“
Two waves in the ocean are talking to each other. The front wave tells the second that it's frightened because it is about to crash into the shore and cease to exist. But the second wave shows no fear. It explains to the first: "You are frightened because you think you are a wave; I am not frightened because know I am part of the ocean.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Missing feels like a sad spot in my heart...Missing means I love her.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
When we stop fighting against death, we are able to wake up to our lives.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
So many of us suffer because we are trying to live the life we once had or the life we wish for. Life is much sweeter when we live the life we have
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He DID things to the world. The world was bankrupted of ten million fine actions the night he passed on.
”
”
Ray Bradbury
“
إني أؤمن بأن العالم ربما يكون مكاناً أكثر أماناً إذا أضاء كل من يشعربالضعف أنوار التحذير، التي تقول: "لديَّ مشكلة، وأبذل ما بوسعي
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
بمرور الوقت، سيقل حنينك لما كنت تمتلكه بالأمس وتعتاد ما تملكه اليوم أكثر.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
A Buddhist teacher once said that a poisonous snake is only poisonous when you walk toward it.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
The story of Pi is the story of all of us. We all have tigers under our tarpaulins - tigers that, we feel, could destroy us. We think we want to be rid of our tigers. But the truth is, we would feel a great loss if they ran away, because ultimately, each tiger is part of us.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
عندما ينزل بك البلاء، اقترب من الناس الذين يحبونك والذين يمكنهم تحمل آلامك دون أن يلقوا على مسامعك بالنصائح والآراء.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Like all buses, it comes when it comes. You can wait with frustations, angers or feeling of victimhoods or you can wait with patience and relaxation, either way, it won't make the bus come any way faster
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
the wall is there to teach us.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf…
The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
إن الآباء لا يتوقفون أبدا عن الأبوّة، ونحن نرى دائما مستقبلنا من خلال أعينهم. يمكننا أن نعتني بهم بأن نكون صرحاء وأن نذكرهم بأهمية المتعة. وأحيانًا تكون أفضل طريقة ليعتنوا بنا هي أن يعتنوا بأنفسهم
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
بتقدمنا في العمر، تفقد بعض خصائصنا قوتها، مثلما تفقد الحجارة حوافها الحادة جراء هطول مياه الشلالات عليها. وقد نفقد أيضاً جزءا من الحكمة العظيمة التي ولدنا بها. لكن أثر هذه الحكمة يظل موجودا معنا، أمام أعيننا.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
إننا نحارب الموت لأن لكل منا دافعًا شديد القوة للبقاء.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
What you are about, is more important than who you are
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Giving to others is most precious when it is done quietly and selflessly.
Righteous indignation is like candy when you’re starving. It feels good, but it doesn’t sustain you very long.
”
”
Daniel Gottlieb (Letters To Sam: a grandfather's letters to his grandson on love, loss and the gifts of life)
“
يأتي الأمن الحقيقي عندما نرتاح لحقيقتنا (ويعزز هذا الشعور أن نكون في علاقة مبنية على الحب والتفاهم المتبادل). السعادة هي منتج جانبي للحياة التي نحياها.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
الحياة تصبح أحلى بكثير عندما نعيش الحاضر.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Giving to others is most precious when it is done quietly and selflessly.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
When you do feel shame, seek out someone who loves and accepts you for who you are, in the intimacy that exposure brings, an amazing opportunity of being loved for who we are
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
It's a funny thing about life, I think we're born square and we die round
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
God told Abraham to leave his home and set for journey and to have faith of being taken care of. Not just an external journey, it was also a journey upon into oneself.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
A poisonous snake is only poisonous when you walk towards it.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Learn to tolerate your own different-ness from other people and learn to navigate your own waters
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
The world is much bigger than you thought
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Snails first,” Pépé said, bright-eyed. “That season’s only six weeks away.” “You have a season for hunting snails?” Layla asked incredulously. Pépé gave her an indignant look. “You can’t just gather them whenever you’re hungry, you know. You’ll decimate the population, and then no snails for the future.” “What a terrible loss,” Layla said dryly. Everyone at the table stared at her as if she had lost her mind. “Exactly,” his grandfather said firmly.
