Catching Flights Quotes

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Lean forward into your life...catch the best bits and the finest wind. Just tip your feathers in flight a wee bit and see how dramatically that small lean can change your life.
Mary Anne Radmacher (Lean Forward Into Your Life: Begin Each Day as If It Were on Purpose)
I know the sky falls down every day. The sun drops into the ocean and splashes browns and reds and yellows and oranges into the world outside my window. A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
Matthew Quick (Forgive Me, Leonard Peacock)
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
Matthew Quick (Forgive Me, Leonard Peacock)
Ty frowned. “I don’t hate all other animals.” “Horses. Dogs. Chipmunks.” “They’re twitchy, Zane. And chipmunks have shifty eyes.” “Moths?” “They have erratic flight patterns!” Zane doubled over, laughing so hard he couldn’t catch his breath. Ty glared at him. “I’m glad my phobias amuse you.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
Raffe watches me as if reading my thoughts. Then he looks at the locusts. His lip curls as he assesses them, his eyes scanning from their thick legs to their insectile torsos to their iridescent wings. He looks at the curled stingers last. He shakes his head. ‘Those wings are so flimsy I wouldn’t trust them to carry you. And those overgrown nails – you’d catch an infection if they scratched you. You can ride one when they improve on the design.’ He steps forward and, in one smooth motion, lifts me into his firm embrace. ‘Until then, you’re stuck with me being your air taxi.’ He takes flight before I can argue
Susan Ee (End of Days (Penryn & the End of Days, #3))
I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.
Pablo Neruda (Memoirs)
Nothing but the sight of blood upon his dark face would ease the pain in her heart. She lunged for him, swift as a cat, but with a light startled movement, he sidestepped, throwing up his arm to ward her off. She was standing on the edge of the freshly waxed top step, and as her arm with the whole weight of her body behind it, struck his out-thrust arm, she lost her balance. She made a wild clutch for the newel post and missed it. She went down the stairs backwards, feeling a sickening dart of pain in her ribs as she landed. And, too dazed to catch herself she rolled over and over to the bottom of the flight.
Margaret Mitchell (Gone with the Wind)
But show business has always been like that - any kind of show business. If these people didn't live intense and rather disordered lives, if their emotions didn't ride them too hard—well, they wouldn't be able to catch those emotions in flight and imprint them on a few feet of celluloid or project them across the footlights.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
I love long flights. The feeling of being completely unreachable is something I savor, and the limbolike state of being, having departed but not arrived, somehow allows me to catch up with myself, to regroup and check in.
Alan Cumming (Not My Father's Son)
They hit me raw, hard, real, the words you say (and don't) as I leave to catch my flight. But in real life airports, no one is chasing anyone to ask for a longer story. And on real life airplanes, it is too loud for anyone to hear anyone else cry.
Vironika Tugaleva
If I’m chasing the wrong thing, what I’m chasing will end up chasing me. And in the end, I’m less likely to be the one doing the catching.
Craig D. Lounsbrough
There is something quite amazing and monstrous about the education of upper-class women. What could be more paradoxical? All the world is agreed that they are to be brought up as ignorant as possible of erotic matters, and that one has to imbue their souls with a profound sense of shame in such matters until the merest suggestion of such things triggers the most extreme impatience and flight. The "honor" of women really comes into play only here: what else would one not forgive them? But here they are supposed to remain ignorant even in their hearts: they are supposed to have neither eyes nor ears, nor words, nor thoughts for this -- their "evil;" and mere knowledge is considered evil. And then to be hurled as by a gruesome lightning bolt, into reality and knowledge, by marriage -- precisely by the man they love and esteem most! To catch love and shame in a contradiction and to be forced to experience at the same time delight, surrender, duty, pity, terror, and who knows what else, in the face of the unexpected neighborliness of god and beast! Thus a psychic knot has been tied that may have no equal. Even the compassionate curiosity of the wisest student of humanity is inadequate for guessing how this or that woman manages to accommodate herself to this solution of the riddle, and to the riddle of a solution, and what dreadful, far-reaching suspicions must stir in her poor, unhinged soul -- and how the ultimate philosophy and skepsis of woman casts anchor at this point! Afterward, the same deep silence as before. Often a silence directed at herself, too. She closes her eyes to herself. Young women try hard to appear superficial and thoughtless. The most refined simulate a kind of impertinence. Women easily experience their husbands as a question mark concerning their honor, and their children as an apology or atonement. They need children and wish for them in a way that is altogether different from that in which a man may wish for children. In sum, one cannot be too kind about women.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
This is not a temporary thing between us. There is no deadline. I. Am. Always. Yours.” He kissed me softly, his tongue tracing my lower lip. “So go ahead and fall. I’ve gotten really good at catching you.
Rebecca Yarros (Beyond What is Given (Flight & Glory, #3))
I want my life to be a celebration of slowness. Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend. On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space. Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness. Hand on stone -- patience. Hand on water -- music.
Terry Tempest Williams (Red: Passion and Patience in the Desert)
If you can catch crazy, I'm a walking epidemic.
Sherman Alexie (Flight)
...space flight still had a long way to go to catch up with the safety record of the milkshake industry.
Kevin Fong
Catch fireflies in flight, crinkle grass under your toes and know that you are always beloved always beautiful .... a dream within a dream.
spoken silence
Every time I tried to catch it, the thing kept shrieking ‘Jerkface’ at me. I swear Spensa trained it to do that on purpose.
Brandon Sanderson (Skyward Flight: The Collection: Sunreach / ReDawn / Evershore)
Embry-Riddle Aeronautical University in Daytona Beach, Florida, is the most respected, and probably the largest, commercial flight-training school in the nation, I was informed. It’s the Notre Dame of the air.
Frank W. Abagnale (Catch Me If You Can: The True Story of a Real Fake)
There is a part of this story that will always be, mostly, a love poem. But it's the kind sung in a key you and I know so well: adoration galvanized by futility. The sweet apricot that is impossible to catch, the beloved with a one-way flight offshore-each could be a stanza in our own personal ghazal.
Sarah Cypher (The Skin and Its Girl)
There are two things a brown person cannot do, and those are to scream or run through an airport with a backpack on. We struggle to catch flights, too. But we're not allowed to run, because that would alarm all the white people.
Tan France (Naturally Tan)
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
Jean-Paul Sartre (Nausea)
I’m like Oprah with this shit. She get dick, she get dick, she get dick, they all can get this dick. If you want some dick, drop your name in the comments.
Ladii Nesha (Catching Flights)
From this day forward, Holly Judd catches FLIGHTS, NOT FEELINGS.
Beth Garrod (Blame It on the Mistletoe)
I’m not the one who keeps catching flights. You are.
Rina Kent (Hunt the Villain (Villain, #2))
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.
Oscar Wilde (The Picture of Dorian Gray)
I think I’m falling for you.” … The look he gave me was so tender, it made my eyes burn. “I don’t need to think. I already know. I’m just glad you’re catching up, because I am so far gone for you that I can’t even see the shore anymore.
Rebecca Yarros (The Reality of Everything (Flight & Glory, #5))
A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. I know a charm that will heal with a touch. I know a charm that will turn aside the weapons of an enemy. I know another charm to free myself from all bonds and locks. A fifth charm: I can catch an arrow in flight and take no harm from it. A sixth: spells sent to hurt me will hurt only the sender. A seventh charm I know: I can quench a fire simply by looking at it. An eighth: if any man hates me, I can win his friendship. A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes. A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. A fourteenth: I know the names of all the gods. Every damned one of them. A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams. A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. A seventeenth, that no woman I want will ever want another. And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be.
Neil Gaiman (American Gods: Tenth Anniversary (American Gods, #1))
There’s a beauty in birds on the wing, That stirs the heart and makes earthbound creatures Long for flight, but the larks above the battlefield Are silenced by the sounds of war. I have watched birds out at sea, Catching the wind, And longed to follow them, To some safe place far from here.
Charles Todd (A Long Shadow (Inspector Ian Rutledge, #8))
Oh, say can you see by the dawn’s early light What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars thru the perilous fight, O’er the ramparts we watched were so gallantly streaming? And the rocket’s red glare, the bombs bursting in air, Gave proof through the night that our flag was still there. Oh, say does that star-spangled banner yet wave O’er the land of the free and the home of the brave? On the shore, dimly seen through the mists of the deep, Where the foe’s haughty host in dread silence reposes, What is that which the breeze, o’er the towering steep, As it fitfully blows, half conceals, half discloses? Now it catches the gleam of the morning’s first beam, In full glory reflected now shines in the stream: ‘Tis the star-spangled banner! Oh long may it wave O’er the land of the free and the home of the brave! And where is that band who so vauntingly swore That the havoc of war and the battle’s confusion, A home and a country should leave us no more! Their blood has washed out their foul footsteps’ pollution. No refuge could save the hireling and slave From the terror of flight, or the gloom of the grave: And the star-spangled banner in triumph doth wave O’er the land of the free and the home of the brave! Oh! thus be it ever, when freemen shall stand Between their loved home and the war’s desolation! Blest with victory and peace, may the heav’n rescued land Praise the Power that hath made and preserved us a nation. Then conquer we must, when our cause it is just, And this be our motto: “In God is our trust.” And the star-spangled banner in triumph shall wave O’er the land of the free and the home of the brave!
Francis Scott Key (The Star-Spangled Banner)
I'll lead you to the river of knowledge. You can catch your own damn fish.
Barbara Kingsolver (Flight Behavior)
For God’s sake, man,” Ovid nearly shouted, “the damn globe is catching fire, and the islands are drowning. The evidence is staring them in the face.
Barbara Kingsolver (Flight Behavior)
You were supposed to be on that elevator with him," Tristan said from behind us. "If you don't make it to the car before he does, believe me, he will drop the both of you on the spot" Atticus and I glanced at each for a second, before I took off my heels and bolted towards the stairs. "Are you insane? There are at least 60 flights of stairs!" Atticus yelled after me, but I ignored him, running as quickly as I could. AsI reached the 49th level, Ipushed open the door and dashed towards the elevator, pressing the botton over and over again, as if my life depended on it. "Ma'am?" a security guard asked, coming towards me. Fortunately, the doors opened, and sure enough there was Levi reading his paper. "I work for him!" I shouted, pointing to Levi, as I jumped inside. He looked up at me, confused as I entered gasping. "I would have been more impressed if you ran down all of the stairs," he said, no longer interested in me. As I stood there trying to catch my breath, he continued reading. "Fuck you" "Excuse me?" he turned back to look at me, his eyes narrowing. "Achoo," I sneezed. "Excuse me," I lied and he knew it, but I put my heels back on anyway. "Where's Atticus?" he asked as the doors opened. "I don't know maybe he just isn't hungry for-" I stopped, seeing Atticus already standing at the car door. Levi looked back to me. "He wins.
J.J. McAvoy (Black Rainbow (Rainbows, #1))
Incidentally, I spent some time on the Purell website, where you can find a list of ninety-nine places germs lurk (in-flight magazines, movie tickets, gas-pump keypads, hotel room a/c controls, and on and on). It's hilarious and terrifying. The only place they don't mention is the Purell dispensers themselves. You know they're coated with germs. It's one of health's cruelest catch-22s.
A.J. Jacobs (Drop Dead Healthy: One Man's Humble Quest for Bodily Perfection)
Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion.
Oscar Wilde (The Picture of Dorian Gray)
On March 31, 1994, I went to LAX to catch a flight from L.A. to Seattle. Kurt Cobain was waiting to take the same flight. We started talking. He had just skipped out of a rehab facility. We were both fucked up. We ended up getting seats next to each other and talking the whole way, but we didn’t delve into certain things: I was in my hell and he was in his, and we both seemed to understand.
