. “Sturmhond was a creation of my youth, and his reputation still serves me well. I cannot bid on Kuwei Yul-Bo as the king of Ravka. I hope your plan will play out the way you think it will. But if it doesn’t, the loss of such a prize would be seen as a humiliating blunder diplomatically and strategically. I enter that auction as Sturmhond or as no one at all. If that is a problem—” Kaz settled his hands on his cane. “As long as you don’t try to con me, you can enter as the Fairy Queen of Istamere.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
A friend, Scott Egleston, who is a professional in the mental health field, told me a therapy fable. He heard it from someone, who heard it from someone else. It goes: Once upon a time, a woman moved to a cave in the mountains to study with a guru. She wanted, she said, to learn everything there was to know. The guru supplied her with stacks of books and left her alone so she could study. Every morning, the guru returned to the cave to monitor the woman's progress. In his hand, he carried a heavy wooden cane. Each morning, he asked her the same question: " Have you learned everything there is to know yet?" Each morning, her answer was the same. "No." she said, " I haven't." The guru would then strike her over the head with its cane. This scenario repeated itself for months. One day the guru entered the cave, asked the same question, heard the same answer, and raised his cane to hit her in the same way, but the woman grabbed the cane from the guru, stopping his assault in midair. Relieved to end the daily batterings but fearing reprisal, the woman looked up at the guru. To her surprise, the guru smiled. " Congragulations." he said, " you have graduated ". You know now everything you need to know." " How's that"? the woman asked. " You have learned that you will never learn everything there is to know," he replied. " And you have learned how to stop the pain".
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
They walked him into the cane and then turned him around. He tried to stand bravely... They looked at Oscar and he looked at them and then he started to speak. The words coming out like they belonged to someone else, his Spanish good for once. He told them that what they were doing was wrong, that they were going to take a great love out of the world. Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him. He told them about Ybón and the way he loved her and how much they had risked and that they'd started to dream the same dreams and say the same words. He told them that it was only because of her love that he'd been able to do the thing that he had done, the thing they could no longer stop, told them if they killed him they would probably feel nothing and their children would probably feel nothing either, not until they were old and weak or about to be struck by a car and then they would sense him waiting for them on the other side and over there he wouldn't b no fatboy or dork or kid no girl had ever loved; over there he'd be a hero, an avenger. Because anything you can dream (he put his hand up) you can be. They waited respectfully for him to finish and then they said, their faces slowly disappearing in the gloom, Listen, we'll let you go if you tell us what "fuego" means in English. Fire, he blurted out, unable to help himself. Oscar—
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
What are you doing?” Ya!” said Jane, whirling around, her hands held up menacingly. It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin’s window. Um, did I just say, ‘Ya’?” You just said ‘Ya,”’ he confirmed. “If I am not mistaken, it was a battle cry, warning that you were about to attack me.” I, uh. . .“ She stopped to laugh. “I wasn’t aware until this precise and awkward moment that when startled in a strange place, my instincts would have me pretend to be a ninja.” *** Surely a young beauty like yourself is lonely, too. It can be part of the game, if you like.” Get off,” she said, thoroughly done with this. His answer was to lean in closer. So she kneed him in groin. As hard as she could. Aw, ow, dammit!” He doubled over and thudded onto knees. Jane brushed off her knee, feeling like it had touched son thing dirty. “Aw, ow, dammit indeed! What’re you thinking?” Jane heard hurried footsteps coming down the stairs. It Mr. Nobley. Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!” Ow, she kicked me,” said Sir Templeton. Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when 1m a ninja.” Mr. Nobley stood a moment in silence, looking over the scene. “I hope you remembered to shout ‘Ya’ when taking him down. I hear that is very effective.” I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.
Shannon Hale
Nunca la conoceré del todo”, pensó, como en una repentina y dolorosa revelación.
Estaba ahí, al alcance de su mano y de su boca. En cierto modo estaba sin defensa ¡pero qué lejana, qué inaccesible que estaba! Intuía que grandes abismos la separaban (no solamente el abismo del sueño sino otros) y que para llegar hasta el centro de ella habría que marchar durante jornadas temibles, al borde de vol canes en erupción, entre llamaradas y tinieblas. “Nunca”, pensó, “nunca”.
”Pero me necesita, me ha elegido”, pensó también. De alguna manera lo había buscado y elegido a él, para algo que no alcanzaba comprender. Y le había contado cosas que estaba seguro jamás había contado a nadie, y presentía que le contaría muchas otras, todavía más terribles y hermosas que las que ya le había confesado. Pero también intuía que había otras que nunca, pero nunca le sería dado conocer. Y esas sombras misteriosas e inquietantes ¿no serían las más verdaderas de su alma, las únicas de verdadera importancia?
Ernesto Sabato (Sobre héroes y tumbas)
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Ray Bradbury (Dandelion Wine)
Practical advice.—People who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. L’uccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely not—for ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non è un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.
