Fat Shaming Quotes

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The mistake ninety-nine percent of humanity made, as far as Fats could see, was being ashamed of what they were; lying about it, trying to be somebody else.
J.K. Rowling (The Casual Vacancy)
I mean a fat, ugly man can still be funny and lovable and successful,” continued Jane. “But it’s like it’s the most shameful thing for a woman to be.” “But you weren’t, you’re not—” began Madeline. “Yes, OK, but so what if I was!” interrupted Jane. “What if I was! That’s my point. What if I was a bit overweight and not especially pretty? Why is that so terrible? So disgusting? Why is that the end of the world?
Liane Moriarty (Big Little Lies)
Are you one of those people who says on a first date, 'I'm really not in a hurry to meet somebody, I figure if it happens, it happens'? Because those are the most desperate people of all. I'm just saying this so that if you are this person, you aren't hiding it from anybody. There is no shame in being hungry for another person. There is no shame in wanting very much to share your life with somebody.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
Please tell me people who look like us can be loved. Please tell me people who look like us can be desired. Please tell me people who look like us can have happy endings.
Olivia Dade (Spoiler Alert (Spoiler Alert, #1))
Fat-bashing in all its varied forms–criticism, exclusion, shaming, fat talk, self-deprecation, jokes, gossip, bullying–is one of the last acceptable forms of prejudice. From a very young age, before they can walk away or defend themselves, women are taught that they are how they look, not what they do or what they know. (1)
Robyn Silverman (Good Girls Don't Get Fat: How Weight Obsession Is Messing Up Our Girls and How We Can Help Them Thrive Despite It)
(Referring to the piano's natural shape) Isn't it a shame when those big fat opera singers lean against the pianos and bend them?
Victor Borge
Fat shaming is real, constant, and rather pointed. There are a shocking number of people who believe they can simply torment fat people into weight loss and disciplining their bodies or disappearing their bodies from the public sphere. They believe they are medical experts, listing a litany of health problems associated with fatness as personal affronts. These tormentors bind themselves in righteousness when they point out the obvious—that our bodies are unruly, defiant, fat. It’s a strange civic-minded cruelty. When people try to shame me for being fat, I feel rage. I get stubborn. I want to make myself fatter to spite the shamers, even though the only person I would really be spiting is myself.
Roxane Gay (Hunger: A Memoir of (My) Body)
If you really want change to happen, if you really want to "help" fat people, you need to understand that shaming an already-shamed population is, well, shameful.
Lindy West (Shrill: Notes from a Loud Woman)
From a distance,' he says, 'my car looks just like every other car on the freeway, and Sarah Byrnes looks just like the rest of us. And if she's going to get help, she'll get it from herself or she'll get it from us. Let me tell you why I brought this up. Because the other day when I saw how hard it was for Mobe to go to the hospital to see her, I was embarrassed that I didn't know her better, that I ever laughed at one joke about her. I was embarrassed that I let some kid go to school with me for twelve years and turned my back on pain that must be unbearable. I was embarrassed that I haven't found a way to include her somehow the way Mobe has.' Jesus. I feel tears welling up, and I see them running down Ellerby's cheeks. Lemry better get a handle on this class before it turns into some kind of therapy group. So,' Lemry says quietly, 'your subject will be the juxtaposition of man and God in the universe?' Ellerby shakes his head. 'My subject will be shame.
Chris Crutcher (Staying Fat for Sarah Byrnes)
As Deb Lemire, president of the Association for Size Diversity and Health, says, “If shame worked, there’d be no fat people.
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
Age shame is also a problem primarily for women. As women approach and go through menopause, naturally gaining weight as fat-to-muscle ratios shift, they exhibit many of the same anxieties and symptoms that teenage girls do. The process of growing older makes women's 'flaws' more visible and acute, thus, aging, a natural process, becomes frightening, disorienting, and difficult for many women.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Around eighth grade Margot started getting really sensitive about her weight, even though she wasn’t remotely fat—just a little round-faced. So Margot did what any normal fourteen-year-old girl would do. She started puking on purpose, every day after fifth period. Of course now, she does more than puke. But we don’t talk about that. Because real friends don’t judge each other for what they do to survive in hell.
Isobel Irons (Promiscuous (Issues, #1))
Fat jokes were my bread and butter which is a shame because that kind of bread and butter is basically a shame sandwich, and shame is never part of a healthy balanced diet.
Hannah Gadsby (Ten Steps to Nanette)
J_Doe032692 wrote: I am not a thin person. However this does not give people the right to taunt me, calling me ugly and worthless, telling me to kill myself because no one will ever want me, or to make up songs about why I am so fat and how much food I eat. NO ONE, I repeat, NO ONE HAS THE RIGHT TO HURT ANOTHER HUMAN BEING THIS BADLY. My throat constricts. The neck brace feels as if it's shrinking and cutting off my esophagus. I reach up and cover the words with my hand and the web site dissolves. I want to go. Now.
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
Fat people already are ashamed. It's taken care of. No further manpower needed on the shame front, thx. I am not concerned with whether or not fat people can change their bodies through self-discipline and "choices." Pretty much all of them have tried already. A couple of them have succeeded. Whatever. My question is, what if they try and try and try and still fail? What if they are still fat? What if they are fat forever? What do you do with them then? Do you really want millions of teenage girls to feel like they're trapped in unsightly lard prisons that are ruining their lives, and on top of that it's because of their own moral failure, and on top of that they are ruining America with the terribly expensive diabetes that they don't even have yet? You know what's shameful? A complete lack of empathy.
Lindy West (Shrill: Notes from a Loud Woman)
Shame scowled. “How about I just make you angry again? That coat makes you look fat.” “Even more reason to take the stairs.
Devon Monk (Magic at the Gate (Allie Beckstrom, #5))
To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’ Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
When we return from the north,” he promises, hand to his heart in an exaggerated way that lets me know he considers this a silly vow rather than a solemn one, “they will wake to find their shoes filled with fine, fat rubies. They can use them to buy new leggings and another roast chicken.” “How will they sell rubies?” I ask him. “Why not leave them something more practical?” He rolls his eyes. “As a prince of Faerie, I flatly refuse to leave cash. It’s inelegant.” Tiernan shakes his head at both of us, then pokes at the foodstuffs, selecting a handful of nuts. “Gift cards are worse,” Oak says when I do not respond. “I would bring shame on the entire Greenbriar line if I left a gift card.” At that, I can’t help smiling a little, despite my heavy heart. “You’re ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Shame is the landfill emotion. It's not organic, like joy. It was dumped there by somebody else.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
Fat-Shaming Chris Christie Article Jason Linkins Chris Christie's year has been more than a little bit tough, what with "Bridgegate" and its attendant melodramas.