Duff McKagan (It's So Easy: And Other Lies)
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand. I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him. Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived. “Looks like you’re going to have some turbulence on your flight,” I tell him through the glass. His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides. I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.” Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
A.G. Howard (Unhinged (Splintered, #2))
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art
Oscar Wilde (The Picture of Dorian Gray)
Not a day passes when the eagle of dark depression doesn't take flight in my soul, said Sunay, infusing his words with mysterious pride. But I cannot catch myself. So hold yourself in. All's well that ends well.
Orhan Pamuk
Each fork in the road: the choice to stay home, to go out, to catch the flight, or cancel it, to take the 1 train, to stop at the bar on the corner. The chance encounters, split-second decisions that make the design—that are the design.
Dani Shapiro (Hourglass: Time, Memory, Marriage)
Illium grinned, unrepentant. “Want to try again? I’ll move extra slow—you are both so much older, after all.” The last words were a conspiratorial whisper. Galen glanced at Raphael. “How has he survived this long?” “No one can catch him.
Nalini Singh (Angels' Flight (Guild Hunter, #0.4, 0.5, 0.6, 3.5))
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Just sit and breathe. Your attachments will keep coming back to you, disguised as innocent thoughts, like a playful flight of damselflies. If you remain alert, you will recognize them. Catch them by their tails. And then be ready for the storm.
Lidija Stankovikj (Alexander's Infinity)
I mean, take for instance all this civil liberties crap. You know what I’d do if I were in power again? I’d say, okay then, we’ll have two queues at the airports. On the left, we’ll have queues to flights on which we’ve done no background checks on the passengers, no profiling, no biometric data, nothing that infringed anyone’s precious civil liberties, used no intelligence obtained under torture—nothing. On the right, we’ll have queues to the flights where we’ve done everything possible to make them safe for passengers. Then people can make their own minds up which plane they want to catch. Wouldn’t that be great? To sit back and watch which queue the Rycarts of this world would really choose to put their kids on, if the chips were down?
Robert Harris (The Ghost)
the reeds opened up and Moth Flight saw a clearing ahead. Fish scent washed her muzzle as two kits bounded across the sandy soil and bundled into Dawn Mist. “Dawn Mist!” The gray-and-white she-kit bounced around the orange queen. “Pine Needle ate more of the trout than me! It’s not fair.” The black tom-kit dug his paws into the earth. “I did not! She’s just being greedy!” “Poor Drizzle.” Dawn Mist licked the gray she-kit’s head. “I’ll catch another fish soon,” she promised. “Can we have one each?” Pine Needle asked. Drizzle blinked eagerly. “I want the biggest one!” “You two are greedier than foxes,” Dawn Mist purred. She nosed the kits away. “Go and play. I’m helping Night show our guests to Dappled Pelt’s den.” Drizzle’s eyes opened wide as she spotted Moth Flight and Micah. “What are they doing here?” “Invasion!” Pine Needle fluffed out his fur. “Should I warn River Ripple?
Erin Hunter (Moth Flight's Vision (Warriors Super Edition #8))
When she spread her wings and leaped screeching into the air she had not the slightest doubt that every hand below her would stretch to catch her. And if one could leap from a height with no fear of falling, could one not be said to possess the secret of flight? Just like a bird, just like a god.
David Anthony Durham (Acacia: The War with the Mein (Acacia #1))
It’s that particular logic of hers that says gravity is to blame if someone pushes you down a flight of stairs, that all trees were planted so that she could take a piss behind them, and that all roads, no matter how meandering and long, have one connecting dot, the same knot – her. Rome is a joke.
Lana Bastašić (Catch the Rabbit)
Live blindly and upon the hour. The Lord, Who was the Future, died full long ago. Knowledge which is the Past is folly. Go, Poor, child, and be not to thyself abhorred. Around thine earth sun-winged winds do blow And planets roll; a meteor draws his sword; The rainbow breaks his seven-coloured chord And the long strips of river-silver flow: Awake! Give thyself to the lovely hours. Drinking their lips, catch thou the dream in flight About their fragile hairs' aerial gold. Thou art divine, thou livest,—as of old Apollo springing naked to the light, And all his island shivered into flowers.
Trumbull Stickney
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
Matthew Quick (Forgive Me, Leonard Peacock)
I was catching a plane. A psychic predicted that I would not get on this flight but that y lover would. The plane would crash and he would be killed. I didn't know what to do. If I missed the flight I would be fulfilling the prophecy so risking my lover's death. But in order to break the prophecy I would have to get on a plane which seemed destined to crash
Sarah Kane (Crave)
I was catching a plane. A psychic predicted that I would not get on this flight but that my lover would. The plane would crash and he would be killed. I didn't know what to do. If I missed the flight I would be fulfilling the prophecy so risking my lover's death. But in order to break the prophecy I would have to get on a plane which seemed destined to crash
Sarah Kane (Crave)
People smell different, too. Sometimes you meet people and you think they're nice and decent, and it seems like you might be friends. But you get closer to them and they stink. They smell like rotten fish or dead racoons or something. And you just have to run away. Later, you mention the bad smell to your other friends and they say they didn't smell anything different. That stink is reserved especially for you. But, hey, it works the other way, too. Sometimes you meet a person, and you catch the scent and it's like you've smelled a garden in Heaven, because all you want to do is follow that person around and breathe in for the rest of your life. And later you mention this great scent to your other friends, and they say they didn't smell anything different.
Sherman Alexie (Flight)
Coming along the road towards me on his way to the covert, his head high, his body smeared all breast-deep in clay that stained the lower half of him copper ochre, came a fox hound, a pale hound. He was alone which was wrong. But being alone made him the type of all hounds that ever existed. He was running as if he'd been running all day, and he was running as if he would never stop, tongue out and eyes fixed. He was running to be with the rest of the hounds and the sound was drawing him along the rainy roads as if he were underwater and swimming up to the light to breathe. I was transfixed. I'd never seen a hound be a hound before. He was doing exactly what he needed to be doing. He was tired but joyful. He was late but getting there. Lost but catching up.
Helen Macdonald (Vesper Flights)
If we could pin down the moments when our lives bifurcate into before and after-if we could pause the progression of milliseconds, catch ourselves at the point before we slip over the precipice-if we could choose to remain suspended on time-amber, our lives intact, our hearts unbroken, our foreheads unlined, our nights full of undisturbed sleep-would we slip, or would we choose the amber?
Julie Orringer (The Flight Portfolio)
If you came to this article looking for an answer, change what you're looking for. Don't look for answers, look for the questions. The more you ask yourself, the more you'll learn about yourself. Keep traveling. Go far, explore often, meet new people and make new friends. Just do so not to escape life, but to enrich it. Catch flights, and feelings. You can't avoid pain and suffering. But you can upgrade and embrace it.
Jason Wilson (The Best American Travel Writing 2021: Essays on Diverse Cultures and the Joy of Feeling Elsewhere)
When you’re going to have a baby, it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
How can we bring ourselves into accord with this Tao? A sage has said that if we try to accord with it, we shall get away from it. But he was not altogether right. For the curious thing is that you cannot get out of accord with it even if you want to; though your thoughts may run into the past or the future they cannot escape the present moment. However far back or forward they try to escape they can never be separated from the moment, for those thoughts are themselves of the moment; just as much as anything else they partake of, and, indeed, are the movement of life which is Tao. You may believe yourself out of harmony with life and its eternal Now; but you cannot be, for you are life and exist Now—otherwise you would not be here. Hence the infinite Tao is something which you can neither escape by flight nor catch by pursuit; there is no coming toward it or going away from it; it is, and you are it. So become what you are.
Alan W. Watts (Become What You Are)
Still tripping after the flight, I decided I was going to hitchhike from Luxembourg, and I took one of my big photographs and wrote on the back in big black letters: Paris. I had no idea how far away it was, or even that it was in another country. I stood on this big highway—it was a beautiful day. I felt I looked pretty hot in my cape and hat, certainly worth someone stopping for to find out what the story was, but all these sports cars whizzed past me without stopping, totally ignoring me. None of them stopped. I thought, Everyone in Europe is so rude! Eventually, a sports car skidded to a halt. It backed up to me, and the driver said, in English, by the way, “You’re on the wrong side of the road. Paris is the other way! I think it’s safer for you to catch a train,” and he took me to the train station. He helped me get a ticket and onto the train, heading for Paris. I’m not sure if he was being kind or just wanted to get rid of me. I didn’t speak a word of French, not one word.
Grace Jones (I'll Never Write My Memoirs)
I get it, he's hot. He probably gives you the best sex of your life. But if it doesn't fill you with tinglies to be around him every second you're around him—if he doesn't make you happy—then what the hell are you doing? You only live once," I said, because if I'd learned anything about living in a time-travelling apartment, no matter how much time you get, it's still never enough. And I wanted to start living my life like I was enjoying every moment that I had it. "And if you do it right," I said, remembering the way my aunt laughed as we sprinted to catch our connecting flights across the airport, how she flung her arms wide at the top of Arthur's Seat and the Parthenon and Santorini and every hill with a beautiful view she came across, as if she wanted to embrace the sky; the way she took her time to decide what she wanted on a menu; the way she asked everyone she met for their stories, absorbed their fairy tales, and chased the moon. "If you do it right," I repeated, "once is all you need.
Ashley Poston (The Seven Year Slip)
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me." I explode out of bed. I overslept! I can't believe I overslept! How could this happen? St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes. St. Clair twists into focus.He's stunned. "Anna?" "Help," I gasp. "Help me." He drops his suitcase and runs to me. "Are you all right? What happened?" I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas. "No way." He's gleeful. "You slept in? I woke you up?" I fall to the floor and frantically squish clothes into my suitcase. "You haven't packed yet?" "I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration. We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT. "Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest." Yes,one thing at a time.I can do this. I can do this. ARRRGH! He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um." St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-" "Turn around.Just turn around, there's not time!" He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Until the thunders of the siege began, he had never known anything but a happy, placid, quiet life. Even though his mother paid him little attention, he had known nothing but petting and kind words until the night when he was jerked from slumber to find the sky aflame and the air deafening with explosions. In that night and the day which followed, he had been slapped by his mother for the first time and had heard her voice raised at him in harsh words. Life in the pleasant brick house on Peachtree Street, the only life he knew, had vanished that night and he would never recover from its loss. In the flight from Atlanta, he had understood nothing except that the Yankees were after him and now he still lived in fear that the Yankees would catch him and cut him to pieces. Whenever Scarlett raised her voice in reproof, he went weak with fright as his vague childish memory brought up the horrors of that first time she had ever done it. Now, Yankees and a cross voice were linked forever in his mind and he was afraid of his mother. Scarlett could not help noticing that the child was beginning to avoid her and, in the rare moments when her unending duties gave her time to think about it, it bothered her a great deal. It was even worse than having him at her skirts all the time and she was offended that his refuge was Melanie’s bed where he played quietly at games Melanie suggested or listened to stories she told. Wade adored “Auntee” who had a gentle voice, who always smiled and who never said: “Hush, Wade! You give me a headache” or “Stop fidgeting, Wade, for Heaven’s sake!
