Cart Quotes

We've searched our database for all the quotes and captions related to Cart. Here they are! All 100 of them:

Seize the moment. Remember all those women on the 'Titanic' who waved off the dessert cart.
Erma Bombeck
When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movements become headlong - faster and faster and faster. They put aside all thoughts of obstacles and forget the precipice does not show itself to the man in a blind rush until it's too late.
Frank Herbert (Dune (Dune, #1))
I roll my eyes. "So when did I become so special? When they carted me off to the Capitol?" "No, about six months before that. Right after New Year's. We were in the Hob, eating some slop of Greasy Sae's. And Darius was teasing you about trading a rabbit for one of his kisses. And I realized...I minded.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
What's this?" "That's a mango." Simon stared at Jace. Sometimes it really is like Shadowhunters were from an alien planet. "I don't think I've seen one of those that wasn't already cut up," Jace mused. "I like mangoes." Simon grabbed the mango and tossed it into the cart. "Great. What else do you like?" Jace pondered for a moment. "Tomato soup," he said finally. "Tomato soup? You want tomato soup and a mango for dinner?" Jace shrugged. "I don't really care about food.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
No, mademoiselle, I would not like to see the children's menu. I have no doubt that the children's menu itself tastes better than the meals on it. I would like to order à la carte. Or don't you serve fish to minors?
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
Is it still a fish cart when there’s no fish in it? When its false bottom is filled with children?
Andri E. Elia (Borealis: A Worldmaker of Yand Novel)
On Undecided Voter​s: "To put them in perspective, I think​ of being​ on an airplane.​ The flight attendant comes​ down the aisle​ with her food cart and, eventually,​ parks​ it beside my seat.​ “Can I inter​est you in the chick​en?​” she asks.​ “Or would​ you prefer the platter of shit with bits of broke​n glass​ in it?” To be undecided in this elect​ion is to pause​ for a moment and then ask how the chick​en is cooked.
David Sedaris
Orice carte citită, orice lecţie invăţată, se vor aşeza sub voi şi vă vor ridica deasupra celorlalţi.
Tudor Chirilă
Our life is shaped by our mind; we become what we think. Suffering follows an evil thought as the wheels of a cart follow the oxen that draws it. Our life is shaped by our mind; we become what we think. Joy follows a pure thought like a shadow that never leaves.
Gautama Buddha
Are you sure this will work?” asked Princess Sophie as she was pulling the cart away from Lady Ariana’s cottage. “If you believe, it will work,” said Lady Ariana.
Mike Martin (Princess Sophie and the Christmas Elixir)
Myrna could spend happy hours browsing bookcases. She felt if she could just get a good look at a person’s bookcase and their grocery cart, she’d pretty much know who they were.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
A demigod!" one snarled. "Eat it!" yelled another. But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters. "Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down. "New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!" To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long. I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
A shopping cart flipped upside down forms a cage that I use to protect myself from consumerism.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
C’mon,” he said. “One foot in front of the other. You know how it’s done” “You’re interfering with my plan.” “Oh really?” “Yes. Faint, get trampled, grievous injuries all around.” “That sounds like a brilliant plan.” “Ah, but if I’m horribly maimed, I won’t be able to cross the Fold.” Mal nodded slowly. “I see. I can shove you under a cart if that would help.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
do you fix a wheel that isn't broken, or do you wait until the cart collapses?
Jodi Picoult (My Sister’s Keeper)
Usually when a man calls a woman a bitch," a voice calls over from a cart pulling up near us at the edge of camp,"its because she's doing something right.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
I never know," Harry called to Hagrid over the noise of the cart, "What's the difference between a stalagmite and a stalactite?" "Stalagmite's got an 'm' in it," said Hagrid.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
People think they know the mystery of living in your skin. They don't. There's no one who knows except the person who carts it around her own self.
Colum McCann (Let the Great World Spin)
As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Some regard private enterprise as if it were a predatory tiger to be shot. Others look upon it as a cow that they can milk. Only a handful see it for what it really is--the strong horse that pulls the whole cart.
Winston S. Churchill
I never resist temptation because I have found that things that are bad for me do not tempt me.
George Bernard Shaw (The Apple Cart: A Political Extravaganza)
I paused, only just now realizing that the subject was hitting a little close to home. "You know, getting hurt. Putting herself out there, opening up to someone." Yeah," he said adding some cheese straws to the cart, "but risk is just part of relationships. Sometimes they work, sometimes they don't." I picked up a box of cheese straws, examining it. "Yeah," I said. "But it's not all about chance, either.
Sarah Dessen (Lock and Key)
Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
Anne Sexton (To Bedlam and Part Way Back)
When the rusty shackles of our emotions are being unchained, we can become lovers without a cause, and intrinsically the deepest wells of our unconsciousness may uncover the uncharted territories of deliverance, granting free rein to our intuition and giving love downright carte blanche. ("Another empty room" )
Erik Pevernagie
Uneori uit unde mă aflu şi zâmbesc aşa, fără motiv. Câteodată sunt vesel. Vesel de tot. Pentru că uit de mine. Mă pierd pe undeva, în vreun loc depărtat, cum ai uita o carte pe fereastră.
