Cemetery Memorial Quotes

Memories are worse than bullets.

Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.

The words with which a child’s heart is poisoned, whether through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.

I could tell you it's the heart, but what is really killing him is loneliness. Memories are worse than bullets.

Few things are more deceptive than memories.

Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened,

Remember me, even if it's only in a corner and secretly. Don't let me go.

I couldn't help thinking that if I, by pure chance, had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

He would have liked to know that somebody wanted to keep him alive, that someone remembered him. He used to say that we exist as long as somebody remembers us.

The memory of most men is an abandoned cemetery where lie, unsung and unhonored, the dead whom they have ceased to cherish. Any lasting grief is reproof to their neglect.

He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people... I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them - a comfortable prison of his own design." "You say this as if you envied him." "There are worse prisons than words.

If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning. They're right. It does. However much you beg it to stop. It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember. It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life... All trying not to think about what's waiting at the bottom. Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor. Intoxicated by the motion we forget all the risks. And then the world turns... And somebody falls off... And oh God it's such a long way down. Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller... Receding in our memories until they're no longer visible. We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth. Trying to measure how far we have to fall. No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives... Wrapping ourselves in comforting banalities to keep us warm against the cold. "Time's a great healer." "At least it was quick." "The world keeps turning." Oh Alec— Alec's dead.

As I walked in the dark through the tunnels and tunnels of books, I could not help being overcome by a sense of sadness. I couldn't help thinking that if I, by pure chance, had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

Nothing feeds forgetfulness better than war.... We all keep quiet and they try to convince us that what we've seen, what we've done, what we've learned about ourselves and about others, is an illusion, a passing nightmare. Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind.

It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

The gloaming that closed over us the cemetery had crawled inside his skin.

A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!

Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them & they return, with another face and another name, to devour what they left behind.

I leaned over to cover him with the blanket he had been promising to give away to charity for years, and I kissed his forehead, as if by doing so I could protect him from the invisible threads that kept him away from me, from that tiny apartment, and from my memories. As if I believed that with that kiss I could deceive time and convince it to pass us by, to return some other day, some other life.

It's like a memorial to Atlantis or Lyonesse: these are the stone buoys that mark a drowned world.

Constantin Demiris had arranged with the authorities for her body to be buried on the grounds of the cemetery on Psara, his private island in the Aegean. Everyone had remarked on what a beautiful, sentimental gesture it was. In fact, Demiris had arranged for the burial plot to be there so that he could have the exquisite pleasure of walking over the bitch's grave.

The birthplace of anarchy is the cemetery of freedom.

The fact is, when men carry the same ideals in their hearts, nothing can isolate them - neither prison walls nor the sod of cemeteries. For single memory, a single spirit, a single idea, a single conscience, a single dignity will sustain them all.

as long as we are being remembered, we remain alive

In cemeteries of memories, our love will lie in caskets.

But cemeteries are like mousetraps for memories, catching grief by the tail before it knows what's what.

There's nothing here. Nothing at all.' Marina gave me a look that I could not fathom. 'You're wrong,' she said. 'The memories of hundreds of people lie here. Their lives, their feelings, their expectations, their absence, the dreams that never came true for them, the disappointments, the deceptions and the unrequited loves that poisoned their existence... All that is here, trapped for ever.

Few things leave a deeper mark on a reader than the first book that finds it's way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory...

I still remember the day my father took me to the Cemetery of Forgotten Books for the first time. It was the early summer of 1945, and we walked through the streets of a Barcelona trapped beneath ashen skies as dawn poured over Rambla de Santa Monica in a wreath of liquid copper.

The richest person in the cemetery is the one who left the most happy memories.

The words with which a child's heart is poisoned, through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.

Sometimes to escape the noise of haunting memories, you need your best friends hand in your own, to help erase the sound and fill you with a sense of peace, even if it’s temporary.

I could tell you it's his heart, but what is really killing him is loneliness. Memories are worse than bullets.

What's wrong with him?" "I could tell you it's the heart, but what is really killing him is loneliness. Memories are worse than bullets.

Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them, and to making sure their pages, like our memories and our desires, are never lost.

The richest person in the cemetery is the one who left behind the most happy memories.

