Cathedral Of The Wild Quotes

A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse perhaps, or a cathedral, or myself, to committ outrages...

When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols...

I walk without flinching through the burning cathedral of the summer. My bank of wild grass is majestic and full of music. It is a fire that solitude presses against my lips.

No more cars in national parks. Let the people walk. Or ride horses, bicycles, mules, wild pigs--anything--but keep the automobiles and the motorcycles and all their motorized relatives out. We have agreed not to drive our automobiles into cathedrals, concert halls, art museums, legislative assemblies, private bedrooms and the other sanctums of our culture; we should treat our national parks with the same deference, for they, too, are holy places. An increasingly pagan and hedonistic people (thank God!), we are learning finally that the forests and mountains and desert canyons are holier than our churches. Therefore let us behave accordingly.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse perhaps, or a cathedral, or myself, to committ outrages…

In Vienna there are shadows. The city is black and everything is done by rote. I want to be alone. I want to go to the Bohemian Forest. May, June, July, August, September, October. I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colour…

Innocence is really just presence at its simplest.

Wherever you are, with whatever means you have, if you reclaim a piece of land for nature, your world will grow kinder, more benevolent. Create havens - for animals, for other people, for yourself - and let this reflect into the world. Fight for space in your own backyard, in an acre or a flowerpot or simply an embrace of the longing for company that lingers in your wilting heart. If you take this one step toward them, no matter where you are, the elephants will come to you.

Sometimes I get lonesome for a storm. A full-blown storm where everything changes. The sky goes through four days in an hour, the trees wail, little animals skitter in the mud and everything gets dark and goes completely wild. But its really God — playing music in his favorite cathedral in heaven — shattering stained glass — playing a gigantic organ — thundering on the keys — perfect harmony — perfect joy.

I was never interested in monuments or official sights; I was always drawn to the secret energy of a place contained in its teahouses or on the street, shorelines, and forests. I wanted to spend the whole day watching a man sell vegetables so I could know a bit of his life.

There is a place inside you that is as healthy as the day

The truth is, we need forests more than we need cathedrals.

I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impluse to smash something, a warehouse, perhaps, or a cathedral, or myself (...)For what I have always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.

My life is a crystal teardrop. There are snowflakes falling in the teardrop and little figures trudging around in slow motion. If I were to look into the teardrop for the next million years, I might never find out who the people are, and what they are doing. Sometimes I get lonesome for a storm. A full-blown storm where everything changes. The sky goes through four days in an hour, the trees wail, little animals skitter in the mud and everything gets dark and goes completely wild. But it's really God - playing music in his favorite cathedral in heaven - shattering stained glass - playing a gigantic organ - thundering on the keys - perfect harmony - prefect joy.

When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel tle very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.

In the wild cathedral evening the rain unraveled tales for the disrobed faceless forms of no position. Tolling for the tongues with no place to bring their thoughts - all down in taken-for-granted situations. Tolling for the deaf an' blind, tolling for the mute, and the mistreated mateless mother, the mistitled prostitute, for the misdemeanor outlaw, chained an' cheated by pursuit. And we gazed upon the chimes of freedom flashing.

Being depressed is one thing when your life can be seen by outsiders as justifiably hard, but it is a whole different shameful story when you have everything and still feel like you can't bear to get out of bed in the morning. People can't really be sympathetic to you when they can begin to fathom what you could be so upset about.

Lions aren't used to other creatures staring them down. It's a good tactic for life too; even if you're terrified inside, stare it in the eye.

most true acts of heroism—reflections of one’s deepest nature—remain unknown to the hero.

everything is a gift. The things that test you can move you into a new state.

Know your truth, stick to the process, and be free of the outcome.

This waltz was the music of the softly falling snow on the regal new buildings of the Ringstrasse. It was the spring tulips covering the lawns and arcades in front of the Schönbrunn Palace. It was the indomitable, majestic peaks of the Alps, the red-cheeked goatherds plucking wild edelweiss from the summits. It was the spirited laughter of Viennese students, wooing and debating in the beer gardens and cafés. It was the stately blue Danube, it was the cathedrals, it was the mountain chalets, and it was the ancient villages sprung up around church bell towers and brooks and streams. It was all of it, and it was all Franz Josef.