Marin Sorescu
There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Sir, this lane is for ten items or less. I’m counting thirteen items in your cart, including that hemorrhoid cream. And while hemorrhoids might give you a reason to be nasty, they don’t give you a reason to be in this lane.
J.A. Konrath
I didn’t want to be prideful anymore. I wanted to be as hard as and brittle as the stones I carted into the woods. Stones that could not feel or cry or see. I wished not to feel anything at all. In no time, what I wished for, I became.
Alice Hoffman (Green Angel (Green Angel, #1))
A Poem By Max White is the color of little bunnies with pink noses. White is the color of fluffy clouds fluffing their way across the sky. White is the color of angel's wings and Angel's wings. White is the color of brand-new ankle socks fresh out of the bag. White is the color of crisp sheets in schmancy hotels. White is the color of every last freaking, gol-danged thing you see for endless miles and miles if you happen to be in Antarctica trying to save the world, which now you aren't so sure you can do because you feel like if you see any more whiteness-Wonder Bread, someone's underwear, teeth-you will completely and totally lose your ever-lovin' mind and wind up pushing a grocery cart full of empty cans around New York City, muttering to yourself. That was my first poem ever. Okay, so it's not Shakespeare, but I liked it.
James Patterson (The Final Warning (Maximum Ride, #4))
I came to the conclusion a while ago that there is nothing romantic or supernatural about loving someone: Love is the privilege of being responsible for another. It was, for a time, what kept me going: Each morning, for a little while, I got to feel the weight of the yoke on my back as I pulled the ancient cart of my species.
John Green (Zombicorns)
Friday morning, Kylie, Miranda, and Della, each carting suitcases, walked the trail to meet up with their parents. They walked slowly, like condemned prisoners moving to their executions. “I’m going to be peeing on a drug test stick every hour,” Della muttered. Miranda sighed. “I’m going to screw up at my competition and my mom is going to give me up for adoption.” “I’m going to a ghost hunt,” Kylie added. Both girls looked at her. “Don’t ask.
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
Simon shook his head."Look,do you know what you want to eat,or do you just want me to keep pushing this cart up and down aisles because it amuses you?" "That and I'm not really familiar with what they sell in mundane grocery stores.Maryse usually cooks or we order in food."said Jace
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows when the harm is too much to bare. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it. For some people, that time never comes. Some stay fractured, forever broken. You see them on the street, pushing carts. You see them in the faces of the regulars at the bar.
Karen Marie Moning (Dreamfever (Fever, #4))
Quoting an old proverb: "An empty cart rattles loudly." she said. meaning, One who lacks substance boasts loudest.
Alan Brennert (Honolulu)
In the opening to the Mary Tyler Moore Show Mary's in the supermarket, hurrying through the aisles. She pauses at the meat case, picks up a steak and checks the price. Then rolls her eyes, shrugs and tosses it in the cart. That's kind of how I feel. Sure I would have liked things to be different. But, 'roll of eyes' what can you do? 'shrug' I threw the meat in my cart and moved on.
Augusten Burroughs (Running with Scissors)
I followed the course From chaos to art Desire the horse Depression the cart
Leonard Cohen (Book of Longing)
If we really saw war, what war does to young minds and bodies, it would be impossible to embrace the myth of war. If we had to stand over the mangled corpses of schoolchildren killed in Afghanistan and listen to the wails of their parents, we would not be able to repeat clichés we use to justify war. This is why war is carefully sanitized. This is why we are given war's perverse and dark thrill but are spared from seeing war's consequences. The mythic visions of war keep it heroic and entertaining… The wounded, the crippled, and the dead are, in this great charade, swiftly carted offstage. They are war's refuse. We do not see them. We do not hear them. They are doomed, like wandering spirits, to float around the edges of our consciousness, ignored, even reviled. The message they tell is too painful for us to hear. We prefer to celebrate ourselves and our nation by imbibing the myths of glory, honor, patriotism, and heroism, words that in combat become empty and meaningless.
Chris Hedges (Death of the Liberal Class)
What is meditation?... It is fleeing from the self, it is a short escape of the agony of being a self, it is a short numbing of the senses against the pain and the pointlessness of life. The same escape, the same short numbing is what the driver of an ox-cart finds in the inn, drinking a few bowls of rice wine or fermented coconut-milk.
Hermann Hesse (Siddhartha)
She bypassed the junk food aisle altogether. “Okay, Faith. Hold up.” He grabbed the end of her cart and pulled it down the aisle. Snagging a bag of potato chips, he tossed them in her cart. “Better. Let’s find you some Twinkies.
