Centennial Quotes

The Centennial was many things. A game. A chance at breaking the many curses that plagued the six realms. An opportunity to win unmatched power. A meeting of the six rulers. A hundred days on an island cursed to only appear once every hundred years. And for Isla— Almost certain death.

Only the rocks live forever, Gray Wolf said.

She was a big blonde woman with more curves than the highway out front and just the right number of hills and valleys.

Memories fluttered, until they snagged on one last moment. She saw herself wearing her Centennial dress. She watched Grim take a necklace out of his pocket and present it to her. One with the biggest black diamond she had ever seen. “In Nightshade, instead of rings, we give necklaces,” he said. “I should have given this to you before. It’s a sign of our commitment. Once I put it on, it is on forever. Only with your death will it be released.

Who are our basic enemies? This is a secret, unknown even to these basic enemies.” — Xaviar Skolcamp, Over-Centennial Fellow of the Institute, indulgently, in response to a journalist’s too-searching question

Was it only that explosion of atavism which is now evasively called "the cult of personality" that was so horrible? Or was it even more horrible that during those same years, in 1937 itself, we celebrated Pushkin's centennial? And that we shamelessly continued to stage those self-same Chekhov plays, even though the answers to them had already come in? Is it not still more dreadful that we are now being told, thirty years later, "Don't talk about it!"? If we start to recall the sufferings of millions, we are told it will distort the historical perspective! If we doggedly seek out the essence of our morality, we are told it will darken our material progress! Let's think rather about the blast furnaces, the rolling mills that were built, the canals that were dug... no, better not talk about the canals.... Then maybe about the gold of the Kolyma? No, maybe we ought not to talk about that either.... Well, we can talk about anything, so long as we do it adroitly, so long as we glorify it....

My biggest hope for this work is that it will help others to remember the sacrifices made for our freedom, and even more so to remember that the men, women, and children all involved in and affected by this era were not just statistics: they were people just like we are, with the same hopes, dreams, and very imminent fears.

Sociologically, politically, psychologically, spiritually, it was never enough for James Baldwin to categorize himself as one thing or the other: not just black, not just sexual, not just American, nor even just as a world-class literary artist. He embraced the whole of life the way the sun’s gravitational passion embraces everything from the smallest wandering comet to the largest looming planet.

Old Central School still stood upright, holding its secrets and silences firmly within. Eighty-four years of chalkdust floated in the rare shafts of sunlight inside while the memories of more than eight decades of varnishings rose from the dark stairs and floors to tinge the trapped air with the mahogany scent of coffins. The walls of Old Central were so thick that they seemed to absorb sounds while the tall windows, their glass warped and distorted by age and gravity, tinted the air with a sepia tiredness. Time moved more slowly in Old Central, if at all. Footsteps echoed along corridors and up stairwells, but the sound seemed muted and out of synch with any motion amidst the shadows. The cornerstone of Old Central had been laid in 1876, the year that General Custer and his men had been slaughtered near the Little Bighorn River far to the west, the year that the first telephone had been exhibited at the nation’s Centennial in Philadelphia far to the east. Old Central School was erected in Illinois, midway between the two events but far from any flow of history.

It took her three seconds-one, two, three-to know that her destiny required her to join this man, and his gun and his wagon, and his waiting horses. She had no conception of what was being asked of her, but she knew that there could be no viable alternative. She dashed inside the orphanage and grabbed the few things that belonged to her.

It's the first day of the Kingdom's centennial celebration, the day of the Grease Games. Today a new mutant is created, born into a new life. The pressure to win weighs heavily on Tif's shoulders, but she must stay focused. Her eyes are peeled while she waits for the announcer's arrival.

How such Ideals do realize themselves; and grow, wondrously, from amid the incongruous ever-fluctuating chaos of the Actual: this is what World-History, if it teach any thing, has to teach us, How they grow; and, after long stormy growth, bloom out mature, supreme; then quickly (for the blossom is brief) fall into decay; sorrowfully dwindle; and crumble down, or rush down, noisily or noiselessly disappearing. The blossom is so brief; as of some centennial Cactus-flower, which after a century of waiting shines out for hours!

The man who accepts Western values absolutely, finds his creative faculties becoming so warped and stunted that he is almost completely dependent on external satisfactions; and the moment he becomes frustrated in his search for these, he begins to develop neurotic symptoms, to feel that life is not worth living, and, in chronic cases, to take his own life.

