Catcher In The Rye Depression Quotes

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That's the whole trouble. When you're feeling very depressed, you can't even think.
J.D. Salinger (The Catcher in the Rye)
This fall I think you're riding for—it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.
J.D. Salinger (The Catcher in the Rye)
I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone.
J.D. Salinger (The Catcher in the Rye)
Boy, did he depress me! I don't mean he was a bad guy- he wasn't. But you don't have to be bad guy to depress somebody- you can be a good guy and do it.
J.D. Salinger (The Catcher in the Rye)
Girls with their legs crossed, girls with their legs not crossed, girls with terrific legs, girls with lousy legs, girls that looked like swell girls, girls that looked like they'd be bitches if you knew them. It was really nice sightseeing, if you know what I mean. In a way, it was sort of depressing, too, because you kept wondering what the hell would happen to all of them. When they got out of school and college, I mean. You figured most of them would probably marry dopey guys. Guys that always talk about how many miles they get to a gallon in their goddam cars. Guys that get sore and childish as hell if you beat them at golf, or even just some stupid game like ping-pong. Guys that are very mean. Guys that never read books. Guys that are very boring— But I have to be careful about that. I mean about calling certain guys bores. I don't understand boring guys. I really don't.
J.D. Salinger (The Catcher in the Rye)
... I was feeling so depressed I didn't even think. That's the whole trouble. When you're feeling very depressed, you can't even think
J.D. Salinger
It was against my principles and all, but I was feeling so depressed I didn't even think. That's the whole trouble. When you're feeling very depressed, you can't even think.
J.D. Salinger (The Catcher in the Rye)
The thing is, if you get very depressed about something, it's hard as hell to swallow.
J.D. Salinger (The Catcher in the Rye)
It didn't exactly depress me to think about it, but it didn't make me feel gay as hell either. Certain things should stay the way they are. You ought to be able to stick them in those big glass cases and just leave them alone. I know that's impossible, but its too bad anyways.
J.D. Salinger (The Catcher in the Rye)
New York's terrible when somebody laughs on the street very late at night. You can hear it for miles. It makes you feel so lonesome and depressed.
J.D. Salinger (The Catcher in the Rye)
I wasn't sleepy or anything, but I was feeling sort of lousy. Depressed and all. I almost wished I was dead.
J.D. Salinger (The Catcher in the Rye)
That's depressing, when somebody says "please" to you.
J.D. Salinger (The Catcher in the Rye)
I was feeling sort of lousy. Depressed and all. I almost wish I was dead.
J.D. Salinger (The Catcher in the Rye)
The bellboy that showed me to the room was this very old guy around sixty-five. He was even more depressing than the room was. He was one of those bald guys that comb all their hair over from the side to cover up the baldness. I'd rather be bald than do that. Anyway, what a gorgeous job for a guy around sixty-five years old. Carrying people's suitcases and waiting for a tip.
J.D. Salinger (The Catcher in the Rye)
God, how I hate it when somebody yells "Good luck!" at me when I'm leaving somewhere. It's depressing.
J.D. Salinger (The Catcher in the Rye)
Boy, did he depress me! I don't mean he was a bad guy- he wasn't. But you don't have to be a bad guy to depress somebody- you can be a good guy and do it. All you have to do to depress somebody is give them a lot of phony advice while you're looking for your initials in some can door- that's all you have to do. I don't know. Maybe it wouldn't have been so bad if he hadn't been all out of breath.
J.D. Salinger (The Catcher in the Rye)
[On The Catcher in the Rye] “This Salinger, he’s a short story guy. And he knows how to write about kids. This book though, it’s too long. Gets kind of monotonous. And he should’ve cut out a lot about these jerks and all that crumby school. They depress me. — James Stern
The New York Times
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
Abigail George (Winter in Johannesburg)
It was against my principles and all, but I was feeling so depressed I didn't even think. That's the whole trouble. When you're feeling very depressed, you can't even think.
J.D. Salinger (The Catcher in the Rye)
It makes me so depressed I go crazy.
J.D. Salinger (The Catcher in the Rye)
The thing is, if you get very depressed about something, it’s hard as hell to swallow.
