Cedar Tree Quotes

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But what is certain is that in five, ten or twenty years, this problem unique to our time, according to him, will no longer exist, it will be replaced by others...Yet this music, the sound of this rain on the windows, the great mournful creaking of the cedar tree in the garden outside, this moment, so tender, so strange in the middle of war, this will never change, not this, this is forever.
Irène Némirovsky (Suite Francaise)
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in Cedar trees smells.
William Faulkner (As I Lay Dying)
Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
Ruth Ozeki (A Tale for the Time Being)
Yet for the first time in three days, I want something. I want the forest lord to turn me into a cedar. The very oldest islanders say that if you are in the interior mountains on the night when the forest lord counts his trees, he includes you in the number and turns you into a tree.
David Mitchell (Number9Dream)
The world was incomprehensibly intricate, and yet this forest made a simple sense in her heart that she felt nowhere else. [S]he wanted only her own strawberry farm, the fragrance of the fields and the cedar trees, and to live simply in this place forever. [S]he had fallen into loving him long before she knew herself, though it occurred to her now that she might never know herself, that perhaps no one ever does, that such a thing might not be possible. [Y]ou should learn to say nothing that will cause you regret. You should not say what is not in your heart -- or what is only in your heart for a moment. But you know this -- silence is better.
David Guterson (Snow Falling on Cedars)
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
Annie Dillard (Pilgrim at Tinker Creek)
The prospect of death in autumn, she said, was irrelevant next to its happy recognition of its participation in the life of the tree itself.
David Guterson (Snow Falling on Cedars)
His body smelled like a precious-wood forest; his hair, like sandalwood, his skin, like cedar. It was as if he had always lived among trees and plants.
Anaïs Nin
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in cedar trees smells. It has to set at least six hours, and be drunk from a gourd. Water should never be drunk from metal. And at night it is better still. I used to lie on the pallet in the hall, waiting until I could hear them all asleep, so I could get up and go back to the bucket. It would be black, the shelf black, the still surface of the water a round orifice in nothingness, where before I stirred it awake with the dipper I could see maybe a star or two in the bucket, and maybe in the dipper a star or two before I drank,
William Faulkner (As I Lay Dying)
I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.
Richard Nelson (The Island Within)
I am from Lebanon, from Beirut and Saida I am from the ground underneath my home I am from the trees, the cedar tree I come from Tabouleh and brown eyes, from Karim... Kassar and Kassem I come from happiness and culture From "Habibi" and "Hayete" I am from all religions I am from the room beneath the stars.
Zeina Kassem, Talal Kassem
Away and away the aeroplane shot, till it was nothing but a bright spark; an aspiration; a concentration; a symbol (so it seemed to Mr. Bentley, vigorously rolling his strip of turf at Greenwich) of man's soul; of his determination, thought Mr. Bentley, sweeping round the cedar tree, to get outside his body, beyond his house, by means of thought, Einstein, speculation, mathematics, the Mendelian theory––away the aeroplane shot.
Virginia Woolf (Mrs. Dalloway)
The spruce and cedar on its shores, hung with gray lichens, looked at a distance like the ghosts of trees. Ducks were sailing here and there on its surface, and a solitary loon, like a more living wave, — a vital spot on the lake's surface, — laughed and frolicked, and showed its straight leg, for our amusement.
Henry David Thoreau (The Maine Woods (Writings of Henry D. Thoreau))
The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth.
Leonard Edward Read (I, Pencil: My Family Tree As Told to Leonard E. Read)
[Ishmael] listened to the world turned silent by the snow; there was absolutely nothing to hear. The silence of the world roared steadily in his ears while he came to recognize that he did not belong here, he had no place in the tree any longer. Some much younger people should find this tree, hold to it tightly as their deepest secret as he and Hatsue had. For them it might stave off what he could not help but see with clarity: that the world was silent and cold and bare and that in this lay its terrible beauty.
David Guterson (Snow Falling on Cedars)
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
Édouard Levé (Suicide)
To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion. Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.
David Abram (Becoming Animal: An Earthly Cosmology)
Thirteen Ways of Looking at a Blackbird" I Among twenty snowy mountains, The only moving thing Was the eye of the blackbird. II I was of three minds, Like a tree In which there are three blackbirds. III The blackbird whirled in the autumn winds. It was a small part of the pantomime. IV A man and a woman Are one. A man and a woman and a blackbird Are one. V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after. VI Icicles filled the long window With barbaric glass. The shadow of the blackbird Crossed it, to and fro. The mood Traced in the shadow An indecipherable cause. VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. IX When the blackbird flew out of sight, It marked the edge Of one of many circles. X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply. XI He rode over Connecticut In a glass coach. Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds. XII The river is moving. The blackbird must be flying. XIII It was evening all afternoon. It was snowing And it was going to snow. The blackbird sat In the cedar-limbs.
Wallace Stevens
Standing under the shelter of a cedar tree, I stared at the fire crackling as it burned through the fallen logs and twigs that I had gathered earlier with my father. The flames licked at the air, unaffected by the light rain. I was mesmerised by their vibrant red-orange colour, which burned steadily.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
It’s not a hometown, actually, it’s a home island. “It’s the same size and shape as Manhattan,” Arthur tells people at parties all his life, “except with a thousand people.” Delano Island is between Vancouver Island and mainland British Columbia, a straight shot north from Los Angeles. The island is all temperate rain forest and rocky beaches, deer breaking into vegetable gardens and leaping in front of windshields, moss on low-hanging branches, the sighing of wind in cedar trees.
Emily St. John Mandel (Station Eleven)
To release the tension in her chest, Miray took a big breath of the warm midsummer air. After the morning thunderstorm, it was filled with the sweet aroma of cedar trees and the earthy scent of moss. This old forest was the only place where she could be herself, never rejecting her as people did. Its leafy arms were always open.
Elena Shelest (Enchanted Forests)
I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me - I am happy. ~Hamlin Garland, McClure's, February 1899
Hamlin Garland
cedar tree.
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
he lay on a chaise longue under the cedar tree with lemonade constantly at his elbow. In those
Molly Keane (Good Behaviour)
…as long as there were still cedar trees and dogs, I reckoned I had a reason to keep going.
Silas House (Lark Ascending)
Cedar The cedar tree smells like the first crisp bite of spearmint chewing gum, refreshing, yet almost like medicine in its bitter. This tree is surely as ancient as Ecclesiastes-- that's a book in the Old Testament that I haven't read much of, but it sounds like cedar smells. The scent of cedar holds a perpetual hush, whispering, "Hush-hush-still-stay." And then the cedar says, "Rush-rush-be-on-your-way, for I have seen children of earth come and go and soldiers live and die, and I hold them softly in my green-black shade." And so I will leave the cedar to return to its refrain and to remain the green a-men of the forest.
