“
A great ring of pure & endless light
Dazzles the darkness in my heart
And breaks apart the dusky clouds of night.
The end of all is hinted in the start.
When we are born we bear the seeds of blight;
Around us life & death are torn apart,
Yet a great ring of pure and endless light
Dazzles the darkness in my heart.
It lights the world to my delight.
Infinity is present in each part.
A loving smile contains all art.
The motes of starlight spark & dart.
A grain of sand holds power & might.
Infinity is present in each part,
And a great ring of pure and endless light
Dazzles the darkness in my heart.
”
”
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
“
Don't be fooled by strength you can see," he said at last. "Yahweh often hides His power in the simple things, the weak things, and so His strength seems foolish in man's eyes.
”
”
Lynn Austin (Gods and Kings (Chronicles of the Kings, #1))
“
Even if I turned myself in, it wouldn't change anything. It wouldn't make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you're different you always know it, and you can't fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
Maybe I not need feeling lonely, because I can talk to other "me." Is like seeing my two pieces of lips speaking in two languages at same time. Yes, I not lonely, because I with another me. Like Austin Powers with his Mini Me
”
”
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
“
The white Church considers power its birthright rather than its curse.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
We are going to watch a scary movie. I felt like watching something frightening so I could exert power over it. I want to eat popcorn while I watch it and laugh while it tries to scare me.
”
”
Emily R. Austin (Interesting Facts about Space)
“
If you haven't been this close to superhumans, you don't understand what it's like to fight them. Even when you've got powers yourself, the predominent impression is one of shock. The forces moving around you are out of human scale, and your nervous system doesn't know how to deal with it. It's like being in a car accident, over and over again. You never feel the pain until later.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
When I think about the Catholic church, and about most religions in general, my theory is that they came to be as a solution to our existential dread. It's comforting to imagine that everyone who is dead is just waiting for us in the next room. It's calming to imagine that we
have an all-powerful father who is watching over us, and who loves us. All of it makes us feel like our lives have some divine meaning; it helps us feel happy.
”
”
Emily Austin (Everyone in This Room Will Someday Be Dead)
“
This morning on planet Earth, there are 1,686 enhanced, gifted, or otherwise superpowered persons. 678 use their powers to fight crime, while 441 use their powers to commit them. 44 are currently confined in Special Containment Facilities for enhanced criminals. Of these last, it is interesting to note that an unusually high proportion have IQs of 300 or more -- eighteen to be exact. Including me. You really have to wonder why we all end up in jail.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
Every single person has the power to change the world and help people.
”
”
Laura Marano
“
Your powers are what you always have with you. It’s one piece of knowledge we all share here. No matter how many dossiers the government keeps on you, no matter what data your enemies have collected, no one knows your powers the way you do. Everyone has seen them on TV. For everyone else, it’s a momentary fantasy. They don’t have to take them into the kitchen, the bathroom, and the bedroom. Or wake up in the night in flames, or sweep up shattered glass in their apartment, or show up late for work with a black eye. No one else knows where they itch or bruise you, or has tried the things you’ve tried with them when you were bored or desperate. No one else falls asleep with them and finds them still there in the morning, a dream that won’t disperse upon waking.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
Every woman has a well-stocked arsenal of anger potentially useful against those oppressions, personal and institutional, which brought that anger into being. Focused with precision it can become a powerful source of energy serving progress and change…Anger expressed and translated into action in the service of our vision and our future is a liberating and strengthening act of clarification.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Hop on the good foot and do the bad thing.
”
”
Roger Price (Austin Powers Mad Libs)
“
reject expressed belief – and exchange it for the possibility of genuine change.The believers’ formula is a deception and they are deceived – which is a negation of their purpose. Faith is denial, and the metaphor for faith is idiocy, hence it always fails. To make their power more secure, governments force religion down the throats of their slaves, and it always succeeds. Few people escape it; therefore the honour of those who do is all the greater. When faith perishes, the ‘Self ’ comes into its own.
”
”
Austin Osman Spare (Book of Pleasure in Plain English)
“
Papadopoulos simply did not possess the power. ‘I can’t!’ I SHALT ASSIST, promised the Arrow of Dodona. STARTEST THOU: ‘PLAGUEY, PLAGUEY, PLAGUEY.’ ‘The enchantment does not start plaguey, plaguey, plaguey!’ ‘Who are you talking to?’ Austin demanded. ‘My arrow! I
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
But reconciliation is not about white feelings. It’s about diverting power and attention to the oppressed, toward the powerless. It’s not enough to dabble at diversity and inclusion while leaving the existing authority structure in place. Reconciliation demands more.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Yeah, baby!" said nobody, since this was not good.
”
”
Mike Kozarski (Austin Powers International Man of Mystery)
“
Reconciliation is the pursuit of the impossible -
and upside-down world where those who are powerful have relinquished that power to the margins
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
But dialogue is productive toward reconciliation only when it leads to action - when it inverts power and pursues justice for those who are most marginalized.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Do you dance? Or are you strictly a prop-up-the-wall-with-a-beer kind of guy?"
"I dance. But I don't shag."
She laughed. "I think we've just established that you do".
"Not Austin Powers shagging. It's A Carolina thing. A dance.
”
”
Virginia Kantra (Carolina Blues (Dare Island, #4))
“
The weak are always going to be under the control of the powerful. It is this way in all of nature. Intelligence is knowing where you stand in this truth and finding a way into the powerful group without anyone noticing you're doing so.
”
”
Vic Stah Milien
“
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films."
"My name is Powers," I said. "Austin Powers."
She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax."
She sipped her Coke. The ball landed in my court with a thump.
”
”
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
“
It shouldn't have surprised me. I serve a God who experienced and expressed anger. One of the most meaningful passages of Scripture for me is found in the New Testament, where Jesus leads a one-man protest inside the Temple walls. Jesus leads a one-man protest inside the Temple walls. Jesus shouts at the corrupt Temple officials, overturns furniture, sets animals free, blocks the doorways with his body, and carries a weapon - a whip - through the place. Jesus throws folks out the building, and in so doing creates space for the most marginalized to come in: the poor, the wounded, the children. I imagine the next day's newspapers called Jesus's anger destructive. But I think those without power would've said that his anger led to freedom - the freedom of belonging, the freedom healing, and the freedom of participating as full members in God's house.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
But reconciliation is not about white feelings. It's about diverting power and attention to the oppressed, toward the powerless. It's not enough to dabble at diversity and inclusion while leaving the existing authority structure in place. Reconciliation demands more.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
I saw the misadjusted dials and the whirling gauges and the bubbling green fluid and the electricity arcing around, and a story laid out for me, my sorry self alchemically transmuted into power and robots and fortresses and orbital platforms and costumes and alien kings.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
The Ego is ignorant towards both sigils and symbols, but they both give the Ego a flow of knowledge from themselves. All knowledge of ideas, gained by means of sigils, should be re-clothed in pure symbolism to designate and stimulate its own wisdom. Symbolism is also a means of accelerating and exhausting by living a belief instead of repressing it by choice rather than of necessity, which serves its own time. All begging, self-punishment, sacrifice, etc., is but an attempt to escape the law of reaction or Karma, and by symbolising the reading of these laws, they hope to take that power from nature.
