Chang E Quotes

We've searched our database for all the quotes and captions related to Chang E. Here they are! All 100 of them:

When we are no longer able to change a situation, we are challenged to change ourselves.
Viktor E. Frankl (Man’s Search for Meaning)
Do not accept an evil you can change.
E. Lockhart (We Were Liars)
All that you touch You Change. All that you Change Changes you. The only lasting truth is Change. God is Change.
Octavia E. Butler
It's not the changes that will break your heart; it's that tug of familiarity.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Who would have guessed that four minutes could change everything?
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Love, like everything else in life, should be a discovery, an adventure, and like most adventures, you don’t know you’re having one until you’re right in the middle of it.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
I get up every morning determined to both change the world and have one hell of a good time. Sometimes this makes planning my day difficult.
E.B. White
All that you touch You Change. All that you Change Changes you. The only lasting truth Is Change.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
And then there was you. You changed everything I believed in. You know that line from Dante that I quoted to you in the park? 'L'amor che move il sole e l'altre stelle'?" Her lips curled a little at the sides as she looked up at him. "I still don't speak Italian." "It's a bit of the very last verse from Paradiso - Dante's Paradise. 'My will and my desire were turned by love, the love that moves the sun and the other stars.' Dante was trying to explain faith, I think, as an overpowering love, and maybe it's blasphemous, but that's how I think of the way I love you. You came into my life and suddenly I had one truth to hold on to - that I loved you, and you loved me.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
You are enough to drive a saint to madness or a king to his knees.
Grace Willows (To Kiss a King)
Be a little kinder than you have to. Never eat anything bigger than your ass Do not accept an evil you can change Always do what your afraid to do
E. Lockhart (We Were Liars)
All I ever wanted from you was to know that I was wanted by you.  That would have changed everything.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Kindness eases change. Love quiets fear. And a sweet and powerful Positive obsession Blunts pain, Diverts rage, And engages each of us In the greatest, The most intense Of our chosen struggles.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
The crickets felt it was their duty to warn everybody that summertime cannot last for ever. Even on the most beautiful days in the whole year - the days when summer is changing into autumn - the crickets spread the rumour of sadness and change.
E.B. White (Charlotte’s Web)
In myths, the hero survives. The evil is vanquished. The world is set right. Sometimes there are celebrations, and sometimes there are funerals. The dead are buried. The living move on. Nothing changes. Everything changes. This is a myth. This is not a myth.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Kindness eases change Love quiets fear
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
Gratitude doesn't change the scenery.  It merely washes clean the glass you look through so you can clearly see the colors.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
To love is to accept a soul entirely, not wishing that the person was otherwise, nor hoping for change, nor clinging to some ideal past. To love is to cherish the individual standing before you presently―charms, quirks, and all. To love is to give someone a piece of your heart that you will never, ever reclaim.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Rules for Living by Olivia Joules 1. Never panic. Stop, breathe, think. 2. No one is thinking about you. They're thinking about themselves, just like you. 3. Never change haircut or color before an important event. 4. Nothing is either as bad or good as it seems. 5. Do as you would be done by, e.g. thou shalt not kill. 6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like. 7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?" 8. The key to success lies in how you pick yourself up from failure. 9. Be honest and kind. 10. Only buy clothes that make you feel like doing a small dance. 11. Trust your instincts, not your overactive imagination. 12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4. 13. Don't expect the world to be safe or life to be fair.
Helen Fielding (Olivia Joules and the Overactive Imagination)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
...though nothing is damaged, everything is changed.
E.M. Forster (A Room with a View)
We should not accept an evil we can change.
E. Lockhart (We Were Liars)
The child in each of us Knows paradise. Paradise is home. Home as it was Or home as it should have been. Paradise is one's own place, One's own people, One's own world, Knowing and known, Perhaps even Loving and loved. Yet every child Is cast from paradise- Into growth and new community, Into vast, ongoing Change.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
the greatest danger in change is letting the new replace the old.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Create no images of God. Accept the images that God has provided. They are everywhere, in everything. God is Change— Seed to tree, tree to forest; Rain to river, river to sea; Grubs to bees, bees to swarm. From one, many; from many, one; Forever uniting, growing, dissolving— forever Changing. The universe is God’s self-portrait.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Magic made everything feel so impermanent, it was easy to forget that some things, once changed, could never be undone. That not everything was either changeable or infinite. Some roads kept going, and others had an end.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
I think that maybe forgiveness is like change - it comes in small steps. (256)
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
The most beautiful moments always seemed to accelerate and slip beyond one’s grasp just when you want to hold onto them for as long as possible.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
INTO MY OWN One of my wishes is that those dark trees, So old and firm they scarcely show the breeze, Were not, as ’twere, the merest mask of gloom, But stretched away unto the edge of doom. I should not be withheld but that some day Into their vastness I should steal away, Fearless of ever finding open land, Or highway where the slow wheel pours the sand. I do not see why I should e’er turn back, Or those should not set forth upon my track To overtake me, who should miss me here And long to know if still I held them dear. They would not find me changed from him they knew— Only more sure of all I thought was true.
