β
The nitrogen in our DNA, the calcium in our teeth, the iron in our blood, the carbon in our apple pies were made in the interiors of collapsing stars. We are made of starstuff.
β
β
Carl Sagan (Cosmos)
β
There is more to sex appeal than just measurements. I don't need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
β
β
Audrey Hepburn
β
If you wish to make an apple pie from scratch, you must first invent the universe.
β
β
Carl Sagan (Cosmos)
β
The moral of Snow White is never eat apples.
β
β
Lemony Snicket
β
Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree.
β
β
Martin Luther
β
Grover didn't say anything for awhile. Then, when I thought he was going to give me some deep philosophical comment to make me feel better, he said, "Can I have your apple?
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
Oh, and I suppose the apples ate the cheese.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
When you're surrounded by all these people, it can be lonelier than when you're by yourself. You can be in a huge crowd, but if you don't feel like you can trust anyone or talk to anybody, you feel like you're really alone.
β
β
Fiona Apple
β
For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.
β
β
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
β
Did perpetual happiness in the Garden of Eden maybe get so boring that eating the apple was justified?
β
β
Chuck Palahniuk (Survivor)
β
Autumn seemed to arrive suddenly that year. The morning of the first September was crisp and golden as an apple.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Simplicity is the ultimate sophistication.
β
β
Clare Boothe Luce
β
Adam was but humanβthis explains it all. He did not want the apple for the apple's sake, he wanted it only because it was forbidden. The mistake was in not forbidding the serpent; then he would have eaten the serpent.
β
β
Mark Twain (Pudd'nhead Wilson (Bantam Classics))
β
Girls are like apples...the best ones are at the top of the trees. The boys don't want to reach for the good ones because they are afraid of falling and getting hurt. Instead, they just get the rotten apples that are on the ground that aren't as good, but easy. So the apples at the top think there is something wrong with them, when, in reality, they are amazing. They just have to wait for the right boy to come along, the one who's brave enough to climb all the way to the top of the tree...
β
β
Pete Wentz
β
If you have an apple and I have an apple and we exchange these apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.
β
β
George Bernard Shaw
β
Well,β Tessa said, sighting along the line of the knife, βyou behave as if you dislike me. In fact, you behave as if you dislike us all.β
βI donβt,β Gabriel said. βI just dislike him.β He pointed at Will.
βDear me,β said Will, and he took another bite of his apple. βIs it because Iβm better-looking than you?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
The apple tree in the background, just barely visible, was stretching a single limb out to her, as if wanting to be in the photo with her.
β
β
Sarah Addison Allen (First Frost (Waverley Family, #2))
β
Donβt let the noise of othersβ opinions drown out your own inner voice."
[Stanford University commencement speech, 2005]
β
β
Steve Jobs
β
The devil can cite Scripture for his purpose.
An evil soul producing holy witness
Is like a villain with a smiling cheek,
A goodly apple rotten at the heart.
O, what a goodly outside falsehood hath!
β
β
William Shakespeare (The Merchant of Venice)
β
Do not ask your children
to strive for extraordinary lives.
Such striving may seem admirable,
but it is the way of foolishness.
Help them instead to find the wonder
and the marvel of an ordinary life.
Show them the joy of tasting
tomatoes, apples and pears.
Show them how to cry
when pets and people die.
Show them the infinite pleasure
in the touch of a hand.
And make the ordinary come alive for them.
The extraordinary will take care of itself.
β
β
William Martin (The Parent's Tao Te Ching: Ancient Advice for Modern Parents)
β
Unlike baked beans, loaves of breads, or Fuji apples, books, once consumed, do not disappear.
β
β
John Sutherland (How to Read a Novel)
β
You have to be burning with an idea, or a problem, or a wrong that you want to right. If you're not passionate enough from the start, you'll never stick it out.
β
β
Steve Jobs
β
I have an apple that thinks its a pear. And a bun that thinks itβs a cat. And a lettuce that thinks its a lettuce."
"Itβs a clever lettuce, then."
"Hardly," she said with a delicate snort. "Why would anything clever think itβs a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too.
β
β
Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
β
Ducking for apples -- change one letter and it's the story of my life.
β
β
Dorothy Parker
β
Millions saw the apple fall, Newton was the only one who asked why?
β
β
Bernard M. Baruch
β
Have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
β
β
Steve Jobs
β
Kira: L, do you know
Gods of death
love apples?
L: Damn you, Kira...
