Cathy Wuthering Heights Quotes

It struck me as pretty ridiculous to be called Mr. Darcy and to stand on your own looking snooty at a party. It's like being called Heathcliff and insisting on spending the entire evening in the garden, shouting "Cathy" and banging your head against a tree.

You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?

Oh, Cathy! Oh, my life! how can I bear it?" was the first sentence he uttered, in a tone that did not seek to disguise his despair. And now he stared at her so earnestly that I thought the very intensity of his gaze would bring tears into his eyes; but they burned with anguish: they did not melt.

It was once suggested to me that, as an antidote to crying, I put my head in a paper bag. As it happens, there is a sound physiological reason, something to do with oxygen, for doing exactly that, but the psychological effect alone is incalculable: it is difficult in the extreme to continue fancying onceself Cathy in "Wuthering Heights" with one's head in a Food Fair bag.

Cathy, this lamb of yours threatens like a bull!' he said. 'It is in danger of splitting its skull against my knuckles. By God! Mr. Linton, I'm mortally sorry that you are not worth knocking down!

This is it--what all the hoopla is about, what Wuthering Heights is about--it all boils down to this feeling rushing through me in this moment with Joe as our mouths refuse to part. Who knew all this time I was one kiss away from being Cathy and Juliet and Elizabeth Bennet and Lady Chatterley!?

Heathcliff. The "hero" of Wuthering Heights. Although no one knows why. He's mean, moody, and possibly a bit on the pongy side. Cathy loves him, though. She shows this by viciously rejecting him and marrying someone else for a laugh. Still, that is true love on the moors for you.

He shall never know how I love him

I love my murderer--but yours? How can I?

Come in! come in !’ he sobbed. ‘Cathy, do come. Oh do -once more! Oh! my heart’s darling! hear me this time - Catherine, at last!

I remember the master, before he fell into a doze, stroking her bonny hair - it pleased him rarely to see her gentle - and saying - 'Why canst thou not always be a good lass, Cathy?' And she turned her face up to his, and laughed, and answered, 'Why cannot you always be a good man, father?

You are a dog in the manger, Cathy, and desire no one to be loved but yourself!

I obeyed, so far as to quit the chamber; when, ignorant where the narrow lobbies led, I stood still, and was witness, involuntarily, to a piece of superstition on the part of my landlord which belied, oddly, his apparent sense. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. 'Come in! come in!' he sobbed. 'Cathy, do come. Oh, do - ONCE more! Oh! my heart's darling! hear me THIS time, Catherine, at last!' The spectre showed a spectre's ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.

Being repulsed continually hardened her,

It was nothing less than murder, in her eyes

Kendi yüreğine niçin ihanet ettin Cathy?

invariably to me, I know, and to any person who saw her, I should think--refuted more tangible proofs of convalescence, and stamped her as one doomed to decay.

Then you believe I care more for my own feelings than yours, Cathy?" he said. "No, it was not because I disliked Mr. Healthcliff, but because Mr. Healthcliff dislikes me and is a most diabolical man, delighting to wrong and ruin those he hates, if they give him the slightest opportunity. I knew that you could not keep up an acquaintance with your cousin without being brought into contact with him; and I knew he would detest you, on my account; so for your own good, and nothing else, I took precautions that you should not see Linton again.

i have not broken your heart — you have broken it — and in breaking it, you have broken mine. (heathcliff to cathy, ch. I, p. 163)

Are you possessed with a devil,' he pursued, savagely, 'to talk in that manner to me when you are dying? Do you reflect that all those words will be branded in my memory, and eating deeper eternally after you have left me?