It was possible that there were other vus of which he had never heard and that one of these other vus would explain succinctly the baffling phenomenon of which he had been both a witness and a part; it was even possible that none of what he thought had taken place, really had taken place, and that he was dealing with an aberration of memory rather than of perception, that he never really had thought he had seen what he now thought he once did think he had seen, that his impression now that he once had thought so was merely the illusion of an illusion, and that he was only now imagining that he had ever once imagined seeing a naked man sitting in a tree at the cemetery.

I felt myself surrounded by millions of abandoned pages, by words and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the Library seemed to be losing it´s memory, day after day, unknowingly, feeling all the wiser the more it forgot.

... Few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think have left behind, accompany us throughout our lives and sculpt a palace in our memory

When those who name dead people have gone, there just remains the calmness of foreign cemeteries, in which nothing appears familiar and nothing frightens you.

So, what do you do for a living? You may be sorry you asked.

Few are the occasions when life allows us to stroll through our dreams, caressing a lost memory with our hands.

The words with which a child’s heart is poisoned, through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.

Pocas cosas engañan más que los recuerdos.

When I visit the cemetery, I walk past hundreds, possibly thousands of stories now silenced. And I know that history ‘recorded’ holds the adventures that history ‘lost’ let's slip through its fingers. And I’ve thought that I need to live a life worthy of being ‘recorded’ so that the adventure that might help another never slips through the fingers of anything.

few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.

Nothing feeds forgetfulness better than war, Daniel. We all keep quiet and they try to convince us that what we've seen, what we've done, what we've learned about ourselves and about others, is an illusion, a passing nightmare. Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind. p. 428

Without further ado I left the place, finding my route by the marks I had made on the way in. As I walked in the dark through the tunnels and tunnels of books, I could not help being overcome by a sense of sadness. I couldn't help thinking that if I, by pure chance, had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

When we bury the old, we bury the known past, the past we imagine sometimes better than it was, but the past all the same, a portion of which we inhabited. Memory is the overwhelming theme, the eventual comfort. But burying infants, we bury the future, unwieldy and unknown, full of promise and possibilities, outcomes punctuated by our rosy hopes. The grief has no borders, no limits, no known ends, and the little infant graves that edge the corners and fencerows of every cemetery are never quite big enough to contain that grief. Some sadnesses are permanent. Dead babies do not give us memories. They give us dreams.

When men carry the same ideals in their hearts, nothing can keep them isolated: neither walls of prisons nor the sod of cemeteries. For a single memory, a single spirit, a single idea, a single conscience, a single dignity, will sustain them all.

Time is a great healer. I never felt that Julian hated him. Perhaps that would have been better. I got the impression that he lost all respect for the hatter as a result of all those scenes. Julian spoke about it as if it didn't matter to him, as if it were part of a past he had left behind, but these things are never forgotten. The words with which a child's heart is poisoned, whether through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.

Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind.

I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

I found my father asleep in his dining-room armchair, with a blanket over his legs and his favorite book open in his hands--a copy of Voltaire's Candide, which he reread a couple of times a year, the only times I heard him laugh heartily. I observed him: his hair was gray, thinning, and the skin on his face had begun to sag around his cheekbones. I looked at that man whom I had once imagined almost invincible; he now seemed fragile, defeated without knowing it. Perhaps we were both defeated. I leaned over to cover him with the blanket he had been promising to give away to charity for years, and I kissed his forehead, as if by doing so I could protect him from the invisible threads that kept him away from me, from that tiny apartment, and from my memories, as if I believed that with that kiss I could deceive time and convince it to pass us by, to return some other day, some other life.

When her fingers curled to her palm, her husband chased her out before she could say goodbye to her children. She cackles at this memory, a solitary tooth flashing in her mouth like a lone tree in a cemetery. Sankar joins in. Rune puzzles over their strange laughter. The mind must get scarred from being rejected in this manner. These two have died to their loved ones and to society, and that wound is greater than the collapsing nose, the hideous face, or the loss of fingers. Leprosy deadens the nerves and is therefore painless; the real wound of leprosy, and the only pain they feel, is that of exile.

Britain has 450,000 listed buildings, 20,000 scheduled ancient monuments, twenty-six World Heritage Sites, 1,624 registered parks and gardens (that is, gardens and parks of historic significance), 600,000 known archaeological sites (and more being found every day; more being lost, too), 3,500 historic cemeteries, 70,000 war memorials, 4,000 sites of special scientific interest, 18,500 medieval churches, and 2,500 museums containing 170 million objects.

