Chalkboard Signs Quotes

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A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
first floor of a small hotel on the outskirts of San Antonio. Cooper made himself a bet as he walked in. Neon signs for Shiner Bock, smoke-stained drop ceiling, jukebox in the corner, pool table with worn felt, chalkboard with specials. Female bartender, a blonde showing dark roots. The specials turned out to be on a dry-erase board, and the bartendress was a redhead. Cooper smiled. About half the tables were occupied, mostly men but a few women too. The tabletops held plastic pitchers and cigarette packs and cell phones. The music was too loud, some country-rock act
Marcus Sakey (Brilliance (Brilliance Saga, #1))
If she hadn't known that Mallow Island had been famous for its marshmallow candy over a century ago, Trade Street would have told her right away. It was busy and mildly surreal. The sidewalks were crowded with tourists taking pictures of old, narrow buildings painted in faded pastel colors. Nearly every restaurant and bakery had a chalkboard sign with a marshmallow item on its menu---marshmallow popcorn, chocolate milk served in toasted marshmallow cups, sweet potato fries with marshmallow dipping sauce.
Sarah Addison Allen (Other Birds: A Novel)
Out this way there was the lonely last pub, the Castle, which now had an angry chalkboard sign up that said “drinkers welcome” to indicate its dissatisfaction with other establishments’ fads like pub quizzes, bands, food, and, presumably, conversation.
Paul Cornell (Witches of Lychford (Lychford, #1))
Neon signs for Shiner Bock, smoke-stained drop ceiling, jukebox in the corner, pool table with worn felt, chalkboard with specials.
Marcus Sakey (Brilliance (Brilliance Saga, #1))
There was a bottleneck up ahead at the boulangerie. A wrought-iron cart, a more elegant version of the pretzel vendors' on the streets of New York, was posted outside. In addition to croissants and pains au chocolat, it was loaded with flattish ovals of yeasted bread. Some were covered with grated Gruyère cheese and bacon, some with a tangle of caramelized onions and anchovies. The script on the chalkboard sign said Fougasse, which I took to be a type of local focaccia. I leaned toward one topped with toasted walnuts, pungent with the smell of recently melted Roquefort cheese.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.” “Even my Peloton?” I ask. “Great piece of equipment,” he says. “The fact that I check my email after work hours?” “Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says. “Sometimes I wear very impractical shoes,” I add. “Nothing impractical about looking hot,” he says. “And what about my bloodlust?” His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.” “Already was,” I say. “Always have been.” “I love you,” he says again. “I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them. “I know,” he says. “I can read you like a book.” EPILOGUE SIX MONTHS LATER THERE ARE BALLOONS in the window, a chalkboard sign out front.
Emily Henry (Book Lovers)