Happily Move On Quotes

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I think we ought to live happily ever after.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl. "And you'll exploit me," Sophie said. "And then you'll cut up all my suits to teach me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
To me, “FEARLESS” is not the absence of fear. It’s not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you’ve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over again… even though every time you’ve tried before, you’ve lost. It’s FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can’t breathe without them. I think it’s FEARLESS to fall for your best friend, even though he’s in love with someone else. And when someone apologizes to you enough times for things they’ll never stop doing, I think it’s FEARLESS to stop believing them. It’s FEARLESS to say “you’re NOT sorry”, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is FEARLESS. Then, moving on and being alright…That’sFEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. That’s why I write these songs. Because I think love is FEARLESS.
Taylor Swift
Hindsight, I think, is a useless tool. We, each of us, are at a place in our lives because of innumerable circumstances, and we, each of us, have a responsibility (if we do not like where we are) to move along life's road, to find a better path if this one does not suit, or to walk happily along this one if it is indeed our life's way. Changing even the bad things that have gone before would fundamentally change who we are, and whether or not that would be a good thing, I believe, it is impossible to predict. So I take my past experiences... and try to regret nothing. -Drizzt Do'urden
R.A. Salvatore (Sea of Swords (Forgotten Realms: Paths of Darkness, #4; Legend of Drizzt, #13))
Being in love is a good thing, but it is not the best thing. There are many things below it, but there are also things above it. You cannot make it the basis of a whole life. It is a noble feeling, but it is still a feeling. Now no feeling can be relied on to last in its full intensity, or even to last at all. Knowledge can last, principles can last, habits can last but feelings come and go. And in fact, whatever people say, the state called ‘being in love’ usually does not last. If the old fairy-tale ending ‘They lived happily ever after’ is taken to mean ‘They felt for the next fifty years exactly as they felt the day before they were married,’ then it says what probably never was nor ever would be true, and would be highly undesirable if it were. Who could bear to live in that excitement for even five years? What would become of your work, your appetite, your sleep, your friendships? But, of course, ceasing to be ‘in love’ need not mean ceasing to love. Love in this second sense — love as distinct from ‘being in love’ — is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriages) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other; as you love yourself even when you do not like yourself. They can retain this love even when each would easily, if they allowed themselves, be ‘in love’ with someone else. ‘Being in love’ first moved them to promise fidelity: this quieter love enables them to keep the promise. it is on this love that the engine of marriage is run: being in love was the explosion that started it.
C. S. Lewis (Clive Staples)
We will always be something. You might move on and marry someone else, have his children and get your happily ever after, but you will never be completely done with me.
L.J. Shen (Angry God (All Saints High, #3))
The Universe is an unsettlingly big place, a fact which for the sake of a quiet life most people tend to ignore. Many would happily move to somewhere rather smaller of their own devising, and this is what most beings in fact do.
Douglas Adams (The Ultimate Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1-5))
Howl said, "I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would make a good deal more eventful than any story made it sound, though she was determined to try. "It should be hair-raising," added Howl. "And you'll exploit me," Sophie said. "And then you'll cut up all my suits to teach me," added Howl.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I will not deny that my heart has long occupied itself with the most tender feelings for another. So strong were these impulses that I indulged myself by thinking that if I could not have him whom I admired whom I will admit it now when I would not before I loved then I would never want another. However those are sentiments best saved for one of Lily's romances. The heart is a far more practical thing and in its life is happily capable of more than a single attachment.
Galen Beckett (The Magicians and Mrs. Quent (Mrs. Quent, #1))
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek." I smiled my best smile of the day. "Hello Auri," I said. "You smell like a pretty young girl." "I do," she agreed happily. She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked. "What did you bring me?" I countered. She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce." "It's a clever lettuce then." "Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater. I unwrapped my bundle. "I brought you some potatoes, half a squash, and a bottle of beer that thinks it is a loaf of bread." "What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back "It knows it's a squash," I said. "But it's pretending to be the setting sun." "And the potatoes?" she asked. "They're sleeping," I said. "And cold, I'm afraid." She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Everyone, even within a family, is different. We all have different needs, different issues we struggle with. Part of being a family is learning to face those differences, forgive, and accept so that you can move on to love.
Susan May Warren (Happily Ever After (Deep Haven, #1))
I'll never forget that, because you were right. And I know you weren't trying to teach me a lesson, but you did. Not everything is going to go my way and not everyone gets a happily ever after. Life is real and sometimes it’s ugly and you just have to learn how to cope. I’m going to accept it with a dose of your indifference, and move on.
Colleen Hoover (Hopeless (Hopeless, #1))
Greg crossed to me, his gaze moving in a slow, cherishing path over my features. “If you knew how I saw you, how I think of you, your ego would become unmanageable.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
And I hate to tell you... but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in a school. You'll have to. You're a student—whether the idea appeals to you or not. You're in love with knowledge. And I think you'll find, once... you get past all the Mr. Vinsons, you're going to start getting closer and closer—that is, if you want to, and if you look for it and wait for it—to the kind of information that will be very, very dear to your heart. Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior... Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of thier troubles. You'll learn from them—if you want to. Just someday, if you have something to offer, someone will learn from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry... But I do say that educated and scholarly men, if they’re brilliant and creative to begin with—which, unfortunately, is rarely the case—tend to leave infinitely more valuable records behind them than men do who are merely brilliant and creative. They tend to express themselves more clearly, and they usually have a passion for following their thoughts through to the end. And—most important—nine times out of ten they have more humility than the unscholarly thinker.
J.D. Salinger (The Catcher in the Rye)
Every Princess has one Prince to share the loves and joys of life, and do you know how that Princess knows which Prince is hers?” “How Mommy?” “From the kiss.” “But how?” “The very first kiss with your Prince will change your life. When your lips touch for the first time, the earth will feel like it stops moving, but in the same moment, the world around you spins. It’ll feel like fireworks in the night sky. Like a bright light in the darkness. You’ll feel your heart beat fast in your ears but silence will surround you. And when you pull apart and open your eyes and look at each other, and really see each other. You’ll know it in that moment, through that kiss, that you’ve just let someone own a piece of your heart, and you’ll live happily ever after.
Jay McLean (More Than This (More Than, #1))
You see that thirty-year-old blonde next to Jake? That’s his fiancée, Carrie Clapboard. Carrie moved all manner of heaven and earth to get into that chair. And soon she will happily oversee scullery maids and table settings and the reupholstering of antique chairs at three different houses; which is all well and good. But if I were your age, I wouldn’t be trying to figure out how to get into Carrie’s shoes—I’d be trying to figure out how to get into Jake’s.
Amor Towles (Rules of Civility)
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
W.G. Sebald (Austerlitz)
She was different. She liked hearing it, because she wanted to recall just enough of it to remember that she never wanted to go back to being the person she'd been before.
Harriet Evans (Happily Ever After)
The idea was flawed, of course," he said irritably. "Innately and fatally flawed. It depended on two of the human race's greatest myths: the possibility of permanence, and the simplicity of human nature. Both of which are all well and good in literature, but the purest fantasy outside the covers of a book. Our story should have stopped that night with the cold cocoa, the night we moved in: and they all lived happily ever after, the end. Inconveniently, however, real life demanded that we keep on living.
