Celebration Of Life Funeral Quotes

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I have drunk the night and swallowed the stars. I am dancing with abandon and singing with rapture. There is not a thing I do not love. There is not a person I have not forgiven. I feel a universe of love. I feel a universe of light. Tonight, I am with old friends and we are returning home. The moon is our witness.
Kamand Kojouri
The more death, the more birth. People are entering, others are exiting. The cry of a baby, the mourning of others. When others cry, the other are laughing and making merry. The world is mingled with sadness, joy, happiness, anger, wealth, poverty, etc.
Michael Bassey Johnson
Our birthday is celebrated every year to commemorate the very first instant we came into the world, and a funeral is held to mark the day we leave it. But lately I’ve been wondering… what can be said of all the moments in between our birth and our death? The moments when we are reborn…
Taylor Swift
Funerals, in fact, are one of the most powerful examples of collective pain. They feature in a surprising finding from my research on trust. When I asked participants to identify three to five specific behaviors that their friends, family, and colleagues do that raise their level of trust with them, funerals always emerged in the top three responses. Funerals matter. Showing up to them matters. And funerals matter not just to the people grieving, but to everyone who is there. The collective pain (and sometimes joy) we experience when gathering in any way to celebrate the end of a life is perhaps one of the most powerful experiences of inextricable connection. Death, loss, and grief are the great equalizers.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […] We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us? Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
People don’t gather after a death to mourn, but rather to reaffirm why life matters and to remember to exult in the only one we’ll ever have. We hold funerals, memorials, celebrations—whatever you want to call them—to seek and to find the heart of the matter of this trip we call Life.
Heather Lende (Find the Good: Unexpected Life Lessons from a Small-Town Obituary Writer)
But for an individual human being, moments are the thing. Moments are what we remember and what we cherish. Certainly we might celebrate achieving a goal, such as completing a marathon or landing a significant client—but the achievement is embedded in a moment. Every culture has its prescribed set of big moments: birthdays and weddings and graduations, of course, but also holiday celebrations and funeral rites and political traditions. They seem “natural” to us. But notice that every last one of them was invented, dreamed up by anonymous authors who wanted to give shape to time. This is what we mean by “thinking in moments”: to recognize where the prose of life needs punctuation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
We went there for everything we needed. We went there when thirsty, of course, and when hungry, and when dead tired. We went there when happy, to celebrate, and when sad, to sulk. We went there after weddings and funerals, for something to settle our nerves, and always for a shot of courage just before. We went there when we didn't know what we needed, hoping someone might tell us. We went there when looking for love, or sex, or trouble, or for someone who had gone missing, because sooner or later everyone turned up there. Most of all we went there when we needed to be found.
J.R. Moehringer (The Tender Bar: A Memoir)
Come to my funeral dressed as you would for an autumn walk in the woods. Arrive on your schedule; I give you permission to be late, even without good cause. If my day arrives when you had other plans, please proceed with them instead. Celebrate me there--keep dancing.
Michael Kleber-Diggs (Worldly Things (Max Ritvo Poetry Prize))
In the house of the brave goes funeral and mourning while in the coward's laugher and celebration.
Dr. Lucas D. Shallua
Most people celebrate the continuity of their existence so passionately that you would swear they chose to exist.
Mokokoma Mokhonoana
Taken as a whole, life always gives us more opportunities for grief than celebration, more funeral drinks than wedding toasts.
Fredrik Backman (Us Against You (Beartown, #2))
I’d watched the election of Barack Obama with them, in Harlem: the celebration had spilled out onto the streets and erupted into dancing, outdoor champagne-drinking, euphoria. This [the 1/21/17 Women's March on Washington, DC] was different. It was like laughter at a funeral—what else can you do but hold on to who you are and who you love? What can you do but try to stay sane and fight like hell for what life is all about?
Sarah Larson
He became hyperalert at any gathering like this, saw all the tiny details of normal life humming right along. This was when the bombs came and ripped through crowds. At funerals and weddings and religious celebrations.
