“
The Centennial was many things. A game. A chance at breaking the many curses that plagued the six realms. An opportunity to win unmatched power. A meeting of the six rulers. A hundred days on an island cursed to only appear once every hundred years. And for Isla— Almost certain death.
”
”
Alex Aster (Lightlark (Lightlark, #1))
“
Only the rocks live forever, Gray Wolf said.
”
”
James A. Michener (Centennial)
“
Memories fluttered, until they snagged on one last moment. She saw herself wearing her Centennial dress. She watched Grim take a necklace out of his pocket and present it to her. One with the biggest black diamond she had ever seen. “In Nightshade, instead of rings, we give necklaces,” he said. “I should have given this to you before. It’s a sign of our commitment. Once I put it on, it is on forever. Only with your death will it be released.
”
”
Alex Aster (Nightbane (Lightlark, #2))
“
She was a big blonde woman with more curves than the highway out front and just the right number of hills and valleys.
”
”
Max Allan Collins (Raymond Chandler's Philip Marlowe: A Centennial Celebration)
“
Who are our basic enemies? This is a secret, unknown even to these basic enemies.” — Xaviar Skolcamp, Over-Centennial Fellow of the Institute, indulgently, in response to a journalist’s too-searching question
”
”
Jack Vance (The Star King (Demon Princes, #1))
“
Was it only that explosion of atavism which is now evasively called "the cult of personality" that was so horrible? Or was it even more horrible that during those same years, in 1937 itself, we celebrated Pushkin's centennial? And that we shamelessly continued to stage those self-same Chekhov plays, even though the answers to them had already come in? Is it not still more dreadful that we are now being told, thirty years later, "Don't talk about it!"? If we start to recall the sufferings of millions, we are told it will distort the historical perspective! If we doggedly seek out the essence of our morality, we are told it will darken our material progress! Let's think rather about the blast furnaces, the rolling mills that were built, the canals that were dug... no, better not talk about the canals.... Then maybe about the gold of the Kolyma? No, maybe we ought not to talk about that either.... Well, we can talk about anything, so long as we do it adroitly, so long as we glorify it....
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
“
Sociologically, politically, psychologically, spiritually, it was never enough for James Baldwin to categorize himself as one thing or the other: not just black, not just sexual, not just American, nor even just as a world-class literary artist. He embraced the whole of life the way the sun’s gravitational passion embraces everything from the smallest wandering comet to the largest looming planet.
”
”
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
“
Never forget that intelligence rules the world and ignorance carries the burden.
Therefore, remove yourself as far as possible from ignorance and seek as far as possible to be intelligent.
”
”
Marcus Garvey (Marcus Garvey Life and Lessons: A Centennial Companion to the Marcus Garvey and Universal Negro Improvement Association Papers)
“
My biggest hope for this work is that it will help others to remember the sacrifices made for our freedom, and even more so to remember that the men, women, and children all involved in and affected by this era were not just statistics: they were people just like we are, with the same hopes, dreams, and very imminent fears.
”
”
NOT A BOOK
“
It was stupid, she realized, to trust anyone after everything. She knew that, but what was the alternative? Closing herself off forever? Ever since the end of the Centennial, she had felt a wall harden around her. If she wasn’t careful, it would become impenetrable.
”
”
Alex Aster (Nightbane (Lightlark, #2))
“
Old Central School still stood upright, holding its secrets and silences firmly within. Eighty-four years of chalkdust floated in the rare shafts of sunlight inside while the memories of more than eight decades of varnishings rose from the dark stairs and floors to tinge the trapped air with the mahogany scent of coffins. The walls of Old Central were so thick that they seemed to absorb sounds while the tall windows, their glass warped and distorted by age and gravity, tinted the air with a sepia tiredness. Time moved more slowly in Old Central, if at all. Footsteps echoed along corridors and up stairwells, but the sound seemed muted and out of synch with any motion amidst the shadows. The cornerstone of Old Central had been laid in 1876, the year that General Custer and his men had been slaughtered near the Little Bighorn River far to the west, the year that the first telephone had been exhibited at the nation’s Centennial in Philadelphia far to the east. Old Central School was erected in Illinois, midway between the two events but far from any flow of history.