”
”
Austin Osman Spare (Book of Pleasure in Plain English)
“
Jane Austen knew about money and power, too, Mimi reminded herself, in the specialness of her surroundings that night. Austin saw what lack of money meant for the women in her life, and this consuming fear was what was telegraphed most loudly in all her books, hidden behind the much more palatable workings of the marriage plot. Austin knew that no amount of charity or largesse from their male relatives could ever grant women real independence. Yet, through her genius - - a genius no amount of money or power could buy because it was all inside her head, completely her own - - she had accrued some small degree of autonomy by the end. Enough to work, live, and die on her own terms. It really was a most remarkable achievement, the legacy of those six books, revised and spurred on and cast soley by her own two hands, with no man with inevitably more power or money getting in the way.
”
”
Natalie Jenner (The Jane Austen Society)
“
There's undeniable strength in remaining calm and composed in any situation—it's often the least anticipated response.
”
”
N'Zuri Za Austin
“
Man's flight through life is sustained by the power of his knowledge.
”
”
Austin L. Miller
“
Servitude to law is the hatred of Heaven. Self-love only is the eternal all pleasing, by meditation on this effulgent self which is mystic joyousness. At that time of bliss, he is punctual to his imagination, in that day what happiness is his! A lusty innocent, beyond sin, without hurt! Balanced by an emotion, a refraction of his ecstasy is all that he is conscious of as external.[16] His vacuity causes double refraction, "He," the self-effulgent lightens in the Ego. Beyond law and the guest at the "Feast of the Supersensualists."[17] He has power over life and death.[18]
”
”
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
“
The write, "reconciliation is revolutionary, that is orient to structural change." Which means, reconciliation can never be apolitical... This is why white American churches remain so far from experiencing anything resembling reconciliation. The white Church considers power its birthright rather than its curse. And so, rather than seeking reconciliation, they stage moments of racial harmony that don't challenge the status quo.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
I am on the third book of the Bible. This one is called Leviticus. I turn the page and read: If anyone curses his father or mother, he must be put to death. That strikes me as pretty extreme. Do they mean curse as in use obscenities toward, or curse as in hire a witch to perform a solemn utterance intended to invoke a supernatural power to inflict harm on them? I can’t help noting the use of the male pronouns. I wonder whether this directive applies to me. Am I subject to a womanly loophole? Whoever wrote this book prioritized men so much, he forgot about the other half of humanity. It seems like I can curse my parents with no repercussions at all.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
As long as people are still having promiscuous sex with many anonymous partners without protection while at the same time experimenting with mind-expanding drugs in a consequence-free environment, I'll be sound as a pound!
”
”
Mike Myers (Austin Powers)
“
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater.
"No, mama."
"Excuse me?"
"No, I don't want to wear that sweater, it makes me look fat."
"What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater."
She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less.
The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides.
Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt.
Grace and Bella, will you have any idea how lovely you are when you try?
Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean."
My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
”
”
Kristin Armstrong
“
The write, "reconciliation is revolutionary, that is orient to structural change." Which means, reconciliation can never be apolitical... This is why white American churches remain so far from experiencing anything resembling reconciliation. The white Church considers power its birthright rather than its curse. And so, rather than seeking reconciliation, they stage moments of racial harmony that don't challenge the status quo... But without people of color in key positions, influencing topics of conversation, content, direction, and vision, whatever diversity is included is still essentially white - it just adds people of color like sprinkles on top. The cake is still vanilla... When our voices are truly desired, numbers will cease to be the sole mark of achievement.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Here’s another misconception. A great many people believe that reconciliation boils down to dialogue: a conference on race, a lecture, a moving sermon about the diversity we’ll see in heaven. But dialogue is productive toward reconciliation only when it leads to action—when it inverts power and pursues justice for those who are most marginalized. Unfortunately, most “reconciliation conversations” spend most of their time teaching white people about racism. In too many churches and organizations, listening to the hurt and pain of people of color is the end of the road, rather than the beginning.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
I never realized before there were so many ways to die. So many ways to kill people. Why are there so many deadly weapons?"
Clapp rubbed his lip and looked down at her. "Listen, Miss Gilbert. I’ve come to figure that man is the only deadly weapon. Take a gun. It’s an absolutely harmless thing—even makes a good honest paperweight—until some man gets his hands around it. You can strip a gun down to its basic parts and it’s lost its power. You can reduce a man to his chemical elements, but you’ve always got the spirit of whatever you call it left. And that spirit will find some damned way to do evil.
”
”
Wade Miller (Deadly Weapon (Max Thursday and Austin Clapp #1))
“
John Chandler, who leads a Christian community in Austin, Texas, shared this: We’ve by far had the most success inviting people into our community life by inviting them to serve alongside us. As a matter of fact, that’s about the only thing that’s worked consistently as far as “official” church activities go.
”
”
Josh Hunt (Doubling Groups 2.0: How Andy Stanley and a whole generation of churches are exploding with doubling groups and the power of hospitality.)
“
Civic flattery - or a political culture that allows people to appear to engage in civic discourse without ever having their opinions, or even their claims of fact, seriously challenged - is ultimately more damaging to democracy than civic enmity. When we incorporate civic flattery into our personal relationships, we get shallow, insincere friendships. When we use it as the basis for political alliances, we get echo chambers. And when a skilled political manipulator flatters a large portion of the population in an attempt to acquire and consolidate power, we get perhaps the most dangerous test that a democratic society can ever face: the emergence of a demagogue.
”
”
Michael Austin (We Must Not Be Enemies: Restoring America's Civic Tradition)
“
Can people be persuaded?' is a very different question from 'Can arguments be won?' People change their minds about things all the time, but I'm not sure that anybody ever wins an argument. Persuasion is not a zero-sum game. It occurs when somebody moves, even slightly, away from one position and toward another. It is entirely possible for two (or more) people to move closer to each other's positions during an argument without either one being able to claim victory over the other.
But we like to win, and we hate to lose, so the fact that people don't usually win arguments doesn't stop most of us from trying. And we all think we know what winning means: It means crushing opponents and making them cry. It means humiliating them in front of a crowd. And it means displaying our power and our rightness for all the world to see and acknowledge. And this means that we often end up trying to win by employing rhetorical strategies that are fundamentally incapable of persuading anybody of anything. And that looks a lot like losing.
”
”
Michael Austin (We Must Not Be Enemies: Restoring America's Civic Tradition)
“
I am convinced that one of the reasons white churches favor dialogue is that the parameters of dialogue can be easily manipulated to benefit whiteness. Tone policing takes priority over listing to the pain inflicted on people of color... But reconciliation is not about white feelings. It's about diverting power and attention to the oppressed, toward the powerless.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
The months leading up to World War II were some of the most terrible months in the life of Leonard and Virginia Woolf, as they “helplessly and hopelessly” watched events unfold. Leonard said one of the most horrible things was listening to Hitler’s rants on the radio—“the savage and insane ravings of a vindictive underdog who suddenly saw himself to be all-powerful.
