Center Jenny Quotes

Technically, if I were farther away from the center of the Earth then I’d be subjected to less gravity and then I would weigh less. So I’m not really fat. I’m just not high enough.

We're meals on wheels," Jenni said with a bitter laugh. "Chewy center is what it's all about," Katie said gloomily.

The perfect chocolate chip cookie should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy" -Lara Jean

Jenny lacked any sense of property - she was constantly apologising to Yevgenia and asking for her permission to open the small upper window in order to let in her elderly tabby cat. Her main interests and worries centered around this cat and how to protect it from her neighbors... She fed her own rations to the cat, whom she called 'my dear, silver child' The cat adored her; he was a rough sullen beast, but would become suddenly animated and affectionate when he saw her.

When I wake up, just like the day before there are texts from Peter. I’m sorry. I’m a dick. Don’t be mad. I read his texts over and over. They’re spaced minutes apart, so I know he must be fretting over whether I’m still mad or not. I don’t want to be mad. I just want things to go back to how they were before. Do you want to come over for a surprise? He immediately replies: ON MY WAY. “The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.” “I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.” “Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.

On the way to after-prom, Peter says he’s hungry, and can we stop at the diner first. “I think there’s going to be pizza at after-prom,” I say. “Why don’t we just eat there?” “But I want pancakes,” he whines. We pull into the diner parking lot, and after we park, he gets out of the car and runs around to the passenger side to open my door. “So gentlemanly tonight,” I say, which makes him grin. We walk up to the diner, and he opens the door for me grandly. “I could get used to this royal treatment,” I say. “Hey, I open doors for you,” he protests. We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.

The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.” “I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.” “Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.” “The perfect cookie is best eaten while still warm, but still delicious at room temperature.” “If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal. “In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.” Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.” I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.” Rolling her eyes, she sits back down. “My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.

We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.

Peter told him that for the Incas the center of the universe wasn’t a point but a line where the two halves of the universe meet. Is this the scene unfolding before Richard’s eyes at the entrance to the asylum seekers’ residence? And are the two groups of people facing off here something like the two halves of a universe that actually belong together, but whose separation is nonetheless irrevocable? Is the rift dividing them in fact a bottomless chasm; is that why such powerful turbulences have been released? And is it a rift between Black and White? Or Poor and Rich? Stranger and Friend? Or between those whose fathers have died and those whose fathers are still alive? Or those with curly hair and those with straight? Those who call their dinner fufu and those who call it stew? Or those who like to wear yellow, red, and green t-shirts and those who prefer neckties? Or those who like to drink water and those who prefer beer? Or between speakers of one language and another? How many borders exist within a single universe?

I’m setting up the American flag centerpiece, watching John lug a table closer to the center of the room at Stormy’s direction, when Alicia sidles up beside me, and then we’re both watching him. “You should date him.” “Alicia, I told you, I just got out of a relationship,” I whisper back. I can’t take my eyes off him in that uniform with that side part. “Well, get into a new one. Life is short.” For once, Alicia and Stormy are on the same page. Stormy is now straightening John’s tie, his little hat. She even licks her finger and tries to smooth his hair, but he ducks away. Our eyes meet, and he makes a frantic face like, Help me. “Save him,” Alicia says. “I’ll finish the table. My internment camp display is already done.” She’s set that up by the doors, so it’s the first thing you see when you walk in. I hurry over to John and Stormy. Stormy beams at me. “Doesn’t she look like an absolute doll?” She swans off. With a straight face John says, “Lara Jean, you’re an absolute doll.” I giggle and touch the top of my head. “A cinnamon roll-headed doll.