”
”
Dan Simmons (Summer of Night (Seasons of Horror, #1))
“
It took her three seconds-one, two, three-to know that her destiny required her to join this man, and his gun and his wagon, and his waiting horses. She had no conception of what was being asked of her, but she knew that there could be no viable alternative. She dashed inside the orphanage and grabbed the few things that belonged to her.
”
”
James A. Michener (Centennial)
“
It's the first day of the Kingdom's centennial celebration, the day of the Grease Games. Today a new mutant is created, born into a new life. The pressure to win weighs heavily on Tif's shoulders, but she must stay focused. Her eyes are peeled while she waits for the announcer's arrival.
”
”
Christian Terry (Short Tales from Earth's Final Chapter: Book 2)
“
How such Ideals do realize themselves; and grow, wondrously, from amid the incongruous ever-fluctuating chaos of the Actual: this is what World-History, if it teach any thing, has to teach us, How they grow; and, after long stormy growth, bloom out mature, supreme; then quickly (for the blossom is brief) fall into decay; sorrowfully dwindle; and crumble down, or rush down, noisily or noiselessly disappearing. The blossom is so brief; as of some centennial Cactus-flower, which after a century of waiting shines out for hours!
”
”
Thomas Carlyle (The French Revolution: A History)
“
The man who accepts Western values absolutely, finds his creative faculties becoming so warped and stunted that he is almost completely dependent on external satisfactions; and the moment he becomes frustrated in his search for these, he begins to develop neurotic symptoms, to feel that life is not worth living, and, in chronic cases, to take his own life.
”
”
Paul Robeson (Paul Robeson Speaks: Writings, Speeches, and Interviews, a Centennial Celebration)
“
At last he found the branching stream that flowed down from Blue Valley, and now he was guided by the little stone beaver that climbed the cliff.
”
”
James A. Michener (Centennial)
“
The ceaseless rain is falling fast,
And yonder gilded vane,
Immovable for three days past,
Points to the misty main,
It drives me in upon myself
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams,
I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.
In fancy I can hear again
The Alpine torrent's roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.
I see the convent's gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.
I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.
I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another's feet
O'er many a lengthening league.
Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand
Reading these poets' rhymes.
From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own.
”
”
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
“
Oro pressed two fingers against her heart. Ran them lower, to the center of her chest. A vine snaked its way across the balcony and bloomed a red rose. Oro plucked it. Offered it to her. She stared down at the flower. A rose with thorns, just like her. It was beautiful. Vicious. Isla took it, then threw it over her shoulder, clean off the balcony. And stood on her toes so her forehead touched his. Oro stilled. His eyes were amber and burning, nothing like the emptiness she had glimpsed the first day of the Centennial. He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together. Isla took a shaky breath.
”
”
Alex Aster (Lightlark (Lightlark, #1))
“
Isla finally rose. Grim had done everything for the same reason she had tried to win the Centennial—to save those he loved and bring power back to his realm. On every level, she understood. The difference was Isla had been willing to give up everything for him. When, the entire time, he had used her as a pawn. She spat in Grim’s direction. Isla looked at Oro and hoped he read the apology in her eyes. Because of her, because he had been foolish enough to love a Wildling, his worst fear had been confirmed. He had lost his power. He had been right not to trust her. Not to trust anyone. She should have done the same.
”
”
Alex Aster (Lightlark (Lightlark, #1))
“
The Rockies are therefore very young and should never be thought of as ancient. They are still in the process of building and eroding, and no one today can calculate what they will look like ten million years from now. They have the extravagant beauty of youth, the allure of adolescence, and they are mountains to be loved.
”
”
James A. Michener (Centennial)
“
News of the disaster at Little Bighorn reached the Eastern Seaboard shortly after July 4, and not just any ordinary July 4 but the grand celebration of the hundredth anniversary of the founding of the Republic. A country feeling its oats, flexing its muscles, vigorous and rich, cocksure and confident, has seen the impossible happen, the unthinkable become fact. Sitting Bull has spoiled their glorious Centennial, pissed on Custer's golden head, the head of a genuine Civil War hero, the head of someone who has recently been touted as a future President of the United States. Somehow a wedding and a funeral got booked for the same hour in the same church.
”
”
Guy Vanderhaeghe (A Good Man)
“
Eager as they were to leave, the judges could not go anywhere without Dom Pedro, who was not only the leader of a large country but, with his irrepressible energy and enthusiasm, had become the darling of the centennial fair.