Anonymous
Shame is a tool of oppression, not change. Fat
Lindy West (Shrill: Notes from a Loud Woman)
Research shows that shaming fat folks into thinness doesn't work. And come on if it did, most of the fat women in the world would have probably disappeared by now
Jennifer Weiner (Big Summer)
I want to watch the fat lady win I want her to stop apologizing for being fat I wish I could say: Hey, perfect angel cutie pie: You don’t owe anyone shit. Stop apologizing for who you are. Go eat a fucking sandwich and throw your scale away Work out if you want to, lay on the couch if you want to No one else lives in your body You are enough, as you are, today
Mary Lambert (Shame Is an Ocean I Swim Across)
There was nothing wrong with any part of her. She was healthy, and happy, and fat, something which everyone who met her was quick to point out, some in tones of gleeful disgust, others in tones of shameful condemnation. Did she not know that she was fat, perhaps? Had she missed that essential fact of her own physical reality, and needed it explicitly explained to her? There was nothing wrong with her, but she was smart enough to know that everything was wrong with her, and even the fact that her parents and her doctors said that dieting would only do her harm didn’t change the fact that if she didn’t find a way to magically become thin, she would never be accepted.
Seanan McGuire (Where the Drowned Girls Go (Wayward Children, #7))
The baby Francie crowed with delight as her grandmother held up the cruet and the sun shone through it and made a small fat rainbow on the opposite wall. Mary smiled with the child and made the rainbow dance. "Schön! Schön!" she said. "Shame! Shame!" repeated Francie and held out her two hands.
Betty Smith (A Tree Grows in Brooklyn)
You are fine, just the way you are... Bodies come in all shapes and sized. Don't let anyone make you feel any differently. I wanted to believe him, but by then, of course, the damage had been done.
Jennifer Weiner (Big Summer)
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
The best explanation of masochism, the appeal of masochism, is that it accepts shame; the sickening shame one must swallow and hide is at last accepted, employed, even loved—the shame about a mutilation, hairiness, too much or not enough fat, the shame about wanting to serve, to be a dog, son, wife, slave, horse, prisoner.
Edmund White (The Beautiful Room Is Empty (The Edmund Trilogy, #2))
In books, political cartoons, films, and TV shows, fat bodies make up the failings of America, capitalism, beauty standards, excess, and consumerism. Fat bodies represent at once the poorest of the poor and the pinnacle of unchecked power, consumption, and decay. Our bodies have borne the blame for so much. Whole artistic worlds are built on the premise that bodies like mine are monstrous, repulsive, and—worst of all—contagious. From individuals to institutions, academia to the evening news, fat people are made bogeymen. And that spills into daily experiences of abuse, driven by intentions both good and ill, but always with the same outcome: an intense shame for simply daring to exist in the bodies many of us have always had.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
The more you behave like you have the right to exist in the world without interference, the less others will question it. The power of a fait accompli is astonishing. The more people see fat bodies moving and being physical and doing whatever makes them happy in the world, without apology and without shame, the more they get used to seeing that and thinking of it as normal.
Hanne Blank (The Unapologetic Fat Girl's Guide to Exercise and Other Incendiary Acts)
We all have one thing in common—we’re born with power, but the world doesn’t like a confident woman, so they try to crush them with tabloids of what “perfection” should look like. It’s all a hoax to deceive us into thinking we’re lesser of a woman if we don’t look or act a certain way. We, as a sisterhood, must rise above that and harness the power our ancestors fought so hard for and destroy the patriarchy. This won’t happen quickly. In order for this to happen, we have to stop slut shaming, skinny shaming, fat shaming, fit shaming, or any shaming. There is no shame in what someone looks like, period—what is truly shameful is how easy it is for some of us to attack the other all because it’s not something we would wear or how we would talk. Individuality is a gift.
Amo Jones (In Fury Lies Mischief (Midnight Mayhem, #2))
I spent the summer cloaked in shame, seething with jealousy. I envied other women's bodies. i envied fat women who draped their luscious curves without any embarrassment, thighs quaking as they walked. I envied thin women lounging effortlessly in T-shirts and shorts, nothing pinching or pudging, just smooth skin over smooth muscle over delicate bones. I envied anyone who didn't hate their body. People who ate without hesitation or pre-emptive shame at how all those calories would stretch over their flesh. It was about beauty, yes, but it was also just about belonging. People treat you with kindness and an invitation to belong if they like the way you look.
Francesca Ekwuyasi (Butter Honey Pig Bread)
She took no pleasure from the very things I loved, from her size, her amplitude, her luscious, zaftig heft. As many times as I told her she was beautiful, I know that she never believed me. As many times as I said it didn’t matter, I knew that to her it did. I was just one voice, and the world’s voice was louder. I could feel her shame like a palpable thing, walking beside us on the street, crouched down between us in a movie theater, coiled up and waiting for someone to say what to her was the dirtiest word in the world: fat.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
I wasn’t ready for the guilt of being a parent. I was raised Catholic, so guilt is a familiar friend. Guilt is as much a part of the Catholic culture as is rooting for Notre Dame. I grew up with a “God is watching you, so you better not make him mad” mentality. I felt guilty for feeling good, for feeling bad, and for feeling nothing. Attending Confession was supposed to alleviate some of the guilt, but I always ended up feeling guilty for not telling the priest everything I felt guilty about, so I stopped going to Confession. Then I felt guilty that I stopped going to Confession. That’s a lot of guilt. Just when I thought that nothing could top “Catholic Guilt,” I became acquainted with “Parental Guilt,” which totally puts “Catholic Guilt” to shame. Sorry, Catholic Guilt. Now I feel guilty for shaming you.