SENSORY AVOIDERS – SENSORY DEFENSIVENESS “And have I not told you that what you mistake for madness is but over-acuteness of the senses?” -Edgar Allen Poe, The Tell-Tale Heart (1843) Imagine a day inside Jenny’s skin. The morning alarm goes off and she startles, her heart races, her body tightens, her breathing quickens.  Her husband turns to get out of bed, grazing her foot, and she cringes, her bodily rhythms speed up another notch and her body tightens further. He sees that she seems annoyed about something and affectionately strokes her cheek. She bristles and, when he turns around, rubs where he touched her. She slowly arises to get out of bed, as she feels a bit dizzy, and quickly puts on her soft cotton house slippers, as the feel of the carpet makes her recoil, and walks into the bathroom. The bright lights her husband has left turned on assault her. Her eyes squint painfully. She quickly turns off the lights and turns on a small lamp on the sink counter. Her already overloaded system gets further destabilized. She starts to brush her teeth but the toothbrush is new and the bristles tickle her uncomfortably. She leans over to spit out the toothpaste and feels a sudden loss of balance and a surge of panic engulfs her. She steadies herself and turns on the shower. The soft spray of water from the showerhead feels like pelts of hail hitting her body. Her already stressed system is accelerating fast into overload. And her morning has only just begun!  She still has to figure out what clothes to put on, as most textures annoy her and feel uncomfortable on her body. She has to figure out what to eat for breakfast, as anything soft, mushy, or creamy repulses her. Worst of all, she has to figure out how to face the world outside that, for her, is like maneuvering through a sensory minefield. Jenny is an avoider or what is commonly known as sensory defensive (SD), a common mimicker of anxiety and panic. The sensory defensive feel too much, too soon and for too long, and experience the world as too loud, too bright, too fast and too tight, becoming easily distressed by everyday sensation

The distance from the surface of the Earth to the center is about 3,963 miles (6,378 km).

One Sunday a girl from our study group, Jenny, invited us all to her mom's house in Hyde Park for a true Sunday Soul Food Dinner. Jenny's mom, Billie, a tiny woman with skin the color of café au lait, and silvery hair in a perfect chignon, laid out a soul food spread that brought a tear to the eye. Barbecue ribs, macaroni and cheese, collard greens with ham hocks, bread dressing, green beans, biscuits, candied sweet potatoes, creamed corn, and in the center of the table, a huge pile of fried chicken. I had never tasted anything like that fried chicken. The perfect balance of crisp batter to tender juicy meat. Everything that day was delicious, but the fried chicken was transcendent.

She soaked, washed, and trimmed three artichokes, baby purple Romagnas, which would sadly lose their beautiful hue once they hit hot water, then washed and peeled a bunch of pencil-thin asparagus. She pulled out several small zucchini and sliced them into translucent moons. She washed three leeks, slicing them down their centers and peeling back each layer, carefully rinsing away any sand, then chopped the white, light green, and some of the darker parts into a fine dice. She shelled a couple handfuls of spring peas, collecting them in a ceramic bowl. She chopped a bulb of fennel and julienned one more, then washed and spun the fronds. She washed the basil and mint and spun them dry. Last, she chopped the shallots. With the vegetables prepped, she started on the risotto, the base layer for the torta a strati alla primavera, or spring layer cake, she'd been finessing since her arrival, and which she hoped would become Dia's dish. She'd make a total of six 'torte': three artichoke and three asparagus. The trick was getting the risotto to the perfect consistency, which was considerably less creamy than usual. It had to be firm enough to keep its shape and support the layers that would be placed on top of it, but not gummy, the kiss of death for any risotto. She started with a 'soffritto' of shallot, fennel, and leek, adding Carnaroli rice, which she preferred to arborio, pinot grigio, and, when the wine had plumped the rice, spring-vegetable stock, one ladle at a time. Once the risotto had absorbed all the liquid and cooked sufficiently, she divided it into six single-serving crescent molds, placed the molds in a glass baking dish, and popped them all in the oven, which made the risotto the consistency of a soft Rice Krispies treat. Keeping the molds in place, she added the next layer, steamed asparagus in one version, artichoke in the other. A layer of basil and crushed pignoli pesto followed, then the zucchini rounds, flash-sauteed, and the fennel matchsticks, cooked until soft, and finally, the spring-pea puree. She carefully removed the first mold and was rewarded with a near-perfect crescent tower, which she drizzled with red-pepper coulis. Finally, she placed a dollop of chilled basil-mint 'sformato' alongside the crescent and radiated mint leaves around the 'sformato' so that it looked like a sun. The sun and the moon, 'sole e luna,' all anyone could hope for.