”
”
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad)
“
It wouldn’t make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you’re different you always know it, and you can’t fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you’re given, and be the hero you can be. Hero to your own cold, inverted heart.
”
”
Austin Grossman (Soon I Will Be Invincible)
“
and I ask myself, "Where is your hope, Austin?" The answer: It is but a shadow.
It is working in the dark, not knowing if anything I do will ever make a difference. It is speaking anyway, writing anyway, loving anyway. It is enduring disappointment and then getting back to work. It is knowing this book may be read only by my Momma, and writing it anyway. It is pushing back, even though my words will never be big enough, powerful enough, weighty enough to change everything. It is knowing that God is God and I am not.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Someone once said that Stephen Austin didn't like preachers at all. He swore that "one preacher could stir up more trouble than a dozen horse thieves." Matthew's Gospel reminds us that it is the role of a disciple of Jesus to stir up trouble by playing an active, resistant role in the struggle of good and evil, by resisting the ways of the world and its power bases – economic, religious, nationalistic, politic, military – which are most often in direct opposition to the ways of the Kingdom of God and the way of discipleship.
”
”
Megan McKenna (And Morning Came: Scriptures of the Resurrection)
“
We have not thoroughly assessed the bodies snatched from dirt and sand to be chained in a cell. We have not reckoned with the horrendous, violent mass kidnapping that we call the Middle Passage.
We have not been honest about all of America's complicity - about the wealth the South earned on the backs of the enslaved, or the wealth the North gained through the production of enslaved hands. We have not fully understood the status symbol that owning bodies offered. We have not confronted the humanity, the emotions, the heartbeats of the multiple generations who were born into slavery and died in it, who never tasted freedom on America's land.
The same goes for the Civil War. We have refused to honestly confront the fact that so many were willing to die in order to hold the freedom of others in their hands. We have refused to acknowledge slavery's role at all, preferring to boil things down to the far more palatable "state's rights." We have not confessed that the end of slavery was so bitterly resented, the rise of Jim Crow became inevitable - and with it, a belief in Black inferiority that lives on in hearts and minds today.
We have painted the hundred-year history of Jim Crow as little more than mean signage and the inconvenience that white people and Black people could not drink from the same fountain. But those signs weren't just "mean". They were perpetual reminders of the swift humiliation and brutal violence that could be suffered at any moment in the presence of whiteness. Jim Crow meant paying taxes for services one could not fully enjoy; working for meager wages; and owning nothing that couldn't be snatched away. For many black families, it meant never building wealth and never having legal recourse for injustice. The mob violence, the burned-down homes, the bombed churches and businesses, the Black bodies that were lynched every couple of days - Jim Crow was walking through life measuring every step.
Even our celebrations of the Civil Rights Movement are sanitized, its victories accentuated while the battles are whitewashed. We have not come to grips with the spitting and shouting, the pulling and tugging, the clubs, dogs, bombs, and guns, the passion and vitriol with which the rights of Black Americans were fought against. We have not acknowledged the bloodshed that often preceded victory. We would rather focus on the beautiful words of Martin Luther King Jr. than on the terror he and protesters endured at marches, boycotts, and from behind jail doors. We don't want to acknowledge that for decades, whiteness fought against every civil right Black Americans sought - from sitting at lunch counters and in integrated classrooms to the right to vote and have a say in how our country was run.
We like to pretend that all those white faces who carried protest signs and batons, who turned on their sprinklers and their fire hoses, who wrote against the demonstrations and preached against the changes, just disappeared. We like to pretend that they were won over, transformed, the moment King proclaimed, "I have a dream." We don't want to acknowledge that just as Black people who experienced Jim Crow are still alive, so are the white people who vehemently protected it - who drew red lines around Black neighborhoods and divested them of support given to average white citizens. We ignore that white people still avoid Black neighborhoods, still don't want their kids going to predominantly Black schools, still don't want to destroy segregation.
The moment Black Americans achieved freedom from enslavement, America could have put to death the idea of Black inferiority. But whiteness was not prepared to sober up from the drunkenness of power over another people group. Whiteness was not ready to give up the ability to control, humiliate, or do violence to any Black body in the vicinity - all without consequence.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Bartender: "Listen to me. This is real freedom, freedom to own property, make a profit, make your life. The West, so afraid of strong government, now has no government. Only financial power."
JC Denton: "Our governments have limited power by design."
Bartender: "Rheroric... And you belive it! Don't you know where those slogans come from? Well-paid researchers -- how do you say it? -- "think tanks," funded by big businesses. What is that? "A think tank"? It's privately-funded propagandea. The Trilateral Commission in the United States, for instance.
”
”
Sheldon Pacotti, Chris Todd , and Austin Grossman
“
James Pennebaker, a researcher at the University of Texas at Austin and author of Writing to Heal, has done some of the most important and fascinating research I’ve seen on the power of expressive writing in the healing process. In an interview posted on the University of Texas’s website, Pennebaker explains, “Emotional upheavals touch every part of our lives. You don’t just lose a job, you don’t just get divorced. These things affect all aspects of who we are—our financial situation, our relationships with others, our views of ourselves, our issues of life and death. Writing helps us focus and organize the experience.” Pennebaker believes that because our minds are designed to try to understand things that happen to us, translating messy, difficult experiences into language essentially makes them “graspable.” What’s important to note about Pennebaker’s research is the fact that he advocates limited writing, or short spurts. He’s found that writing about emotional upheavals for just fifteen to twenty minutes a day on four consecutive days can decrease anxiety, rumination, and depressive symptoms and boost our immune systems.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
Then Audre Lorde saved me. In her book Sister Outsider, Lorde wrote an essay entitled “The Uses of Anger.” She writes that anger is not a shortcoming to be denied, but a creative force that tells us when something is wrong. Every woman has a well-stocked arsenal of anger potentially useful against those oppressions, personal and institutional, which brought that anger into being. Focused with precision it can become a powerful source of energy serving progress and change…Anger expressed and translated into action in the service of our vision and our future is a liberating and strengthening act of clarification.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
In their book Radical Reconciliation, Curtiss DeYoung and Allan Boesak unpack why this happens. They write, "reconciliation is revolutionary, that is, oriented to structural change." Which means, reconciliation can never be apolitical. Reconciliation chooses sides, and the side is always justice.
