The Pearl Rifle Quotes

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You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
White was an old-style lawman. He had served in the Texas Rangers near the turn of the century, and he had spent much of his life roaming on horseback across the southwestern frontier, a Winchester rifle or a pearl-handled six-shooter in hand, tracking fugitives and murderers and stickup men. He was six feet four and had the sinewy limbs and the eerie composure of a gunslinger. Even when dressed in a stiff suit, like a door-to-door salesman, he seemed to have sprung from a mythic age. Years later, a bureau agent who had worked for White wrote that he was “as God-fearing as the mighty defenders of the Alamo,” adding, “He was an impressive sight in his large, suede Stetson, and a plumb-line running from head to heel would touch every part of the rear of his body. He had a majestic tread, as soft and silent as a cat. He talked like he looked and shot—right on target. He commanded the utmost in respect and scared the daylights out of young Easterners like me who looked upon him with a mixed feeling of reverence and fear, albeit if one looked intently enough into his steel-gray eyes he could see a kindly and understanding gleam.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.
Leon Uris (Battle Cry)
Daniel Inouye, a nisei senior at McKinley High School long before he became a U.S. senator, furiously pedaled his bike to help at an aid station. He looked up into the sky and said to himself: “You dirty Japs!” On cruiser San Francisco an engineer came topside to join Ensign John Parrott. “I thought I’d come up and die with you.” Rear Admiral William Furlong stood on the bridge wing on Helena. A gunner called: “Excuse me, admiral, would you mind moving so we can shoot through here?” An officer playing golf went into a sand trap after his ball to find a soldier there shooting a rifle into the air. A bomb blew off a comer of a guardhouse. The inmates rushed out to help set up a .50 caliber machine gun. The phone rang in a Hickam hangar and someone reflexively picked it up. The caller wanted to know what all the noise was about. Kimmel stood in a window at his headquarters as a spent bullet tumbled in the window and hit him on the chest, smudging his whites. “It would have been better if it killed me,” he said. Down the hall Layton, Kimmel’s intelligence officer, caught sight of Admiral Bye who the day before had said the Japanese would never attack the United States. He was wearing a life jacket, his whites smeared with oil, staring wordlessly into the middle distance. “Soc” McMorris appeared: “Well, Layton, if it’s any satisfaction to you, we were wrong and you were right.” •
Associated Press (Pearl Harbor)
Despite the widespread damage to the first two hundred feet of the bow section, the starboard side aft of number two turret was largely undamaged in the area where four 5-inch antiaircraft guns were located. These rifles were accessible for salvage.
Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)
Haynes explained that the officials of Honolulu requested that the U.S. Army provide them with additional antiaircraft protection. Since neither the army nor the navy had any spare AA rifles available, the Navy Department offered to loan the Arizona’s guns to the army. The guns were scheduled for installation around Pearl Harbor and Honolulu.
Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)