Jim Gaffigan (Dad Is Fat)
I'd always assumed Beth and I would be friends forever. But then in middle of the eighth grade, the Goldbergs went through the World's Nastiest Divorce. Beth went a little nuts. I don't blame her. When her dad got involved with this twenty-one year old dental hygienist, Beth got involved with the junk food aisle at the grocery store. She carried processed snack cakes the way toddlers carry teddy bears. She gained, like, twenty pounds, but I didn't think it was a big deal. I figured she'd get back to her usual weight once the shock wore off. Unfortunately, I wasn't the only person who noticed. May 14 was 'Fun and Fit Day" at Surry Middle School, so the gym was full of booths set up by local health clubs and doctors and dentists and sports leagues, all trying to entice us to not end up as couch potatoes. That part was fine. What wasn't fine was when the whole school sat down to watch the eighth-grade cheerleaders' program on physical fitness.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.
James Joyce
I mean a fat, ugly man can still be funny and lovable and successful", continued Jane. "But it's like it's the most shameful thing for a woman to be
Liane Moriarty (Big Little Lies)
[A woman] takes up just the right amount of space. Small is best. You need to prove yourself worthy of the molecules you displace, madam.
Therese Oneill (Unbecoming a Lady: The Forgotten Sluts and Shrews Who Shaped America)
I mean a fat, ugly man can still be funny and lovable and successful,” continued Jane. “But it’s like it’s the most shameful thing for a woman to be.
Liane Moriarty (Big Little Lies)
I had been fasting all day and I confess with shame that I began to salivate when the air filled with the rich, frying-fat odor of burned flesh.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
My body parts disgust him. Maybe my bloated belly isn't fluid retention but a storage of tears from all my silent cries.
Vanessa de Largie (Don't Hit Me!)
The act of combining a fat body and exercise can resurrect a lifetime of shame. One of the most powerful kinds of shame in the world.
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
I don’t know how much guilt weighs. Guilt and shame are the hardest weight to shed.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
...I know this world. I live in it too. There's no shelter or safety or escape from the cruel stares and comments, the too-small seats, the too-small everything for your too-big body.
Roxane Gay (Hunger: A Memoir of (My) Body)
In the cases of Lizzo, Anna O’Brien, and Angelina Duplisea, they were objecting to fat people receiving media attention without performing a pursuit of weight loss or expressing a deep and abiding shame about their appearances. Simply put, they don’t want to look at us. And if they have to, they certainly don’t want to see us depicted neutrally, sexually, or joyfully.
Aubrey Gordon ("You Just Need to Lose Weight": And 19 Other Myths About Fat People (Myths Made in America))
I learned how to operate under both the physical and emotional weight of unrelenting shame very early. Fat babies are adorable, while fat children are a little less so. Fat teenagers are chided into either end of the eating-disorder spectrum, and fat adults are either admonished for not figuring out how to get new bodies during adolescence or straight up dismissed altogether.
Samantha Irby (We Are Never Meeting in Real Life.)
I was too selfish to have a child before I was ready for one, and there's no shame in admitting that. Women should be selfish about our choices, for as long as we have the privilege of being selfish. Selfishness in women isn't the great crime that people like to pretend it is. We are as entitled as men to prioritise ourselves and our desires, and we are as capable as men of knowing what's best for us. Why is everyone so pathologically terrified of selfish women? The word is thrown around like an insult, as if the worst thing a woman could possibly do (aside from being fat, having sex with whomever she pleases and whenever, swearing, having an abortion, drinking alcohol, standing up for herself and being a working mother) is to decide that her life matters. But women are allowed to be selfish. It shouldn't be considered a 'privilege' to be able to control our own bodies nor should it be treated like a favour done to us by the state. It's a right that, by and large, has been stolen from us and used to keep us in thrall to a paternalistic body that pretends to know what's best for us but is really only interested in maintaining the order that has proved best for them.
Clementine Ford (Fight Like a Girl)
To be honest, I keep wishing we could all talk. Chew the fat. And, yes, I know that wishing is another symptom of hope, but I can't help it. As we amble along, trudging over steaming brimstone beds of sulfur and coal, I want to ask if anyone else feels an intense sense of shame. By dying, do they feel as if they've disappointed everyone who ever bothered to love them? After all the effort that so many people made to raise them, to feed and teach them, do Archer or Leonard or Babette feel a crushing sense of having failed their loved ones? Do they worry that dying constitutes the biggest sin they could possibly commit?
Chuck Palahniuk (Damned (Damned, #1))
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
The nature of parents is to embarrass merely by existing, just as it is the nature of children of a certain age to cringe with embarrassment, shame, and mortification should their parents so much as speak to them on the street. Fat
Neil Gaiman (Anansi Boys)
A healthy attitude to eating I am concerned about the current victimisation of food. The apparent need to divide the contents of our plates into heroes and villains. The current villains are sugar and gluten, though it used to be fat, and before that it was salt (and before that it was carbs and . . . oh, I’ve lost track). It is worth remembering that today’s devil will probably be tomorrow’s angel and vice versa. We risk having the life sucked out of our eating by allowing ourselves to be shamed over our food choices. If this escalates, historians may look back on this generation as one in which society’s decision about what to eat was driven by guilt and shame rather than by good taste or pleasure. Well, not on my watch. Yes, I eat cake, and ice cream and meat. I eat biscuits and bread and drink alcohol too. What is more, I eat it all without a shred of guilt. And yet, I like to think my eating is mindful rather than mindless. I care deeply about where my food has come from, its long-term effect on me and the planet. That said, I eat what you might call ‘just enough’ rather than too much. My rule of thumb – just don’t eat too much of any one thing.
Nigel Slater (A Year of Good Eating: The Kitchen Diaries III)
When weight loss is conflated with veganism, it falls into dangerous area of body shaming and misogyny. Mainstream media loves to make women feel inferior when it comes to their bodies and unfortunately veganism has recently become another weapon and this sexist war on our society. Thin white women are used to sell veganism as a quick fix to a more desirable body at the expense of anyone who doesn't fit the cookie cutter idea of female perfection. In addition, these images and messages work to oppress women of colour and people living with disabilities. Selling veganism as anything other than caring for animals often leads to oppression, plain and simple. We need to resist this approach to promoting veganism by drawing the fight back to animals. Every single time.
Sean O'Callaghan (Fat, Gay Vegan - Eat, Drink and Live Like You Give a Sh!t)
People try to shame me for being fat. When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, ‘I am not attracted to you. I do not want to fuck you and this confuses my understanding of masculinity, entitlement, and place in this world.’ It is not my job to please them with my body.