Margaret Mitchell (Gone with the Wind)
take flight, like — Bam! It’s like someone actually hits me in the chest. No one has, of course, but the pain is so real I take a step back. I squeeze my eyes shut and I don’t see Prim — I see Rue, the twelve-year-old girl from District 11 who was my ally in the arena. She could fly, birdlike, from tree to tree, catching on to the slenderest branches. Rue, who I didn’t save. Who I let die. I picture her lying on the ground with the spear still wedged in her stomach. . . . Who else will I fail to save from the Capitol’s vengeance? Who else will be dead if I don’t satisfy President Snow?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My hands were paralyzed, one wrapped around the handle of the Hyena’s sword, spikes sticking through the flesh and out the back of hand, thumb and fingers, too painful for me to let go of it. The other hand was tangled by the locket and the cord that surrounded the imp’s book, fingers bent back out of position. When I moved, it had been a jerky, frustrated movement, the length of the sword, the pain, and the weight of the sword and book all frustrating my attempts to interact with the world. My arms were cracked open like a hard plastic doll, and all that was within were feathers of mixed, dull colors, sticking to one another. I couldn’t move fast enough to catch up to anyone. I was too tired, too gaunt, an old man in a young-looking body, and the objects bound to my hands were too awkward to allow me to open doors easily or even walk through a crowded area without banging them on something. I couldn’t close my eyes, because something black and monstrous slithered beneath the surface every time I did. When I breathed, it was like I was having the heart attack again. The air I spent was air that I couldn’t replenish by any means. I was deflating, losing substance. There was nothing to do but stand there, too tired to move, arms spread like I was crucified, or a bird in mid-flight, staring at Rose and her gathered summonings, with Pauz perched on her shoulder. I somehow knew that words would cost me more of that vital substance than I could afford to spare. I knew, too, that nobody would listen. I stared until my eyes watered, because the idea of blinking was too terrifying.. The water in my eyes became welling moisture, and the resulting tear that fell from my right eye was black and heavy. I could feel the tendrils and tiny clawed feet reaching out from the tear, rasping against my cheekbone.
Wildbow (Pact)
Rycca?" "Yes..." "I will take two breaths. Then I am coming out of here, taking that gown off you, and you are going to learn to swim.Clear?" Clear.She took another step back and glanced over her shoulder,looking for a likely route for flight. It was a mistake. Wet hands gripped her. He was there so suddenly she had no time to anticipate it.Just as quickly he removed her gown, prompting the gnawing thought that he was very adept at dispensing with women's garments. The water was...not unpleasant. "Relax," Dragon said. He held her snug against him as he waded in deeper. Her stare was chiding.He saw it and laughed. "All right,perhaps that is too much to ask.But try not to drown us both." "I could do that?" "No,of course not,it was a joke. Just breathe normally.You're doing fine." She was clinging to him as the water rose ever higher around them. Why did people do this? Why couldn't they stay on land where they belonged? "I don't think-" "Good,thinking is a mistake in situations like this." "I meant this is not a good idea." He stopped and looked down at her, his eyes suddenly tender. "Rycca, fish swim." "Of course they do." "Fish are very stupid.How else do you think we catch them? Yet they swim and you, a woman of intelligence and spirit, will do the same.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
But without those years in the badlands, I would never have become a pastor, at least not the pastor I’d earlier had a vision of being, a John of Patmos pastor, the pastor I had hoped I might be. Looking back now, I see myself in those prebadlands years as a Labrador puppy, full-grown but uncoordinated, romping and playful but not yet “under authority,” oblivious to its master’s command: “Sit.” The only verbal signal that the puppy was capable of responding to was “Fetch,” which sent him galloping across a field, catching a Frisbee in full flight, and returning it with wagging tail, ready for more. In the badlands I learned to sit.
Eugene H. Peterson (The Pastor: A Memoir)
My youthful dreams of the future were born from the gentle sadness of those evenings, far removed from the rest of life, when you lie in the grass beside the remains of someone else’s campfire, with your bicycle beside you, watching the purple stripes left in the western sky by the sun that has just set, and you can see the first stars in the east. I hadn’t seen or experienced very much, but I liked lots of things, and I thought that a flight to the moon would take in and make up for all the things I had passed by, in hopes of catching up with them later; how could I know that you only ever see the best things in life out of the corner of your eye?
Victor Pelevin (Omon Ra)
The kinds of errors that cause plane crashes are invariably errors of teamwork and communication. One pilot knows something important and somehow doesn’t tell the other pilot. One pilot does something wrong, and the other pilot doesn’t catch the error. A tricky situation needs to be resolved through a complex series of steps—and somehow the pilots fail to coordinate and miss one of them. “The whole flight-deck design is intended to be operated by two people, and that operation works best when you have one person checking the other, or both people willing to participate,” says Earl Weener, who was for many years chief engineer for safety at Boeing. “Airplanes
Malcolm Gladwell (Outliers: The Story of Success)
Two-hands,” Zak said more emphatically. Matron Malice motioned for him to continue, unable to deny the grace of her youngest son’s display. “Could you do it again?” Zak asked Drizzt. With each hand working independently, Drizzt soon had the coins stacked atop his index fingers, ready to flip. Zak stopped him there and pulled out four more coins, building each of the piles five high. Zak paused a moment to study the concentration of the young drow (and also to keep his hands over the coins and ensure that they were brightened enough by the warmth of his body heat for Drizzt to properly see them in their flight). “Catch them all, Secondboy,” he said in all seriousness. “Catch them all, or you will land in Sorcere, the school of magic. That is not where you belong!” Drizzt still had only a vague idea of what Zak was talking about, but he could tell from the weapons master’s intensity that it must be important. He took a deep breath to steady himself, then snapped the coins up. He sorted their glow quickly, discerning each individual item. The first two fell easily into his hands, but Drizzt saw that the scattering pattern of the rest would not drop them so readily in line. Drizzt exploded into action, spinning a complete circle, his hands an indecipherable blur of motion. Then he straightened suddenly and stood before Zak. His hands were in fists at his sides and a grim look lay on his face. Zak and Matron Malice exchanged glances, neither quite sure of what had happened. Drizzt held his fists out to Zak and slowly opened them, a confident smile widening across his childish face. Five coins in each hand. Zak blew a silent whistle. It had taken him, the weapons master of the house, a dozen tries to complete that maneuver with ten coins. He walked over to Matron Malice. “Two-hands,” he said a third time. “He is a fighter, and I am out of coins.” “How many could he do?” Malice breathed, obviously impressed in spite of herself. “How many could we stack?” Zaknafein shot back with a triumphant smile.
R.A. Salvatore (Homeland (The Dark Elf, #1; The Legend of Drizzt, #1))
Two flights of steps bordered either side of the Hill from Hell. I didn’t know who constructed them or when, but it was sometime before I was born. Maybe even before Daddy was born. In one stretch, the steps were made of large semiflat stones. In another, wood. In a third, slate. All of them were in terrible disrepair, but it was still easier to climb them than to try to walk up the dirt road itself, especially since Stacy and I were weighed down with our backpacks, slices of pie in Tupperware containers, bottles of Pepsi, and a bunch of cassette tapes. We stopped halfway up to catch our breath. I really didn’t need to, but I could tell Stacy was not used to trudging up hills.
Diane Chamberlain (Pretending to Dance (Dance, #1))
I would amuse myself by watching the glass jars which the boys used to lower into the Vivonne, to catch minnows, and which, filled by the current of the stream, in which they themselves also were enclosed, at once ‘containers’ whose transparent sides were like solidified water and ‘contents’ plunged into a still larger container of liquid, flowing crystal, suggested an image of coolness more delicious and more provoking than the same water in the same jars would have done, standing upon a table laid for dinner, by shewing it as perpetually in flight between the impalpable water, in which my hands could not arrest it, and the insoluble glass, in which my palate could not enjoy it.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Beginning at dawn— with faint pink streaks across the sky— may the days be long…. Bright-white and blazing, breaking waves gild the sea at sunrise: from our bed on the bedrock I rise up singing: this the song of confidence— I am a husband…. Boys and girls splash at the sun all-dazzling on the water to catch the sun and clutch it— and flowers oftentimes possess a floating transparency you can see but cannot touch... tempered by cliffs and the inhumanness of rock I’ll stay, she promises, to watch your flower set beyond and go out, shining, of my own horizon…. A pair of butterflies in sunlight leap in breezy flutters of flight high above the seed-heads: sun-bright morning she heralds the people with fountains of melody gurgling from her voice in youth gathering siblings and elders together —to fly away with tears…. Grappling in the sweat of the ring you fall down on the net— a white-light kind of dying… to be on the bottom in a world full of others and to choose it for my place: until your window-frame be palace-clouds and glassy: I’ll wear the ring…. Then, when all was silence between us and we were to one another only a presence in the room— still I knew she was my wife: for I could recognize a relation there of age more than just the day I was born... and now here we are standing a pair meeting face to face….
Mark Kaplon (Song of Rainswept Sand)
And then I see it. Azure Helicopter Tours. I drag Toraf to the landing pad. “What is that?” he asks suspiciously. “Um. It’s a helicopter.” “What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!” He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him. “Whatever that is. You don’t care about me at all, do you?” “You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission. “Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity. “Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.” “Humans are so weird,” he mutters again as I walk away. “You do everything backward.” Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Unfortunately, nature is very much a now-you-see-it, now-you-don't affair. A fish flashes, then dissolves in the water before my eyes like so much salt. Deer apparently ascend bodily into heaven, the brightest oriole fades into leaves. These disappearances stun me into stillness and concentration; they say of nature that it conceals with a grand nonchalance, and they say of vision that it is a deliberate gift, ... For a week last September migrating red-winged blackbirds were feeding heavily down by the creek at the back of the house. One day I went out to investigate the racket: I walked up to a tree, an Osage orange, and a hundred birds flew away. They simply materialized out of the tree. I saw a tree, then a whisk of color, then a tree again. I walked closer and another hundred blackbirds took flight. Not a branch, not a twig budged: the birds were apparently weightless as well as invisible. Or, it was as if the leaves of the Osage orange had been freed from a spell in the form of red-winged blackbirds; they flew from the tree, caught my eye in the sky, and vanished. When I looked again at the tree the leaves had reassembled as if nothing had happened. Finally I walked directly to the trunk of the tree and a final hundred, the real diehards, appeared, spread, and vanished. How could so many hide in the tree without my seeing them? The Osage orange, unruffled, looked just as it had looked from the house, when three hundred red-winged blackbirds cried from its crown. I looked downstream where they flew, and they were gone. Searching, I couldn't spot one. I wandered downstream to force them to play their hand, but they'd crossed the creek and scattered. One show to a customer. These appearances catch at my throat; they are the free gifts, the bright coppers at the roots of trees.
Annie Dillard (Pilgrim at Tinker Creek)
The last time I saw you, you had left the hotel room, I said "please be safe" & you replied "I will" Then I watched you walk down the street from the window looking down at your phone. the second you left, I felt an immense dread I felt thinking if this was our final goodbye. Something I would always dread. I never wanted to let you go. Or the times I had to catch my flight back home, & leave Sydney & Melbourne after spending the week with you. Knowing I had to come back to my personal hell, away from you, worrying sick whether you'll be safe, whether I would be able to do something, anything at all if you ever needed me. & on each of those departures, we never got to have one last long hug, one final kiss, & the last chance to say "I love you" I was scared because I always felt as if I took this time for granted. because the uncomfortable truth is this. There's always the last time. There's always a never again.
Sewerslvt, all the joy in life was gone once you left
Then he said, staring ahead of him as he talked, 'I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. 'I know a charm that will heal with a touch. 'I know a charm that will turn aside the weapons of an enemy. 'I know another charm to free myself from all bonds and locks.' 'A fifth charm: I can catch a bullet in flight and take no harm from it.' His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. 'A sixth: spells sent to hurt me will hurt only the sender.' 'A seventh charm I know: I can quench a fire simply by looking at it.' 'An eighth: if any man hates me, I can win his friendship.' 'A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore.' Those were the first nine charms I learned.