Tana French (The Likeness (Dublin Murder Squad, #2))
Happily for me, ninety-nine percent of all human life is spent simply repeating the same old actions, speaking the same tired clichés, moving like a zombie through the same steps of the dance we plodded through yesterday and the day before and the day before. It seems horribly dull and pointless-but it really makes a great deal of sense. After all, if you only have to follow the same path every day, you don't need to think at all. Considering how good humans are at any mental process more complicated than chewing, isn't that the best for everybody?
Jeff Lindsay (Double Dexter (Dexter, #6))
Carey was one of those appalling people who wake refreshed and ready for anything every morning about an hour before everyone else, and then bounce around whistling happily, avoiding death only because they move faster than the people who want to kill them.
P.F. Chisholm (A Season of Knives (Sir Robert Carey, #2))
A few of us are extraverts. A few of us are introverts. But most of us are ambiverts, sitting near the middle, not the edges, happily attuned to those around us. In some sense, we are born to sell.
Daniel H. Pink (To Sell is Human: The Surprising Truth About Moving Others)
The Squares The Squares lived happily, in their square houses, in their square yards, in their square town. One day, a family of Circles moved in from the west. “Get out of here, roundies!” shouted one of the Squares. “Why?” asked one of the Circles. “Because this is a metaphor for racism!
Bo Burnham (Egghead: Or, You Can't Survive on Ideas Alone)
Oh!” This was said brightly, as if she was happy he had noticed. “I decided I needed my own workspace, instead of constantly infringing upon yours. So I had a few of the boys move a desk in here.” He stared at the petite, feminine, desk that was pushed against his. And wondered how the bloody hell she had managed to convince men who were terrified of him to move the desk inside his domain. “Absolutely not.” *** Two hours later, he was still scowling as she happily worked on . . . whatever the hell it was she was working on. Across from him. At her desk. How the hell . . . He remembered saying no. He remembered cursing. Threatening her unborn children. Then there was a sort of hazy period of smiles and calm words. Then she had touched the back of his hand with her naked fingers. And now, here he was with . . . her desk . . . pressed to his—surreptitiously watching her scratch her paper, the tip of her tongue poking from the side of her mouth as she worked.
Anne Mallory (In Total Surrender (Secrets, #3))
Elle wondered if he had regrets. But she didn't let herself wonder for too long. She had locked her heart up against him, and it would take something extraordinarily strong to break it open.
Harriet Evans (Happily Ever After)
The Universe, as has been observed before, is an unsettlingly big place, a fact which for the sake of a quiet life most people tend to ignore. Many would happily move to somewhere rather smaller of their own devising, and this is what most beings in fact do. For instance, in one corner of the Eastern Galactic Arm lies the large forest planet Oglaroon, the entire "intelligent" population of which lives permanently in one fairly small and crowded nut tree. In which tree they are born, live, fall in love, carve tiny speculative articles in the bark on the meaning of life, the futility of death and the importance of birth control, fight a few extremely minor wars and eventually die strapped to the underside of some of the less accessible outer branches.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Not everything is going to go my way and not everyone gets a happily ever after. Life is real and sometimes it’s ugly and you just have to learn how to cope. I’m going to accept it with a dose of your indifference, and move on.
Colleen Hoover (Hopeless (Hopeless, #1))
It's just odd being a guest at the wedding. When you dreamed about it for so long, even if you we're a different person, and it was years ago. Sounds so stupid. I was stupid.
Harriet Evans (Happily Ever After)
Howl said, “I think we ought to live happily ever after,” and she thought he meant it.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
You're going to be okay," Winter said reassuringly. You don't understand," Leven snapped. What don't I understand?" Winters voice was stern. "Sorry you feel bad, but its not like you just met a person so beautiful that now you feel completely worthless." What?" Leven said. "What are you talking about?" Isaw the way you fell over yourselves to stare at her." That was Geth." Don't argue, you two," Geth said. Were not arguing." Leven felt light-headed. No," Winter confirmed. "We're just...." Winter looked at Leven. Leven looked right back at her. Winters cheeks burned red and her green eyes outshone Leven's. The two of them stared at one other. Leven closed his eyes. What are you doing?" Geth asked, concerned. Winter closed her eyes too and leaned closer. Both of them looked panicked and out of control, but it didn't stop them from moving closer and kissing each other. Clovers jaw dropped and he pulled something out of his void just so he could let go of it in shock. Even Geth looked caught off guard, as if he'd been given news that he never thought he'd hear in his lifetime. Leven stumbled back and looked at Winter. His face was almost as red as hers. He looked at Geth and Clover and then back to Winter. Well that was interesting," Clover said happily. I don't know what....." Leven tried to say. No, I......" Winter said. "Its not you.... it's just that my... I think I left something down below.
Obert Skye (Leven Thumps and the Wrath of Ezra (Leven Thumps, #4))
I think sometimes the bits of your life happen in the wrong order, or all at the same time and you waste time feeling angry about it, but that's the way it is, it's real life. You meet the person who you think could make you happy the rest of your life, but at the same time your ex-girlfriend who's told you umpteen times she never wants to see you again tells you you're going to be a dad.' Elle took up the story. 'And then you move to another country and then the next time you see that person, even though its like no time has passed, you sleep together and then - your mum dies' She gave a short, sad laugh. 'Yep that's rubbish timing
Harriet Evans (Happily Ever After)
Love is like a game of chess. You're white. He's black. You wait for him to make a move, while staring into his handsome, melting-you-on-the-inside eyes, then realize what a dummy he is to not tell you straight out to go first. The beginning is the crush stage. You begin to realize how much you want to defeat him, or make him fall in love with you. By the time you get to the heat of the game, you both moved and are hopefully dating. If you haven't forfeit then because you don't want to be cheated on, you make another move- head on shoulder, hand holding, etc. Black makes another move-he gives you his jacket on a freezing night. By the endgame, he either realizes how stupid he was to play with you and forfeits, or he realizes how smart you are and lets you defeat him (and love you). By the time you win, you're married to him. A happily ever after game of chess.
Amrita Ramanathan
Okay you guys need the dope on the real story of the princess and the frog...So once upon a time a beautiful independent confident princess came upon a frog sitting by a pond. The frog said to the princess 'I was once a handsome prince until an evil Witch put a spell on me.'...So the smart-assed frog said 'If you will just kiss me I will turn back into a prince. And then you'll marry me move into the castle with my mother and you can cook for me and clean my clothes have my children and live happy ever after while I go rescue a damsel in distress'...Later that night the princess laughed as she sat down to dinner. 'I don't think so ' she said and dug hungrily into her plate of frog's legs. And she lived happily ever after.
Phyllis Curott (The Love Spell: An Erotic Memoir of Spiritual Awakening)
Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things.
E.R. Braithwaite (To Sir, With Love)
You can’t fuck around with chemistry, you silly little asshole. If it were possible to just kiss someone you don’t give a shit about and move on, don’t you think everyone would be doing it all the time? I’d go HAM on Roger in produce at Russ’s Market if that were the case.
Lynn Painter (Happily Never After)
Since being back in London everything seemed greyer, but clearer. She couldn't explain it. The strangest thing was she couldn't recall her New York self. She wanted that part of herself back, but she couldn't remember what it was like to be that Elle. She would catch a whiff of it, like the snatch of a song that still won't lead you to the chorus, and then it would be gone.