Hugh Howey (Out of No Man's Land (Sand, #2))
I want to celebrate my homecoming, not my funeral. I still have so much I want to say and do. Life is too short not to live it right … from this day forward I will embrace everything good and desecrate all that is evil. I’ve seen enough evil to last a lifetime now. I want the good in life without worrying. To be with people who are caring, smiles that last for miles, and love that’s forever lasting, a home that I call my own, not a prison. I may be defeated and beaten down, only to get back up again, to stand tall with head held high and my pride not shaken. Only to survive this horrible nightmare with my heart still attached and my soul not stolen and walk away without a scar on me.
Michelle Knight (Finding Me: A Decade of Darkness, a Life Reclaimed: A Memoir of the Cleveland Kidnappings)
When I asked what she wanted that day to be like, first she said, “Well, I’d rather not be dead that day,” but failing that, she didn’t want it to be all “sugarcoated” and “cheery.” She liked the idea of a “celebration of life,” which the party planner told her was all the rage nowadays, but she didn’t like the message that came with it. “It’s a funeral, for God’s sake,” she said. “All these people in my cancer group say, ‘I want people to celebrate! I don’t want people to be sad at my funeral.’ And I’m like, ‘Why the fuck not? You died!’
Lori Gottlieb (Maybe You Should Talk to Someone)
Not only are there many ways to grieve, but showing sorrow, reaching out, being honest about your loss is as important as anything. ... Go kiss someone, go swim naked, go quit the job you hate, go celebrate your own life before it's over. Go. Do something with gusto & gratitude & with a laugh at the back of your throat, a laugh that never ends.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
I have tried very hard over the years to let you know how much I love you, & how I have treasured your place in my life. I choose no formal service because I know that death does not erase my memory in your life, & I suspect that you will not be gone from my lingering spirit either. ... Celebrate! I say! Life, death, living and this process of dying that parallels our lives every single moment.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
:Of course there are many ways to celebrate death & life, & of course as they bounce into their 40's & 50's & 60's, the fingers of time grow a bit longer, & yet ... & yet life doesn't stop. Life doesn't stop or wait even if you do. Pause if you must... but then catch up fast. Run with the wind. Slide down the hill tumbling head first, so that you can fall into the hands of now. Today. Everyday. Every minute. Every second. Of course it's also ok to hold onto your grief, & ride it as if your own life depended on it through a sea of rough waters, waves as high as heaven, through the thunderous barrage of emotions that are the very heart of loss. Any loss. Love. Death. Job. A slice of a segment of your life that made up the whole. Of course... the whole damn world needs to have more fun. A hellofa lot more fun.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
And on a cold Sunday afternoon, he was joined in his home by a small group of friends and family for a 'living funeral'. Each of them spoke and paid tribute.. Some cried. Some laughed. One woman read a poem: 'My dear and loving cousin.. Your ageless heart as you move through time, layer on layer, tender sequoia..' .. And all the heartfelt things we never get to say to those we love, Morrie said that day.
Mitch Albom (Tuesdays with Morrie)
And on a cold Sunday afternoon, he was joined in his home by a small group of friends and family for a 'living funeral'. Each of them spoke and paid tribute.. Some cried. Some laughed. One woman read a poem: 'My dear and loving cousin.. Your ageless heart as you ,love through time, layer on layer, tender sequoia..' .. And all the heartfelt things we never get to say to those we love, Morrie said that day.
Mitch Albom (Tuesdays with Morrie)
Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
In the United States, for example, there has been an increase in the number of people wanting to treat funerals as celebrations rather than sad or mournful occasions. In a 2010 survey, 48 percent of people said they preferred a “celebration of life” compared with 11 percent who wanted a “traditional funeral.” One-third of all respondents said they wanted no funeral at all. This idea of celebration may seem evolved and selfless at first, but the monks believe it deprives people of the experience of processing a death for what it is.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
We celebrate the dedication of Olympic athletes who diet and train and exercise daily for years in order to prepare for the games. They give up not only physical comfort but also any hope of a normal social and family life. When police officers or firefighters die, often thousands turn out for their funerals. We honor our children who die in military service in much the same way—often arranging public ceremonies and holidays. We expect television celebrities such as actors, news correspondents and musicians to sacrifice any kind of normal life in order to entertain us around the clock—and they are paid millions of dollars to do so. The names of astronauts become household words because they risk their lives in order to forward the conquest of space. But the minute a Christian young person starts to fast and pray, consider the mission field or give up career or romance for Christ—concerned counselors, family and friends will spend hours trying to keep him or her from “going off the deep end on this religious stuff.” Even devout Christian parents will oppose Christian service when their own son or daughter is about to give up all for Christ. Discipline, pain, sacrifice and suffering are rewarded with fame and fortune in the world. Why then do we refuse to accept it as a normal part of giving spiritual birth in the kingdom of our Lord?