Neil Gaiman (American Gods: Tenth Anniversary (American Gods, #1))
The Fairy Bride The fairy bride picked the lock And tiptoed through the summer wood She gave no mind to life behind Or shadows thrown by bad or good She gave no mind to wrong or right Or screeching call of owls at night She listened for the haunting cries That called her from her blushing bud Ferns unfurl a tickled fronds Laughing at her slightest brush Dewdrops glisten with green eyes Meadows sway with lightest hush A captive note arrests her breath Dreamers weave intricate maze Lithe and quick she shines the light Illuminating shadow glades She gives no mind to life and limb Or captor’s hiss from deep within Her purity will seize the thread Dangling loose from dreamer’s web She spins a silver spool of light To catch the rays of stars at night Now innocence can spread its wings Making haste for freedom flight She gives no mind to where they fly Or how tall grasses lift her high She clicks the lock and in she glides All nature hails the fairy bride
Collette O'Mahony (The Soul in Words: A collection of Poetry & Verse)
I first came to Hokkaido for two reasons: miso ramen and uni, the island's most famous foods and two items on my short list for Last Supper constituents. The only thing they share in common, besides a home, is the intense fits of joy they deliver: the former made from an unholy mix of pork-bone broth, thick miso paste, and wok-crisped pork belly (with the optional addition of a slab of melting Hokkaido butter), the latter arguably the sexiest food on earth, yolk-orange tongues of raw sea urchin roe with a habit-forming blend of fat and umami, sweetness and brine. Fall for uni at your own peril; like heroin and high-stakes poker, it's an expensive addiction that's tough to kick. But my dead-simple plan- to binge on both and catch the first flight back to Tokyo- has been upended by a steam locomotive and Whole Foods foliage, and suddenly Hokkaido seems much bigger than an urchin and a bowl of soup. No one told me about the rolling farmlands, the Fuji-like volcanoes, the stunning national parks, one stacked on top of the other. Nobody said there would be wine. And cheese. And bread.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
BAZILE. Slander, peculiar? You don’t know what the word means if you can dismiss it so easily! I have seen the most decent, honest men brought virtually to their knees by it. Believe me, there’s no downright lie, no tissue of horrors, no tittle-tattle so absurd that you can’t get the crass, nosy population of any city to swallow if you set about it the right way, and here in Seville we have experts! It starts as a faint whisper, skimming the ground like a swallow before the storm, pianissimo. It whirrs and scatters, and as it spreads it shoots out poisoned barbs. A mouth catches one and, piano, piano, hooks it deftly into a convenient ear. The damage is done. It breeds, creeps, multiplies and, rinforzando, it hops like some fiend from mouth to mouth. Then suddenly, don’t ask me how, you see Slander rear up, hissing, bulging, swelling as you watch. It takes flight, spreads its wings, swoops, swirls, enfolds, claws, seizes, erupts, and explodes and turns, God only knows how, into a general clamour, a public crescendo, a universal chorus of hate and condemnation. Is there a man alive who can survive it?
Pierre de Beaumarchais
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
Darwin singled out the eye as posing a particularly challenging problem: 'To suppose that the eye with all its inimitable contrivances for adjusting the focus to different distances, for admitting different amounts of light, and for the correction of spherical and chromatic aberration, could have been formed by natural selection, seems, I freely confess, absurd in the highest degree.' Creationists gleefully quote this sentence again and again. Needless to say, they never quote what follows. Darwin's fulsomely free confession turned out to be a rhetorical device. He was drawing his opponents towards him so that his punch, when it came, struck the harder. The punch, of course, was Darwin's effortless explanation of exactly how the eye evolved by gradual degrees. Darwin may not have used the phrase 'irreducible complexity', or 'the smooth gradient up Mount Improbable', but he clearly understood the principle of both. 'What is the use of half an eye?' and 'What is the use of half a wing?' are both instances of the argument from 'irreducible complexity'. A functioning unit is said to be irreducibly complex if the removal of one of its parts causes the whole to cease functioning. This has been assumed to be self-evident for both eyes and wings. But as soon as we give these assumptions a moment's thought, we immediately see the fallacy. A cataract patient with the lens of her eye surgically removed can't see clear images without glasses, but can see enough not to bump into a tree or fall over a cliff. Half a wing is indeed not as good as a whole wing, but it is certainly better than no wing at all. Half a wing could save your life by easing your fall from a tree of a certain height. And 51 per cent of a wing could save you if you fall from a slightly taller tree. Whatever fraction of a wing you have, there is a fall from which it will save your life where a slightly smaller winglet would not. The thought experiment of trees of different height, from which one might fall, is just one way to see, in theory, that there must be a smooth gradient of advantage all the way from 1 per cent of a wing to 100 per cent. The forests are replete with gliding or parachuting animals illustrating, in practice, every step of the way up that particular slope of Mount Improbable. By analogy with the trees of different height, it is easy to imagine situations in which half an eye would save the life of an animal where 49 per cent of an eye would not. Smooth gradients are provided by variations in lighting conditions, variations in the distance at which you catch sight of your prey—or your predators. And, as with wings and flight surfaces, plausible intermediates are not only easy to imagine: they are abundant all around the animal kingdom. A flatworm has an eye that, by any sensible measure, is less than half a human eye. Nautilus (and perhaps its extinct ammonite cousins who dominated Paleozoic and Mesozoic seas) has an eye that is intermediate in quality between flatworm and human. Unlike the flatworm eye, which can detect light and shade but see no image, the Nautilus 'pinhole camera' eye makes a real image; but it is a blurred and dim image compared to ours. It would be spurious precision to put numbers on the improvement, but nobody could sanely deny that these invertebrate eyes, and many others, are all better than no eye at all, and all lie on a continuous and shallow slope up Mount Improbable, with our eyes near a peak—not the highest peak but a high one.
Richard Dawkins (The God Delusion)
When I interviewed one of the mathematicians in the study, he asked me if I knew how to define a function. I confessed that my knowledge was a little rusty, and that the definition I remembered memorizing in college didn’t spring immediately to mind, something about variables being related to the values of other variables. “But can you explain the basic concept in your own words?” he persisted. I stammered and began looking for the nearest exit. At that point, he tossed a pen in my direction, which I instinctively reached out to catch. “How did you catch that?” he asked. “I opened my hand and then closed it around the pen at the right moment.” “But how did you know when to open your hand and when to close it?” he pressed. After a little struggling, and some additional questioning from the mathematician, I stumbled to the conclusion that I predicted where the pen would be by observing its flight. “That’s a function,” he exploded. “You took information about where it was at this point, this point, and this point, and predicted when it would arrive in your hand.” He then turned to the board and wrote a formula. “I could have explained it this way, and that’s the way it’s ordinarily done. But when we do it that way, students just memorize formulas or definitions and really don’t grasp what’s involved in the concept.
Ken Bain (What the Best College Teachers Do)
So how much sleep is enough? Generally, sleep specialists recommend that adults get between seven and nine hours of sleep per night, though there is no perfect number for the amount of sleep you may need personally. Doctors and scientists agree on one thing overall, however: Getting too little sleep—five hours a night or less for most people—results in a wide range of cognitive and physical impairments. Neurons in the brain can’t consolidate the information you’ve taken in, so you don’t store memories and you lose the ability to use this information. Add to this the compromised motor control, lack of focus, and difficulty with decision making and problem solving that come with sleep deprivation, and you may think twice about catching The Tonight Show and choose to turn in earlier than usual. Stress When your brain is bombarded with stimuli that trigger anxiety, you experience stress—a series of biological and chemical processes throughout your body that initiates a fight-or-flight response. In a nutshell, here’s what happens: Your sympathetic nervous system, commanded by the hypothalamus—a small area at your brain’s base—releases stress hormones that ready you to deal with whatever threat has emerged. First, your adrenal glands (on top of your kidneys) release adrenaline, which causes increases in breathing rate, heart rate, and blood pressure. These glands also release cortisol, which increases
Calistoga Press (Memory Tips & Tricks: The Book of Proven Techniques for Lasting Memory Improvement)
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
One red feather for celebration. No one yet has seen it but me. When Miss Dickinson says, “Hope is the thing with feathers,” I always think of something round—a ball from one of the games I will never play—stuck all around like a clove-orange sachet with red feathers. I have pictured it many times—Hope!—wondering how I would catch such a thing one-handed, if it did come floating down to me from the sky. Now I find it has fallen already, and a piece of it is here beside our latrine, one red plume. In celebration I stooped down to pick it up. Down in the damp grass I saw the red shaft of another one, and I reached for it. Following the trail I found first the red and then the gray: clusters of long wing feathers still attached to gristle and skin, splayed like fingers. Downy pale breast feathers in tufted mounds. Methuselah. At last it is Independence Day for Methuselan and the Congo. O Lord of the feathers, deliver me this day. After a lifetime caged away from flight and truth, comes freedom. After long seasons of slow preparation for an innocent death, the world is theirs at last. From the carnivores that would tear me, breast from wishbone. Set upon by the civet cat, the spy, the eye, the hunger of a superior need, Methuselah is free of his captivity at last. This is what he leaves to the world: gray and scarlet feathers strewn over the damp grass. Only this and nothing more, the tell-tale heart, tale of the carnivore. None of what he was taught in the house of the master. Only feathers, without the ball of Hope inside. Feathers at last at last and no words at all.
Barbara Kingsolver (The Poisonwood Bible)
I’m wondering what it would be like to be kissed by you.” “Let’s not go there,” he said. “I don’t want to mess up our friendship.” “It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.” “Put the wrong chemicals together, and they explode.” She frowned. “Are you saying you don’t think I’d like it? Or that I would?” “It doesn’t matter, because I’m not going to kiss you.” She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?” He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning. One she ignored. She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.” She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice. She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?” His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything. “I’m not going to kiss you, Summer.” He saw the disappointment flash in her eyes. Saw the determination replace it. “All right. I’ll kiss you.” He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs. But he wanted that kiss. “Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her. Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing. He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—” She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.” She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his. His whole body went rigid. “Billy,” she murmured against his lips. “Please. Kiss me back.” “Summer, I don’t—” She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it. “Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none. He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
Joan Johnston (The Texan (Bitter Creek, #2))
My Father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my Mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book? Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those females at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute Snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your Mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while you’re sleeping? Nah bae, that’s not a ghost. That’s me praying for you.
Chelsea Maria (For You I Will (Chaos of Love #1))
it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
What are you doing here?” He wasn’t annoyed, exactly. He just seemed to find my presence unexpected, the way you might be surprised to discover your dog in the living room instead of in its crate. A different young staffer would have handled the situation gracefully. Perhaps they might have tried a high-minded approach: “I’m here to serve my country.” Or they might have kept things simple: “I’m hoping to catch typos.” Here is what I did instead. First, in a misguided effort to appear casual, I gave the leader of the free world a smile reminiscent of a serial killer who knows the jig is up. Then I said the following: “Oh, I’m just watching.” POTUS took a shallow breath through his nose. He raised his eyebrows, looked at our cameraman, and sighed. “It always makes me nervous when Litt’s around.” I’m 90 percent sure President Obama was half joking. Still, two months later, on my final POTUS trip, my stomach full of arugula and Brie, I was careful to avoid his eyes. Backstage in Detroit, POTUS went through his usual prespeech routine, shaking hands with the prompter operators and joking with personal aides. Then he stepped onstage to remind a roomful of autoworkers about the time he saved their industry seven years before. I had written plenty of auto speeches for President Obama. There was nothing especially new in this one. But as POTUS reached his closing paragraph, my eyes filled with tears. I had tried to prepare myself for each milestone: my last set of remarks for the president, my last ride in the motorcade, my last flight on Air Force One. Still, the nostalgia left me reeling. I fled the staff viewing area and found a men’s room. With my left hand, I steadied myself against the sink. With my right, I held all but the first page of my speech. You’re supposed to be an adult, I reminded myself. And adults don’t cry in front of their boss’s boss.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
In a typical crash, for example, the weather is poor—not terrible, necessarily, but bad enough that the pilot feels a little bit more stressed than usual. In an overwhelming number of crashes, the plane is behind schedule, so the pilots are hurrying. In 52 percent of crashes, the pilot at the time of the accident has been awake for twelve hours or more, meaning that he is tired and not thinking sharply. And 44 percent of the time, the two pilots have never flown together before, so they’re not comfortable with each other. Then the errors start—and it’s not just one error. The typical accident involves seven consecutive human errors. One of the pilots does something wrong that by itself is not a problem. Then one of them makes another error on top of that, which combined with the first error still does not amount to catastrophe. But then they make a third error on top of that, and then another and another and another and another, and it is the combination of all those errors that leads to disaster. These seven errors, furthermore, are rarely problems of knowledge or flying skill. It’s not that the pilot has to negotiate some critical technical maneuver and fails. The kinds of errors that cause plane crashes are invariably errors of teamwork and communication. One pilot knows something important and somehow doesn’t tell the other pilot. One pilot does something wrong, and the other pilot doesn’t catch the error. A tricky situation needs to be resolved through a complex series of steps—and somehow the pilots fail to coordinate and miss one of them. “The whole flight-deck design is intended to be operated by two people, and that operation works best when you have one person checking the other, or both people willing to participate,” says Earl Weener, who was for many years chief engineer for safety at Boeing. “Airplanes are very unforgiving if you don’t do things right. And for a long time it’s been clear that if you have two people operating the airplane cooperatively, you will have a safer operation than if you have a single pilot flying the plane and another person who is simply there to take over if the pilot is incapacitated.