”
”
Laura Florand (Once Upon a Rose (La Vie en Roses, #1))
“
In Greek mythology, Gods divide a human soil into two and send them world apart, and thus, each human is doomed to spend eternity looking for his/her other half
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
A wise man once said all children are born knowing what the angels look like
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
One day you will die, but death is not your enemy and it only makes you to appreciate life's gifts more with each passing second.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
My grandfather was a closet feminist. So,
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
Altruistic love: giving to others is most precious when it is done quietly and selflessly
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
My dad—Victoria’s grandfather, “Poppa Jim”, as she called him—is forever waist-deep in the warm water of the harbour, holding a body.
”
”
Linda Collins (Loss Adjustment)
“
Like Abraham, as we embark on our own journey, have a lil faith, take the imparted wisdoms from our parents/teachers, go forward and be attentive always to the quiet voice of your heart
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
As the waters of life wash over us, we lose our sharp corners, and that can be good or bad...trust your instincts, remember your 'secret pacts' and reclaim the wisdom you have always had
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Teddy taught me about kindness, about love that is unconditional; a sentiment not dependent on acceptance, approval, or the expectation of something in return. It was the first time I would ever feel this from a man who wasn’t my grandfather. And I didn’t know what to do with it at all. If only I’d embraced our differences sooner. I didn’t know it then, but we had so little time left.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
Suddenly the memory of his wife came back to him and, no doubt feeling it would be too complicated to try to understand how he could have yielded to an impulse of happiness at such a time, he confined himself, in a habitual gesture of his whenever a difficult question came to his mind, to passing his hand over his forehead, wiping his eyes and the lenses of his lorgnon. Yet he could not be consoled for the death of his wife, but, during the two years he survived her, would say to my grandfather: “It’s odd, I think of my poor wife often, but I can’t think of her for a long time.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
He was filled with loss and an off-brand of nostalgia for events that were supposed to become part of his past but now wouldn't at all. In the mind's special processes, a ten-mile run takes far longer than the minutes reported by a grandfather clock. Such time, in fact, hardly exists in the real world; it is all out on the train somewhere, and you only go back to it when you are out there. He and Mize had been through two solid years of such regular time-warp escapes together. There was something different about that, something beyond friendship; they had a way of transferring pain back and forth, without the banality of words.
”
”
John L. Parker Jr.
“
Sometimes situations call for us to act strong and brave even when we don't feel that way, but the payoff is better if we don't pretend when we feel weak or scared so that we allow people to show the kindness that's in them
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Your physical well being and thus your mental state, is God-given responsibility to you. Tending to them and get a clear sense of what your life is about before ashes and dust and you'll be having inner peace with your life
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
I’ll go back. I’ll go back through that Kruger Park. After the war, if there are no bandits any more, our mother may be waiting for us. And maybe when we left our grandfather, he was only left behind, he found his way somehow, slowly, through the Kruger Park, and he’ll be there. They’ll be home, and I’ll remember them.
”
”
Nadine Gordimer
“
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity.
Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing.
Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty.
Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance.
The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’
Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
”
”
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
”
”
Ta-Nehisi Coates
“
But my partner died, and now I detest my work, and I have been blue. More than blue really. I have been in the depths of despair. My grandfather, Fred, who I adored, recently died. It begins to seem to me that life is little more than a series of losses, and as you must know by now, I hate losing. And I suppose I came to Friendship because I no longer wished to be in the place I lived and sometimes I no longer wished to even be in my body.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
It was her grandfather who'd told her the tale of this particular violin, over and over, as if the telling could stave off loss, as if the weight and scope of human history were not found in books or in those mythic universities in Rome and Naples that no one in their village had ever seen but, rather, were encoded in objects like this one, a violin touched by hundreds of hands, loved, used, stroked, pressed, made to outlive its owners, storing their secrets and lies
”
”
Carolina De Robertis (The Gods of Tango)
“
Later, I started to understand just why these children ‘hated’ us other children. I understood that they did not, in fact, hate ‘us’, but hated the fact that we were German and spoke in a language that they associated with pain, fear and the loss of their parents, uncles, grandfathers and grandmothers, their whole families, in fact. Once I understood this it affected me in all sorts of subconscious ways, ways that were to blight my life for many years and make me deny my German birth.
