Caught The Bouquet Quotes

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Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping. "You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning. "You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--" But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied. "Touche." His eyes didn't move a millimeter from hers. This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
Stay." The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son." Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need." Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—" "I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning." Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed. "I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—" Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son." Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm. "I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day." -Dallas and Dee
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
You haven't met your Way yet. It hasn't so much as kissed your hand! You haven't even at the door of the hall where your Way dances. But look here, look see, I've got them, I've caught them up just for you, a big bouquet of anywhere you want to go. Just pick a bloom, my girl, hold it to your pretty nose.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
At the Kings' she daily saw all she wanted, for the children's older sisters were just out, and Meg caught frequent glimpses of dainty ball dresses and bouquets, heard lively gossip about theaters, concerts, sleighing parties, and merrymakings of all kinds, and saw money lavished on trifles which would have been so precious to her. Poor
Louisa May Alcott (Little Women (Little Women #1))
backs. Followed by the traditional Burning of the Gifts. Everyone would gather to watch the toaster and blender explode. Followed by the sacrificial drowning of a bridesmaid, the one who’d caught the fucking bouquet?
Laura Kasischke (If a Stranger Approaches You)
Honeysuckle iced petals,' scoffed one John Bull, spying my menu. 'I should as soon eat a bouquet of flowers. You must serve me solid belly timber, madame, nothing else.' Yet in one week I had tempted the old duffer with a restoring quintessence of veal. Then at dessert I caught him licking his spoon like a schoolboy as he scooped up a flower of my own exquisite honeysuckle ice.
Martine Bailey (An Appetite for Violets)
Meg caught frequent glimpses of dainty ball-dresses and bouquets, heard lively gossip about theaters, concerts, sleighing parties, and merry-makings of all kinds, and saw money lavished on trifles which would have been so precious to her. Poor Meg seldom complained, but a sense of injustice made her feel bitter toward every one sometimes, for she had not yet learned to know how rich she was in the blessings which alone can make life happy.
Louisa May Alcott
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
She forced herself to stroll casually and appraise her plants. The wisteria was shedding its final leaves, the jasmine had long lost its flowers, but the autumn had been mild and the pink roses were still in bloom. Eliza went closer, took a half-opened bud between her fingers and smiled at the perfect raindrop caught within its inner petals. The thought was sudden and complete. She must make a bouquet, a welcome-home gift for Rose. Her cousin was fond of flowers, but more than that, Eliza would select plants that were a symbol of their bond. There must be ivy for friendship, pink rose for happiness, and some of the exotic oak-leaved geranium for memories...
Kate Morton (The Forgotten Garden)
Mrs. Flanigan made this for you and dropped it off earlier. So pretty, wouldn't you agree?"... "White roses - the bride's flower," Mrs. Norton said with a lilt in her voice. "For unity, purity, and a love stronger than death." She touched the edge of a blossom. "And, in addition, you have chrysanthemums for fidelity, optimism, joy, and long life, with the color white standing for truth and loyal love." As if caught in a spell, Grace stared at the flowers, a lump forming in her throat, the words echoing in her mind... Joy, truth, fidelity, a love stronger than death. Mrs. Flanigan chuckled. "Mrs. Norton, you make the bouquet sound so poetic. I'm afraid I can't take credit for such a romantic arrangement. I chose the only white flowers still blooming in my garden.
Debra Holland (Grace: Bride of Montana (American Mail-Order Bride, #41))
She threw her bouquet into the crowd. Abby dove for it with her vampire speed and a huge goofy smile spread across her face when she caught it. Tears
Bella Forrest (A Break of Day (A Shade of Vampire, #7))
all clothed in white coats, spun their heads and caught sight of him standing there with the bouquet in front of him like a knight preparing to joust.