Malcolm Gladwell (Outliers: The Story of Success)
For, finally, what is the rank man occupies in Nature? A nonentity, as contrasted with infinity; a universe, contrasted with nonentity; a middle something between everything and nothing. He is infinitely remote from these two extremes; his existence is not less distant from the nonentity out of which he is taken, than from the infinity in which he is engulfed. His intellect holds the same rank in the order of intelligences, as his body does in the material universe, and all it can attain is, to catch some glimpses of objects that occupy the middle, in eternal despair of knowing either extreme—all things have sprung from nothing, and are borne forward to infinity. Who can follow out such an astonishing career? The Author of these wonders, and he alone, can comprehend them. This condition, the middle, namely, between two extremes, is characteristic of all our faculties. Our senses perceive nothing in the extreme. A very loud sound deafens us; a very intense light blinds us; a very great or a very short distance disables our vision; excessive length or excessive brevity obscures discourse; too much pleasure cloys, and unvaried harmony offends us. Extreme heat, or extreme cold, destroys sensation. Any qualities in excess are hurtful to us, and pass beyond the ranges of our senses. We cannot be said to feel them, but to endure them. Extreme youth and extreme old age alike enfeeble the mind; too much or too little food, disturbs its operations; too much, or too little instruction, represses its vigor. Extremes are to us, as though they did not exist, and we are nothing in reference to them. They elude us, or we elude them. Such is our real state; our acquirements are confined within limits which we cannot pass, alike incapable of attaining universal knowledge or of remaining in total ignorance. We are in the middle of a vast expanse, always unfixed, fluctuating between ignorance and knowledge; if we think of advancing further, our object shifts its position and eludes our grasp; it steals away and takes an eternal flight that nothing can arrest. This is our natural condition, altogether contrary, however, to our inclinations. We are inflamed with a desire of exploring everything, and of building a tower that shall rise into infinity, but our edifice is shattered to pieces, and the ground beneath it discloses a profound abyss.
Blaise Pascal
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. “I know a charm that will heal with a touch. “I know a charm that will turn aside the weapons of an enemy. “I know another charm to free myself from all bonds and locks. “A fifth charm: I can catch a bullet in flight and take no harm from it.” His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. “A sixth: spells sent to hurt me will hurt only the sender. “A seventh charm I know: I can quench a fire simply by looking at it. “An eighth: if any man hates me, I can win his friendship. “A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. “Those were the first nine charms I learned. Nine nights I hung on the bare tree, my side pierced with a spear’s point. I swayed and blew in the cold winds and the hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. “For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. “An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. “A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. “A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. “A fourteenth: I know the names of all the gods. Every damned one of them. “A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.” His voice was so low now that Shadow had to strain to hear it over the plane’s engine noise. “A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. “A seventeenth, that no woman I want will ever want another. “And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.” He sighed, and then stopped talking. Shadow could feel his skin crawl. It was as if he had just seen a door open to another place, somewhere worlds away where hanged men blew in the wind at every crossroads, where witches shrieked overhead in the night.
Neil Gaiman (American Gods)
What is the use of half an eye?’ and ‘What is the use of half a wing?’ are both instances of the argument from ‘irreducible complexity’. A functioning unit is said to be irreducibly complex if the removal of one of its parts causes the whole to cease functioning. This has been assumed to be self-evident for both eyes and wings. But as soon as we give these assumptions a moment’s thought, we immediately see the fallacy. A cataract patient with the lens of her eye surgically removed can’t see clear images without glasses, but can see enough not to bump into a tree or fall over a cliff. Half a wing is indeed not as good as a whole wing, but it is certainly better than no wing at all. Half a wing could save your life by easing your fall from a tree of a certain height. And 51 per cent of a wing could save you if you fall from a slightly taller tree. Whatever fraction of a wing you have, there is a fall from which it will save your life where a slightly smaller winglet would not. The thought experiment of trees of different height, from which one might fall, is just one way to see, in theory, that there must be a smooth gradient of advantage all the way from 1 per cent of a wing to 100 per cent. The forests are replete with gliding or parachuting animals illustrating, in practice, every step of the way up that particular slope of Mount Improbable. By analogy with the trees of different height, it is easy to imagine situations in which half an eye would save the life of an animal where 49 per cent of an eye would not. Smooth gradients are provided by variations in lighting conditions, variations in the distance at which you catch sight of your prey – or your predators. And, as with wings and flight surfaces, plausible intermediates are not only easy to imagine: they are abundant all around the animal kingdom. A flatworm has an eye that, by any sensible measure, is less than half a human eye. Nautilus (and perhaps its extinct ammonite cousins who dominated Paleozoic and Mesozoic seas) has an eye that is intermediate in quality between flatworm and human. Unlike the flatworm eye, which can detect light and shade but see no image, the Nautilus ‘pinhole camera’ eye makes a real image; but it is a blurred and dim image compared to ours. It would be spurious precision to put numbers on the improvement, but nobody could sanely deny that these invertebrate eyes, and many others, are all better than no eye at all, and all lie on a continuous and shallow slope up Mount Improbable, with our eyes near a peak – not the highest peak but a high one.
Richard Dawkins (The God Delusion: 10th Anniversary Edition)
She spoke so passionately that some of the Historians believed her, even the ones like Dr. Karuna who had been passed over for promotion when Crome put Valentine in charge of their Guild. As for Bevis Pod, he watched her with shining eyes, filled with a feeling that he couldn’t even name; something that they had never taught him about in the Learning Labs. It made him shiver all over. Pomeroy was the first to speak. “I hope you’re right, Miss Valentine,” he said. “Because he is the only man who can hope to challenge the Lord Mayor. We must wait for his return.” “But …” “In the meantime, we have agreed to keep Mr. Pod safe, here at the Museum. He can sleep up in the old Transport Gallery, and help Dr. Nancarrow catalogue the art collection, and if the Engineers come hunting for him we’ll find a hiding place. It isn’t much of a blow against Crome, I know. But please understand, Katherine: We are old, and frightened, and there really is nothing more that we can do.” The world was changing. That was nothing new, of course; the first thing an Apprentice Historian learned was that the world was always changing, but now it was changing so fast that you could actually see it happening. Looking down from the flight deck of the Jenny Haniver, Tom saw the wide plains of the eastern Hunting Ground speckled with speeding towns, spurred into flight by whatever it was that had bruised the northern sky, heading away from it as fast as their tracks or wheels could carry them, too preoccupied to try and catch one another. “MEDUSA,” he heard Miss Fang whisper to herself, staring toward the far-off, flame-flecked smoke. “What is a MEDUSA?” asked Hester. “You know something, don’t you? About what my mum and dad were killed for?” “I’m afraid not,” the aviatrix replied. “I wish I did. But I heard the name once. Six years ago another League agent managed to get into London, posing as a crewman on a licensed airship. He had heard something that must have intrigued him, but we never learned what it was. The League had only one message from him, just two words: Beware MEDUSA. The Engineers caught him and killed him.” “How do you know?” asked Tom. “Because they sent us back his head,” said Miss Fang. “Cash on Delivery.” That evening she set the Jenny Haniver down on one of the fleeing towns, a respectable four-decker called Peripatetiapolis that was steering south to lair in the mountains beyond the Sea of Khazak. At the air-harbor there they heard more news of what had happened to Panzerstadt-Bayreuth. “I saw it!” said an aviator. “I was a hundred miles away, but I still saw it. A tongue of fire, reaching out from London’s Top Tier and bringing death to everything
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
It was in moments like seeing him catch his breath after running a distance or watching him doze off in the flight that I realized that I wanted to spend all my life with him.
Namrata Gupta (Together we were)
If we didn’t catch enough fish, or fish of high enough quality, too bad. That’s life. No one has the right to win. Victory has to be fought for. It needs a Fight Club, not a Flight Club.
Brother Abaris (The Illuminist Army)
This is how she understands it: life on this planet gets developed by some powerful force contained in every atom of organic matter. It's a force there is no physical evidence of, for the time being- you can't catch it on even the most precise microscopic images, nor in photographs of the atomic spectrum.
Olga Tokarczuk (Flights)
I managed to catch a flight out the next day. The borders were closed two days later. After a dictatorship of the future, as my friend K. would say, came the dictatorship of the past. It’s nice to know your home country so well that you can leave it shortly before the trap springs. I had already lived through what was to come.
Georgi Gospodinov (Time Shelter)
Though there can be many variations, a peregrine’s day usually begins with a slow, leisurely flight from the roosting place to the nearest suitable bathing stream. This may be as much as ten to fifteen miles away. After bathing, another hour or two is spent in drying the feathers, preening, and sleeping. The hawk rouses only gradually from his post-bathing lethargy. His first flights are short and unhurried. He moves from perch to perch, watching other birds and occasionally catching an insect or a mouse on the ground.
J.A. Baker (The Peregrine)
So you're going to see Barney the mystic, huh? Should I just go ahead and catch a flight out there tonight, or will someone else take you to the hospital?
C.P. Rider (Shattered (Sundance, #4))
The sea and the albatross Far away in the deep sea, An albatross flew every day and sometimes looked at me, It sometimes flapped its wings rigorously, And then glided so calmly, Over the waves of wind and the ocean of air, It looked majestic and I wondered what was its affair, That compelled it to bear long flights everyday, Because it only returned when the evening lights had invaded the day, And to find out its secret there was no way, Yet I hoped I shall know it someway, It was a rough day and the sea had turned violent, My boat was being tossed everywhere in this torrent, The wind howled, the sea roared and everything appeared agitated, And to venture into such a rough sea even the valour of the mariners like me hesitated, So I stayed at the shore, While the albatross flew through this violent uproar, It swung its wings up and down with great effort, As if from this toil of mind and muscle, it gained some unknown comfort, After few moments it was far away, that I could no longer see it, But everyone could hear the beating of his wings, only if you had the mariner’s heart to feel it, And looking at the albatross, I too ventured into the sea, And I recalled the mariner’s only oath, “whatever shall be shall be!” The wind played with me and my boat like a finless fish caught in the tempest, And it overpowered us inpsite of our efforts best, For a moment I thought it was asinine on my part to have felt brave like an albatross, Who sometimes sits on the hull of my boat where I have erected a cross, I looked at it and used all my force left in me, And my heart and mind said together, “let us see how strong the sea can be!” And then the sea turned rougher, the waves rose higher, But I too worked with the muscle of will and mind, with conviction stronger, It was evening now and I stood in the middle of the rough sea where they said everything sinks, I saw the albatross caught in the discarded net, and it was struggling to free itself from these nylon links, Maybe I was courageous today not to catch fish but to rescue the master of the skies, And it shall be a shame for all mariners and our oath of courage, if today in this discarded net the albatross dies,
Javid Ahmad Tak
A junkie catches his flight. That sugar on your brain cells sucks away any other purpose. You can think you’re in charge. Walk around thinking this for hours at a time, or a day, till the clock winds down and the human person you were gets yanked out through whatever
Barbara Kingsolver (Demon Copperhead)
Each of those relationships ended because the love I gave was considered too hard… too suffocating. My father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book. Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those heffas at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while your sleeping? Nah bae, that’s not a ghost. That’s me praying for you. There are no stipulations with me. I gave it all. I had to. It was a part of my DNA. I needed to give the love I had in me unconditionally.