At last he found the branching stream that flowed down from Blue Valley, and now he was guided by the little stone beaver that climbed the cliff.

The ceaseless rain is falling fast, And yonder gilded vane, Immovable for three days past, Points to the misty main, It drives me in upon myself And to the fireside gleams, To pleasant books that crowd my shelf, And still more pleasant dreams, I read whatever bards have sung Of lands beyond the sea, And the bright days when I was young Come thronging back to me. In fancy I can hear again The Alpine torrent's roar, The mule-bells on the hills of Spain, The sea at Elsinore. I see the convent's gleaming wall Rise from its groves of pine, And towers of old cathedrals tall, And castles by the Rhine. I journey on by park and spire, Beneath centennial trees, Through fields with poppies all on fire, And gleams of distant seas. I fear no more the dust and heat, No more I feel fatigue, While journeying with another's feet O'er many a lengthening league. Let others traverse sea and land, And toil through various climes, I turn the world round with my hand Reading these poets' rhymes. From them I learn whatever lies Beneath each changing zone, And see, when looking with their eyes, Better than with mine own.

Never forget that intelligence rules the world and ignorance carries the burden. Therefore, remove yourself as far as possible from ignorance and seek as far as possible to be intelligent.

News of the disaster at Little Bighorn reached the Eastern Seaboard shortly after July 4, and not just any ordinary July 4 but the grand celebration of the hundredth anniversary of the founding of the Republic. A country feeling its oats, flexing its muscles, vigorous and rich, cocksure and confident, has seen the impossible happen, the unthinkable become fact. Sitting Bull has spoiled their glorious Centennial, pissed on Custer's golden head, the head of a genuine Civil War hero, the head of someone who has recently been touted as a future President of the United States. Somehow a wedding and a funeral got booked for the same hour in the same church.

Eager as they were to leave, the judges could not go anywhere without Dom Pedro, who was not only the leader of a large country but, with his irrepressible energy and enthusiasm, had become the darling of the centennial fair.

Whether we consider hip-hop as an evolved manifestation of the Harlem Renaissance or something completely new under the sun, it clearly has moved beyond the stage of just entertaining lives to that of informing and empowering lives.

It was stupid, she realized, to trust anyone after everything. She knew that, but what was the alternative? Closing herself off forever? Ever since the end of the Centennial, she had felt a wall harden around her. If she wasn’t careful, it would become impenetrable.

Lu Googles “Jonnie Forke”—nothing. Literally, nothing, which is bizarrely impressive. She plugs “Jonnie Forke” in Facebook, finds an entry for Juanita Forke. Graduated Centennial High School. No overlap with Drysdale there. Relationship status, single. She has only seventy-four friends, so she’s one of those people who actually uses Facebook for friends, yet doesn’t think to opt for the highest-security settings. To be fair, the site changes its privacy policy so often, some well-intentioned people don’t realize their fences are down. Lu

The ugliest building in Paris is both art and male. It has something to say. It commemorates the centennial of the French Revolution, it shouts France’s industrial competence to the world, it speaks of man’s expertise. The women of France are irrelevant and Eiffel’s tower is unapologetic about that.

And he chose his subjects with great care: the South Pacific (Tales of the South Pacific, Return to Paradise), Judaism (The Source), South Africa (The Covenant), the West Indies (Caribbean), the American West (Centennial), the Chesapeake Bay (Chesapeake), Texas, Alaska, Spain (Iberia), Mexico, Poland, the Far East.

The Rockies are therefore very young and should never be thought of as ancient. They are still in the process of building and eroding, and no one today can calculate what they will look like ten million years from now. They have the extravagant beauty of youth, the allure of adolescence, and they are mountains to be loved.

The way we react to the Indian will always remain this nation’s unique moral headache. It may seem a smaller problem than our Negro one, and less important, but many other sections of the world have had to grapple with slavery and its consequences. There’s no parallel for our treatment of the Indian. In Tasmania the English settlers solved the matter neatly by killing off every single Tasmanian, bagging the last one as late as 1910. Australia had tried to keep its aborigines permanently debased—much crueler than anything we did with our Indians. Brazil, about the same. Only in America did we show total confusion. One day we treated Indians as sovereign nations. Did you know that my relative Lost Eagle and Lincoln were photographed together as two heads of state? The next year we treated him as an uncivilized brute to be exterminated. And this dreadful dichotomy continues.