Robert Frost (A Boy's Will)
Katy I always had this plan for the off chance I was around for the end of the world. I’d climb up on my roof top, turn up the radio, blast R.E.M.’s It’s The End of The World, and watch it all go down from my lofty perch. Except real life rarely turned out that cool. And it was really happening—it was the end of the world as we knew it, and I sure as hell didn’t feel fine. Everything had changed and we had been the catalyst for it all.
Jennifer L. Armentrout (Opposition (Lux, #5))
I want you, Anastasia,” he murmurs. “I love and I hate, and I love arguing with you. It’s very new. I need to know that we’re okay. It’s the only way I know how.” “My feelings for you haven’t changed,” I whisper. His proximity is overwhelming, exhilarating. The familiar pull is there, all my synapses goading me toward him, my inner goddess at her most libidinous. Staring at the patch of hair in the V of his shirt, I bite my lip, helpless, driven by desire—I want to taste him there. He’s so close, but he doesn’t touch me. His heat is warming my skin. “I’m not going to touch you until you say yes,” he says softly. “But right now, after a really shitty morning, I want to bury myself in you and just forget everything but us.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Sailors have an expression about the weather: they say the weather is a great bluffer. I guess the same is true of our human society — things can look dark, then a break shows in the clouds, and all is changed.
E.B. White
Goodbye, Christian," I murmur. "Ana, goodbye," he says softly, and he looks utterly, utterly broken,a man in agonizing pain, reflecting how I feel inside. I tear my gaze away from him before I can change my mind and try to comfort him. The elevator doors close close and it whisks me down to the bowels of the basement and to my own personal hell.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
To survive, Let the past Teach you-- Past customs, Struggles, Leaders and thinkers. Let These Help you. Let them inspire you, Warn you, Give you strength. But beware: God is Change. Past is past. What was Cannot Come again. To survive, know the past. Let it touch you. Then let The past Go.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
What's the point of changing who you are in order to impress a woman, when your intention is to return to who you were, a person she was never attracted to in the first place?
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda. You compose a mass e-mail disowning all your sucias. You block their e-mails. You change your phone number. You stop drinking. You stop smoking. You claim you’re a sex addict and start attending meetings. You blame your father. You blame your mother. You blame the patriarchy. You blame Santo Domingo. You find a therapist. You cancel your Facebook. You give her the passwords to all your e-mail accounts. You start taking salsa classes like you always swore you would so that the two of you could dance together. You claim that you were sick, you claim that you were weak—It was the book! It was the pressure!—and every hour like clockwork you say that you’re so so sorry. You try it all, but one day she will simply sit up in bed and say, No more, and, Ya, and you will have to move from the Harlem apartment that you two have shared. You consider not going. You consider a squat protest. In fact, you say won’t go. But in the end you do.
Junot Díaz (This Is How You Lose Her)
Hadley realises that even though everything else is different, even though there's still an ocean between them, nothing really important has changed at all. He's still her dad. The rest is just geography.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
One smile has the power to... Calm fears. Soften stone walls. Warm a cold heart. Invite a new friend. Mimic a loving hug. Beautify the bearer. Lighten heavy loads. Promote good deeds. Brighten a gloomy day. Comfort a grieving spirit. Offer hope to the forlorn. Send a message of caring. Lift the downtrodden soul. Patch up invisible wounds. Weaken the hold of misery. Act as medicine for suffering. Attract the companionship of angels. Fulfill the human need for recognition. Who knew changing the world would prove so simple?
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Have you realized that today is the tomorrow you talked about yesterday? It is your responsibility to change your life for the better.
Jaachynma N.E. Agu (The Prince and the Pauper)
Sentences may alter the weather, and poems might tear down walls. Stories may change the world.