Another time, Dora Davis from Oklahoma started yelling at Rachel LaThorpe for stealing her parking space outside the Jenny Lake Visitor Center one summer day in 2017. Dora got so worked up, screaming and cursing, that her heart stopped. Suffering an out-of-hospital cardiac arrest was usually the end for most people, but it was Dora’s lucky day because Rachel—the woman she’d just been cursing at—was a nurse and began CPR. Teton rangers responded and continued treating Dora, and days later she walked out of the hospital with full neurological function.

If God is in the center of our relational circle, we will be fulfilled, and out of that fulfillment we can bless others. But

The journey to the center of who we are begins with discovering more about the one who designed us.

the gains of women in Afghanistan once again directly contributed to war, as their fate was mixed into the powder keg of tension between reformers and hardliners, between foreigners and Afghans, and between the urban centers and the countryside.

She adores me. Said almost as much in plain English.” Saying the words out loud sent warmth cascading through Elijah’s chest. He studied his work more closely, relieved to find that even on a deliberate critical inspection, the sketch still struck him as having that ineffable something that made an image art, and an accurate likeness a portrait. The boys were the dominant elements of the sketch, and yet, there was Genevieve Windham in all her beauty at the center of it. Her words came back to him as he noted details he didn’t recall sketching. You’ve caught the love. Like he’d contracted a rare, untreatable condition. Which… he… had. His first commission of a juvenile portrait was going to be a resounding success because he’d caught the love. Lady Genevieve adored his work, him, and the pleasure they could share, and looking at the image he’d rendered of her, Elijah realized he adored her right back. Alas

I’m not much for organized religion, but I think we all have souls. Glowing half orbs. Flat at our back and round at our chests, like glass paperweights with golden candy-button dots at the center. And as we live, our spheres crack. They splinter with sadness or loss or doubt or pain. Sometimes the splinter that falls out is a loss of faith. Sometimes it’s the loss of love or a betrayal. Sometimes it’s just a lack of structural integrity (depression/chemical issues) that causes irregular shards to fall out. Then we walk around with these slivers missing … these holes. We try to put the slivers back in place, but they don’t fit right anymore and so we leave them. And then we search.

For example, when someone is asking for help, the fear center of the brain lights up. But when someone is helping, the pleasure center lights up. This insight helped me understand that I might be having trouble asking, but in a sense I was giving the helpers a gift of serotonin and dopamine when I asked them for help. It was time for their needs to outweigh my discomfort, and I quickly became a Master.

Si Pong ang isa sa mga nagpaningas, ugat ng apoy kung bakit mas masidhing lumaganap ang FNB sa Cavite. Nagpatuloy ito, naganap at nakapanghikayat ng iba't-ibang indibiduwal, mga musikero, mga makata, mga pintor, mga graffiti artist, mga skater, mga film maker, mga estudyante tropahan, at maging magulang ng mga ito hanggang sa kasalukuyan. Ang FNB ay kadalasan naisasagawa sa mga covered court, nasunog na day care center, mga bangketa, mga eskinita, mga barangay, mga excess lot, o mga butas ma espasyo kung saan mas malapit ito sa komunidad. Nang sa gayon ay mas maibabahagi ang turo at prinsipyo ng nabanggit na payapang protesta. Dahil sa ganitong mga ganap at makataong gawi, unti-unting nawawala ang pagkagulat at panghuhusga sa postura ng mga punk. Nararamdaman ng mga nagboboluntaryo sa FNB ang munting butil ng pag-ibig sa kanilang mga puso sa tuwing magagawa ang pagbabahagi. Gayundin, dahan-dahang tinatalakay sa mga taong dumalo at napadaan kung ano ba talaga ang FNB.