Kimberly Greene Angle (Hummingbird)
She warned him that, if he got killed, she should cut down the great cedar at the south-west corner of Groby. It kept all the light out of the principal drawing-room and the bedrooms above it.... He winced: he certainly winced at that. She regretted that she had said it. It was along other lines that she desired to make him wince.
Ford Madox Ford (No More Parades)
It’s this place—the absolute separation from DC, the familiar old smells of cedar trees and dried chile de árbol, the sanity of it. The roots. He could go outside and dig his fingers into the springy ground and understand anything about himself.
Casey McQuiston (Red, White & Royal Blue)
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow (Graphic Novel))
I prayed to a mystery. Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery. Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery. Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley. Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
Margaret D. McGee
I WILL ENLARGE EACH PART OF YOUR LIFE I WILL BREAK off of your life any limitations and restrictions placed on your life by any evil spirit. I will enlarge each part of your life and will keep you from evil. My kingdom and government will increase in your life, and you will receive deliverance and enlargement for your life. I will let you increase exceedingly. You will increase in wisdom and stature and in strength. You will confound your adversaries as My grace and favor increase in your life. My Word will increase in your life, and the years of your life will be increased. You will flourish like a palm tree and grow like a cedar in Lebanon. They will take root in your house and will do well. They will be trees that stay healthy and fruitful to all your generations. ISAIAH 9:7; 60:4–5; ACTS 9:22; PSALM 92:12 Prayer Declaration Cast out my enemies, and enlarge my borders. Enlarge my heart so I can run the way of Your commandments. Enlarge my steps so I can receive Your wealth and prosperity. Let me increase in the knowledge of God, and let me increase and abound in love.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
What odd things really, when one collects them all together, one DOES remember out of one's life. One remembers happy occasions, one remembers- very vividly, I think- fear. Oddly enough pain and unhappiness are hard to recapture. I do not mean exactly that I do not remember them- I can, but without FEELING them. Where they are concerned I am in the first stage. I say, 'There was Agatha being terribly unhappy. There was Agatha having toothache.' But I don't FEEL the unhappiness or the toothache. On the other hand, one day the sudden smell of lime trees brings the past back, and suddenly I remember a day spent near the lime trees, the pleasure with which I threw myself down on the ground, the smell of hot grass, and the suddenly lovely feeling of summer; a cedar tree nearby and the river beyond...The feeling of being at one with life. It comes back in that moment. Not only a remembered thing of the mind but the feeling itself as well.
Agatha Christie (Agatha Christie: An Autobiography)
I glanced at the contents of what I was photocopying. They were the rules of the golf club of which Mister Saito was a member. I started to laugh. The next minute I felt more like crying, thinking about all the innocent trees that my superior was wasting to chastise me. I imagined the forests of the Japan of my childhood—maples, cedars, and ginkgoes—felled for the sole purpose of punishing a creature as insignificant as myself. I remembered, again, that Fubuki’s family name meant “forest.
Amélie Nothomb (Stupeur et tremblements)
We became six people at a table in Hampton Court. We rose and walked together down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we – against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough.
Virginia Woolf (The Waves)
Secondly, it is the very nature of spiritual life to grow. Wherever they principle of this life is to be found, it can be no different for it must grow. "But the path of the just is as the shining light, that shineth more and more unto the perfect day" (Prov. 4:18); "The righteous also shall hold on his way, and he that hath clean hands shall be stronger and stronger" (Job 17:9). This refers to the children of GOd, who are compared to palm and cedar trees (Psa. 92:12). As natural as it is for children and trees to grow, so natural is growth for the regenerated children of God. Thirdly, the growth of His children is the goal and objective God has in view by administering the means of grace to them. "And He gave some, apostles; and some, prophets; and some, evangelists; and some, pastors and teachers; for the perfecting of the saints...that we henceforth be no more children...but speaking the truth in love, may grow up into Him in all things, which is the Head" (Eph. 4:11-15). This is also to be observed in 1 Peter 2:2: "as newborn babes, desire the sincere milk of the word, that ye may grow thereby, " God will reach His goal and His word will not return to Him void; thus God's children will grow in grace. Fourthly, is is the duty to which God's children are continually exhorted, and their activity is to consist in a striving for growth. That it is their duty is to be observed in the following passages: "But grow in grace, and in the knowledge of our Lord and Saviour Jesus Christ" (2 Peter 3:18); "He that is righteous, let him be righteous still: and he that is holy, let him be holy still" (Rev. 22:11). The nature of this activity is expressed as follows: "Not as though I had already attained, either were already perfect: but I follow after" (Phil. 3:12). If it were not necessary for believers to grow the exhortations to that end would be in vain. Some remain feeble, having but little life and strength. this can be due to a lack of nourishment, living under a barren ministry, or being without guidance. It can also be that they naturally have a slow mind and a lazy disposition; that they have strong corruptions which draw them away; that they are without much are without much strife; that they are too busy from early morning till late evening, due to heavy labor, or to having a family with many children, and thus must struggle or are poverty-stricken. Furthermore, it can be that they either do not have the opportunity to converse with the godly; that they do not avail themselves of such opportunities; or that they are lazy as far as reading in God's Word and prayer are concerned. Such persons are generally subject to many ups and downs. At one time they lift up their heads out of all their troubles, by renewal becoming serious, and they seek God with their whole heart. It does not take long, however , and they are quickly cast down in despondency - or their lusts gain the upper hand. Thus they remain feeble and are, so to speak, continually on the verge of death. Some of them occasionally make good progress, but then grieve the Spirit of God and backslide rapidly. For some this lasts for a season, after which they are restored, but others are as those who suffer from consumption - they languish until they die. Oh what a sad condition this is! (Chapter 89. Spiritual Growth, pg. 140, 142-143)
Wilhelmus à Brakel (The Christian's Reasonable Service, Vol. 4)
May my heart hold the earth all the days of my life. And when I am gone to the farther camps, may my name sound on the green hills, and may the cedar smoke that I have breathed drift on the canyon walls and among the branches of living trees. May birds of many colors encircle the soil where my steps have been placed, and may the deer, the lion, and the bear of the mountains be touched by the blessings that have touched me. May I chant the praises of the wild land, and may my spirit range on the wind forever.
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
You wonder about me. I wonder about you. Who are you and what are you doing? Are you in a New York subway car hanging from a strap, or soaking in your hot tub in Sunnyvale? Are you sunbathing on a sandy beach in Phuket, or having your toenails buffed in Brighton? Are you a male or a female or somewhat in between? Is your girlfriend cooking you a yummy dinner, or are you eating cold Chinese noodles from a box? Are you curled up with your back turned coldly toward your snoring wife, or are you eagerly waiting for your beautiful lover to finish his bath so you can make passionate love to him? Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
Ruth Ozeki (A Tale for the Time Being)
The trees of the LORD are well watered, the cedars of Lebanon that he planted.There the birds make their nests; the stork has its home in the pine trees.