There is much to be said for contentment and painlessness, for these bearable and submissive days, on which neither pain nor pleasure is audible, but pass by whispering and on tip-toe. But the worst of it is that it is just this contentment that I cannot endure. After a short time it fills me with irrepressible hatred and nausea. In desperation I have to escape and throw myself on the road to pleasure, or, if that cannot be, on the road to pain. When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so-called good and tolerable days, I feel so bad in my childish soul that I smash my mouldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.

Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…

What's that sound?" Fran said. Then something as big as a vulture flapped heavily down from one of the trees and landed just in front of the car.It shook itself.It turned its long neck toward the car, raised its head, and regarded us. "Goddamn it," I said.I sat there with my hands on the wheel and stared at the thing. "Can you believe it?" Fran said."I never saw a real one before." We both knew it was a peacock, sure,but we didn't say the word out loud.We just watched it.The bird turned its head up in the air and made this harsh cry again.It had fluffed itself out and looked about twice the size it'd been when it landed. "Goddamn," I said again. We stayed where we were in the front seat. The bird moved forward a little.Then it turned its head to the side and braced itself.It kept its bright, wild eye right on us.Its tail was raised, and it was like a big fan folding in and out. There was every color in the rainbow shining from that tail. "My God," Fran said quietly.She moved her hand over to my knee. "Goddamn," I said. There was nothing else to say. The bird made this strange wailing sound once more. "May- awe, may-awe!" it went.If it'd been something I was hearing late at night and for the first time, I'd have thought it was somebody dying, or else something wild and dangerous.

She looked up to see a lovely enclosure of trees, wild cherry, fir, and willow with long golden catkins and slender, pointed green fronds swaying gracefully in the breeze. And in the center of the green cathedral of trees and surrounded by wildly untended hedges and what had once been a beautiful lawn, was one of the most picturesque cottages she had ever seen.

Michael Heseltine, a wild-haired visionary, Klaus Kinski to Margaret's Thatcher's Werner Herzog, pushed Docklands across the Thames to the East Greenwich Peninsula. The Millennium Dome concept was a remake of 'Fitzcarraldo', a film in which suborned natives (expendable extras) drag a paddle steamer over a hill in order to force a short cut to more exploitable territory. The point being to bring Enrico Caruso, one of the gods of opera, to an upstream trading post. An insane achievement mirrored in the rebranding of the Dome, after its long and expensive limbo, as the O2 Arena, a popular showcase for cryogenic rock acts:Norma Desmond divas and the resurrected Michael Jackson, whose virtual rebirth,post-mortem, gave the shabby tent the status of a riverside cathedral.

I’ve learned that nothing is worth doing if it cannot be done from a place of deep peace. If we want to restore the planet, we must first restore ourselves. I believe that you find your way to your right life, your mission, the same way you find an animal. First, quiet your heart and be still. Then find the fresh track and be willing to follow it. You don’t need to see the whole picture; you only need to see where to take the next step. Life isn’t about staying on track; it’s about constantly rediscovering the track.

The bugle call of a bull elk in a high mountain basin, the haunting voice of a screech owl on a moonlit night, the song of a white-throated sparrow on a cold winter's morning, or the resounding call of a wild turkey gobbler in spring - there are a certain few sounds in nature that seem to symbolize true wilderness. A gentle north wind moving through a remote forest of longleaf pine on a clear winter's day is one of those voices that stirs something deep inside of us. The grandest organ in the greatest cathedral is but a moan in the darkness by comparison.