Alix E. Harrow (The Ten Thousand Doors of January)
Pessimistic labels lead to passivity, whereas optimistic ones lead to attempts to change.
Martin E.P. Seligman (What You Can Change . . . and What You Can't*: The Complete Guide to Successful Self-Improvement)
While you can't control your experiences, you can control your explanations.
Martin E.P. Seligman (Learned Optimism: How to Change Your Mind and Your Life)
Magic ran between them like a current, a cord, and he wondered who she would have been if she’d stayed in Grey London. If she’d never picked his pocket, never held the contents ransom for adventure. Maybe she would never have discovered magic. Or maybe she would have simply changed her world instead of his.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
If you often feel alone, ignored, or forgotten, think about this: closing the door and locking yourself in won't change anything—literally and figuratively.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Night vision. Unclip your bows. Ready. Fly.” 
Andri E. Elia (Yildun: Worldmaker of Yand)
How fragile our lives are anyway. How quickly things can change forever.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories (Sarah Agnes Prine, #1))
The key to a better life isn't always a change of scenery. Sometimes it simply requires opening your eyes.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Doors, he told her, are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned.
Alix E. Harrow (The Ten Thousand Doors of January)
It is what it is..." he murmured, letting the words trail off at the end. "I hate that expression," Lucy said, a bit more forcefully than intended. "Nothing is what it is. Things are always changing. They can always get better.
Jennifer E. Smith (The Geography of You and Me)
...I didn't run away to come home the same. -Claudia
E.L. Konigsburg (天使雕像)
There are things that make no sense, that seem unreal, that can’t be grasped or understood or explained, that maybe don’t even exist… And still, somehow, those wonderful things touch and change our lives. Isn’t it strange?
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
It wasn't a kiss that changed the frog, but the fact that a young girl looked beneath warts and slime and believed she saw a prince. So he became one.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Seconds could change everything. Seconds could erase one path and send you reeling down another.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
I do not see why I should e’er turn back, Or those should not set forth upon my track To overtake me, who should miss me here And long to know if still I held them dear. They would not find me changed from him they knew — Only more sure of all I thought was true.
Robert Frost
I know they're not getting divorced or anything, but when your parents argue it makes the whole universe seem like it's tipping, like everything could change if they got mad enough at each other, like the world isn't a safe place. And of course, that's true, isn't it? The world is not a safe place.
E. Lockhart (The Treasure Map of Boys: Noel, Jackson, Finn, Hutch, Gideon—and me, Ruby Oliver (Ruby Oliver, #3))
Curing the negatives does not produce the positives.
Martin E.P. Seligman (Learned Optimism: How to Change Your Mind and Your Life)
Mom, I think I know how to stabilize wormholes.
Andri E. Elia (Yildun: Worldmaker of Yand)
God is Change. Earthseed: The Books of the Living Lauren Oya Olamina
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
[H]e began to understand what a wild game we play in life; he began to understand that a thing once done cannot be undone nor changed by saying "I am sorry!
Robert Louis Stevenson (The Black Arrow)
Time moves so fucking fast. Blink, and you’re halfway through school, paralyzed by the idea that whatever you choose to do, it means choosing not to do a hundred other things, so you change your major half a dozen times before finally ending up in theology, and for a while it seems like the right path, but that’s really just a reflex to the pride on your parents’ faces, because they assume they’ve got a budding rabbi, but the truth is, you have no desire to practice, you see the holy texts as stories, sweeping epics, and the more you study, the less you believe in any of it. Blink, and you’re twenty-four, and you travel through Europe, thinking—hoping—that the change will spark something in you, that a glimpse of the greater, grander world will bring your own into focus. And for a little while, it does. But there’s no job, no future, only an interlude, and when it’s over, your bank account is dry, and you’re not any closer to anything. Blink, and you’re twenty-six, and you’re called into the dean’s office because he can tell that your heart’s not in it anymore, and he advises you to find another path, and he assures you that you’ll find your calling, but that’s the whole problem, you’ve never felt called to any one thing. There is no violent push in one direction, but a softer nudge a hundred different ways, and now all of them feel out of reach. Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
I knew if I stayed where I was, nothing would get better; nothing would change. If I wanted to ease the pain, I had to try something different.
Sharon E. Rainey (Making a Pearl from the Grit of Life)
The dawn was coming then. All the lower valley was covered with mist, and sometimes little pieces of it broke off and floated away in small clouds. The sky was lighter in the east, and the horizon was a thin golden line. The clouds changed from gray to pink, and the mist was touched with gold. There was a silent moment when everything held its breath, and then the sun rose. It was beautiful.