”
”
Candice Millard (Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President)
“
Whether we consider hip-hop as an evolved manifestation of the Harlem Renaissance or something completely new under the sun, it clearly has moved beyond the stage of just entertaining lives to that of informing and empowering lives.
”
”
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
“
Lu Googles “Jonnie Forke”—nothing. Literally, nothing, which is bizarrely impressive. She plugs “Jonnie Forke” in Facebook, finds an entry for Juanita Forke. Graduated Centennial High School. No overlap with Drysdale there. Relationship status, single. She has only seventy-four friends, so she’s one of those people who actually uses Facebook for friends, yet doesn’t think to opt for the highest-security settings. To be fair, the site changes its privacy policy so often, some well-intentioned people don’t realize their fences are down. Lu
”
”
Laura Lippman (Wilde Lake)
“
The ugliest building in Paris is both art and male. It has something to say. It commemorates the centennial of the French Revolution, it shouts France’s industrial competence to the world, it speaks of man’s expertise. The women of France are irrelevant and Eiffel’s tower is unapologetic about that.
”
”
Caroline Cauchi (Mrs Van Gogh)
“
The weight around her neck felt even heavier now. The necklace Grim had gifted her during the Centennial had been impossible to remove, and yes, she had tried. It had a clasp, but so far it had refused to open. It seemed there was no real way to take it off. Only she could feel it. Oro didn’t even know it existed.
”
”
Alex Aster (Nightbane (Lightlark, #2))
“
And he chose his subjects with great care: the South Pacific (Tales of the South Pacific, Return to Paradise), Judaism (The Source), South Africa (The Covenant), the West Indies (Caribbean), the American West (Centennial), the Chesapeake Bay (Chesapeake), Texas, Alaska, Spain (Iberia), Mexico, Poland, the Far East.
”
”
James A. Michener (Texas)
“
The way we react to the Indian will always remain this nation’s unique moral headache. It may seem a smaller problem than our Negro one, and less important, but many other sections of the world have had to grapple with slavery and its consequences. There’s no parallel for our treatment of the Indian. In Tasmania the English settlers solved the matter neatly by killing off every single Tasmanian, bagging the last one as late as 1910. Australia had tried to keep its aborigines permanently debased—much crueler than anything we did with our Indians. Brazil, about the same. Only in America did we show total confusion. One day we treated Indians as sovereign nations. Did you know that my relative Lost Eagle and Lincoln were photographed together as two heads of state? The next year we treated him as an uncivilized brute to be exterminated. And this dreadful dichotomy continues.
”
”
James A. Michener (Centennial)
“
But the shtick that makes Amplitude unique is its prominent triangular nicks that carve out space at stroke junctions. The “ink trap” is normally a functional device, used to compensate for ink gain (see Bell Centennial), but Christian Schwartz makes it an aesthetic device, giving a stylish edge to headlines without sacrificing the type’s readability in
”
”
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
“
his laughter had died in his heart before it could die on his lips.
”
”
G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
“
If the essence of successful strategy is the ability to compel one’s opponents to accept one’s own appraisal of a situation,
”
”
Bruce Catton (Terrible Swift Sword (Centennial History of the Civil War Book 2))
“
If his rage had broken him into a hundred pieces every one of them would have disregarded the incident, and leapt at the sleeper.
”
”
J.M. Barrie (The Annotated Peter Pan (The Centennial Edition) (The Annotated Book))
“
What an amazing gift to help people, not just yourself.
”
”
Barack Obama
“
If people can learn to hate they can learn to love.
”
”
Barack Obama
“
She is an abandoned little creature."
Here Tink, who was in her boudoir, eavesdropping, squeaked out something impudent.
"She says she glories in being abandoned," Peter interpreted.
”
”
J.M. Barrie (The Annotated Peter Pan (The Centennial Edition) (The Annotated Book))
“
From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives forever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea.
”
”
James A. Michener (Centennial)
“
Where, indeed? Captain Vincent Reed had been born in the city of Richmond, Virginia, of northern parents who were stationed there by the telegraph company. He had attended West Point and he thought he knew something about warfare, having served under General Pope in his long and futile struggle against General Stonewall Jackson. Those men were fighters who would face the enemy till the last bullet was fired, but neither would participate in such a slaughter.