Harriet Evans (Happily Ever After)
Mostly that it takes two to make a couple. One person can’t do it on her own, no matter how hard she tries; In our case, I want to be happily married, but you’ don’t. So, I’m cutting my losses and moving on in the hope that, someday, I’ll find a man willing to share more than just his bed with me.
Catherine Spencer (The Millionaire's Marriage (Wedlocked! Book 47))
Once upon a time when I was young, I had a lovely boyfriend who bought me a hammock and hooked it up on my tiny and highly perilous roof terrace, where I spent many happy hours just rocking and reading, eating Quavers and reflecting on my lovely handsome boyfriend. Then, I married him and we had a bunch of children and a dog and moved somewhere where it rains all the time, and I think the hammock is in storage. This, my friends, is apparently what's known as 'happily ever after'.
Jenny Colgan (The Bookshop on the Corner (Kirrinfief, #1))
Listen carefully. Listen and you'll hear everything you need to know. a nightmare is a different case entirely, it's a box of black shadows and vicious red stars, something to keep carefully closed, lest the ground below be broken in two now it's a time like any other, long minutes, tedious seconds, nothing more than flat time moving forward, like it or not it is impossible to stop some things, rainfall, for instance, and love at first sight, and the slow and steady path of sorrow the cruel and desperate variety that always accompanies yearning for someone you're bound to lose when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. there are the same apple trees and the same songbirds, and over our heads, the very same sky that shine like heaven, so far above us qw can never hope to reach such heights sometimes those who love you best are the ones who leave you behind hearts were made for being broken. there's really no way around it if you want to be a human being. ...consider what people are capable of going through in this world and how much courage it's possible to have when someone kisses you with everything they feel, you don't stop thinking about it for a very long time. you didn't think you were going to get married and live happily ever after did you? you're not that stupid... a book of hope that has never been finished, a list of dreams left undone.
Alice Hoffman (Blue Diary)
People say “Move on” “Think about your happiness”. But that isn’t easy. Is it? Life is much powerful than we can imagine. It doesn’t go according to our wish. We can’t choose whom we fall for. Nope that’s not up to us. Because the term ‘blinded in love’ occurred for some reason. Lol. How can someone think about their happiness when they are in love? Isn’t love supposed to be selfless? Thinking about thyself is the “selfishest” thing ever of this planet. You might say he doesn’t love me back so why I am hurting myself sticking to it and expecting the unexpected to happen? Let me tell you this. Have you ever been in love? I don’t think so. Because if you did, you’d know loving someone immensely is the most beautiful thing in the world. Even if it’s one sided or has no future, but the peace you get thinking about them, the satisfaction of giving your purest love to them is enough for you to live happily ever after.
Shehrin Odri
Moving on means getting back on track to align with the opposite of what turned you off.
Franklin Gillette (How to Live Life Happily After Divorce)
People are attracted to those who fully live life without excuses.
P.S. Wells / PeggySue Wells (Rediscovering Your Happily Ever After: Moving from Hopeless to Hopeful as a Newly Divorced Mother)
You'll never get to the happily ever after if you don't move past the current chapter...
Carmen DeSousa
Conko like weddings,” said Conko happily. “Conko got cool dance moves, so Conko always get lots of kisses from girls.
Dave Villager (Dave the Villager 35: An Unofficial Minecraft Book (The Legend of Dave the Villager))
It’s the way my mind works, when it works at all. Things to do today: settle down, achieve serenity, live happily ever after. Tick the box and move on.
K.J. Parker (The Company)
She softly presses her lips against mine and moves them gently to encourage my participation, which I happily oblige. She lightly traces her tongue along the seam of my lips, eliciting a rumbling moan from my throat and encouraging gooseflesh to spread across my torso and down my body. She’s mine… She’s all I ever wanted, and now she’s mine. I open my mouth to her and allow her access so we can begin to mend and heal. A whimper escapes her throat and crashes through my constraints, encouraging me to escalate the kiss by moving in to consume her and demand even more from her. ~Silas, Resilient~
Criss Copp (Resilient (A Pretty Pill, #3))
it requires two people who actually have a vision for where they want the relationship to go, and the daily execution to move toward that vision. Exceptional relationships are not found. They’re built.
Matthew Hussey (Love Life: How to Raise Your Standards, Find Your Person, and Live Happily (No Matter What))
I’ve noticed tons of abled activists will happily add “ableism” to the list of stuff they’re against (you know, like that big sign in front of the club in my town that says “No racism, sexism, homophobia, transphobia, ableism”) or throw around the word “disability justice” in the list of “justices” in their manifesto. But then nothing else changes: all their organizing is still run the exact same inaccessible way, with the ten-mile-long marches, workshops that urge people to “get out of your seats and move!” and lack of inclusion of any disabled issues or organizing strategies. And of course none of them think they’re ableist.
Leah Lakshmi Piepzna-Samarasinha (Care Work: Dreaming Disability Justice)
He was her other half, the spoon she was made to nestle into. They would be young together, and then they would grow old together. They would hold hands, and move to the country, and make lots and lots of babies.
Julia Quinn (The Bridgertons: Happily Ever After (Bridgertons, #1.5-8.5; 8.6))
Not everything is going to go my way and not everyone gets a happily-ever-after. Life is real and sometimes it’s ugly and you just have to learn how to cope. I’m going to accept it with a dose of your indifference, and move on.
Colleen Hoover (Hopeless (Hopeless, #1))
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
It took more than motherhood to move me toward meditation. I first had to lose things—my mother, my marriage, my cynicism. I had to make life-changing decisions. Yet I moved, step by step, into the unknown inner world. Hesitatingly. Skeptically. Slowly.
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
Hindsight, I think, is a useless tool. We, each of us, are at a place in our lives because of innumerable circumstances, and we, each of us, have a responsibility, if we do not like where we are, to move along life’s road, to find a better path if this one does not suit, or to walk happily along this one if it is indeed our life’s way. Changing even the bad things that have gone before would fundamentally change who we now are, and whether or not that would be a good thing, I believe, is impossible to predict.
R.A. Salvatore (Sea of Swords (Paths of Darkness, #3; The Legend of Drizzt, #13))
In the East, he then believed, a man went to college not for vocational training but in disciplined search for wisdom and beauty, and nobody over the age of twelve believed that those words were for sissies. In the East, wearing rumpled tweeds and flannels, he could have strolled for hours among ancient elms and clock towers, talking with his friends, and his friends would have been the cream of their generation. The girls of the East were marvelously slim and graceful; they moved with the authority of places like Bennington and Holyoke; they spoke intelligently in low, subtle voices, and they never giggled. On sharp winter evenings you could meet them for cocktails at the Biltmore and take them to the theater, and afterwards, warmed with brandy, they would come with you for a drive to a snowbound New England inn, where they’d slip happily into bed with you under an eiderdown quilt. In the East, when college was over, you could put off going seriously to work until you’d spent a few years in a book-lined bachelor flat, with intervals of European travel, and when you found your true vocation at last it was through a process of informed and unhurried selection; just as when you married at last it was to solemnize the last and best of your many long, sophisticated affairs.