Kelly Moran (All of Me (Covington Cove, #2))
I’m only doing this,” he said, “because I really love hiding in haunted Eldren buildings on dark and creepy nights.” “You’re a liar,” said Jean, slowly. “I’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” “Liar,” said Calo. “I’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” “Liar!” Galdo chuckled. “I’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” “You’re all liars,” said Locke as their eyes turned expectantly to him. “We’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” “Bastard!” They shouted in unison, forgetting their surroundings for a bare moment.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
God forbid I should bleed to death, eh? Then you'd have to cart around my rotting corpse. (Kyrian) Could you be any more morbid? Jeez, who was your idol growing up? Boris Karloff? (Amanda) Hannibal, actually. (Kyrian) You're trying to scare me, aren't you? Well, it won't work. I grew up in a house with an angry poltergeist and two sisters who used to conjure demons just to fight them. Buster, I've seen it all and your gallows humor isn't working on me. (Amanda)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
You’re mine,” he said hoarsely, lifting his head and staring deep into her eyes, willing her to believe. “If you leave, I will follow. Do you hear me? I will follow and find you and cart you home.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
The sirens were getting louder as Damino ran to him, handcuffing Khalizad from behind and putting her in the vehicle. Together they lifted the inert Afnan and his cart into the van’s cargo space.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
Just as modern motorways have no room for ox-carts or wandering pedestrians, so modern society has little place for lives and ways that are too eccentric.
A.C. Grayling (The Meaning of Things)
This is how most stories end in the hospital. Not with crash carts and sirens and electric shocks to the chest, but with an empty room, a crisp white bed, silence.
Jacob M. Appel (Phoning Home)
For over a thousand years Roman conquerors returning from the wars enjoyed the honor of triumph, a tumultuous parade. In the procession came trumpeteers, musicians and strange animals from conquered territories, together with carts laden with treasure and captured armaments. The conquerors rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children robed in white stood with him in the chariot or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering in his ear a warning: that all glory is fleeting.
George S. Patton Jr.
Why did Africa let Europe cart away millions of Africa's souls from the continent to the four corners of the wind? How could Europe lord it over a continent ten times its size? Why does needy Africa continue to let its wealth meet the needs of those outside its borders and then follow behind with hands outstretched for a loan of the very wealth it let go? How did we arrive at this, that the best leader is the one that knows how to beg for a share of what he has already given away at the price of a broken tool? Where is the future of Africa?
Ngũgĩ wa Thiong'o (Wizard of the Crow)
The four cautions: Beware a woman in front of you, beware a horse behind of you, beware a cart beside of you, and beware a priest every which way.
Jamie O'Neill (At Swim, Two Boys)
The earth turned to bring us closer, it spun on itself and within us, and finally joined us together in this dream as written in the Symposium. Nights passed by, snowfalls and solstices; time passed in minutes and millennia. An ox cart that was on its way to Nineveh arrived in Nebraska. A rooster was singing some distance from the world, in one of the thousand pre-lives of our fathers. The earth was spinning with its music carrying us on board; it didn't stop turning a single moment as if so much love, so much that's miraculous was only an adagio written long ago in the Symposium's score.
Eugenio Montejo (The Trees: Selected Poems 1967-2004)
Thirty spokes Share one hub. Make the nothing therein appropriate, and you will have the use of the cart.
Lao Tzu (Tao Te Ching (Chinese Classics (Hong Kong).))
If you're opening a hot dog stand, you could worry about the condiments, the cart, the name, the decoration. But the first thing you should worry aout is the hot dog. The hot dogs are the epicenter. Everything else is secondary.
Jason Fried (Rework)
If I could live again my life, In the next – I’ll try, - to make more mistakes, I won’t try to be so perfect, I’ll be more relaxed, I’ll be more full – than I am now, In fact, I’ll take fewer things seriously, I’ll be less hygienic, I’ll take more risks, I’ll take more trips, I’ll watch more sunsets, I’ll climb more mountains, I’ll swim more rivers, I’ll go to more places – I’ve never been, I’ll eat more ice creams and less lima beans, I’ll have more real problems – and less imaginary ones, I was one of those people who live prudent and prolific lives - each minute of his life, Of course that I had moments of joy – but, if I could go back I’ll try to have only good moments, If you don’t know – that’s what life is made of, Don’t lose the now! I was one of those who never goes anywhere without a thermometer, without a hot-water bottle, and without an umbrella and without a parachute, If I could live again – I will travel light, If I could live again – I’ll try to work bare feet at the beginning of spring till the end of autumn, I’ll ride more carts, I’ll watch more sunrises and play with more children, If I have the life to live – but now I am 85, - and I know that I am dying …
Jorge Luis Borges
My cart is a pain in the ass to control, but it’s good at carrying heavy things. So I decided it was male. I named him Trigger.