Anonymous
Foragers feast," my father would say, and we'd set out into the woods, cedar bark baskets in our hands. In the summer, we harvested bright red huckleberries, and salal berries so dark blue they looked like night in your hand. In the fall, we found mushrooms hiding under the trees- I was captivated by the convoluted morels, each one a labyrinth of nooks and crannies.
Erica Bauermeister (The Scent Keeper)
I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we’d been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things.
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
We proaged on thru the woods that was full of magnolia, pine, cedar, oak, cypress, hickory, and many kinds of trees whose names I do not know. It is hard to know all the trees in Florida.
Zora Neale Hurston (Mules and Men)
Time as objective reality has never made much sense to me. It’s what happens that matters. How can minutes and years, devices of our own creation, mean the same thing to gnats and to cedars? Two hundred years is young for the trees whose tops this morning are hung with mist. It’s an eyeblink of time for the river and nothing at all for the rocks. The rocks and the river and these very same trees are likely to be here in another two hundred years, if we take good care. As for me, and that chipmunk, and the cloud of gnats milling in a shaft of sunlight—we will have moved on.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.
Robert Frost
Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.
Ken Kesey (Sometimes a Great Notion)
Like cold air passing through lips” I shall think of you as my ventriloquist, lying under the cedar trees. Your lips unreadable, my mouth daydreaming: journey, draining, geranium. My head heavy more with rhymes than sleep, resting on your arm, near the shadow’s edge. The fragrance of wood neither green nor brown, but shallow blue. Your compliments lodged in me like harvest mice nesting under leaves, foxgloves at our feet, the north winds singing. My ear as dumb as corn and too far gone, to catch your heart closing like a gate behind me.
Saradha Soobrayen
Oh. My. God. I am buzzing with sensory overload. With just his mouth and that wicked, wicked tongue, this man has me losing my ever-loving mind. Five years and I’ve only ever been aroused in my dreams – and only because they were of Seb. My body is on fire and I feel like I could come from just this kiss! I can’t believe my parts are still working after all these years. I thought for sure I had dry rot. I can’t stop the sounds coming from my mouth, like a deranged kitten or something. I never would have guessed that he would want me and that confession has completely blown my mind.
Freya Barker (Hundred to One (Cedar Tree #2))
Nothing truly beautiful without its element of strangeness, nothing whole without its own incongruity, these (Jacksonville-area pioneer house) ruins sand up from the earth in sacred conjunction. These ruins conjoin the earth and the manmade, moving from one to the other and back again. The Browards built their house out of shell and limestone, and limestone forms naturally from the shells and skeletons of miniscule sea creatures over great periods of time. The Browards shaped the earth upright toward the sky. THey shaped it with doorframes and windows and chimneys. THey shaped the earth up around them as a shelter. But shaped earth was always the earth. Now the walls fall back down and join once again the ground, taken over by roots of ferns and weeds and small trees. The house was always the ground, only contained in an upward suspension. The house was always the earth, but brought up into architecture, and now the house that was always the earth crumbles back into the earth and nourishes new green things -- dog fennel and morning glories and palmettoes and cabbage palms and cedars. A true symbol of sacredness of the earth is earth's reclaiming of human ingenuity.
Tim Gilmore
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
His books stood neatly along the glassed-in shelves of four vaultlike oak bookcases: the collected Shakespeare, Jefferson’s essays, Thoreau, Paine, Rousseau, Crevecoeur, Locke, Emerson, Hawthorne, Melville, Twain, Dickens, Tolstoy. Henri Bergson, William James, Darwin, Buffon, Lyell, Charles Lamb, Sir Francis Bacon, Lord Chesterton. Swift, Pope, Defoe, Stevenson, Saint Augustine, Aristotle, Virgil, Plutarch. Plato, Sophocles, Homer, Dryden, Coleridge, Shelley, Shaw. A History of Washington State, A History of the Olympic Peninsula, A History of Island County, Gardens and Gardening, Scientific Agriculture, The Care and Cultivation of Fruit Trees and Ornamental
David Guterson (Snow Falling on Cedars)
12  xThe righteous flourish like the palm tree and grow like a cedar in Lebanon. 13 They are planted in the house of the LORD; they flourish in  ythe courts of our God. 14 They still bear fruit in old age; they are ever full of sap and green, 15  zto declare that the LORD is upright; he is my  arock, and there is  bno unrighteousness in him.
Anonymous (The Holy Bible: English Standard Version)
That peculiar feeling—it was only a feeling, you couldn’t describe it as an activity—that we used to call “Church.” The sweet corpsy smell, the rustle of Sunday dresses, the wheeze of the organ and the roaring voices, the spot of light from the hole in the window creeping slowly up the nave. In some way the grown-ups could put it across that this extraordinary performance was necessary. You took it for granted, just as you took the Bible, which you got in big doses in those days. There were texts on every wall and you knew whole chapters of the O.T. by heart. Even now my head’s stuffed full of bits out of the Bible. And the children of Israel did evil again in the sight of the Lord. And Asher abode in his breaches. Followed them from Dan until thou come unto Beersheba. Smote him under the fifth rib, so that he died. You never understood it, you didn’t try to or want to, it was just a kind of medicine, a queer-tasting stuff that you had to swallow and knew to be in some way necessary. An extraordinary rigmarole about people with names like Shimei and Nebuchadnezzar and Ahithophel and Hash-badada; people with long stiff garments and Assyrian beards, riding up and down on camels among temples and cedar trees and doing extraordinary things. Sacrificing burnt offerings, walking about in fiery furnaces, getting nailed on crosses, getting swallowed by whales. And all mixed up with the sweet graveyard smell and the serge dresses and the wheeze of the organ.
George Orwell (Coming Up for Air)
Beautiful prairies, bordered by lofty hills sparsely scattered with timber, stretch around. The massive fronds of the Pinus Ponderosa replace the elegant leaflets of the Cedar, no longer found save rarely, perchance, in some deep dell moistened by a purling streamlet. Groves of aspen appear here and there. The Balsam Poplar shows itself at intervals only, along the streams. The white racemes of the Service-berry flower, and the chaste flowers of the Mock Orange, load the air with their fragrance. Every copse re-echoes with the low drumming of the ruffed Grouse; the trees resound with the muffled booming of the Cock of the Woods. The Pheasant shirrs past; the scrannel-pipe of the larger Crane -- ever a watchful sentinel -- grates harshly on the ear; and the shrill whistle of the Curlew as it soars aloft aides the general concert of the re-opined year. I speak still of Spring; for the impressions of that jocum season are ever the most vivid, and naturally recur with the greatest force in after years. -- Alexander Caulfield Anderson describing the new brigade trail between Lac la Hache and Kamloops.