Richard Yates (Revolutionary Road)
For learning to live happily even after, finding a way to forgive the unforgivable, and to move forward in life graciously with hope in our hearts and goodwill in our gestures and in our words, may very well be the essence of what it is to truly love each other.
Katherine Woodward Thomas (Conscious Uncoupling: 5 Steps to Living Happily Even After)
When you reassess where you are and what you’ve done, new factors may come to light to help you make more informed choices moving forward. Whether your assessment encourages you to rest happily on your laurels or change directions, reassessment is incredibly valuable.
Susan C. Young
To demolish this basilica," the king said, " is to pretend our history never happened – an easy way to allow ourselves to move happily forward, telling ourselves that another 'Franco' could never happen. But of course it could happen, and it will happen if we are not vigilant. - Father of Prince Julian
Dan Brown (Origin (Robert Langdon, #5))
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
E.R. Braithwaite (To Sir, With Love)
There are two types of spirits. One makes the transition to the spirit realm and goes on to whatever comes next. They can still come back to connect with people who are alive, but it’s like dropping by for a visit, and then they go back to whatever it is they were happily doing in the next life. On the other hand, earthbound spirits—ghosts—are folks who pass but still have unfinished business. They feel like they’re going to be judged for something they did wrong; or they don’t know they are dead; or they are angry about being dead and not getting to finish something. They have been cheated out of life. They stay on a plane that’s closer to the plane of earth, and that’s why they’re always at the corners of our vision and the edges of our dreams. Once they complete the process and resign themselves to the fact that their time on earth is finished and they’ve done what they can do, they can move to the next level.
Jodi Picoult (Where There's Smoke)
About a month before I gave birth, Colin moved to LA full-time. Once Rudy arrived, Colin settled happily into his new role, returning to architecture when an interesting project cropped up. Pretty amazing, right? Unless you reverse the gender, and then it's what women who have the choice to stay home do 95 percent of the time.
Nell Scovell (Just the Funny Parts: ... And a Few Hard Truths About Sneaking Into the Hollywood Boys' Club)
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Hebraism and Hellenism,−−between these two points of influence moves our world. At one time it feels more powerfully the attraction of one of them, at another time of the other; and it ought to be, though it never is, evenly and happily balanced between them. The final aim of both Hellenism and Hebraism, as of all great spiritual disciplines, is no doubt the same: man's perfection or salvation.
Matthew Arnold (Culture and Anarchy)
But creativity, she doesn’t fit in a box. She’s a wild, fluid, uncontrollable energy that spreads out sensuously from a curious, wide open mind in large expanses of aimless time on dreamy liminal train journeys or in subtle moments between waking and sleep. She can’t be pushed, or coughed up, or beaten into submission by a brutal and unmerciful regime. She needs light, and breath, and space and then, maybe, if the mood takes her, she’ll unfurl her wings and let her colors run into the atmosphere. And this energy, this wild, fun, unpredictable magic that I’d played with so happily as a child, that had flowed through me like it was my very life force up until this point; I didn’t understand it anymore. Creativity was this swirling wild mysterious language, but now I lived in a colorless angular world that promised me a certainty I valued above all else. And where before, I was just scribbling, writing, moving for the mere joy of it, now I tried to commodify my creativity. I tried to squeeze it out and make it do something worthwhile, be special, be important, be good. I could no longer see the point of art if it wasn’t good. But that’s the tricky thing about art, it’s never strictly good or bad, it’s just expression, or excretion. It couldn’t be measure by scales or charts, or contained in small manageable segments in the day. It was always, by its very nature, so imperfect. And the imperfections drove me mad. The anxiety and frustration with my creative endeavors turned into an actual fear of blank pages and pallets of paint. There was too much potential and too much room to fail so day by day, I chose perfection over creativity. I chose no more creativity, and no more mistakes. There are things that eating disorders takes from you that are more important, much greater and more profound a loss, and much much more difficult to recover and restore completely than body fat. And that reckless urge to create, just for the pure, senseless joy of it, would become the one I missed the most.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
The key to swimming with sharks is that you never let your smile falter. You never let them see they have cut you,” he said. “For once they sense blood in the water, it becomes a frenzy. If, however, you can deny them the reaction they’re looking for, they get desperate and are forced to make bolder and more careless moves. Remember that, dear cousin. Patience is the key to this victory.” Tabitha gave Alexander
Ellie St. Clair (The Duke She Wished For (Happily Ever After, #1))
Instead, the Buddha replied, “I am going to send you back to the same forest, but I will provide you with the only protection you will need.” This was the first teaching of metta meditation. The Buddha encouraged the monks not only to recite the metta phrases but to actually practice them. As these stories all seem to end so happily, so did this one—it is said that the monks went back and practiced metta, so that the tree spirits became quite moved by the beauty of the loving energy filling the forest, and resolved to care for and serve the monks in all ways. The inner meaning of the story is that a mind filled with fear can still be penetrated by the quality of lovingkindness. Moreover, a mind that is saturated by lovingkindness cannot be overcome by fear; even if fear should arise, it will not overpower such a mind.
Sharon Salzberg (Lovingkindness: The Revolutionary Art of Happiness (Shambhala Classics))
The dissolving, uniting forces combine what to us have been incompatible: attraction with repulsion, darkness with light, the erotic with the destructive.  If we can allow these opposites to meet they move our inner resonance to a higher vibratory plane, expanding consciousness into new realms.  It was exciting, through my explorations some of which I share in later chapters, to learn firsthand that the sacred marriage or coniunctio, the impulse to unite seeming opposites, does indeed seem to lie at the heart of the subtle body’s imaginal world. One important characteristic of the coniunctio is its paradoxical dual action.  The creative process of each sacred marriage, or conjoining of opposites, involves not only the unitive moment of joining together in a new creation or ‘third,’ but also, as I have mentioned, a separating or darkening moment.5 The idea that “darkness comes before dawn” captures this essential aspect of creativity.  To state an obvious truth we as a culture are just beginning to appreciate.  In alchemical language, when darkness falls, it is said to be the beginning of the inner work or the opus of transformation. The old king (ego) must die before the new reign dawns. The early alchemists called the dark, destructive side of these psychic unions the blackness or the nigredo.  Chaos, uncertainty, disillusionment, depression, despair, or madness prevails during these liminal times of  “making death.” The experiences surrounding these inner experiences of darkness and dying (the most difficult aspects were called mortificatio) may constitute our culture’s ruling taboo. This taboo interferes with our moving naturally to Stage Two in the individuating process, a process that requires that we pass through a descent into the underworld of the Dark Feminine realities of birthing an erotic intensity that leads to dying. Entranced by our happily-ever-after prejudiced culture, we often do not see that in any relationship, project or creative endeavor or idea some form of death follows naturally after periods of intense involvement.  When dark experiences befall, we tend to turn away, to move as quickly as possible to something positive or at least distracting, away from the negative affects of grieving, rage, terror, rotting and loss we associate with darkness and dying. As
Sandra Dennis (Embrace of the Daimon: Healing through the Subtle Energy Body: Jungian Psychology & the Dark Feminine)
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
By the time I woke up on a summer morning—the alarm having missed fire again, for the third time in a week—it was already too hot to move. I lay in bed for a few minutes, wanting to get up but unable to exert the necessary energy. From the girls’ room, small voices rose in song, and I listened happily, thinking how pleasant it was to hear a brother and two sisters playing affectionately together; then, suddenly, the words of the song penetrated into my hot mind, and I was out of bed in one leap and racing down the hall. “Baby ate a spider, Baby ate a spider,” was what they were singing.