S.E. Hinton (The Outsiders)
If one of the things you believe in, Is that this world's an ugly place, You must have never gone outside at, And stared up into space, You haven't felt the way the air changes, In the minutes before it rains, Or watched the world pass by below, Out the window of a plane, You've never been awake so early, That you see the moment the sun starts to rise, And you've never lain with your back on the grass, And made shapes with the clouds in the sky, But maybe if you've done all this, But still don't believe it's not true, It's because you can't see all the beauty, That I see when I look at you" ~e.h.
Erin Hanson (Reverie (The Poetic Underground #1))
I sit with Shakespeare, and he winces not. Across the color line I move arm and arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out of the caves of evening that swing between the strong-limbed Earth and the tracery of stars, I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the veil. Is this the life you grudge us, O knightly America? Is this the life you long to change into the dull red hideousness of Georgia? Are you so afraid lest peering from this high Pisgah, between Philistine and Amalekite, we sight the Promised Land?
W.E.B. Du Bois (The Souls of Black Folk)
One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, "How beautiful the world could be...
Viktor E. Frankl (Man’s Search for Meaning)
The first day of spring was once the time for taking the young virgins into the fields, there in dalliance to set an example in fertility for nature to follow. Now we just set the clocks an hour ahead and change the oil in the crankcase.
E.B. White (One Man's Meat)
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride
Grace Willows
Your teachers Are all around you. All that you perceive, All that you experience, All that is given to you or taken from you, All that you love or hate, need or fear Will teach you-- If you will learn. God is your first and your last teacher. God is your harshest teacher: subtle, demanding. Learn or die.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Gundar, seeing Halt upright for the first time in two days, stumped up the deck to join them. 'Back on your feet then?' he boomed cheerfully, with typical Skandian tact. 'By Gorlag's toenails, with all the heaving abd puking you've been doing, I thought you'd turn yourself inside out and puke yourself over the rail!'... 'You do paint a pretty picture, Gundar,' Will said... 'Thank you for your concern,' Halt said icily... 'So, did you find Albert?' Gundar went on, unabashed. Even Halt was puzzled by this sudden apparent change of subject. 'Albert?' he asked. Too late, he saw Gundar's grin widening and knew he'd stepped into a trap. 'You seemed to be looking for him. You'd lean over the rail and call, 'Al-b-e-e-e-e-e-r-t!' I thought he might be some Araluen sea god.' 'No, I didn't find him. Maybe I could look for him in your helmet.' He reached out a hand. But Gundar had heard what happened when Skandians lent their helmets to the grim-faced Ranger while onboard ship... 'No, I'm pretty sure he's not there,' he said hurriedly.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
He'd thought this was the start of something. But clearly she'd changed her mind, and he felt stunned by how quickly the whole thing had unraveled, the end coming before the beginning really even had a chance to begin. His poor telescope heart - that fragile, precious thing - would have probably been better left in the box.
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
the meaning of life always changes, but that it never ceases to be. According to logotherapy, we can discover this meaning in life in three different ways: (1) by creating a work or doing a deed; (2) by experiencing something or encountering someone; and (3) by the attitude we take toward unavoidable suffering.
Viktor E. Frankl (Man's Search for Meaning)
The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition. (Written in 1949, 22 years before the World Trade Center was completed.)
E.B. White (Essays of E.B. White)
May I?” Jayden sat on the edge of the couch and poured me a fresh cup of tea. He placed his hand over the brew. As his eyes swirled a whirlpool of shimmering blues and greens, the liquid iced into a frozen block. He fanned his fingers and spider lines cracked the ice. Seconds later the tea boiled. “You control tea?” Jayden’s satisfied smile faltered. “No. I…I control water. The tea, the actual plant doesn’t change, however—” He caught my look and nodded. “Ohhh. You were being facetious.” “If that means joking, yes I was.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
The genius of evolution lies in the dynamic tension between optimism and pessimism continually correcting each other.
Martin E.P. Seligman (Learned Optimism: How to Change Your Mind and Your Life)
It's impossible to be involved in all situations, but there's no excuse not to be involved in something, somewhere, somehow, with someone. Make an ounce of difference.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Your story has changed from disappointment to achievement. You’ve changed the script to love yourself, therefore, love, love, and love yourself more. Accumulate self-love; raise your expectations; value your characteristics, and most importantly, love yourself wholeheartedly Happiness is precious. Happiness is courage. Happiness is patience.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Pessimistic prophecies are self-fulfilling.