But the shtick that makes Amplitude unique is its prominent triangular nicks that carve out space at stroke junctions. The “ink trap” is normally a functional device, used to compensate for ink gain (see Bell Centennial), but Christian Schwartz makes it an aesthetic device, giving a stylish edge to headlines without sacrificing the type’s readability in

What an amazing gift to help people, not just yourself.

If people can learn to hate they can learn to love.

If the essence of successful strategy is the ability to compel one’s opponents to accept one’s own appraisal of a situation,

his laughter had died in his heart before it could die on his lips.

If his rage had broken him into a hundred pieces every one of them would have disregarded the incident, and leapt at the sleeper.

Certain Americans in western states, having lost their Indians and with few blacks at hand, naturally turned to hating Mexicans,

She is an abandoned little creature." Here Tink, who was in her boudoir, eavesdropping, squeaked out something impudent. "She says she glories in being abandoned," Peter interpreted.

From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives forever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea.

Where, indeed? Captain Vincent Reed had been born in the city of Richmond, Virginia, of northern parents who were stationed there by the telegraph company. He had attended West Point and he thought he knew something about warfare, having served under General Pope in his long and futile struggle against General Stonewall Jackson. Those men were fighters who would face the enemy till the last bullet was fired, but neither would participate in such a slaughter. Reed had had his troops in position. He was quite prepared to rush in for the kill, and he had positioned himself so that he would be in the vanguard when his men made their charge against the guns of the young braves threatening the left flank. But when he saw that the enemy had no weapons, that even their bows and arrows were not at hand, and that he was supposed to chop down little girls and old women, he rebelled on the spot, taking counsel with no one but his own conscience.

Of all the men who were photographed that day, the chief’s life had come closest to the American ideal, closest in observing the principles on which this nation had been founded. He was immeasurably greater than Chester Arthur, the hack politician from New York, incomparably finer than Robert Lincoln, a niggardly man of no stature who inherited from his father only his name, and a better warrior, considering his troops and ordnance, than Phil Sheridan. His only close competitor was Senator Vest, who shared with him a love of land and a joy in seeing it used constructively.

My biggest hope for this work is that it will help others to remember the sacrifices made for our freedom, and even more so to remember that the men, women, and children all involved in and affected by this era were not just statistics: they were people just like we are, with the same hopes, dreams, and very imminent fears.

In order to survive the humiliations of Jim Crow life, we sustained one another through laughter, food, music. And to that end, in the clutch of a community’s embrace, Centennial Hill nourished us, and I was protected from the worst of it. It was a place where folks saved the tears for church and left their burdens on the altar. It seemed unfathomable to me that anything like this would ever happen to someone close to me. Even with all I knew about the cruelty of humans—the beatings, the murders, the disappearances—I had still somehow underestimated people, and the girls had paid a price for that naiveté. No wonder my car got hit. It was a lesson on the laws of physics. There are consequences in life.

It was not really Saturday night, at least it may have been, for they had long lost count of the days; but always if they wanted to do anything special they said this was Saturday night, and then they did it. "Of course it is Saturday night, Peter," Wendy said, relenting. "People of our figure, Wendy." "But it is only among our own progeny." "True, true.

Bell Centennial’s bizarre “4” and “M” are a perfect lesson in type made specifically for its intended medium. In this case, the platform was telephone books. In 1974, AT&T asked Matthew Carter to replace their previous typeface, Bell Gothic, with something that could save costs by fitting more lines per page. To keep the type legible at tiny sizes on cheap paper, Carter made extensive use of a compensation technique called “ink trapping.” This reduces the amount of ink-spread that distorts letters by filling junctions and counters. So, what looks strange, even ugly, at large sizes, actually takes its proper form on the pulpy pages of a directory. Many capitalize on Bell Centennial’s curiosity to set eye-catching

Oro pressed two fingers against her heart. Ran them lower, to the center of her chest. A vine snaked its way across the balcony and bloomed a red rose. Oro plucked it. Offered it to her. She stared down at the flower. A rose with thorns, just like her. It was beautiful. Vicious. Isla took it, then threw it over her shoulder, clean off the balcony. And stood on her toes so her forehead touched his. Oro stilled. His eyes were amber and burning, nothing like the emptiness she had glimpsed the first day of the Centennial. He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together. Isla took a shaky breath.