Shirley Jackson (The Magic of Shirley Jackson: The Bird's Nest, Life Among the Savages, Raising Demons, and Eleven Short Stories, including The Lottery)
The portraits were intended to parade their fellows like specimens in a zoo. Yet at the same time most show the castizos, mestizos, and mulattos dressed sumptuously, moving happily about their daily business, tall and robustly healthy each and every one. Looking at the smooth, smiling faces now, one would never know that on the streets of the cities where they were painted these people were scorned for their very diversity. One would also never know that the casta paintings were not diverse enough—not a single one portrayed New Spain’s Asian population, by far the biggest outside Asia. SHOOK-UP
Charles C. Mann (1493: Uncovering the New World Columbus Created)
HERE'S THE PROBLEM: Many men have an exaggerated fear of commitment. If you are a contemporary woman, there is a very good chance that you are going to be involved with at least one man, possibly more, who chooses to walk away from love. It may be the man who doesn't call after a particularly good first date; it may be the ardent pursuer who woos you only to leave after the first night of sex; it may be the trusted boyfriend and lover who sabotages the relationship just as it heads for marriage, or it may be the man who waits until after marriage to respond to the enormity of his commitment by ignoring your emotional needs and becoming unfaithful or abusive. However, whenever it happens, chances are you are dealing with a man who has an abnormal response to the notion of commitment. To him something about you spells out wife, mother, togetherness —forever— and it terrifies him. That's why he leaves you. You don't understand it. You don't see yourself as threatening. As a matter of fact, you may not even have wanted that much from this particular guy. If it's any consolation, he probably doesn't understand his reactions any better than you do. All he knows is that the relationship is "too close for comfort." Something about it, and therefore you, makes him anxious. If his fear is strong enough, this man will ultimately sabotage, destroy, or run away from any solid, good relationship. He wants love, but he is terrified—genuinely phobic—about commitment and will run away from any woman who represents "happily ever after." In other words, if his fear is too great, the commitment-phobic will not be able to love, no matter how much he wants to. But that's not how it seems at the beginning. At the beginning of the relationship, when you look at him you see a man who seems to need and want love. His blatant pursuit and touching displays of vulnerability convince you that it is "safe" for you to respond in kind. But as soon as you do, as soon as you are willing to give love a chance, as soon as it's time for the relationship to move forward, something changes. Suddenly the man begins running away, either figuratively, by withdrawing and provoking arguments, or literally, by disappearing and never calling again. Either way, you are left with disappointed dreams and destroyed self-esteem. What happened, what went wrong, and why is this scenario so familiar to so many women?
Steven Carter (MEN WHO CAN'T LOVE)
But that was where his excitement began to melt into cold anxiety. His dad had been the Gryffindor Seeker, the youngest one in Hogwarts history. The best he, James, could hope for was to match that record. That’s what everyone would expect of him, the first-born son of the famous hero. He remembered the story, told to him dozens of times (although never by his own dad) of how the young Harry Potter had won his first Golden Snitch by virtually jumping off his broom, catching the golden ball in his mouth and nearly swallowing it. The tellers of the tale would always laugh uproariously, delightedly, and if Dad was there, he’d smile sheepishly as they clapped him on the back. When James was four, he found that famed Snitch in a shoe box in the bottom of the dining room hutch. His mum told him it’d been a gift to Dad from the old school headmaster. The tiny wings no longer worked, and the golden ball had a thin coat of dust and tarnish on it, but James was mesmerized by it. It was the first Snitch he had ever seen close up. It seemed both smaller and larger than he’d imagined, and the weight of it in his small hand was surprising. This is the famous Snitch, James thought reverently, the one from the story, the one caught by my dad. He asked his dad if he could keep it, stored in the shoebox when he wasn’t playing with it, in his room. His dad agreed easily, happily, and James moved the shoebox from the bottom of the hutch to a spot under the head of his bed, next to his toy broom. He pretended the dark corner under his headboard was his Quidditch locker. He spent many an hour pretending to zoom and bank over the Quidditch green, chasing the fabled Snitch, in the end, always catching it in a fantastic diving crash, jumping up, producing his dad’s tarnished Snitch for the approval of roaring imaginary crowds.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
She, who had never liked weddings, had allowed herself this fantasy. Her wedding day to Rory. A pretty church in Sussex, festooned with spring flowers. Rows of relatives, and her, Elle, floating down the aisle in cream silk to 'The arrival of queen Sheba', with eyes only for him... Rory, slightly rumpled, slightly scared, her love, her only one. But that wasn't how it had turned out. She knew she was OK, watching him, in fact she was happy for him, happy for Libby. But she couldn't help but feel a pang of sympathy for the girl she'd been, who'd loved him so much. She was still dreaming somewhere, hoping this day would come.
Harriet Evans (Happily Ever After)
America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest. "Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message. I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke. "I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died." Her lips pursed and unpursed as she dreamed. "Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for. " I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you." I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been. " I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for." There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round. He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her. I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter. I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him. All I could do was wait and give America the time she seem to need. Really, we all needed it. Time was the only thing that would settle this.
Kiera Cass (Happily Ever After (The Selection, #0.4, 0.5, 2.5, 2.6, 3.3))
longevity, a woman who was about to turn 100 years old sang the following song for us in a mixture of Japanese and the local dialect: To keep healthy and have a long life, eat just a little of everything with relish, go to bed early, get up early, and then go out for a walk. We live each day with serenity and we enjoy the journey. To keep healthy and have a long life, we get on well with all of our friends. Spring, summer, fall, winter, we happily enjoy all the seasons. The secret is to not get distracted by how old the fingers are; from the fingers to the head and back once again. If you keep moving with your fingers working, 100 years will come to you.*
Héctor García (Ikigai: The Japanese Secret to a Long and Happy Life)
I want to tell you what I think the sex act is. I think it is like a lovely piece of music, conceived quietly in a background of mutual affection and understanding, made possible by instincts which lean toward each other as naturally as the sunflower slowly turning its lovely face to the sun. I think it is an aria of the sex symphony; an aria which begins beautifully certain of its rightness, moves with that certainty to a distinct tempo of feeling, sings itself happily, steadily, working, working, to a screaming, bursting climax of indescribable beauty and rapture and then throbs, spent and grateful in a re-dedication for the next movement of its perfection.
Terry Teachout (Duke: A Life of Duke Ellington)
But China’s mandatory household registration system, the hukou, presents a significant barrier for this type of match. Citizens from the countryside are not allowed to move to urban areas without state approval. The prospect of more desirable employment lures many to cities anyway, but even if they find a good job, they are barred from accessing urban health care, education, and housing benefits. And since children inherit their mother’s hukou status, no self-respecting urban bachelor wants to marry a poor girl from the sticks—unless they are truly in love, and in which case, everyone lives happily ever after. Except for the woman and her children, who, because of their hukou, are essentially illegal aliens in their own country.