β
β
Tsugumi Ohba (Death Note, Vol. 2: Confluence (Death Note, #2))
β
Did you say the stars were worlds, Tess?"
"Yes."
"All like ours?"
"I don't know, but I think so. They sometimes seem to be like the apples on our stubbard-tree. Most of them splendid and sound - a few blighted."
"Which do we live on - a splendid one or a blighted one?"
"A blighted one.
β
β
Thomas Hardy (Tess of the DβUrbervilles)
β
Books and movies are like apples and oranges. They both are fruit, but taste completely different.
β
β
Stephen King
β
God knows your value; He sees your potential. You may not understand everything you are going through right now. But hold your head up high, knowing that God is in control and he has a great plan and purpose for your life. Your dreams may not have turned out exactly as youβd hoped, but the bible says that Godβs ways are better and higher than our ways, even when everybody else rejects you, remember, God stands before you with His arms open wide. He always accepts you. He always confirms your value. God sees your two good moves! You are His prized possession. No matter what you go through in life, no matter how many disappointments you suffer, your value in Godβs eyes always remains the same. You will always be the apple of His eye. He will never give up on you, so donβt give up on yourself.
β
β
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
β
One time, when I was very little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.
β
β
Khaled Hosseini (The Kite Runner)
β
Some of Bay's fondest memories were of lying under the apple tree in the summer while Claire gardened and the apple tree tossed apples at her like a dog trying to coax its owner into playing catch.
β
β
Sarah Addison Allen (First Frost (Waverley Family, #2))
β
He couldnβt see why people made such a fuss about people eating their silly old fruit anyway, but life would be a lot less fun if they didnβt. And there was never an apple, in Adamβs opinion, that wasnβt worth the trouble you got into for eating it.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
I think it's fair rude to make him a tree and not know what kind he is.
β
β
Tamora Pierce (Wolf-Speaker (Immortals, #2))
β
And when you crush an apple with your teeth, say to it in your heart:
Your seeds shall live in my body,
And the buds of your tomorrow shall blossom in my heart,
And your fragrance shall be my breath,
And together we shall rejoice through all the seasons.
β
β
Kahlil Gibran
β
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, remembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
βT.S. Eliot, from βLittle Gidding,β Four Quartets (Gardners Books; Main edition, April 30, 2001) Originally published 1943.
β
β
T.S. Eliot (Four Quartets)
β
Well then," Roen said briskly, "are you sleeping?"
"Yes."
"Come now. A mother can tell when her son lies. Are you eating?"
"No," Brigan said gravely. "I've not eaten in two months. It's a hunger strike to protest the spring flooding in the south."
"Gracious," Roen said, reaching for the fruit bowl. "Have an apple, dear.
β
β
Kristin Cashore (Fire (Graceling Realm, #2))
β
Sometimes life's going to hit you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did.
β
β
Steve Jobs
β
You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
β
β
Anton Chekhov
β
Do you really mean to tell me the only reason you try to be good is to gain God's approval and reward, or to avoid his disapproval and punishment? That's not morality, that's just sucking up, apple-polishing, looking over your shoulder at the great surveillance camera in the sky, or the still small wiretap inside your head, monitoring your every move, even your every base though.
β
β
Richard Dawkins (The God Delusion)
β
Details matter, it's worth waiting to get it right.
β
β
Steve Jobs
β
CORALINE'S STORY
THERE WAS A GIRL HER NAME WAS APPLE. SHE USED TO DANCE A LOT. SHE DANCED AND DANCED UNTIL HER FEET TURND INTO SOSSAJES. THE END.
β
β
Neil Gaiman (Coraline)
β
Come on, itβs an American tradition. Apple soup? Momβs homemade chicken pie?'
She chuckled in spite of herself, then winced. 'Itβs apple pie and Momβs homemade chicken soup. But you didnβt do badly, for a start.
β
β
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
β
Remember that day I made you the elevator?β he suddenly asks.
I give him a faint smile. βHow could I forget?β
βThat was the day I had my first kiss.β
My smile fades.
βIβm better now,β He sets the apple beside me. βAt kissing, just so you know.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Feeling better?β he asked.
βAs warm as chicken-apple soup.β
βIβm never going to hear the end of that, am I?
β
β
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
β
You put a baby in a crib with an apple and a rabbit. If it eats the rabbit and plays with the apple, I'll buy you a new car.
β
β
Harvey Diamond
β
Ah.β Puckβs emerald eyes sparkled with glee. βAnd so they come crawling back for Puckβs help after all. Tsk tsk.β He shook his head and took another bite of the apple. βHow easy it is to forget grudges when someone has something you need.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weatherβs been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damutβs boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
Naturally, Coach Hedge went ballistic; but Percy found it hard to take the satyr seriously since he was barely five feet tall.