Look, Miss!” I exclaimed, pointing to a nook under the roots of one twisted tree. “Winter is not here yet. There’s a little flower up yonder, the last bud from the multitude of bluebells that clouded those turf steps in July with a lilac mist. Will you clamber up, and pluck it to show to papa?” Cathy stared a long time at the lonely blossom trembling in its earthy shelter, and replied, at length—“No, I’ll not touch it: but it looks melancholy, does it not, Ellen?” “Yes,” I

Self-respect is a discipline, a habit of mind that can never be faked but can be developed, trained, coaxed forth. It was once suggested to me that, as an antidote to crying, I put my head in a paper bag. As it happens, there is a sound physiological reason, something to do with oxygen, for doing exactly that, but the psychological effect alone is incalculable: it is difficult in the extreme to continue fancying oneself Cathy in Wuthering Heights with one’s head in a Food Fair bag. There is a similar case for all the small disciplines, unimportant in themselves; imagine maintaining any kind of swoon, commiserative or carnal, in a cold shower.

Why did you betray your own heart, Cathy? I

Why canst thou not always be a good lass, Cathy?' And she turned her face up to his, and laughed, and answered - 'Why cannot you always be a good man, father?

You teach me now how cruel you’ve been—cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort.

Why did you betray your own heart, Cathy? I have not one word of comfort - you deserve this. You have killed yourself.

It was a marvelous effort of perspicacity to discover that I did not love her

i pray every night that i may live after him; because i would rather be miserable than that he should be (cathy about edgar, ch. VIII, p. 231)

Just think of Emily Bronte, for example: psychotically bookish - but was there ever a woman screaming out so loudly for a good f***ing? I even suspect that's why Wuthering Heights carries on decades too long rather than sensibly drawing the curtains a little after Cathy's death. It was Bronte saying, 'Look - I'm simply going to keep on writing this stuff until someone comes and shags me raw.

Come in! come in!’ he sobbed. ‘Cathy, do come. Oh, do—once more! Oh! my heart’s darling! hear me this time, Catherine, at last!’ The spectre showed a spectre’s ordinary caprice: it gave no sign of being.

I once was the guest of the week on a British radio show called Desert Island Discs. You have to choose the eight records you would take with you if marooned on a desert island. Among my choices was Mache dich mein Herze rein from Bach’s St Matthew Passion. The interviewer was unable to understand how I could choose religious music without being religious. You might as well say, how can you enjoy Wuthering Heights when you know perfectly well that Cathy and Heathcliff never really existed? But there is an additional point that I might have made, and which needs to be made whenever religion is given credit for, say, the Sistine Chapel or Raphael’s Annunciation. Even great artists have to earn a living, and they will take commissions where they are to be had. I have no reason to doubt that Raphael and Michelangelo were Christians—it was pretty much the only option in their time—but the fact is almost incidental. Its enormous wealth had made the Church the dominant patron of the arts. If history had worked out differently, and Michelangelo had been commissioned to paint a ceiling for a giant Museum of Science, mightn’t he have produced something at least as inspirational as the Sistine Chapel? How sad that we shall never hear Beethoven’s Mesozoic Symphony, or Mozart’s opera The Expanding Universe. And what a shame that we are deprived of Haydn’s Evolution Oratorio—but that does not stop us from enjoying his Creation.

mr heathcliff, you have nobody to love you; and, however miserable you make us, we shall still have the revenge of thinking that your cruelty rises from your greater misery! (cathy to heathcliff, ch. XV, p. 288)

Cathy's a monster but there were a few things she got right. If all else perished and he remained, I should still continue to be; and if all else remained and he were annihilated, the universe would turn to a mighty stranger

and firstly, let me beware of the fascination that lurks in Catherine Heathcliff's brilliant eyes. I should be in a curious taking if I surrendered my heart to that young person, and the daughter turned out a second edition of the mother.

Mostraste-me agora o quão cruel tens sido. Cruel e falsa! Por que me desprezaste, Cathy? Por que traíste o teu próprio coração? Não tenho sequer uma palavra de conforto para dar. Tu mereces tudo aquilo por que estás passando. Mataste a ti própria. Sim, podes beijar-me e chorar o quanto quiseres. Arrancar-me beijos e lágrimas. Mas eles vão te queimar e serás amaldiçoada. Se me amavas, por que me deixaste? Com que direito? Responde-me! Por causa da mera inclinação que sentias pelo Linton? Pois não foi a miséria, nem a degradação, nem a morte, nem algo que Deus ou Satanás pudessem enviar, que nos separou. Foste tu, de livre vontade, que o fizeste. Não fui eu que despedacei teu coração, foste tu própria. E, ao despedaçares o teu, despedaçaste o meu também.