J.D. Salinger (The Catcher in the Rye)
It really did. I wasn’t sleepy or anything, but I was feeling sort of lousy. Depressed and all. I almost wished I was dead.
J.D. Salinger (The Catcher in the Rye)
What made it even more depressing, old Spencer had on this very sad, ratty old bathrobe that he was probably born in or something.
J.D. Salinger (The Catcher in the Rye)
It was against my principles and all, but I was feeling so depressed I didn’t even think. That’s the whole trouble. When you’re feeling very depressed, you can’t even think.
J.D. Salinger (The Catcher in the Rye)
Okay,” I said. It was against my principles and all, but I was feeling so depressed I didn’t even think. That’s the whole trouble. When you’re feeling very depressed, you can’t even think.
J.D. Salinger (The Catcher in the Rye)
It was lousy in the park. It wasn't too cold, but the sun still wasn't out, and there didn't look like there was anything in the park except dog crap and globs of spit and cigar butts from old men, and the benches all looked like they'd be wet if you sat down on them. It made you depressed, and every once in a while, for no reason, you got goose flesh while you walked. It didn't seem at all like Christmas was coming soon. It didn't seem like anything was coming.
J.D. Salinger (The Catcher in the Rye)
One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life. Ten times worse than old Thurmer. On Sundays, for instance, old Haas went around shaking hands with everybody's parents when they drove up to school. He'd be charming as hell and all. Except if some boy had little old funny-looking parents. You should've seen the way he did with my roommate's parents. I mean if a boy's mother was sort of fat or corny-looking or something, and if somebody's father was one of those guys that wear those suits with very big shoulders and corny black-and-white shoes, then old Haas would just shake hands with them and give them a phony smile and then he'd go talk, for maybe a half an hour, with somebody else's parents. I can't stand that stuff. It drives me crazy. It makes me so depressed I go crazy. I hated that goddam Elkton Hills
J.D. Salinger
The kid was swell. He was walking in the street, instead of on the sidewalk, but right next to the curb. He was making out like he was walking a very straight line, the way kids do, and the whole time he kept singing and humming. I got closer so I could hear what he was singing. He was singing that song, "If a body catch a body coming through the rye." He had a pretty little voice, too. He was just singing for the hell of it, you could tell. the Cars zoomed by, brakes screeched all over the place, his parents paid no attention to him, and he kept on walking next to the curb and singing "If a body catch a body coming through the rye." If made me feel better. If made me feel not so depressed any more.
J.D. Salinger (The Catcher in the Rye)
One thing about packing depressed me a little. I had to pack these brand-new ice skates my mother had practically just sent me a couple of days before. That depressed me. I could see my mother going in Spaulding’s and asking the salesman a million dopy questions—and here I was getting the ax again. It made me feel pretty sad. She bought me the wrong kind of skates—I wanted racing skates and she bought hockey—but it made me sad anyway. Almost every time somebody gives me a present, it ends up making me sad.
J.D. Salinger (The Catcher in the Rye)
I kept walking and walking, and I kept thinking about old Phoebe going to that museum on Saturdays that way I used to. I thought how she'd see the same stuff I used to see, and who she'd be different every time she saw it. It didn't exactly depress me to think about it, but it didn't make me feel gay as hell, either. Certain things they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone. I know that's impossible, but it's too bad anyway.
J.D. Salinger (The Catcher in the Rye)
One thing about packing depressed me a little. I had to pack these brand-new ice skates my mother had practically just sent me a couple of days before. That depressed me. I could see my mother going in Spaulding's and asking the salesman a million dopy questions- and here I was getting the ax again. It made me feel pretty sad. She bought me the wrong kind of skates- I wanted racing skates and she bought hockey- but it made me sad anyway. Almost every time somebody gives me a present, it ends up making me sad.
J.D. Salinger (The Catcher in the Rye)
What made it worse, it was so quiet and lonesome out, even though it was Saturday night. I didn’t see hardly anybody on the street. Now and then you just saw a man and a girl crossing a street, with their arms around each other’s waists and all, or a bunch of hoodlumy-looking guys and their dates, all of them laughing like hyenas at something you could bet wasn’t funny. New York’s terrible when somebody laughs on the street very late at night. You can hear it for miles. It makes you feel so lonesome and depressed.