Adrienne Maree Brown (Pleasure Activism: The Politics of Feeling Good)
In the January 12, 1998, issue of U.S. News and World Report, the head of the Harvard School of Public Health's department of nutrition, a very fickle man, Walter Willet, was queried about a low-fat diet's failure to cure any diseases or save any lives. His weak reply, “It was just a hypothesis to begin with,” showed no shame. That hypothesis has cost more lives than the last two world wars and the Vietnam conflict put together. Just check the American Cancer Society's and American Heart Association's statistics for the last three decades.
T.S. Wiley (Lights Out: Sleep, Sugar, and Survival)
The pool’s always been my escape. The place i feel weightless in today’s fat-obsessed world. I swim each morning and try to hold on to that religan throughout the day. But by the time school’s over, i feel every pound, plus the added weight of shame from all the comments.
Lisa Fipps (Starfish)
Culture alone cannot explain the phenomena of such high rates of eating disorders. Eating disorders are complex, but what they all seem to have in common is the ability to distract women from the memories, sensations, and experience of the sexual abuse through starving, bingeing, purging, or exercising. They keep the focus on food, body image, weight, fat, calories, diets, miles, and other factors that women focus on during the course of an eating disorder. These disorders also have the ability to numb a woman from the overwhelming emotions resulting from the sexual abuse — especially loss of control, terror, and shame about her body. Women often have a combination of eating disorders in in their history. Some women are anorexic during one period of their life, bulimic during another, and compulsive eaters at yet another stage.
Karen A. Duncan (Healing from the Trauma of Childhood Sexual Abuse: The Journey for Women)
Of course, everyone’s parents are embarrassing. It goes with the territory. The nature of parents is to embarrass merely by existing, just as it is the nature of children of a certain age to cringe with embarrassment, shame, and mortification should their parents so much as speak to them on the street. Fat
Neil Gaiman (Anansi Boys)
Sometimes, people who, I think, mean well like to tell me I am not fat. They will say things like, “Don’t say that about yourself,” because they understand “fat” as something shameful, something insulting, while I understand “fat” as a reality of my body. When I use the word, I am not insulting myself. I am describing myself.
Roxane Gay (Hunger: A Memoir of (My) Body)
In 2015, the writer Alex Blank Millard engaged in her own gender-swap experiment to highlight the misogynist nature of online abuse. Sick of constantly receiving rape threats from ‘faceless eggs’ online, she changed her Twitter profile photo to that of a white man – but kept the content she posted the same. When Millard tweeted about rape culture, fat shaming, and systemic oppression as Lady Alex, the standard response was a deluge of rape and death threats, and a bunch of guys calling her fat. When she commented on the same things as Straight- and Cis-Looking White Dude Alex, she was retweeted, favourited, and even cited by Buzzfeed (Millard, 2015).
Emma A. Jane (Misogyny Online: A Short (and Brutish) History (SAGE Swifts))
Why would I be offended? Being called fat is not an insult, little mermaid. It is as meaningless as being called thin. They are just descriptions. It is your father who has deemed it to be a negative word, and a negative state of being.” She looks down at herself with obvious pleasure. “I like my body. And while I value my own opinion over those of men, it might surprise you to know that some prefer a woman of more plentiful flesh. It is nothing to be ashamed of – we all have our preferences – but they have been forced to feel ashamed even so.” She sighs. “And I am a fallen woman because of that shame. It is their desire and yet I am cast out as a result.
Louise O'Neill (The Surface Breaks)
She wasn’t going to let them make her cry. She’d cried enough self-pitying tears in her life to drown a goat, and all it had gotten her was a big fat nothing. She made herself take a deep breath, but it didn’t help break the traffic jam in her throat. Might as well call a spade a spade. That traffic jam came from shame. There was a big difference between knowing people still hated your guts and seeing it in their faces.
Susan Elizabeth Phillips (Ain't She Sweet?)
So, dear fat people, what I want to say to you is this: You are loved. You are worthy, and you are capable of so much more than you think. And a number, whether it be on a scale or a measuring tape, cannot quantify the value that you have; it cannot count all the ways that this world needs you; it cannot define your health or project your success. Your weight does not measure your worth. And if I can give only one piece of advice, it is this: be visible.
Whitney Way Thore (I Do It with the Lights On: And 10 More Discoveries on the Road to a Blissfully Shame-Free Life)
be offended, not provoked or inspired, and often by nothing at all. When a few months later I tweeted admiringly about Saoirse Ronan’s performance in Brooklyn, calling it the best performance I’d seen by any actor that year, complimenting its unfussiness, directness, and how luminous it was, and saying that it had no vanity, I noticed that a few women tried to turn my compliment (“no vanity”) into an insult by implying, in essence, that I was “fat-shaming” Ronan.
Bret Easton Ellis (White)
Maybe we’re feeling left out or defective, ashamed or insecure. The feelings get too big and … for many of us, the fix is to binge on treasure troves of sugar and fat: pizza, ice cream, cookies, cheese, chocolate. For a little while, the chemical relief numbs out the hurt. Hurt? Worry? It’s all shoved deep down beneath layers of chips or donuts. Hidden. Out of sight and out of mind. Until the chemical buzz begins to wear off … and it turns out that the feelings never went away. They’re still here. And worse, now there’s self-loathing and shame to add to the mix. So we punish ourselves … until the hurt gets too big, and the cycle starts again. For those of us who starve ourselves, the story isn’t much different. We’re still trying to escape overwhelming feelings—of being a fraud, not good enough, unworthy, a failure. Instead of indulging in cover-up chaos, undereaters (like I was) discover relief—even a sense of power—in artificial control.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
It’s sort of interesting when you think about it,” said Jane, glancing at the photo once before she flicked it off with her thumb. “Why did I feel so weirdly violated by those two words? More than anything else that he did to me, it was those two words that hurt. ‘Fat.’ ‘Ugly.’” She spat out the two words. Madeline wished she would stop saying them. “I mean a fat, ugly man can still be funny and lovable and successful,” continued Jane. “But it’s like it’s the most shameful thing for a woman to be.
Liane Moriarty (Big Little Lies)
March 28, 1987: Today I read in the New York Times that all of the officers who killed Michael Stewart were again dismissed of charges. Continually dismissed, but in their minds they will never forget. They know they killed him. They will never forget his screams, his face, his blood. The must live with that forever. I hope in their next life they are tortured like they tortured him. They should be birds captured early in life, put in cages, purchased by a fat, smelly, ugly lady who keeps them in a small dirty cage up near the ceiling while all day she cooks bloody sausages and the blood spatters their cage and the frying fat burns their matted feathers and they can nerf escape the horrible fumes of her burnt meat. One day the cage will fall to the ground and a big fat ugly cat will kick them about, play with them like a toy, and slowly kill them and leave their remains to be accidentally stepped on by the big fat pig lady who can’t see her own feet because of her huge sagging tits. An eye for an eye … I’m not afraid of anything I’d ever done. Not ashamed of anything.
