Cereal Lovers Quotes

We've searched our database for all the quotes and captions related to Cereal Lovers. Here they are! All 8 of them:

The best part about bowling is pouring in the cereal and the milk. I’ve always believed bowlers make better lovers, because of their impressive physical prowess, and because they really know their way around those three holes. Who wants to spoon?
Jarod Kintz (This Book is Not for Sale)
Three mornings later, after the dog walk but before my cereal and cup of tea, in the middle of my writing morning, in what I believe is the middle of a paragraph, I finish a sentence. I lift my pencil a few inches from the page and read it. It's the last sentence of the book. I can't think of another. That's it. I have my underpainting.
Lily King (Writers & Lovers)
What about television?" a young man asked. "It's an octopus. It's no longer just a little box, it's the Love Machine." "Why the Love Machine?" a reporter asked. "Because it sells love. It creates love. Presidents are chosen by their appeal on that little box. It's turned politicians into movie stars and movie stars into politicians. It can you engaged if you use a certain mouthwash. It claims you'll have women hanging on your coattails if you use a certain hair cream. It tells the kids to eat their cereal if they want to be like their baseball idol. But like all great lovers, the Love Machine is a fickle bastard. It has great magnetism--but it has no heart. In place of a heart beats a Nielsen rating. And when the Nielsen falters, the program dies. It's the pulse and heart of the twentieth century--The Love Machine.
Jacqueline Susann (The Love Machine)
I stare at the woman in question and wonder what happened to the concept of sisterhood. If women stopped doing this kind of thing to other women, there would be a lot less pain in this world. Men, I'll admit, are probably a lost cause, but we could stop cheating on other women with their husbands, boyfriends, fiancés. Jo props herself up on her elbows and gives me a defiant look which, frankly, I'd like to wipe off her face---preferably with a cricket bat. "Who'd have thought that I'd be seeing so much of you," I say. "And so soon." Marcus's breakfast dish looks rather rattled. "I can explain," Marcus says as he tries to dismount from the table with some dignity. Difficult to pull off. "I'm all ears." "This was the last time," he says earnestly. There are raspberries crushed on his knees. "The last time ever. I was having one last fling before settling down. As soon as you moved in, I was going to be completely and utterly faithful." Jo doesn't look as if she knows about this particular part of the arrangement and she glares darkly at my fiancé. Perhaps she'll be sneaking into his flat and filling his clothes and his shoes with leftovers and leaving stinking prawns in his soft furnishings. Because, for sure, I won't be troubling myself to do it again. "You called to tell me you love me while she was here?" Jo clearly doesn't know about that bit either. Marcus chews his lip. I stare at Marcus as if I'm seeing him for the first time. He looks ridiculous---yogurt on his knob, smears of berry juice all over his chest and legs, breakfast cereal in his hair. I burst out laughing. Marcus laughs too---nervously. "Oh, Marcus," I say, clutching at my sides. "I can't believe you've done this again." I double over and belly laugh right the way up from my boots. "I love you," he says bleakly, and then he continues to laugh along with me, although it sounds forced. When I finally wrest control of my voice once more, I say softly, "I'm not laughing with you, Marcus. I'm laughing at you." Slipping my engagement ring from my finger, I put it delicately into the bowl of yogurt that's lying by Jo's feet. Then, picking it up, I tip the bowl upside down on Marcus's head. Yogurt drips slowly down his face. He licks it from his lips. Perhaps he can get Jo to do it for him when I'm gone. "This really is the very last time you do this to me, Marcus.
Carole Matthews (The Chocolate Lovers' Club)
Up until then, my regrets had been feathery things, the regrets of a privileged child. (I should have gone on semester abroad. I should have lost my virginity to someone nice.) But on that morning, I made the first of many real mistakes that would stack up on top of one another until they blocked out the sun. I did not get mauled by an animal. I had not been mugged or assaulted in dangerous Johannesburg. I had not even failed at the unlikely task I had invented for myself when I insisted I could find my way and my story on another continent about which I knew nothing. The world had left me unscathed. But the danger that we invite into our lives can come in the most unthreatening shape, the most pedestrian: the cellphone you press against your head, transmitting the voice of your mother, pouring radiation into your brain day after day; the little tick bite in the garden that leaves you aching and palsied for years. It can come in the form of an email from an old lover whom you have not spoken with for many years, which you receive when you are back at the lodge, sitting under a thatched roof drinking a cup of milky tea. It can come when, instead of writing to the person with whom you share a home and a history, the person you adore and have married, you write to your old lover. And you say, “Today I saw a family of lions licking each other in the yellow grass, and they looked like they were in love.” 3 My mother knew instinctively that danger could come in a friendly box from the grocery store, full of brightly colored cereal that gets inside your body and rots you quietly from the inside out.
Ariel Levy (The Rules Do Not Apply)
Up until then, my regrets had been feathery things, the regrets of a privileged child. (I should have gone on semester abroad. I should have lost my virginity to someone nice.) But on that morning, I made the first of many real mistakes that would stack up on top of one another until they blocked out the sun. I did not get mauled by an animal. I had not been mugged or assaulted in dangerous Johannesburg. I had not even failed at the unlikely task I had invented for myself when I insisted I could find my way and my story on another continent about which I knew nothing. The world had left me unscathed. But the danger that we invite into our lives can come in the most unthreatening shape, the most pedestrian: the cellphone you press against your head, transmitting the voice of your mother, pouring radiation into your brain day after day; the little tick bite in the garden that leaves you aching and palsied for years. It can come in the form of an email from an old lover whom you have not spoken with for many years, which you receive when you are back at the lodge, sitting under a thatched roof drinking a cup of milky tea. It can come when, instead of writing to the person with whom you share a home and a history, the person you adore and have married, you write to your old lover. And you say, “Today I saw a family of lions licking each other in the yellow grass, and they looked like they were in love.” 3 My mother knew instinctively that danger could come in a friendly box from the grocery store, full of brightly colored cereal that gets inside your body and rots you quietly from the inside out. She had inherited from her own mother the immigrant’s mistrust for authority, and combined it with insurrectionary tendencies left over from her days as a student radical, and what it all added up to in the kitchen was a ban on Cheez Doodles.
Ariel Levy (The Rules Do Not Apply)
Prepare with pen and paper. Always have your notebook and something to write with nearby when you read. Your goal is to be prepared for insight. In addition to reading for pleasure, you will now use words as research and write down what you learn. If you prefer, you can dictate into a recorder or type into the Notes section of your phone. Immerse. Get inside the words, the sentences, the story arc. Don't simply stay on the surface of what you're reading, no matter how shallow it seems. Go deep. Examine. If that cereal box makes you excited to eat the sugar doodles, ask yourself what it is about the words and their formatting is doing that for you. If you read that redwood plaque and walk away feeling smart, ask yourself how it pierced your busy mind. If—especially if—you're reading a novel, and you connect with a character, or you find yourself yanked out of the story, or you read a sentence twice to savor the citrus taste of it, or anything else of note happens, study that situation like a lover's face. Write down what you think is happening (“ main character makes stupid choices,” “too many adverbs,” “lots of smells make me feel like I'm right there,” “each chapter ends with a hook,” etc.) because transcribing information flips a switch in our brain, waking up the records guy who then goes over to pick up what you wrote and file it somewhere so you can access it later.
Jessica Lourey (Rewrite Your Life: Discover Your Truth Through the Healing Power of Fiction)
The gynecologist has ordered a mammogram. He said my breasts were difficult to examine manually because they were fibrous. It makes me feel like a cereal.
Lily King (Writers & Lovers)