Martin E.P. Seligman (Learned Optimism: How to Change Your Mind and Your Life)
September days have the warmth of summer in their briefer hours, but in their lengthening evenings a prophetic breath of autumn.
Rowland Evans Robinson
We cannot let the haters of this world define us. Or frighten us into no longer being ourselves.
Mary E. DeMuth (Everything: What You Give and What You Gain to Become Like Jesus)
We must never forget that we may also find meaning in life even when confronted with a hopeless situation, when facing a fate that cannot be changed. For what then matters is to bear witness to the uniquely human potential at its best, which is to transform a personal tragedy into a triumph, to turn one’s predicament into a human achievement. When we are no longer able to change a situation—just think of an incurable disease such as inoperable cancer—we are challenged to change ourselves.
Viktor E. Frankl (Man's Search for Meaning)
Your life has nothing to do with you. It is about everyone whose life you touch and how you touch it.
Neale Donald Walsch (What God Said: The 25 Core Messages of Conversations with God That Will Change Your Life and th e World)
Instead of saying that everyone – i.e. every one – is responsible for climate change, we all have to do our bit, it would be better to say that no-one is, and that’s the very problem. The cause of eco-catastrophe is an impersonal structure which, even though it is capable of producing all manner of effects, is precisely not a subject capable of exercising responsibility. The required subject – a collective subject - does not exist, yet the crisis, like all the other global crises we’re now facing, demands that it be constructed.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
Sometimes we carry unhappy feelings about past hurts too long. We spend too much energy dwelling on things that have passed and cannot be changed. We struggle to close the door and let go of the hurt. If, after time, we can forgive whatever may have caused the hurt, we will tap 'into a life-giving source of comfort' through the Atonement, and the 'sweet peace' of forgiveness will be ours ("My Journey to Forgiving," Ensign, Feb. 1997. 43). Some injuries are so hurtful and deep that healing comes only with help from a higher power and hope for perfect justice and restitution in the next life. . . . You can tap into that higher power and receive precious comfort and sweet peace.
James E. Faust
I worry hope will crush me, the way love has so many times before. Are they so different, hope and love? O & E in the same place, half of the other in each word. Both swimming in unknowns. I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not. Sometimes I feel like a broken-wing butterfly, clinging to a window screen. Afraid to let go. Afraid to stay. Wondering how much wing is enough to fly.
Erin Morgenstern
Face it. There's not going to be a happy ending... at least not with this hero. So don't go mooning around thinking that your breakup is only the crisis before the big romantic scene, because I'm here to tell you that it's not. When you are dumped, you are dumped, and the guy isn't going to change his mind and realize that suddenly he loves you instead of that girl he's flirting with in lunchroom, now that he's free.
E. Lockhart (The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver (Ruby Oliver, #1))
Julie crossed her arms. “I’m serious. Flat Finn can’t possibly go to school with her, right?” “He already went to Brandeis so, no, he doesn’t need to repeat seventh grade. Although they did make him take a bunch of tests in order to qualify out. He barely passed the oral exams, though, because the instructors found him withholding and tight-lipped. It’s a terribly biased system, but at least he passed and won’t have to suffer through the school’s annual reenactment of the first Thanksgiving. He has a pilgrim phobia.” “Funny. Really, what’s the deal with Flat Finn?” “After an unfortunate incident involving Wile E. Coyote and an anvil, Three Dimensional Finn had to change his name.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Our past cannot be changed, and to be preoccupied with it is inefficient in time and effort. Likewise, by fretting over the future, we only exhaust ourselves, making us less able to effectively respond when the future is actually upon us. By worrying about a mishap that may or may not take place, we’re forced to undergo the event twice—once when imagining it and once again if and when we actually experience it.
H.E. Davey (Japanese Yoga: The Way of Dynamic Meditation)
According to Mr. E., all of this was my fault,” Ryan explained. With a little too much amusement if you ask me. “For making you fall in love with me and ruining everything.” “Why did that ruin everything?” Ryan was quiet for a moment, and I couldn’t believe it when his grin changed into that infamous cocky smirk. “You just said you love me!” he accused with excitement. Again, I gaped at him, temporarily speechless. Of course I denied it. I had to; it was my natural reaction to his ego. “I did not!” “Did too.” He grinned. “You said, ‘why did that ruin everything.’ Meaning you agree that it happened. You said it. Can’t take it back. You love me.” Learning to control my powers was child’s play compared to keeping a straight face right then, but I couldn’t give in to his smugness. He was just so sure of himself. “Do not.” “Do too.” “Do not.” “So do too.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.