J.D. Salinger (The Catcher in the Rye)
A lot of schools were home for vacation already, and there were about a million girls sitting and standing around waiting for their dates to show up. Girls with their legs crossed, girls with their legs not crossed, girls with terrific legs, girls with lousy legs, girls that looked like swell girls, girls that looked like they'd be bitches if you knew them. It was really nice sightseeing, if you know what I mean. In a way, it was sort of depressing, too, because you kept wondering what the hell would happen to all of them. When they got out of school and college, I mean. You figured most of them would probably marry dopey guys. Guys that always talk about how many miles they get to a gallon in their goddam cars. Guys that get sore and childish as hell if you beat them at golf, or even just some stupid game like ping-pong. Guys that are very mean. Guys that never read books. Guys that are very boring--But I have to be careful about that. I mean about calling certain guys bores. I don't understand boring guys. I really don't. "Много училища бяха вече разпуснати и милион момичета седяха или стърчаха наоколо и чакаха гаджетата си. Момичета кръстосали крака, момичета некръстосали крака, момичета със страшно хубави крака, момичета, които изглеждаха чудесни момичета, момичета, които ти се струваше, че ще излязат уличници, ако ги опознаеш по-отблизо. Наистина гледката беше приятна, ако ме разбирате. Но донякъде беше и потискаща, защото все се питах какво ли има да им мине през главата, дявол да го вземе. Като завършат училище и колежа, искам да кажа. Представях си, че повечето от тях вероятно ще се оженят за някои нехранимайковци. Такива, които само знаят да разправят колко бензин хабят идиотските им коли на сто мили. Или такива, дето се сърдят като деца, ако ги биеш на голф или дори на някаква глупава игра като пинг-понг. Подли типове. Типове, които никога не четат книги. Скучни типове — но тук трябва да съм много внимателен. Искам да кажа, когато наричам някои хора скучни. Никак не разбирам кои хора са скучни и кои не. Наистина не разбирам." Надя Сотирова "Много училища вече бяха разпуснали за ваканцията и наоколо седяха и стояха към милион момичета и чакаха кавалерите си. Момичета с кръстосани крака и без, момичета със страхотни крака, момичета с кофти крака, момичета, готини наглед, и момичета с вид, загатващ, че ако ги опознаеш, ще излязат кучки. Много хубава гледка, ако ме разбирате. Но донякъде и депресираща, защото все се питаш какво ли ги чака всички тях, дявол го взел. Като завършат училище и колеж, де. То е ясно, че повечето от тях сигурно ще се омъжат за тъпаци. За типове, дето вечно ще разправят колко мили изминават със смотаните си коли за един галон бензин. Типове, дето ще ти се сърдят и ще ти се вдетиняват, ако ги биеш на голф или даже на някоя тъпа игра като тенис на маса. Адски подли типове. Типове, които книга не поглеждат. Страшно досадни типове… Но ей с това трябва да внимавам – като наричам досадници някои хора, искам да кажа. Не разбирам аз от досадници. Сериозно." Светлана Комогорова- Комата
J.D. Salinger (The Catcher in the Rye)
The more I thought about my gloves and my yellowness, the more depressed I got, and I decided, while I was walking and all, to stop off and have a drink somewhere. I’d only had three drinks at Ernie’s, and I didn’t even finish the last one. One thing I have, it’s a terrific capacity. I can drink all night and not even show it, if I’m in the mood. Once, at the Whooton School, this other boy, Raymond Goldfarb, and I bought a pint of Scotch and drank it in the chapel one Saturday night, where nobody’d see us. He got stinking, but I hardly didn’t even show it. I just got very cool and nonchalant. I puked before I went to bed, but I didn’t really have to—I forced myself.