Keith Haring (Keith Haring Journals)
And this is the law! The law, that births the blackmailer, nurses him, makes him fat. The law, that turns him witness - grants him pardon, when it suits, in order to secure the guilt of the sodomite. This is the majesty of it! And the Justice, for him to say that Wilde must be dead to shame. That he had never tried a worse trial. Does he know that little children are strangled and burned by their parents? That most nights old men die bundled in doorways? Does he know that women are raped in cellars and have their throats slit while they scream?
Tom Crewe (The New Life)
You better thank God that I have to go home and feed Storm. I’d wipe the floor with you otherwise.” “Till next time, short-ass.” Keela casually strolled into the sitting room and stated, “I hate your boyfriend.” I grabbed my chest. “That’s a shame, because I love yours.” Keela’s lip twitched. “I’ll be back over tonight, I just have to go and feed—” “The fat beast, I heard you.” Keela growled. “You’d think being pregnant would make you sentimental and give Storm a chance, but no, you still rag on him.” In Keela’s mind, Storm was her baby. “He’d make a saint curse, Kay.
L.A. Casey (Aideen (Slater Brothers, #3.5))
LOVE'S DIET To what a cumbersome unwieldiness And burdenous corpulence my love had grown, But that I did, to make it less, And keep it in proportion, Give it a diet, made it feed upon That which love worst endures, discretion. Above one sigh a day I allowed him not, Of which my fortune, and my faults had part; And if sometimes by stealth he got A she sigh from my mistress' heart, And thought to feast upon that, I let him see 'Twas neither very sound, nor meant to me. If he wrung from me a tear, I brined it so With scorn and shame, that him it nourished not; If he sucked hers, I let him know 'Twas not a tear which he had got; His drink was counterfeit, as was his meat; For eyes, which roll towards all, weep not, but sweat. Whatever he would dictate I writ that, But burnt her letters when she writ to me; And if that favour made him fat, I said, "If any title be Conveyed by this, ah! what doth it avail, To be the fortieth name in an entail?" Thus I reclaimed my buzzard love, to fly At what, and when, and how, and where I choose. Now negligent of sports I lie, And now, as other falconers use, I spring a mistress, swear, write, sigh, and weep; And the game killed, or lost, go talk or sleep.
John Donne (The Love Poems)
Does it make you feel better about yourself? Does it make you kinder to people when you live in that state of misery, in the state of, “I’m too fat. I’m too thin. I’m too young. I’m too old. I’m too . . .”? How is it making you feel? It’s making you feel like crap. Nobody is living in a place of not enough and happy about it. Nobody is inspired and making great choices and enthusiastic and excited for every day while they are living in a state of not enough. The amazing thing is that this is all perception. It’s all what you believe to be true. And you get to decide what you believe. If we were girlfriends in real life I would shake your shoulders and remind you that you get to decide. I am living proof that your past does not determine your future. I am a living, breathing example. I am your friend, Rachel, and I am telling you that I walked through trauma and I walked through pain and I have been bullied and I have felt ugly and unworthy and not enough in a hundred different ways. And I have decided to reclaim my life. I have reclaimed it and fought back against the lies and the limiting beliefs over and over and over again. I have built on that strength by looking at what is true, not what is opinion. And you can too.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
All this time you’ve spoken to it, looked into your soul, and spied that darkness lurking and twisting through the fabric of all that you are. You fed it nothing but your hatred, your anger and guilt, shame, regret, and yes, your loneliness. It grew fat on all the things you wanted to be rid of. You did not suspect? Did the Tallis never consider the darkness within was looking back? Learning? And growing strong, ever stronger. Stupid, foolish girl. The Tallis never knew! Ignoring it all, stuffing all the bad and ugly things down, down, down doesn’t get rid of them. What you choose to feed your divine spark is what it turns into!
C.E. Clayton (The Wrath of Silence (The Monster of Selkirk, #6))
I could bear it [the shame] because I knew the truth, child," I say. "There was one of us in that marriage who was old, fat, and smelly, and it wasn't me." "The King was cruel to speak thus," Alice says, but in a low voice. As if Henry, dead these past ten years, might somehow hear her. "He was, yes," I say. "But I think mostly he was afraid." Alice is sceptical. "Kings are afraid of nothing," she says. "This King was afraid. I know it, for I'm the one who made him so. I made a mistake, child, a grave one." "What was it?" "I made my face a mirror when it should've been a mask, and what the King saw there terrified him. He hated me for it, and never, ever forgave me." [Anna of Cleves]
Jennifer Donnelly (Fatal Throne)
The problem, of course, is that at any given historical moment, prevailing views about the right changes to make in how we care for our bodies can be bullying and shaming. There is a lot of widespread guilt about diet, exercise, sex, and treatments. How insistent all the advice is! Have sex a lot, don't have any sex; eat heartily, eat with restraint; hold your body in stillness, move it and have it moved; bind your ample body tightly, wear soft clothes but have no fat. Not only are the various instructions different; they are directly at odds with each other. Yet, despite our historical track record on these matters, we are today generally confident that we know best- that science and other experts have now got it right, after a long history of nonsense.
Jennifer Michael Hecht
I hate him. I hate them all. I hate the wretched, pitiful sound of my own tears. I hate the sting of shame piercing my heart like a thorn. I hate my stupidity, my naiveté believing Jared Foster wanted someone like me instead of someone like Cindy. I hate the way my thighs spread, stretching the denim of my jeans. The way my legs rub together when I walk. I hate this roll of fat hanging over my waistband. This body is an inadequate shell that doesn’t reflect the powerful, confident person I am inside. And yet there’s a part of me that knows it shouldn’t matter. That knows whether I’m a size 2 or 22, I’m still smart and ambitious and kind and generous. And yes, speak Italian, Russian, and a little Chinese. It shouldn’t matter, but I have to be honest with myself as I weep uncontrollably and admit that it does. Right now, it does.