Alison Golden (Body in the Woods (Reverend Annabelle Dixon #3))
Since their confrontation over the lunch table earlier in the week, the earl had kept a distance, but it was a thoughtful distance. She’d caught him eyeing her as she watered the bouquets in his library, or rising to his feet when she entered a room. It was unnerving, like being stalked by a hungry tiger. And
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
With one minute to spare, Madison arrived at the Space Needle. Her rose was hastily clipped into her short dark hair. Her cheeks were red from all of the mad rushing around. But she had made it on time. So had Jeremy. Once again he was waiting by the elevator that rode up to the top of the Space Needle. A somewhat faded blue carnation was pinned to the lapel of his jacket. Madison, who usually overplanned everything, hadn’t taken one second to plan what she would say when she finally met “Blue” face-to-face. A man with a bouquet of balloons passed by, and she ducked out of sight behind them. As she ran alongside the vendor, she hastily tried to collect her thoughts. So much was riding on this meeting, and she didn’t want to blow it. When the balloon man got close to the elevator tower, Madison jumped out from behind the balloons and hid by a corner of the tower. Her mind was still a complete blank. But she couldn’t leave Jeremy standing there for another minute. So she inched her way along the wall until she was safely hidden behind the post he was leaning against. Madison checked the TechnoMarine watch she’d borrowed from Piper. It was nearly five minutes after four. Time was running out! She had to say something. But what? Barely a foot away, she heard Jeremy exhale in frustration, and her heart sank. When he made a move to leave, her hand shot out from behind the pillar and caught hold of his. “Blue?” she whispered. “Please don’t turn around.” Jeremy didn’t move. “Okay,” he said warily. “I’m trying to find the words to tell you what our letters have meant to me,” she whispered. “And how much your friendship means to me.” Jeremy nodded. “It’s been important to me, too.” He started to turn around, but Madison tugged his arm, hard. “Don’t look, yet. Please!” Jeremy quickly turned his head away. “All right, but--” Madison didn’t let him finish. She squeezed her eyes shut and started babbling. “I didn’t know who you were until last Friday--which, incidentally, turned out to be about the most important day of my life. And when I knew it was you, I just didn’t know how to tell you that I was me. You once told me I was cold and heartless, and I just couldn’t bear it if you said it again. Everything has been so perfect, I just don’t want to blow it, and now that we’re standing here holding hands, I don’t want to let go--” “So don’t,” a voice whispered, very close to her cheek.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
Emma pulled open the door in what was probably a sorry excuse for a smile on her face and froze. Sean stood on the porch, his face set in the expression she recognized as the one he used to mask uncertainty. But her gaze only settled on his face for a few seconds before being drawn to his chest. He was wearing a button-up dress shirt and it was pink. And not a tint of pale blush, either. It was pink. “Hey,” he said, handing her a small bouquet of pink-and-white gladioli, the stems tied together with a length of pink ribbon. Her breath caught in her throat as she took them, her mind racing to make sense of what she was seeing. What did it mean? Why was he here, dressed like the man of her ten-year-old self’s dreams? “I, uh…made some revisions to your owner’s manual.” She hadn’t even noticed the journal in his other hand, but when he held it out, she took it. “Okay.” Her voice was as shaky as her hands. She opened the cover and found a bright pink sticky note stuck to the first page. I miss you. “I miss you too,” she whispered, and slowly turned the pages. You don’t take any crap from me. You make me laugh. Missionary is my favorite position now because I can see your face. That made her laugh, even as the sweetness of the sentiment warmed her heart. I’ll let you drive. She gave him a doubtful look and then turned the page. Sometimes. Yeah, there was the Sean she knew and loved.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
At first she felt overwhelmed by the house, its airy symmetry its silence. Now she was accustomed to the place, but she caught herself wondering, Is this still Berkeley? George's neighborhood felt as far from Telegraph as the hanging gardens of Babylon. You could get a good kebab in Jess's neighborhood, and a Cal T-shirt, and a reproduction NO HIPPIES ALLOWED sign. Where George lived, you could not get anything unless you drove down from the hills. Then you could buy art glass, and temple bells, and burled-wood jewelry boxes, and dresses of hand-painted silk, and you could eat at Chez Panisse, or sip coffee at the authentically grubby French Hotel where your barista took a bent paper clip and drew cats or four-leaf clovers or nudes in your espresso foam. You returned home with organic, free-range groceries, and bouquets of ivory roses and pale green hydrangeas, and you held dinner parties where some guests got lost and arrived late, and others gave up searching for you in the fog. That was George's Berkeley, and even in these environs, his home stood apart, hidden, grand, and rambling; windows set like jewels in their carved frames, gables twined with wisteria of periwinkle and ghostly white.