Lev Shestov (All Things Are Possible and Penultimates Words and Other Essays (English and Greek Edition))
The history of Immanuel Kant's life is difficult to portray, for he had neither life nor history. He led a mechanical, regular, almost abstract bachelor existence in a little retired street of Königsberg, an old town on the north-eastern frontier of Germany. I do not believe that the great clock of the cathedral performed in a more passionless and methodical manner its daily routine than did its townsman, Immanuel Kant. Rising in the morning, coffee-drinking, writing, reading lectures, dining, walking, everything had its appointed time, and the neighbors knew that it was exactly half-past three o'clock when Kant stepped forth from his house in his grey, tight-fitting coat, with his Spanish cane in his hand, and betook himself to the little linden avenue called after him to this day the "Philosopher's Walk." Summer and winter he walked up and down it eight times, and when the weather was dull or heavy clouds prognosticated rain, the townspeople beheld his servant, the old Lampe, trudging anxiously behind Kant with a big umbrella under his arm, like an image of Providence. What a strange contrast did this man's outward life present to his destructive, world-annihilating thoughts! In sooth, had the citizens of Königsberg had the least presentiment of the full significance of his ideas, they would have felt far more awful dread at the presence of this man than at the sight of an executioner, who can but kill the body. But the worthy folk saw in him nothing more than a Professor of Philosophy, and as he passed at his customary hour, they greeted him in a friendly manner and set their watches by him.
Heinrich Heine
Lottie, I love you. You’re beautifully frustrating, annoyingly right most of the time, and you bring me more joy than I ever thought I’d be lucky enough to have. You complement my surly attitude. You put me in my place when I need it, and you listen to me when I need a listening ear. Plain and simple, you complete me, and I know for certain, I can’t live this life without you in it.” He pops open the ring box, revealing a beautiful, cushion-shaped diamond ring with diamond accents on the band. It’s different than the current ring on my finger, edgier, just like me. “I love you so goddamn much. Please, would you accept the contract, and will you also do me the honor of being my wife?
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
[...]finché non siamo arrivati al cancello, al, al cancello, ho visto un treno e binari. Ma non un treno come ho visto quando arrivavo qui a Dachau, ma un treno con...per passeggeri, per gente [cane guaisce in sottofondo]. Non per, ehm, per cani o per ehm, cavalli. Ma questo, questo non può essere per noi, forse Gestapo arriva anche. No...il treno era per noi! E lì, prima di entrare su treno, tutti ricevevano una scatola. Una scatola da Croce rossa svizzera, e io l'ho acchiappata, e sono entrato su treno. Ho aperto la scatola; c'era molte cose, qualche sigaretta, un pezzo di pane, un pezzo di cioccolata. Marmellata. Oh, era un grande, grande tesoro per me. E questo, e il treno ha cominciato a muoversi. Un treno...la prima volta che entravo in un treno dove sta la gente. Persone viventi. E il treno ci ha preso; siamo andati per qualche giorno, non ricordo quanto, mi sentivo molto male, qualche volta un poco meglio, ma questo mi aiutava, quello che avevo. Ma io...dovevamo stare molto attenti; di notte potevo dormire, ma non dormivo per causa del mio tesoro quale avevo. Perché rubavano. Altra gente finiva tutto in una notte, o in un giorno, così non avevano; hanno rubato ad altri. Io stavo sdraiato sopra e tenevo. E qualche volta di notte acchiappavo qualcuno che voleva rubare il mio, il mio tesoro. Certo, se avevo molto più da dormir, mi sentirei molto meglio. Ma non potevo dormire, perché questo era più per me che dormire. Sapevo che con questo posso sopravvivere. Metamaus, Art Spiegelman
Art Spiegelman (MetaMaus: A Look Inside a Modern Classic, Maus)
Marcus’s appearance the day before had been discussed, dissected, analyzed, and—by Lady Sarah Pleinsworth, Honoria’s cousin and one of her closest friends —rendered into poetry. “He came in the rain,” Sarah intoned. “The day had been plain.” Honoria nearly spit out her tea. “It was muddy, this lane—” Cecily Royle smiled slyly over her teacup. “Have you considered free verse?” “—our heroine, in pain—” “I was cold,” Honoria put in. Iris Smythe-Smith, another of Honoria’s cousins, looked up with her signature dry expression. “I am in pain,” she stated. “Specifically, my ears.” Honoria shot Iris a look that said clearly, Be polite. Iris just shrugged. “—her distress, she did feign—” “Not true!” Honoria protested. “You can’t interfere with genius,” Iris said sweetly. “—her schemes, not in vain—” “This poem is devolving rapidly,” Honoria stated. “I am beginning to enjoy it,” said Cecily. “—her existence, a bane . . .” Honoria let out a snort. “Oh, come now!” “I think she’s doing an admirable job,” Iris said, “given the limitations of the rhyming structure.” She looked over at Sarah, who had gone quite suddenly silent. Iris cocked her head to the side; so did Honoria and Sarah. Sarah’s lips were parted, and her left hand was still outstretched with great drama, but she appeared to have run out of words. “Cane?” Cecily suggested. “Main?” “Insane?” offered Iris. “Any moment now,” Honoria said tartly, “if I’m trapped here much longer with you lot.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck. ‘A whole way of life lies before me. I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth. I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything. I leave the tram exhausted, like a sleepwalker, having lived a whole life.
Fernando Pessoa (The Book of Disquiet)
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)