Reade drew a deep breath. He said with resignation, "All right. I'll try to explain. But it's rather difficult. You see, I've devoted my life to the problem of why certain men see visions. Men like Blake and Boehme and Thomas Traherne. A psychologist once suggested that it's a chemical in the bloodstream—the same sort of thing that makes a dipsomaniac see pink elephants. Now obviously, I can't accept this view. But I've spent a certain amount of time studying the action of drugs, and taken some of them myself. And it's become clear to me that what we call 'ordinary consciousness' is simply a special, limited case. . . But this is obvious after a single glass of whiskey. It causes a change in consciousness, a kind of deepening. In ordinary consciousness, we're mainly aware of the world around us and its problems. This is awfully difficult to explain. . ." Fisher said, "You're being very clear so far. Please go on." "Perhaps an analogy will help. In our ordinary state of consciousness, we look out from behind our eyes as a motorist looks from behind the windscreen of a car. The car is very small, and the world out there is very big. Now if I take a few glasses of whiskey, the world out there hasn't really changed, but the car seems to have grown bigger. When I look inside myself, there seem to be far greater spaces than I'm normally aware of. And if I take certain drugs, the car becomes vast, as vast as a cathedral. There are great, empty spaces. . . No, not empty. They're full of all kinds of things—of memories of my past life and millions of things I never thought I'd noticed. Do you see my point? Man deliberately limits his consciousness. It would frighten him if he were aware of these vast spaces of consciousness all the time. He stays sane by living in a narrow little consciousness that seems to be limited by the outside world. Because these spaces aren't just inhabited by memories. There seem to be strange, alien things, other minds. . ." As he said this, he saw Violet de Merville shudder. He said, laughing, "I'm not trying to be alarming. There's nothing fundamentally horrible about these spaces. One day we shall conquer them, as we shall conquer outer space. They're like a great jungle, full of wild creatures. We build a high wall around us for safety, but that doesn't mean we're afraid of the jungle. One day we shall build cities and streets in its spaces.

Like other species, we evolved in wilderness and although we are now able to satisfy many of our physical needs outside it (at least in the short term), psychologically we still need the vital diversity, complexity, grandeur, and beauty of wild places. We need to feel connected to something tangible that can be seen, smelled, tasted, that is much greater than out own fleeting existence. Call it religion. There are untold millions who believe in this religion although they may not come out and say so, mostly because its tenets are so deeply ingrained as to be taken for granted. No organized faith is therefore necessary. To me and others of this religion a wilderness made by God and/or by the mechanism of evolution is at least as, if not more, holy than a cathedral made by man, and to harm it is a desecration. I see enough glimpses of this wilderness in my forest to feel inspired by a feeling of interconnectedness with the web of life. It gives me a dream. It is a realistic dream that is not destructive, and that all can take part in and enjoy the results. Preserving and fostering the fantastic life on earth grants infinitely more practical and intellectual rewards than the expensive but trivial knowledge of whether there are microbes on Mars.

It was spring and they stood on the banks of the small river that ran beside the ruins of the old cathedral at Dyemore Abbey. The stone arch rose into a clear, blue sky and below, the scattered stones that had once made up the cathedral were carpeted with yellow. Hundreds of thousands of daffodils, wild in this part of England, had taken over the old ruins and made a home for themselves. The view was gorgeous. The daffodils rolled in a yellow-dotted wave right up to the stream itself and splashed over onto the opposite bank, disappearing into the little wood there.

Faintly rattled, Delphine rounded a curve in the path and found herself at the edge of clearing, the trees pulling back from a carpet of verdigris grass. They gave up the wildness of the wood here, tamed into symmetrically intertwined branches whose openings revealed more pale paths into the forest. The diffuse light of the forest concentrated here, as though emanating from hidden gas lamps. Delphine toed the boundary of what she now saw was an enormous fairy ring. A structure of pure white rose from the center of the ring, the beams arching like the bones of a cathedral, the space between filled with delicate filigree of brittle white. Windows like translucent dragonfly wings shone under cornices carved like birds and flowers and trailing vines. A castle, Delphine thought, or a church--- all the same emphasis and gravitas translated here, and something stranger and deeper.