Reed had had his troops in position. He was quite prepared to rush in for the kill, and he had positioned himself so that he would be in the vanguard when his men made their charge against the guns of the young braves threatening the left flank. But when he saw that the enemy had no weapons, that even their bows and arrows were not at hand, and that he was supposed to chop down little girls and old women, he rebelled on the spot, taking counsel with no one but his own conscience.
”
”
James A. Michener (Centennial)
“
Of all the men who were photographed that day, the chief’s life had come closest to the American ideal, closest in observing the principles on which this nation had been founded. He was immeasurably greater than Chester Arthur, the hack politician from New York, incomparably finer than Robert Lincoln, a niggardly man of no stature who inherited from his father only his name, and a better warrior, considering his troops and ordnance, than Phil Sheridan. His only close competitor was Senator Vest, who shared with him a love of land and a joy in seeing it used constructively.
”
”
James A. Michener (Centennial)
“
My biggest hope for this work is that it will help others to remember the sacrifices made for our freedom, and even more so to remember that the men, women, and children all involved in and affected by this era were not just statistics: they were people just like we are, with the same hopes, dreams, and very imminent fears.
”
”
J. Neven-Pugh
“
In order to survive the humiliations of Jim Crow life, we sustained one another through laughter, food, music. And to that end, in the clutch of a community’s embrace, Centennial Hill nourished us, and I was protected from the worst of it. It was a place where folks saved the tears for church and left their burdens on the altar. It seemed unfathomable to me that anything like this would ever happen to someone close to me. Even with all I knew about the cruelty of humans—the beatings, the murders, the disappearances—I had still somehow underestimated people, and the girls had paid a price for that naiveté. No wonder my car got hit. It was a lesson on the laws of physics. There are consequences in life.
”
”
Dolen Perkins-Valdez (Take My Hand)
“
It was not really Saturday night, at least it may have been, for they had long lost count of the days; but always if they wanted to do anything special they said this was Saturday night, and then they did it.
"Of course it is Saturday night, Peter," Wendy said, relenting.
"People of our figure, Wendy."
"But it is only among our own progeny."
"True, true.
”
”
J.M. Barrie (The Annotated Peter Pan (The Centennial Edition) (The Annotated Book))
“
Bell Centennial’s bizarre “4” and “M” are a perfect lesson in type made specifically for its intended medium. In this case, the platform was telephone books. In 1974, AT&T asked Matthew Carter to replace their previous typeface, Bell Gothic, with something that could save costs by fitting more lines per page. To keep the type legible at tiny sizes on cheap paper, Carter made extensive use of a compensation technique called “ink trapping.” This reduces the amount of ink-spread that distorts letters by filling junctions and counters. So, what looks strange, even ugly, at large sizes, actually takes its proper form on the pulpy pages of a directory. Many capitalize on Bell Centennial’s curiosity to set eye-catching
”
”
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
“
One of the West's singular migrations--from the Azores to California's Great Central Valley--is given faces and voices in Anthony Barcellos's new novel, Land of Milk and Money. Along with its triumphs, the Francisco family embodies the challenges to an immigrant family in a new land, including the often ignored difficulties posed by success and the loss of the old culture. A must read...
”
”
Gerald Haslam (The Great Central Valley: California's Heartland (A Centennial Book))
“
The novel is ultimately about a frustrated, stunted identity: its main character—or uncentered polyphonous narrator—is an imbunche, a thwarted, mutilated man enclosed within various prisons both chosen and imposed, and he struggles to be seen and to communicate in a world that shifts from realistic to monstrous to sordid. He ultimately becomes the old crones’ swaddled baby, reduced to a toy, to memory and myth, to a grunt and a scream. Donoso,
”
”
José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
“
Hemingway loved fishing from the time he was old enough to use a rod. In Paris, he was an ocean and more away from his home waters in Michigan. The separation intensified the writing. While he worked on the story, he kept a map of northern Michigan posted in his apartment, with blue marks for significant locations. In succeeding drafts, he stripped the story down to one disturbed person moving through a dreamlike, almost hallucinatory landscape of distorted reality.