"Never in my life!" Coach bellowed, waving his bat and knocking over a plate of apples. "Against the rules! Irresponsible!"
"Coach," Annabeth said, "it was an accident. We were talking, and we fell asleep."
"Besides," Percy said, "you're starting to sound like Terminus."
Hedge narrowed his eyes. "Is that an insult, Jackson? 'Cause I'llβI'll terminus you, buddy!
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
On the day the tree bloomed in the fall, when its white apple blossoms fell and covered the ground like snow, it was tradition for the Waverleys to gather in the garden like survivors of some great catastrophe, hugging one another, laughing as they touched faces and arms, making sure they were all okay, grateful to have gotten through it.
β
β
Sarah Addison Allen (First Frost (Waverley Family, #2))
β
There's small choice in rotten apples.
β
β
William Shakespeare (The Taming of the Shrew)
β
Peeling apples, just peeling apples. Didnβt feel your boobs. No, no, not me
β
β
Alice Clayton (Wallbanger (Cocktail, #1))
β
I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
β
β
J.K. Rowling
β
Come clean with a child heart
Laugh as peaches in the summer wind
Let rain on a house roof be a song
Let the writing on your face
be a smell of apple orchards on late June.
β
β
Carl Sandburg (Honey And Salt)
β
You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
β
β
Steve Jobs
β
In life,there are only four kinds of girls:
The girl who played with fire.
The girl who opened Pandora's Box.
The girl who gave Adam the apple.
And the girl whose best friend stole her boyfriend.
β
β
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
β
Fairy tales say that apples were golden only to refresh the forgotten moment when we found that they were green. They make rivers run with wine only to make us remember, for one wild moment, that they run with water.
β
β
G.K. Chesterton (Orthodoxy)
β
If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
It is not important that he should mature as soon as an apple-tree or
an oak. Shall he turn his spring into summer?
β
β
Henry David Thoreau (Walden)
β
It smelled of him; of apples and magic and cold,moonlit nights.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Dear me," said Will, and he took another bite of his apple. "Is it because I'm better-looking than you?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Mass is not proportional to volume.
A girl as small as a violet. A girl who moves like a flower petal is pulling me toward her with more force than her mass.
Just then, like Newtonβs apple, I rolled toward her without stopping until I fell on her, with a thump. With a thump.
My heart keeps bouncing between the sky and the ground.
It was my first love.
β
β
Kim In Yook (Physics of Love μ¬λμ 물리ν)
β
She tastes like nectar and salt. Nectar and salt and apples. Pollen and stars and hinges. She tastes like fairy tales. Swan maiden at midnight. Cream on the tip of a foxβs tongue. She tastes like hope.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
He tilts his forehead down to rest against mine and pulls me closer. His skin, his whole being radiates heat from being so near the fire, and I close my eyes, soaking in his warmth. I breathe in the smell of snow-dampened leather and smoke and apples, the smell of all those wintry days we shared before the Games. I don't try to move away. Why should I anyway? His voice drops to a whisper. "I love you." That's why.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe;
I told it not, my wrath did grow.
And I water'd it in fears,
Night & morning with my tears;
And I sunnΓ©d it with smiles
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright;
And my foe beheld it shine,
And he knew that it was mine,
And into my garden stole,
When the night had veil'd the pole:
In the morning glad I see
My foe outstretch'd beneath the tree.
β
β
William Blake (Songs of Experience)
β
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
β
β
Lemony Snicket
β
Bishop was all done with the witty conversation. 'Will you swear?'
And Myrnin said, shockingly, 'I will.' And he proceeded to, a string of swearwords that made Claire blink. He ended with, 'βfrothy fool-born apple-john! Cheater of vandals and defiler of dead dogs!' and did another twirl and bow. He looked up with a red, red grin that was more like a leer. 'Is that what you meant, my lord?
β
β
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
β
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
β
β
Stephen Fry
β
Everybody sees me as this sullen and insecure little thing. Those are just the sides of me that I feel necessary to show because no one else seems to be showing them.
β
β
Fiona Apple
β
What happens if your choice is misguided?' I ask, softly.
Miss Moore takes a pear from the bowl and offers us the grapes to devour. 'You must try to correct it.'
'But what if itβs too late? What if you canβt?'