”
”
Alfred Nestor (Uncle Hitler: A Child's Traumatic Journey Through Nazi Hell to the Safety of Britain)
“
What's yer name?" he demanded.
The girl searched for a name. "Stella," she said at last, because she had the stars at her fingertips and she had been studying maps of the sky and she was someone else now, not the girl she had been in Ballarat where her grandfather had pointed out the planets and named them, and not the girl she had been in Melbourne, and she certainly didn't want to be the girl she was at her Brisbane school. She was reinventing herself.
"No it's not," the boy said. "You're new. Where're ya from?"
"I'm Stella," she said stubbornly. "I'm from the moon. You wanna look?
”
”
Janette Turner Hospital (North of Nowhere, South of Loss)
“
Dad’s voice falters as he says goodbye. He is choking down his own grief to protect Mum, I know. He loves her deeply. I accept that he is incapable of expressing all this, and I am incapable of even saying the right thing, should he ever do so. And lurking deeper, is the knowledge that he has been here, himself. When I was aged about 5, his father—my grandfather—had cancer and took his own life by walking into the sea. My dad found his body under a jetty. What would it have been like to experience that tragedy? And then, to try and live, to go on raising a family, with those images haunting you?
”
”
Linda Collins (Loss Adjustment)
“
1.Its a thumb rule- Men who fail in life has only one safe place to vent out their frustration and show their power... their wives
2.people persuading conversions are directly or indirectly threat to humanity. Had somebody not converted grandfather of Jinah, one million people would have not been slaughtered.
3.True friendship is not only thinking of your loss, it's about thinking of your friend's benefit
4.if any social or religious dogma harms any human physically, mentally, emotionally and financially then it is a matter of shame, not pride
5.the time has come when the people of this country(India)need to know "what is not their right
”
”
Ajay Yadav (From Where I See)
“
They see it as perfectly normal for me to sit beside Victoria’s body for hours on end, telling her how much I love her and all the things I meant to inform her of but never got around to. How her grandfather Jack was a conscientious objector in the Second World War, but did not want to be separated from his mates, and so became an ambulance officer. How Grandma Sheila recalls him waking from a frequent dream of the trenches, always crying out, “I can’t reach him, I can’t reach him.” That he was a brave man who did the best he could within his own principles. Of how he would have loved her and been so proud of her. Asking Vic to tell Jack we miss him.
”
”
Linda Collins (Loss Adjustment)
“
Animals, including people, fight harder to prevent losses than to achieve gains. In the world of territorial animals, this principle explains the success of defenders. A biologist observed that “when a territory holder is challenged by a rival, the owner almost always wins the contest—usually within a matter of seconds.” In human affairs, the same simple rule explains much of what happens when institutions attempt to reform themselves, in “reorganizations” and “restructuring” of companies, and in efforts to rationalize a bureaucracy, simplify the tax code, or reduce medical costs. As initially conceived, plans for reform almost always produce many winners and some losers while achieving an overall improvement. If the affected parties have any political influence, however, potential losers will be more active and determined than potential winners; the outcome will be biased in their favor and inevitably more expensive and less effective than initially planned. Reforms commonly include grandfather clauses that protect current stake-holders—for example, when the existing workforce is reduced by attrition rather than by dismissals, or when cuts in salaries and benefits apply only to future workers. Loss aversion is a powerful conservative force that favors minimal changes from the status quo in the lives of both institutions and individuals.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw.
“No.”
“Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.”
Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.”
She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.”
“How did he manage to have these drawn?” Ian asked, stopping her as she turned away.
“A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began,
I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot…
The next one opened with,
I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won.
From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him:
You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected…
I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius…
I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more.
Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly.
“Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven,
“the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!”
The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Georgia took once a creative-writing course, and what the instructor told her was: Too many things. Too many things going on at the same time; also too many people. Think, he told her. What is the important thing? What do you want us to pay attention to? Think.
Eventually she wrote a story that was about her grandfather killing chickens, and the instructor seemed to be pleased with it. Georgia herself thought that it was a fake. She made a long list of all the things that had been left out and handed it in as an appendix to the story. The instructor said that she expected too much, of herself and of the process, and that she was wearing him out.
