β
The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.
β
β
Friedrich Nietzsche
β
My life has a superb cast, but I cannot figure out the plot.
β
β
Ashleigh Brilliant
β
The world is a stage and the play is badly cast.
β
β
Oscar Wilde
β
I alone cannot change the world, but I can cast a stone across the waters to create many ripples.
β
β
Mother Teresa
β
Jesper knocked his head against the hull and cast his eyes heavenward. βFine. But if Pekka Rollins kills us all, Iβm going to get Wylanβs ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.β
Brekkerβs lips quirked. βIβll just hire Matthiasβ ghost to kick your ghostβs ass.β
βMy ghost wonβt associate with your ghost,β Matthias said primly, and then wondered if the sea air was rotting his brain.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Be careful, lest in casting out your demon you exorcise the best thing in you.
β
β
Friedrich Nietzsche
β
Remember, darkness does not always equate to evil, just as light does not always bring good.
β
β
P.C. Cast (Betrayed (House of Night, #2))
β
If you have good friends, no matter how much life is sucking , they can make you laugh.
β
β
P.C. Cast
β
Poetry is the shadow cast by our streetlight imaginations.
β
β
Lawrence Ferlinghetti
β
Power resides only where men believe it resides. [...] A shadow on the wall, yet shadows can kill. And ofttimes a very small man can cast a very large shadow.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
Chance is always powerful. Let your hook be always cast; in the pool where you least expect it, there will be a fish.
β
β
Ovid (Heroides)
β
The brightest flame casts the darkest shadow.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
For to be free is not merely to cast off one's chains, but to live in a way that respects and enhances the freedom of others.
β
β
Nelson Mandela
β
When you light a candle, you also cast a shadow.
β
β
Ursula K. Le Guin
β
How can I be substantial if I do not cast a shadow? I must have a dark side also If I am to be whole.
β
β
C.G. Jung (Modern Man in Search of a Soul)
β
Still, what I want in my life
is to be willing
to be dazzledβ
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
β
β
Mary Oliver
β
...for love casts out fear, and gratitude can conquer pride.
β
β
Louisa May Alcott (Little Women)
β
She cast her fragrance and her radiance over me. I ought never to have run away from her... I ought to have guessed all the affection that lay behind her poor little stratagems. Flowers are so inconsistent! But I was too young to know how to love her...
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.
β
β
Erich Maria Remarque (All Quiet on the Western Front)
β
You know how it is with cats: They don't really have owners, they have staff.
β
β
P.C. Cast (Chosen (House of Night, #3))
β
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
β
β
C. JoyBell C.
β
But would you kindly ponder this question: What would your good do if
evil didn't exist, and what would the earth look like if all the shadows
disappeared? After all, shadows are cast by things and people. Here is the
shadow of my sword. But shadows also come from trees and living beings.
Do you want to strip the earth of all trees and living things just because
of your fantasy of enjoying naked light? You're stupid.
β
β
Mikhail Bulgakov (The Master and Margarita)
β
Once in a golden hour
I cast to earth a seed.
Up there came a flower,
The people said, a weed.
β
β
Alfred Tennyson (The Complete Works of Alfred Tennyson)
β
I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
The dark does not destroy the light; it defines it. It's our fear of the dark that casts our joy into the shadows.
β
β
BrenΓ© Brown (The Gifts of Imperfection)
β
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Last time I saw you, I said that it hurt too much to love you. But I was wrong about that. The truth is it hurts too much not to love you.
β
β
P.C. Cast
β
You may be born into a family, but you walk into friendships. Some youβll discover you should put behind you. Others are worth every risk.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!
β
β
William Shakespeare (Hamlet)
β
...stories can make someone immortal as long as someone else is willing to listen.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
To light a candle is to cast a shadow...
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
The best part of beauty is that which no picture can express.
β
β
P.C. Cast (Betrayed (House of Night, #2))
β
Maybe it's better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
If a person seems wicked, do not cast him away. Awaken him with your words, elevate him with your deeds, repay his injury with your kindness. Do not cast him away; cast away his wickedness.
β
β
Lao Tzu
β
I am tired of being used, hurt, and cast aside. It is my turn to use. My turn to hurt.