Michael Eric Dyson (April 4, 1968: Martin Luther King, Jr.'s Death and How It Changed America)
The race is now on between the technoscientific and scientific forces that are destroying the living environment and those that can be harnessed to save it. . . . If the race is won, humanity can emerge in far better condition than when it entered, and with most of the diversity of life still intact.
Edward O. Wilson (The Future of Life)
[W]e conceive the Devil as a necessary part of a respectable view of cosmology. Ours is a divided empire in which certain ideas and emotions and actions are of God, and their opposites are of Lucifer. It is as impossible for most men to conceive of a morality without sin as of an earth without 'sky'. Since 1692 a great but superficial change has wiped out God's beard and the Devil's horns, but the world is still gripped between two diametrically opposed absolutes. The concept of unity, in which positive and negative are attributes of the same force, in which good and evil are relative, ever-changing, and always joined to the same phenomenon - such a concept is still reserved to the physical sciences and to the few who have grasped the history of ideas.
Arthur Miller (The Crucible)
Today's Republican Party...is an insurgent outlier. It has become ideologically extreme; contemptuous of the inherited social and economic policy regime; scornful of compromise; unpersuaded by conventional understanding of facts, evidence, and science; and dismissive of the legitimacy of its political opposition, all but declaring war on the government. The Democratic Party, while no paragon of civic virtue, is more ideologically centered and diverse, protective of the government's role as it developed over the course of the last century, open to incremental changes in policy fashioned through bargaining with the Republicans, and less disposed to or adept at take-no-prisoners conflict between the parties. This asymmetry between the parties, which journalists and scholars often brush aside or whitewash in a quest for "balance," constitutes a huge obstacle to effective governance.
Thomas E. Mann (It's Even Worse Than It Looks: How the American Constitutional System Collided with the Politics of Extremism)
Because Rhy didn’t need his protection, not anymore, and he’d only told a partial truth when he said they both needed this. The whole truth was, Rhy needed it more. Because Kell had given him a gift he did not want, could never repay. He’d always envied his brother ’s strength. And now, in a horrible way, it was his. He was immortal. And he hated it. And he hated that he hated it. Hated that he’d become the thing he never wanted to be, a burden to his brother, a source of pain and suffering, a prison. Hated that if he’d had a choice, he would have said no. Hated that he was grateful he hadn’t had a choice, because he wanted to live, even if he didn’t deserve to. But most of all, Rhy hated the way his living changed how Kell lived, the way his brother moved through life as if it were suddenly fragile. The black stone, and whatever lived inside it, and for a time in Kell, had changed his brother, woken something restless, something reckless. Rhy wanted to shout, to shake Kell and tell him not to shy away from danger on his account, but charge toward it, even if it meant getting hurt. Because Rhy deserved that pain. He could see his brother suffocating beneath the weight of it. Of him. And he hated it. And this gesture—this foolish, mad, dangerous gesture—was the best he could do. The most he could do.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Excerpt from Ursula K Le Guin's speech at National Book Awards Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality. Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship. Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write. Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.