The course was not a total loss, because Georgia and the instructor ended up living together.
”
”
Alice Munro (Friend of My Youth)
“
Even our brains shrink: at the age of thirty, the brain is a three-pound organ that barely fits inside the skull; by our seventies, gray-matter loss leaves almost an inch of spare room. That’s why elderly people like my grandfather are so much more prone to cerebral bleeding after a blow to the head—the brain actually rattles around inside. The earliest portions to shrink are generally the frontal lobes, which govern judgment and planning, and the hippocampus, where memory is organized. As a consequence, memory and the ability to gather and weigh multiple ideas—to multitask—peaks in midlife and then gradually declines. Processing speeds start decreasing well before age forty (which may be why mathematicians and physicists commonly do their best work in their youth).
”
”
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
“
The father of this pleasant grandfather, of the neighbourhood of Mount Pleasant, was a horny-skinned, two-legged, money-getting species of spider who spun webs to catch unwary flies and retired into holes until they were entrapped. The name of this old pagan's god was Compound Interest. He lived for it, married it, died of it. Meeting with a heavy loss in an honest little enterprise in which all the loss was intended to have been on the other side, he broke something--something necessary to his existence, therefore it couldn't have been his heart--and made an end of his career. As his character was not good, and he had been bred at a charity school in a complete course, according to question and answer, of those ancient people the Amorites and Hittites, he was frequently quoted as an example of the failure of education.
”
”
Charles Dickens (Bleak House)
“
pinecone in her hands move as if it had become her own living heart. Deeply shaken, she looked up for the first time and found an unmistakable Presence in the center of the labyrinth, waiting for her. For just the briefest moment she could see Him quite clearly. His heart was open, a place of refuge for all who suffer. It had been broken open by the suffering in the world in the same way hers had been. Suddenly she understood why others had come to her for refuge since her childhood. The suffering she was able to feel had made her trustworthy. She stumbled the last few steps into the center of the labyrinth, knelt down, and for the first time since she was a child, she wept. In a talk about compassion, a former teacher of mine once said that practice prepares the mind, but suffering prepares the heart. Perhaps the final step in the healing of all wounds is the discovery of the capacity for compassion, an intuitive knowing that no one is singled out in their suffering, that all living beings are vulnerable to loss, attachment, and limitation. It is only in the presence of compassion that we can show our wounds without diminishing our wholeness. The Dalai Lama has said that “compassion occurs only between equals.” For those who have compassion, woundedness is not a place of judgment but a place of genuine meeting.
”
”
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
“
She walked on in this way for several more minutes and at last came to a place in the labyrinth close to the circumference of the circle where the path unexpectedly turns sharply to the right. As you turn, you discover that you have reached the end of the path and a few more steps will take you to the center of the circle. Turning to the right, Glory suddenly felt the pinecone in her hands move as if it had become her own living heart. Deeply shaken, she looked up for the first time and found an unmistakable Presence in the center of the labyrinth, waiting for her. For just the briefest moment she could see Him quite clearly. His heart was open, a place of refuge for all who suffer. It had been broken open by the suffering in the world in the same way hers had been. Suddenly she understood why others had come to her for refuge since her childhood. The suffering she was able to feel had made her trustworthy. She stumbled the last few steps into the center of the labyrinth, knelt down, and for the first time since she was a child, she wept. In a talk about compassion, a former teacher of mine once said that practice prepares the mind, but suffering prepares the heart. Perhaps the final step in the healing of all wounds is the discovery of the capacity for compassion, an intuitive knowing that no one is singled out in their suffering, that all living beings are vulnerable to loss, attachment, and limitation. It is only in the presence of compassion that we can show our wounds without diminishing our wholeness. The Dalai Lama has said that “compassion occurs only between equals.” For those who have compassion, woundedness is not a place of judgment but a place of genuine meeting.
”
”
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
“
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
Life has a way of filling up one's time with many different things to do. So much so that you turn a blind eye to the things that really matter.