This is why white American churches remain so far from experiencing anything resembling reconciliation. The white Church considers power its birthright rather than its curse. And so, rather than seeking reconciliation, they stage moments of racial harmony that don't challenge the status quo. They organize worship services where the choirs of two racially different churches sing together, where a pastor of a different race preaches a couple of times a year, where they celebrate MLK but don't acknowledge current racial injustices. Acts like these can create beautiful moments of harmony and goodwill, but since they don't change the underlying power structure at the organization, it would be misleading to call them acts of reconciliation. Even worse, when they're not paired with greater change, diversity efforts can have the opposite of their intended effect. They keep the church feeling good, innocent, maybe even progressive, all the while preserving the roots of injustice.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Sixty years ago, Austin Ranney, an eminent political scientist, wrote a prophetic dissent to a famous report by an American Political Science Association committee entitled “Toward a More Responsible Two-Party System.”4 The report, by prominent political scientists frustrated with the role of conservative Southern Democrats in blocking civil rights and other social policy, issued a clarion call for more ideologically coherent, internally unified, and adversarial parties in the fashion of a Westminster-style parliamentary democracy like Britain or Canada. Ranney powerfully argued that such parties would be a disaster within the American constitutional system, given our separation of powers, separately elected institutions, and constraints on majority rule that favor cross-party coalitions and compromise. Time has proven Ranney dead right—we now have the kinds of parties the report desired, and it is disastrous.
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Thomas E. Mann (It's Even Worse Than It Looks: How the American Constitutional System Collided with the New Politics of Extremism)
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Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems.
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Linda Austin (What's Holding You Back 8 Critical Choices For Women's Success)
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The "I" principle has reached the "Does not matter- need not be" state, and is not related to form. Save and beyond it, there is no other, therefore it alone is complete and eternal. Indestructible, it has power to destroy- therefore it alone is true freedom and existence. Through it comes immunity from all sorrow, therefore the spirit is ecstasy. Renouncing everything by the means shown, take shelter in it. Surely it is the abode of Kia? This having once been (even Symbolically) reached, is our unconditional release from duality and time- believe this to be true. The belief free from all ideas but pleasure, the Karma through law (displeasure) speedily exhausts itself. In that moment beyond time, a new law can become incarnate, without the payment of sorow, every wish gratified, he[9] having become the gratifier by his law. The new law shall be the arcana of the mystic unbalanced "Does not mattter- need not be," there is no necessitation, "please yourself" is its creed.[10]
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Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
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Scheherazade may lack the mobility and appetites of male cultural heroes, but she transcends the narrow domestic space of the bedroom through her expansive narrative reach and embraces bold defiance as she sets about remaking the values of the culture she inhabits, using words alone. She not only arouses curiosity but also turns herself into a storytelling transvaluation machine, for she understands at the deepest level that words can change you. Behind her transformative art lurks the ruse of the disempowered, and Scheherazade, despite the physical constraints placed on her, uses language in ways that reveal what the philosopher J. L. Austin referred to as its “perlocutionary” power, its ability to persuade, teach, or inspire. Scheherazade operates at a level that is culturally productive and also biologically reproductive. Creative and procreative, she produces children with Shahriyar and also sets the stage in powerful ways for the literary progeny that spring from her story—the many female storytellers whom we will encounter in the chapters that follow.
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Maria Tatar (The Heroine with 1001 Faces)
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People talk about Eisenhower's golden age.... It all happened without me. What is the vice presidency? The Constitution dictates only two duties: casting the deciding vote if the Senate is deadlocked and replacing the president if he dies or is impeached. apart from waiting for those two things to happen, you made the rest up and were duly forgotten by history. The exception being Aaron Burr, who shot someone, decisively lowering the bar for the rest of us.
What I remember is small pieces of the world: the West Wing, the insides of planes and hotel lobbies and conference rooms. My life was dinners with Pat and the children; airplane flights; placeholder meetings with foreign dignitaries during which I nodded and reminded them I had no power to make and agreement but would speak to the president. Stomach-turning formal breakfasts, speeches to party elders and tradesmen. I opened factories in Detroit and Akron, breathing the various stinks of canneries, slaughterhouses, or rubber plans and bestowing that vice presidential combination of glamour, flattery, and the tacit reminder that they didn't quite rate a visit from the top guy.
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Austin Grossman (Crooked)
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Civic charity is easy to talk about but tremendously difficult to practice - mainly because a lot of people don't reciprocate. Some people will be rude and obnoxious and will laugh at us when we try to engage with them charitably. They will see our generosity as a sign of weakness and take advantage of our good nature to abuse us further. We will forgive them the requisite seventy times seven times, and they will keep on offending us. Charity always works this way, both the civic kind and the 'love-other-people-like-God-loves-you' kind.
We need not think, however, that we are shirking our duties or abandoning our causes when we decline to angrily denounce those on the other side or to treat them like subhuman imbeciles. Charitable engagement does not always change people's hearts and minds, but the number of times it has done so is not zero - which gives charity a better track record than anger, contempt, and derision. Ultimately, though, mature and thoughtful people do not allow the way other people treat them to determine how they treat other people; when we do this, we surrender an enormous amount of power to people who do not wish us well.
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Michael Austin (We Must Not Be Enemies: Restoring America's Civic Tradition)
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For all they may talk about the people as a coherent group, demagogues are actually devoted to pitting the people against each other. Demagogues rarely create new prejudices; they amplify those that already exist, giving people permission to say things that had previously been unpopular or taboo. Much as demagogues work to weaken the rule of law, they try to weaken the social norms that enforce civic friendship, opening old wounds and encouraging the eruption of anger and hatred that have been kept below the surface by a thin but crucially important layer of civility and civic decency.
The final point is especially important. Demagogues don't simply flatter the populace. They flatter a portion of the people by attacking and demonizing everyone else. Those who stand with the demagogue become 'the people.' Everybody else becomes effectively subhuman: 'animals,' 'vermin,' 'criminals,' 'enemies of the state,' In this way, demagogues ensure that a portion of the people will always side with them against their common enemy. At the same time, they create the perception of emergency to justify their destruction of the constitutional safeguards that would otherwise check their power. A demagogue needs division the way that a fire needs oxygen. They succeed only because they are able to fan the flames.
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Michael Austin (We Must Not Be Enemies: Restoring America's Civic Tradition)
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Others praise ceremonial Magic, and are supposed to suffer much Ecstasy! Our asylums are crowded, the stage is over-run! Is it by symbolizing we become the symbolized? Were I to crown myself King, should I be King? Rather should I be an object of disgust or pity. These Magicians, whose insincerity is their safety, are but the unemployed dandies of the Brothels. Magic is but one's natural ability to attract without asking; ceremony what is unaffected, its doctrine the negation of theirs. I know them well and their creed of learning that teaches the fear of their own light. Vampires, they are as the very lice in attraction. Their practices prove their incapacity, they have no magic to intensify the normal, the joy of a child or healthy person, none to evoke their pleasure or wisdom from themselves. Their methods depending on a morass of the imagination and a chaos of conditions, their knowledge obtained with less decency than the hyena his food, I say they are less free and do not obtain the satisfaction of the meanest among animals. Self condemned in their disgusting fatness, their emptiness of power, without even the magic of personal charm or beauty, they are offensive in their bad taste and mongering for advertisement. The freedom of energy is not obtained by its bondage, great power not by disintegration. Is it not because our energy (or mind stuff) is already over bound and divided, that we are not capable, let alone magical?