In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.

There was no mistaking the awesome implications of the chaplain’s revelation: it was either an insight of divine origin or a hallucination; he was either blessed or losing his mind. Both prospects filled him with equal fear and depression. It was neither déjà vu, presque vu nor jamais vu. It was possible that there were other vus of which he had never heard and that one of these other vus would explain succinctly the baffling phenomenon of which he had been both a witness and a part; it was even possible that none of what he thought had taken place, really had taken place, that he was dealing with an aberration of memory rather than of perception, that he never really had thought he had seen what he now thought he once did think he had seen, that his impression now that he once had thought so was merely the illusion of and illusion, and that he was only now imagining that he had ever once imagined seeing a naked man sitting in a tree at the cemetery.

The whole reason I wanted to take Owen to Disney World is that I fear that someday he's going to look through his childhood photo album and wonder why all his vacations with his aunt took place at places like the McKinley Memorial and Wounded Knee. And yet here we are. Powell's cemetery was just too close to Cinderella's Castle for me to pass up.

It was an epitaph in an Irish cemetery and it just seems to fit perfectly. It says, ‘Death leaves a heartache difficult to heal. Love leaves sweet memories impossible to steal.

I handed the photo back to her. The caretaker gazed at it as if it were a lucky charm, a return ticket to her youth.

The words with which a child’s heart is poisoned, whether through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.’ I

It's the only thing that brings us together now, you see. Memories. We make so many mistakes in life, young lady, but we only realize this when old age creeps up on us.

significance), 600,000 known archaeological sites (and more being found every day; more being lost, too), 3,500 historic cemeteries, 70,000 war memorials, 4,000 sites of special scientific interest, 18,500 medieval churches, and 2,500 museums containing 170 million objects. Having such a fund of richness means that it can sometimes be taken for granted to a shocking degree, but

From this vantage, the whole notion of a “battlefield park” seemed a contradiction in terms. Preserved here for eternity was peace, beauty and quiet—the precise opposite of the events memorialized.

And everything soon must change. Men would set their watches by other suns than this. Or time would vanish. We would need no personal names of the old sort in the sidereal future, nothing being fixed. We would be designated by other nouns. Days and nights would belong to the museums. The earth a memorial park, a merry-go-round cemetery. The seas powdering our bones like quartz, making sand, grinding our peace for us by the aeon. Well, that would be good - a melancholy good.

As I walked in the dark through the tunnels and tunnels of books, I could not help being overcome by a sense of sadness. I couldn't help thinking that if I, by pure chance. had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

Amaranth" There are no starfish in the sky tonight, But there is one below your belly, And there are cold evenings in your eyes. If I could get to your house I would look under the bed of your childhood, The tongueless loafer without laces or eyes, The cave of your young foot With its odor of moon, its dampness Coming from underground, your shoe Which also bled and is now an island. You have to remember these are the memories Of a survivor, you have to remember. You could be looking for clay to haul away, Fill for the deep washouts of your love. All your old loves, they bled to death, too. Your hair is like a cemetery full of hands, Fingers in the moonlight. When you come down to the heart Bring your post-hole diggers and crowbar. Do not set a corner, a fence won’t last. Do not bury our first child there, Or set a post, Although I have tasted blood on the lips of a stranger, At night and in the rain.

De todas las cosas que escribió Julián, la que siempre he sentido más cercana es que mientras se nos recuerda, seguimos vivos. Como tantas veces me ocurrió con Julián, años antes de encontrarme con él, siento que te conozco y que si puedo confiar en alguien, es en ti. Recuérdame, Daniel, aunque sea en un rincón y a escondidas. No me dejes ir.

What of the part where memory and loss and yearning are stored? Surely, they were still out there somewhere - gone to wherever the forsaken are banished. Wandering the burnt-out Alabama plantations, the fields rancid with enslaved sorrow. Across tracks built by Chinese rail workers, shot en masse come payday to save a dime. Into full-plotted cemeteries behind Indian boarding schools and beneath the shadows of burning crosses, white hoods peaked like snowcapped mountains. Over the grounds of Manzanar and potter's fields glutted with migrant peach pickers. Who gets remembered in the great American experiment? Who is forgotten? What becomes of those whose names are dust? Tell me this country ain't haunted.

memory!” Never, ever forgive the parents that. Remembered our last send-off one drizzly autumn afternoon at Audley End, Adrian was in uniform, Pater clasping him. Days of bunting and cheering were long over—later heard Military Police were escorting conscripts to Dunkirk to deter mass desertions. All those Adrians jammed like pilchards in cemeteries throughout eastern France, western Belgium, beyond. We

The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.