Nancy Marguerite Anderson (The Pathfinder: A.C. Anderson's Journeys in the West)
The faint metallic smell of the falling snow surrounds her. calm yourself. Listen. Cars splash along streets, and snowmelt drums through runnels; she can hear snowflakes tick and patter through the trees. She can smell the cedars in the Jarin des Plantes a quarter mile away. Here the Metro hurdles beneath the sidewalk; that's the Quai Saint-Bernard. Here the sky opens up, and she hears the clacking of branches: that's the narrow stripe of gardens behind the Gallery of Paleontology. This, she realizes, must be the corner of the quay and rue Cuvier. ' Six blocks, forty buildings, ten tiny trees in a square. This street intersects this street intersects this street. One centimeter at a time. Her father stirs the keys in his packets. Ahead loom the tall, grand houses that flanked the gardens, reflecting sound. She says, "we go left
Anthony Doerr (All the Light We Cannot See)
Have been sleepwalking through life, future reader. Can see that now. Scratch-Off win was like wake-up call. In rush to graduate college, win Pam, get job, make babies, move ahead in job, forgot former feeling of special destiny I used to have when tiny, sitting in cedar-smelling bedroom closet, looking up at blowing trees through high windows, feeling I would someday do something great. Hereby resolve to live life in new and more powerful way, starting THIS MOMENT (!)
George Saunders (Tenth of December)
Jacob remained by Mollie’s side throughout the night, clinging to her hand as well as to her vow. She wasn’t going to leave him. She’d given her word, and Mollie never broke a promise. He prayed. He tended the cuts she’d suffered from the blackberry brambles when she’d fallen. The vines had grown entangled within a cedar’s branches, and as best he could tell, she’d climbed the tree in order to reach the ripe berries that other pickers had left behind. Unfortunately, the limb she’d shimmied out on had been weak and had broken beneath her weight. “You know, this tree climbing and dropping through busted church floors is going to have to stop after we’re married. My heart won’t be able to take the stress.” He smiled and ran the back of his finger down the smooth line of her cheek. “Not that I expect any dictate I give you to have much effect. My only hope is that you’ll grow to care enough about me that you’ll take pity on me and cease taking unnecessary risks with your life.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
I want to start a seed bank. There are half as many trees in the world as there were before we came down out of them.” “Because of us?” “One percent of the world forest, every decade. An area larger than Connecticut, every year.” He nods, as if no one paying attention would be surprised. “A third to a half of existing species may go extinct by the time I’m gone.” Her words puzzle him. She’s going somewhere? “Tens of thousands of trees we know nothing about. Species we’ve barely classified. Like burning down the library, art museum, pharmacy, and hall of records, all at once.” “You want to start an ark.” She smiles at the word, but shrugs. It’s as good as any. “I want to start an ark.” “Where you can keep . . .” The strangeness of the idea gets him. A vault to store a few hundred million years of tinkering. Hand on the car door, he fixes on something high up in a cedar. “What . . . would you do with them? When would they ever . . . ?” “Den, I don’t know. But a seed can lie dormant for thousands of years.
Richard Powers (The Overstory)
A man came into a forest and asked the Trees to provide him a handle for his axe. The Trees consented to his request and gave him a young ash-tree. No sooner had the man fitted a new handle to his axe from it, than he began to use it and quickly felled with his strokes the noblest giants of the forest. An old oak, lamenting when too late the destruction of his companions, said to a neighboring cedar, “The first step has lost us all. If we had not given up the rights of the ash, we might yet have retained our own privileges and have stood for ages.
Aesop
I’d forgotten the names of most of the plants, but back in Dana Ramos’s class I’d known them all. I only lived four years in New England, but I noticed more and learned more about what was around me there than I ever had in Indiana, and more than I ever would in LA, where there’s constantly something new and impossibly technicolor blooming on my street. I could still tell you a few of them, the stalwart trees and ephemeral flowers of New Hampshire: painted trillium, bunchberry, hemlock, sheep laurel, white cedar, bloodroot. Below me and above me and in the woods stretching thick and endless, their leaves made sugar out of nothing but light.
Rebecca Makkai (I Have Some Questions For You)
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
Deeanne Gist (A Bride in the Bargain)
There are excellent reasons for that,’ he said; ‘the noble Count is at death’s door. He is one of the soft stamp that cannot learn how to put an end to chagrin, and allow it to wear them out instead. Life is a craft, a profession; every man must take the trouble to learn that business. When he has learned what life is by dint of painful experiences, the fibre of him is toughened, and acquires a certain elasticity, so that he has his sensibilities under his own control; he disciplines himself till his nerves are like steel springs, which always bend, but never break; given a sound digestion, and a man in such training ought to live as long as the cedars of Lebanon, and famous trees they are.
Honoré de Balzac (Works of Honore de Balzac)
The reason I didn’t have a normal, dad-built tree house is that, as I’ve indicated, I didn’t have anything even approaching that kind of dad. He was, and remains, one of the world’s great indoorsmen, a delegator of all conceivable outdoor tasks—lawn mowing, car washing, gutter cleaning, and tree-house building. By the time I was ten, which was when I’d kicked off my campaign for a tree house in the woods behind our ranch, he didn’t even own the tools needed to build one, having “accidentally” nailed his tool chest behind the walls of a cedar closet he’d tried to build for my mother in the basement. Whether consciously or not, my father had clearly wanted to make sure the cedar closet would be his last do-it-yourself project, and it was.
Michael Pollan (A Place of My Own: The Architecture of Daydreams)
This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.
Elizabeth Lim (Reflection)
The very last moment of Beit Nuba’s existence comes to life in his articulate writings (Kenan would become one of Israel’s foremost novelists in later years): Elegant stone houses, orchards of fruit trees around each house – olives, peach and vine trees – and next to them cedars. All the orchards nicely cultivated and maintained . . . In the morning the first bulldozer arrived and demolished the first house. In ten minutes, the house, the orchard and the trees were all gone. The house and its contents were destroyed . . . After the third house was destroyed, the refugees’ convoy began to make its way towards Ramallah. The three picturesque villages are now hidden by Canada Park – a pine forest of the kind planted in the aftermath of the 1948 ethnic cleansing as a means of covering such atrocities, and part of Beit Nuba’s land now forms a new colony named Beit Horon.