”
”
Innocent Mwatsikesimbe (Grandfather (A Memoir))
“
Something happened tonight, Etienne. And I need to tell you.”
Pausing a moment, he scanned her face with narrowed eyes. Then he lowered himself beside her.
“Something’s changed, hasn’t it, cher?” he murmured.
“Yes.”
“And you’ve changed with it.”
And then she told him. About her feelings at the funeral home, her sadness and sense of loss, her sudden and overwhelming revelation of purpose, and hearing her grandfather’s voice. Everything but having hidden and watched and eavesdropped on his own personal sorrow. When she’d gotten it all out, neither of them spoke. He’d moved closer to her, and, for the moment, it made her feel safe.
“You know what I keep wondering?” Miranda’s tone went even more serious. “I keep wondering if all those spirits think I’m the one who’s lost.”
That not-quite-smile brushed his lips. “We’re all a little lost. We’re all trying to find something.”
Miranda considered this. “I know you and Grandpa tried to tell me before. About my gift…and how I can do so much good with it. But tonight--for the first time--it was real to me. Like I finally got it. Like it finally all made sense.”
“Sometimes we can be hearing the same stuff over and over again, yeah? And we know it’s true, we know it there”--Etienne lightly tapped her forehead--“but what matters is when we finally know it here.” As he touched his heart, she couldn’t help giving a wan smile.
“The weird thing is…I’m okay with it. I mean, I’m still sort of scared…but I’m okay.”
“You’ve always been okay, cher. Way more than okay.”
As her cheeks flushed, she hoped he hadn’t noticed. “How am I ever going to know all the stuff I need to know? I mean, I need to learn everything.”
“Tonight?” Etienne kept a perfectly straight face. “I’m not sure I’m up to it.”
Miranda’s stare was deliberately reproachful. “This is about Nathan. He needs me. Now.”
Groaning softly, Etienne lay back, pillowing his arms beneath his head. “I can see I’m gonna have to be humoring you. So what do you wanna talk about?
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
When my grandfather died, we let the roof get a little grey and the two banyans in the backyard took each other in their arms and, weeping, filled with spider webs.
”
”
William S. Burroughs Jr. (Speed & Kentucky Ham)
“
And now I understood. I understood that Jim was not strong enough to cope with my success, and that Grandmama wanted to be more than the wife of an art gallery owner. I understood that their daughter’s failed life and the loss of their son when he was two years old were heavy burdens for my grandparents, burdens that caused Grandmama to be demanding and resentful, and my grandfather to surround himself with young artists. Understanding them helped me understand myself.
”
”
M.K. Tod (Time and Regret)
“
and for the first time since learning of Krissa's marriage, he began working on a lyric. It was about loss, but not private loss, not loss of a romantic love. This was public loss, the lost innocence of a country at war few believed in, the loss of Roosevelt, Churchill, and Kennedy—of a king young men could believe in. It was about hungering to live with a tradition one could value, about longing to pay heed to customs that one could respect. It was called "My Grandfather's Chocolates." In the last stanza the grandson's regret and bitterness blazed into anger, fury at the generation who squandered their traditions. And as Quinn worked and reworked those lines, he knew that he was coming as close as he could to writing about Krissa.
”
”
Kathleen Gilles Seidel (Till the Stars Fall (Hometown Memories))
“
So, share the beautiful memories that you created with your parents. Talk to your family members about what a loving and joyous mother or father you had. Tell your children about their grandmother or grandfather. Keep her alive in your memories and heart through conversations. It might be painful to reminisce her memories initially, but with time, it will only bring a smile to your face. The pain will slowly start to fade as you realize that remembering her is one of the ways to keep her next to you as you move forward with life.
”
”
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
“
If only that janitor who left the library lights on at Oberlin for my grandfather knew how many more people he really helped.