Why can't unemployed people clean toilets, remove graffiti from vandalised war memorials, clear wasteland or derelict areas, or even decorate public buildings such as community centres. They could work in charity shops or down the local tip, sorting people’s rubbish out. They could even look after cemeteries, cutting the grass, hedges and shrubs, keeping gravestones clean, or maybe even laying paving slabs for a new path. Or how about putting in raised flower beds in the park?

few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return. For me those enchanted pages will always be the ones I found among the passageways of the Cemetery of Forgotten Books.

The only public memorials ever raised to the two most tragically linked of this saga’s protagonists are miserable, niggardly affairs. William Minor has just a simple little gravestone in a New Haven cemetery, hemmed in between litter and slums. George Merrett has for years had nothing at all, except for a patch of grayish grass in a sprawling graveyard in South London. Minor does, however, have the advantage of the great dictionary, which some might say acts as his most lasting remembrance. But nothing else remains to suggest that the man he killed was ever worthy of any memory at all. George Merrett has become an absolutely unsung man. Which is why it now seems fitting, more than a century and a quarter on, that this modest account begins with the dedication that it does. And why this book is offered as a small testament to the late George Merrett of Wiltshire and Lambeth, without whose untimely death these events would never have unfolded, and this tale could never have been told.

In war he made a fortune, and in love he lost everything. He was destined not to be happy, never to taste the fruit which that late spring had brought to his heart. He knew then that he would live the rest of his days in solitude’s perpetual autumn, with no other company or memory than longing and remorse, and that when someone asked who had built that house and who had lived in it before it became a haunted ruin, people who had known it and were familiar with its accursed history would look down and say, in a very faint voice and hoping the wind would blow away their words: nobody.

As I walked in the dark through the tunnels and tunnels of books, I could not help being overcome by a sense of sadness. I couldn't help thinking that if I, by pure chance, ha found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.

All those beings who revealed truths to me and who were no longer there, seemed to me to have lived a life from which I alone profited and as though they had died for me. It was sad for me to think that in my book, my love which was once everything to me, would be so detached from a being that various readers would apply it textually to the love they experienced for other women. But why should I be horrified by this posthumous infidelity, that this man or that should offer unknown women as the object of my sentiment, when that infidelity, that division of love between several beings began with my life and long before I began writing? I had indeed suffered successively through Gilberte, through Mme de Guermantes, through Albertine. Successively also I had forgotten them and only my love, dedicated at different times to different beings, had lasted. I had anticipated the profanation of my memories by unknown readers. I was not far from being horrified with myself as, perhaps, some nationalist party might be in whose name hostilities had been provoked and who alone had benefited from a war in which many noble victims had suffered and died without even knowing the issue of the struggle which, for my grandmother, would have been such a complete reward. And the single consolation she never knew, that at last I had set to work, was, such being the fate of the dead, that though she could not rejoice in my progress she had at least been spared consciousness of my long inactivity, of the frustrated life which had been such a pain to her. And certainly there were many others besides my grandmother and Albertine from whom I had assimilated a word, a glance, but of whom as individual beings I remembered nothing; a book is a great cemetery in which, for the most part, the names upon the tombs are effaced.

In mourning him, in sepia and yellow, in black and white, beneath plates of glinting glass, Americans deferred a different grief, a vaster and more dire reckoning with centuries of suffering and loss, not captured by any camera, not settled by any amendment, the injuries wrought on the bodies of millions of men, women, and children, stolen, shackled, hunted, whipped, branded, raped, starved, and buried in unmarked graves. No president consecrated their cemeteries or delivered their Gettysburg address; no committee of arrangements built monuments to their memory. With Lincoln’s death, it was as if millions of people had been crammed into his tomb, trapped in a vault that could not hold them.