Ilan Pappé (The Biggest Prison on Earth: A History of the Occupied Territories)
The wines were great, and better by the minute, even as the drinkers softened. Just as wines opened at the table, so the friends' thirst changed. Their tongues were not so keen, but curled, delighted, as the wines deepened. Nick's Latour was a classic Bordeaux, perfumed with black currant and cedar, perfectly balanced, never overpowering, too genteel to call attention to itself, but too splendid to ignore. Raj's Petrus, like Raj himself, more flamboyant, flashier, riper, ravishing the tongue. And then the Californian, which was in some ways richest, and in others most ethereal. George was sure the scent was eucalyptus in this Heitz, the flavor creamy with just a touch of mint, so that he could imagine the groves of silvery trees. The Heitz was smooth and silky, meltingly soft, perhaps best suited to George's tournedos, seared outside, succulent and pink within, juices running, mixing with the young potatoes and tangy green beans crisp enough to snap.
Allegra Goodman (The Cookbook Collector)
The shoot-to-kill order came through at zero one fifteen, relayed over a satellite radio. It’d been just three hours since the two-man reconnaissance team had reported the sighting. They lay in a shallow dugout on a windblown ridge, the leeward slope falling away steeply to an impassable boulder field. A desert-issue tarp all but covered the hole, protected from view on the flanks by thorny scrub. Shivering, they blew into their bunched trigger-finger mitts. The daytime temperature had dropped twenty degrees or more, and fine sleet was melting on their blackened faces. Darren Proctor extended the folded stock of his L115A3 sniper rifle. He split the legs of the swivel bi-pod and aligned the swivel cheek piece with the all-weather scope. Flipping open the lens cap, he glassed the terrain cast a muted green by the night vision. The tree line was sparse, a smattering of pines and cedars shuddering in the biting wind. Glimpsing movement on a scree slope fifty metres or so beyond, he focused in. The eyes of a striped hyena shone like glow sticks. He watched as the scavenger ripped at the carcass of an ibex or wild sheep. A second later it sniffed the air, ears pricked, and scampered off.
Gary Haynes (State of Honour)
Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.
Annie Dillard (Pilgrim at Tinker Creek)
Egypt was, arguably, a nation state when most Europeans were living in mud huts, but it was only ever a regional power. It is protected by deserts on three sides and might have become a great power in the Mediterranean region but for one problem. There are hardly any trees in Egypt, and for most of history, if you didn’t have trees you couldn’t build a great navy with which to project your power. There has always been an Egyptian navy – it used to import cedar from Lebanon to build ships at huge expense – but it has never been a Blue Water navy. Modern Egypt now has the most powerful armed forces of all the Arab states, thanks to American military aid; but it remains contained by deserts, the sea and its peace treaty with Israel. It will remain in the news as it struggles to cope with feeding 97 million people a day while battling an Islamist insurgency, especially in the Sinai, and guarding the Suez Canal, through which passes 8 per cent of the world’s entire trade every day. Some 2.5 per cent of the world’s oil passes this way daily; closing the canal would add about fifteen days’ transit time to Europe and ten to the USA, with concurrent costs. Despite having fought five wars with Israel, the country Egypt is most likely to come into conflict with next is Ethiopia, and the issue is the Nile. Two of the continent’s oldest countries, with the largest armies, have at times edged towards conflict over the region’s major source of water.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
How to Apologize Ellen Bass Cook a large fish—choose one with many bones, a skeleton you will need skill to expose, maybe the flying silver carp that's invaded the Great Lakes, tumbling the others into oblivion. If you don't live near a lake, you'll have to travel. Walking is best and shows you mean it, but you could take a train and let yourself be soothed by the rocking on the rails. It's permitted to receive solace for whatever you did or didn't do, pitiful, beautiful human. When my mother was in the hospital, my daughter and I had to clear out the home she wouldn't return to. Then she recovered and asked, incredulous, How could you have thrown out all my shoes? So you'll need a boat. You could rent or buy, but, for the sake of repairing the world, build your own. Thin strips of Western red cedar are perfect, but don't cut a tree. There'll be a demolished barn or downed trunk if you venture further. And someone will have a mill. And someone will loan you tools. The perfume of sawdust and the curls that fall from your plane will sweeten the hours. Each night we dream thirty-six billion dreams. In one night we could dream back everything lost. So grill the pale flesh. Unharness yourself from your weary stories. Then carry the oily, succulent fish to the one you hurt. There is much to fear as a creature caught in time, but this is safe. You need no defense. This is just another way to know you are alive. “How to Apologize” originally appeared in The New Yorker (March 15, 2021).
Ellen Bass
The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.
Annie Dillard (Pilgrim at Tinker Creek)
this I say,—we must never forget that all the education a man's head can receive, will not save his soul from hell, unless he knows the truths of the Bible. A man may have prodigious learning, and yet never be saved. He may be master of half the languages spoken round the globe. He may be acquainted with the highest and deepest things in heaven and earth. He may have read books till he is like a walking cyclopædia. He may be familiar with the stars of heaven,—the birds of the air,—the beasts of the earth, and the fishes of the sea. He may be able, like Solomon, to "speak of trees, from the cedar of Lebanon to the hyssop that grows on the wall, of beasts also, and fowls, and creeping things, and fishes." (1 King iv. 33.) He may be able to discourse of all the secrets of fire, air, earth, and water. And yet, if he dies ignorant of Bible truths, he dies a miserable man! Chemistry never silenced a guilty conscience. Mathematics never healed a broken heart. All the sciences in the world never smoothed down a dying pillow. No earthly philosophy ever supplied hope in death. No natural theology ever gave peace in the prospect of meeting a holy God. All these things are of the earth, earthy, and can never raise a man above the earth's level. They may enable a man to strut and fret his little season here below with a more dignified gait than his fellow-mortals, but they can never give him wings, and enable him to soar towards heaven. He that has the largest share of them, will find at length that without Bible knowledge he has got no lasting possession. Death will make an end of all his attainments, and after death they will do him no good at all. A man may be a very ignorant man, and yet be saved. He may be unable to read a word, or write a letter. He may know nothing of geography beyond the bounds of his own parish, and be utterly unable to say which is nearest to England, Paris or New York. He may know nothing of arithmetic, and not see any difference between a million and a thousand. He may know nothing of history, not even of his own land, and be quite ignorant whether his country owes most to Semiramis, Boadicea, or Queen Elizabeth. He may know nothing of the affairs of his own times, and be incapable of telling you whether the Chancellor of the Exchequer, or the Commander-in-Chief, or the Archbishop of Canterbury is managing the national finances. He may know nothing of science, and its discoveries,—and whether Julius Cæsar won his victories with gunpowder, or the apostles had a printing press, or the sun goes round the earth, may be matters about which he has not an idea. And yet if that very man has heard Bible truth with his ears, and believed it with his heart, he knows enough to save his soul. He will be found at last with Lazarus in Abraham's bosom, while his scientific fellow-creature, who has died unconverted, is lost for ever. There is much talk in these days about science and "useful knowledge." But after all a knowledge of the Bible is the one knowledge that is needful and eternally useful. A man may get to heaven without money, learning, health, or friends,—but without Bible knowledge he will never get there at all. A man may have the mightiest of minds, and a memory stored with all that mighty mind can grasp,—and yet, if he does not know the things of the Bible, he will make shipwreck of his soul for ever. Woe! woe! woe to the man who dies in ignorance of the Bible! This is the Book about which I am addressing the readers of these pages to-day. It is no light matter what you do with such a book. It concerns the life of your soul. I summon you,—I charge you to give an honest answer to my question. What are you doing with the Bible? Do you read it? HOW READEST THOU?