β
β
Marie Lu (The Young Elites (The Young Elites, #1))
β
No one is just a victim or a victor. Everyone is somewhere in between. People who go around casting themselves as one or the other are not only kidding themselves, but theyβre also painfully unoriginal.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Put your thoughts to sleep,
do not let them cast a shadow
over the moon of your heart.
Let go of thinking.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
There will always be someone willing to hurt you, put you down, gossip about you, belittle your accomplishments and judge your soul. It is a fact that we all must face. However, if you realize that God is a best friend that stands beside you when others cast stones you will never be afraid, never feel worthless and never feel alone.
β
β
Shannon L. Alder
β
We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
β
β
E.M. Forster (A Room with a View)
β
I've spent years living safely to secure a longer life, and look where that's gotten me. I'm at the finish line but I never ran the race.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
Christmas in the Underworld was NOT my idea.
If I'd known what was coming, I would've called in sick. I could've avoided an army of demons, a fight with a Titan, and a trick that almost got my friends and me cast into eternal darkness.
But no, I had to take my stupid English exam.
β
β
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
β
She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
β
β
Kate Chopin (The Awakening)
β
Your absence has not taught me to be alone, it merely has shown that when together we cast a single shadow on the wall.
β
β
Doug Fetherling
β
But no matter what choices we make - solo or together - our finish line remains the same β¦ No matter how we choose to live, we both die at the end.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.
β
β
Margaret Atwood (The Blind Assassin)
β
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Actually, since I'm gay I think I should count for two guys instead of just one. I mean, in me you get the male point of view and you don't have to worry about me wanting to touch your boobies.
β
β
P.C. Cast (Marked (House of Night, #1))
β
Doubt as sin. β Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature β is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.
β
β
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
β
If wishes were fishes, we'd all cast nets.
β
β
Frank Herbert (The Dune Storybook)
β
I wasted all those yesterdays and am completely out of tomorrows.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
If I shot an arrow and thought about an ass, would it surprise you if it hit Erik?
β
β
P.C. Cast (Tempted (House of Night, #6))
β
Be careful when you cast out your demons that you donβt throw away the best of yourself.
β
β
Friedrich Nietzsche
β
That man is such a damn turd monkey."
"Grandma!" I said.
"Oh, Zoeybird, did I just call your mother's husband a damn turd monkey out loud?"
"Yes, Grandma, you did."
She looked at me, her dark eyes sparkling. "Good.
β
β
P.C. Cast
β
Don't fuck with an English major. They keep lots of useless crap trapped in their heads. Once in a while they let some of it out and it bites you square on the ass.
β
β
P.C. Cast (Divine By Mistake (Partholon, #1))
β
Because you are the superhero fledgling. Iβm just your more attractive sidekick. Oh, and the herd of nerds are your dorky minions.
β
β
P.C. Cast (Untamed (House of Night, #4))
β
You have been told that, even like a chain, you are as weak as your weakest link.
This is but half the truth.
You are also as strong as your strongest link.
To measure you by your smallest deed is to reckon the power of the ocean
by the frailty of its foam.
To judge you by your failures is to cast blame upon the seasons for their inconstancy.
β
β
Kahlil Gibran (The Prophet)
β
Come on, Iko.β
Iko was still hiding, hugging herself self-consciously. βIs he looking?β
Kai raised an eyebrow.
βHeβs not looking,β said Cinder.
A hesitation. βAre you sure?β
Cinder gestured exasperatedly at Kai. βYouβre not looking.β
He cast his eyes to the ceiling. βOh, for all the stars." Crossing his arms, he turned his back on them.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
No matter how we choose to live, we both die at the end.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
Sometimes the truth is a secret you're keeping from yourself because living a lie is easier.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
Perfect love casts out fear. Where there is love there are no demands, no expectations, no dependency. I do not demand that you make me happy; my happiness does not lie in you. If you were to leave me, I will not feel sorry for myself; I enjoy your company immensely, but I do not cling.
β
β
Anthony de Mello (Awareness: The Perils and Opportunities of Reality)
β
I seek strength, not to be greater than other, but to fight my greatest enemy, the doubts within myself
β
β
P.C. Cast
β
I kiss the guy who brought me to life on the day weβre going to die.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
Don't you think baby corns are scary? There's just something wrong about their midget bodies.