Ursula K. Le Guin
Cold flu looks nothing in front of cancer...complications in our personal life is like a flu and killing people on name of God or borders or countries is cancer...you can help this planet...there are ways...willingness is an action We are one...the only difference is ...few are awake, few are ready to wake up and few are just ignorant and time is coming when there will be no choice for those who is ignorant because of suffering and pain .... Bigger EGO is always drawn to Bigger Ego so many times Bigger ego ignores the important message being delivered by not a famous person. Love heals...Love not from mind...deep from heart....Mind brings games and play around with relationships...Something sacred deep from heart....L ♥ V E...Unconditional...No business of give and take....unconditional giving.... Don't be afraid and run away from loneliness and start seeking securities....Try to enjoy every part of it and then you will see ...Loneliness turned into something which we never want to loose....investigate your feeling when you feel lonely We always want something in return...we have made LOVE a business...I did it too in the past that's why I know it...this is the reason that we should change...you change, I change....everyone should think again on the way of living life and thinking and specially who thinks they know what life is. 2 births in the same life....physical and spiritual....you break the bondage (psychologically) with physical attributes of life ( detached state of mind) and try to find real "maksad" (purpose) of your existence as Being not Doing If you want to enjoy your relationship with your special one then please keep these tools handy:1) Patience2) Trust3) Freedom4) Honesty5) Respect we are all stars... twinkling with love and when there is love then there is no conflict 4 letters L ♥ V E ..imagine these letters on your hand and try to feel the deep meaning and power of these letters...feel the love you have for this life...start from there and spread love to everyone you see or meet...LOVE
Neeraj Sabharwal
...we are changed as technology offers us substitutes for connecting with each other face-to-face. We are offered robots and a whole world of machine-mediated relationships on networked devices. As we instant-message, e-mail, text, and Twitter, technology redraws the boundaries between intimacy and solitude. We talk of getting “rid” of our e-mails, as though these notes are so much excess baggage. Teenagers avoid making telephone calls, fearful that they “reveal too much.” They would rather text than talk. Adults, too, choose keyboards over the human voice. It is more efficient, they say. Things that happen in “real time” take too much time. Tethered to technology, we are shaken when that world “unplugged” does not signify, does not satisfy. After an evening of avatar-to avatar talk in a networked game, we feel, at one moment, in possession of a full social life and, in the next, curiously isolated, in tenuous complicity with strangers. We build a following on Facebook or MySpace and wonder to what degree our followers are friends. We recreate ourselves as online personae and give ourselves new bodies, homes, jobs, and romances. Yet, suddenly, in the half-light of virtual community, we may feel utterly alone. As we distribute ourselves, we may abandon ourselves. Sometimes people experience no sense of having communicated after hours of connection. And they report feelings of closeness when they are paying little attention. In all of this, there is a nagging question: Does virtual intimacy degrade our experience of the other kind and, indeed, of all encounters, of any kind?
Sherry Turkle
The realms of dating, marriage, and sex are all marketplaces, and we are the products. Some may bristle at the idea of people as products on a marketplace, but this is an incredibly prevalent dynamic. Consider the labor marketplace, where people are also the product. Just as in the labor marketplace, one party makes an offer to another, and based on the terms of this offer, the other person can choose to accept it or walk. What makes the dating market so interesting is that the products we are marketing, selling, buying, and exchanging are essentially our identities and lives. As with all marketplaces, every item in stock has a value, and that value is determined by its desirability. However, the desirability of a product isn’t a fixed thing—the desirability of umbrellas increases in areas where it is currently raining while the desirability of a specific drug may increase to a specific individual if it can cure an illness their child has, even if its wider desirability on the market has not changed. In the world of dating, the two types of desirability we care about most are: - Aggregate Desirability: What the average demand within an open marketplace would be for a relationship with a particular person. - Individual Desirability: What the desirability of a relationship with an individual is from the perspective of a specific other individual. Imagine you are at a fish market and deciding whether or not to buy a specific fish: - Aggregate desirability = The fish’s market price that day - Individual desirability = What you are willing to pay for the fish Aggregate desirability is something our society enthusiastically emphasizes, with concepts like “leagues.” Whether these are revealed through crude statements like, “that guy's an 8,” or more politically correct comments such as, “I believe she may be out of your league,” there is a tacit acknowledgment by society that every individual has an aggregate value on the public dating market, and that value can be judged at a glance. When what we have to trade on the dating market is often ourselves, that means that on average, we are going to end up in relationships with people with an aggregate value roughly equal to our own (i.e., individuals “within our league”). Statistically speaking, leagues are a real phenomenon that affects dating patterns. Using data from dating websites, the University of Michigan found that when you sort online daters by desirability, they seem to know “their place.” People on online dating sites almost never send a message to someone less desirable than them, and on average they reach out to prospects only 25% more desirable than themselves. The great thing about these markets is how often the average desirability of a person to others is wildly different than their desirability to you. This gives you the opportunity to play arbitrage with traits that other people don’t like, but you either like or don’t mind. For example, while society may prefer women who are not overweight, a specific individual within the marketplace may prefer obese women, or even more interestingly may have no preference. If a guy doesn’t care whether his partner is slim or obese, then he should specifically target obese women, as obesity lowers desirability on the open marketplace, but not from his perspective, giving him access to women who are of higher value to him than those he could secure within an open market.
Malcolm Collins (The Pragmatist's Guide to Relationships)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))