Allegra Goodman (The Cookbook Collector)
When a knock finally sounded from outside the apartment, I eagerly rose to my feet and made my way toward the door to let him in. “You do realize you have a key, correct?” I teased, trying to bite back my nerves. “You don’t have to knock.” “I don’t have to, but I wanted to.” He leaned in and gave me a peck on my cheek and I took in the smell of his cologne. It was light enough that it was hardly noticeable from a distance, but up close, it was a mesmerizing scent, one reminiscent of sandalwood. He pulled a small bouquet of flowers from behind his back and handed them to me. “Your favorite, of course." All at once, my nerves seemed to ease up. I smiled as I took the purple tulips from Ben and went in search of a vase to store them in. “I’ll admit, I can get used to this.” “Is that so?” He cocked a brow as he followed me into the kitchen. “Well, I’ll admit, I could get used to you like this.” He moved in behind me as I stood at the sink, filling a vase with water for the flowers, and wrapped his arms around my waist. “I’m a lucky man,” he whispered, leaning in closely so that his warm breath caught against my neck, eliciting a chill throughout my body. “You look amazing, Gems. So much so that I fear if we don’t leave soon, I won’t be able to stop myself from dragging you to your bedroom.” “Is that supposed to be a threat or an offer?” I grabbed hold of his arms and pressed back against him. In response, he let out a growl. “Don’t tempt me, love. It’s already hard enough,” he insisted. “We’re supposed to do things the right way, remember?” “Ah, yes. You and your ‘right way’ nonsense.” I leaned my head back to look up at him and grinned because I knew he was fighting it, and it would only be a matter of time before he caved. “I know you and sooner or later, you’re going to give in.” “Don’t tempt me, love.” He pulled one of his hands from mine and ran his right thumb over my jaw. “I’m trying to be good here.” “But maybe I don’t want you to be good, Benjamin.
Nicole Sobon (Collide: Episode Two (The Collide Series Book 2))
A white vintage A-line dress brushed just below her knees. Soft tendrils escaped her honey-colored bun, a grandmother's antique brooch the only accent. She clasped a loose pink bouquet in one hand, his hand in the other as they stood solemnly before the judge. Lush, wild clusters of pink peonies and white hydrangeas interspersed with soft dusty miller lined the aisle of simple white folding chairs. Two larger arrangements in antique silver urns flanked the couple. A single cellist sat in the corner of the room. All simple, but stunningly elegant. She couldn't stop smiling, and I realized I'd never seen her so at ease. They quietly said vows they wrote themselves. Our small crowd watched in happy silence. I tried not to shift too loudly, every movement echoing on the cold marble tiles. Someone sniffled. The sound reverberated in the cavernous space. The groom's mother caught me staring and winked at me across the room. This bride had sent me on quite a journey, forcing me to finally reckon with my past and my future. With my identity, even. It hadn't been easy, but I was grateful. I had no right to be here, but here I was. How I ended up here remained a bit of a mystery to me. Her forgiveness was simply a gift, one of the type I was gradually learning to receive. Maybe, just maybe, that could be me someday.
Mary Hollis Huddleston (Piece of Cake: A Novel)
Cautiously she moved to embrace him, her arms sliding over his shoulders. It was more than Poppy had intended to do, but there was something in Harry’s expression that touched her. She had sometimes seen the same expression on Leo’s face in childhood, when he had been caught in mischief and had gone to their mother with a bouquet of flowers or some little treasure. Harry’s arms went around her, pulling her farther up against him. He smelled delicious, and he was warm and hard beneath the layers of linen, silk and wool. The soft gust of his breath against her neck was ragged at the finish. Closing her eyes, Poppy let herself lean against him. He kissed the side of her throat, working up to the juncture of her neck and jaw. She felt warm from the bottom of her feet to the top of her head. She found something surprising in the embrace, a sense of security. They fit nicely together, softness and hardness, pliancy and tension. It seemed that every curve of her was perfectly reconciled with his masculine contours. She wouldn’t have minded standing against him, with him, for a while longer.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))