One of the West's singular migrations--from the Azores to California's Great Central Valley--is given faces and voices in Anthony Barcellos's new novel, Land of Milk and Money. Along with its triumphs, the Francisco family embodies the challenges to an immigrant family in a new land, including the often ignored difficulties posed by success and the loss of the old culture. A must read...

The novel is ultimately about a frustrated, stunted identity: its main character—or uncentered polyphonous narrator—is an imbunche, a thwarted, mutilated man enclosed within various prisons both chosen and imposed, and he struggles to be seen and to communicate in a world that shifts from realistic to monstrous to sordid. He ultimately becomes the old crones’ swaddled baby, reduced to a toy, to memory and myth, to a grunt and a scream. Donoso,

Every one of the popular modern phrases and ideals is a dodge in order to shirk the problem of what is good. We are fond of talking about "liberty"; that, as we talk of it, is a dodge to avoid discussing what is good. We are fond of talking about "progress"; that is a dodge to avoid discussing what is good. We are fond of talking about "education"; that is a dodge to avoid discussing what is good. The modern man says, "Let us leave all these arbitrary standards and embrace liberty." This is, logically rendered, "Let us not decide what is good, but let it be considered good not to decide it." He says, "Away with your old moral formulae; I am for progress." This, logically stated, means, "Let us not settle what is good; but let us settle whether we are getting more of it." He says, "Neither in religion nor morality, my friend, lie the hopes of the race, but in education." This, clearly expressed, means, "We cannot decide what is good, but let us give it to our children.

Our People were imprisoned within the most difficult of the Indian languages, so difficult indeed that no other tribe except one related branch, the Gros Ventres, ever learned to speak it. It stood by itself, a language spoken by only 3300 people in the world: that was the total number of Our People. The enemy tribes were not much larger: the Ute had 3600; the Comanche, 3500; the Pawnee, about 6000. The great Cheyenne, who would be famous in history, had only 3500. The Dakota, known also as the Sioux, had many branches, and they totaled perhaps 11,000.

Congress displayed contempt for the city's residents, yet it retained a fondness for buildings and parks. In 1900, the centennial of the federal government's move to Washington, many congressmen expressed frustration that the proud nation did not have a capital to rival London, Paris, and Berlin. The following year, Senator James McMillan of Michigan, chairman of the Senate District Committee, recruited architects Daniel Burnham and Charles McKim, landscape architect Frederick Law Olmsted Jr., and sculptor Augustus Saint-Gaudens to propose a park system. The team, thereafter known as the McMillan Commission, emerged with a bold proposal in the City Beautiful tradition, based on the White City of Chicago's 1893 Columbian Exposition. Their plan reaffirmed L'Enfant's avenues as the best guide for the city's growth and emphasized the majesty of government by calling for symmetrical compositions of horizontal, neoclassical buildings of marble and white granite sitting amid wide lawns and reflecting pools. Eventually, the plan resulted in the remaking of the Mall as an open lawn, the construction of the Lincoln Memorial and Memorial Bridge across the Potomac, and the building of Burnham's Union Station. Commissioned in 1903, when the state of the art in automobiles and airplanes was represented by the curved-dash Olds and the Wright Flyer, the station served as a vast and gorgeous granite monument to rail transportation.

All the talk and publicity accompanying the centennial [of the Emancipation Proclamation] only served to remind the Negro that he still wasn't free, that he still lived a form of slavery disguised by certain niceties of complexity. As the then Vice-President, Lyndon B. Johnson, phrased it: "Emancipation was a Proclamation but not a fact." The pen of the Great Emancipator had moved the Negro into the sunlight of physical freedom, but actual conditions had left him behind in the shadow of political, psychological, social, economic and intellectual bondage. In the South, discrimination faced the Negro in its obvious and glaring forms. In the North, it confronted him in hidden and subtle disguise. The Negro also had to recognize that one hundred years after emancipation he lived on a lonely island of economic insecurity in the midst of a vast ocean of material prosperity. Negroes are still at the bottom of the economic ladder. They live within two concentric circles of segregation. One imprisons them on the basis of color, while the other confines them within a separate culture of poverty. The average Negro is born into want and deprivation. His struggle to escape his circumstances is hindered by color discrimination. He is deprived of normal education and normal social and economic opportunities. When he seeks opportunity, he is told, in effect, to lift himself by his own bootstraps, advice which does not take into account the fact that he is barefoot.