Andy Weir (Artemis)
The coolies pull them across Howrah bridge, which they share with cars, trucks, bullock carts, a party of young women in saris strolling in no hurry wearing bangles on their ankles, an elephant also in no hurry, and a cow that is lying down in the middle of the road chewing lazily a booklet entitled Dr W C Roy’s SPECIFIC FOR INSANITY. The camera pauses on a portion of the half-eaten text: “Dr Roy’s insanity medicine acted a charm. I am completely cured,” says Srinath Ghosh of Bundelkund. 5 rupees per phial.
Michael Tobert (Karna's Wheel)
Never mind if the cart's on fire, just keep loading the wagon" - Uncle Rob
Maggi Myers (The Final Piece)
I thought this was a cookout. You know, dogs and burgers, Tater Tots, ambrosia salad" Dexter picked up a box of Twinkies, tossing them into the cart. "And Twinkies." "It is,"..."Except that it's a cookout thrown by my mother." "And?" "And my mother doesn't cook." He looked at me waiting. "At all. My mother doesn't cook at all." "She must cook sometimes." "Nope." "Everyone can make scrambled eggs, Remy. It's programmed into you at birth, the default setting. Like being able to swim and knowing not to mix pickles with oatmeal. You just KNOW.
Sarah Dessen (This Lullaby)
It was like being born in Germany after World War II, being from Japan after Pearl Harbour, or America after Hiroshima. History was a bitch sometimes. You couldn't change where you were from. But still, you didn't have to stay there. You didn't have to stay stuck in the past, like the ladies in the DAR, or the Gatlin Historical Society, or the Sisters. And you didn't have to accept that things had to be the way they were, like Lena. Ethan Carte Wate hadn't, and I couldn't either.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
When a dog is tied to a cart, if it wants to follow, it is pulled and follows, making its spontaneous act coincide with necessity. But if the dog does not follow, it will be compelled in any case. So it is with men too: even if they don't want to, they will be compelled to follow what is destined.
Zeno of Citium
I look at these people and can't quite believe that they exist. Are they professional actors? I wonder. Or are they simply laymen who want a lot of attention? To put them in perspective, I think of being on an airplane. The flight attendant comes down the aisle with her food cart and, eventually, parks it beside my seat. "Can I interest you in the chicken?" she asks. "Or would you prefer the platter of shit with bits of broken glass in it? To be undecided in this election is to pause for a moment and then ask how the chicken is cooked.
David Sedaris
You keep picking me up and carting me around,” she muttered. “You know, when I’m not injured or drunk on my ass, I do have two perfectly functional feet.” “You are just so magnificently portable,” he told her.
Thea Harrison (Storm's Heart (Elder Races, #2))
People think that libraries are quiet, but they really aren’t. They rumble with voices and footsteps and a whole orchestral range of book-related noises—the snap of covers clapping shut; the breathy whisk of pages fanning open; the distinctive thunk of one book being stacked on another; the grumble of book carts in the corridors.
Susan Orlean (The Library Book)
Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.
Czesław Miłosz
Non è per cambiare che si ricomincia da capo. Si ricomincia da capo per cambiare tavolo. Si ha sempre questa idea di essere capitati nella partita sbagliata, e che con le nostre carte chissà cosa saremmo riusciti a fare se solo ci sedevamo a un altro tavolo da gioco.
Alessandro Baricco (Tre volte all'alba)
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's cart, and say, "Great. Maybe you can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed.
Jodi Picoult (House Rules)
Think like a middle-aged man with OCD, a dead wife, and a teenage daughter. Think like a woman with three teenage sons who once ran a golf cart into the side of their granddad's house." "Cameron and Sean shouldn't have let me drive," Adam said in his own defense. "I was seven." "You shouldn't have ASKED to drive. You were seven.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Crazy isn´t always what they say it is. It´s not always the old woman wearing sneakers and a skirt and a scarf, wandering around with a shopping cart, hollering at no one, nothing, tumbling through years in her head. No. Sometimes it is a girl wearing boots and jeans and a sweater, arms crossed in front of her, shivering, wandering through the streets at night, all night, murmuring to no one, nothing, tumbling through the strange unreal dimensions in her head.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
WIDE, the margin between carte blanche and the white page. Nevertheless it is not in the margin that you can find me, but in the yet whiter one that separates the word-strewn sheet from the transparent, the written page from the one to be written in the infinite space where the eye turns back to the eye, and the hand to the pen, where all we write is erased, even as you write it. For the book imperceptibly takes shape within the book we will never finish. There is my desert.