β
β
P.C. Cast (Marked (House of Night, #1))
β
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when otherβs cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, βthatβs herβ, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleepβ¦..you marry him all over again.
β
β
Shannon L. Alder
β
As your girlfriend, you've just pissed me off. As your High Priestess, you've just insulted me. And as someone with a working brain, you've made me wonder if you've lost every bit of your sense. (Zoey Redbird)
β
β
P.C. Cast (Hunted (House of Night, #5))
P.C. Cast (Marked (House of Night, #1))
β
I know the feelings of my heart, and I know men. I am not made like any of those I have seen; I venture to believe that I am not made like any of those who are in existence. If I am not better, at least I am different. Whether Nature has acted rightly or wrongly in destroying the mould in which she cast me, can only be decided after I have been read.
β
β
Jean-Jacques Rousseau (Confessions)
β
We are as forlorn as children lost in the wood. When you stand in front of me and look at me, what do you know of the griefs that are in me and what do I know of yours? And if I were to cast myself down before you and tell you, what more would you know about me that you know about Hell when someone tells you it is hot and dreadful?
β
β
Franz Kafka
β
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
So don't be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don't know what work they are accomplishing within you?
β
β
Rainer Maria Rilke (Letters to a Young Poet)
β
In that one slight motion, I see the end of hope, beginning of destruction of everything I hold dear in the world. I can't guess what form my punishment will take, how wide the net will be cast, but when it is finished there most likely be nothing left. So you would think that at this moment, I would be in utter despair.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Two dudes met. They fell in love. They lived. That's our story.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
P.C. Cast (Marked (House of Night, #1))
β
Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasnβt a demon: it was me.
β
β
Tara Westover (Educated)
β
Entire lives aren't lessons, but there are lessons in lives.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
I'm her protection! I don't care if it's in this world or the next. Just show me how to get where she is, and I'll be there for her. ~Stark
β
β
P.C. Cast (Burned (House of Night, #7))
β
Nuns freak me out.
β
β
P.C. Cast (Untamed (House of Night, #4))
β
He saw you cast into a river of life you didn't request. He saw you betrayed by those you love. He saw you with a body that gets sick and a heart that grows weak. He saw you in your own garden of gnarled trees and sleeping friends. He saw you staring into the pit of your own failures and the mouth of your own grave. He saw you in your own garden of Gethsemane and he didn't want you to be alone ... He would rather go to hell for you than to heaven without you.
β
β
Max Lucado
β
There has to be more to life than just imagining a future for yourself. I can't just wish for the future; I have to take risks to create it.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
I don't know who Azazel is," he said. "Isn't he the cat from The Smurfs?" He cast about , but Isabelle just looked up and rolled her eyes at him.
"Clary?" he thought
Her voice came through, tinged with alarm. "What is it? What happened? Did my mom find out I'm gone?"
"Not yet," he thought back. "Is Azazel the cat from The Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurf questions.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
I cannot tell you how you will survive without me. I cannot tell you how to mourn me. Β I cannot convince you to not feel guilty if you forget the anniversary of my death, or if you realize days or weeks or months have gone by without thinking about me. I just want you to live.
β
β
Adam Silvera (They Both Die at the End (Death-Cast, #1))
β
My mama told me don't trust no white boy, even a pretty one. I'm thinkin' a pretty white boy with wings explodin' up from the ground in a mess of blood and ugly-ass bird things is double trouble." - Kramisha (Ch 5)
β
β
P.C. Cast (Hunted (House of Night, #5))
β
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
β
β
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
β
I should have kissed more than your hand...thought I'd have more time," he whispered between liquid, panting breaths. "...too late now."
I looked into his eyes and completely forgot the rest of the world. In that moment, all I knew was that I was holding Stark in my arms, and I was going to lose him very, very soon.
β
β
P.C. Cast (Untamed (House of Night, #4))
β
Nerd herd, focus. You're here to help the fledglings. Dour One and Dour Two aren't important," said Aphrodite.
"Dr. Seuss reference. I like it," Stark said, giving me a check-me-out-I've-always-read-books hottie grin.
Aphrodite frowned at him.
"I said focus, not flirt.
β
β
P.C. Cast (Tempted (House of Night, #6))
β
As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing.
What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk.
Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.'
Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?'
I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.