Kennedy Ryan (Block Shot (Hoops, #2))
Maybe you want a harem girl. Is that right? You think I don’t know about those types of loose girls, those poutanes? Yes, I do. I’m not so stupid. You like a fat girl shaking her belly in your face? With a jewel in her fat belly? You want one of those? Let me tell you something. Do you know why those Turkish girls cover their faces? You think it’s because of religion? No. It’s because otherwise no one can stand to look at them!” And now she shouted, “Shame on you, Eleutherios! What’s the matter with you? Why don’t you get a girl from the village?” It was at this point that Lefty, who was now brushing off his jacket, called his sister’s attention to something she was overlooking. “Maybe you haven’t noticed,” he said, “but there aren’t any girls in this village.” Which, in fact, was pretty much the case. Bithynios had never been a big village, but in 1922 it was smaller than ever.
Jeffrey Eugenides (Middlesex)
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it. Nobody knows how to just shut the fuck up and look out the window anymore. The bathrooms are tiny and filthy and you have no choice but to piss all over yourself when the bus swerves, but the streetlights look like blurred stars exploding in the window when it rains at night, and you can sleep knowing that if there’s an accident and everyone on the bus dies it wasn’t your fault. Someone fat and snoring will sometimes sit beside you and sweat on your shoulder even though it’s twelve degrees outside, and someone else with a big head shaped like an onion and dirty hair that smells like fish sticks will sit in front of you and recline their seat into your lap. And you’ll be trapped and sleepless and sad for the entire ride. But then other times you get two whole seats to yourself, and when that becomes your idea of luxury you know you’ve found something that no one else is even looking for, and if you gave it to them for Christmas they’d return it the next morning as soon as the stores opened. And then you get to think of yourself like the little drummer boy, playing for Jesus even though he’s too young to understand, even though nobody in Bethlehem really likes percussion and they think you’re a cheap ass for not bringing gold or frankincense. And it’s a shame when you realize that you won’t get to be in the Bible, and it doesn’t seem right. But then nobody gets to be in the Bible anymore, no matter who they are or what they do, and the sooner you realize that the easier it all becomes. But it’s still a shame.
Paul Neilan (Apathy and Other Small Victories: A Novel)
Don’t ask where I got this idea, because I couldn’t tell you, but I knew precisely where we were going, and I was sure that this might officially make me a slut. But when we reached the door of the unused janitor’s closet, I had no feeling of shame… not yet, at least. I grasped the doorknob and noticed Wesley’s eyes narrow with suspicion. I yanked open the door, checked that no one was watching, and gestured for him to go inside. Wesley walked into the tiny closet, and I followed, shutting the door stealthily behind us. “Something tells me this isn’t about The Scarlet Letter,” he said, and even in the dark I knew he was grinning. “Be quiet.” This time he met me halfway. His hands tangled in my hair and mine clawed at his forearms. We kissed violently, and my back slammed against the wall. I heard a mop-or maybe a broom-topple over, but my brain barely registered the sound as one of Wesley’s hands moved to my hip, holding me closer to him. He was so much taller than me that I had to tilt my head back almost all the way to meet his kiss. His lips pressed hard against mine, and I let my hands explore his biceps. The smell of his cologne, rather than the lonely, stale air of the closet, filled my senses. We wrestled in the darkness for a while before I felt his hand insistently lifting the hem of my T-shirt. With a gasp, I pulled away from the kiss and grabbed his wrist. “No… not now.” “Then when?” Wesley asked in my ear, still pinning me to the wall. He didn’t even sound winded. I, on the other hand, struggled to catch my breath. “Later.” “Be more specific.” I squirmed out of his arms and moved toward the door, nearly tripping over what felt like a bucket. I raised a hand to flatten my wavy hair and reached for the doorknob. “Tonight. I’ll be at your house around seven. Okay?” But before he could answer, I slipped out of the closet and hurried down the hall, hoping it didn’t look like a walk of shame.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
Patrick O'Brian (Desolation Island (Aubrey & Maturin #5))
Blues Elizabeth Alexander, 1962 I am lazy, the laziest girl in the world. I sleep during the day when I want to, ‘til my face is creased and swollen, ‘til my lips are dry and hot. I eat as I please: cookies and milk after lunch, butter and sour cream on my baked potato, foods that slothful people eat, that turn yellow and opaque beneath the skin. Sometimes come dinnertime Sunday I am still in my nightgown, the one with the lace trim listing because I have not mended it. Many days I do not exercise, only consider it, then rub my curdy belly and lie down. Even my poems are lazy. I use syllabics instead of iambs, prefer slant to the gong of full rhyme, write briefly while others go for pages. And yesterday, for example, I did not work at all! I got in my car and I drove to factory outlet stores, purchased stockings and panties and socks with my father’s money. To think, in childhood I missed only one day of school per year. I went to ballet class four days a week at four-forty-five and on Saturdays, beginning always with plie, ending with curtsy. To think, I knew only industry, the industry of my race and of immigrants, the radio tuned always to the station that said, Line up your summer job months in advance. Work hard and do not shame your family, who worked hard to give you what you have. There is no sin but sloth. Burn to a wick and keep moving. I avoided sleep for years, up at night replaying evening news stories about nearby jailbreaks, fat people who ate fried chicken and woke up dead. In sleep I am looking for poems in the shape of open V’s of birds flying in formation, or open arms saying, I forgive you, all.
Elizabeth Alexander
Local Teen Adopted Finds Adoptive Family Within 24 Hours of 18th Birthday The final chapter of a family tragedy was written yesterday at the county courthouse when Cynthia and Tom Lemry signed formal adoption papers, gaining custody of Sarah Byrnes less than 24 hours before her 18th birthday. Local readers will remember Ms. Byrnes as the youngster whose face and hands were purposely burned on a hot wood stove by her father 15 years ago. The incident came to light this past February after Virgil Byrnes assaulted another teenager, 18-year-old Eric Calhoune, with a hunting knife. “Better late than never,” said Cynthia Lemry, a local high school teacher and swimming coach, in a statement to the press. “If someone had stepped up for this young lady a long time ago, years of heartache could have been avoided. She’s a remarkable human being, and we’re honored to have her in our family.” “I guess they’re just in the nick of time to pay my college tuition,” the new Sarah Lemry said with a smile. Also attending the ceremony were Eric Calhoune, the victim of Virgil Byrnes’s attack; Sandy Calhoune, the boy’s mother and a frequent columnist for this newspaper; Carver Milddleton, who served time on an assault charge against Virgil Byrnes in a related incident; the Reverend John Ellerby, controversial Episcopalian minister whose support of female clergy and full homosexual rights has frequently focused a spotlight on him in his 15-year stay at St. Mark’s; and his son, Steve Ellerby, who describes himself as “a controversial Episcopalian preacher’s kid.” Sarah Lemry confirmed that following the burning 15 years ago, her father refused her opportunities for reconstructive surgery, saying her condition would teach her to “be tough.” She refused comment on further torturous physical abuse allegations, for which, among other charges, Byrnes has been found guilty in superior court and sentenced to more than 20 years in the state penitentiary at Walla Walla. When asked if she would now seek the reconstructive surgery she was so long denied, Sarah Lemry again smiled and said, “I don’t know. It’d be a shame to change just when I’m getting used to it.