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Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
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personal equation. Thorndyke's brain was not an ordinary brain. Facts of which his mind instantly perceived the relation remained to other people unconnected and without meaning. His powers of observation and rapid inference were almost incredible, as I had noticed again and again, and always with undiminished wonder. He seemed to take in everything at a single glance and in an instant to appreciate the meaning of everything that he had seen. Here was a case in point. I had myself seen all that he had seen, and, indeed, much more; for I had looked on the very people and witnessed their actions, whereas he had never set eyes on any of them. I had examined the little handful of rubbish that he had gathered up so carefully, and would have flung it back under the grate without a qualm. Not a glimmer of light had I perceived in the cloud of mystery, nor even a hint of the direction in which to seek enlightenment. And yet Thorndyke had, in some incomprehensible manner, contrived to piece together facts that I had probably not even observed, and that so completely that he had already, in these few days, narrowed down the field of inquiry to quite a small area. From these reflections I returned to the objects on the table. The spectacles, as things of which I had some expert knowledge, were not so profound a mystery to me. A pair of spectacles might easily afford good evidence for identification; that I perceived clearly enough. Not a ready-made pair, picked up casually at a shop, but a pair constructed by a skilled optician to remedy a particular defect of vision and to fit a particular face. And such were the spectacles before me. The build of the frames was peculiar; the existence of a cylindrical lens—which I could easily make out from the remaining fragments—showed that one glass had been cut to a prescribed shape and almost certainly ground to a particular formula, and also that the distance between centres must have
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R. Austin Freeman (The Mystery of 31 New Inn)
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Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a ___. 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he ___. [The hero’s world must be in balance in the first act.] 3. Until one day ___. [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that ___. [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that ___. 6. Until finally ____. [The climax reveals the triumph of good over evil.] 7. Ever since then ___. [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements.
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Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
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People find inspiration with different things; I always did and always will find it in you. Your thoughts and your love still power me. I feel you around me always. I think of you when I face any trouble or problem and amazingly your thoughts give me willpower and strength to face such problems.
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Austin V. Songer
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The Lowly Thermostat, Now Minter of Megawatts How Nest is turning its consumer hit into a service for utilities. Peter Fairley | 945 words • Google’s $3.2 billion acquisition of Nest Labs in January put the Internet of things on the map. Everyone had vaguely understood that connecting everyday objects to the Internet could be a big deal. Here was an eye-popping price tag to prove it. Nest, founded by former Apple engineers in 2010, had managed to turn the humble thermostat into a slick, Internet-connected gadget. By this year, Nest was selling 100,000 of them a month, according to an estimate by Morgan Stanley. At $249 a pop, that’s a nice business. But more interesting is what Nest has been up to since last May in Texas, where an Austin utility is paying Nest to remotely turn down people’s air conditioners in order to conserve power on hot summer days—just when electricity is most expensive. For utilities, this kind of “demand response” has long been seen as a killer app for a smart electrical grid, because if electricity use can be lowered just enough at peak times, utilities can avoid firing up costly (and dirty) backup plants. Demand response is a neat trick. The Nest thermostat manages it by combining two things that are typically separate—price information and control over demand. It’s consumers who control the air conditioners, electric heaters, and furnaces that dominate a home’s energy diet. But the actual cost of energy can vary widely, in ways that consumers only dimly appreciate and can’t influence. While utilities frequently carry out demand
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Anonymous
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We permit a new future to enter the room with these startling encounters. A young boy from Austin, Texas, Charles Black Jr., stood and knew it when he was just sixteen years old, thinking he was going to a coed social at the Driskill Hotel in his hometown in 1931. It was a dance, the first in a session of four, yet he remained transfixed by an image that he had never seen before. The trumpet player, a jazz musician whom he had not heard of, performed largely with his eyes closed, sounding out notes, ideas, laments, sonnets, “that had never before existed,” he said. His music sounded like an “utter transcendence of all else created.” He was with a friend, a “ ‘good old boy’ from Austin High,” who sensed it too, and was troubled. It rumbled the ground underneath them. His friend stood a while longer, “shook his head as if clearing it,” as if prying himself out of the trance. But Charles Black Jr. was sure even then. The trumpeter, “Louis Armstrong, King of the Trumpet” as it turned out, “was the first genius I had ever seen,” Black said, and that genius was housed in the body of a man whom Black’s childhood world had denigrated. The moment was “solemn.” Black had been staring at “genius,” yes, “fine control over total power, all height and depth, forever and ever,” and also staring at the gulf created by “the failure to recognize kinship.” He felt that Armstrong, who played as if “guided by a Daemon,” all “power” and lyricism, “opened my eyes wide, and put to me a choice”—to keep to a small view of humanity or to embrace a more expanded vision—and once Black made that choice, he never turned back. This is what aesthetic force can do—create a clear line forward, and an alternate route to choose.
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Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
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When you’re surrounded by enemies, don’t rely on man-made fortifications or military power. Trust God.
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Lynn Austin (Song of Redemption (Chronicles of the Kings #2))
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How can I find this gold member?”
“Quid pro quo.”
“Ah, yes. Squid pro row.
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Austin Powers
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dialogue is productive toward reconciliation only when it leads to action—when it inverts power and pursues justice for those who are most marginalized. Unfortunately, most “reconciliation conversations” spend most of their time teaching white people about racism.
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Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
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He's not the absolute best at wearing a fake smile or pretending to be excited about taking people's orders, but one thing does give him staying power: he's really good at not caring. His managers have never exactly declared him their favorite employee, but they do praise his attitude, which is funny because no one else ever has.
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Austin Chant (Coffee Boy)
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... everyone regrets something, but you can't change the past. You've got to let go and make new memories until the old ones fade enough that they don't hold any power over you.
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Olivia Arran (Heartsridge Shifters: Austin (South-One Bears, #1))
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As Greg Boyd states: Why should we assume that God desires to do everything he has the raw power to do? . . . Scripture makes it evident that though God could control us, he desires to empower us to be self-determining, morally responsible agents. “Whatever the Lord pleases he does,” including creating free agents. 106
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Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey In and Out of Calvinism)
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After dinner was over, they all sat back and stories began flying around the room each more embarrassing than the last. Once his dads started telling stories about Austin as a little boy and his big crush on the paperboy, Austin stood from the table and grabbed Riley's wrist to pull him up.
“I hope you know that you make it very difficult to love you guys,” said Austin.
Mitch nodded. “We try.”
"Your tears give us our power,” Alan deadpanned.
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Anthony Bryant (Maybe the Sky Will Fall)
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I AM BASICALLY ALEX JONES’S Simon Cowell. I star-spotted him in the late-1990s. He’d been a locally renowned radio talk show host in Austin, Texas, back then, but I gave him the idea that catapulted him to fame. My idea was for the two of us to sneak into a secretive summer camp in the forests of Northern California called Bohemian Grove, where powerful men like George H.W. Bush, Dick Cheney and Henry Kissinger were rumored to undertake an annual ritual in which a human effigy was thrown into the fiery belly of a giant stone owl.
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Jon Ronson (The Elephant in the Room)
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Reconciliation is not a magic word that we can trot out whenever we need healing or inspiration. Deep down, I think we know this is true, because our efforts to partake of an easy reconciliation have proved fruitless in the world. Too often, our discussions of race are emotional but not strategic, our outreach work remains paternalistic, and our ethnic celebrations fetishize people of color. Many champions of racial justice in the Church has stopped using the term altogether, because it has been so watered down from its original potency.