Brian Klingborg (Wild Prey (Inspector Lu Fei, #2))
He stood staring round him, and telling himself that he knew how it had happened—oh yes, he could see it all—how at the moment of George’s death Catherine, flooded with pity, with grief, perhaps with love now that she was no longer obliged to love, had clung on to his arrangements, not suffering a thing to be touched or moved or altered, pathetically anxious to keep it exactly as he used to, to keep him still alive at least in his furniture. Other widows he had heard of had done this; and widowers—but fewer of them—had done it too. He could imagine it easily, if one loved some one very much, or was desperately sorry because one hadn’t. But to go on year after year? Yet, once one had begun, how stop? There was only one way to stop happily and naturally, and that was to marry again.
Elizabeth von Arnim (Love)
Dear After the rain, How are you doing today? Are you angry? Are you crying? Or are you releasing what doesn’t serves you anymore? For years now, I’ve been so angry. I know you all know me by now because there have been plenty of times when you hid my tears. Memories used to linger in the raindrops. However, today, there is something different in the air. It is like nothing I’ve ever experienced before. I feel the light... and it is peeking in. Soon my heart will be shining bright, filled with a downpour of love and light. I feel it in my energy that Nurse Hope's love will be drenching Kace and me from head to toe. The clouds are turning dark grey. They look very familiar. They used to be clouds of grief. As the grey clouds darken, the sky turns black, but I have no fear. The rain has cleared the air and has washed away all the fears I carried along the way. I happily and gently put my fears down because they do not serve me anymore. The thunder has shaken Kace’s and my fears—and they no longer linger on. They do not have a place in my mind anymore. As of today, the rain has washed them away. The lightning has made its mark and stuck love into Kace’s and my life. I know and have faith that it will be permanent. The heavy rain clouds are moving away slowly. When the heart rains, it is cleansing the soul. When the heart rains, hurt fades away. My heart is raining, and happy days are one step in front of me. All I have to do is take that one step that will lead me to happiness and love. I do not look back. I keep my head straight and move one foot in front of the other. I just stepped into a world of happiness. I am drenched in love and loving it.
Charlena E. Jackson (Pinwheels and Dandelions)
She’s contemplative; I can feel the air around her thick with her thoughts. “No,” she says at last, “I want to believe you’re being sincere but I know you’re not. So I say no, because even if I allow myself to fantasize a little about our lives in a cabin on the beach, I still find myself being left by you. There’s almost no scenario I can think of where we live happily ever after.” “There could be,” I tell her and mean it at the moment. Maybe mean it for longer. Her fingers stop moving and she sighs. I open my eyes and she’s staring down at me. The lights have come on around the parking lot and one of them shines directly into her face. She angelic, a neon seraphim under the brilliant skies of the spring. I can see us on our boat, eating our hand picked clams on the fire behind our place. I can see it so vividly I’m almost sure it’s happened.
Jaden Wilkes (Therapist)
I Am Now in My Creative Workshop And so now you are feeling happy, and you are sitting someplace in your Workshop. Here is an example of the work you may do in your Creative Workshop: I like being here; I recognize the value and power of this time. I feel very good to be here. I see myself in a sort of total package, one that I know is of my own creating, and certainly a package of my choosing.I am full of energy in this picture of myself—tireless, and really moving through life experience without resistance. As I see myself gliding about, moving in and out of my car, in and out of buildings, in and out of rooms, in and out of conversations, and in and out of life experiences, I see myself flowing effortlessly, comfortably, and happily. I see myself attracting only those who are in harmony with my current intent. And I am clearer and clearer in every moment about what it is I want.
Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
I'm sure we'll need some- oof!" She was never to finish the thoughts she was startled by a creature that came bounding swiftly around the side of the carriage. A glimpse of floppy ears and jolly brown eyes filled her vision before the enthusiastic canine pounced so eagerly that she toppled backward from her squatting position. She landed on her rump, the impact knocking her hat to the ground. A swath of hair came loose and slid over her face, while a young tan-and black retriever leapt around her as if he were on springs. She felt a huff of dog breath on at her ear and the swipe of a tongue on her cheek. "Ajax, no," she heard Ivo exclaim. Realizing what a mess she'd become, all in a matter of seconds, Pandora experienced a moment of despair, followed by resignation. Of course this would happen. Of course she would have to meet the duke and duchess after tumbling on the drive like a half-witted carnival performer. It was so dreadful that she began to giggle, while the dog nudged his head against hers. In the next moment, Pandora was lifted to her feet and caught firmly against a hard surface. The momentum threw her off balance, and she clung to St. Vincent dizzily. He kept her anchored securely against him with an arm around her back. "Down, idiot," St. Vincent commanded. The dog subsided, panting happily. "He must have slipped past the front door," Ivo said. St. Vincent smoothed Pandora's hair back from her face. "Are you hurt?" His gaze ran over her swiftly. "No... no." Helpless giggles kept bubbling up as her nervous tension released. She tried to smother the giddy sounds against his shoulder. "I was... trying so hard to be ladylike..." A brief chuckle escaped him, and his hand moved over her upper back in a calming circle. "I would imagine it's not easy to be ladylike in the midst of a dog mauling.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
March 10 MORNING “In my prosperity I said I shall never be moved.” — Psalm 30:6 “MOAB is settled on his lees, he hath not been emptied from vessel to vessel.” Give a man wealth; let his ships bring home continually rich freights; let the winds and waves appear to be his servants to bear his vessels across the bosom of the mighty deep; let his lands yield abundantly: let the weather be propitious to his crops; let uninterrupted success attend him; let him stand among men as a successful merchant; let him enjoy continued health; allow him with braced nerve and brilliant eye to march through the world, and live happily; give him the buoyant spirit; let him have the song perpetually on his lips; let his eye be ever sparkling with joy — and the natural consequence of such an easy state to any man, let him be the best Christian who ever breathed, will be presumption; even David said, “I shall never be moved;” and we are not better than David, nor half so good. Brother, beware of the smooth places of the way; if you are treading them, or if the way be rough, thank God for it. If God should always rock us in the cradle of prosperity; if we were always dandled on the knees of fortune; if we had not some stain on the alabaster pillar; if there were not a few clouds in the sky; if we had not some bitter drops in the wine of this life, we should become intoxicated with pleasure, we should dream “we stand;” and stand we should, but it would be upon a pinnacle; like the man asleep upon the mast, each moment we should be in jeopardy. We bless God, then, for our afflictions; we thank Him for our changes; we extol His name for losses of property; for we feel that had He not chastened us thus, we might have become too secure. Continued worldly prosperity is a fiery trial. “Afflictions, though they seem severe, In mercy oft are sent.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Q: Which party had wildest celebration and how did it play out? 1) The 1972 Dolphins Super Bowl watching party for the David Tyree catch? 2) The Jack Nicklaus day after Thanksgiving morning in 2009? 3) The NFL referee Monday night football watching party at Ed Hochuli's house for the Seattle/Green Bay game? —Steve G., Salt Lake City SG: Here's my theory on the day after Thanksgiving in 2009: I think Jack Nicklaus heard the news, went out and bought a bottle of 20-year-old Pappy Van Winkle, found an antique shotgun with 300 rounds of ammo, then drove to a secluded spot in the woods 25 miles away from any other human being. He got out of his car, started jumping around and screaming like he won the Super Bowl, did this for 20 solid minutes, then started swigging whiskey and shooting at things while whooping it up. Eventually, he drank the entire bottle, got back into his car and just started happily ramming into trees until the car stopped moving. Then he passed out in the driver's seat, woke up the next morning and walked home. Anyway, my answer is Jack Nicklaus.