Chelsea Maria (For You I Will)
Vultures!” Joe cried with his mouth full. “Go away! We’re not dead yet.” “They aren’t vultures,” said the Professor, “but boobies.” “How do you know they’re boobies? They haven’t done anything stupid yet.” “It’s only what they’re called, Joe.” “They certainly look beautiful in flight,” said Danny. “Look how their wings catch the air currents.” “They’d look more beautiful in a plate with gravy and mashed potatoes,” Joe grinned. “I don’t think you’d enjoy them. They are fish-eaters, and they have a strong, fishy taste,” said the Professor. “We couldn’t cook them in the raft anyway,” Danny added. “Gee, that’s right,” said Joe. “We haven’t any potatoes.
Jay Williams (Danny Dunn on a Desert Island)
Mary Anne is to sports what I am to high fashion. She never goes near the stuff. Normally she’d be the last person I’d ask to coach. But I was desperate. Klinic was about to start, and Charlie was nowhere to be seen. That morning he’d stomped out of the house without saying a word. He hadn’t spoken to me since our argument, almost a whole day earlier. Poor Mary Anne. She wasn’t suspecting a thing. As she walked onto the field with Jamie, she was clutching a paperback book, looking forward to a nice, quiet morning of reading. “So the ball was coming to me like this: nyeeeeeeeeaar …” Jamie said, imitating the flight of the ball with one arm. “And I went like this.” He backpedaled, waving his arms. “And the ball went like this — pop!” He acted out a dramatic catch.
Ann M. Martin (Mind Your Own Business, Kristy! (The Baby-Sitters Club, #107))
I’m at a stage in my life where I’m no longer waiting around for anything. Invites. Apologies. Permission. Approval. Closure. Perfect timing. I’m booking the flight. I’m saying YES and figuring it out as I go along. I’m exploring the city. Making the reservation. Buying the tickets. Clapping for myself. Giving myself the same love I’ve always given to others. I’m starting the party myself and letting everyone else catch up.
Case Kenny
It was a slice of life Eva thought only existed in movies, this idea that everything could be so perfect—the grass, the sun, the players in their crisp white uniforms, hitting home runs over the fence and into San Francisco Bay, where a cluster of people with baseball gloves in kayaks waited to catch one of them.
Julie Clark (The Last Flight)
The sight of Connor walking away was like watching a flight you’d raced to catch pull away from the gate, or your own car sliding backward down the driveway without you in it because you forgot to set the parking brake. Suddenly it felt like the potent connection they’d made would blow out to sea and be lost forever the minute the door closed behind Connor’s perfect butt. Logan had enough counseling under his belt to know that sometimes when something scared him, that meant it was good for him. Would Connor Harcourt qualify?
C. Travis Rice (Sapphire Sunset (Sapphire Cove, #1))
It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
And then the omnipotent Integral intervened … a practical joker to the end! Early on the morning of April 12, the fabulous but anonymous Builder of the Integral, Chief Designer of the Sputniks, struck another of his cruel but dramatic blows. Just twenty days before the first scheduled Mercury flight he sent a five-ton Sputnik called Vostok I into orbit around the earth with a man aboard, the first cosmonaut, a twenty-seven-year-old test pilot named Yuri Gagarin. Vostok I completed one orbit, then brought Gagarin down safely, on land, near the Soviet village of Smelovka. The omnipotent Integral! NASA had really believed—and the astronauts had really believed—that somehow, in the religious surge of the mission, Shepard’s flight would be the first. But there was no putting one over on the Integral, was there! It was as if the Soviets’ Chief Designer, that invisible genius, was toying with them. Back in October 1957, just four months before the United States was supposed to launch the world’s first artificial earth satellite, the Chief Designer had launched Sputnik I. In January 1959, just two months before NASA was scheduled to put the first artificial satellite into orbit around the sun, the Chief Designer launched Mechta I and did just that. But this one, Vostok I, in April 1961, had been his pièce de resistance. Given the huge booster rockets at his disposal, he seemed to be able to play these little games with his adversaries at will. There was the eerie feeling that he would continue to let NASA struggle furiously to catch up—and then launch some startling new demonstration of just how far ahead he really was.
Tom Wolfe (The Right Stuff)
Sorry, do we need to recap all of my relationships you’ve held my hand through? The late-night pickups? Not judging me when I got back together with Sawyer for, like, the third time?” “We don’t have enough time to recap; you have to catch a flight to London tomorrow morning.
Hannah Grace (Wildfire (Maple Hills, #2))
Celia once told me you live your life with your arms wide open,” he said, his voice soft and rough. “It is one of the things I have loved about you. Will you teach me how to do that?” She nodded. “It’s easy enough, my love. Just trust that you’ll survive the flight or the fall. And trust that I’ll always be there to catch you.
Jess Michaels (An Affair in Winter (Seasons #1))
To anyone who has been in space and experienced its changelessness, the real excitement of space flight comes when it is time to land on a new planet. The ground speeds backward under you as you catch glimpses of land and water, of geometrical areas and lines that might represent fields and roads. You become aware of the green of growing things, the gray of concrete, the brown of bare ground, the white of snow. Most of all, there is the excitement of populated conglomerates; cities which, on each world, have their own characteristic geometry and architectural variants.
Isaac Asimov (Foundation and Earth (Foundation, #5))
He was washing his socks. But they were already clean, so I figured I’d help him and wear them for him and get them all stinky. He had a flight to catch and a tiny lasso.
Jarod Kintz (This Book is Not for Sale)
Friday afternoon before we broke for Christmas vacation, Andy and I boarded the school’s helicopter. We flew to London to catch the Simorgh to Paris. Ubaid was already on the plane waiting for us. He had helicoptered in from Dublin. Our Arab friend was in good spirits during our 45-minute journey to Charles de Gaulle airport. On the flight I was curious to find out if he had defied his father's wishes and continued to see Gianna. I asked, "You must be happy to be back at university, judging from the look on your face." "Yes, that is true. I am very happy. Gianna flew to Dublin to spend several days with me before she left for New York, with Allegra.
Young (Initiation (A Harem Boy's Saga Book 1))
I know the sky falls down every day. The sun drops into the ocean and splashes browns and reds and yellows and oranges into the world outside my window. A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Monday night I had to go out of town, up to Boston for a quick meeting early Tuesday morning. My flight was delayed, and I was sitting in the airport reading the paper. Before Soraya, I started with the business section first. These days, I turned to Ask Ida, before catching up on the market watch. Between soap operas and now reading an advice column daily, I was fast becoming a pussy.
Vi Keeland (Stuck-Up Suit)
You sure you don't want to wait until it's raining or he's about to catch a flight out of the country?
J.A. Rock (The Subs Club (The Subs Club, #1))
I can’t let someone I just met get the better of me, I thought, shaking my head. I switched off the lights and lay down. I had to catch an early-morning flight to Mumbai the next day and had a four-hour window of sleep. I couldn’t wait to reach home. However,
Chetan Bhagat (Half Girlfriend)
As the battle began Ivo Taillefer, the minstrel knight who had claimed the right to make the first attack, advanced up the hill on horseback, throwing his lance and sword into the air and catching them before the English army. He then charged deep into the English ranks, and was slain. The cavalry charges of William’s mail-clad knights, cumbersome in manœuvre, beat in vain upon the dense, ordered masses of the English. Neither the arrow hail nor the assaults of the horsemen could prevail against them. William’s left wing of cavalry was thrown into disorder, and retreated rapidly down the hill. On this the troops on Harold’s right, who were mainly the local “fyrd”, broke their ranks in eager pursuit. William, in the centre, turned his disciplined squadrons upon them and cut them to pieces. The Normans then re-formed their ranks and began a second series of charges upon the English masses, subjecting them in the intervals to severe archery. It has often been remarked that this part of the action resembles the afternoon at Waterloo, when Ney’s cavalry exhausted themselves upon the British squares, torn by artillery in the intervals. In both cases the tortured infantry stood unbroken. Never, it was said, had the Norman knights met foot-soldiers of this stubbornness. They were utterly unable to break through the shield-walls, and they suffered serious losses from deft blows of the axe-men, or from javelins, or clubs hurled from the ranks behind. But the arrow showers took a cruel toll. So closely, it was said, were the English wedged that the wounded could not be removed, and the dead scarcely found room in which to sink upon the ground. The autumn afternoon was far spent before any result had been achieved, and it was then that William adopted the time-honoured ruse of a feigned retreat. He had seen how readily Harold’s right had quitted their positions in pursuit after the first repulse of the Normans. He now organised a sham retreat in apparent disorder, while keeping a powerful force in his own hands. The house-carls around Harold preserved their discipline and kept their ranks, but the sense of relief to the less trained forces after these hours of combat was such that seeing their enemy in flight proved irresistible. They surged forward on the impulse of victory, and when half-way down the hill were savagely slaughtered by William’s horsemen. There remained, as the dusk grew, only the valiant bodyguard who fought round the King and his standard. His brothers, Gyrth and Leofwine, had already been killed. William now directed his archers to shoot high into the air, so that the arrows would fall behind the shield-wall, and one of these pierced Harold in the right eye, inflicting a mortal wound. He fell at the foot of the royal standard, unconquerable except by death, which does not count in honour. The hard-fought battle was now decided. The last formed body of troops was broken, though by no means overwhelmed. They withdrew into the woods behind, and William, who had fought in the foremost ranks and had three horses killed under him, could claim the victory. Nevertheless the pursuit was heavily checked. There is a sudden deep ditch on the reverse slope of the hill of Hastings, into which large numbers of Norman horsemen fell, and in which they were butchered by the infuriated English lurking in the wood. The dead king’s naked body, wrapped only in a robe of purple, was hidden among the rocks of the bay. His mother in vain offered the weight of the body in gold for permission to bury him in holy ground. The Norman Duke’s answer was that Harold would be more fittingly laid upon the Saxon shore which he had given his life to defend. The body was later transferred to Waltham Abbey, which he had founded. Although here the English once again accepted conquest and bowed in a new destiny, yet ever must the name of Harold be honoured in the Island for which he and his famous house-carls fought indomitably to the end.
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples #1))
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
The curtain billows gently in the breeze behind him as he steps out to meet me, his hair jet-black by contrast with the translucent white fabric. I jump, gasp, and nearly swallow the grip that I’m still holding between my lips; quickly, I pull it out before it goes down my throat and chokes me. It’s wet with drool. Lovely, Violet. Really attractive. I shove it into my hair, anywhere, praying it will stay and not fall on the floor, still dripping with spit. Luca’s smiling down at me. His face is half in light, half in shade, from the spots playing across the dance floor, his blue eyes gleaming. “You like to dance,” he observes conversationally. “Yes…” Safe question, safe answer. Well, at least I didn’t babble. But he doesn’t say anything else; he’s just looking me up and down, and I feel incredibly awkward under his scrutiny. I’m sweaty, catching my breath; my eyeliner’s probably running. I desperately need to escape into the dark night beyond the dance floor, where the breeze will cool me down and the shadows will hide my shiny face. “I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
One of the first things to catch your eye on arriving in Rugeley is the obtrusively large red shopfront advertising private detectives. Is your partner cheating? Ask about our tracking service, reads the huge white lettering in the window. The shop also advertises lie-detector tests for hire. This is the paranoid world of The Jeremy Kyle Show writ large. Fidelity and faithfulness have been slowly chipped away by more ephemeral, market-driven principles promising instant gratification. You ditch one lover and take another, just as you might throw away an iPhone and buy a newer model in an emotional flight of fancy. For working-class communities this adds yet another layer of impermanence to an already insecure existence, especially for those men whose sense of masculine inadequacy is reinforced by the lack of any purposeful employment.