Edmond Jabès (The Book of Margins (Religion and Postmodernism))
Coming to the ball, Mr. Plumleigh-Teignmott?” “Ball? If you insist.” Pillover slid off his trunk, and Roger jumped down to help him load it into the cart. “Ball?” said one of the Pistons with interest. “We like balls.” Dimity gave them her best, most haughty look. “Yes, but are you certain they like you?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
The cashier – a bubble popping juvenile delinquent – asks me, “Will that be all?” I look at the bags of diapers that are now bagged in my cart and then at the empty belt. He is staring at me with his watery marijuana eyes, waiting for my answer. “Um, no, I’d like all this invisible shit too.” I wave a hand at the conveyer and he is actually dumb enough to look.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
Surprisingly, Stannis smiled at that. “You’re bold enough to be a Stark. Yes, I should have come sooner. If not for my Hand, I might not have come at all. Lord Seaworth is a man of humble birth, but he reminded me of my duty, when all I could think of was my rights. I had the cart before the horse, Davos said. I was trying to win the throne to save the kingdom, when I should have been trying to save the kingdom to win the throne.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
He stopped to rest at a cart selling nuts and candy, bought himself some Jelly Belly's, flirted just enought with the Mexican cutie working there to convince her pull out the banana-flavored one. Although he liked his Jelly Belly's mixed up, he didn't like banana, but, since it took too much effort to pull them out himself, he generally tried to talk someone else into doing it. If that didn't work, he just ate 'em. - Kenny Traveler
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
See, Don, I have this question, and I hope you’ll be honest with me.” He pulled at the end of his eyebrow. “I think you know you can count on my honesty.” “Can I?” I asked with an edge. “All right, then tell me: How long have you been fucking me?” That caused him to stop tugging his brow. “I don’t know what you’re saying—” “Because if I was going to fuck you,” I interrupted, “I’d get a bottle of gin, some Frank Sinatra music…and a crash cart for the heart attack you’d have. But you, Don, you’ve been fucking me for years now, and I haven’t gotten any liquor, music, flowers, candy, or anything!
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
And I think she works so much becasue she can be in control of it, you know?' I said. She nodded. 'It makes her feel, I don't know, safe.' I can understand that,' Delia said softly. 'Losing someone can make you feel very out of control. Totally so.' I know,' I said. 'But it's not really fair. Like, after my dad died, I wanted to be okay for her. So I was. Even when I had to fake it. But now, when I really do feel okay, she's not happy with me. Because I'm not perfect anymore.' Grieving doesn't make you imperfect,' Delia said quietly, as Bert came back out to the van, adjusting one of the carts inside. 'It makes you human. We all deal with things differently.
Sarah Dessen (The Truth About Forever)
Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
...the most delightful and choicest pleasure is that which is hinted at, but never told.
Chrétien de Troyes (Lancelot: The Knight of the Cart (Chretien de Troyes Romances S))
Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.
Wallace Stegner (The Spectator Bird)
The Z’s will kill us all, and then the Z’s will die out and in sixty years there will be no one to remember our silly war, Caroline’s wasted ammunition, my year of zombic survivalism, Rene DesCartes’s musings, or Michelangelo’s sculptures. And that is really only the sadness here as I drink a thousand-dollar bottle of wine down here in the cellar: We did a few things worth remembering, and I wish for someone to remember them.
John Green (Zombicorns)
Nu mă interesează un bărbat decât în măsura în care cred că-l stăpânesc ca femeie, în care cred că sunt pentru el, într-un moment din viaţă, o fiinţă unică, de neînlocuit. Ştiu că sunt femei mai frumoase decât mine, dar asta nu are nicio însemnătate, fiindcă oricât de frumoasă ar fi o femeie, se poate totdeauna ivi alta, care să fie şi mai frumoasă. Dar cred că poate exista o adâncime sufletească, o sensibilitate, o inteligenţă care pot însufleţi în aşa fel un anumit fizic, care pot crea o feminitate infungibilă(cum se spune în Drept despre bunurile care nu se pot schimba între ele, cum ar fi un tablou, un covor, un exemplar de carte dintr-o ediţie rară), amalgam unic de însuşiri de neînlocuit, cel puţin într-o clipă dată, pentru un om într-un anume climat sufletesc
Cella Serghi (Pânza de păianjen)
I can't make the hills The system is shot I'm living on pills For which I thank G-d I followed the course From chaos to art Desire the horse Depression the cart I sailed like a swan I sank like a rock But time is long gone Past my laughing stock My page was too white My ink was too thin The day wouldn't write What the night pencilled in My animal howls My angel's upset But I'm not allowed A trace of regret For someone will use What I couldn't be My heart will be hers Impersonally She'll step on the path She'll see what I mean My will cut in half And freedom between For less than a second Our lives will collide The endless suspended The door open wide Then she will be born To someone like you What no one has done She'll continue to do I know she is coming I know she will look And that is the longing And this is the book
Leonard Cohen (Book of Longing)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.” “Bob, you’re going to give me an ulcer.” “This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—” “Should I be writing this down?
Nora Roberts (Vision in White (Bride Quartet, #1))
The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.