Chris Crutcher (Staying Fat for Sarah Byrnes)
If you know so much,then tell me of Lily or are you too swayed by her beauty?" "Aye,she's beautiful, but also complicated and young.She is an....an opportunist,but not necessarily a selfish one." "Ha.She can be. Lily's world revolves only around her." Tyr chuckled and the sound sent ripples of awareness down her arms. "I'd rather talk about you, Lady Edythe." "I'd rather not." "Lady Edythe," Tyr repeated, drawing out her name. His forehead wrinkled. "No. Don't like it. A girl like you needs a nickname." She hadn't been a "girl" for several years,and Edythe was irked that he saw her as such. "That's one thing I'll never want." "That's a shame.Everyone should have a nickname." "Really,then what's yours?" Tyr licked his lips and in a low voice, lied, "Bachelor." "Fitting," Edythe retorted. "I doubt with your type of self-serving charm, too many women vie to change that status." Tyr clucked his tongue, completely unfazed by her ridiculous barb. "Ed,I think.Little and sweet...just like you." "Thoin," Edythe hissed and moved to walk away,not dreaming for a second that he would know Gaelic and understand what she meant. "Bauchle," Tyr chirped back in retaliation. Edythe spun around, her jaw open, but before she could retort, he added, this time with a Scottish brogue, "Ed,even if I didn't know my own language, certain words are known far and wide, and "ass" is certainly one of them." Straightening, she puffed out her chest and poked him in the ribs. "I may be many things,but untidy, fat, and your wife isn't one of them." Tyr gulped.It had been a long time since he'd spoken his native tongue to a woman who knew Gaelic and he plucked the wrong insult from memory.He had just remembered it being about a woman and knew it wasn't flattering. "You're right. My apologies.But you,my pretty lady, are in desperate need of a nickname. How about one that is more fitting?" "I don't want a nickname," she gritted out. And certainly not one from you, she hissed to herself. Why did he have to call her pretty? And why did she care? "Well,Ruadh,you got one." "Red? Lord,you are the most unimaginative-" "Hmm,when you put it that way...Red...Ed. Quite memorable and easy to say.I like it!" "You would.That nickname-if you can call it that-wouldn't suit a kitchen rat." Tyr shook his head. "I disagree,and just remember that it was you and not I who compared yourself to such a repulsive creature.I would have said...a finch.Yes...small,loud and with a sharp beak.
Michele Sinclair (The Christmas Knight)
Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
Part of the reason for this is that the relationship between food and guilt—between food and shame, between food and blame—is so often already present. I’m not even talking about when an individual’s relationship with food has degenerated to the point of disorder, as in anorexia or bulimia, although that is certainly fertile ground for horror. I’m talking about the constant low buzz of Should-you-really-be-eating-that?—the internal and external voices that judge what people put into their mouths, what they presume to swallow against all outside advice or expectations. Too fat, too skinny, too much sugar, too much gluten, too many calories, too many preservatives, can’t you just eat some carrot sticks, but really are carrot sticks all you’re going to eat?
Octavia Cade (Food and Horror: Essays on Ravenous Souls, Toothsome Monsters, and Vicious Cravings)
Shame is a difficult thing. People certainly try to shame me for being fat. When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it, and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, 'I am not attracted to you. I do not want to fuck you, and this confuses my understanding of my masculinity, entitlement, and place in this world'. It is not my job to please them with my body.
Roxane Gay (Hunger: A Memoir of (My) Body)
He found a single fat and sassy salmon then caught two more smaller morsels, perfect for his guest’s healthy appetite. He grinned. He’d expected her to eat like a dainty human, only for her to put away enough food to put him to shame.
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
Now, while watching these two mini-you’s, I want you to see that as dysfunctional as they may be, both of them are essentially good. The Dictator wants you to be healthy and beautiful. It gets frantic about your weight for the same reason you might freak out if you saw a beloved pet wandering into traffic. It screams and yells, pens you in or drags you around—anything to keep you from a horrible fat fate. On the other hand, the Wild Child is the part of you that evolved to avoid starvation and captivity. It panics when the Dictator berates, shames, and tries to control it. It knows the Dictator is planning to starve it. So it’s not surprising that the instant the Dictator is weakened by stress, hunger, or environmental chaos, the Wild Child leaps into action and eats like a junkyard dog.
Martha N. Beck (The Four-Day Win: End Your Diet War and Achieve Thinner Peace)
If you really want change to happen, if you really want to 'help' fat people, you need to understand that shaming an already-shamed population is, well, shameful. Do you know what happened as soon as I rejected all this shit and fell in unconditional luuuuurve with my entire body? I started losing weight. Immediately. WELL LA DEE FUCKING DA.
Lindy West (Shrill: Notes from a Loud Woman)
Shame is a difficult thing. People certainly try to shame me for being fat. When I am walking down the street, men lean out of their car windows and shout vulgar things at me about my body, how they see it, and how it upsets them that I am not catering to their gaze and their preferences and desires. I try not to take these men seriously because what they are really saying is, “I am not attracted to you. I do not want to fuck you, and this confuses my understanding of my masculinity, entitlement, and place in this world.” It is not my job to please them with my body. It
Roxane Gay (Hunger: A Memoir of (My) Body)
Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her. Relief, if she felt any at all, was short-lived, for he laved every inch of her back with grease and then tried to nudge her arms aside to get at the burned skin along her ribs. She resisted him, but in the end his strength won out. When his fingertips grazed the swell of her left breast, her lungs ceased working and her body snapped taut. He hesitated, then resumed the rubbing, diving his fingertips between her and the fur to graze her nipple. She wasn’t burned there, and she knew he pressed the issue only to drive home his point. She belonged to him, and he would touch her whenever and wherever he pleased. A sob caught in her throat. Once again she felt his hand pause. His gaze burned into the back of her head, tangible in its intensity. At last he withdrew his arm from under the fur and sat back. Loretta twisted her neck to look up at his dark face, not bothering to wipe away her tears, too defeated to care if he saw them. He set the leather pouch on the pallet beside her. For an instant she thought she glimpsed pity in his eyes. “You rub the rest, eh? And put yourself into the clothes.” With that, he rose, presented his broad back to her, and walked away to crouch by the only remaining fire. Loretta clutched the fur to her breasts and sat up, not quite able to believe he had left her alone to dress.