I’ve always felt that spiritual experience is dropping the illusion that we’re not. Growing up at Londolozi nourished that sense in me from my earliest years. Mom and Dad often had to visit with the guests in

grandmothers. Elephants

I remember standing in the bush above this unbelievably wild river, and thinking this is as good as it gets. Exquisite birdsong, jagged peaks of the Alps beckoning like the spires of mystical cathedrals, the smell of moisture in the beech forest like an elixir. Nature in its raw, unpredictable state – at an entirely different end of the spectrum from the confines of a test tube or comfort of a biotech lab.

Wherever you are, with whatever means you have, if you reclaim a piece of land for nature, your world will grow kinder, more benevolent. Create havens—for animals, for other people, for yourself—and let this reflect into the world. Fight for space in your own backyard, in an acre or a flowerpot or simply an embrace of the longing for company that lingers in your wilting heart. If you take this one step toward them, no matter where you are, the elephants will come to you.

Hope, I’ve discovered, is a sad nuisance. Hope is a horse with a broken leg. Inside the cathedral,

When you have smashed into so many different lifestyles, you can no longer claim that yours is the only right one.

When men face danger together, they lose the frivolous definitions of the world and simply become people who must work in harmony in order to survive.

Medieval spiritual masters recommended a vigorous reading program to keep the heart fresh. For this reason, they illustrated their books lavishly, built cathedrals with all kinds of surprising side chapels and variously colored marbles inlaid in the floor, and constructed cloisters with capitals carved with wildly exuberant images of monsters and fishes.

The term 'cathedral forest' is used as a metaphor, to suggest that great woods are like great medieval churches. But I have often felt that this is backward, that the stone cathedrals are a recreation of the forests where our distant ancestors lived. This is why they strike a chord deep within us. The soaring ceilings of a medieval cathedral, the cool, damp air, the dark punctuated by beams of brilliant light coloured by stained glass mimic our ancient home, our Garden of Eden.... A walk in the rain forest is a walk into the mind of God.

the life you are leading now is always defined by your choices and no other circumstances.

You have to accept what you’re going through before you can get anywhere better,

To seek the wellness in the soul we’ve lost, we return to what we know best. For me, that place was nature. Nature as a physical space that reframes and recasts one’s inner space. Nature as an outer world that, like no other force, facilitates the journey to the inner world. Nature as healer.

I’ll know that my sense of God is also true.

Hemingway said we heal stronger at the broken places, but I’ve found that where the heart is concerned, we also heal more tenderly, more open to the miraculous.

The day dawned blue and blurry. A light frost on the grass, a pale, clear morning. It was the first of November, and the sluagh were gone. The light trickled over the island slowly. It brushed against the ruined church spire and dripped down to the memorial, reaching into the crevices of the names writ therein. It poked through curtains and shutters to creep along countertops and kiss sleeping foreheads. It ran along the high street, knocked on the door, danced over the boats in the harbour, and made a sprint up the hill away from the village. It ricocheted through the fields and through the trees, paused reverently at the standing stones, rocketed up to the ancient cathedral where the seagulls swooped, keening.

Sometimes I get lonesome for a storm. A full-blown storm where everything changes. The sky goes through four days in an hour, the trees wail, little animals skitter in the mud and everything gets dark and goes completely wild. But it’s really God—playing music in his favorite cathedral in heaven—shattering stained glass—playing a gigantic organ—thundering on the keys—perfect harmony—perfect joy.

sometimes I get lonesome for a storm, a full blown storm where everything changes. the sky goes through four days in an hour, the trees wail, little animal scatter in the mud and everything gets dark and goes completely wild. but it’s really God- playing music in his favourite cathedral in heaven- shattering stained glass- playing a gigantic organ- thundering on the keys- perfect harmony- perfect joy .

...because writing is not only music. It is also architecture, demanding the technique, mastered only after months and years of bitterest labor, which that art possesses---if the architect is to construct a cathedral of merit instead of a mere group of disordered, flimsy outhouses.

As the night grows darker, we kick the logs bit by bit into the fire, giving the solid wood to the flame, keeping its warmth in our bodies as our gift from the trees.