K.P. Yohannan (The Road to Reality: Coming Home to Jesus from the Unreal World)
Let me start with this: I am an apostate. I have lied. I have cheated. I have done things in my life that I am not proud of, including but not limited to: • falling in love with a married man nineteen years ago • being selfish and self-centered • fighting with virtually everyone I have ever known (via hateful emails, texts, and spoken words) • physically threatening people (from parking ticket meter maids to parents who hit their kids in public) • not showing up at funerals of people I loved (because I don’t deal well with death) • being, on occasion, a horrible daughter, mother, sister, aunt, stepmother, wife (this list goes on and on). The same goes for every single person in my family: • My husband, also a serial cheater, sold drugs when he was young. • My mother was a self-admitted slut in her younger days (we’re talking the 1960s, before she got married). • My dad sold cocaine (and committed various other crimes), and then served time at Rikers Island. Why am I revealing all this? Because after the Church of Scientology gets hold of this book, it may well spend an obscene amount of money running ads, creating websites, and trotting out celebrities to make public statements that their religious beliefs are being attacked—all in an attempt to discredit me by disparaging my reputation and that of anyone close to me. So let me save them some money. There is no shortage of people who would be willing to say “Leah can be an asshole”—my own mother can attest to that. And if I am all these things the church may claim, then isn’t it also accurate to say that in the end, thirty-plus years of dedication, millions of dollars spent, and countless hours of study and
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.
Janne Robinson
July I watch eagerly a certain country graveyard that I pass in driving to and from my farm. It is time for a prairie birthday, and in one corner of this graveyard lives a surviving celebrant of that once important event. It is an ordinary graveyard, bordered by the usual spruces, and studded with the usual pink granite or white marble headstones, each with the usual Sunday bouquet of red or pink geraniums. It is extraordinary only in being triangular instead of square, and in harboring, within the sharp angle of its fence, a pin-point remnant of the native prairie on which the graveyard was established in the 1840’s. Heretofore unreachable by scythe or mower, this yard-square relic of original Wisconsin gives birth, each July, to a man-high stalk of compass plant or cutleaf Silphium, spangled with saucer-sized yellow blooms resembling sunflowers. It is the sole remnant of this plant along this highway, and perhaps the sole remnant in the western half of our county. What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked. This year I found the Silphium in first bloom on 24 July, a week later than usual; during the last six years the average date was 15 July. When I passed the graveyard again on 3 August, the fence had been removed by a road crew, and the Silphium cut. It is easy now to predict the future; for a few years my Silphium will try in vain to rise above the mowing machine, and then it will die. With it will die the prairie epoch. The Highway Department says that 100,000 cars pass yearly over this route during the three summer months when the Silphium is in bloom. In them must ride at least 100,000 people who have ‘taken’ what is called history, and perhaps 25,000 who have ‘taken’ what is called botany. Yet I doubt whether a dozen have seen the Silphium, and of these hardly one will notice its demise. If I were to tell a preacher of the adjoining church that the road crew has been burning history books in his cemetery, under the guise of mowing weeds, he would be amazed and uncomprehending. How could a weed be a book? This is one little episode in the funeral of the native flora, which in turn is one episode in the funeral of the floras of the world. Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life. * * *
Aldo Leopold (Aldo Leopold: A Sand County Almanac & Other Writings on Conservation and Ecology (LOA #238) (Library of America))
The danger was within itself: it was the crisis of confidence it was going through, the fear of being itself. When you considered them individually, French boys were as active and intelligent as ever. But they lacked the sort of shared hope and dreams which are the sign of health in a people. The fact that the celebrations for the 150th anniversary of the Revolution were only funeral commemorations revealed that weakness, that lifelessness. It was so clear
Jean Guéhenno (Diary of the Dark Years, 1940-1944: Collaboration, Resistance, and Daily Life in Occupied Paris)
The funerary banquet celebrates a life, often well lived, and the victory is in overcoming and accepting the change that death brings; honoring a loved one at death becomes victorious because it renews the living.