Catherine Anderson (Comanche Moon (Comanche, #1))
After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death. The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed. He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her. He dropped the clothing onto the fur and held up the pouch. “Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her.
Catherine Anderson (Comanche Moon (Comanche, #1))
stars were a million darting eyes on the lookout for rule-breaking in her story: sexism, ageism, racism, tokenism, ableism, plagiarism, cultural appropriation, fat-shaming, body-shaming, slut-shaming, vegetarian-shaming, real-estate-agent-shaming. The voice of the Almighty Internet boomed from the sky: Shame on you!
Liane Moriarty (Nine Perfect Strangers)
Strangely enough, though, it is also a country where, contrary to a general Western misconception, there is almost no feeling whatever for aristocracy by birth - although the superiority conferred by education is universally respected. Man is man; and although the advantages of wealth and power are obvious enough, it never occurs to him to be ashamed of any condition in which destiny has placed him. So in China one never finds, for instance, the embarrassed class consciousness that so often makes for mutual awkwardness in the West. Social false shame is simply unheard of, unknown; and it is a great relief to be done with it.
George Kates (The Years That Were Fat: The Last of Old China)
Too difficult? Better not to make the attempt? Those are the words of a coward,' Cardan said, full of childish bravado. In truth, his brother intimidated him, but that only made him more scornful. Prince Dain smiled. 'Let us exchange arrows at least. Then, if you miss, you can say that it was my arrow then went awry.' Prince Cardan ought to have been suspicious of this kindness, but he'd had little enough of the real thing to tell true from false. Instead, he notched Dain's arrow and pulled back the bowstring, aiming for the walnut. A sinking feeling came over him. He might not shoot true. He might hurt the man. But on the heels of that, angry glee sparked at the idea of doing something so horrifying that his father could no longer ignore him. If he could not get the High King's attention for something good, then perhaps he could get if for something really, really bad. Cardan's hand wobbled. The mortal's liquid eyes watched him in frozen fear. Enchanted, of course. No one would stand like that willingly. That was what decided him. Cardan forced a laugh as he relaxed the bowstring, letting the arrow fall out of the notch. 'I simply will not shoot under these conditions,' he said, feeling ridiculous at having backed down. 'The wind is coming from the north and mussing my hair. It's getting all in my eyes.' But Prince Dain raised his bow and loosed the arrow Cardan had exchanged with him. It struck the mortal through the throat. He dropped with almost no sound, eyes still open, now staring at nothing. It happened so fat that Cardan didn't cry out, didn't react. He just stared at his brother, slow, terrible understanding crashing over him. 'Ah,' said Prince Dain with a satisfied smile. 'A shame. It seems your arrow went awry. Perhaps you can complain to our father about that hair in your eyes.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I dislike “big” as a euphemism, maybe because it’s the one chosen most often by people who mean well, who love me and are trying to be gentle with my feelings. I don’t want the people who love me to avoid the reality of my body. I don’t want them to feel uncomfortable with its size and shape, to tacitly endorse the idea that fat is shameful, to pretend I’m something I’m not out of deference to a system that hates me. I don’t want to be gentled, like I’m something wild and alarming. (If I’m going to be wild and alarming, I’ll do it on my terms.) I don’t want them to think that I need a euphemism at all.
Lindy West (Shrill: Notes from a Loud Woman)
Once my plate landed on the table, I couldn't help eating the hash like I was starving. He'd added a little sautéed garlic and parsley at the end, and the fragrance against the crispy potatoes made me hum with happiness. I was about to pick up my plate and his to wash them when he said, "I could make amazing fries if you wanted." I shook my head. "They wouldn't work for the book. People think deep-frying at home is incredibly messy, and the low-fat and low-carb lobbies finished the job." He laced his fingers behind behind his head. "That's a shame. But I didn't mean for the book." I stared at him. "You'd make fries just for me?" His cheeks went a little pink.
Sarah Chamberlain (The Slowest Burn)
Music with Fats Domino in his day blended deftly with his piano playing. And his euphonious voice, deep and rich, reaches out to all who find good music simpatico. His song Ain't That A Shame rocks well with the Blues of integrated harmony.
Nkwachukwu Ogbuagu
Sir Parsifal started in on a chocolate milkshake, which he really did not need.
Paul Carlson (Analog Science Fiction and Fact, June 2012)
I grew up with a “God is watching you, so you better not make him mad” mentality. I felt guilty for feeling good, for feeling bad, and for feeling nothing. Attending Confession was supposed to alleviate some of the guilt, but I always ended up feeling guilty for not telling the priest everything I felt guilty about, so I stopped going to Confession. Then I felt guilty that I stopped going to Confession. That’s a lot of guilt. Just when I thought that nothing could top “Catholic Guilt,” I became acquainted with “Parental Guilt,” which totally puts “Catholic Guilt” to shame. Sorry, Catholic Guilt. Now I feel guilty for shaming you. Well, at least now you know how I feel. No matter how hard you try to be a good parent, you always know deep down that you could do more. I feel guilty when I travel out of town to do shows. I feel guilty when I’m in town and I don’t spend every single moment with my children. I feel guilty when I’m spending time with my children and I am not doing something constructive toward their intellectual development. I feel guilty when I feed them unhealthy food they like. I feel guilty when I feed them healthy food they don’t like. I feel guilty when I drop them off at school. I feel guilty when I pick them up at school. I feel guilty mostly for writing this book instead of spending time with them. Great, now I’ve probably made you feel guilty for reading this book. I feel guilty about that now, too. Sorry. Probably what I feel most guilty about is how many times I have used the word guilty in this essay. Again, let me sincerely apologize. Wow. I feel so much better after this confession. You were right, Catholic Guilt. Thank you.
Jim Gaffigan (Dad Is Fat)