”
”
Zibby Owens (Bookends: A Memoir of Love, Loss, and Literature)
“
Traditional structures of social and economic support slowly weakened; no longer was it possible for a man to follow his father and grandfather into a manufacturing job, or to join the union and start on the union ladder of wages. Marriage was no longer the only socially acceptable way to form intimate partnerships, or to rear children. People moved away from the security of legacy religions or the churches of their parents and grandparents, toward churches that emphasized seeking an identity, or replaced membership with the search for connection or economic success (Wuthnow, 1988). These changes left people with less structure when they came to choose their careers, their religion, and the nature of their family lives. When such choices succeed, they are liberating; when they fail, the individual can only hold himself or herself responsible. In the worst cases of failure, this is a Durkheim-like recipe for suicide. We can see this as a failure to meet early expectations or, more fundamentally, as a loss of the structures that give life a meaning.10 Durkheim,
”
”
Chris Hedges (America: The Farewell Tour)
“
Even our brains shrink: at the age of thirty, the brain is a three-pound organ that barely fits inside the skull; by our seventies, gray-matter loss leaves almost an inch of spare room. That’s why elderly people like my grandfather are so much more prone to cerebral bleeding after a blow to the head—the brain actually rattles around inside.
”
”
Anonymous
“
It's a funny thing about life, I think we're born square and we dire round
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
A wise man once said all children are born knowing what the angels look like. Once we stop fighting against death, we are able to wake up to our lives
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Like Pi, we all have tigers within us. Lil demons which are a part of us. If you can't run away from them, welcome them, feed them and listen to what they will have to say. There is really not a whole lot to be afraid of.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
But because divorce was so unheard of in middle-class Indian society, people looked at divorcées with a sort of incredulous shock and wonder, as if they were somehow criminals. They were ostracized from everyday life because of an invisible scarlet D hovering over them.
Meanwhile, Second Wave feminism in the United States was changing attitudes about how women were treated in the workplace and in society, and how unmarried women were perceived in particular. Women were challenging age-old notions of their place in the world. Western media was full of unafraid, smart American women who published magazines, were marching in DC, and were generally making a lot of noise. No such phenomenon had reached our Indian shores. I’m sure my mother had read about the ERA movement, Roe v. Wade, and bra burnings. She, too, wanted the freedom to earn a living in a country where she wouldn’t be a pariah because of her marital status. We could have a fighting chance at surviving independently in the United States, versus being dependent on her father or a future husband in India. Conservative as he was, my grandfather K. C. Krishnamurti, or “Tha-Tha,” as I called him in Tamil, had encouraged her to leave my father after he witnessed how she had been treated. He respected women and loved his daughter and it must have broken his heart to see the situation she had married into. He, too, wanted us to have a second chance at happiness. America, devoid of an obvious caste system and outright misogyny, seemed to value hard work and the use of one’s mind; even a woman could succeed there. My grandfather was a closet feminist.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
Love and passion begat marriage in my world. Yet in my grandparents’ world, marriage began with practicality. My grandfather told me proudly of that day he first met my grandmother. He interviewed her, posing little riddles to test her common sense. “Supposing you have to take the children to school and you’re late and it’s supposed to rain,” he said. “Would you take a taxi or a bus?” My grandmother said, “Well, first I’d take an umbrella.” Ice cream in Central Park, this was not.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
My grandfather has been around the block. He’s experienced love and loss. Birth and death. He’s lived through floods and storms and fires. He’s seen life move on around him. He knows what he’s talking about and every time he gives me advice like this, I have no choice but to take it.
”
”
Karina Halle (Maverick (North Ridge Book 2))
“
We know, instinctively, that we don’t end at death. We know it through the practise of grief. We pull each other through. My grandfather taught me more about death after his death than any book of spiritual teaching. He never left me. Even though I left him, left the country, wasn’t there by his side when he died.
”
”
Shaista Tayabali (LUPUS, YOU ODD UNNATURAL THING: a tale of auto-immunity)
“
Traditional structures of social and economic support slowly weakened; no longer was it possible for a man to follow his father and grandfather into a manufacturing job, or to join the union and start on the union ladder of wages. Marriage was no longer the only socially acceptable way to form intimate partnerships, or to rear children. People moved away from the security of legacy religions or the churches of their parents and grandparents, toward churches that emphasized seeking an identity, or replaced membership with the search for connection or economic success (Wuthnow, 1988). These changes left people with less structure when they came to choose their careers, their religion, and the nature of their family lives. When such choices succeed, they are liberating; when they fail, the individual can only hold himself or herself responsible. In the worst cases of failure, this is a Durkheim-like recipe for suicide. We can see this as a failure to meet early expectations or, more fundamentally, as a loss of the structures that give life a meaning.10 Durkheim, in his book On Suicide, wrote: It is sometimes said that, by virtue of his psychological make-up, man cannot live unless he attaches himself to an object that is greater than himself and outlives him, and this necessity has been attributed to a supposedly common need not to perish entirely. Life, they say, is only tolerable if one can see some purpose in it, if it has a goal and one that is worth pursuing. But the individual in himself is not sufficient as an end for himself. He is too small a thing. Not only is he confined in space, he is also narrowly limited in time.