J.C. Ryle (Practical Religion Being Plain Papers on the Daily Duties, Experience, Dangers, and Privileges of Professing Christians)
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
You make springs gush forth in the valleys;         they flow between the hills;     11 they give drink to every beast of the field;         the wild donkeys quench their thirst.     12 Beside them the birds of the heavens dwell;         they sing among the branches.     13 From your lofty abode you water the mountains;         the earth is satisfied with the fruit of your work.     14 You cause the grass to grow for the livestock         and plants for man to cultivate,     that he may bring forth food from the earth         15 and wine to gladden the heart of man,     oil to make his face shine         and bread to strengthen man's heart.     16 The trees of the LORD are watered abundantly,         the cedars of Lebanon that he planted.     17 In them the birds build their nests;         the stork has her home in the fir trees.     18 The high mountains are for the wild goats;         the rocks are a refuge for the rock badgers.     19 He made the moon to mark the seasons; [1]         the sun knows its time for setting.     20 You make darkness, and it is night,         when all the beasts of the forest creep about.     21 The young lions roar for their prey,         seeking their food from God.     22 When the sun rises, they steal away         and lie down in their dens.     23 Man goes out to his work         and to his labor until the evening.     24 O LORD, how manifold are your works!         In wisdom have you made them all;         the earth is full of your creatures.     25 Here is the sea, great and wide,         which teems with creatures innumerable,         living things both small and great.     26 There go the ships,         and Leviathan, which you formed to play in it. [2]     27 These all look to you,         to give them their food in due season.     28 When you give it to them, they gather it up;         when you open your hand, they are filled with good things.     29 When you hide your face, they are dismayed;         when you take away their breath, they die         and return to their dust.     30 When you send forth your Spirit, [3] they are created,         and you renew the face of the ground.     31 May the glory of the LORD endure forever;
Anonymous (ESV Daily Reading Bible: Through the Bible in 365 Days, based on the popular M'Cheyne Bible Reading Plan: Through the Bible in 365 Days, based on the popular M'Cheyne Bible Reading Plan)
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
could stand to be a little scared. “No, let’s spook them,” I whispered back. Lake grinned, Carla shook her head. “They’ll turn us in,” Carla said. “They’ll tell the others.” “They won’t,” I whispered and then motioned for them to get close. When they did, I let them in on the plan. “Let’s sneak around the back. Carla, do you have your flashlight.” With it being a clear night, and the moon glowing above, we hadn’t needed the flashlight. Carla had brought it, though.  She pulled it out of her pocket and held it up. “You stand back,” I told her, figuring she’d want this job. “Shine the light toward the back of the tent. Lake, you and I stand close to the tent wall. When Carla shines the light, you pretend to be a bear and roar. And we’ll make shadows.” “Sounds good to me,” Lake said. “Only we have to be quiet from here out,” I whispered. “North can hear everything.” I wasn’t so sure he couldn’t hear us out here now with his supersonic hearing. Maybe he was asleep... The girls followed me as I tiptoed my way around wide toward the back of the tent. Carla positioned herself near the trees, so her light would cast a good glow. Lake and I stood halfway between. Lake stood really close to me. “So we don’t look like two people,” she explained when I started to back away from her. I realized she was right. Standing together, we’d make one big shadow. We stood hip to hip and I counted down with hand signals to Carla. Three. Two. One. Go! Carla lit up the beam, creating a strong enough glow to spread across the back of the tent wall. She even angled from below so the beam went up, making our shadow taller. Lake raised a curled hand like a claw and growled, doing a great bear impression. I raised my own hand on the other side—another claw. The tent erupted with the sounds of grunts, curses, and a few squeals. “Kota!” Gabriel’s voice erupted over the mix of noises. “Bear!” “Bears don’t have flashlights,” Kota said. “Shit,” Gabriel said. “Fuck. Shit. Fuck.” “Enough,” North said. The three of us outside giggled and started making our way back around the tent, when I was tackled, and on the ground in a heap before I even realized what had happened. The smell of leather and cedar wafted over me. I’d recognize the big bulk of muscle anywhere. “It’s just us!” I cried out in an eruption of giggling, struggling for breath with him on top of me. “I knew it was you,” Nathan said, leaning back while still sitting on my hips. “No one else at this campground would dare.” The others had been tackled, too. Silas was on top of Lake. Luke was on top of Carla. “Get off,” Lake said but she was laughing, pushing on Silas, only Silas
C.L. Stone (First Kiss (The Ghost Bird, #10))
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
IV-132. Of Eden, where delicious Paradise, / Now nearer, Crowns with her enclosure green, / As with a rural mound the champain head IV-135. Of a steep wilderness, whose hairie sides / With thicket overgrown, grottesque and wilde, IV-137. Access deni'd; and over head up grew / Insuperable highth of loftiest shade, / Cedar, and Pine, and Firr, and branching Palm / A Silvan Scene, and as the ranks ascend / Shade above shade, a woodie Theatre IV-142. Of stateliest view. Yet higher then thir tops / The verdurous wall of paradise up sprung: IV-144. Which to our general Sire gave prospect large / Into his neather Empire neighbouring round. IV-146. And higher then that Wall a circling row / Of goodliest Trees loaden with fairest Fruit, / Blossoms and Fruits at once of golden hue / Appeerd, with gay enameld colours mixt: IV-150. On which the Sun more glad impress'd his beams / Then in fair Evening Cloud, or humid Bow, / When God hath showrd the earth; so lovely seemd IV-153. That Lantskip: And of pure now purer aire / Meets his approach, and to the heart inspires / Vernal delight and joy, able to drive / All sadness but despair: now gentle gales / Fanning thir odoriferous wings dispense IV-158. Native perfumes, and whisper whence they stole IV-159. Those balmie spoiles. As when to them who saile / Beyond the Cape of Hope, and now are past / Mozambic, off at Sea North-East windes blow / Sabean Odours from the spicie shoare / Of Arabie the blest, with such delay / Well pleas'd they slack thir course, and many a League / Chear'd with the grateful smell old Ocean smiles.