”
”
Ernest Hemingway (Big Two-Hearted River: The Centennial Edition)
“
Every one of the popular modern phrases and ideals is a dodge in order to shirk the problem of what is good. We are fond of talking about "liberty"; that, as we talk of it, is a dodge to avoid discussing what is good. We are fond of talking about "progress"; that is a dodge to avoid discussing what is good. We are fond of talking about "education"; that is a dodge to avoid discussing what is good. The modern man says, "Let us leave all these arbitrary standards and embrace liberty." This is, logically rendered, "Let us not decide what is good, but let it be considered good not to decide it." He says, "Away with your old moral formulae; I am for progress." This, logically stated, means, "Let us not settle what is good; but let us settle whether we are getting more of it." He says, "Neither in religion nor morality, my friend, lie the hopes of the race, but in education." This, clearly expressed, means, "We cannot decide what is good, but let us give it to our children.
”
”
G.K. Chesterton (Heretics: Illustrated Centennial Edition (G. K. Chesterton Book 1))
“
Our People were imprisoned within the most difficult of the Indian languages, so difficult indeed that no other tribe except one related branch, the Gros Ventres, ever learned to speak it. It stood by itself, a language spoken by only 3300 people in the world: that was the total number of Our People. The enemy tribes were not much larger: the Ute had 3600; the Comanche, 3500; the Pawnee, about 6000. The great Cheyenne, who would be famous in history, had only 3500. The Dakota, known also as the Sioux, had many branches, and they totaled perhaps 11,000.
”
”
James A. Michener (Centennial)
“
Congress displayed contempt for the city's residents, yet it retained a fondness for buildings and parks. In 1900, the centennial of the federal government's move to Washington, many congressmen expressed frustration that the proud nation did not have a capital to rival London, Paris, and Berlin. The following year, Senator James McMillan of Michigan, chairman of the Senate District Committee, recruited architects Daniel Burnham and Charles McKim, landscape architect Frederick Law Olmsted Jr., and sculptor Augustus Saint-Gaudens to propose a park system. The team, thereafter known as the McMillan Commission, emerged with a bold proposal in the City Beautiful tradition, based on the White City of Chicago's 1893 Columbian Exposition. Their plan reaffirmed L'Enfant's avenues as the best guide for the city's growth and emphasized the majesty of government by calling for symmetrical compositions of horizontal, neoclassical buildings of marble and white granite sitting amid wide lawns and reflecting pools. Eventually, the plan resulted in the remaking of the Mall as an open lawn, the construction of the Lincoln Memorial and Memorial Bridge across the Potomac, and the building of Burnham's Union Station. Commissioned in 1903, when the state of the art in automobiles and airplanes was represented by the curved-dash Olds and the Wright Flyer, the station served as a vast and gorgeous granite monument to rail transportation.
”
”
Zachary M. Schrag (The Great Society Subway: A History of the Washington Metro (Creating the North American Landscape))
“
All the talk and publicity accompanying the centennial [of the Emancipation Proclamation] only served to remind the Negro that he still wasn't free, that he still lived a form of slavery disguised by certain niceties of complexity. As the then Vice-President, Lyndon B. Johnson, phrased it: "Emancipation was a Proclamation but not a fact." The pen of the Great Emancipator had moved the Negro into the sunlight of physical freedom, but actual conditions had left him behind in the shadow of political, psychological, social, economic and intellectual bondage. In the South, discrimination faced the Negro in its obvious and glaring forms. In the North, it confronted him in hidden and subtle disguise.