Vulnerability is the core, the heart, the center, of meaningful human experiences.”12 Or put another way: we must be known in order to be healthy.13

Throughout this book, many studies will be described. Such reading can be daunting or, worse, boring. But if you're going to be convinced that certain well-established, accepted practices might be wrong, the data must do the convincing. Otherwise, I'd just be asking you to trust me. And while medical gurus such as Mehmet Oz and Depak Chopra or celebrities such as Jenny McCarthy and Gwyneth Paltrow can probably get away with that, I can't. In the end, you shouldn't trust me; you should trust high-quality, reproducible scientific studies that are performed in well-respected academic centers and published in prestigious medical journals.

Flower of life: A figure composed of evenly-spaced, overlapping circles creating a flower-like pattern. Images of the Platonic solids and other sacred geometrical figures can be discerned within its pattern. FIGURE 3.14 FLOWER OF LIFE The Platonic solids: Five three-dimensional solid shapes, each containing all congruent angles and sides. If circumscribed with a sphere, all vertices would touch the edge of that sphere. Linked by Plato to the four primary elements and heaven. FIGURE 3.15 PENTACHORON The applications of these shapes to music are important to sound healing theory. The ancients have always professed a belief in the “music of the spheres,” a vibrational ordering to the universe. Pythagorus is famous for interconnecting geometry and math to music. He determined that stopping a string halfway along its length created an octave; a ratio of three to two resulted in a fifth; and a ratio of four to three produced a fourth. These ratios were seen as forming harmonics that could restore a disharmonic body—or heal. Hans Jenny furthered this work through the study of cymatics, discussed later in this chapter, and the contemporary sound healer and author Jonathan Goldman considers the proportions of the body to relate to the golden mean, with ratios in relation to the major sixth (3:5) and the minor sixth (5:8).100 Geometry also seems to serve as an “interdimensional glue,” according to a relatively new theory called causal dynamical triangulation (CDT), which portrays the walls of time—and of the different dimensions—as triangulated. According to CDT, time-space is divided into tiny triangulated pieces, with the building block being a pentachoron. A pentachoron is made of five tetrahedral cells and a triangle combined with a tetrahedron. Each simple, triangulated piece is geometrically flat, but they are “glued together” to create curved time-spaces. This theory allows the transfer of energy from one dimension to another, but unlike many other time-space theories, this one makes certain that a cause precedes an event and also showcases the geometric nature of reality.101 The creation of geometry figures at macro- and microlevels can perhaps be explained by the notion called spin, first introduced in Chapter 1. Everything spins, the term spin describing the rotation of an object or particle around its own axis. Orbital spin references the spinning of an object around another object, such as the moon around the earth. Both types of spin are measured by angular momentum, a combination of mass, the distance from the center of travel, and speed. Spinning particles create forms where they “touch” in space.

The days after the call were somber and tense. I could not function on anything but autopilot. Daily activities seemed cumbersome and joyless. The diagnostic center hadn’t called with an appointment yet and I grew restless. A family friend who was a doctor read the ultrasound scans and painted me a pretty ugly picture. She recommended not resuscitating my daughter if given the opportunity after birth. I felt like she had stabbed me in the chest, twisted the knife around, and sliced open my heart. I buckled over and stifled a scream. But I pushed myself

back to standing and listened. I needed to hear the truth. She gave me sound advice and recommended going to an appropriate emergency room if I felt anything suspicious with the baby. She said that our local hospital wouldn’t staff the neurosurgeons necessary to perform life-saving surgery, so we would need to travel to a larger city. Since we became more restless and hopeless every moment, Adam and I decided to drive the four hours south and crash the ER at an L.A. hospital. We went to Cedars-Sinai Medical Center because our midwife found great reviews about their Neonatal Intensive Care Unit

I should have brought Jeremiah instead. If it had been Jeremiah, things would have been different. He would have said all the right things. It would have been Jeremiah in the center of the dance floor, doing the Typewriter and the Lawn Mower and the Toaster and all the other stupid dances he used to practice when we watched MTV. He would have remembered that daisies were my favorite flower, and he would’ve made friends with Taylor’s boyfriend, Davis, and all the other girls would have been looking at him, wishing he was their date.