Joseph Lanzara (John Milton's Paradise Lost In Plain English)
The heart's affections are divided like the branches of the cedar tree; if the tree loses one strong branch; it will suffer but it does not die; it will pour all its vitality into the next branch so that it will grow and fill the empty place.
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Sure thing. We've only known each other for what? Three, four days?" Forcing out a chuckle, she finished. "Just fun and games, right?" She could feel his growl behind her.  "Fuck no, woman." He bit out. "You know it, and I know it. We'll sort it, but now is not the time. You're exhausted and I have a team to set up. So, when I say 'sort it', I mean I'll have myself up in your face, and under your skin and into your body so deep, you won't be able to doubt my intentions.
Freya Barker (Slim To None (Cedar Tree, #1))
You're a good man, Charlie Brown. Too bad Lucy can such a bitch" "Good thing Lucy's such a hot piece of ass then." He smiled.
Freya Barker (Slim To None (Cedar Tree, #1))
Pitch, tar, timber, sassafras, cedar, and other natural products were sent in the returning ships. Attempts to produce glass on a paying scale proved futile, as did early efforts to make silk, using the native mulberry trees growing in abundance. The glass furnaces fell into disuse, and rats ate the silkworms. Even the native tobacco plant (Nicotiana rustica), found growing wild, was, as William Strachey reported, "... not of the best kind ... [but was] poore and weake, and of a biting tast ..." and initially held little promise.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
JANUARY 31 YOU ARE A JOINT HEIR WITH MY SON, JESUS CHRIST I AM THE One who breaks open the way, and I will go up before you; you will break through the gates that try to hold you, and you will go out. You will be a fruitful vine, planted near a spring, and your branches will climb over any wall that attempts to hold you in. My eyes will be open to your supplication, and I will listen whenever you call to Me. Rejoice, for I will not cast off My people, nor will I forsake My inheritance. If you fear that your foot will slip, My mercy will hold you up. When you are filled with anxieties within, My comfort will delight your soul. I will be your defense and the rock of your refuge. I have sealed you with My Holy Spirit of promise, who is the guarantee of your inheritance. PSALMS 2:7–8; 94:18–19; EPHESIANS 1:13–14 Prayer Declaration I am a joint heir with Jesus Christ. Give me the heathen for my inheritance and the uttermost part of the earth for my possession. Let my line go through all the earth, and my words to the end of the world. Let me grow in grace and in the knowledge of Jesus Christ. I will flourish like a palm tree and grow like a cedar in Lebanon.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6
Guideposts (Daily Guideposts 2014)
I am what you call 'unkeyboardinated', even texting is a challenge. The
Freya Barker (Hundred to One (Cedar Tree #2))
But let us read the words of one, who was no mean scientist, the words of one whose wisdom was the wonder of his day in the whole world. A man to whom God Himself said, “Lo, I have given thee a wise and an understanding heart; so that there was none like thee before thee, neither after thee shall any arise like unto thee.” I Kings 3.12. A man of whom the inspired word of God says, “He was wiser than all men; and his fame was in all nations round about. And he spake three thousand proverbs: and his songs were a thousand and five. And he spake of threes, from the cedar tree that is in Lebanon even unto the hyssop that springeth out of the wall: he spake also of beasts, and of fowl, and of creeping things, and of fishes. And there came of all people to hear the Wisdom of Solomon, from all kings of the earth, which had heard of his wisdom.” I Kings 4.31-34 In His proverbs he speaks much of the wonderful works of God, and in one of them he refers directly to the work that was done on the second day of creation week, and connects it with the word of God by which it was accomplished. Thus, “Who hath ascended up into heaven or descended? Who hath fathered the wind in his fists? Who hath bound the waters in garment? Who hath established all the ends of the earth? What is His name, and what is His Son’s name, if thou canst tell? Every word of God is pure: He is a shield unto them that put their trust in him. Add thou not unto His word, lest He reprove thee, and thou be found a liar.” Proverbs 30.4-6 The rain which God has bound up in His thick clouds, and which His voice - the same voice that speaks peace and righteousness - causes to fall upon the earth, is a pledge to us of God’s willingness to forgive. Listen to the holy boldness of the prophet Jeremiah: “We acknowledge, O Lord, our wickedness, and the iniquity of our fathers: for we have sinned against Thee. Do not abhor us, for Thy name’s sake, do not disgrace the throne of Thy glory: remember; break not thy covenant with us. Are there any among the vanities of the Gentiles that can cause rain? Or can the heavens give showers? Art not Thou He, O Lord our God? Therefore we will wait upon Thee: for Thou hast made all these things.” Jeremiah 14.20-22. The Lord is the One who causes rain; therefore we will wait upon Him, in confidence that He will not abhor us, even though we have grievously sinned; but that He will, for the sake of His own word, pardon our iniquity.
Ellet J. Waggoner (The Gospel in Creation)
Western Red Cedar bark and cones are distinct. The foliage is not coniferous... the tree has flat intricate fronds that branch out like lace. It droops down, hanging fingers from each branch. In certain lights, it looks like a tree made of ferns.
Ned Hayes (The Eagle Tree)
I watched water dripping off the ferns and the needles of the Western Red Cedar next door. I watched it running in runnels down the bark of the Cherry tree, and I looked at the small droplets of misty water that were accumulating on the broad leaves of the Bigleaf Maple.I touched one of the accumulated droplets, and instantly it was gone.
Ned Hayes (The Eagle Tree)
I walk into the night forest. I reach out my hands on either side. I can feel the smooth bark of the Red Alder trees and the rough chasms of mature Douglas Fir, and then I can feel the stringy fibrous bark of the Western Red Cedar. I can push my fingers into the Cedar bark; it is like cloth to my fingertips. But here and there I can also feel the lacelike fingers of Hemlock and the prickly needles of Spruce touching my face and my neck.
Ned Hayes (The Eagle Tree)
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Capitol Tree Care
Throughout Siberia, indeed Asia, wherever grow the trees that serve as hosts to A. muscaria, - the birch, the pine, the cedar, the larch, others - that tree is revered as giving birth to the Marvelous Herb. The entheogen at the foot of the tree is the explanation of the reverence paid to the tree by the natives round about. How has the world overlooked for so long a time this key to the mystery of the Tree of Life?
R. Gordon Wasson (Persephone's Quest: Entheogens and the Origins of Religion)
8  Yea, the fir-trees rejoice at thee, and also the cedars of Lebanon, saying: Since thou art laid down no feller is come up against us.