In their book Radical Reconciliation, Curtiss DeYoung and Allan Boesak unpack why this happens. They write, "reconciliation is revolutionary, that is, oriented to structural change." Which means, reconciliation can never be apolitical. Reconciliation chooses sides, and the side is always justice.
This is why white American churches remain so far from experiencing anything resembling reconciliation. The white Church considers power its birthright rather than its curse. And so, rather than seeking reconciliation, they stage moments of racial harmony that don't challenge the status quo. They organize worship services where the choir of two racially different churches sing together, where a pastor of a different race preaches a couple times a year, where they celebrate MLK but don't acknowledge current racial injustices. Acts like these can create beautiful moments of harmony and goodwill, but since they don't change the underlying power structure of the organization, it would be misleading to call them acts of reconciliation. Even worse, when they're not paired with greater change, diversity efforts can have the opposite of their intended effect. They keep the church feeling good, innocent, maybe even progressive, allt he while preserving the roots of injustice.
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Austin Channing Brown
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That was the destructive power of sin and lies—they harmed the innocent along with the guilty.
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Lynn Austin (If I Were You)
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Dr. Esselstyn’s son Rip, a former swimmer and professional triathlete, and later an Austin, Texas–based fireman, authored a New York Times bestseller called The Engine 2 Diet, which, in plain English, demonstrates the power of a plant-based diet by chronicling the astounding health improvements of his Engine 2 firehouse colleagues who undertook his regime. And yet another influence on me was former pro triathlete and ultra-runner Brendan Brazier’s Thrive—a go-to primer that details all the hows and whys of plant-based nutrition for both athletic performance and optimum health.
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Rich Roll (Finding Ultra: Rejecting Middle Age, Becoming One of the World's Fittest Men, and Discovering Myself)
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I want to love the world even if others hate it. I want to save the world even if others more powerful destroy it.
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Austin-Alexius Klein (Harm Unlimited)
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Nearly all men can stand adversity, but if you want to test a man’s character, give him power.
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Austin J. Bailey (Simon Fayter and the Doors of Bone (Simon Fayter, #1))
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Remember this moment, Simon. Remember: the power that matters most in life is that which we have over ourselves.”157
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Austin J. Bailey (Simon Fayter and the Doors of Bone (Simon Fayter, #1))
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Willa: I just got up. Cade: Okay? Willa: I’m making coffee. Cade: Alright. Willa: I’m getting dressed for the day. Panties? CHECK. Cade: Too much information. Willa: Luke is now awake. Cade: Oh good. Willa: He peed. Cade: The bed? Willa: No. In the toilet. Sounded like a big one. Like when Austin Powers comes out of being frozen or whatever. Cade: Why are you telling me this? Willa: Just keeping you apprised of *everything we do!!!* Cade: I already regret telling you that. Willa: Oh, I’m just getting started. Cade: Willa. Willa: Remember that time you BEGGED me to stay?
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Elsie Silver (Heartless (Chestnut Springs, #2))
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However, this new approach alone is not enough. Schools that are true professional learning communities, as defined by Rick and Becky DuFour, Bob Eaker, and Tom Many (2006), understand the power that comes with this kind of professional development. PLCs enhance the learning that occurs in their collaborative cultures through well-defined and focused adult learning. They define areas of growth through data analysis, and then they ensure that the adults receive the knowledge they need to make the necessary decisions for continuous growth. Through their structures and processes, these professional learning communities define, learn, and implement appropriate professional development: that which will positively impact student achievement.
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Austin Buffum (Collaborative Administrator, The: Working Together as a Professional Learning Community)
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Professor Samson
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HISTORY OF NIGERIA Nigeria is Africa’s most populous country and the world’s eighth largest oil producer, but its success has been undermined in recent decades by ethnic and religious conflict, political instability, rampant official corruption, and an ailing economy. Toyin Falola, a leading historian intimately acquainted with the region, and Matthew Heaton, who has worked extensively on African science and culture, combine their expertise to explain the context to Nigeria’s recent troubles, through an exploration of its pre-colonial and colonial past and its journey from independence to statehood. By examining key themes such as colonialism, religion, slavery, nationalism, and the economy, the authors show how Nigeria’s history has been swayed by the vicissitudes of the world around it, and how Nigerians have adapted to meet these challenges. This book offers a unique portrayal of a resilient people living in a country with immense, but unrealized, potential. TOYIN FALOLA is the Frances Higginbotham Nalle Centennial Professor in History at the University of Texas at Austin. His books include The Power of African Cultures (2003), Economic Reforms and Modernization in Nigeria, 1945–1965 (2004), and A Mouth Sweeter than Salt: An African Memoir (2004). MATTHEW M. HEATON is a Patrice Lumumba Fellow at the University of Texas at Austin. He has co-edited multiple volumes on health and illness in Africa with Toyin Falola, including HIV/AIDS, Illness and African Well-Being (2007) and Health Knowledge and Belief Systems in Africa (2007). A HISTORY OF NIGERIA
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Toyin Falola (A History of Nigeria)
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Another game-changing project is the BRCK, pronounced “brick,” created by the same team behind Ushahidi and iHub. On a flight back to Africa from the United States some years ago, Hersman looked down on our vast, rugged continent and wondered why it was that most routers and modems were built for the first-world comfort zones of, say, New York or London, whereas most Internet users actually live in the harsh, far less comfortable environments of Asia, Africa and Latin America. The team sketched out a design for a rugged portable connectivity device that could work in remote conditions where electrical power and Internet connections were a problem. The result is the BRCK, a sturdy, brick-shaped, cloud-enabled Wi-Fi hotspot router from which you can access the Internet from anywhere on the continent that is close to a signal. It has an antenna, charger, USB ports, 4 GB of storage, a built-in global SIM card and enough backup power to survive a blackout. The device sells for $199 online and is already being used in 45 countries around the world. Consider the provenance: designed in Nairobi, Kenya; manufactured in Austin, Texas. This is a complete reversal of the standard manufacturing paradigm. Again, an example of African technology going global.
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Ashish J. Thakkar (The Lion Awakes: Adventures in Africa's Economic Miracle)
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As I was saying, My Lord. This art is so much more about you than it is me. It's about expectation. It's about hope. Deep down you hold a secret hope that you will be freed. It doesn't matter that you're far too intelligent a man to really believe that to be true, the hope remains." He stood with a shrug and tapped the flat of the blade against his lips. "If I'm honest I don't know if you will ever be freed. The order could come to kill you tomorrow, or not. It is hope that this art deals in. Hope that you might know enough to make me stop, or at least give me pause. Hope is stronger than faith, more powerful that love. Hope is the lever that can move worlds.