”
”
Chris Hedges (America: The Farewell Tour)
“
Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim.
An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm.
What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.
”
”
The Metamorphosis of Prime Intellect
“
Wait,” she said, suddenly stopping. “What if Grandfather Frost comes and there’s no tree, where will he put his presents?” He was at a loss. No sensible answer suggested itself. He felt infinitely weary. “Perhaps we should paint a fir tree on the wall to tell him where,” said Sonya, pondering the matter aloud. “Got any green paint?” “No,” said Viktor. “I know what – we’ll leave a note in the kitchen saying put them on the table.” Sonya thought. “Under is better.” “Why?” “So nobody sees.
”
”
Andrey Kurkov (Death and the Penguin)
“
The atmosphere of division my grandfather created in the Trump family is the water in which Donald has always swum, and division continues to benefit him at the expense of everybody else. It’s wearing the country down, just as it did my father, changing us even as it leaves Donald unaltered. It’s weakening our ability to be kind or believe in forgiveness, concepts that have never had any meaning for him. His administration and his party have become subsumed by his politics of grievance and entitlement. Worse, Donald, who understands nothing about history, constitutional principles, geopolitics, diplomacy (or anything else, really) and was never pressed to demonstrate such knowledge, has evaluated all of this country’s alliances, and all of our social programs, solely through the prism of money, just as his father taught him to do. The costs and benefits of governing are considered in purely financial terms, as if the US Treasury were his personal piggy bank. To him, every dollar going out was his loss, while every dollar saved was his gain. In the midst of obscene plenty, one person, using all of the levers of power and taking every advantage at his disposal, would benefit himself and, conditionally, his immediate family, his cronies, and his sycophants; for the rest, there would never be enough to go around, which was exactly how my grandfather ran our family.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
To him, every dollar going out was his loss, while every dollar saved was his gain. In the midst of obscene plenty, one person, using all of the levers of power and taking every advantage at his disposal, would benefit himself and, conditionally, his immediate family, his cronies, and his sycophants; for the rest, there would never be enough to go around, which was exactly how my grandfather ran our family.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
It measures just 9 inches in circumference, weighs only about 5 ounces, and it made of cork wound with woolen yarn, covered with two layers of cowhide, and stiched by hand precisely 216 times.
It travels 60 feet 6 inches from the pitcher's mound to home--and it can cover that distance at nearly 100 miles an hour. Along the way it can be made to twist, spin, curve, wobble, rise, or fall away.
The bat is made of turned ash, less than 42 inches long, not more than 2 3/4 inches in diameter. The batter has only a few thousandths of a second to decide to hit the ball. And yet the men who fail seven times out of ten are considered the game's greatest heroes.
It is played everywhere. In parks and playground and prison yards. In back alleys and farmers fields. By small children and by old men. By raw amateurs and millionare professionals. It is a leisurely game that demands blinding speed. The only game where the defense has the ball. It follows the seasons, beginning each year with the fond expectancy of springtime and ending with the hard facts of autumn.
Americans have played baseball for more than 200 years, while they conquered a continent, warred with one another and with enemies abroad, struggled over labor and civil rights and the meaning of freedom.
At the games's heart lie mythic contradictions: a pastoral game, born in crowded cities; an exhilarating democratic sport that tolerates cheating and has excluded as many as it has included; a profoundly conservative game that sometimes manages to be years ahead of its time.
It is an American odyssey that links sons and daughters to father and grandfathers. And it reflects a host of age-old American tensions: between workers and owners, scandal and reform, the individual and the collective.