Jacqueline S. Thursby (Funeral Festivals in America: Rituals for the Living)
Annie's thing was to concentrate on the living. To honor every day & every person in some interesting way, because that's what you had, just that one moment. ... It 's important to honor a life, the way it was lived, the potential it had to grow & change. ... Saluting someone after they die can be done in a way that allows us to grieve & to celebrate.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
She orders everyone to their feet & to their drink & to the junction where they can hold their love loves in a place of honor & delight. ... Celebrate the life that was before the death & what it gave you, & what you have even now.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
I have tried very hard over the years to let you know how much I love you, & how I have treasured your place in my life. I choose no formal service because I know that death does not erase my memory in your life, & I suspect that you will not be gone from my lingering spirit either. ... Celebrate! I say. Life, death, living and this process of dying that parallels our lives every single moment. Honor me now, & you will honor yourselves. ...I promise that you will find something that will secure you a place in your grieving. In your other losses, that will set the tone for the days & nights that are lined up & waiting for you. Maybe not so patiently, & maybe not so far away.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
We ate in fret-filled silence until Ophie said, “Okay, enough of that feeling down in the dumps. We are going to put on our best clothes and go to church. We will sing. We will praise the Lord. We will celebrate Miss Delia’s life. So you two put a smile on your faces. Well-mannered ladies know that a funeral provides us the opportunity to comfort the living. There’ll be plenty of time to mourn the dead for years to come.” I
Terrie Farley Moran (Well Read, Then Dead (Read Em and Eat Mystery, #1))
Veteran Pillsbury spokesperson, the Pillsbury Doughboy, died yesterday of a severe yeast infection and complications from repeated pokes to the belly. He was 71. Doughboy was buried in a slightly greased coffin. Dozens of celebrities turned out, including Mrs. Buttersworth, the California Raisins, Hungry Jack, Betty Crocker, the Hostess Twinkies, Captain Crunch, and many others. The graveside was piled high with flours as longtime friend, Aunt Jemima, delivered the eulogy, describing Doughboy as a man who "never knew how much he was kneaded." Doughboy rose quickly in show business, but his later life was filled with many turnovers. He was not considered a very smart cookie, wasting much of his dough on half-baked schemes. Despite being a little flaky at times, he even still, as a crusty old man, was considered a roll model for millions. Doughboy is survived by his second wife, Play Dough. They have two children, and one in the oven. The funeral was held at 3:50 for about 20 minutes.
Gilles Fauconnier (The Way We Think: Conceptual Blending and The Mind's Hidden Complexities)
In his brilliant book The Road to Character, David Brooks makes a distinction between résumé virtues and eulogy virtues. Résumé virtues are the skills you need to make a living, and those are often the most celebrated virtues in our culture. But when it comes to making a life, eulogy virtues win the day. These are the virtues that get talked about at your funeral.
Mark Batterson (Play the Man: Becoming the Man God Created You to Be)
In October, Dad’s mother, my Nanny, got very sick. She had been fighting breast cancer, and now it had gone into her lymph nodes. She had been a nurse, and she knew her hour was near. She wanted to go on her terms, and a wonderful hospice team came to her home. Nick came with me to see her one last time, and he was my rock. My father couldn’t bear to go into her room, but Nick came in with me. She was beautiful, so sick but still radiating the grace she brought to the demands of being a pastor’s wife. I realized that everything that was good in my life, I had because of her. Nanny had paid to press my first album. She was the reason I had a career at all and the reason I met Nick. I smoothed her hair back as I told her I was there. She squeezed my hand. “Nick is here, too, Nanny,” I whispered. “I want you to know we’re back together. I’m gonna marry him, Nanny. Just like you wanted.” She squeezed my hand again. “We’re going to have a beautiful wedding,” I said, “and you’ll always be with me. You’ll be right there.” She had asked to have my version of “His Eye Is on the Sparrow,” the last song off my second album, on repeat as she passed. As she took her last breath, surrounded by love and her family, my voice filled the room, saying, “His eye is on the sparrow, and I know He watches me.” It’s a celebration of faith and gratitude that no matter how insignificant we may feel, God is looking out for us. At her funeral at First Baptist Church of Leander, Nick was a pallbearer and helped to carry her home. I will always be grateful to him for that. She was reunited in heaven with my late grandfather, to whom she had been married for forty-one years. I wanted that forever love for Nick and me, too.