Don DeLillo (White Noise)
When she was little, someone gave her some weird book called The Wife Store. It was about a very lonely man who decided that he wanted to get married. So he went to the wife store, where endless women lined enormous shelves. He picked himself a wife and bought her. She was bagged up and put in a cart. He took her home. After that, the two of them went to the children store to buy a few kids. Petey read this book over and over. Not because she liked it, but because she kept waiting for the story to change, kept waiting for the day she'd turn the page and a woman would get to the husband store. She kept waiting for justice. But, of course, the story never changed. She never got justice. If Petey were keeping one of her lists of the things she hated, she wold have to add: the fact that there was no justice. But The Wife Store was still on her shelf at home, if only to remind her that there were assholes in the world who would write such things, believe such things.
Laura Ruby (Bone Gap)
Ronan pointed at the cart. "Get in there." "What?" He just continued pointing. Adam said, "Give me a break. This is a public parking lot." "Don't make this ugly, Parrish." As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs. Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?" "C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead. With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it. The three of them came to a stop. "Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth." Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy. "You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming." Adam picked himself up before he got driven over. "When?" Ronan grinned.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Okay, calm down, we'll pay,"said Vee, reaching into her back pocket. She stuffed a wad of cash into the bowl, but it was dark and I couldn´t tell how much. "You owe me big-time," she told me. "You're supposed to let me count the money first," Marcie said, digging through the bowl, trying to recapture Vee´s donation. "I just assumed twenty was too high for you to count," Vee said. "My apologies." Marcie's eyes went slitty again, then she turned on her heel and carted the bowl back into the house. "How much did you give her?" I asked Vee. "I didn't. I tossed in a condom." I lifted my eyebrows."Since when do you carry condoms?" "I picked one up off the lawn on our way up the walk. Who knows, maybe Marcie'll use it. Then I'll have done my part to keep her genetic material out of the gene pool.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
If the people of Europe had known as much of astronomy and geology when the bible was introduced among them, as they do now, there never could have been one believer in the doctrine of inspiration. If the writers of the various parts of the bible had known as much about the sciences as is now known by every intelligent man, the book never could have been written. It was produced by ignorance, and has been believed and defended by its author. It has lost power in the proportion that man has gained knowledge. A few years ago, this book was appealed to in the settlement of all scientific questions; but now, even the clergy confess that in such matters, it has ceased to speak with the voice of authority. For the establishment of facts, the word of man is now considered far better than the word of God. In the world of science, Jehovah was superseded by Copernicus, Galileo, and Kepler. All that God told Moses, admitting the entire account to be true, is dust and ashes compared to the discoveries of Descartes, Laplace, and Humboldt. In matters of fact, the bible has ceased to be regarded as a standard. Science has succeeded in breaking the chains of theology. A few years ago, Science endeavored to show that it was not inconsistent with the bible. The tables have been turned, and now, Religion is endeavoring to prove that the bible is not inconsistent with Science. The standard has been changed.
Robert G. Ingersoll (Some Mistakes of Moses)
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Marge Piercy (To Be of Use: Poems)
Who asked him to make a gentleman of me? I was happy. I was free. I touched pretty nigh everybody for money when I wanted it, same as I touched you, Henry Higgins. Now I am worrited; tied neck and heels; and everybody touches me for money. It's a fine thing for you, says my solicitor. Is it? says I. You mean it's a good thing for you, I says. When I was a poor man and had a solicitor once when they found a pram in the dust cart, he got me off, and got shut of me and got me shut of him as quick as he could. Same with the doctors: used to shove me out of the hospital before I could hardly stand on my legs, and nothing to pay. Now they finds out that I'm not a healthy man and cant live unless they looks after me twice a day. In the house I'm not let do a hand's turn for myself: somebody else must do it and touch me for it. A year ago I hadn't a relative in the world except two or three that wouldn't speak to me. Now I've fifty, and not a decent week's wages among the lot of them. I have to live for others and not for myself: that's middle class morality.
George Bernard Shaw (Pygmalion)
Mă inspiră traiectoriile, mersul, deplasarea. Mă inspiră poveștile, din clipa în care nu sunt nimic altceva decât o idee vagă, până în momentul finalului, în care sunt complete, împlinite, și pleacă să se cuibărească într-o minte pregătită să le îmbrățișeze și poate chiar să trăiască pentru ele. Mă inspiră anotimpurile, și în special acele momente în care ele se îmbină, pentru că este vorba tot despre o schimbare, o transformare. Mă inspiră locurile pe care le-am vizitat în perioade diferite din viața mea. Mă inspiră muzica, dar nu ea în sine, ci tot ceea ce simțim noi când o ascultăm; unele dintre cele mai frumoase momente mi se par cele în care realizezi, ascultând același fragment muzical, cât de diferit ești față de ultima dată când l-ai ascultat. Mă inspiră nu cărțile în sine, ci tot acel haos de idei care ți se naște în timp ce înțelegi și simți o carte. Și, firește, mă inspiră oamenii și tot ce au ei neexplicit, neclar, difuz, vag, neînțeles, neacceptat, necunoscut, nemaiîntâlnit, complicat, divers, ciudat, ascuns, nebunesc, rușinos, intens.