At an event on fire management hosted by the Berkeley Center for New Media in 2021, one of the speakers was Margo Robbins, the executive director of a council that facilitates burning on Yurok lands. Robbins used a pre-burn and post-burn photo to demonstrate the role of burning in the very mountains I had gazed at as a child. With my untrained eye, I saw the first photo as a nondescript “natural area” like one you’d see on the side of a park trail. Robbins, though, described it in terms of process: Because the area hadn’t been burned, the hazel (a serotinous plant, meaning that it is fire-adapted) was currently producing branches that would be useless for Yurok basket making. On top of that, other unburned brush was encroaching on the hazel, to the extent that animals would not be able to eat the nuts off it and the plant would eventually stop producing. Last, she pointed to a young Douglas fir tree, an ambassador of the forest. “This fir tree is starting to encroach on what is supposed to be an oak woodland savannah,” she said (emphasis added).

John is standing at the other end of the table, drinking Coke and nodding his head to the beat. I’ve been so busy running around, we’ve hardly had a chance to talk. I lean over the table and call out, “Having fun?” He nods. Then, quite suddenly, he bangs his glass down on the table, so hard the table shakes and I jump. “All right,” he says. “It’s do or die. D-day.” “What?” “Let’s dance,” John says. Shyly I say, “We don’t have to if you don’t want to, John.” “No, I want to. I didn’t take swing-dancing lessons from Stormy for nothing.” I widen my eyes. “When did you take swing dance lessons from Stormy?” “Don’t worry about it,” he says. “Just dance with me.” “Well…do you have any war bonds left?” I joke. John fishes one out of his pants pocket and slaps it on the refreshments table. Then he grabs my hand and marches me to the center of the dance floor, like a soldier heading off to the battlefield. He’s all grim concentration. He signals to Mr. Morales, who is manning the music because he’s the only one who can figure out my phone. Glenn Miller’s “In the Mood” comes blaring out of the speakers. John gives me a determined nod. “Let’s do this.” And then we’re dancing. Rock-step, side, together, side, repeat. Rock-step, one-two-three, one-two-three. We step on each other’s feet about a million times, but he’s swinging me around--twirl, twirl--and our faces are flushed and we’re both laughing. When the song is over, he pulls me in and then throws me back out one last time. Everyone is clapping. Mr. Morales screams, “To the young ones!” John picks me up and lifts me into the air like we’re ice dancers, and the crowd erupts. I’m smiling so hard my face feels like it could break.

Is the rift dividing them in fact a bottomless chasm; is that why such powerful turbulences have been released? And is it a rift between Black and White? Or Poor or Rich? Stranger and Friend? Or between those whose father's have died and those whose father's are still alive? Or those with curly hair and those with straight? Those who call their dinner fufu and those that call it stew? Or those who like to wear yellow, red, and green t-shirts and those who prefer neckties? Or those who like to drink water and those who prefer beer? Or between speakers of one language or another? How many borders exist within a single universe? Or, to ask it differently, what is the one true, crucial border? ... it's just a matter of a few pigments in the material that's known as skin in all the languages of the world, meaning that the violence on display here is not at all the harbinger of a storm in the center of the universe but is in fact due merely to an absurd misunderstanding that has been dividing humankind and preventing it from realizing how enormously long the lifespan of a planet is compared to the life and breath of any one human being. Whether you clothe your body in hand-me-down pants and jackets from a donation bin, brand-name sweater's, expensive or cheap dresses, or uniforms with a helmet and visor- underneath this clothing, every one of us is naked and must surely, let's hope, have taken pleasure in sunshine and wind, in water and snow, have eaten or drunk this and that tasty thing, perhaps even have loved someone and been loved in return before dying one day.