Joseph Smith Jr. (The Illustrated LDS Scriptures)
As with many marriages, hers was based on essential misconceptions. In her case she had been misled into thinking Peter was reliable, perhaps because he was very careful always to put cedar shoe trees into his shoes and because he always wore the same cologne, a bay rum that could be had only from a shop in a London arcade. It turned out that he was not reliable, just finicky about small personal things like that. He still used a shaving brush and a straight razor.
Anna Quindlen (Still Life with Bread Crumbs)
13 The carpenter stretcheth out his rule; he marketh it [the idol he is making] out with a line; he fitteth it with planes, and he marketh it out with the compass [your craftsmen exercise great care and skill in manufacturing your idols], and maketh it after the figure of a man, according to the beauty of a man; that it may remain in the house [your craftsmen put great care into making your idols; implication: if you were as careful worshipping God as you are in making idols . . .]. 14 He heweth him down cedars, and taketh the cypress and the oak, which he strengtheneth [cultivates and grows] for himself among the trees of the forest: he planteth an ash [tree], and the rain doth nourish it. 15 Then shall it be for a man to burn: for he will take thereof, and warm himself; yea, he kindleth it, and baketh bread; yea, he maketh a god, and worshippeth it [you use most of the tree’s wood for normal daily needs; how can you possibly turn around and worship wood from the same tree in the form of idols!]; he maketh it a graven image, and falleth down thereto. 16 He burneth part thereof in the fire; with part thereof he eateth flesh; he roasteth roast, and is satisfied: yea, he warmeth himself, and saith, Aha, I am warm, I have seen the fire [normal uses]: 17 And the residue thereof [with the rest of the tree] he maketh a god, even his graven image: he falleth down unto it, and worshippeth it, and prayeth unto it, and saith, Deliver [save] me; for thou art my god [Isaiah is saying how utterly ridiculous it is to assign part of a tree to have powers over yourselves]. 18 They [idol worshipers; see 45:20] have not known [German: know nothing] nor understood [German: understand nothing]: for he hath shut their eyes [German: they are blind], that they cannot see [are spiritually blind]; and their hearts, that they cannot understand [they are as blind and unfeeling, insensitive, as the idols they make and worship]. 19 And none considereth in his heart [if idol worshipers would just stop and think], neither is there knowledge nor understanding [they don’t have enough common sense] to say, I have burned part of it [the tree spoken of in verse 44] in the fire; yea, also I have baked bread upon the coals thereof; I have roasted flesh, and eaten it: and shall I make the residue thereof an abomination [is it reasonable to make the leftover portion into an abominable idol]? shall I fall down to the stock of a tree [is it rational to worship a chunk of wood]? 20 He [the idol worshiper] feedeth on ashes [German: takes pleasure in ashes, perhaps referring to ashes left over from some forms of idol worship]: a [German: his own] deceived heart hath turned him aside [German: leads him astray], that he cannot deliver [save] his soul, nor say [wake up and think], Is there not a lie in my right hand [covenant hand—am I not making covenants with false gods]? 21 ¶ Remember these, O Jacob and Israel; for thou art my servant: I have formed thee [the exact opposite of idol worshipers who form their gods]; thou art my servant: O Israel, thou shalt not be forgotten of me.
David J. Ridges (Your Study of Isaiah Made Easier in the Bible and the Book of Mormon)
With my heightened sensitivity to smell, there were too many aromas to take in at one time. Pine. Apple. Cedar. Smoke from the fireplaces. An onslaught of sensorial experiences. All the odors blended together into one and, although wonderful and fresh, it was dizzying and my nose twitched from overload. My eyes focused on the orchard, the trees still laden with apples. Je vais tomber dans les pommes, I thought, thinking of the French expression "I'm going to fall in the apples," which meant to faint.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
I continue my search for the place of origin of the bonsaied white pine. The forest’s plants evoke in me a feeling that reality has slipped. All is familiar wind in Japanese oaks and maples sounds as it does in the Americas: coarse grained and deep voiced in oaks, sandy and light in the thin-leaved maples. Yet when I attend to a visual detail- the contour of a leaf, the runnels in bark, the hue of a fruit, I am unmoored by strangeness. My mind is foundering in the geographic manifestation of plant evolution’s deep history. The plants of east Asia, seemingly so far from eastern North America, are in fact close kin to the plants of the mountain slopes of Appalachia, closer kin by far than the plants of the northwestern US, or of Florida, or the arid lands of the Southwest. On Miyajima, I walk with sumac, maple, ash, juniper, fir, oak, persimmon, and rhododendron. A few Asian specialties spice this thoroughly Appalachian community, curiosities like Japanese cedar, snake vines, and umbrella pines. The cedars intermingle their soft, extended sighs with the more familiar sounds of oak and maple.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
Yea, the fir trees rejoice at thee, and also the cedars of Lebanon, saying: Since thou art laid down no feller is come up against us.
Joseph Smith Jr. (The Book of Mormon)
In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you
Matthea Harvey (Pity the Bathtub Its Forced Embrace of the Human Form)
The Red Cedar of Vancouver. It is six hundred years old and can expect to live until the twenty-seventh century. There is something disturbing about finding yourself in front of a living thing which you know will be there in six centuries' time. As though it had already survived you. You feel dead in advance, and yet so far removed (a spatial depth, measurable in light-years) that all anxiety is dispelled. You even feel a little immortal through this tree that has survived so many of its descendants. There is no equivalent in the human species; no one lives to be proportionately as old as the four-thousand-year-old spruces of deepest Arizona.
Jean Baudrillard (Cool Memories V: 2000 - 2004)
Holding the Sky We saw a town by the track in Colorado. Cedar trees below has sifted the air, Snow water foamed the torn river there, And a lost road went climbing the slope like a ladder. We were traveling between a mountain and Thursday, Holding pages back on the calendar, Remembering every turn in the roadway: We hold that sky, we said, and remember. On the western slope we crashed into Thursday. So long, you said when the train stopped there. Snow was falling, touching in the air. Those dark mountains have never wavered.
William Stafford
When I looked up, I found myself at the edge of a rolling expanse of grass and trees. It wasn't a forest, but as I wandered deeper, following a concrete path that led in soft, sloping curves, I could feel the scents changing. Even though it was still winter, there was life here. I spotted a Douglas fir and went to it, putting my nose deep into the crags of its bark. Hey, you, I whispered. I could feel my breath warming the trunk, surrounding my face. I made my way from one tree to the next, greeting each, inhaling spruce and cedar, cherry and apple, and some I didn't yet know. When it started to get dark, I found the trail again and headed back to the hostel. I had more buses in my future, but I carried the scent of sap with me on my fingertips.
Erica Bauermeister (The Scent Keeper)