The Negro also had to recognize that one hundred years after emancipation he lived on a lonely island of economic insecurity in the midst of a vast ocean of material prosperity. Negroes are still at the bottom of the economic ladder. They live within two concentric circles of segregation. One imprisons them on the basis of color, while the other confines them within a separate culture of poverty. The average Negro is born into want and deprivation. His struggle to escape his circumstances is hindered by color discrimination. He is deprived of normal education and normal social and economic opportunities. When he seeks opportunity, he is told, in effect, to lift himself by his own bootstraps, advice which does not take into account the fact that he is barefoot.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
In the late afternoon he was standing by a tent run by a trapper-merchant from Oregon, an Englishman named Haversham, the only man at the rendezvous in European dress, and Haversham asked, “Care for a cup of tea?” It had been a long time since McKeag had drunk tea and he said, “Don’t mind if I do.” The Englishman had two china cups and a small porcelain pot. Washing the cups with steaming water, he took down a square brown tin, opened the top carefully and placed a small portion of leaves in the pot. To McKeag they bore no visible difference from the tea leaves his mother had used, but when Haversham poured him a cup and he took his first sip, an aroma unlike any he had ever known greeted him. He sniffed it several times, then took a deep taste of the hot tea. It was better than anything he had previously tasted, better even than whiskey. What did it taste like? Well, at first it was tarry, as if the person making the tea had infused by mistake some stray ends of well-tarred rope. But it was penetrating too, and a wee bit salty, and very rich and lingering. McKeag noticed that its taste dwelled in the mouth long after that of an ordinary tea. It was a man’s tea, deep and subtle and blended in some rugged place. “What is it?” he asked. Haversham pointed to the brown canister, and McKeag said, “I can’t read.” Haversham indicated the lettering and the scene of tea-pickers in India. “Lapsang souchong,” he said. “Best tea in the world.” Impulsively McKeag asked, “You have some for sale?” “Of course. We’re the agents.” It was a tea, Haversham explained, blended in India especially for men who had known the sea. It was cured in a unique way which the makers kept secret. “But smoke and tar must obviously play a part,” he said. It came normally from India to London, but the English traders in Oregon imported theirs from China. “How long would a can like that last?” McKeag asked, cautiously again. “It’ll keep forever … with the top on.” “I mean, how many cups?” “I use it sparingly. It would last me a year.” “I’ll take two cans,” McKeag said, without asking the price. It was expensive, and as he tucked his small supply of coins back into his belt, Haversham explained, “The secret in making good lapsang souchong lies in heating the cup first. Heat it well. Then the flavor expands.” McKeag hid the canisters at the bottom of his gear, for he knew they were precious.
”
”
James A. Michener (Centennial)
“
Expediency on selfish grounds, and not right with reference to the claims of our common humanity, has controlled our action,” Garrison lamented in an address for the centennial of Independence Day, in 1876.
”
”
Ibram X. Kendi (How to Be an Antiracist (One World Essentials))
“
The elections were over, and while he himself had won handily enough, there was some question about who had been elected President. Tilden, as the official returns later showed, had a plurality of more than a quarter of a million votes and was the rightful winner, but at that point the outcome in three southern states—South Carolina, Florida, and Louisiana—was still undetermined, and if they were to go for Hayes, then Hayes would have the electoral votes needed to win—which was what the Republicans were claiming. Hewitt, still the moving spirit of the Tilden camp, was doing all he could to rescue his man, writing speeches, sending prominent citizens off to the disputed states to see that a fair count was made (Grant, meanwhile, was sending his own set of “visiting statesmen”), and rallying his fellow Democrats to “boldly denounce all . . . fraudulent contrivances for the destruction of self-government.” But in the year of the centennial of American democracy, the Presidency was about to be stolen by the Republicans, who were quicker and more efficient with their bribes than the other party. Hayes would win in the Electoral College by a majority of one.
”
”
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
“
those men and women who were openly committed to some worthy goal achieved more than those who were reluctant to associate themselves with anything.
”
”
James A. Michener (Centennial)
“
He tested his scales as carefully as Saint Peter is supposed to test his while weighing souls.
”
”
James A. Michener (Centennial)
“
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determinative merychippus. When this learned tyrant ended his excavations, men knew that in ages past the land of Colorado had been shared by gigantic dinosaurs beyond their imagining, and bison with unbelievable horns, and titanotheres and animals not yet visualized, and men became aware of the fact that the earth which they had been assuming was theirs had always belonged to other creatures, too.
”
”
James A. Michener (Centennial)
“
Back east, wherever you look, you see something. The world crowds in on you. I can’t tell you how homesick I got for the prairies, where a man can look for miles and not see anything … not feel crowded. Out here the human being is important … not a lot of trees and buildings.
”
”
James A. Michener (Centennial)
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For however decisive the Bolsheviks’ victory had been over the privileged classes on behalf of the Proletariat, they would be having banquets soon enough. Perhaps there would not be as many as there had been under the Romanovs – no autumn dances or diamond jubilees – but they were bound to celebrate something, whether the centennial of Das Kapital or the silver anniversary of Lenin’s beard. Guest lists would be drawn up and shortened. Invitations would be engraved and delivered. Then, having gathered around a grand circle of tables, the new statesmen would nod their heads in order to indicate to a waiter (without interrupting the long-winded fellow on his feet) that, yes, they would have a few more spears of asparagus.