Cristina Nemerovschi
Life sometimes offers you a chance, he thought, but when you are too cowardly or too indecisive to seize it life takes the cards away; there is a moment for doing things and entering a possible happiness, and this moment lasts a few days, sometimes a few weeks or even a few months, but it happens once and one time only, and if you want to return to it later it's quite simply impossible. There's no more place for enthusiasm, belief, and faith, and there remains just gentle resignation, a sad and reciprocal pity, the useless but correct sensation that something could have happened, that you just simply showed yourself unworthy of this gift you had been offered.
Michel Houellebecq (La carte et le territoire)
Olga was nice, Olga was nice and loving, Olga loved him, he repeated to himself with a growing sadness as he also realised that nothing would ever happen between them again, life sometimes offers you a chance he thought, but when you are too cowardly or too indecisive to seize it life takes the cards away; there is a moment for doing things and entering a possible happiness, and this moment lasts a few days, a few weeks or even a few months, but it only happens once and one time only, and if you want to return to it later it's quite simply impossible. There's no more place for enthusiasm, belief and faith, and there remains just gentle resignation, a sad and reciprocal pity, the useless but correct sensation that something could have happened, that you just simply showed yourself unworthy of this gift you had been offered.
Michel Houellebecq (La carte et le territoire)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Another fallacy comes creeping in whose errors you should be meticulous in trying to avoid. Don't think our eyes, our bright and shining eyes, were made for us to look ahead with. Don't suppose our thigh bones fitted our shin bones and our shins our ankles so that we might take steps. Don't think that arms dangled from shoulders and branched out in hands with fingers at their ends, both right and left, for us to do whatever need required for our survival. All such argument, all such interpretation is perverse, fallacious, puts the cart before the horse. No bodily thing was born for us to use. Nature had no such aim, but what was born creates the use. There could be no such thing as sight before the eyes were formed. No speech before the tongue was made, but tongues began long before speech were uttered. and the ears were fashioned long before a sound was heard. And all the organs I feel sure, were there before their use developed. They could not evolve for the sake of use be so designed. But battling hand to hand and slashing limbs, fouling the foe in blood, these antedate the flight of shining javelins. Nature taught men out to dodge a wound before they learned the fit of shield to arm. Rest certainly is older in the history of man than coverlets or mattresses, and thirst was quenched before the days of cups or goblets. Need has created use as man contrives device for his comfort. but all these cunning inventions are far different from all those things much older, which supply their function from their form. The limbs, the sense, came first, their usage afterwards. Never think they could have been created for the sake of being used.
Lucretius (The Way Things Are)
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke. “I feel soiled.” “Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said. I just stared at him. “With a funky smell,” he added. My Order conditioning failed me. “Ew.” Raphael grinned. “I‟m not even going to ask if that‟s happened to you.” I started the vehicle. “Has that happened to you?” “Yes.” Ew. “Where?” “In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .” “I don‟t want to know.” I peeled out of the parking lot. "So where are we going?” “To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.” Raphael frowned. “Do you know where she lives?” “Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.” He squinted at me, looking remarkably like a gentleman pirate from my favorite romance novels. “What else do you store in your head?” “This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.” “I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟ “I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟” The look on his face was priceless. “That can‟t be the first thing.” “It was.” We drove in silence. “About the K-Y,” Raphael said. “I don‟t want to know!‟ “Once I washed it out of my hair—” “Raphael, why are you doing this?” “I want to make you go "Ew‟ again.” “Why in the world would you want to do that?” “It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—” “Raphael!” “No, wait, you‟ll like the next part.