There's a sad sympathy in Miss Moore's catlike eyes as she regards my painting again. She paints the thinnest sliver of shadow along the bottom of the apple, bringing it fully to life.
'Then you must find a way to live with it.
β
β
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
β
A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
β
β
Francesca Lia Block
β
Wasn't he the one who sliced off his ear and mailed it to his girlfriend?"
"Van Gogh," said Varen, in a monotone that suggested he might be in pain.
"Van Gogh," Gwen said, leaning away, waving the apple. "Edgar Allan Poe. Close enough!
β
β
Kelly Creagh (Nevermore (Nevermore, #1))
β
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
You point your feet out too much when you walk,β Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. βCamille walks delicately. Like a faun in the woods. Not like a duck.β
βI do not walk like a duck.β
βI like ducks,β Jem observed diplomatically. βEspecially the ones in Hyde Park.β He glanced sideways at Will; both boys were sitting on the edge of the high table, their legs dangling over the side. βRemember when you tried to convince me to feed poultry pie to the mallards in the park to see if you could breed a race of cannibal ducks?β
βThey ate it too,β Will reminisced. βBloodthirsty little beasts. Never trust a duck.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
Real love is always chaotic. You lose control; you lose perspective. You lose the ability to protect yourself. The greater the love, the greater the chaos. Itβs a given and thatβs the secret.
β
β
Jonathan Carroll (White Apples (Vincent Ettrich, #1))
β
What goes up must come down.
β
β
Isaac Newton
β
I'll be busy for the next eight weeks, so let's set this for November 15th.
MENU
I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream.
You owe me one naked dinner, but I'm not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do.
Curran,
Beast Lord of Atlanta
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Ilona Andrews (Magic Strikes (Kate Daniels, #3))
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I think all the good parts of us are connected on some level. The part that shares the last double chocolate chip cookie or donates to charity or gives a dollar to a street musician or becomes a candy striper or cries at Apple commercials or says I love you or I forgive you. I think that's God. God is the connection of the very best parts of us.
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Nicola Yoon (The Sun Is Also a Star)
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Your God person puts an apple tree in the middle of a garden and says, do what you like, guys, oh, but don't eat the apple. Surprise surprise, they eat it and he leaps out from behind a bush shouting "Gotcha". It wouldn't have made any difference if they hadn't eaten it.'
'Why not?'
'Because if you're dealing with somebody who has the sort of mentality which likes leaving hats on the pavement with bricks under them you know perfectly well they won't give up. They'll get you in the end.
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Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
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The heaviness of being successful was replaced by the lightness of being a beginner again.
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Steve Jobs
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Home is where my habits have a habitat
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Fiona Apple
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Life is glorious, but life is also wretched. It is both. Appreciating the gloriousness inspires us, encourages us, cheers us up, gives us a bigger perspective, energizes us. We feel connected. But if that's all that's happening, we get arrogant and start to look down on others, and there is a sense of making ourselves a big deal and being really serious about it, wanting it to be like that forever. The gloriousness becomes tinged by craving and addiction. On the other hand, wretchedness--life's painful aspect--softens us up considerably. Knowing pain is a very important ingredient of being there for another person. When you are feeling a lot of grief, you can look right into somebody's eyes because you feel you haven't got anything to lose--you're just there. The wretchedness humbles us and softens us, but if we were only wretched, we would all just go down the tubes. We'd be so depressed, discouraged, and hopeless that we wouldn't have enough energy to eat an apple. Gloriousness and wretchedness need each other. One inspires us, the other softens us. They go together.
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Pema ChΓΆdrΓΆn (Start Where You Are: A Guide to Compassionate Living)
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I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written.
I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
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Lemony Snicket (The Beatrice Letters)
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Life will break you. Nobody can protect you from that, and being alone won't either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You have to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes too near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.
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Louise Erdrich (The Painted Drum)
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I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.
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Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
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A rumor is a social cancer: it is difficult to contain and it rots the brains of the masses. However, the real danger is that so many people find rumors enjoyable. That part causes the infection. And in such cases when a rumor is only partially made of truth, it is difficult to pinpoint exactly where the information may have gone wrong. It is passed on and on until some brave soul questions its validity; that brave soul refuses to bite the apple and let the apple eat him. Forced to start from scratch for the sake of purity and truth, that brave soul, figuratively speaking, fully amputates the information in order to protect his personal judgment. In other words, his ignorance is to be valued more than the lie believed to be true.
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Criss Jami (Killosophy)
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And after a long time the boy came back again.
"I am sorry, Boy," said the tree, "but I have nothing left to give you-
My apples are gone."