James Bloodworth (Hired: Six Months Undercover in Low-Wage Britain)
Reading a book is making space for a new idea in your heart, and it might be merely a page or a paragraph or a turn of a phrase. Reading is letting sparks flight where they might catch, there is danger and recklessness, and god I love reading so much, even though I rarely read a book.
Penelope Trunk
I was on a 747 flight out of Denver with four flight attendants on the plane. One of the flight attendants got off the plane to go check someone’s carry-on bag in the cargo hold, and while she was gone, the door closed and we began to taxi out. While we were giving the demo, we looked out the window of the airplane to see the flight attendant running alongside the plane in the snow, waving and yelling and trying to catch up to us. ‘Did you notice that we’re missing someone?’ I said to the other flight attendant. ‘Yes, but try to keep it low-key—there’s a supervisor on board!’ Well, it’s hard to keep it low-key when someone is running alongside your plane, waving and screaming. The plane stopped and the air stairs went down so she could get on board, and my co-worker said, ‘Tell her to try to be inconspicuous when she gets back on.’ Well, she had to walk the entire length of the plane to get back to her station, and everybody on board broke into applause.
Betty N. Thesky (Betty in the Sky with a Suitcase: Hilarious Stories of Air Travel by the World's Favorite Flight Attendant)
It was unfair, really. The man should have to work for it— a wink or a smile or something— not just sit there staring at her with dark eyes and a stony expression that turned her flight toward freedom into a dizzying, exhilarating fall. He’d catch her every time, and all she had to do in return was let him.
Kit Rocha (Beyond Solitude (Beyond, #4.5))
O say, can you see, by the dawn’s early light, What so proudly we hail’d at the twilight’s last gleaming? Whose broad stripes and bright stars, thro’ the perilous fight, O’er the ramparts we watch’d, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air, Gave proof thro’ the night that our flag was still there. O say, does that star-spangled banner yet wave O’er the land of the free and the home of the brave? On the shore dimly seen thro’ the mists of the deep, Where the foe’s haughty host in dread silence reposes, What is that which the breeze, o’er the towering steep, As it fitfully blows, half conceals, half discloses? Now it catches the gleam of the morning’s first beam, In full glory reflected, now shines on the stream: ‘Tis the star-spangled banner: O long may it wave O’er the land of the free and the home of the brave! And where is that band who so vauntingly swore That the havoc of war and the battle’s confusion, A home and a country should leave us no more? Their blood has wash’d out their foul footsteps’ pollution. No refuge could save the hireling and slave From the terror of flight or the gloom of the grave: And the star-spangled banner in triumph doth wave O’er the land of the free and the home of the brave. O thus be it ever when free-men shall stand Between their lov’d home and the war’s desolation; Blest with vict’ry and peace, may the heav’n-rescued land Praise the Pow’r that hath made and preserv’d us a nation! Then conquer we must when our cause it is just, And this be our motto: In God is our trust!” And the star-spangled banner in triumph shall wave O’er the land of the free and the home of the brave!
Mark David Ledbetter (America's Forgotten History, Part One: Foundations)
It was a leap of faith - to throw one's heart across a gulf, and trust another to catch it. His own was still in flight across the void, with no certainty of landing. But still in flight.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Life, if you keep chasing it so hard, will drive you to death. Time—when pursued like a bandit—will behave like one; always remaining one county or one room ahead of you, changing its name and hair color to elude you, slipping out the back door of the motel just as you’re banging through the lobby with your newest search warrant, leaving only a burning cigarette in the ashtray to taunt you. At some point you have to stop because it won’t. You have to admit that you can’t catch it. That you’re not supposed to catch it. At some point, as Richard keeps telling me, you gotta let go and sit still and allow contentment to come to you. Letting go, of course, is a scary enterprise for those of us who believe that the world revolves only because it has a handle on the top of it which we personally turn, and that if we were to drop this handle for even a moment, well—that would be the end of the universe. But try dropping it, Groceries. This is the message I’m getting. Sit quietly for now and cease your relentless participation. Watch what happens. The birds do not crash dead out of the sky in mid-flight, after all. The trees do not wither and die, the rivers do not run red with blood. Life continues to go on. Even the Italian post office will keep limping along, doing its own thing without you—why are you so sure that your micromanagement of every moment in this whole world is so essential? Why don’t you let it be?
Elizabeth Gilbert (Eat, Pray, Love)
At 5.30 a.m. Washington time, the Moscow News radio channel announced Gagarin’s successful landing and recovery. An alert journalist called NASA’s launch centre in Florida to ask if America could catch up. Press officer John ‘Shorty’ Powers was trying to catch a few hours’ rest in his cramped office cot. He and many other NASA staffers were working 16-hour days in the lead-up to astronaut Alan Shepard’s first flight in a Mercury capsule. When the phone at his side rang in the pre-dawn silence, he was irritable and unprepared. ‘Hey, what is this!’ he yelled into the phone. ‘We’re all asleep down here!’ Next morning the headlines read: ‘SOVIETS PUT MAN IN SPACE. SPOKESMAN SAYS US ASLEEP.
Jamie Doran (Starman: The Truth Behind the Legend of Yuri Gagarin)
One of the reasons people steer clear of environmentalism is all the guilt associated with it. The creepy feeling that by doing what everyone else in one's society is doing - driving, washing the dishes, catching a flight - we are bringing about the end of the world.
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
I began my effort at improving my flight experiences by reading purposefully during my flights. My airplane reading would often be centered on themes. On some flights I would read only newspapers and magazines, catching up on one particular event. On other flights I would read a short novel, and finishing the entire book during the flight would give me a great thrill, as if I'd just flown a cross-Atlantic mission with Amelia Earhart.
Edwidge Danticat
wish I could say that I found satisfactory answers to my questions for Cedric. After all, we had a five-hour flight to Tehran. It should’ve meant plenty of time to catch up on old times and find out what the hell was going on behind the scenes leading to this dangerous assignment. But, he was more inclined to ingratiate himself with Amy Golden Eagle.
Aiden James (Plague of Coins (The Judas Chronicles, #1))
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Are you going soon?' 'In seven minutes,' he said. 'Do you know what I'm thinking about now?' 'What?' 'I suddenly remembered how I used to catch pigeons as a kid. You know, we took this big wooden crate and sprinkled breadcrumbs under it and stood it on edge, and we propped up the opposite edge with a stick with about ten metres of string tied to it. Then we hid in the bushes or behind a bench, and when a pigeon wandered under the crate, we pulled the string. Then the crate fell on it.' 'That's right,' I said. 'We did the same.' 'And you remember, when the crate comes down, the pigeon starts trying to fly off and beats its wings against the sides, so the crate even jumps about?' 'I remember,' I said. Ivan didn't say anything else. In the meantime, it had turned quite cold. And it was harder to breathe--after every movement I wanted to catch my breath, as if I'd just run up a long flight of stairs. I began lifting the oxygen mask to my face to take a breath. 'And I remember how we used to make bombs with cartridge cases and the sulphur from matches. You stuff it in real tight, and there has to be a little hole in the side, and you put several matches in a row beside it . . .' 'Cosmonaut Grechka.' The bass voice in the receiver was the one that had woken me with abuse before the start of the flight. 'Make ready.' 'Yes, sir,' Ivan answered without enthusiasm. 'And then you tie them on with thread--insulating tape's better, because sometimes the thread comes loose. If you want to throw it out of the window, say from the seventh floor, so it explodes in midair, then you need four matches. And . . .' 'Stop that talking,' said the bass voice. ' Put on your oxygen mask.' 'Yes, sir. You don't strike the last one with the box, though, the best thing is to light it with a dog-end. Or else you might shift them away from the hole.' I heard nothing after that except the usual crackle of interference.
Victor Pelevin (Omon Ra)
I couldn’t help but smile when my Aunt Bailey answered her phone. “Hey, Liv, whose ass do I need to beat?” “Why do you assume that’s why I’m calling?” I asked with a laugh. It was the first time I had smiled in days. But with Bailey and her spunky attitude, it was hard to avoid. “Because darlin’, I got you figured out. You sent out a mass message to us stating you were studying for finals. You’ve neglected to respond to any messages that followed, and that spells out one thing. Trouble on the college guy front.” I could hear a baby squealing happily in the background. “So I’m gonna ask again. Do I need to catch a plane to Texas and beat the shit out of this Keeton guy I’ve been hearing so much about?” “Are you there?” I asked, because it wasn’t like Bailey to remain so quiet. “Um, yeah,” she said in return. I could hear clicking sounds as if she was typing on a keyboard. “I’m just checking flights to Texas, because this Lacy bitch needs to meet your Aunt Bailey.” “You need to make this Lacy realize she won’t run you off.” I sat silent, letting everything Bailey said sink in. “If he’s who you want, Liv.” I bit down on my lower lip. “If Keeton is who you want, then you have to show her he’s yours.” “I do,” I whispered. I had never felt about anyone else the way I felt about Keeton. But my fear was that the man I was already falling for was a man I didn’t even know.
C.A. Harms (Olivia's Ride (Sawyer Brothers, #4))
Every morning and evening at Lakefield, the fruit bats would come and go from the trees near our campsite. During the day, you could hear them in the distance as they squabbled over territory. Each fruit bat wanted to jockey for the best position on a branch. But when evening came, as if by silent agreement, all the bats knew to fly off at the same time. Steve grabbed me and the kids one evening just at dusk, and we went out into the river to watch the bats. I would rank that night as one of the most incredible experiences of my life, right up there with catching crocs and swimming with manatees. Sitting at dusk with the kids in the boat, all of a sudden the trees came alive. The bats took flight, skimming over the water to delicately dip for a drink, flying directly over our heads. It was as if we had gone back in time and pterodactyls flew once again. It was such an awe-inspiring event that we all fell quiet, the children included. The water was absolutely still, like an inky mirror, almost like oil. Not a single fish jumped, not a croc moved. All we heard were the wings of these ancient mammals in the darkening sky. We lay quietly in the bottom of the boat, floating in the middle of this paradise. We knew that we were completely and totally safe. We were in a small dinghy in the middle of some of the most prolifically populated crocodile water, yet we were absolutely comfortable knowing that Steve was there with us. “One day, babe,” Steve said softly to me, “we’ll look back on wildlife harvesting projects and things like croc farming the same way we look back on slavery and cannibalism. It will be simply an unbelievable part of human history. We’ll get so beyond it that it will be something we will never, ever return to.” “We aren’t there yet,” I said. He sighed. “No, we aren’t.” I thought of the sign Steve had over his desk back home. It bore the word “warrior” and its definition: “One who is engaged in battle.” And it was a battle. It was a battle to protect fragile ecosystems like Lakefield from the wildlife perpetrators, from people who sought to kill anything that could turn a profit. These same people were out collecting croc eggs and safari-hunting crocodiles. They were working to legalize a whole host of illicit and destructive activities. They were lobbying to farm or export everything that moved, from these beautiful fruit bats we were watching, to magpie geese, turtles, and even whales.