He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears.  ‘Come in! come in!’ he sobbed.  ‘Cathy, do come.  Oh, do—once more!  Oh! my heart’s darling! hear me this time, Catherine, at last!

I want you to know I have never loved anyone like I love you. More than Darcy loved Elizabeth or Heathcliff loved Cathy. I just don’t want to make you a widow.” “I never really understood why Brontë is considered to be a romance writer. We were required to read Wuthering Heights in high school and I always believed that her novel showcased the bleakest aspects of human nature. The story provided readers with a small yet unforgettable glimpse into the depths of human cruelty. Personally, I never considered the story romantic because the love shared between Cathy and Heathcliff was fatal, not just for themselves but for those around them. Their souls were incompatible, and they were a toxic pairing. Despite their love, passion, jealousy, and desire for connection, they were unable to recognize this fact.” “I was never a fan of Victorian romance novels.” “It was never one of my favorites. It’s often viewed as one of the great romance novels of all time, but I think it represents something darker: the fatal, selfish side of love, obsession, and abuse. To this day, I have not encountered a more accurate depiction of how love can become selfish.” “Why do you say that?” Xuan asked. “Because I think you have to love someone in the way that I love you to truly understand what love means... and to understand how wrong the story is. My soul and yours are the same in a way that Catherine and Heathcliff’s could never be. Widow or not, I will never stop loving you, Xuan. You have mesmerized me. My very soul has been entangled completely by you over these past three years. If Brontë or Austen could write the greatest love story of all time they’d write our story. And whether you marry me or not, how I feel about you will never change.

Something is happening to me, Nelly. I can feel a strange change coming in my life, and its shadow is hanging over me. I’m not interested in living any more – I can hardly even remember to eat or drink. I hate to see Catherine and Hareton because they remind me so much of Cathy. But then – everything I see reminds me of her! I see her in every cloud and tree. Wherever I go, I’m surrounded by her.

The dog was throttled off; his huge, purple tongue hanging half a foot out of his mouth, and his pendent lips streaming with bloody slaver.  The man took Cathy up; she was sick: not from fear, I’m certain, but from pain.  He carried her in; I followed, grumbling execrations and vengeance.  “What prey, Robert?” hallooed Linton from the entrance.  “Skulker has caught a little girl, sir,” he replied; “and there’s a lad here,” he added, making a clutch at me, “who looks an out-and-outer!  Very like the robbers were for putting them through the window to open the doors to the gang after all were asleep, that they might murder us at their ease.  Hold your tongue, you foul-

turning Joseph’s religious curses into ridicule, baiting me, and doing just what her father hated most—showing how her pretended insolence, which he thought real, had more power over Heathcliff than his kindness: how the boy would do her bidding in anything, and his only when it suited his own inclination.  After behaving as badly as possible all day, she sometimes came fondling to make it up at night.  ‘Nay, Cathy,’ the old man would say, ‘I cannot love thee, thou’rt worse than thy brother.  Go, say thy prayers, child, and ask God’s pardon.  I doubt thy mother and I must rue that we ever reared thee!’  That made her cry, at first; and then being repulsed continually hardened her, and she laughed if I told her to say she was sorry for her faults, and beg to be forgiven.

You teach me now how cruel you’ve been—cruel and false.  Why did you despise me?  Why did you betray your own heart, Cathy?  I have not one word of comfort.  You deserve this.  You have killed yourself.  Yes, you may kiss me, and cry; and wring out my kisses and tears: they’ll blight you—they’ll damn you.  You loved me—then what right had you to leave me?  What right—answer me—for the poor fancy you felt for Linton?  Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it.  I have not broken your heart—you have broken it; and in breaking it, you have broken mine.  So much the worse for me that I am strong.  Do I want to live?  What kind of living will it be when you—oh, God! would you like to live with your soul in the grave?