"My teeth are too weak for apples," said the boy.
"My branches are gone," said the tree.
"You cannot swing on them-"
"I am too old to swing on branches," said the boy.
"My trunk is gone," said the tree.
"You cannot climb-"
"I am too tired to climb," said the boy.
"I am sorry," sighed the tree.
"I wish that I could give you something... but I have nothing left. I am an old stump. I am sorry..."
"I don't need very much now," said the boy, "just a quiet pleace to sit and rest. I am very tired."
"Well," said the tree, straightening herself up as much as she could,
"well, an old stump is a good for sitting and resting. Come, Boy, sit down. Sit down and rest."
And the boy did.
And the tree was happy.
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Shel Silverstein (The Giving Tree)
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Comrades!' he cried. 'You do not imagine, I hope, that we pigs are doing this in a spirit of selfishness and privilege? Many of us actually dislike milk and apples. I dislike them myself. Our sole object in taking these things is to preserve our health. Milk and apples (this has been proved by Science, comrades) contain substances absolutely necessary to the well-being of a pig. We pigs are brainworkers. The whole management and organisation of this farm depend on us. Day and night we are watching over your welfare. It is for your sake that we drink the milk and eat those apples.
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George Orwell (Animal Farm)
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Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums.
That's Mama! Inej had cried.
Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music
Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes
The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth
From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form
It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within
The moon lives in the lining of your skin.
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Pablo Neruda
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When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
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Fiona Apple
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People who are too optimistic seem annoying. This is an unfortunate misinterpretation of what an optimist really is.
An optimist is neither naive, nor blind to the facts, nor in denial of grim reality. An optimist believes in the optimal usage of all options available, no matter how limited. As such, an optimist always sees the big picture. How else to keep track of all thatβs out there? An optimist is simply a proactive realist.
An idealist focuses only on the best aspects of all things (sometimes in detriment to reality); an optimist strives to find an effective solution. A pessimist sees limited or no choices in dark times; an optimist makes choices.
When bobbing for apples, an idealist endlessly reaches for the best apple, a pessimist settles for the first one within reach, while an optimist drains the barrel, fishes out all the apples and makes pie.
Annoying? Yes. But, oh-so tasty!
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Vera Nazarian (The Perpetual Calendar of Inspiration)
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Simon whispered to me, βBut is everything okay?β
βNo,β Tori said. βI kidnapped her and forced her to escape with me. Iβve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.β
βUndying gratitude?β Simon looked at me. βCool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.β
I smiled. βIβll remember that.β
***
βOh, right. You must be starving.β Simon reached into his pockets. βI can offer one bruised apple and one brown banana. Convenience stores arenβt the place to buy fruit, as I keep telling someone.β
βBetter than these. For you, anyway, Simon.β Derek passed a bar to Tori.
βBecause you arenβt supposed to have those, are you?β I said. βWhich reminds meβ¦β I took out the insulin. βDerek said itβs your backup.β
βSo my dark secret is out.β
βI didnβt know it was a secret.β
βNot really. Just not something I advertise.β
...
βBackup?β Tori said. βYou mean he didnβt need that?β
βApparently not,β I murmured.
Simon looked from her to me, confused, then understanding. βYou guys thoughtβ¦β
βThat if you didnβt get your medicine in the next twenty-four hours, youβd be dead?β I said. βNot exactly, but close. You know, the old βupping the ante with a fatal disease that needs medicationβ twist. Apparently, it still works.β
βKind of a letdown, then, huh?β
βNo kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.β
βAll right, then. Emergency medical situation, take two.β
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
βChloe? Is that you?β He coughed. βDo you have my insulin?β
I placed it in his outstretched hand.
βYou saved my life,β he said. βHow can I ever repay you?β
βUndying servitude sounds good. I like my eggs scrambled.β
He held up a piece of fruit. βWould you settle for a bruised apple?β
I laughed.
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Kelley Armstrong (The Awakening (Darkest Powers, #2))
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Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple.
Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.
Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.
As a rule, be more.
As a rule, I miss you.
As a rule,"little" is always smaller than "small". Don't ask me why.
I'm sorry I don't call enough.
Green Apple.
I'm sorry I keep saying How are you? when I really mean Are you happy?