It is a haunted game, where each player is measured by the ghosts of those who have gone before. Most of all, it is about time and timelessness, speed and grace, failure and loss, imperishable hope, and coming home.
”
”
John Chancellor
“
Donald, who understands nothing about history, constitutional principles, geopolitics, diplomacy (or anything else, really) and was never pressed to demonstrate such knowledge, has evaluated all of this country’s alliances, and all of our social programs, solely through the prism of money, just as his father taught him to do. The costs and benefits of governing are considered in purely financial terms, as if the US Treasury were his personal piggy bank. To him, every dollar going out was his loss, while every dollar saved was his gain. In the midst of obscene plenty, one person, using all of the levers of power and taking every advantage at his disposal, would benefit himself and, conditionally, his immediate family, his cronies, and his sycophants; for the rest, there would never be enough to go around, which was exactly how my grandfather ran our family.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
My grandfather was too old-fashioned to be much
”
”
Lou Holtz (Wins, Losses, and Lessons: An Autobiography)
“
It was W. Ernest Freud who at eighteen months of age captured his grandfather’s interest while playing with a wooden reel on the end of a string. Throwing the reel while holding onto the string, Ernst—as he was known then—would say “fort,” which in German means “gone.” Pulling it back, he would say “da,” meaning “there.” Freud interpreted this game as Ernst’s effort to come to terms with the distressing absences of his mother when she left the apartment. With the wooden reel symbolizing his mother, he sent her away and brought her back at will. Instead of being a passive victim of loss—being left by his mother—he turned his passive role into an active
”
”
Daniel Benveniste (The Interwoven Lives of Sigmund, Anna and W. Ernest Freud: Three Generations of Psychoanalysis)
“
A son goes off to live with his wife, and a daughter goes off to live with her husband. All your children finally leave you, and then you're all alone again, and no matter whether he's good or bad, you're left with nobody else but your husband, because he's yours, he belongs to you alone, and no matter whether you lose him when you're forty or when you're eighty, it's still your greatest loss. His children lose their father, his daughter-in-law loses her father-in-law, his grandchildren lose their grandfather, but you lose yourself, because nobody needs one ox of a team of oxen. Because you and he were pulling the same yoke all your lives. And two oxen that have always been pulling together become used to each other. They understand each other, and they try to help each other.
”
”
Hrant Matevosyan (The Orange Herd)
“
...no matter what happens to our bodies o our minds, our souls remain whole.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
When frustration is unchecked, Sam, it turns into rage, and rage triggers action.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
If you fight the right battle, in the right way, the outcome can change not only your life, but also the lives of others.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
...it is human to fight for personal justice. And I hope you are able to fight for yourself. But even more, I hope you can turn your anger into energy to fight for justice for others. If you can, then maybe by the time you have a precious grandchild, he or she will grow up in a more compassionate world.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
I hope you will not listen to people who try to talk you out of your pain or show you ways to fix it. Because if your try too hard to fix pain, it only takes longer to heal.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
...that's not how wounds heal. They don't obey our wishes. Healing takes place in its own way and in its own time.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
...peace comes to us when we simply stop fighting.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Love changes everything.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
This is what almost all parents want for their children: a lifetime of happiness and an easy passage.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
On job of parents - " Their job is to love you, protect you as best as they can, try to understand you, and enjoy your laughter. I hope they will give you both roots and wings. When they give you roots, you will feel safe, loved, and secure, knowing they genuinely want to understand the person you are. When they give you wings, you will feel free to think whatever you want to think, free to explore the world of your heart and mind and the world outside".
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
I think we are born square and we die round. As waters of life wash over us, we lose our sharp corners, and that can be good; we take on surprising, satisfying new shapes.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Early on, I loved ''my grandson''. After six months, I loved you. And I think something similar happened with your love for me.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
...being different is not a problem. It's just being different. but feeling different is a problem. When you feel different, the feeling can actually change the way you see the world.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Your differentness and my different-ness are just facts. Sometimes what we do with our minds turn those facts into pain, and sometimes we can just treat them as facts, acknowledging them but not feeling them. But the more you feel your different-ness, the more lonely you will feel.
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)