This interpretation of the Gold Rush as a fun-filled and affirmative adventure survived through numerous celebrations, including the 1949 centennial. It lingered in the movies (Gabby Hayes playing the comic prospector) and continues to sustain the ongoing revelry of a flourishing antiquarian drinking fraternity, the Ancient Order of E Clampus Vitus, founded in 1857 and revitalized in 1931 by historian Carl Wheat, which places plaques at historic Gold Rush sites before adjourning to a nearby saloon.

Madiba reminds that democracy is more than just elections.

It is a fact that racial discrimination still exists in the United States and in South America.

The first event, which looked back but also forward like a kind of historical hinge, was the centennial of the birth of Albert Hofmann, the Swiss chemist who, in 1943, accidentally found that he had discovered (five years earlier) the psychoactive molecule that came to be known as LSD. This was an unusual centennial in that the man being feted was very much in attendance. Entering his second century, Hofmann appeared in remarkably good shape, physically spry and mentally sharp, and he was able to take an active part in the festivities, which included a birthday ceremony followed by a three-day symposium. The symposium’s opening ceremony was on January 13, two days after Hofmann’s 100th birthday (he would live to be 102). Two thousand people packed the hall at the Basel Congress Center, rising to applaud as a stooped stick of a man in a dark suit and a necktie, barely five feet tall, slowly crossed the stage and took his seat. Two hundred journalists from around the world were in attendance, along with more than a thousand healers, seekers, mystics, psychiatrists, pharmacologists, consciousness researchers, and neuroscientists, most of them people whose lives had been profoundly altered by the remarkable molecule that this man had derived from a fungus half a century before. They had come to celebrate him and what his friend the Swiss poet and physician Walter Vogt called “the only joyous invention of the twentieth century.

There it would reach the river. A wall of water would fan out across the plains, engulfing both the river and its tributaries. Churning, roaring, twisting, it would scour everything before it as it scratched and clawed its way eastward. In the space of an afternoon, such a flood might carve away deposits which had required ten million years to accumulate.

The curious thing about this little forerunner of greatness is that although we are sure that he existed and are intellectually convinced that he had to have certain characteristics, no man has ever seen a shred of physical evidence that he really did exist.

No fossil bone of this little creature has so far been found; we have tons of bones of diplodocus and her fellow reptiles, all of whom vanished, but of this small prototype of one of the great animal families, we have no memorials whatever. Indeed, he has not yet even been named, although we are quite familiar with his attributes; perhaps when his bones are ultimately found—and they will be—a proper name would be “paleohippus,” the hippus of the Paleocene epoch.

The sound of water is deep, its form is serpent-like, its color green, and it is best heard in the roaring of the sea. The sound of fire is high pitched, its form is curled, and its color is red. It is heard in the falling of the thunderbolt and in a volcanic eruption. The sound of air is wavering, its form zigzag, and its color blue. Its voice is heard in storms, when the wind blows, and in the whisper of the morning breeze.

It was rather that he discovered for himself the inherent undesirability of becoming a leader; it was an act of pomp engaged in by lesser men who enjoyed bedecking themselves in feathers. He would let others use office to proclaim their feats. He would concentrate on the feat itself, doing what had to be done … in silence.

It really set my nerves jangling,” Jenny Larsen confessed. “Wasn’t it strange, the way it kept up, day after day?” Alice Grebe, to whom this question was directed, said nothing, for

Close at Kudzo In the South, we have a saying to describe how we feel about those around us: “close as kudzu,” which means we’re all connected at the roots. Of course, the first reply of some Yankee is: “What’s kudzu?” If you’re going to be a Grits, sugah, you absolutely have to know the answer to this question. Kudzu is a beautiful green leafy vine. If you’ve ever driven through the Deep South, you’ve seen it growing along the side of the road--and right over everything in its path, from trees and bushes to cars, homes, and utility poles. If you stand still long enough in the South, kudzu will grow right over you. The vines grow as much as a foot a day, and in some places one plant can literally stretch for miles. That’s why we say we’re close as kudzu down here--we’re all part of one culture, and we’re all connected in some way. The thing about kudzu is, it’s not even native. It was brought over from Japan for the 1876 Centennial Exposition in Philadelphia. In the 1930s, the government planted it across the South as a means of erosion control. Like many before and sine, kudzu fell in love with the South, and just decided to stay. And who can really blame it, now?