Superstition, as indigenous to Louisiana as gators and Tabasco, holds that the spirits of the dead avenge any disruption of their bodies, which makes one wonder at the rancor released on the 1957 day when fifty-five white families re-interred their beloved in Hope Mausoleum after the Rt. Rev. Girault M. Jones, Bishop of Louisiana, deconsecrated the Girod Street Cemetery, condemning every last African American bone to anonymity in a mass grave in Providence Memorial Park. From that pogrom grew the Superdome. Thirteen acres of structural steel framing stretch up to 273 feet from the unholy ground, a towering testament to the American propensity to cheer black men into the end zones and desert them entirely six points later.

One August morning at Blair House, he read in the papers that the body of an American soldier killed in action, Sergeant John Rice, had been brought home for burial in Sioux City, Iowa, but that at the last moment, as the casket was to be lowered into the grave, officials of the Sioux City Memorial Park had stopped the ceremony because Sergeant Rice, a Winnebago Indian, was not “a member of the Caucasian race” and burial was therefore denied. Outraged, Truman picked up the phone. Within minutes, by telephone and telegram, it was arranged that Sergeant Rice would be buried in Arlington National Cemetery with full military honors and that an Air Force plane was on the way to bring his widow and three children to Washington. That, as President, was the least he could do.

If, uh, Luce wants to get out, someone's gonna have to help her down from the window." She drummed her fingers on the table, looking sheepish. "I made a library book barricade near the entrance in case any of the Sword & Cross-eyeds felt inclined to disrupt us." "Dibs." Cam already had his arm slipped through the crook of Luce's elbow. She started to argue, but none of the other angels seemed to think it was a bad idea. Daniel didn't even notice. Near the back exit, Shelby and Miles both mouthed Be careful to Luce with varying degrees of fierceness. Cam walked her to the window, radiating warmth with his smile. He slid the glass pane up and together they looked out at the campus where they'd met, where they'd grown close, where he'd tricked her into kissing him. They weren't all bad memories... He hopped through the window first, landing smoothly on the ledge, and he held out a hand for hers. "Milady." His grip was strong and it made her feel tiny and weightless as Cam drifted down from the ledge, two stories in two seconds. His wings were concealed, but he still moved as gracefully as if he were flying. They landed softly on the dewy grass. "I take it you don't want my company," he said. "At the cemetery-not, you know, in general." "Right. No, thanks." He looked away and reached into his pocket, pulled out a tiny silver bell. It looked ancient, with Hebrew writing on it. He handed it to her. "Just ring when you want a lift back up." "Cam," Luce said. "What is my role in all of this?" Cam reached out to touch her cheek, then seemed to think better of it. His hand hovered in the air. "Daniel's right. It isn't our place to tell you." He didn't wait for her response-just bent his knees and soared off the ground. He didn't even look back.

For all my biographical projects I have kept a box of lives. A box of index cards containing the details—name, occupation, dates, place of residence and any other piece of information that seems relevant—of all the significant people in the life of my subject. I never quite know what to make of my boxes of lives. Depending on my mood they either strike me as a memorial to gladden the dead (“Look!” I imagine them saying as they peer through the glass at me. “She’s writing us down on her cards! And to think we’ve been dead two hundred years!”) or, when the glass is very dark and I feel quite stranded and alone this side of it, they seem like little cardboard tombstones, inanimate and cold, and the box itself is as dead as the cemetery. Miss Winter’s cast of characters was very small, and as I shuffled them in my hands their sparse flimsiness dismayed me. I was being given a story, but as far as information went, I was still far short of what I needed. I took a blank card and began to write.

He had long since observed that Elizabeth had superfluous IQ for her line of work, and inside all that free space in her brain she was completing a philosophy of the world wove together out of all the smells she had ever smelled. Maybe her memory was not the longest. Every day she had to go over every line of it again from top to bottom, just like the day before. She was history-minded: she wanted a piece of ever dog who had come before her to every landmark, the whole roll call, every tuft of grass at the foot of the loading platform by the old natrium plant, every pile of boards or lost truck part in the fringe of weeds along the shore at the four-car ferry, every corner stump or clump of pee-bleached iris on the shaggy line where front yards ended in pavement. The one-time ice house. The Wheeling & Lake Erie water tower. Every boundary stone still standing, however crookedly, in front of the town cemetery. Where putting her own bit into this olfactory model of the world was concerned, Elizabeth was not demure but lifted her leg like any male dog, a little decrepitly now that she was old. Come outa there, Elizabeth. He didn’t want her pissing on the gravestones.