J.D. Salinger (The Catcher in the Rye)
The kid was swell. He was walking in the street, instead of on the sidewalk, but right next to the curb. He was making out like he was walking a very straight line, the way kids do, and the whole time he kept singing and humming. I got up closer so I could hear what he was singing. He was singing that song, 'If a body catch a body coming through the rye.' He had a pretty little voice, too. He was just singing for the hell of it, you could tell. The cars zoomed by, brakes screeched all over the place, his parents paid no attention to him, and he kept on walking next to the curb and singing 'If a body catch a body coming through the rye.' It made me feel better. It made me feel not so depressed any more.
J.D. Salinger (The Catcher in the Rye)
While I was sitting down, I saw something that drove me crazy. Somebody’d written “Fuck you” on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they’d wonder what the hell it meant, and then finally some dirty kid would tell them – all cockeyed, naturally – what it meant, and how they’d all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever’d written it. I figured it was some perverty bum that’d sneaked in the school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I’d smash his head on the stone steps till he was good and goddam dead and bloody. But I knew, too, I wouldn’t have the guts to do it. I knew that. That made me even more depressed.
J.D. Salinger (The Catcher in the Rye)
Old Phoebe said something then, but I couldn't hear her. She had the side of her mouth right smack on the pillow, and I couldn't hear her. "What?" I said. "Take your mouth away. I can't hear you with your mouth that way." "You don't like anything that's happening." It made me even more depressed when she said that. "Yes I do. Yes I do. Sure I do. Don't say that. Why the hell do you say that?" "Becuase you don't. You don't like any schools. You don't like a million things. You don't." "I do! That's where you're wrong - that's exactly where you're wrong! Why the hell do you have to say that?" I said. Boy, was she depressing me. "Because you don't," she said. "Name one thing." "One thing? One thing I like?" I said. "Okay." The trouble was, I couldn't concentrate too hot. Sometimes it's hard to concentrate. "One thing I like a lot you mean? I asked her. She didn't answer me, though. She was in a cockeyed position way the hell over the other side of the bed. She was about a thousand miles away. "C'mon, answer me," I said. "One thing I like a lot, or one thing I just like?" "You like a lot." "All right," I said. But the trouble was, I couldn't concentrate.
J.D. Salinger (The Catcher in the Rye)
I kept walking and walking up Fifth Avenue, without any tie on or anything. Then all of a sudden, something very spooky started happening. Every time I came to the end of a block and stepped off the goddam curb, I had this feeling that I’d never get to the other side of the street. I thought I’d just go down, down, down, and nobody’d ever see me again. Boy, did it scare me. You can’t imagine. I started sweating like a bastard – my whole shirt and underwear and everything. Then I started doing something else. Every time I’d get to the end of a block I’d make believe I was talking to my brother Allie. I’d say to him, “Allie, don’t let me disappear. Allie, don’t let me disappear. Allie, don’t let me disappear. Please, Allie.” And then when I’d reach the other side of the street without disappearing, I’d thank him. Then it would start all over again as soon as I got to the next corner. But I kept going and all. I was sort of afraid to stop, I think – I don’t remember, to tell you the truth. I know I didn’t stop till I was way up in the Sixties, past the zoo and all. Then I sat down on this bench. I could hardly get my breath, and I was still sweating like a bastard. I sat there, I guess, for about an hour.
J.D. Salinger (The Catcher in the Rye)
While I was walking up the stairs, though, all of a sudden I thought I was going to puke again. Only, I didn’t. I sat down for a second, and then I felt better. But while I was sitting down, I saw something that drove me crazy. Somebody’d written “Fuck you” on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they’d wonder what the hell it meant, and then finally some dirty kid would tell them—all cockeyed, naturally—what it meant, and how they’d all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever’d written it. I figured it was some perverty bum that’d sneaked in the school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I’d smash his head on the stone steps till he was good and goddam dead and bloody. But I knew, too, I wouldn’t have the guts to do it. I knew that. That made me even more depressed. I hardly even had the guts to rub it off the wall with my hand, if you want to know the truth. I was afraid some teacher would catch me rubbing it off and would think I’d written it. But I rubbed it out anyway, finally. Then I went on up to the principal’s office.
J.D. Salinger (The Catcher in the Rye)