Bill Simmons Grantland Mailbag Oct. 28 2012
Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both. “It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.” Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.” With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her. Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins. “Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.” Sweet Lord, were they all right outside the door? “I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.” As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?” “Apparently not.” Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now. Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her. Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing? Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.” Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that. To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?” She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question. So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.” In more ways than one. Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks. She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
But one of the things Dexter is truly good at is learning and following patterns of behavior. I have lived my life among humans, and they all think and feel and act in ways that are completely alien to me—but my survival depends on presenting a perfect imitation of the way they behave. Happily for me, ninety-nine percent of all human life is spent simply repeating the same old actions, speaking the same tired clichés, moving like a zombie through the same steps of the dance we plodded through yesterday and the day before and the day before. It seems horribly dull and pointless—but it really makes a great deal of sense. After all, if you only have to follow the same path every day, you don’t need to think at all. Considering how good humans are at any mental process more complicated than chewing, isn’t that best for everybody? So I learned very young to watch people stumbling through their one or two basic rituals, and then perform the same steps myself with flawless mimicry. This morning that talent served me well, because as I staggered out of bed and into the bathroom, there was absolutely nothing in my head except phlegm, and if I had not learned by rote what I was supposed to do each morning I don’t think I could have done it. The dull ache of a major cold had seeped into my bones and pushed all capacity for thinking out of my brain. But
Jeff Lindsay (Double Dexter (Dexter #6))
That's not going to work at all,' he muttered. 'Why not?' Evangeline spun around. ... 'Jacks frowned, his lips turning down at the corners. 'I think it will attract too many people.' She laughed. 'That's the entire point of an inn, silly.' His frown deepened. Possibly at being called silly. That made Evangeline smile wider. Then Jacks was taking hold of the ribbon around her waist and tugging her closer to him. She'd noticed before that he couldn't go very long without touching her. Tucking hair behind her ear, toying with the straps of her gown, coming up behind her and pressing kisses to the back of her neck as he wrapped his cool arms around her and whispered things that often made her blush. 'I don't want anyone here but you,' he murmured. Then in one of his lighting-fast moves, he deftly stole the paintbrush from her fingers. 'What are you doing?' she squeaked as Jacks released her waist and swished the brush across the sign, adding two letters right before the word happily. 'There,' he said smugly, 'it's fixed now.' Evangeline scowled, as did the little blue dragon who'd been perched happily on the sign. The greeting on the sign, still swinging from Jacks' handiwork, now read: THE HOLLOW Inn for Travellers, Adventurers and Those searching for UNHappily Ever After. 'No one will come if it says that,' Evangeline said. 'Don't be so pessimistic,' Jacks carelessly dropped the brush back in the bucket. 'People will still come. They'll just be a little cursed if they dare to stay here.' (Indigo Exclusive Edition Alternate Ending).
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
Sophie Windham, put that child down and come here.” “You are forever telling me to come here,” she replied, but she put the baby on the floor amid his blankets. “And now I am going away, so humor me.” He held out his arms, and she went into his embrace. “I will not forget you, Sophie. These few days with you and Kit have been my true Christmas.” “I will worry about you.” She held on to him, though not as tightly as she wanted to. “I will keep you in my prayers, as well, but, Sophie, I’ve traveled the world for years and come to no harm. A London snowstorm will not be the end of me.” Still, she did not step back. A lump was trying to form in her throat, much like the lumps that formed when she’d seen Devlin or Bart off after a winter leave. She felt his chin resting on her crown, felt her heart threatening to break in her chest. “I must go to Kent,” he said, his hands moving over her back. “I truly do not want to go—Kent holds nothing but difficult memories for me—but I must. This interlude with you…” She hardly paid attention to his words, focusing instead on his touch, on the sound of his voice, on the clean bergamot scent of him, the warmth he exuded that seeped into her bones like no hearth fire ever had. “…Now let me say good-bye to My Lord Baby.” He did not step back but rather waited until Sophie located the resolve to move away from him. This took a few moments, and yet he did not hurry her. “Say good-bye to Mr. Charpentier, Kit.” She passed him the baby, who gurgled happily in Vim’s arms. “You, sir, will be a good baby for Miss Sophie. None of that naughty baby business—you will remain healthy, you will begin to speak with the words ‘please’ and ‘thank you,’ you will take every bath Miss Sophie directs you to take, you will not curse in front of ladies, nor will you go romping where you’re not safe. Do you understand me?” “Bah!” “Miss Sophie, you’re going to be raising a hellion.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Rebecca Wallace-Segall, who teaches creative-writing workshops for kids and teens as director of Writopia Lab in New York City, says that the students who sign up for her classes “are often not the kids who are willing to talk for hours about fashion and celebrity. Those kids are less likely to come, perhaps because they’re less inclined to analyze and dig deep—that’s not their comfort zone. The so-called shy kids are often hungry to brainstorm ideas, deconstruct them, and act on them, and, paradoxically, when they’re allowed to interact this way, they’re not shy at all. They’re connecting with each other, but in a deeper zone, in a place that’s considered boring or tiresome by some of their peers.” And these kids do “come out” when they’re ready; most of the Writopia kids read their works at local bookstores, and a staggering number win prestigious national writing competitions. If your child is prone to overstimulation, then it’s also a good idea for her to pick activities like art or long-distance running, that depend less on performing under pressure. If she’s drawn to activities that require performance, though, you can help her thrive. When I was a kid, I loved figure skating. I could spend hours on the rink, tracing figure eights, spinning happily, or flying through the air. But on the day of my competitions, I was a wreck. I hadn’t slept the night before and would often fall during moves that I had sailed through in practice. At first I believed what people told me—that I had the jitters, just like everybody else. But then I saw a TV interview with the Olympic gold medalist Katarina Witt. She said that pre-competition nerves gave her the adrenaline she needed to win the gold. I knew then that Katarina and I were utterly different creatures, but it took me decades to figure out why. Her nerves were so mild that they simply energized her, while mine were constricting enough to make me choke. At the time, my very supportive mother quizzed the other skating moms about how their own daughters handled pre-competition anxiety, and came back with insights that she hoped would make me feel better. Kristen’s nervous too, she reported. Renée’s mom says she’s scared the night before a competition. But I knew Kristen and Renée well, and I was certain that they weren’t as frightened as I was
Susan Cain
May I speak with you for a minute, Frank?” He stopped working. “James, Dan. Keep Janie out of trouble.” “Yes, sir.” Both boys gave a salute. Frank’s long legs consumed the expanse, and he met me in the bright sunlight. We rounded the corner of the barn and moved away from its wall, closer to the pigpen. “Is there a problem?” He bent slightly, resting his arms on the top of the rail fence surrounding the sty, one foot propped up on the lower slat. I picked at the jagged edge of a fingernail and cleared my throat. “I’m going home.” “I know.” He looked almost . . . stricken. But it passed. Worried about not having made arrangement yet for the children, I imagined. He cleared his throat, kicked at a clod of dirt. “At the end of the month.” “This morning, actually. I have my train ticket.” Only his jaw moved, the muscle tightening and loosening and tightening again. I paced behind him, reached the other side of the small enclosure, chewed my lip, waited for him to say something. Anything. But the silence closed in around me. I had to get free of it. “I’ve been here long enough. I know that now. You need to be with your family, Frank. You need to sleep in your own bed, be among your own things. The children are comfortable with you again. Besides”—I grabbed the top rail of the pen to hold me steady—“I have my own life to live.” I stared off into the distance, hoping he thought I gazed happily into the life I desired. The quiet boiled between us until his words spat out like a flash of lightning. “Just like that, you’d abandon us?” I whirled to face him. “Just a few days earlier than you promised to send me home, remember?” He shoved his hands into the pockets of his overalls and looked me over as if I were a possum in the bedroom. “They’ve lost their mother. And Adabelle. Now they’ll lose you, too. You don’t think they’ll feel that?” I shook my head, my heart breaking into tiny shards. “They’re young. They’ll take to whoever you bring in as quickly as they took to me.” His face reddened. He stalked toward the barn, then turned and came back, pointing his finger in my face. “Let’s get this straight. I’ve not asked you to leave. You’ve taken this on yourself.” “It’s for the best, Frank. It really is. But . . .” I hesitated. The intensity of his anger made me unsure of my final request. My voice shrank to nearly a whisper. “Will you tell them for me?” His eyebrows arched. He threw back his head and belched a derisive laugh. “You want to leave? Fine. I can’t stop you. But I’m not going to be the one to tell them. You are.