Jessica Simpson (Open Book)
It’s funny how, in just a few minutes, you can review your life, the highs and the lows of it; births, deaths, celebrations and funerals, but embroidered through those times are a million smiles, a million tears, a million deep breaths and sighs.
Patricia Harman (A Midwife's Song: Oh, Freedom! (A Hope River Novel Book 4))
When dusk fell, my family, along with what appeared to be all the citizens of Hytanica, gathered at the military training field, where the Captain of the Guard’s body had been placed on a litter above a stack of firewood, ready to be burned, his soul already committed to God by our priests. Soldiers had stood guard around the site all day, and people had been coming in a steady stream to pay their respects. Many of them had left tokens of esteem at the base of the pyre--weapons of various types, coins, embroidered handkerchiefs, trophies won in battle or at tournaments, military medals and insignia. Even small children came forward, laying flowers, notes, toys and other items that had some special meaning to them among the other gifts. It made me both sad and proud when Celdrid walked forward and added his sword to the growing mound of mementos, the one that had originally been given to Steldor by our father, to be passed on by Steldor to my brother. It was perhaps Celdrid’s most coveted possession. He looked to Steldor as he came back to stand by us, and our cousin gave him a salute. When all the individuals who wanted to do so had paid homage to the captain, everyone stood in silence, the stillness of the large crowd itself a potent tribute. Grief could be a powerful, uniting force. Off to the side, separated from the masses, stood Steldor and Galen, their faces stoic, both wearing their military uniforms and holding lighted torches in preparation for setting the wood ablaze. King Adrik finally broke the silence, stepping forward as the appropriate representative of the royal family to say a few words. Queen Alera had not yet returned from Cokyri, another source of worry for the subdued throng. The former King cleared his throat and then began to speak, his deep voice easily carrying across the field. “We come together to honor a man of duty and devotion, strength and compassion, courage and wisdom. A man who put kingdom and family before all else, but who included within his family every citizen in need. A man of unwavering allegiance who steadfastly served his King and Queen for over thirty years. A man whose legacy will live on in his son and in every life he touched. A man I was proud to name my Captain of the Guard and to call my friend. And who, while serving the kingdom he loved, made the ultimate sacrifice. Let us celebrate his life this night, and may his funeral pyre burn as a bright beacon of hope in the darkness, letting the entire Recorah River Valley know that Hytanica is free once more.” Cheers went up from the crowd, then Steldor and Galen stepped forward and touched their torches to the pitch-soaked firewood. With a roar, flames shot into the air, befitting the man who had lived with an equally fiery passion.
Cayla Kluver (Sacrifice (Legacy, #3))
Quinn's Theory of Funeral Secrets; 'At a funeral we acknowledge the life of the person and maybe the many identities,actions and secret lives of which the family and friends were unaware. For some a shock, for others a relief.
Hazel Edwards (Celebrant Sleuth: I Do ... or Die (#1 'Celebrant Sleuth' series.)
Taken as a whole, life gives us more opportunities for grief than celebration, more funeral drinks than wedding toasts.
Frederick Backman
It wasn’t until the music came to a complete halt, and out on the dance floor a couple of the waitresses came carrying a black plaque with Amir written on it and right behind a massive bottle of champagne. Everyone around the table was dancing and completely oblivious to the extravaganza taking place in front of them. One of the waiters popped the bottle open and started to pour glasses for everyone. Tara took one but she felt a little guilty. The black plaque with Amir’s name eerily reminded her of the same black plaque they carry at funerals in Iran. It reminded her of her grandfather’s passing. They carry the card to ensure all family members see you in the chaos that is the cemetery. And here, she thought to herself, how different can one world be for two groups? One group frolic around, draped in luxury to celebrate life and the other, wail in black, to mourn death.