Ilona Andrews (Must Love Hellhounds)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display. “They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions. Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.” “I don’t get what half these descriptions mean . . . What’s a vibrating ring?” “Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.” I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’” “I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.” “But blue’s my favorite color,” I say, batting my eyelashes at him. “Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?” “For the visually impaired?” I ask, reshelving the boxes. We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave. “Do you think he knew?” I ask. “You’re blushing again,” Jase mutters absently. “Did who know what?” “The sales guy. Why we were buying these?” A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.” Okay, I’m ridiculous. “Or party favors,” I laugh. “Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.” “Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans. “Or little raincoats for . . .” He pauses, stumped. “Barbie dolls,” I suggest. “G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
Huntley Fitzpatrick (My Life Next Door)
Following Homo sapiens, domesticated cattle, pigs and sheep are the second, third and fourth most widespread large mammals in the world. From a narrow evolutionary perspective, which measures success by the number of DNA copies, the Agricultural Revolution was a wonderful boon for chickens, cattle, pigs and sheep. Unfortunately, the evolutionary perspective is an incomplete measure of success. It judges everything by the criteria of survival and reproduction, with no regard for individual suffering and happiness. Domesticated chickens and cattle may well be an evolutionary success story, but they are also among the most miserable creatures that ever lived. The domestication of animals was founded on a series of brutal practices that only became crueller with the passing of the centuries. The natural lifespan of wild chickens is about seven to twelve years, and of cattle about twenty to twenty-five years. In the wild, most chickens and cattle died long before that, but they still had a fair chance of living for a respectable number of years. In contrast, the vast majority of domesticated chickens and cattle are slaughtered at the age of between a few weeks and a few months, because this has always been the optimal slaughtering age from an economic perspective. (Why keep feeding a cock for three years if it has already reached its maximum weight after three months?) Egg-laying hens, dairy cows and draught animals are sometimes allowed to live for many years. But the price is subjugation to a way of life completely alien to their urges and desires. It’s reasonable to assume, for example, that bulls prefer to spend their days wandering over open prairies in the company of other bulls and cows rather than pulling carts and ploughshares under the yoke of a whip-wielding ape. In order for humans to turn bulls, horses, donkeys and camels into obedient draught animals, their natural instincts and social ties had to be broken, their aggression and sexuality contained, and their freedom of movement curtailed. Farmers developed techniques such as locking animals inside pens and cages, bridling them in harnesses and leashes, training them with whips and cattle prods, and mutilating them. The process of taming almost always involves the castration of males. This restrains male aggression and enables humans selectively to control the herd’s procreation.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
So look," he began, leaning over the desk, "I was—" "Excuse me?" Bethany said. Her voice was loud, even. Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart in hand peeking out from his sleeve. "We can help you over here," Bethany said to him. "Did you have a question?" "Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—" "I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this. "Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay, so—" "She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer to where he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us." Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "I think she'll know it." "She won't. Ask me." Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back. Whatever happens, I thought, happens. For the first time, time at the info desk was flying. "Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and she sat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here's my question." Amanda picked up a pen, as if there might be a written portion. "Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened to the big tongs?" The sick part was that Bethany, for a second, looked as if she was actually flipping through her mental Rolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all. I could feel myself smiling. A real smile. Wes looked at Amanda. "Do you know?" Amanda shook her head slowly. "All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?" I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the broken back wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.
Sarah Dessen (The Truth About Forever)
Reader: Will you not admit that you are arguing against yourself? You know that what the English obtained in their own country they obtained by using brute force. I know you have argued that what they have obtained is useless, but that does not affect my argument. They wanted useless things and they got them. My point is that their desire was fulfilled. What does it matter what means they adopted? Why should we not obtain our goal, which is good, by any means whatsoever, even by using violence? Shall I think of the means when I have to deal with a thief in the house? My duty is to drive him out anyhow. You seem to admit that we have received nothing, and that we shall receive nothing by petitioning. Why, then, may we do not so by using brute force? And, to retain what we may receive we shall keep up the fear by using the same force to the extent that it may be necessary. You will not find fault with a continuance of force to prevent a child from thrusting its foot into fire. Somehow or other we have to gain our end. Editor: Your reasoning is plausible. It has deluded many. I have used similar arguments before now. But I think I know better now, and I shall endeavour to undeceive you. Let us first take the argument that we are justified in gaining our end by using brute force because the English gained theirs by using similar means. It is perfectly true that they used brute force and that it is possible for us to do likewise, but by using similar means we can get only the same thing that they got. You will admit that we do not want that. Your belief that there is no connection between the means and the end is a great mistake. Through that mistake even men who have been considered religious have committed grievous crimes. Your reasoning is the same as saying that we can get a rose through planting a noxious weed. If I want to cross the ocean, I can do so only by means of a vessel; if I were to use a cart for that purpose, both the cart and I would soon find the bottom. "As is the God, so is the votary", is a maxim worth considering. Its meaning has been distorted and men have gone astray. The means may be likened to a seed, the end to a tree; and there is just the same inviolable connection between the means and the end as there is between the seed and the tree. I am not likely to obtain the result flowing from the worship of God by laying myself prostrate before Satan. If, therefore, anyone were to say : "I want to worship God; it does not matter that I do so by means of Satan," it would be set down as ignorant folly. We reap exactly as we sow. The English in 1833 obtained greater voting power by violence. Did they by using brute force better appreciate their duty? They wanted the right of voting, which they obtained by using physical force. But real rights are a result of performance of duty; these rights they have not obtained. We, therefore, have before us in English the force of everybody wanting and insisting on his rights, nobody thinking of his duty. And, where everybody wants rights, who shall give them to whom? I do not wish to imply that they do no duties. They don't perform the duties corresponding to those rights; and as they do not perform that particular duty, namely, acquire fitness, their rights have proved a burden to them. In other words, what they have obtained is an exact result of the means they adapted. They used the means corresponding to the end. If I want to deprive you of your watch, I shall certainly have to fight for it; if I want to buy your watch, I shall have to pay you for it; and if I want a gift, I shall have to plead for it; and, according to the means I employ, the watch is stolen property, my own property, or a donation. Thus we see three different results from three different means. Will you still say that means do not matter?
Mahatma Gandhi