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Graham Austin-King (Fae: The Sins of the Wyrde (The Riven Wyrde Saga, #3))
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Austin Phelps makes this point in a chapter in his volume on prayer. He tells of Ethelfrith, the pagan Saxon king of Northumbria, who had invaded Wales and was about to give battle. The Welsh were Christians, and as Ethelfrith was observing the army of his opponents spread out before him, he noticed a host of unarmed men. When he asked who they were, he was told that they were the Christian monks of Bangor, praying for the success of their army. Ethelfrith immediately realized the seriousness of the situation. “Attack them first,” he ordered. Phelps goes on to say that the non-Christians of the world often have more respect for the “sturdy reality” of prayer than we do. The power of prayer “is no fiction, whatever [we] may think of it.”334 If prayer is so powerful, how should we use it?
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Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
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Dr. Evil: There's nothing as pathetic as an aging hipster
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Austin Powers
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I’m coming. I’m coming.” Michaels rose up on his knees, gripped Judge’s hips and yanked him into him, sat him on his rod while his orgasm made its dramatic appearance. His back went ramrod straight, the rapture consuming him. Michaels came on a silent yell. His volume was lacking, but his load was heavy and deep as it flowed inside his partner. Gave Judge all his power. “Damn. I feel you, Austin. So warm,” Judge breathed. His partner was floating beneath him. He knew exactly what Judge was feeling. That flooding of warm come, filling him up and searing him inside. Even in the outdoors, the air was thick with their combined scents. More pungent and masculine than the sweet aromas of lavender and lilies. Michaels
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A.E. Via (Don't Judge (Nothing Special, #4))
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Marketing is, in short, the art of positioning. And whatever your thing, the marketer’s job is to position an idea of that thing, its emotional shorthand, with sufficient power and consistency over time so that the audience comes to see it as a brand. As
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Austin McGhie (BRAND is a four letter word: Positioning and The Real Art of Marketing)
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Civic imagination and innovation and creativity are emerging from local ecosystems now and radiating outward, and this great innovation, this great wave of localism that's now arriving, and you see it in how people eat and work and share and buy and move and live their everyday lives, this isn't some precious parochialism, this isn't some retreat into insularity, no. This is emergent. The localism of our time is networked powerfully. And so, for instance, consider the ways that strategies for making cities more bike-friendly have spread so rapidly from Copenhagen to New York to Austin to Boston to Seattle. Think about how experiments in participatory budgeting, where everyday citizens get a chance to allocate and decide upon the allocation of city funds. Those experiments have spread from Porto Alegre, Brazil to here in New York City, to the wards of Chicago. Migrant workers from Rome to Los Angeles and many cities between are now organizing to stage strikes to remind the people who live in their cities what a day without immigrants would look like. In China, all across that country, members of the New Citizens' Movement are beginning to activate and organize to fight official corruption and graft, and they're drawing the ire of officials there, but they're also drawing the attention of anti-corruption activists all around the world. In Seattle, where I'm from, we've become part of a great global array of cities that are now working together bypassing government altogether, national government altogether, in order to try to meet the carbon reduction goals of the Kyoto Protocol. All of these citizens, united, are forming a web, a great archipelago of power that allows us to bypass brokenness and monopolies of control.
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Eric Liu
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Whatever you can do, or dream you can, begin it. Boldness has genius, power, and magic in it.
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James H. Austin (Chase, Chance, and Creativity: The Lucky Art of Novelty (The MIT Press))
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The ‘I’ principle has reached the ‘does not matter, need not be’ state, and is not related to form. There is nothing but it, and nothing beyond it, so therefore it alone is complete and eternal. It is indestructible itself, but has the power to destroy – therefore it alone is true freedom and existence. Through it comes immunity from all sorrow: therefore its spirit is ecstasy. Renounce everything by the Neither-Neither meditation, and take shelter in the Neither-Neither state. Surely it is the abode of the Kiã? It is our unconditional release from duality and time: it is effective even if only symbolically reached. Once the belief is free from all ideas except pleasure, the Karma of displeasure speedily exhausts itself through Karmic law. In that moment beyond time, the ego becomes its own gratifier by its own law, its every wish gratified without the payment of sorrow. Here, there is no necessitation; ‘does not matter-need not be’ and ‘please your self ’ are its creeds. In that state, what you wish to believe can be true, without subjection to beliefs from outside. The Ego has now become the Absolute, and can be pleased by this imitation of the means of government: he uses these means, but is himself ungoverned. Kiã is the supreme bliss; this is the psychology of ecstasy by non-resistance.
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Austin Osman Spare (Book of Pleasure in Plain English)
“
beyond Will and Belief is Self-Love. Self-love is free to believe what it desires. You are free to believe in nothing related to belief. The ‘Truth’ is not difficult to understand: the Truth has no will, and will no truth! The truth is that ‘will’ has never believed. ‘Could be’ is the only immediate thing we can say with certainty. Does this haunting Sphinx teach us the value of the ‘will to...’ anything? Then there can be no greater risk than ‘absolute Knowledge’: if only a little knowledge of it is dangerous, then what about Omniscience? There is nothing one can add to an already mighty power!
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Austin Osman Spare (Book of Pleasure in Plain English)
“
In 1918, anti-German hysteria was sweeping Texas. Germans who showed insufficient enthusiasm in purchasing Liberty Bonds were publicly horsewhipped; bands of armed men broke into the homes of German families who were rumored to have pictures of the Kaiser on the walls; a State Council of Defense, appointed by the Governor, recommended that German (and all other foreign languages) be barred from the state forever. Hardly had Sam Johnson arrived in Austin in February, 1918, when debate began on House Bill 15, which would make all criticism, even a remark made in casual conversation, of America’s entry into the war, of America’s continuation in the war, of America’s government in general, of America’s Army, Navy or Marine Corps, of their uniforms, or of the American flag, a criminal offense punishable by terms of two to twenty-five years—and would give any citizen in Texas the power of arrest under the statute. With fist-waving crowds shouting in the House galleries above, legislators raged at the Kaiser and at Germans in Texas whom they called his “spies” (one legislator declared that the American flag had been hauled down in Fredericksburg Square and the German double eagle raised in its place) in an atmosphere that an observer called a “maelstrom of fanatical propaganda.” But Sam Johnson, standing tall, skinny and big-eared on the floor of the House, made a speech—remembered with admiration fifty years later by fellow members—urging defeat of Bill 15;
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Robert A. Caro (The Path to Power (The Years of Lyndon Johnson, Vol 1))
“
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
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Harlan Coben (Darkest Fear (Myron Bolitar, #7))
“
What does Austin need to move that large car? Powers!
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Steve Jolly (Minecraft: Minecraft Jokes For Kids: (Minecraft - Minecraft Jokes And Memes - Minecraft Comics - Minecraft Joke Books - Minecraft Books- Minecraft Jokes Free))
“
Carl pointed his finger at me and then at Austin, who was still sitting next to him. “You see, my ambitious friends, when you do things your own way, you might achieve some success and gain some riches. But when you humble yourselves and strive to live with purpose while relying on a greater power for guidance, you will receive everything you set out to achieve and then some. Every day people get the same opportunity King Solomon did. Only most are so obsessed with themselves and don’t ask for wisdom. Instead, they ask for riches. That’s why they get neither.