Soroosh Shahrivar (Tajrish)
This was not their little game as usual, “funeral” as pick-me-up, designed to give them a chance at a new life when they felt most at wit’s end with their old. This funeral was a real goodbye. Only, none of them knew that yet.
Steven Rowley (The Celebrants)
It’s scary, isn’t it?” she asked softly. “Getting older. It’s like, one day you’re young and cool and you’ve got your whole life ahead of you, and then all of a sudden, things start to happen. Your hands hurt when it’s cold outside or it’s about to rain. You throw your back out doing something super daring like bending down to pick up a sock. You wind up at more funerals than you do weddings…mourning more often than you celebrate. The father you thought was as tough as rawhide starts to unravel right before your
Denise Grover Swank (Finding Home (Bluebird Bay, #2))
Marielle was the life of the party, a weight lifted from her as if she had molted her skin and been reborn as someone new. Maybe it wasn’t a funeral she needed so much as permission.
Steven Rowley (The Celebrants)
I was watching the news the other night, and they were still covering that story in Mumbai about the terrorists who went on a shooting rampage. The man on the news said that before the terrorists killed the Jews in the Jewish center, they tortured them. I had to turn off the television, because I could see the torture in my head the way they were describing it. I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller. If you want to talk about positive and negative charges in a story, ultimately I think you’d break those charges down into life and death. The fact of life and the reality of death give the human story its dramatic tension. For whatever reason, we don’t celebrate coming into life much. I mean we send cards and women have baby showers and all that, but because the baby can’t really say thank you, we don’t make a big deal out of it. We make a big deal out of death, though. We sit around at funerals, feeling sorry for the unfortunate person whom death happened to. We say nice things about the person; we dig a hole and put the body in the hole and cover the casket with all our questions. I heard that a lot of playwrights used to end their stories with a funeral if it was a tragedy and a wedding if it was a comedy. I think that’s why we make such a big deal out of weddings, because a wedding means life, and because the bride and groom are old enough to write a thank-you note for the serving spoons you gave them. And perhaps because you get to drink and dance, no matter how old you are. I only dance at weddings. I practically only drink at weddings, too, mostly because that’s where I do my dancing. One of the things that gives me hope is that, even with all the tragedy that happens in the world, the Bible says that when we get to heaven, there will be a wedding and there will be drinking and there will be dancing.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
that’s how Sedgwick Cove has always treated funerals—a celebration of someone’s life rather than a marking of the end of it.
E.E. Holmes (Daughters of Sea and Storm (The Vesper Coven, #1))
In Greece, says Suidas, "the greatest and most expensive sacrifice was the mysterious sacrifice called the Telete," a sacrifice which, according to Plato, "was offered for the living and the dead, and was supposed to free them from all the evils to which the wicked are liable when they have left this world." In Egypt the exactions of the priests for funeral dues and masses for the dead were far from being trifling. "The priests," says Wilkinson, "induced the people to expend large sums on the celebration of funeral rites; and many who had barely sufficient to obtain the necessaries of life were anxious to save something for the expenses of their death. For, beside the embalming process, which sometimes cost a talent of silver, or about 250 [pounds] English money, the tomb itself was purchased at an immense expense; and numerous demands were made upon the estate of the deceased, for the celebration of prayer and other services for the soul." "The ceremonies," we find him elsewhere saying, "consisted of a sacrifice similar to those offered in the temples, vowed for the deceased to one or more gods (as Osiris, Anubis, and others connected with Amenti); incense and libation were also presented; and a prayer was sometimes read, the relations and friends being present as mourners. They even joined their prayers to those of the priest. The priest who officiated at the burial service was selected from the grade of Pontiffs, who wore the leopard skin; but various other rites were performed by one of the minor priests to the mummies, previous to their being lowered into the pit of the tomb after that ceremony. Indeed, they continued to be administered at intervals, as long as the family paid for their performance." Such was the operation of the doctrine of purgatory and prayers for the dead among avowed and acknowledged Pagans; and in what essential respect does it differ from the operation of the same doctrine in Papal Rome?