Anne Mateer (Wings of a Dream)
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
Christine Feehan (Dark Magic (Dark, #4))
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
The world is happily moving forward to destruction of there own kind and others by taking on Mother Earth.
Harry P.S
The world is happily moving forward to destruction of their own kind and others by taking on Mother Earth.
Harry P.S
Sometimes even I don't realize how weighed down you are until you let that shit drop," Jasper said as we walked into the courtyard. I walked over to the wall and leaned on it, Jasper moving in behind me, arms around my waist, holding me tight. "I have a mom," I smiled. "A good one too." "And I have a grandmother." "Mhmm." "And a father who is a dickhead, but at least I know him now." "I guess." "And a brother." "I wish I could say that your desire to know him is normal, but I think it's fucked." I shrugged that off. "And I have Jade and Doyle and your mom and freaking Baba Yaga..." I trailed off, exhaling hard. I had never realized how alone I had felt in the world until I had a group of people I loved, admired, and would feel less myself if I hadn't met them. "And you." "I was wondering when you'd get around to me." "Saved the best for last," I said and he squeezed me tight. "Hey Jasper," I said and he made a 'mmm' sound against my neck. "I'm a princess," I declared a little giddily. He chuckled for a long time, his body jumping, making mine do the same. "Yeah you are." "Are you going to start kissing my ring and getting down on a knee in front of me?" I teased. "You want me on my knees, honey, I'll get on my knees. But I can think of a lot better things to kiss from that position than your fucking ring." I smiled at that. Huge. Happy. God, happy. I don't think I knew the meaning of that word until that very minute. "Me either," Jasper agreed. "That's still annoying," I snorted. "You'll get used to it." "Or you could stop mentally eavesdropping," I suggested. "Yeah, like that's gonna happen," he chuckled. Yes, happy. It may have taken an extreme situation, sadness and frustration and pain like I had never experienced before, but in the end, it was worth it. It was so, so worth it. "I love you," I declared for about the fifth time that morning. "I know," he said, just to screw with me and I loved him even more for that. "I love you too... princess." "So about that... kissing thing..." I smiled, turning in his arms. "Thought you'd never ask," he said, eyes going wicked as he dragged me across the courtyard and up to our room where he showed me just what a devoted servant he was to the Light Court. And then we lived happily ever after. Well, sort of. It's a long story. Let's just say shit happened. Things got crazy for a while. But then, oh yeah, we really did live happily ever after.
Jessica Gadziala (Into the Green (The Green #1))
Our culture often expects women in general, and fat women in particular, to confine and limit themselves. We are often discouraged, in many different ways, from moving freely, playfully, and happily in the world. We’re not supposed to take up space and be visible and spontaneous and dynamic, colorful or loud or boisterous or rambunctious. Heaven knows we’re not supposed to be fierce, physically unafraid, and fully aware of our own physical power.
Hanne Blank (The Unapologetic Fat Girl's Guide to Exercise and Other Incendiary Acts)
planet could feel the force of the star pulling it in and was only too happy to let the star lead on; finally it had found a new home. And soon enough, it could feel, sometimes even see, its new family members; the small, frozen rocks far from their mother star; the gas giants, the ones with the magnificent rings; the moons dancing happily around their parents. So full of life, perfectly coordinated, such a wonderful family! Yes, this was where Lifebringer would settle, finally, after so long. Then a small red planet appeared, and the rogue immediately realized its dreams of a new home had come to an end. There would be no peace, only destruction, a second cataclysm. For the red one had moved into its path, and none of them would survive such an impact. There was nothing more to do, no way to avoid the impact. An instant of regret, then nothing.
Andreas Christensen (The Complete Exodus Trilogy (The Exodus Trilogy))
She had expected that sleep would be elusive, with all the thoughts buzzing through her mind. However, a deep slumber soon overtook her, and she sagged against the seat cushions. Shifting, twisting restlessly, she sought a more comfortable position. She felt herself being gathered up and held like a child, and the dream was so soothing that she couldn't help but surrender to the insidious pleasure. Something soft brushed her forehead, and the last few pins that anchored her coiffure were gently drawn from her hair. She inhaled the a wonderful scent, the crispness of wool and shaving soap overlaying the essence of clean male skin. Realizing that she was lying in Gentry's arms, snuggled in his lap, she stirred groggily. "What... what..." "Sleep," he whispered. "I won't harm you." His long fingers moved through the loose locks of her hair. The part of Lottie's mind that protested such a circumstance grappled with the rest of her brain, which pointed out that she was exhausted, and at this point it hardly mattered what liberties she allowed him. However, she stubbornly tugged free of him and pushed away from the invading warmth of his body. He released her easily, his eyes a dark glitter in the shadows. "I'm not your enemy, Lottie." "Are you my friend?" she parried. "You haven't behaved like one so far." "I haven't forced you to do anything you didn't want to do." "If you hadn't found me, I would still be residing happily at Stony Cross Park-" "You weren't happy there. I'll wager you haven't been happy a day in your life since you met Lord Radnor." Oh, how she longed to contradict him! But it was pointless to lie, when the truth was obvious. "You'll find life a hell of a lot more enjoyable as my wife," Gentry continued. "You won't be anyone's servant. You can do as you please, within reasonable limits. And you won't have to fear Lord Radnor any longer." "All for the price of sleeping with you," she muttered. He smiled, all velvety arrogance as he replied. "You may come to enjoy that part of it most of all.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Happily Ever After was a phrase for little girls and movie stars. Grown women concentrated on their careers, maintained their dignity, and never let anyone inside their heart’s walls. Peace and safety on the inside, pain and weakness on the outside. Keep the line moving, folks. Nothing to see here.
Angel Payne (No Prince Charming (Secrets of Stone #1))
! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS! * * * * * * * * * * * * * *
Rachel Renée Russell (Tales from a Not-So-Happily Ever After! (Dork Diaries, #8))