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Ocean Vuong (On Earth We're Briefly Gorgeous)
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Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; sheβd worn Pearl in a sling because whenever sheβd set her down, Pearl would cry. Thereβd scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her motherβs leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Miaβs in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Miaβs arm pinned beneath Pearlβs head, or Pearlβs legs thrown across Miaβs belly. Now, as a teenager, Pearlβs caresses had become rareβa peck on the cheek, a one-armed, half-hearted hugβand all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
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Celeste Ng (Little Fires Everywhere)
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Introduction to Poetry
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem's room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author's name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
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Billy Collins (The Apple that Astonished Paris)
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Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone elseβs
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
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Tyler Knott Gregson
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You want to see safe hands?' her dad asked. He went to the fruit bowl on the side of the table, took two apples and proceeded to juggle them. 'See? Safe as anything.'
'Are you proposing you juggle our newborn child?'
'Of course not,' he said. 'I'd only be able to juggle her if you'd had twins. Otherwise it would just be throwing.'
(...) 'From this moment on, I will be the best father the world has ever seen. Wifey, may I please hold my child?'
Valkyrie's mum looked at him suspiciously. 'When you hold a baby, what's the most important thing to remember?'
'Not to drop it,' he said proudly.
'Well, yes, well done dear, but I was thinking more about how you hold the baby.'
'Ah,' he said, 'Of course. The secret to holding a baby is to pick it up by the scruff of its neck.'
'You're thinking of kittens.'
'Pick it up by the ears, then.'
'You're thinking of nothing.'
'Can I please just hold her?'
'I don't think that's wise.'
'A lot of things aren't wise, Melissa. Is crossing the road with your eyes closed wise? No, but I do it anyway.'
His wife nodded. 'Stephanie, you are in charge of teaching Alice how to cross the road.
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Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
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Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek."
I smiled my best smile of the day. "Hello Auri," I said. "You smell like a
pretty young girl."
"I do," she agreed happily.
She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked.
"What did you bring me?" I countered.
She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce."
"It's a clever lettuce then."
"Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater.
I unwrapped my bundle. "I brought you some potatoes, half a squash,
and a bottle of beer that thinks it is a loaf of bread."
"What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back
"It knows it's a squash," I said. "But it's pretending to be the setting sun."
"And the potatoes?" she asked.
"They're sleeping," I said. "And cold, I'm afraid."
She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
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Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
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From Jess:
FANG.
I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions.
DO YOU HAVE A JAMAICAN ACCENT? No, Mon
DO YOU MOLT? Gross.
WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio.
HAVE YOU TOLD JEB I LOVE HIM YET? No.
DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true...
DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy?
DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does.
DO YOU USE HAIR PRODUCTS? No. Again,no.
DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet.
WHAT'S YOU FAVORITE MOVIE? There are a bunch
WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing.
WHAT'S YOUR FAVORITE SMELL? Max, when she showers.
DO THESE QUESTIONS MAKE YOU ANGRY? Not really.
IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so.
DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody?
ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again.
WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy.
WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast.
DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above.
DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside.
DO YOU LIKE MAX? Duh.
DO YOU LIKE ME? I think you're funny.
DOES IGGY LIKE ME? Sure
DO YOU WRITE DEPRESSING POETRY? No.
IS IT ABOUT MAX? Ahh. No.
IS IT ABOUT ARI? Why do you assume I write depressing poetry?
IS IT ABOUT JEB? Ahh.
ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no.
WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans.
DO YOU WEAR BOXERS OR BRIEFS? No freaking comment.
DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal?
DO YOU WEAR SUNGLASSES? Yes, cheap ones.
DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see.
DO YOU SMOKE APPLES, LIKE US? Huh?
DO YOU PREFER BLONDES OR BRUNETTES? Whatever.
DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock.
ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh...
WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh...
WOULD YOU TELL US IF YOU WERE GAY? Yes.
DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No.
ARE YOU EMO? Whatever.
DO YOU LIKE EGGS? Yes. I had them for breakfast.
DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby.
DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world?
DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek!
HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah
DO YOU LIKE SPONGEBOB? He's okay, I guess.
DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely
CAN YOU COOK? Iggy cooks.
DO YOU LIKE TO COOK? I like to eat.
ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife?
DO YOU SECRETLY HAVE INNER TURMOIL?
Isn't it obvious?
DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars.
DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure.
WHERE DID YOU LEARN TO PLAY POKER? TV.
DO YOU HAVE A GOOD POKER FACE? Totally.
OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes.
CAN HE EVEN PLAY POKER? Iggy beats me sometimes.
DO YOU LIKE POKING PEOPLE HARD? Not really.
ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be.
Fly on,
Fang
β
β
James Patterson (Fang (Maximum Ride, #6))