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Amor Towles (A Gentleman in Moscow)
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Lincoln, whose nation was being torn apart, or Lost Eagle, whose people were being exterminated.
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James A. Michener (Centennial)
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The Platte!” I gasped. “None other,” Leeds said. “That’s the sorriest river in America. You’ve heard all the jokes about the Platte. ‘Too thick to drink, too thin to plow.’ That’s a nothing river.
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James A. Michener (Centennial)
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From that moment on I have never handled a gun. I have found even the shooting of a rattlesnake abhorrent, and I recommend to all my descendants that they keep away from firearms, for I have found that they do far more damage to good men than to evil.
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James A. Michener (Centennial)
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100%原版制作學历證书【+V信1954 292 140】《百年理工学院學位證》Centennial College
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《百年理工学院學位證》
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制作国外学费单 大学offer【+V信1954 292 140】《百年理工学院成绩单》Centennial College
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《百年理工学院成绩单》
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None? I’m convinced that the girl-saint of the Azcoitía family tradition, who’s the same as the girl-witch the father’s huge poncho whisked away from the center of the Maule River story to save her from any suspicion of evil, yes, I’m convinced that it was this being who finally whispered a clear plan in Peta’s hungry ear. It was at the suggestion of those two that Inés told me to meet her in her nursemaid’s room on election night.
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José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
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Don Jerónimo saw to all these details, because nothing around Boy must be ugly, mean or ignoble. Ugliness is one thing. But monstrosity is something else again, something of a significance that was equal but antithetical to the significance of beauty and, as such, it merited similar prerogatives. Monstrosity was the only thing Don Jerónimo de Azcoitía would set before his son from his birth on. He
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José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
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The Centennial was many things. A game. A chance at breaking the many curses that plagued the six realms. An opportunity to win unmatched power. A meeting of the six rulers. A hundred days on an island cursed to only appear once every hundred years. And for Isla
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Alex Aster (Lightlark (Lightlark, #1))
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Now, contrast that with a place like Centennial, Colorado, or Sterling Heights, Michigan, which are among the safest cities in the United States and have some of the lowest violent crime rates in the nation. There is so little violent crime in those cities, you don’t see the same sort of instant escalation of hostility. You don’t see the same sort of violent reaction to those same inconsequential things that would get you shot on the South Side of Chicago. Of course, it doesn’t hurt that those cities have robust economies and opportunities for people to succeed. When people don’t have to scrape by just to survive, they can thrive.
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Elle Gray (The 7 She Saw (Blake Wilder FBI, #1))
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I’m not in love with you. You don’t even arouse one of those aberrant urges men my age feel around someone young; you’re an inferior being, Iris Mateluna, a blob of primary existence wrapped around a fertile womb that’s so much the center of your being that everything else in you is superfluous.
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José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
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today I’m myself and tomorrow no one can find me, not even I myself, because you’re what you are only for as long as the disguise lasts.
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José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
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Nothing can prepare you for this book—and attempts to logically connect its plot points will lead you to dead ends in this labyrinth—but the reader who can suspend her expectations will be rewarded with an indelible and unforgettable reading experience. This is a novel that will stay with you—you’ll never feel you’ve wrapped your head around it entirely, and for that very reason The Obscene Bird will remain alive inside you. It’s
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José Donoso (The Obscene Bird of Night: unabridged, centennial edition)
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When I watched the banister collapse on top of you and then dug to reach you, all I thought was that I had not said it back. You know, you told me on the cliffs as you were drawing those ridiculous chalk hearts, and I felt it was unfair of me to say it right then and there when we couldn’t be together in the open. So I didn’t tell you, and I thought we had all the time in the world. And then you go and save my cat and get hit in the head by a chunk of centennial oak… I love you. Yes, this school is my life. You are also my life. I am not having some sort of romance-novel-crisis precipitated by my lover having a near-death experience. I am simply saying that I love you. And I will fight for you and for the school and maybe—since you followed me into fire—you will fight by my side.
