Chanel Shoes Quotes

We've searched our database for all the quotes and captions related to Chanel Shoes. Here they are! All 12 of them:

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In a meat-eating world, wearing leather for shoes and even clothes, the discussion of fur is childish.
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Karl Lagerfeld
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A woman with good shoes i never ugly!
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Coco Chanel
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...for most of the ride through British Columbia we were treated to stunning scenery ranging from majestic peaks shrouded in mist to more barren vistas reminiscent of the Old West ... to churning rivers fed by waterfalls twisting down mountains like the woven tassels on the white summer Chanel bag I'd left back home. Do waterfalls ever feel unfashionable after Labor Day
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Doreen Orion (Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own)
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My mom's favorite joke is about a spider and a centipede having tea. The centipede gets up and offers to go buy snacks. He goes out the door and hours pass. The spider is so hungry, wondering what happened, and opens the door, only to find the centipede sitting on the doormat, still putting on his shoes. I imagine myself the centipede, struggling to tie each of my hundred tiny shoes, it takes me longer to get going than most. But I will put on shoe after shoe after shoe until I can get up and go again.
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Chanel Miller (Know My Name)
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I couldn’t have told you the difference between a, Chanel, and a cabbage, and quite often went out wearing odd shoes. 'The Riviera Affair.
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J. New
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Chanel was frugal but she did spend thousands of dollars on shoes.Β  It was the one bad habit she had never let go. β€œI
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Nako (The Chanel Cavette Story: From The Boardroom To The Block)
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She’s fond of high-heeled shoes, action movies, Chanel, and tea of any sort.
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Heidi Ruby Miller (Greenshift (From the World of Ambasadora))
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People want certainty and experts provide some appearance of that certainty. The problem for the old communist states was that they were unable to move into the postmodernist world in the same way capitalist states had. They were still building tractors and talking in the tonnage of iron being produced, even while capitalist society had moved on to the information age, an age defined more by consumption than by production. And so, young intellectuals in East Germany are discussed, since they felt they wanted to leave, not because they were unhappy with their state supplied doctor – but because in post-modern times, one is defined by the choices one makes – and where there are no choices, there is no identity either. This runs the whole way down. He constructs a dualism between seduction and surveillance (Foucault’s panopticon). He says that the main force of social regulation now is seduction. At least this is true for those who matter in society. They are seduced by products – their need to buy is generated by their need to assert and create their own identity – and so, we are all constantly seduced by the images of what we could become if only we added this one more item to our store. For those who are at the bottom of society, all that is available to them is the minimum necessary to keep their body and soul together. And so, these people must be watched to ensure they do not try anything that might otherwise damage social harmony. Bauman doesn’t say this here, but since these people are essentially failed consumers, all they really want is access to the same kinds of products the comparatively wealthy enjoy, products that would enable them to also construct their own identities. When there were riots in England in 2011, for example, as others have said – including Bauman, I believe – the precariat did not seek to tear down the system, they broke into department stores and stole shoes and wide-screen televisions. The revolution was not a call for Liberty, Equality, Fraternity – but Gucci, Chanel, Calvin Klein.
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Trevor on Intimations of Postmodernity by Zygmunt Bauman
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Down here there was no snow, no hallways, no buildings, no cement, no shoes, no paperwork, no emails. No ringing, shouting, clicking of pens, beeping of machines. It all meant nothing. The whole world was muted, noise forgotten, save for the sound of my breathing. I felt I had melted into the water, nothing but a beating heart with two eyes. I imagined the defense attorney bobbing in the water in his suit, glasses dripping, with a sunburned forehead, his tie undulating like seaweed, one polished shoe drifting slowly to the bottom. He’d be kicking wildly, while I stayed safe below, moving through constellations of pink and yellow fish, in silence. You cannot touch me.
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Chanel Miller (Know My Name: A Memoir)
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Ooh girl! You are definitely hooked now. I can see that Chanel Smile!
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Lily Hall (The Shoes)
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My mom’s favorite joke is about a spider and a centipede having tea. The centipede gets up and offers to go buy snacks. He goes out the door and hours pass. The spider is so hungry, wondering what happened, and opens the door, only to find the centipede sitting on the doormat, still putting on his shoes. I imagine myself the centipede, struggling to tie each of my hundred tiny shoes, it takes me longer to get going than most. But I will put on shoe after shoe after shoe until I can get up and go again.
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Chanel Miller (Know My Name: A Memoir)
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Every inch of me had been cut, filed, steamed, exfoliated, polished, painted, or moisturized. I didn't look a thing like Opal Mehta. Opal Mehta didn't own five pairs of shoes so expensive they could have been traded in for a small sailboat. She didn't wear makeup or Manolo Blahniks or Chanel sunglasses or Habitual jeans or La Perla bras. She never owned enough cashmere to make her concerned for the future of the Kazakhstani mountain goat population. I was turning into someone else.
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Kaavya Viswanathan (How Opal Mehta Got Kissed, Got Wild, and Got a Life)