Alexander Hislop (The Two Babylons)
In many indigenous communities, the hems of our ceremonial robes have been unraveled by time and history, but the fabric remains strong. In the dominant society, though, ceremony seems to have withered away. I suppose there are many reasons for that: the frenetic pace of life, dissolution of community, the sense that ceremony is an artifact of organized religion forced upon participants rather than a celebration joyfully chosen. The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Nor was there anything unreasonable in the behavior of the Scythians, who mourned and wept at the birth of their relatives, and who solemnly celebrated at their funerals.
John Calvin (Golden Booklet of the True Christian Life)
A second wonder of life is collective effervescence, a term introduced by French sociologist Émile Durkheim in his analysis of the emotional core of religion. His phrase speaks to the qualities of such experiences: we feel like we are buzzing and crackling with some life force that merges people into a collective self, a tribe, an oceanic “we.” Across the twenty-six cultures, people told stories of collective effervescence at weddings, christenings, quinceañeras, bar and bat mitzvahs, graduations, sports celebrations, funerals, family reunions, and political rallies, as in this one from Russia:
Dacher Keltner (Awe: The New Science of Everyday Wonder and How It Can Transform Your Life)
This wonder of life can overtake us almost anytime we move in unison: In more obvious contexts honed by thousands of years of cultural evolution—rituals, ceremonies, pilgrimages, weddings, folk dances, and funerals. In more spontaneous waves of movement at political protests, sports celebrations, concerts, and festivals. And in more subtle, barely perceptible ways in our mundane lives, such as when we’re simply out walking with others as part of the rhythm of our day.
Dacher Keltner (Awe: The New Science of Everyday Wonder and How It Can Transform Your Life)
A Catholic funeral Mass celebrates a person’s life in Christ, not an individual’s accomplishments. Nor does our gratitude for Christ’s resurrection from the dead, which gives hope to us all, diminish the immediate pain of separation.
Francis George
A funeral celebrant is someone certified in performing a secular service that focuses on the individual’s life rather than the liturgy that a religious service will follow.
Ken McKenzie (Over Our Dead Bodies: Undertakers Lift the Lid)
I’d like to start a worldwide movement to implement practices of culturally appropriate Life Honoring Celebrations. Not to replace funerals but to augment them. Personally, I think it’s impractical at best and pointless at worst to sing somebody’s praises when they’re dead. Perhaps saying lovely things about them at funerals helps us mourn. Saying the same things to them while alive may give us a jumpstart on that mourning. But why not use their dying as an opportunity to grow ourselves, to bring us into closer proximity with the reality of death, to face our fears and step willfully into our deepest hearts to speak the truth of what someone means to us? Why not tell them when they’re alive? Why not let them see some of the difference they made in the world around them? Even the most troubled and maligned person usually has positively impacted somebody. No matter how difficult anyone’s life has been they usually create some ripples of positive change. And I believe that every person longs to know that. We long to see it. To know that our existence does not all come to naught in the end. That efforts large and small have impacts seen and unseen. It serves each of us to have tangible proof of this before we pass. Life Honoring Celebrations should be every human’s birthright. Thank goodness Tracy got to receive hers. Just in time.
Frederick Marx (At Death Do Us Part: A Grieving Widower Heals After Losing his Wife to Breast Cancer)
Some people were killed by their celebration of the fact that they were still alive.
Mokokoma Mokhonoana
Grandfather Shi must have loved Ita Thao. His relatives were certainly making his last hours there memorable ones. Though the ceremony did not have strippers (at least none that we saw), there was no shortage of other elements designed to produce 'hot noise' that's an indispensable feature of any Taiwanese funeral. Designed to celebrate the life of the deceased and ensure their smooth passing into the next world, Grandfather Shi's hot noise included gongs mixed with rigorous Buddhist chanting, pop music, karaoke, and later, a live band complete with drummers and an accordion. All of this was taking place under a covered tent set up in the alleyway next to the Cherry Feast Resort, where we'd booked a three-day stay in advance.
Joshua Samuel Brown
The fact is that love never dies. Heartbreak will come and go for the rest of your life. And then, one day our life is over. And someone else will have to endure the heartbreak as we have. And when we no longer write our own story, it becomes the responsibility of our legacy and people you wouldn’t ever expect to celebrate your memory—the last responders.
Brittany DeMarco-Furman