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Milena McKay (The Headmistress (The Headmistress, #1))
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He realized that things were not beautiful because they lasted; the end was what gave them that beauty.
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Ivan Kal (The Centennial Tournament (Infinite Realm #3))
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We struggle, we hurt, so that the moments of happiness feel more precious,
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Ivan Kal (The Centennial Tournament (Infinite Realm #3))
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Sunday always insists on an early breakfast.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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It was no physical ill that troubled him. His eyes were alive with intellectual torture, as if pure thought was pain.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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He had, on the other hand, only to keep his antiquated honour, and be delivered inch by inch into the power of this great enemy of mankind, whose very intellect was a torture-chamber.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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That is what tries the nerves, abstraction combined with cruelty. Men have felt it sometimes when they went through wild forests, and felt that the animals there were at once innocent and pitiless.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him,
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Well, comrade," said the man with the papers after a pause, "I suppose we'd better give you a seat in the meeting?" "If you ask my advice as a friend," said Syme with severe benevolence, "I think you'd better.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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how the fear of the Professor had been the fear of the tyrannic accidents of nightmare, and how the fear of the Doctor had been the fear of the airless vacuum of science. The first was the old fear that any miracle might happen, the second the more hopeless modern fear that no miracle can ever happen.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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He felt towards them all that unconscious and elementary superiority that a brave man feels over powerful beasts or a wise man over powerful errors.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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The barrel-organ seemed to give the marching tune with the energy and the mingled noises of a whole orchestra; and he could hear deep and rolling, under all the trumpets of the pride of life, the drums of the pride of death.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Under the white fog of snow high up in the heaven the whole atmosphere of the city was turned to a very queer kind of green twilight, as of men under the sea.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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For with any recovery from morbidity there must go a certain healthy humiliation.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Truth is so terrible, even in fetters, that for a moment Syme's slender and insane victory swayed like a reed.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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But I am really unfit—" "You are willing, that is enough," said the unknown. "Well, really," said Syme, "I don't know any profession of which mere willingness is the final test." "I do," said the other—"martyrs. I am condemning you to death. Good day.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Thus the two black glasses that encased his eyes might really have been black cavities in his skull, making him look like a death's-head.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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a figure that might well stand for that common sense in an almost awful actuality. Burnt by the sun and stained with perspiration, and grave with the bottomless gravity of small necessary toils,
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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not with the vague servility of a tout too-well paid, but with the seriousness of a solicitor who had been paid the proper fee.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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I have a suspicion that you are all mad," said Dr. Renard, smiling sociably; "but God forbid that madness should in any way interrupt friendship. Let us go round to the garage.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Do you see this lantern?" cried Syme in a terrible voice. "Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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Do you ask me to forgive him that? It is no small thing to be laughed at by something at once lower and stronger than oneself.
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G.K. Chesterton (The Man Who Was Thursday: Illustrated Centennial Edition (G. K. Chesterton Book 3))
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A remarkable centennial tribute by J. I. Packer—a Reformed, evangelical, Low-Church Anglican who believed in biblical inerrancy—for Lewis, a non-Reformed, nonevangelical, High-Church Anglican who did not believe in biblical inerrancy, described Lewis’s genius perceptively. The “secret” of his “great piercing power,” according to Packer, lay in Lewis’s “blend of logic and imagination. . . . All of his arguments (including his literary criticism) are illustrations, in the sense they throw light directly on realities of life and action, while all his illustrations (including the fiction and fantasies) are arguments, in the sense that they throw light directly on realities of truth and fact.
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Mark A. Noll (C. S. Lewis in America: Readings and Reception, 1935–1947 (Hansen Series))
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Ideally, our capacity to be our best selves grows with experience.
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Lizzie Post (Emily Post's Etiquette, The Centennial Edition)
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No. This would be better as a team." She dragged her top drawer open, rooted out her aspirin. "I
should have fired her weeks ago. You were right about that. I was wrong."
"I need to write this down. Can I borrow a pencil?"
"Shut up." Grateful that his easy calm steadied her, she heaved a breath, then twisted open a bottle
of water. "Tell me straight out, Ty, what you think of the centennial campaign
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Nora Roberts (The Villa)
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W.A. MOVED from rich to superrich after representing Montana at the 1885 World’s Industrial and Cotton Centennial Exposition in New Orleans.
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Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)