Terri Irwin (Steve & Me)
Every morning and evening at Lakefield, the fruit bats would come and go from the trees near our campsite. During the day, you could hear them in the distance as they squabbled over territory. Each fruit bat wanted to jockey for the best position on a branch. But when evening came, as if by silent agreement, all the bats knew to fly off at the same time. Steve grabbed me and the kids one evening just at dusk, and we went out into the river to watch the bats. I would rank that night as one of the most incredible experiences of my life, right up there with catching crocs and swimming with manatees. Sitting at dusk with the kids in the boat, all of a sudden the trees came alive. The bats took flight, skimming over the water to delicately dip for a drink, flying directly over our heads. It was as if we had gone back in time and pterodactyls flew once again. It was such an awe-inspiring event that we all fell quiet, the children included. The water was absolutely still, like an inky mirror, almost like oil. Not a single fish jumped, not a croc moved. All we heard were the wings of these ancient mammals in the darkening sky. We lay quietly in the bottom of the boat, floating in the middle of this paradise. We knew that we were completely and totally safe. We were in a small dinghy in the middle of some of the most prolifically populated crocodile water, yet we were absolutely comfortable knowing that Steve was there with us.
Terri Irwin (Steve & Me)
I left the icebox cold of Oregon for the tropical heat of Cairns in early January 1992. As I got off the plane to catch my connecting flight to Brisbane, I found it almost difficult to breathe, it was so hot and muggy. My mind was working in funny ways. It’s just too hot here, I thought. I could never live here. Then I caught myself. Hang on a minute. What was that? Why would that even be an option, living here? I’m just coming over to see this guy. But that Cairns moment was the first time I actually thought about leaving my Oregon life behind to join Steve in his Australian one. On my final approach to Brisbane, I had an excited feeling again, a sense of coming home. It seemed like I was the only passenger eager to get off the plane. Everyone else was moving as though they were underwater. I stepped out into the airport. There was Steve, back in his khakis. It was nice to see him in those familiar shorts again, after having to bundle up in Oregon against the cold. We embraced, and I had the sense that we were one person. Apart, we weren’t whole, but together, we were okay again.
Terri Irwin (Steve & Me)
Cade felt the daunting blue of Lily's eyes the most. Everything he said or did could affect her and her family. Cade realized this, but he had done the best for them that he was able. It was time now to do what was necessary. "The future lies in the hands of the man who wins this war," Cade said, giving his explanation for Lily's benefit as he never would have done for anyone else. "I do not relish working for a dictator. I will be joining Houston, if he will have me." Even though he looked at his grandfather as he said this, Cade knew when Lily quietly dropped her silverware to the table. He turned to see her lay her napkin beside the plate. Because the alcohol slowed his reflexes, he could not rise in time to catch her before she fled the room. He stood there stupidly staring at the place where she had been while Juanita rushed after her. Shaking his head to clear it, Cade fell back to his seat. He would not fool himself into thinking Lily's flight meant she feared for his safety. She hated him. She was angry that he had not sought her approval first. She would learn that he was his own man, not a slave or a hired hand. She had the child to consider now. She could do or say nothing to deter him. When he came back, perhaps they could start over again. His grandfather watched him with more interest than displeasure. Cade lifted his wineglass in salute. "To women." *
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Paradigm shift is for the mindful; but those who refuse to adopt to new ways of looking at things will always catch yesterday's train, flight or bus.
Lucas D. Shallua
What is the Israel bug? It’s quite a dangerous virus, so everyone should be warned. It takes place on an innocent holiday to Israel and manifests as a deep gut feeling that takes over one’s heart and mind and urges you to miss the return EL AL flight to your home country. This viral incursion is only cured if you catch your plane and return home.
Akiva Gersh (Becoming Israeli: The Hysterical, Inspiring and Challenging Sides of Making Aliyah)
Alan Shepard, the first American in space. Unfortunately for Alan, his was a suborbital flight and, as the US was playing catch up with the Russians, it didn’t count with the media who called it a “modest leap compared with… Yuri Gagarin of the Soviet Union.” They described Alan’s splashdown as dropping “gently to the water.
Peter Cawdron (Losing Mars)
Ugh, being an adult is ghetto as hell.
Ladii Nesha (Catching Flights)
The next morning having we had the Continental Breakfast with French croissants and the usual strong Turkish coffee. Mia seemed strangely distant from me now sat next to Aleixo who had come to join us. I had a KLM flight to catch that afternoon and there was little left to say. Later Mia came with me to the row of taxies and told the driver in Portuguese to take me to the airport. As I got into the cab her last words to me were a mocking “Poor boy, poor, poor boy…” My place is here with Aleixo, but I was yours for a lovely day.
Hank Bracker
When white angels replenish their supply they have a puff of glittery sparks, that expels from their body as they shoot back up into flight, they do not need to feed off anything other than the Divine's love, and the love from the others that they receive, they may die yet they live on. When falling, angels die in a battle, they reappear themselves repeatedly, as they catch fire, and slowly burn down to a black carbon like powdery ash in crumbling destruction of disintegration. As well as they just keep coming back to life also. They suck the blood of humans like me, which are on the floor until their energies can be repaired. When they do need to be replaced and replenished, they steal someone’s living soul to keep living on, that is what the sisters help them do.
Marcel Ray Duriez (Nevaeh Struggle with Affections)
I’m tiny in his grip, but I’ve never felt so damn safe. And a flame of grief catches me off guard as my brain goes to flight mode. It says, You can’t have anything good. And even if you do, it won’t last. This will end. He will see through you. They all will and you’ll wake up one day and realize you’re alone again.
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
But while your conscious mapping of time is lost during sleep, at a non-conscious level, time continues to be cataloged by the brain with incredible precision. I’m sure you have had the experience of needing to wake up the next morning at a specific time. Perhaps you had to catch an early-morning flight. Before bed, you diligently set your alarm for 6:00 a.m. Miraculously, however, you woke up at 5:58 a.m., unassisted, right before the alarm. Your brain, it seems, is still capable of logging time with quite remarkable precision while asleep. Like so many other operations occurring within the brain, you simply don’t have explicit access to this accurate time knowledge during sleep. It all flies below the radar of consciousness, surfacing only when needed.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Why would you do that to him?' I hurl at Xaden, then shake my head. I don't care why. 'Forget it,' I mutter, then march off, heading back toward the spot where Tairn told me to wait. 'Because you put too much faith in him,' Xaden answers anyway, catching up to me without even lengthening his stride. 'And knowing who to trust is the only thing that will keep you alive- keep us alive- not only in the quadrant but after graduation.' 'There is no us,' I say, dodging a racer as she races past. Dragons land left and right, the ground trembling with the force of the riot's movement. I've never seen so many dragons at flight in the same moment. 'Oh, I think you'll find that's no longer the case,' ...
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
doesn’t help that Charlotte’s younger than you are, and she’s a damn pretty girl,” Alex said sensibly. “Yes, she is.” Sasha sighed. It was too late to catch a flight that night, but she switched their flight to an earlier one the next morning, and they left the hotel at eight o’clock, and were back in New York at one. She wanted to kiss the ground. “Well, that’s over with,” she said, as they got into a cab at the airport. “We don’t have to see them again till the wedding. Are you ready to back out yet?” she asked him, and he laughed. “Of course not. Just don’t ever leave me alone with your mother. She scares me to death.” “Don’t worry, I won’t. I promise. Don’t leave me alone with her either.” He agreed. They went back to the apartment to drop off their things, and everyone was out, even Morgan, who had hardly left the house recently. Sasha hoped it was a good sign. —
Danielle Steel (The Apartment)
Welcome to Holland.” Written by Emily Perl Kingsley, the parent of a child with Down syndrome, it’s about the experience of having your life’s expectations turned upside down: When you’re going to have a baby, it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
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I made a date with her for the following week.  Mid-week, I went for a ride in a T-28.  The engine failed, the pilot slid the plane into the sand of the Mojave out near El Centro, and I slid into a hospital bed for about ten days at North Island Naval Air Station.  While I was in the hospital, the CARDIV left for WestPac.  I called Marguerite and told her what happened and that I wanted to see her again.  I’m not sure she believed me, but agreed to another date.  Unfortunately it had to be a short date because I had to head for Norton Air Force base to catch a flight for Hawaii, to meet up with the CARDIV.
W.R. Spicer (Sea Stories of a U.S. Marine, Book 1, Stripes to Bars)
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Clambering up onto the embankment, I could see an undulating ribbon, a road that kept flowing outside of the frame, outside of the world. If you were lucky, you might catch sight of a boat there, one of those great flat boats gliding over the river in either direction, oblivious to the shores, to the trees, to the people who stand on the embankment, unreliable landmarks, perhaps, not worth remarking, just an audience to the boats’ own motion, so full of grace. I dreamed of working on a boat like that when I grew up—or even better, of becoming one of those boats.
Olga Tokarczuk (Flights)
But some things can’t be told that way, I know that now. They can only be approached stealthily, from behind, like wild birds. And even then they catch your scent and take flight before you throw your net of words over them.
Chitra Banerjee Divakaruni (Queen of Dreams)
Catching a TWA flight to Miami was an uncoordinated boy who planned to slip at night into aquariums and open negotiations with the dolphins, who would succeed man. He was kissing his mother passionately goodbye, using his tongue. "I'll write, ma," he kept saying. "Write by WASTE," she said, "remember. The government will open it if you use the other. The dolphins will be mad." "I love you, ma," he said. "Love the dolphins," she advised him. "Write by WASTE.
Thomas Pynchon (The Crying of Lot 49)
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Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
By late January 2014, Tesla had completed the construction of a cross-country Supercharger corridor that would allow Model S drivers to get from Los Angeles to New York without having to spend a penny on energy. The electric highway took a northern route through Colorado, Wyoming, South Dakota, Minnesota, and Illinois, before approaching New York from Delaware. The path it cut was similar to a trip taken by Musk and his brother, Kimbal, in a beat-up 1970s BMW 320i in 1994. Within days of the route’s completion, Tesla staged a cross-country rally to show that the Model S could easily handle long-distance driving, even in the dead of winter. Two hot-pepper-red Model S’s, driven by members of the Supercharging team, left Tesla’s Los Angeles–based design studio just after midnight on Thursday, January 30. Tesla planned to finish the trip at New York’s City Hall on the night of February 1, the day before Super Bowl XLVIII, which would take place at MetLife Stadium in East Rutherford, New Jersey, just across the state line. Along the way, the cars would drive through some of the snowiest and most frigid places in the country, in one of the coldest weeks of the year. The trip took a little longer than expected. The rally encountered a wild snowstorm in the Rocky Mountains that temporarily closed the road over Vail Pass and then provided an icy entrance to Wyoming. Somewhere in South Dakota, one of the rally’s diesel support vans broke down, forcing its occupants to catch a flight from Sioux Falls to rejoin the rest of the crew in Chicago. And in Ohio, the cars powered through torrential rains as the fatigued crew pressed on for the final stretch. It was 7:30 A.M. on Sunday, February 2, when the Teslas rolled up to New York’s City Hall on a bright, mild morning. The 3,427-mile journey had taken 76 hours and 5 minutes—just over three days. The cars had spent a total of 15 hours and 57 seconds charging along the way,
Hamish McKenzie (Insane Mode: How Elon Musk's Tesla Sparked an Electric Revolution to End the Age of Oil)
He looked up rather sadly. “So would I. So would we all. But show business has always been like that—any kind of show business. If these people didn’t live intense and rather disordered lives, if their emotions didn’t ride them too hard—well, they wouldn’t be able to catch those emotions in flight and imprint them on a few feet of celluloid or project them across the footlights.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
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Hank Bracker
Fishing isn’t just about catching fish, that’s just what you get at the end if you’re good at it. Fishing is about the journey, and the journey is typically the thoughts you have as you go through the motions. Fishing, my dad always said, is a thinking man’s sport.
J.A. Huss (I Am Just Junco Omnibus: Clutch / Fledge / Flight (I Am Just Junco, #1-3))
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Francis Young (Twilight of the Godlings: The Shadowy Beginnings of Britain's Supernatural Beings)
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