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In depicting the Indian background, do not commit these traditional errors: Do not show them on war parties in full regalia. I judge from what I have read that Indians in their everyday occupations looked pretty much like students at the Boulder campus of Colorado University today, except that the Indians may have been somewhat cleaner.

When I woke up I count the Bricks in my blue shade.

This week I agreed to be Rafe's date to the Centennial Ball." The room quiets, but the announcement doesn't seem to have the power she hoped it would. I give her a small shrug. Her mother openly glares at me while her father just heaves a sigh, likes she's wasting his time, and opens his mouth to get on with his announcement. "And I've also agreed to marry him." Well, that escalated quickly. That's when the shouting truly begins.

According to the little black-and-gold booklet published for Antoine’s centennial, Oysters à la Rockefeller contain “such rich ingredients that the name of the Multi-Millionaire was borrowed to indicate their value.” Some gourmets say that any oyster worthy of its species should not be toyed with and adulterated by such skullduggeries as this sauce of herbs and strange liqueurs.

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Ideally, our capacity to be our best selves grows with experience.

AMERICAN WHEAT OR RYE BEER Refreshing wheat or rye beers can display more hop character and less yeast character than their German cousins. This is a beginner-level style that can be brewed by extract or all-grain methods. Ferments at 65° F (18° C). OG FG IBU Color Alcohol 1.040-1.055 (10-13.6 °P) 1.008-1.013 (2.1-3.3 °P) 15-30 3-6 SRM 6-12 EBC 4-5.5% ABV 3.2-4.3% ABW Keys to Brewing American Wheat or Rye Beer: This easy-drinking beer style usually has a subtly grainy wheat character, slightly reminiscent of crackers. The hop flavor and aroma are more variable, with some versions having no hop character, while others have a fairly noticeable citrus or floral flair. Even when the hops are more prominent, they should not be overwhelming, and the hop bitterness should be balanced. The rye version of this style has a slight spicy, peppery note from the addition of rye in place of some or all of the wheat. The key mistake many brewers make is in assuming that American wheat beer should be similar to German hefeweizen. However, this style should not have the clove and banana character of a hefeweizen. This beer should not be as malty (bready) as a German hefeweizen, either, so all-grain brewers will want to use a less malty American two-row malt. To get the right fermentation profile, it is important to use a fairly neutral yeast strain, one that doesn’t produce a lot of esters like the German wheat yeasts do. While you can substitute yeast like White Labs WLP001 California Ale, Wyeast 1056 American Ale, or Fermentis Safale US-05, a better choice is one that provides some crispness, such as an altbier or Kölsch yeast, and fermentation at a cool temperature. RECIPE: KENT'S HOLLOW LEG It was the dead of winter and I was in Amarillo, Texas, on a business trip with Kent, my co-worker. That evening at dinner I watched as Kent drank a liter of soda, several glasses of water, and three or four liters of American wheat beer. I had a glass of water and one liter of beer, and I went to the bathroom twice. Kent never left the table. When I asked Kent about his superhuman bladder capacity, he thought it was due to years of working as a programmer glued to his computer and to the wonderful, easy-drinking wheat beer. This recipe is named in honor of Kent’s amazing bladder capacity. This recipe has a touch more hop character than many bottled, commercial examples on the market, but a lot less than some examples you might find. If you want less hop character, feel free to drop the late hop additions. If you really love hops and want to make a beer with lots of hop flavor and aroma, increase the late hop amounts as you see fit. However, going past the amounts listed below might knock it out of consideration in many competitions for being “too hoppy for style,” no matter how well it is brewed. OG: 1.052 (12.8 °P) FG: 1.012 (3.0 °P) ADF: 77% IBU: 20 Color: 5 SRM (10 EBC) Alcohol: 5.3% ABV (4.1% ABW) Boil: 60 minutes Pre-Boil Volume: 7 gallons (26.5L) Pre-Boil Gravity: 1.044 (11.0 °P) Extract Weight Percent Wheat LME (4 °L) 8.9 lbs. (4.03kg) 100 Hops   IBU Willamette 5.0% AA, 60 min. 1.0 oz. (28g) 20.3 Willamette 5.0% AA, 0 min. 0.3 oz. (9g) 0 Centennial 9.0% AA, 0 min. 0.3 oz. (9g) 0 Yeast White Labs WLP320 American Hefeweizen, Wyeast 1010 American Wheat, or Fermentis Safale US-05 Fermentation and Conditioning Use 10 grams of properly rehydrated dry yeast, 2 liquid yeast packages, or make a starter. Ferment at 65° F (18° C). When finished, carbonate the beer to approximately 2.5 volumes. All-Grain Option Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt and 6 lbs. (2.72kg) wheat malt. Mash at 152° F (67° C). Rye Option This beer can also be made with a portion of malted rye. The rye gives the beer a slightly spicy note and adds a certain creamy mouthfeel. Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt, 3.75 lbs. (1.70kg) rye malt, and 3 lbs. (1.36kg) wheat malt. Mash at 152° F (67° C).