β
β
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
β
Casting aside other things, hold to the precious few; and besides bear in mind that every man lives only the present, which is an indivisible point, and that all the rest of his life is either past or is uncertain. Brief is man's life and small the nook of the earth where he lives; brief, too, is the longest posthumous fame, buoyed only by a succession of poor human beings who will very soon die and who know little of themselves, much less of someone who died long ago.
β
β
Marcus Aurelius (Meditations)
β
Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?
β
β
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
β
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
It was possible, no doubt, to imagine a society in which wealth, in the sense of personal possessions and luxuries, should be evenly distributed, while power remained in the hands of a small privileged caste. But in practice such a society could not long remain stable. For if leisure and security were enjoyed by all alike, the great mass of human beings who are normally stupefied by poverty would become literate and would learn to think for themselves; and when once they had done this, they would sooner or later realise that the privileged minority had no function, and they would sweep it away. In the long run, a hierarchical society was only possible on a basis of poverty and ignorance.
β
β
George Orwell (1984)
β
He jests at scars that never felt a wound.
But soft! What light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou, her maid, art far more fair than she.
Be not her maid since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off!
It is my lady. Oh, it is my love.
Oh, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses. I will answer it.β
I am too bold. 'Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp. Her eye in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand.
Oh, that I were a glove upon that hand
That I might touch that cheek!
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William Shakespeare
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Your way of life is sinful and wrong," he said fiercely.
Thus says a man who admits to worshipping a God who vilifies pleasure, relegates women to roles that are little more than servants and broodmares, though they are the backbone of your church, and seeks to control his worshippers through guilt and fear.
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P.C. Cast (Betrayed (House of Night, #2))
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It is a small world. You do not have to live in it particularly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. And it's true, or true as far as it goes. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety.
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Neil Gaiman (Anansi Boys)
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Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom now. When you still had your mother you often thought of the days when you would have her no longer. Now you will often think of days past when you had her. When you are used to this horrible thing that they will forever be cast into the past, then you will gently feel her revive, returning to take her place, her entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power ... that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know that you will never love less, that you will never be consoled, that you will constantly remember more and more.
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Marcel Proust
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I'll find you, don't worry. My body won't be with you all the time, but you'll always have my heart. I'm your worrier, remember?"
"I'll never forget. I promise. I'm your High Priestess and you've pledged yourself to me. That means you have my heart, too."
"Then both of us better stay safe. A heart's a hard thing to live without. I should know. I've tried it.
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P.C. Cast
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The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
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Oh, I think not,β Varys said, swirling the wine in his cup. βPower is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?β
βIt has crossed my mind a time or two,β Tyrion admitted. βThe king, the priest, the rich manβwho lives and who dies? Who will the swordsman obey? Itβs a riddle without an answer, or rather, too many answers. All depends on the man with the sword.β
βAnd yet he is no one,β Varys said. βHe has neither crown nor gold nor favor of the gods, only a piece of pointed steel.β
βThat piece of steel is the power of life and death.β
βJust soβ¦ yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?β
βBecause these child kings and drunken oafs can call other strong men, with other swords.β
βThen these other swordsmen have the true power. Or do they?β Varys smiled. βSome say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelorβs Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Orβ¦ another?β
Tyrion cocked his head sideways. βDid you mean to answer your damned riddle, or only to make my head ache worse?β
Varys smiled. βHere, then. Power resides where men believe it resides. No more and no less.β
βSo power is a mummerβs trick?β
βA shadow on the wall,β Varys murmured, βyet shadows can kill. And ofttimes a very small man can cast a very large shadow.β
Tyrion smiled. βLord Varys, I am growing strangely fond of you. I may kill you yet, but I think Iβd feel sad about it.β
βI will take that as high praise.
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George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
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People have their time stamps on how long you should know someone before earning the right to say it, but I wouldn't like to you no matter how little time we have. People waste time and wait for the right moment and we don't have that luxury. If we had our entire lives ahead of us I bet you'd get tired of me telling you how much I love you because I'm positive that's thepath we were heading on. But because we're about to die, I want to say it as many times as I want--I love you, I love you, I love you, I love you.
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Adam Silvera (They Both Die at the End (Death-Cast, #1))
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Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
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Elizabeth Wurtzel (Prozac Nation)
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The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
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Bob Dylan (Chronicles, Volume One)