We might have got on tolerably, notwithstanding, but for two people—Miss Cathy, and Joseph, the servant: you saw him, I daresay, up yonder.  He was, and is yet most likely, the wearisomest self-righteous Pharisee that ever ransacked a Bible to rake the promises to himself and fling the curses to his neighbours.  By his knack of sermonising and pious discoursing, he contrived to make a great impression on Mr. Earnshaw; and the more feeble the master became, the more influence he gained.  He was relentless in worrying him about his soul’s concerns, and about ruling his children rigidly.  He encouraged him to regard Hindley as a reprobate; and, night after night, he regularly grumbled out a long string of tales against Heathcliff and Catherine: always minding to flatter Earnshaw’s weakness by heaping the heaviest blame on the latter.

Not so Mr. Edgar: he grew pale with pure annoyance: a feeling that reached its climax when his lady rose, and stepping across the rug, seized Heathcliff’s hands again, and laughed like one beside herself. ‘I shall think it a dream to-morrow!’ she cried.  ‘I shall not be able to believe that I have seen, and touched, and spoken to you once more.  And yet, cruel Heathcliff! you don’t deserve this welcome.  To be absent and silent for three years, and never to think of me!’ ‘A little more than you have thought of me,’ he murmured.  ‘I heard of your marriage, Cathy, not long since; and, while waiting in the yard below, I meditated this plan—just to have one glimpse of your face, a stare of surprise, perhaps, and pretended pleasure; afterwards settle my score with Hindley; and then prevent the law by doing execution on myself.  Your welcome has put these ideas out of my mind; but beware of meeting me with another aspect next time!  Nay, you’ll not drive me off again.  You were really sorry for me, were you?  Well, there was cause.  I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!

Cathy remembered Hindley had soldered the hoop to the staple after Joseph, that old spying eavesdropper, had accused her of “lurking amang t’fields” after midnight with that “fahl, flaysome divil” Heathcliff.

More alone than she had ever been, separated from Heathcliff who had left her at Penistone Crag, Cathy had been wandering lost on the moor until at last she saw a light winking in the distance.

Ruth switches on Radio 4 for comfort but it's a dramatisation of Wuthering Heights, and after a few minutes of desolate moorland and doomed love, Ruth turns it off again. I cannot live without my life, I cannot live without my soul. That's all very well, Rith tells Cathy, but sometimes you just have to.

It's an ancient Anglo-Saxon tradition," Polly began, "the mixing of two ideas---one from earliest Christian times, the other from long before. The first Christians used to follow the custom of 'waking' a new church by singing, feasting, and praying in it." Jess, disappointed: "But that's got nothing to do with a dead body." "I'm not finished yet." Jess mimed zipping her lips. "The other tradition I mentioned is much older. Long before the Christians came to Britain, an all-night vigil would be held over the body of the recently dead. Loved ones would mourn and chant and share stories of the person's life. It was called 'waking the dead'." Jess felt her eyes widen involuntarily as her thoughts went to Dr. Frankenstein and his monster, to Cathy's ghost haunting Wuthering Heights. "You mean they brought them back to life?" "Well, no." "But you said---" "Back then, the word 'wake' didn't mean to become alert; it meant 'to watch' or 'to guard'." "But what were they guarding against?" "There were those who believed the newly dead soul was at risk of theft by evil spirits." Soul theft at the hands of evil spirits had been almost as exciting as bringing the dead back to life.

That was the trouble with Wuthering Heights, in her opinion: all the characters were too polarized. Edgar was so caring he was wimpy, Heathcliff was a total bastard and Cathy was a cow. Give her Jane Eyre any time, with her perfectly imperfect characters: the feisty, lovely heroine and the manly, passionate – but ultimately decent – Rochester.

It is difficult in the extreme to continue fancying oneself Cathy in Wuthering Heights with one's head in a Food Fair bag.

It was once suggested to me that, as an antidote to crying, I put my head in a paper bag. As it happens, there is a sound physiological reason, something to do with oxygen, for doing exactly that, but the psychological effect alone is incalculable: it is difficult in the extreme to continue fancying oneself Cathy in Wuthering Heights with one’s head in a Food Fair bag.