HISTORY OF NIGERIA Nigeria is Africa’s most populous country and the world’s eighth largest oil producer, but its success has been undermined in recent decades by ethnic and religious conflict, political instability, rampant official corruption, and an ailing economy. Toyin Falola, a leading historian intimately acquainted with the region, and Matthew Heaton, who has worked extensively on African science and culture, combine their expertise to explain the context to Nigeria’s recent troubles, through an exploration of its pre-colonial and colonial past and its journey from independence to statehood. By examining key themes such as colonialism, religion, slavery, nationalism, and the economy, the authors show how Nigeria’s history has been swayed by the vicissitudes of the world around it, and how Nigerians have adapted to meet these challenges. This book offers a unique portrayal of a resilient people living in a country with immense, but unrealized, potential. TOYIN FALOLA is the Frances Higginbotham Nalle Centennial Professor in History at the University of Texas at Austin. His books include The Power of African Cultures (2003), Economic Reforms and Modernization in Nigeria, 1945–1965 (2004), and A Mouth Sweeter than Salt: An African Memoir (2004). MATTHEW M. HEATON is a Patrice Lumumba Fellow at the University of Texas at Austin. He has co-edited multiple volumes on health and illness in Africa with Toyin Falola, including HIV/AIDS, Illness and African Well-Being (2007) and Health Knowledge and Belief Systems in Africa (2007). A HISTORY OF NIGERIA

western paintings did not occur.

W.A. MOVED from rich to superrich after representing Montana at the 1885 World’s Industrial and Cotton Centennial Exposition in New Orleans.

Warren began his Centennial meditation with big claims about the place of the Civil War in American consciousness. Boldly, he called the war "the great single event of our history ... our only felt history, history lived in the national imagination:" Until the i86os, the nation's founding and growth had been only a "daydream of easy and automatic victories, a vulgar delusion of manifest destiny, a conviction of being a people divinely chosen to live on milk and honey at small expense." Warren's "nation" here was the exclusive, mainstream, "white" population and not blacks or Indians, whom he would represent in other writing as unpersuaded by that vulgar delusion. These were a poet's broad strokes, indeed, but he made his point: only with the Civil War did Americans earn an "awareness of the cost of having a history"" Warren

At his request--a Custer request was a command impossible to refuse--I produced a series of prints for the Centennial Expedition at Philadelphia: the general with Bloody Knife, his favorite Indian scout; with the Custers' pack of eighty dogs; with his junior officers, planning the destruction of the Lakota Sioux; with Libbie in the parlor of their quarters at the fort; and the general striking a pose that would become as recognizable as Napoléon's; arms folded across his chest, looking forward and slightly upward at his magnificent destiny.

No science and no analysis of the future consequences of various actions taken today can in itself tell us what to do. We need, in addition, to factor in what kind of future we value, and to what extent we care at all about the future compared to more immediate concerns here and now. The later aspect is usually modeled and economics by the so-called discount rate, which has played a prominent role in discussions of climate change on a decadal and centennial time scale, but hardly at all in the context of longer perspectives or the various radical technologies[.] We are less used to thinking about ethical issues on long time scales, so our intuitions trying to fail us and lead to paradoxes. These issues need to be resolved, because dodging the bullet would in my opinion be unacceptably irresponsible.