The wisest man I ever knew, Fermín Romero de Torres, had told me that there is no experience comparable to the first time a man undresses a woman. For all his wisdom, though he had not lied to me, he hadn't told me all the truth either. He hadn't told me anything about that strange trembling of the hands that turned every button, every zip, into a superhuman challenge. Nor had he told me about that bewitchment of pale, tremulous skin, that first brush of the lips, or about the mirage that seemed to shimmer in every pore of the skin. He didn't tell me any of that because he knew that the miracle happened only once and, when it did, it spoke in a language of secrets that, were they disclosed, would vanish again forever. A thousand times I've wanted to recover that first afternoon with Bea in the rambling house of Avenida del Tibidabo, when the sound of the rain washed the whole world away with it. A thousand times I've wished to return and lose myself in a memory from which I can rescue only one image stolen from the heat of the flames: Bea, naked and glistening with rain, lying by the fire, with open eyes that have followed me since that day. I leaned over her and passed the tips of my fingers over her belly. Bea lowered her eyelids and smiled, confident and strong...She was seventeen, her entire life shining on her lips.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

So, what do you do for a living? You may be sorry you asked." Don Alesi, Letting People Down

For today, thanks to recently discovered documents, the evidence shows that in the early days of their accession to power, the Nazis in Germany set out to build a society in which there simply would be no room for Jews. Toward the end of their reign, their goal changed: they decided to leave behind a world in ruins in which Jews would seem never to have existed. That is why everywhere in Russia, in the Ukraine, and in Lithuania, the Einsatzgruppen carried out the Final Solution by turning their machine guns on more than a million Jews, men, women, and children, and throwing them into huge mass graves, dug just moments before by the victims themselves. Special units would then disinter the corpses and burn them. Thus, for the first time in history, Jews were not only killed twice but denied burial in a cemetery. It is obvious that the war which Hitler and his accomplices waged was a war not only against Jewish men, women, and children, but also against Jewish religion, Jewish culture, Jewish tradition, therefore Jewish memory.

The words with which a child's heart is poisoned, through malice or through ignorance, remain branded in his memory, and sooner or later they burned his soul.

Life is fragile. You are here today and gone tomorrow. When days pass, you are merely a memory, rotting in a cemetery. That's how it is.

Like this cemetery, she was old and dry and what she had once been or even later represented had begun to slip from memory.

This is a cemetery of memories and I'm grave robbing.

The ultimate symbol of our religious devotion isn’t our churches, though it’s often beside them. In the South, we understand cemeteries as our final reward, and as Grits, we understand the importance of keeping them in shape. We visit the graves of our ancestors often, especially on a Sunday, and pray for their souls. We picnic in Confederate cemeteries, with their weather-worn memorials, and remember the sacrifices and sins of our past. Cemeteries are sacred ground in the South. They are the place where faith, family, history, and community meet. We can’t think of a better definition of the true power of Southern religion.

Ferencz’s rabbinical council made clear that very special rules apply: once a cemetery, always a cemetery; no flowers can be placed on the casket or grave; if a tombstone falls, it must be left lying where it fell; nothing can ever be done to profane the bodies or memory of the deceased.

The cemetery was part if the landscape of Daphne's childhood. Raised as she was in a culture of memory, its silent destruction shocked her into asking why the dead beneath those familiar gravestones were less worthy of remembrance than others.

The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh--a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

All I have is a cemetery of memory. They call it past, I find it tense.

Dead Rite by Stewart Stafford While he lives, hope still clings, The hereafter remains a mystery, If life is but struggle and toil, Then death is hushed serenity. Things he treasured when alive, Trinkets to divide up as booty, The body still lying in repose, Nothing but a fading memory. Lay him down in a mossy grave, Heads bowed in a muttered eulogy, Then back away with platitudes, To the nearest exit from the cemetery. © Stewart Stafford, 2022. All rights reserved.

I was still trapped in that dark, gloomy dining room where I now imagined Nuria Monfort sitting alone, silently tidying up her pencils, her folders, and her memories, her eyes poisoned with tears

The memories we bury under mountains of silence are the ones that never stop haunting