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Michael V. Ivanov (The Cabin at the End of the Train: A Story About Pursuing Dreams)
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The Composition of Death Upon Your Breath"
About the Song:
The Composition of Death Upon Your Breath delves into the dark and haunting theme of a lover poisoned by a sinister concoction found in the medieval Grand Grimoire. The song narrates the tragic tale of love tainted by the cruel hand of death, where a forbidden potion is meticulously prepared with arcane ingredients.
The song's lyrics evoke a gothic atmosphere, intertwining elements of medieval alchemy and romantic tragedy. The potion's ingredients—Red Copper, Nitric Acid, Verdigris, Arsenic, Oak Bark, Rose Water, and Black Soot—are transformed into metaphors for the slow, inevitable demise of the lover. This deadly recipe becomes a symbol of both the destructive power and the twisted beauty of forbidden love.
The music captures the essence of gothic black metal with its somber melodies, eerie harmonies, and intense, brooding instrumentals. Each note and lyric serve to illustrate the dark journey of love poisoned by betrayal and malice. The song's atmosphere is thick with melancholy and dread, inviting listeners into a world where passion and death intertwine in a tragic dance.
Copyright Notice:
The Composition of Death Upon Your Breath © 2024 Umbrae Sortilegium. All rights reserved. Unauthorized copying, reproduction, or distribution of this song or its lyrics is prohibited.
The Composition of Death Upon Your Breath.
(Verse 1)
In an ancient tome of shadowed lore,
A secret poison to settle the score,
A lover’s whisper, a deadly art,
The composition to tear us apart.
(Pre-Chorus)
Red copper gleaming, nitric acid's burn,
Verdigris and arsenic, from which there’s no return,
Oak bark and rose water, a fatal serenade,
Black soot to bind it, in darkness, it’s made.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Verse 2)
A new, glazed pot, the spell's design,
A potion brewed, in shadows confined,
Your lips, a chalice of cold despair,
In each embrace, a whispered prayer.
(Pre-Chorus)
Red copper gleaming, nitric acid's burn,
Verdigris and arsenic, from which there’s no return,
Oak bark and rose water, a fatal serenade,
Black soot to bind it, in darkness, it’s made.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Bridge)
In your gaze, the twilight's fall,
A lover's kiss, the end of all,
The Grand Grimoire, its secrets told,
In every kiss, the poison’s cold.
(Breakdown)
A potion brewed from darkest sin,
Your breath the gateway, let death begin,
A recipe of doom, our fates entwined,
In your arms, I lose my mind.
(Chorus)
The composition of death upon your breath,
A kiss that leads to the silent depths,
In your arms, I fall to eternal rest,
Poisoned by the love that you professed.
(Outro)
The final breath, a lover's sigh,
In your arms, I’m doomed to die,
The composition, a lover’s theft,
Death upon your breath, my final bequest.
Lyrics and ALL Vocals yours truly.
Lead Guitar & Symphonics Raz Wolfgang
Drums Alexander Novichkov
Bass Auron Nightshade
Guitarist Kael Thornfield
”
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Odette Austin
“
them entertained and supplied with a surfeit of horseflesh. But none to really worry about. Their source of food and sustenance, the buffalo, roamed the plains in record numbers and still ranged into every corner of Comancheria. The tribe’s low birth rates virtually guaranteed that their nomadic life following buffalo herds was infinitely sustainable. Their world was thus suspended in what seemed to be a perfect equilibrium, a balance of earth and wind and sun and sky that would endure forever. An empire under the bright summer moon. For those who witnessed the change at a very intimate and personal level, including Cynthia Ann and her husband, the speed with which that ideal world was dismantled must have seemed scarcely believable. She herself, the daughter of pioneers who were hammering violently at the age-old Comanche barrier that had defeated all other comers, now adopted into a culture that was beginning to die, was the emblem of the change. Somehow she and her husband, Peta Nocona, survived the cataclysm. As nomads, they moved constantly. One imagines her on one of these migrations, on horseback, moving slowly across the open grassy plain with hundreds of others, warriors in the vanguard, toward a wide, hazy horizon that would have looked to white men like unalloyed emptiness. There were the long trains of heavily packed mules and horses and the ubiquitous Comanche dogs. There were horses dragging travois that carried the huge tent poles and piled buffalo hides and scored the earth as they went along—perfectly parallel lines drawn on the prairie, merging and vanishing into the pale-blue Texas sky. All trailed by the enormous horse remuda, the source of their wealth. It must have been something to behold. Cynthia Ann lived a hard life. Women did all of the brutally hard work, including most of the work that went into moving camp. They did it from dawn till dark, led brief difficult lives, and did not complain about it; they did everything except hunt and fight. Her camp locations show just how far she roamed. Pah-hah-yuco’s camps were found in 1843 north of the Red River and south of modern-day Lawton, Oklahoma, on Cache Creek (the encampment was on a creek bank on the open prairie and stretched for half a mile).25 In 1844 he was camped on the Salt Plains of present-day north-central Oklahoma, on the Salt Fork of the Arkansas River,26 well north of the Washita, where Williams found him in 1846. In 1847 his band was spotted a hundred miles north of Austin, in rolling, lightly timbered prairie, camped in a village of one hundred fifty lodges,27 and again that same year in a village in the limestone hills and mesas west of Austin. She was identified as being with the Tennawish band in 1847, who often camped with the Penateka (with whom Pah-hah-yuco was often
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S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)
“
Willa: I just got up. Cade: Okay? Willa: I’m making coffee. Cade: Alright. Willa: I’m getting dressed for the day. Panties? CHECK. Cade: Too much information. Willa: Luke is now awake. Cade: Oh good. Willa: He peed. Cade: The bed? Willa: No. In the toilet. Sounded like a big one. Like when Austin Powers comes out of being frozen or whatever. Cade: Why are you telling me this? Willa: Just keeping you apprised of *everything we do!!!* Cade: I already regret telling you that. Willa: Oh, I’m just getting started. Cade: Willa.
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Elsie Silver (Heartless (Chestnut Springs, #2))
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My anger didn’t destroy me. It did not leave me alone and desolate. On the contrary, my anger undergirded my calling, my vocation. It gave me the courage to say hard things and to write like Black lives are on the line. It shouldn’t have surprised me. I serve a God who experienced and expressed anger. One of the most meaningful passages of Scripture for me is found in the New Testament, where Jesus leads a one-man protest inside the Temple walls. Jesus shouts at the corrupt Temple officials, overturns furniture, sets animals free, blocks the doorways with his body, and carries a weapon—a whip—through the place. Jesus throws folks out the building, and in so doing creates space for the most marginalized to come in: the poor, the wounded, the children. I imagine the next day’s newspapers called Jesus’s anger destructive. But I think those without power would’ve said that his anger led to freedom—the freedom of belonging, the freedom of healing, and the freedom of participating as full members in God’s house.
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Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
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Despite being an inconsequential animal on a pebble in space, they've found the closest thing they can to making sparks fly from their fingertips and they to hone it at the expense of anyone. They want to feel powerful.
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Emily Austin (Everyone in This Room Will Someday Be Dead)