The vine that we know by the name “kudzu” arrived in Philadelphia as a gift from Japan to honor the 1876 centennial.

longer in extended bad weather. For passengers in steerage—scores

Don Jerónimo saw to all these details, because nothing around Boy must be ugly, mean or ignoble. Ugliness is one thing. But monstrosity is something else again, something of a significance that was equal but antithetical to the significance of beauty and, as such, it merited similar prerogatives. Monstrosity was the only thing Don Jerónimo de Azcoitía would set before his son from his birth on. He

today I’m myself and tomorrow no one can find me, not even I myself, because you’re what you are only for as long as the disguise lasts.

None? I’m convinced that the girl-saint of the Azcoitía family tradition, who’s the same as the girl-witch the father’s huge poncho whisked away from the center of the Maule River story to save her from any suspicion of evil, yes, I’m convinced that it was this being who finally whispered a clear plan in Peta’s hungry ear. It was at the suggestion of those two that Inés told me to meet her in her nursemaid’s room on election night.

I’m not in love with you. You don’t even arouse one of those aberrant urges men my age feel around someone young; you’re an inferior being, Iris Mateluna, a blob of primary existence wrapped around a fertile womb that’s so much the center of your being that everything else in you is superfluous.

Nothing can prepare you for this book—and attempts to logically connect its plot points will lead you to dead ends in this labyrinth—but the reader who can suspend her expectations will be rewarded with an indelible and unforgettable reading experience. This is a novel that will stay with you—you’ll never feel you’ve wrapped your head around it entirely, and for that very reason The Obscene Bird will remain alive inside you. It’s

Isla finally rose. Grim had done everything for the same reason she had tried to win the Centennial—to save those he loved and bring power back to his realm. On every level, she understood. The difference was Isla had been willing to give up everything for him. When, the entire time, he had used her as a pawn. She spat in Grim’s direction. Isla looked at Oro and hoped he read the apology in her eyes. Because of her, because he had been foolish enough to love a Wildling, his worst fear had been confirmed. He had lost his power. He had been right not to trust her. Not to trust anyone. She should have done the same.

Well, comrade," said the man with the papers after a pause, "I suppose we'd better give you a seat in the meeting?" "If you ask my advice as a friend," said Syme with severe benevolence, "I think you'd better.

He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion.

The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror.

The weight around her neck felt even heavier now. The necklace Grim had gifted her during the Centennial had been impossible to remove, and yes, she had tried. It had a clasp, but so far it had refused to open. It seemed there was no real way to take it off. Only she could feel it. Oro didn’t even know it existed.

Under the white fog of snow high up in the heaven the whole atmosphere of the city was turned to a very queer kind of green twilight, as of men under the sea.

Sunday always insists on an early breakfast.

But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him,

He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house.

The barrel-organ seemed to give the marching tune with the energy and the mingled noises of a whole orchestra; and he could hear deep and rolling, under all the trumpets of the pride of life, the drums of the pride of death.

It was no physical ill that troubled him. His eyes were alive with intellectual torture, as if pure thought was pain.

Do you ask me to forgive him that? It is no small thing to be laughed at by something at once lower and stronger than oneself.

I have a suspicion that you are all mad," said Dr. Renard, smiling sociably; "but God forbid that madness should in any way interrupt friendship. Let us go round to the garage.

But I am really unfit—" "You are willing, that is enough," said the unknown. "Well, really," said Syme, "I don't know any profession of which mere willingness is the final test." "I do," said the other—"martyrs. I am condemning you to death. Good day.

how the fear of the Professor had been the fear of the tyrannic accidents of nightmare, and how the fear of the Doctor had been the fear of the airless vacuum of science. The first was the old fear that any miracle might happen, the second the more hopeless modern fear that no miracle can ever happen.

That is what tries the nerves, abstraction combined with cruelty. Men have felt it sometimes when they went through wild forests, and felt that the animals there were at once innocent and pitiless.

not with the vague servility of a tout too-well paid, but with the seriousness of a solicitor who had been paid the proper fee.

He felt towards them all that unconscious and elementary superiority that a brave man feels over powerful beasts or a wise man over powerful errors.

Truth is so terrible, even in fetters, that for a moment Syme's slender and insane victory swayed like a reed.

For with any recovery from morbidity there must go a certain healthy humiliation.

He had, on the other hand, only to keep his antiquated honour, and be delivered inch by inch into the power of this great enemy of mankind, whose very intellect was a torture-chamber.